Preparation Manual Dance 6–12 (279)
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
A Delicate Balance Negotiating Isolation and Globalization in the Burmese Performing Arts Catherine Diamond
A Delicate Balance Negotiating Isolation and Globalization in the Burmese Performing Arts Catherine Diamond If you walk on and on, you get to your destination. If you question much, you get your information. If you do not sleep and idle, you preserve your life! (Maung Htin Aung 1959:87) So go the three lines of wisdom offered to the lazy student Maung Pauk Khaing in the well- known eponymous folk tale. A group of impoverished village youngsters, led by their teacher Daw Khin Thida, adapted the tale in 2007 in their first attempt to perform a play. From a well-to-do family that does not understand her philanthropic impulses, Khin Thida, an English teacher by profession, works at her free school in Insein, a suburb of Yangon (Rangoon) infamous for its prison. The shy students practiced first in Burmese for their village audience, and then in English for some foreign donors who were coming to visit the school. Khin Thida has also bought land in Bagan (Pagan) and is building a culture center there, hoping to attract the street children who currently pander to tourists at the site’s immense network of temples. TDR: The Drama Review 53:1 (T201) Spring 2009. ©2009 New York University and the Massachusetts Institute of Technology 93 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/dram.2009.53.1.93 by guest on 02 October 2021 I first met Khin Thida in 2005 at NICA (Networking and Initiatives for Culture and the Arts), an independent nonprofit arts center founded in 2003 and run by Singaporean/Malaysian artists Jay Koh and Chu Yuan. -
UC Riverside Diagonal: an Ibero-American Music Review
UC Riverside Diagonal: An Ibero-American Music Review Title Goldberg, K. Meira, Walter Aaron Clark, and Antoni Pizà, eds. "Transatlantic Malagueñas and Zapateados in Music, Song and Dance: Spaniards, Natives, Africans, Roma." Newscastle upon Tyne, United Kingdom: Cambridge Scholars Publishing, 2019. Permalink https://escholarship.org/uc/item/5dq9z93m Journal Diagonal: An Ibero-American Music Review, 5(2) ISSN 2470-4199 Author Nocilli, Cecelia Publication Date 2020 DOI 10.5070/D85247375 License https://creativecommons.org/licenses/by/4.0/ 4.0 eScholarship.org Powered by the California Digital Library University of California Review Goldberg, K. Meira, Walter Aaron Clark, and Antoni Pizà, eds. Transatlantic Malagueñas and Zapateados in Music, Song and Dance: Spaniards, Natives, Africans, Roma. Newscastle upon Tyne, United Kingdom: Cambridge Scholars Publishing, 2019. CECILIA NOCILLI Universidad de Granada Beyond Dance: Analysis, Historiography, and Redefinitions The anthology Transatlantic Malagueñas and Zapateados in Music, Song and Dance: Spaniards, Natives, Africans, Roma opens with a suggestive image of Ruth St. Denis and Ted Shawn in La Malagueña of 1921, which synthesizes the identity of the publication: an exploration of the transatlantic journeys of Spanish dance and its exotic fascination. The image thus manifests the opposition between the maja and the manolo (tough girl and tough guy), as between the Andalusian woman and the bullfighter. In their introduction, Meira Goldberg, Walter Aaron Clark and Antoni Pizà highlight the relationship between this anthology and an earlier volume on the fandango as a clearly mestizo, or hybridized, dance form blending African, European, and American influences: The Global Reach of the Fandango in Music, Song and Dance: Spaniards, Indians, Africans and Gypsies (Música Oral del Sur vol. -
Music and Inter-Generational Experiences of Social Change in South Africa
All Mixed Up: Music and Inter-Generational Experiences of Social Change in South Africa Dominique Santos 22113429 PhD Social Anthropology Goldsmiths, University of London All Mixed Up: Music and Inter-Generational Experiences of Social Change in South Africa Dominique Santos 22113429 Thesis submitted in fulfillment of the requirements for a PhD in Social Anthropology Goldsmiths, University of London 2013 Cover Image: Party Goer Dancing at House Party Brixton, Johannesburg, 2005 (Author’s own) 1 Acknowledgements I owe a massive debt to a number of people and institutions who have made it possible for me to give the time I have to this work, and who have supported and encouraged me throughout. The research and writing of this project was made financially possible through a generous studentship from the ESRC. I also benefitted from the receipt of a completion grant from the Goldsmiths Anthropology Department. Sophie Day took over my supervision at a difficult point, and has patiently assisted me to see the project through to submission. John Hutnyk’s and Sari Wastel’s early supervision guided the incubation of the project. Frances Pine and David Graeber facilitated an inspiring and supportive writing up group to formulate and test ideas. Keith Hart’s reading of earlier sections always provided critical and pragmatic feedback that drove the work forward. Julian Henriques and Isaak Niehaus’s helpful comments during the first Viva made it possible for this version to take shape. Hugh Macnicol and Ali Clark ensured a smooth administrative journey, if the academic one was a little bumpy. Maia Marie read and commented on drafts in the welcoming space of our writing circle, keeping my creative fires burning during dark times. -
Samba, Rumba, Cha-Cha, Salsa, Merengue, Cumbia, Flamenco, Tango, Bolero
SAMBA, RUMBA, CHA-CHA, SALSA, MERENGUE, CUMBIA, FLAMENCO, TANGO, BOLERO PROMOTIONAL MATERIAL DAVID GIARDINA Guitarist / Manager 860.568.1172 [email protected] www.gozaband.com ABOUT GOZA We are pleased to present to you GOZA - an engaging Latin/Latin Jazz musical ensemble comprised of Connecticut’s most seasoned and versatile musicians. GOZA (Spanish for Joy) performs exciting music and dance rhythms from Latin America, Brazil and Spain with guitar, violin, horns, Latin percussion and beautiful, romantic vocals. Goza rhythms include: samba, rumba cha-cha, salsa, cumbia, flamenco, tango, and bolero and num- bers by Jobim, Tito Puente, Gipsy Kings, Buena Vista, Rollins and Dizzy. We also have many originals and arrangements of Beatles, Santana, Stevie Wonder, Van Morrison, Guns & Roses and Rodrigo y Gabriela. Click here for repertoire. Goza has performed multiple times at the Mohegan Sun Wolfden, Hartford Wadsworth Atheneum, Elizabeth Park in West Hartford, River Camelot Cruises, festivals, colleges, libraries and clubs throughout New England. They are listed with many top agencies including James Daniels, Soloman, East West, Landerman, Pyramid, Cutting Edge and have played hundreds of weddings and similar functions. Regular performances in the Hartford area include venues such as: Casona, Chango Rosa, La Tavola Ristorante, Arthur Murray Dance Studio and Elizabeth Park. For more information about GOZA and for our performance schedule, please visit our website at www.gozaband.com or call David Giardina at 860.568-1172. We look forward -
Introduction to Latin Dance
OFFICE OF CURRICULUM, INSTRUCTION & PROFESSIONAL DEVELOPMENT HIGH SCHOOL COURSE OUTLINE Course Code 3722 Course Title Introduction to Latin Dance Department Physical Education Short Title Intro Latin Dance Course Length 2 Semesters Grade 11-12 Credits/Semester 5 Required for Graduation No Meets H.S. Grad Requirement Elective Credit Yes Meets UC “a-g” No Meets NCAA Requirement No Requirement Prerequisites 2 years physical education COURSE DESCRIPTION: This course is designed to teach students the basic elements of Latin Dance. Students will analyze dance’s role in improving and maintaining one’s health related fitness and then incorporate dance activities into their personal fitness program/plan. Students will learn basic steps as well as complex combinations in Merengue, Salsa, Bachata, and the Cha Cha. For each dance, the students will learn the historical and geographical roots, the music and the instruments associated with each one. This course will help students learn the skills of dance while improving their technique, poise, self-confidence and creative ability as well as deepening their understanding of and appreciation for the rich and colorful heritage that each dance represents. As a course involving couples’ dances, it will allow students to develop an understanding of the social etiquette involved in couples dancing. GOALS: Students need to: • Demonstrate knowledge and skills related to performance of the following dances: Merengue, Salsa, Bachata and Cha Cha. • Assess and maintain a level of physical fitness to improve health and performance. • Demonstrate knowledge of physical fitness concepts, principles, and strategies to improve health and performance in dance. • Demonstrate and utilize knowledge of psychological and sociological concepts, principles, and strategies as applied to learning and performance of Latin dance. -
190916 Class Schedule
Latin Street Music & Dancing 9/16 - 10/13 No Partner Necessary 312.427.2572 - 312.42 SALSA Location: 600 W. Roosevelt Rd. Ste 2W. Chicago, IL Highlight = Latin Street Team Highlight = beginner class Highlight = Kids Class Monday Tuesday Wednesday Thursday Friday Saturday Sunday 9/16, 9/23, 9/30, 10/7 9/17, 9/24, 10/1, 10/8 9/18, 9/25, 10/2, 10/9 9/19, 9/26, 10/3, 10/10 9/20, 9/27, 10/4, 10/11 9/21, 9/28, 10/5, 10/12 9/22, 9/29, 10/6, 10/13 6:00 - 6:55 pm 6:00 - 6:55 pm 6:00 - 6:55 pm 6:00 - 6:55 pm 6:00 - 6:55 pm 10:00 - 10:55 am 10:00 - 10:55 am Salsa A: CBL, Bachata A: Core Salsa A: CBL, Walk Salsa A: CBL, Walk Salsa A: CBL, Walk Vanessa Walk thrus & Abraham Angels & Jonathan Vanessa Andres Breakdancing (4-7 yrs old) Kid Jungle Studio Rental Reservation thrus & traveling thrus & traveling thrus & traveling traveling Shadows Zouk A: Body Bachata A: Sensual Cumbia A: Basics Salsa B: CBL & Abraham Moves-Isolations, Sydney Abraham Jonathan Salsa B: CBL & Spins Chris Kids Salsa (8 yrs+) Andres Private lesson or studio rental Partnerwork & Partnerwork Spins Waves & Sways Salsa B: CBL & Salsa NY On2 A: Bachata B: Building Salsa B: CBL & Spins Jonathan Vanessa Chris Abraham Private lesson or studio rental Studio Rental Reservation Private lesson or studio rental Spins From On1 to On2 combos & pathways LS SixSeven Bachata B: Ladies Private lesson or studio Zouk B: Head Chris Fabia Sydney Private lesson or studio rental Private lesson or studio rental Private lesson or studio rental Mambo Team Styling rental Movement 7:00 - 7:55 pm 7:00 - 7:55 -
Experience It All
World Dance Challenge – Experience It All World Dance Challenge is an exciting international dance event specifically for dance schools and studios from all over the world. A complete dance experience in an Olympic style dancers village for dancers of all different standards. COMPETE in multiple rounds against dancers and groups from dance schools all over the world. LEARN and improve your skills by taking various Masterclasses, Workshops and more with leading dance experts. ENJOY traveling to a new destination, opening ceremony, DJ parties, day tours, leisure time and fun with your dance friends and family. How does it work? . Qualify with your dance school/studio either at your Live Country Qualifier, Online Video Qualifier or through a Dance World Cup live qualifier. Dancers who qualified wishing to compete at the World Championships are then required to select one of the affordable dancer’s packages. There are optional packages for supporters as well. The packages include accommodation, tickets, workshops, team jackets, photos and videos of your performances and much more. (See Packages Information Document) . Travel with your dance school/studio and family to Portugal where the WDC World Championships will be held from 3 to 8 April 2020 at a breath-taking resort turned into a dancers village in the Algarve. Spend some optional extra time after the event during Easter weekend in Portugal exploring this beautiful country. Compete in the first round, the Challenger round. If you receive a top placing, you move through to the Finals round. The top 25 routines from the Finals round move on to the Grand World Champion round where massive cash prize and awards are up for grabs. -
Dossier De Presse Lancement De Saison
DOSSIER DE PRESSE LANCEMENT DE SAISON SAISONUNE SAISON AUX SALINS SAISONSALINSWWW. LES-SALINS .NET SALINS attaché de presse - Pascal Scuotto - 06 11 13 64 48 - [email protected] téléchargez les dossiers de presse & photos - www.les-salins.net/espace-presse - mot de passe : LesSalins Les Salins, scène nationale de Martigues - 19 Quai Paul Doumer - 13500 Martigues - 04 42 49 02 01 billetterie - 04 42 49 02 00 - www.les-salins.net UNE SAISON AUX SALINS UNE SAISON DE SPECTACLES Reflet de la multiplicité des propositions qui existent dans le spectacle vivant, voici la programmation des Salins pour cette nouvelle saison. Tout y est : danse, cirque, musique, théâtre et bien entendu spectacles à voir en famille. Le théâtre ouvre la saison sur le grand plateau La musique aux Salins, c’est tous azimuts ! Le grand metteur en scène Jan Fabre vient aux Salins, avec le Grande ou petite salle, tout se retrouve aux Salins. Cette saison, soutien d’Actoral, nous présenterBelgian rules/Belgium rules. nous avons choisi de vous réserver des surprises, que nous vous Une pièce qui passe au peigne fin la Belgique et les Belges, dans communiquerons au fil des mois, pour vous garder en éveil ! leurs clichés, leur joie, leur culture, leur force. Une ouverture en Le premier concert sera sud-américain, avec Bloque Depresivo, fanfare de la saison de théâtre qui comptera également Pauline puis c’est la french pop qui s’invitera avecClara Luciani. Parce Bureau, qui revient aux Salins avec le poignant Mon cœur, suivi que les grands écarts ne nous font pas peur, c’est un concert de la drôlerie de Vincent Dedienne dans Ervart , et l’acidité de exceptionnel de Christophe, en solo, qui réchauffera notre la jeune Laurie Peret dans un one woman show décoiffant. -
Focus on Dance Education
FOCUS ON DANCE EDUCATION: Engaging in the Artistic Processes: Creating, Performing, Responding, Connecting In Partnership with the International Guild of Musicians in Dance (IGMID) 17th Annual Conference October 7-11, 2015 Phoenix, Arizona CONFERENCE PROCEEDINGS National Dance Education Organization Kirsten Harvey, MFA Editor Focus on Dance Education: Engaging in the Artistic Processes: Creating Performing, Responding, Connecting Editorial Introduction In October 2015, the National Dance Education Organization met for their annual conference in Phoenix, Arizona to celebrate and honor the legacy, and individuality of the NDEO dance community. The warm spirit of Phoenix resonated with each educator and artist that came together at the beautiful Pointe Hilton Tapatio Cliffs Resort. Over 150 workshops, papers presentations, panels, master classes, social events, and performances were offered including full day pre-conference intensives that preceded the official start of the conference. The range of offerings for dance educators included a variety of experiences to foster inspiration, education, response, dialogue and connection to one another. Contributions to Focus on Dance Education: Engaging in the Artistic Processes: Creating Performing, Responding, Connecting Conference Proceedings include paper presentations, panel discussions, workshops, and movement sessions presented from October 7-11, 2015. The proceedings include 4 abstracts, 9 full papers, 6 movement session summaries, 6 summary of workshop presentations, 2 panel discussion summaries, and 1 special interest group summary. One of the broadest ranges of submissions since I have been editing the proceedings. The NDEO top paper selection committee selected Caroline Clark’s paper titled “We Learned to Perform by Performing: Oral Histories of Ballet Dancers in a Beer Hall” for the Top Paper Citation. -
Acro Vs. Gymnastics: What's the Difference?
Acro vs. Gymnastics: What’s the Difference? The simple answer is, there are LOTS of differences! If you’ve ever watched a gymnastics floor routine, you’ll notice the hard-hitting, advanced tumbling lines, executed with power and precision. Gymnasts focus on “sticking the landing”, because every fall, wobble, or off-step is a deduction to their overall score and can be the difference between winning and losing. Acro Dance is an art form specifically designed for dancers. Acro has softer, more lyrical-looking lines, with emphasis on lengthening “through” the tricks and holding beautiful balances with interesting variations. The focus is on seamlessly blending acrobatics with dance, and avoiding obvious preparations before each trick. In short, Gymnastics is a sport; Acro Dance is an art form. Gymnasts train on a sprung-floor, with actual springs built into the mats: a forgiving surface to repeatedly practice advanced tumbling passes on over and over again. Acro Dancers perform on a hard stage, and must train the body to withstand the impact of the floor. Dancers don’t get the “rebound” action out of a hard floor like gymnasts do out of a spring-floor. Therefore, dancers train to get the necessary lift from their bodies, and emphasis on a strong “hub” (hips, glutes, core) is a must. Gymnastics tricks are usually performed in a “hollow-body” position (think: laying down on the back in a “banana” position with the arms and legs hovering off the ground; chin tucked; pulling in through the core). Acro tricks are usually performed in an “open-body” position (think: laying down on the stomach in a “superman” position with the arms and legs lengthening and hovering off the ground; chin open and looking past the fingertips). -
Master Plan B
BOOTCAMP SCHEDULE THURSDAY 22 JUNE 2017 Ballroom 1 Ballroom 2 Ballroom 3 Ballroom 4 Ballroom 5 Sara Lopez & Nuno Griselle Ponce 11:00 - 14:00 Kizomba Bootcamp Diva Challenge Bootcamp 11am - 2pm 11am - 2pm LUNCH BREAK (BUFFET 1PM -3 PM) Uriel & Vera Terry & Cecile 14:30 - 17:30 Bachata Bootcamp Salsa On2 Bootcamp 2:30pm - 5:30pm 2:30pm - 5:30pm BOOTCAMP & WORKSHOP SCHEDULE FRIDAY 23 JUNE 2017 Ballroom 1 Ballroom 2 Ballroom 3 Ballroom 4 Ballroom 5 Güpson Pierre Griselle Ponce Assaf Marcus 11:00 - 11:45 Sara Lopez & Nuno Grupo Alafia Cha Cha footwork Bachata Yuko Bosch Kizomba Bootcamp Diva Challenge Bootcamp Erik Rodrigues Pachanga Bootcamp 12:00 - 12:45 Musicality On 2 11am - 1pm 11am - 2pm Salsa On2 11am - 1pm LUNCH BREAK (BUFFET 12:30 -2:30PM) Super Mario 14:00 - 14:45 Grupo Alafia Terry & Cecile Uriel & Vera Salsa On 1 BAND REHEARSAL Erik Rodrigues Pachanga Bootcamp 15:00 - 15:45 Salsa On2 Bootcamp Bachata Bootcamp On 2 shines 2pm- 4pm 2:30pm - 5:30pm 2:30pm - 5:30pm Garry Portugal & Marta Brenda Liew 16:00 - 16:45 Bachata paternerwork Musicality Improvisation SHOWS TECH REHEARSAL Super Mario Busra Araci 17:00 - 17:45 Salsa On 1 Lady Styling & Shine DINNER BUFFET (5:30PM - 7:30PM) BOOTCAMP & WORKSHOP SCHEDULE SATURDAY 24 JUNE 2017 Ballroom 1 Ballroom 2 Ballroom 3 Ballroom 4 Ballroom 5 Busra Araci Griselle Ponce Harry Lim 10:00 - 10:45 Sara Lopez & Nuno Grupo Alafia Lady Styling & Shine Bachata paternerwork Davide Venturi Kizomba Bootcamp Diva Challenge Bootcamp Harry Lim Pachanga Bootcamp 11:00 - 11:45 Kizomba 10am - 12pm 10am - 12pm -
Dance Music Visual Arts
2021-2022 Aberdeen Recreation and Cultural Center ARCC ARCC ARCC Dpg.4-9ance Visualpg.10 Arts Musicpg.11 REGISTRATION // CLASS SCHEDULES // IMPORTANT DATES General Information REGISTRATION Registration begins Tuesday, August 3, 2021 from 7am-5pm and will continue weekdays 8am-5pm until the start of classes. Register in person Register over the phone Register online* 225 3rd Ave SE, Aberdeen (605) 626-7081 https://webtracaberdeensd.us *Only available through Sept. 9th TUITION & BILLING ACTIVITY ASSISTANCE AVAILABLE Reduced fee tuition is available for youth 17 years of Tuition for classes and lessons is an annual fee for age and under from qualified low-income families. a set number of classes or lessons that is paid Youth who are eligible to participate in the program in monthly installments. Sales tax will be added may sign up for any department activity, class or at the time of payment. Scheduled days off are youth season pass at a 70% discount. factored into the calendar. For more information contact the Parks, Recreation MONTHLY INSTALLMENT and Forestry office at626-7015 . This discount may PAYMENT SCHEDULE not be combined with other discounts. Payments G-I are added to accounts in late January – early February for your convenience. Due dates remain as listed below. Payment A: Upon Registration ARCC PROGRAM POLICIES Payment B: September 20th For the complete ARCC program policies, please Payment C: October 20th see the Information and Registration Handbooks. Payment D: November 20th Copies are available at registration, the ARCC desk