Testament Lyrics Quality Control
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Bullets High Five
DUC REDAKTION Hofweg 61a · D-22085 Hamburg T 040 - 369 059 0 WEEK 31 [email protected] · www.trendcharts.de 29.07.2021 Approved for publication on Tuesday, 03.08.2021 THIS LAST WEEKS IN PEAK WEEK WEEK CHARTS ARTIST TITLE LABEL/DISTRIBUTOR POSITION 01 01 06 Tyga Ft. Moneybagg Yo Splash Last Kings/Empire 01 02 02 07 Ty Dolla $ign x Jack Harlow x 24kGoldn I Won Atlantic/WMI/Warner 02 03 04 05 Wale Ft. Chris Brown Angles Maybach/Warner/WMI 03 04 03 08 Nicky Jam x El Alfa Pikete Sony Latin/Sony 02 05 05 09 City Girls Twerkulator Quality Control/Motown/UMI/Universal 02 06 06 06 Meghan Thee Stallion Thot Shit 300/Atlantic/WMI/Warner 03 07 14 03 J Balvin x Skrillex In Da Getto Sueños Globales/Universal Latin/UMI/Universal 07 08 09 04 dvsn & Ty Dolla $ign Ft. Mac Miller I Believed It OVO/Warner/WMI 08 09 17 07 Doja Cat Ft. SZA Kiss Me More Kemosabe/RCA/Sony 08 10 21 02 Post Malone Motley Crew Republic/UMI/Universal 10 11 NEW Daddy Yankee Ft. Jhay Cortez & Myke Towers Súbele El Volumen El Cartel/Republic/UMI/Universal 11 12 07 03 Shirin David Lieben Wir Juicy Money/VEC/Universal 01 13 13 02 Maluma Sobrio Sony Latin/Sony 13 14 NEW Pop Smoke Ft. Chris Brown Woo Baby Republic/UMI/Universal 14 15 NEW MIST Ft. Burna Boy Rollin Sickmade/Warner/WMI 15 16 12 03 Brent Faiyaz Ft. Drake Wasting Time Lost Kids 09 17 11 04 RIN Ft. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Davido-Bio-November-2019.Pdf
DAVIDO Nearing the close of 2019, it’s hard for many to say they haven’t heard the name Davido, born David Adedeji Adeleke. The year marks another fete of huge achievements, from opening the year with a sold out date at London’s O2 Arena – making him the first solo African artist to do this – to creating mass hysteria across America with his 2018 single “Fall” which has gone on to have the longest run of an Afrobeats single on the Billboard charts, and saw it peak across Shazam as one of the most searched songs in the United States, and now gears up to release his second album A Good Time, all before a circuit of Christmas shows across Africa. If anything has framed where Davido currently is, it would his “childhood.” The youngest of five, growing up with his parents in Lagos, Nigeria, he was “exposed” to the world. Across summer breaks he would travel to visit his siblings in London and Atlanta, the latter being home to some of the artists that he today he can call his good friends – YoungThug, Gunna, Lil Baby – and the home to some of his favorite rappers growing up – Ludacris, Nelly – the sounds of noughties Hip Hop that he “loved.” It was most likely these trips that would drive a love for music that reflected global ambition. This exposure to the world, would in turn give Davido the opportunity to share with his University of Alabama friends music from Nigeria, that he knew if “given a chance” would go global. -
Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-8-2020 Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry Chinwe Salisa Maponya-Cook Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Maponya-Cook, Chinwe Salisa, "Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/aas_theses/66 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CONFESSIONS OF A BLACK FEMALE RAPPER: AN AUTOETHNOGRAPHIC STUDY ON NAVIGATING SELFHOOD AND THE MUSIC INDUSTRY by CHINWE MAPONYA-COOK Under the DireCtion of Jonathan Gayles, PhD ABSTRACT The following research explores the ways in whiCh a BlaCk female rapper navigates her selfhood and traditional expeCtations of the musiC industry. By examining four overarching themes in the literature review - Hip-Hop, raCe, gender and agency - the author used observations of prominent BlaCk female rappers spanning over five deCades, as well as personal experiences, to detail an autoethnographiC aCCount of self-development alongside pursuing a musiC career. MethodologiCally, the author wrote journal entries to detail her experiences, as well as wrote and performed an aCCompanying original mixtape entitled The Thesis (available on all streaming platforms), as a creative addition to the research. -
Global Superstar Davido Releases Single and Video “So Crazy” Ft
GLOBAL SUPERSTAR DAVIDO RELEASES SINGLE AND VIDEO “SO CRAZY” FT. LIL BABY WATCH/LISTEN HERE: https://smarturl.it/DavidoSoCrazy NEW ALBUM A BETTER TIME SET FOR RELEASE THIS FRIDAY, NOVEMBER 13 PRE ORDER NOW Photo Credit: Adam Keeley/Press Photo HERE “So Crazy” Ft. Lil Baby Lyrics HERE November 9, 2020 — Afropop superstar DAVIDO today releases new single and video “SO CRAZY,” featuring one of Atlanta’s finest rappers LIL BABY. The song is taken from his much anticipated third studio album A BETTER TIME scheduled for release on November 13 via Davido Worldwide Entertainment/ Sony Music U.K. /RCA Records. Listen/Watch “So Crazy” HERE Pre-order A BETTER TIME HERE Produced by Nick Papz and Xander, “So Crazy” sees Davido adopting a staccato flow which combines perfectly with his fellow Atlanta-born artist Lil Baby. The stunning visuals were directed by David Wept and shot in Los Angeles. “I’ve known Lil Baby for quite a while, and I think it’s important that I point this out: when you are collaborating on a record, you need to make sure that the relationship is good outside of music. I feel like that is when you make the best music.” Davido states. “So Crazy” follows the highly successful “FEM,” his first solo release of 2020 and the first single taken from A BETTER TIME. Listen to “FEM" HERE. The Napji produced smash hit record shot straight to the No.1 spot in the Apple Music charts in over 8 countries including Nigeria, where it held the top position for 4 weeks. -
Young Thug Record Label
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