Gandhara Art Gallery

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+91-8048371878 Gandhara Art Gallery https://www.indiamart.com/gandhara-art-gallery/ Gandhara Art Gallery Manufacturer of paintings and arts. About Us Gandhara is a name to reckon with in the art scenario in Eastern India for more than a decade. Gandhara has emerged as a point of cultural and social interaction where artists and art lovers hold court. It promotes quality. Provide opportunity and make discoveries.Thus Gandhara will always aim to provide viewers with a balance of great names, trends setters and young talent.In the past we have exhibited unique piece of art by artists like Maqbool Fida Husain, Francis Newton Souza, Ganesh Pyne, Ganesh Haloi, Jogen Chowdhury, Bikash Bhattacharjee. Tyeb Mehta, Arpita Singh, Ram Kumar, Prabhakar Barwe, Anjolie Ela Menon, Manjit Bawa, Shyamal Dutta Roy, Lallu Prasad Shaw, Prabhakar Kolte, Dharmanaryan Dasgupta, Akbar Padamsee, Paritosh Sen, Manu Parekh, Sunil Das, Chitrovanu Mazumdar, Jayshree Chakravarty etc,.Gallery Gandhara will progress with a judicious mixture of group shows and duo, trio, quartets and solo exhibitions. To the muse of art, painting, graphics and sculpture we dedicate ourselves. For more information, please visit https://www.indiamart.com/gandhara-art-gallery/aboutus.html OTHER PRODUCTS P r o d u c t s & S e r v i c e s Oil On Canvas Painting Mixed Medium On Handmade Painting Intaglio Print Handmade Acrylic On Canvas Painting Painting OTHER SERVICES: P r o d u c t s & S e r v i c e s Water Color Handmade Steel Plate Painting Litho Print Handmade Painting F a c t s h e e t Nature of Business :Service Provider CONTACT US Gandhara Art Gallery Contact Person: Sudipta Sen Palm Spring Flat 5A 1B Gurusaday Road Kolkata - 700019, West Bengal, India +91-8048371878 https://www.indiamart.com/gandhara-art-gallery/.

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20Years of Sahmat.Pdf
SAHMAT – 20 Years 1 SAHMAT 20 YEARS 1989-2009 A Document of Activities and Statements 2 PUBLICATIONS SAHMAT – 20 YEARS, 1989-2009 A Document of Activities and Statements © SAHMAT, 2009 ISBN: 978-81-86219-90-4 Rs. 250 Cover design: Ram Rahman Printed by: Creative Advertisers & Printers New Delhi Ph: 98110 04852 Safdar Hashmi Memorial Trust 29 Ferozeshah Road New Delhi 110 001 Tel: (011) 2307 0787, 2338 1276 E-mail: [email protected] www.sahmat.org SAHMAT – 20 Years 3 4 PUBLICATIONS SAHMAT – 20 Years 5 Safdar Hashmi 1954–1989 Twenty years ago, on 1 January 1989, Safdar Hashmi was fatally attacked in broad daylight while performing a street play in Sahibabad, a working-class area just outside Delhi. Political activist, actor, playwright and poet, Safdar had been deeply committed, like so many young men and women of his generation, to the anti-imperialist, secular and egalitarian values that were woven into the rich fabric of the nation’s liberation struggle. Safdar moved closer to the Left, eventually joining the CPI(M), to pursue his goal of being part of a social order worthy of a free people. Tragically, it would be of the manner of his death at the hands of a politically patronised mafia that would single him out. The spontaneous, nationwide wave of revulsion, grief and resistance aroused by his brutal murder transformed him into a powerful symbol of the very values that had been sought to be crushed by his death. Such a death belongs to the revolutionary martyr. 6 PUBLICATIONS Safdar was thirty-four years old when he died.
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Archer Art Gallery
A Ramachandran (Archer Art Gallery) Aaditi Joshi (TARQ) Abanindranath Tagore (Akar Prakar) Abhijith Pathak (Art Explore) Abhishek Narayan Verma (Anant Art) Abir Karmakar (GALLERYSKE) Achia Anzi (Serendipity Arts Foundation, Threshold Art Gallery) Addepalli Tirupathi Rao (Art District XIII) Adi Davierwalla (DAG) Adip Dutta (Experimenter) Aditi Singh (Chemould Prescott Road) Ai Weiwei (neugerriemschneider) Ajay Rajgarhia (Wonderwall) Ajit Kumar Jha (Gallery Ragini) Ajit Nelumangad (Metta Contemporary) Akhil Chandra Das (Aakriti Art Gallery) Alexander Gorlizki (Anant Art) Alice Neel (David Zwirner) Amber Hammad (Wonderwall) Amina Ahmed (Italian Embassy Cultural Centre Aminul Islam Ashik (Britto Arts Trust) Amit Mahadev Dombhare (Arts of the Earth) Amitava Das (Art Indus) Amitesh Shrivastava (Project 88) Amol K Patil (Metta Contemporary) Amrita Sher-Gil (Akara Art, Crayon Art Gallery) Anant Joshi (Chemould Prescott Road) Andreas Eriksson (neugerriemschneider) Anindita Bhattacharya (Threshold Art Gallery) Anisuzzaman Sohel (Britto Arts Trust) Anita Dube (MASH Sculptural Space, MASH) Anjan Modak (Emami Art) Anjaneyulu G (Art Alive Gallery) Anjolie Ela Menon (Dhoomimal Gallery) Anju Dodiya (Chemould Prescott Road, Vadehra Art Gallery) Ankon Mitra (Art.Motif) Ankush Safaya (Sakshi Gallery) Anna Leonhardt (Marc Straus) Anni Albers (David Zwirner) Anni Kumari (Art District XIII) Anoli Perera (Shrine Empire) Anu Malhotra (Wonderwall) Anupam Sud (Art Heritage) Anwar Jalal Shemza (Jhaveri Contemporary) Apnavi Makanji (TARQ) Apurba Nandi (Palette Art
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The South Asian Art Market Report 2017
The South Asian Art Market Report 2017 ° Colombo The South Asian Art Market Report 2017 INTRODUCTION It’s 10 years ago since we published our first art market report Yes, the South Asian art market still lacks government support on the South Asian art market, predominantly focusing on India, compared to other Asian art markets (China’s for instance), but and I am very excited to see a market that is in a new, and I private foundations are gradually filling the vacuum. What the would argue, much healthier cycle. Samdani Art Foundation in Dhaka has managed to achieve with the Dhaka Art Summit is a great example. The South Asian art The South Asian art market boom between 2004 and 2008 market needs more champions like this, and with South Asian was exciting, because it made this regional art market gain economies being among the fastest growing in the world, the proper international attention for the first time, and laid the requisite private wealth would appear available to support it. foundation for much of the contemporary gallery, art fair and I am very excited to publish this report after 10 years of auction infrastructure we see today. However, there was also monitoring and following this market as, for the first time since a destructive side to these boom years, felt shortly after the 2008, I sense a different type of optimism. Unlike the sheer financial crisis in 2009, when the top 3 auction houses market euphoria of 2008, this is something more tangible; recorded a 66% drop in sales of modern and South Asian biennials and festivals are getting more contemporary art and the share of contemporary international attention; initiatives are being set art dropped from 41% in 2008 to 12% in 2009; up to support artists and artistic exchange; and the dangers of speculation were manifested.
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Expanding Horizons: Sudhir Patwardhan (Excerpts from the Catalogue by Deepak Ghare)
Expanding Horizons: Sudhir Patwardhan (excerpts from the catalogue by Deepak Ghare) Broadening the Concept of Art Sculpture was conventionally understood as a three dimensional, static object of defined shape in a particular material. Movement in a painting or sculpture was something that took place in the observer’s mind and imagination. The background and surround- ing space of the sculpture also had a limited significance. In installation art placement of the object or objects, and the space around them, acquire much more importance. Spatial movement, from being just a mental element, becomes actualised in video art. In the context of new media practices, the artist’s position as creator and author has also changed. Previously the artist was thought to be the sole creator of the work from the time of its conception to the final execution. Today’s artists feel free to use the help of others to execute their conceptions. The artist has become more the conceptualist and organizer and less the talented craftsman. The changing nature of art practice makes it necessary for us to broaden our ideas and expectations about all aspects of art today. Images, spatial structure, originality and creativity, talent - all these need to be rethought. Rather than how skillfully an artist uses a medium, the question of what new contexts he can create through a conceptual reorganization of elements has become more important. For many people, the paintings of Raja Ravi Verma and the academic realist tradition propagated ‘n institutions lIke SIr J.J.School of Art are stIll benchmarks of good art.
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Astaguru Modern Catalogue Oct
MODERN INDIAN ART October 15 16, 2016 AstaGuru ONLINE AUCTION www.astaguru.com MODERN INDIAN ART October 15 – 16, 2016 Sale Guide All bidding will take place on www.astaguru.com Institute of Contemporary Indian Art All lots are published in this catalogue and may be viewed ALL LOTS CAN BE VIEWED on the website. Monday, October 10, 2016 All lots can also be viewed at Institute of Contemporary 11.30 am - 7.00 pm Indian Art (ICIA) in Mumbai. Institute of Contemporary Indian Art ICIA Building, Rampart Row AUCTION DATES Next to Rampart House, Kala Ghoda Start : Mumbai - 400 023. India Saturday, October 15, 2016 10:30 am IST (1:00 am US Eastern Time October 15, 2016) INQUIRIES Close : Anthony Diniz Sunday, October 16, 2016 8:00 pm IST [email protected] (7:30 am US Eastern Time October 16, 2016) Tel: 91 - 22 - 22048138 / 39 Please Note that bidding closes at different times Fax: 91 - 22 - 22048140 according to lot groups. These timings have been listed in the Bid Closing Schedule. (Div. of Safset Agencies Pvt. Ltd.) The Antiquities and Art Treasures Rules 1973 - License No. 20 ICIA Building, Rampart Row Next to Rampart House, Kala Ghoda, Mumbai - 400 023. India ASTAGURU TEAM Buying at AstaGuru Estimates Closing and Winning Bid ! Estimates are based on an average market value of the lot. ! Winning bid is the last and highest bid at which the lot has closed. ! These are provided only as a guide for buyers. ! No new bids can be placed after the close of a lot.
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SAHMAT: Project Participants
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The Series, the Sea Raging Towards the Beach Under a Stormy Sky, Having Allowed Chaitanya to Merge with It
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TAKE on INDIA 06 Issue 3, Volume 4, July-December, 2019 TAKE on INDIA 07 Issue 3, Volume 4, July-December, 2019 International Review International Review
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In Transition: Artworks Between the Archive and the Exhibition Hall at the NGMA by Arnika Ahldag
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