The Temperance Movement: Alcohol And
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
History 251 Medieval Russia
Medieval Russia Christian Raffensperger History 251H/C - 1W Fall Semester - 2012 MWF 11:30-12:30 Hollenbeck 318 Russia occupies a unique position between Europe and Asia. This class will explore the creation of the Russian state, and the foundation of the question of is Russia European or Asian? We will begin with the exploration and settlement of the Vikings in Eastern Europe, which began the genesis of the state known as “Rus’.” That state was integrated into the larger medieval world through a variety of means, from Christianization, to dynastic marriage, and economic ties. However, over the course of the twelfth and thirteenth centuries the creation of the crusading ideal and the arrival of the Mongols began the process of separating Rus’ (becoming Russia) from the rest of Europe. This continued with the creation of power centers in NE Russia, and the transition of the idea of empire from Byzantium at its fall to Muscovy. This story of medieval Russia is a unique one that impacts both the traditional history of medieval Europe, as well as the birth of the first Eurasian empire. Professor: Christian Raffensperger Office: Hollenbeck 311 Office Phone: 937-327-7843 Office Hours: MWF 9:00–11:00 A.M. or by appointment E-mail address: [email protected] Assignments and Deadlines The format for this class is lecture and discussion, and thus attendance is a main requirement of the course, as is participation. As a way to track your progress on the readings, there will be a series of quizzes during class. All quizzes will be unannounced. -
USAF Counterproliferation Center CPC Outreach Journal #952
Issue No. 952, 28 October 2011 Articles & Other Documents: Featured Article: U.S. Releases New START Nuke Data 1. 'IAEA Report Can Stymie Iran-P5+1 Talks' 2. German Wavers over Sale of Sub to Israel: Report 3. Armenian Nuclear Specialists Move to Iran for Better Life 4. Seoul, US Cautiously Move on 6-Party Talks 5. N. Korea Remains Serious Threat: US Defence Chief 6. Seoul, Beijing Discuss NK Issues 7. Pentagon Chief Doubts N. Korea Will Give Up Nukes 8. U.S.’s Panetta and South Korea’s Kim Warn Against North Korean Aggression 9. Pakistan Tests Nuclear-Capable Hatf-7 Cruise Missile 10. Libya: Stockpiles of Chemical Weapons Found 11. U.S. Has 'Nuclear Superiority' over Russia 12. Alexander Nevsky Sub to Be Put into Service in Late 2012 13. New Subs Made of Old Spare Parts 14. Successful Test Launch for Russia’s Bulava Missile 15. Topol Ballistic Missiles May Stay in Service until 2019 16. U.S. Releases New START Nuke Data 17. Army Says Umatilla Depot's Chemical Weapons Mission Done 18. Iran Dangerous Now, Imagine It Nuclear 19. START Treaty: Never-Ending Story 20. The "Underground Great Wall:" An Alternative Explanation 21. What’s Down There? China’s Tunnels and Nuclear Capabilities 22. Visits Timely and Important 23. Surgical Strikes Against Key Facilities would Force Iran to Face Military Reality 24. KAHLILI: Iran Already Has Nuclear Weapons Welcome to the CPC Outreach Journal. As part of USAF Counterproliferation Center’s mission to counter weapons of mass destruction through education and research, we’re providing our government and civilian community a source for timely counterproliferation information. -
EMR 12029 Alexander Nevsky
Alexander Nevsky Russia under the Mongolian yoke / Arise, you Russian people / The Battle On Ice The Field of the Dead / Alexander’s Entry Into Pskov Wind Band / Concert Band / Harmonie / Blasorchester Arr.: John Glenesk Mortimer Sergeï Prokofiev EMR 12029 st 1 Score 2 1 Trombone + nd 1 Piccolo 2 2 Trombone + 8 Flute 1 Bass Trombone + 1 Oboe (optional) 2 Baritone + 1 Bassoon (optional) 2 E Bass 1 E Clarinet (optional) 2 B Bass st 5 1 B Clarinet 1 Tuba 4 2nd B Clarinet 1 String Bass (optional) 4 3rd B Clarinet 1 Timpani 1 B Bass Clarinet (optional) 1 1st Percussion (Xylophone / Glockenspiel / Snare Drum 1 B Soprano Saxophone (optional) Wood Block) 2 1st E Alto Saxophone 1 2nd Percussion (Cymbals / Bass Drum / Triangle) 2 2nd E Alto Saxophone 1 3rd Percussion (Tam-Tam / Tambourine / Suspended 2 B Tenor Saxophone Cymbal) 1 E Baritone Saxophone (optional) 1 E Trumpet / Cornet (optional) Special Parts 2 1st B Trumpet / Cornet 1 1st B Trombone 2 2nd B Trumpet / Cornet 1 2nd B Trombone 2 3rd B Trumpet / Cornet 1 B Bass Trombone 2 1st F & E Horn 1 B Baritone 2 2nd F & E Horn 1 E Tuba 2 3rd F & E Horn 1 B Tuba Print & Listen Drucken & Anhören Imprimer & Ecouter ≤ www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch DISCOGRAPHY Cinemagic 39 Track Titel / Title Time N° EMR N° EMR N° (Komponist / Composer) Blasorchester Brass Band Concert Band 1 Terminator (Fiedel) 5’34 EMR 12074 EMR 9718 2 Robocop 3 (Poledouris) 3’39 EMR 12131 EMR 9719 3 Rio Bravo (Tiomkin) 4’22 EMR 12085 EMR 9720 4 The Poseidon (Badelt) 4’02 EMR 12116 EMR 9721 5 Another Brick In The Wall (Waters) 4’14 EMR 12068 EMR 9722 6 Alexander Nevsky (Prokofiev) 9’48 EMR 12029 - 7 I’m Dreaming Of Home (Rombi) 4’38 EMR 12115 EMR 9723 8 Spartacus (Vengeance) (LoDuca) 4’13 EMR 12118 EMR 9724 9 The Crimson Pirate (Alwyn) 5’08 EMR 12041 EMR 9725 Zu bestellen bei • A commander chez • To be ordered from: Editions Marc Reift • Route du Golf 150 • CH-3963 Crans-Montana (Switzerland) • Tel. -
History Is Made in the Dark 4: Alexander Nevsky: the Prince, the Filmmaker and the Dictator
1 History Is Made in the Dark 4: Alexander Nevsky: The Prince, the Filmmaker and the Dictator In May 1937, Sergei Eisenstein was offered the opportunity to make a feature film on one of two figures from Russian history, the folk hero Ivan Susanin (d. 1613) or the mediaeval ruler Alexander Nevsky (1220-1263). He opted for Nevsky. Permission for Eisenstein to proceed with the new project ultimately came from within the Kremlin, with the support of Joseph Stalin himself. The Soviet dictator was something of a cinephile, and he often intervened in Soviet film affairs. This high-level authorisation meant that the USSR’s most renowned filmmaker would have the opportunity to complete his first feature in some eight years, if he could get it through Stalinist Russia’s censorship apparatus. For his part, Eisenstein was prepared to retreat into history for his newest film topic. Movies on contemporary affairs often fell victim to Soviet censors, as Eisenstein had learned all too well a few months earlier when his collectivisation film, Bezhin Meadow (1937), was banned. But because relatively little was known about Nevsky’s life, Eisenstein told a colleague: “Nobody can 1 2 find fault with me. Whatever I do, the historians and the so-called ‘consultants’ [i.e. censors] won’t be able to argue with me”.i What was known about Alexander Nevsky was a mixture of history and legend, but the historical memory that was most relevant to the modern situation was Alexander’s legacy as a diplomat and military leader, defending a key western sector of mediaeval Russia from foreign foes. -
The Temperance Movement: Feminism, Nativism, Religious Identity, and Race
Relics, Remnants, and Religion: An Undergraduate Journal in Religious Studies Volume 4 Issue 1 Article 5 5-17-2019 The Temperance Movement: Feminism, Nativism, Religious Identity, and Race Castor Kent University of Puget Sound, [email protected] Follow this and additional works at: https://soundideas.pugetsound.edu/relics Recommended Citation Kent, Castor (2019) "The Temperance Movement: Feminism, Nativism, Religious Identity, and Race," Relics, Remnants, and Religion: An Undergraduate Journal in Religious Studies: Vol. 4 : Iss. 1 , Article 5. Available at: https://soundideas.pugetsound.edu/relics/vol4/iss1/5 This Article is brought to you for free and open access by the Student Publications at Sound Ideas. It has been accepted for inclusion in Relics, Remnants, and Religion: An Undergraduate Journal in Religious Studies by an authorized editor of Sound Ideas. For more information, please contact [email protected]. Kent: The Temperance Movement: Feminism, Nativism, Religious Identity, 1 The Temperance Movement: Feminism, Nativism, Religious Identity, and Race Over the course of the nineteenth century, an anti-alcohol movement known as the Temperance movement grew in America. The Temperance movement mainly involved Protestant women, especially after the Civil War. These Temperance women were unable to vote at the time, but their involvement in politics was strong and public: not only were these women monumentally influential in building the Prohibition movement, they also had to battle daily those who believed that it was not their place to be involved in politics. Women’s involvement in the Temperance movement was a huge step forward in feminism for American women in the nineteenth century.1 The ways in which alcohol-dependent people, then referred to as drunkards, were discussed and depicted was often as racialized Irish and Italian Catholics: both European groups were not considered “White” at this time, and these men came from Catholic countries, which threatened many Protestants. -
Jan Sobczak Alexei Nikolaevich, Tsarevich of Russia
Jan Sobczak Alexei Nikolaevich, Tsarevich of Russia Echa Przeszłości 12, 143-156 2011 ECHA PRZESZŁOŚCI XII, 2011 ISSN 1509-9873 Jan Sobczak ALEXEI NIKOLAEVICH, TSAREVICH OF RUSSIA This article does not aspire to give an exhaustive account of the life of Alexei Nikolaevich, not only for reasons of limited space. The role played by the young lad who was much loved by the nation, became the Russian tsesarevich and was murdered at the tender age of 14, would not justify such an effort. In addition to delivering general biographical information about Alexei that can be found in a variety of sources, I will attempt to throw some light on the less known aspects of his life that profoundly affected the fate of the Russian Empire and brought tragic consequences for the young imperial heir1. Alexei Nikolaevich was born in Peterhof on 12 August (30 July) 1904 on Friday at noon, during an unusually hot summer that had started already in February, at the beginning of Russia’s much unfortunate war against Japan. Alexei was the fifth child and the only son of Nicholas II and Alexandra Feodorovna. He had four older sisters who were the Grand Duchesses: Olga (8.5 years older than Alexei), Tatiana (7 years older), Maria (5 years older) and Anastasia (3 years older). In line with the law of succession, Alexei automatically became heir to the throne, and his birth was heralded to the public by a 300-gun salute from the Peter and Paul Fortress. According to Nicholas II, the imperial heir was named Alexei to break away from a nearly century-old tradition of naming the oldest sons Alexander and Nicholas and to commemorate Peter the Great’s father, Alexei Mikhailovich, the second tsar of the Romanov dynasty that had ruled over Russia for nearly 300 years from the 17th century. -
The End of Boris. Contribution to an Aesthetics of Disorientation
The end of Boris. ConTriBuTion To an aesTheTiCs of disorienTaTion by reuven Tsur The Emergence of the Opera–An Outline Boris Godunov was tsar of russia in the years 1598–1605. he came to power after fyodor, the son of ivan the terrible, died without heirs. Boris was fyodor's brother-in-law, and in fact, even during fyodor's life he was the omnipotent ruler of russia. ivan the Terrible had had his eldest son executed, whereas his youngest son, dmitri, had been murdered in unclear circumstances. in the 16–17th centuries, as well as among the 19th-century authors the prevalent view was that it was Boris who ordered dmitri's murder (some present-day historians believe that dmitri's murder too was ordered by ivan the Terrible). in time, two pretenders appeared, one after the other, who claimed the throne, purporting to be dmitri, saved miraculously. Boris' story got told in many versions, in history books and on the stage. Most recently, on 12 July 2005 The New York Times reported the 295-year-late premiere of the opera Boris Goudenow, or The Throne Attained Through Cunning, or Honor Joined Happily With Affection by the German Baroque composer Johann Mattheson. Boris' story prevailed in three genres: history, tragedy, and opera. in the nineteenth century, the three genres culminated in n. M. Karamzin's monumental History of the Russian State, in alexander Pushkin's tragedy Boris Godunov, and in Modest Mussorgsky's opera Boris Godunov. each later author in this list liberally drew upon his predecessors. in her erudite and brilliant 397 reuven tsur the end of boris book, Caryl emerson (1986) compared these three versions in a Pimen interprets as an expression of the latter's ambition. -
Background Guide, and to Issac and Stasya for Being Great Friends During Our Weird Chicago Summer
Russian Duma 1917 (DUMA) MUNUC 33 ONLINE 1 Russian Duma 1917 (DUMA) | MUNUC 33 Online TABLE OF CONTENTS ______________________________________________________ CHAIR LETTERS………………………….….………………………….……..….3 ROOM MECHANICS…………………………………………………………… 6 STATEMENT OF THE PROBLEM………………………….……………..…………......9 HISTORY OF THE PROBLEM………………………………………………………….16 ROSTER……………………………………………………….………………………..23 BIBLIOGRAPHY………………………………………………………..…………….. 46 2 Russian Duma 1917 (DUMA) | MUNUC 33 Online CHAIR LETTERS ____________________________________________________ My Fellow Russians, We stand today on the edge of a great crisis. Our nation has never been more divided, more war- stricken, more fearful of the future. Yet, the promise and the greatness of Russia remains undaunted. The Russian Provisional Government can and will overcome these challenges and lead our Motherland into the dawn of a new day. Out of character. To introduce myself, I’m a fourth-year Economics and History double major, currently writing a BA thesis on World War II rationing in the United States. I compete on UChicago’s travel team and I additionally am a CD for our college conference. Besides that, I am the VP of the Delta Kappa Epsilon fraternity, previously a member of an all-men a cappella group and a proud procrastinator. This letter, for example, is about a month late. We decided to run this committee for a multitude of reasons, but I personally think that Russian in 1917 represents such a critical point in history. In an unlikely way, the most autocratic regime on Earth became replaced with a socialist state. The story of this dramatic shift in government and ideology represents, to me, one of the most interesting parts of history: that sometimes facts can be stranger than fiction. -
Foundations of the Temperance Movement and the Road to Prohibition
Foundations of the Temperance Movement and the Road to Prohibition The roots of America’s Temperance Movement can be traced back to the early 19th century. By the 1820s the average American consumed the equivalent of 7 gallons of pure alcohol per year. Exactly how much is 7 gallons of pure alcohol? Let’s assume that only beer is being consumed, and that this beer has an alcohol content of 5%. The average drinker would have to consume 140 gallons of beer each year to reach this amount. That’s nearly 2.7 gallons a week! These numbers continued to rise throughout the 19th century – by 1890, the amount of alcohol consumed in America had increased a further 23 times. Why did Americans consume such a high quantity of alcohol, and why did numbers keep rising? One of the reasons was insufficient access to clean drinking water. Beer is brewed at high temperatures, which pasteurizes the drink and removes contaminants. Liquors (such as rum and whisky) are distilled and very strong, which also means that microbes cannot survive. Alcoholic beverages were known to be much safer to drink because they didn’t contain microbes and bacteria. The fact that so many Americans viewed alcoholic drinks as safe alternatives to all-to-often dodgy water supplies was compounded by the high number of saloons that were established throughout the country. These saloons, which were often operated by first generation Americans and financed by large breweries, sold their drinks at very low prices. Alcoholic beverages were said to be safer than water and cheaper than tea! Many Americans also took to brewing and fermenting their own alcohol; hard cider was especially popular. -
Eisenstein's "Ivan the Terrible, Part II" As Cultural Artifact Beverly Blois
Eisenstein's "Ivan The Terrible, Part II" as Cultural Artifact Beverly Blois In one of the most famous Russian paintings, Ilya Repin's "Ivan the Terrible with his murdered son," an unkempt and wild-eyed tsar clutches his expiring son, from whose forehead blood pours forth. Lying beside the two men is a large staff with which, moments earlier, Ivan had in a fit of rage struck his heir-apparent a mortal blow. This was a poignant, in fact tragic, moment in the history of Russia because from this event of the year 1581, a line of rulers stretching back to the ninth century effectively came to an end, ushering in a few years later the smutnoe vermia ("time of trouble") the only social crisis in Russian history that bears comparison with the revolution of 1917. Contemporary Russians tell an anekdot about this painting in which an Intourist guide, leading a group of Westerners rapidly through the rooms of the Tretiakov Gallery in Moscow, comes to Repin's canvas, and wishing, as always, to put the best face on things, says, "And here we have famous painting, Ivan the Terrible giving first aid to his son." The terribilita of the sixteenth century tsar had been modernized to fit the needs of the mid-twentieth century. Ivan had been reinterpreted. In a similar, but not so trifling way, Sergei Eisenstein was expected to translate the outlines of Ivan's accomplishments into the modern language of socialist realism when he was commissioned to produce his Ivan films in 1941. While part one of his film, released in 1945, won the Stalin Prize, First Class, part two, which was very dose to release in 1946, was instead withheld. -
POSITION About the Eleventh International Youth Film
POSITION About the eleventh international youth film festival "Light to the world", dedicated to the 800th anniversary of the birth of the Holy Grand Duke Alexander Nevsky. (May 12-15, 2021, Yaroslavl oblast) (The date of the final can be changed to an indefinite period in connection with the pandemic) "I am the light of the world; he who follows Me shall not walk in darkness, but shall have the light of life" (Jn. 8: 12) 1. Objective: to promote the spiritual, moral, Patriotic and aesthetic education of the modern youth. 2. Tasks: - create an environment of healthy creative communication between children's and youth film studios and individual young film enthusiasts; - provide methodological and practical assistance to specialists working in the field of children's and youth film-making, as well as education and upbringing of children and youth; - identify and support gifted children; - identify and support young film enthusiasts and film enthusiasts who make films for children, promote traditional spiritual and moral values, patriotism, and a healthy lifestyle. 3. The organizers of the competition: The festival is co-organized by the Rybinsk diocese of the Russian Orthodox Church and the National copyright holders support Fund (Moscow). The project is being implemented in 2021 using a grant from the President of the Russian Federation for the development of civil society provided by the presidential grants Fund. The festival is supported by the administration of the Yaroslavl region and its subjects, state, commercial and public structures, PIA " Russian chronicle "(Yaroslavl), the center" Sunny " (Rybinsk), the gallery of modern Orthodox art and painting" Under the Holy cover " (Uglich), as well as the media. -
The Tsars' CABINET
The Tsars’ Cabinet: Two Hundred Years of Russian Decorative Arts under the Romanovs The Tsars’ Cabinet: Two Hundred Years of Russian Decorative Arts under the Romanovs Education Packet Table of Contents Introduction………………………………………………..2 Glossary……………………………………………...........5 Services…………………………………………………….7 The Romanov Dynasty.……………………………..............9 Meet the Romanovs……….……………………………….10 Speakers List...…………………………………..………...14 Bibliography……………………………………………….15 Videography……………………………………………….19 Children’s Activity…………………………………………20 The Tsars’ Cabinet: Two Hundred Years of Russian Decorative Arts under the Romanovs is developed from the Kathleen Durdin Collection and is organized by the Muscarelle Museum of Art at the College of William & Mary, Williamsburg, Virginia, in collaboration with International Arts & Artists, Washington, DC. The Tsars’ Cabinet This exhibition illustrates more than two hundred years of Russian decorative arts: from the time of Peter the Great in the early eighteenth century to that of Nicolas II in the early twentieth century. Porcelain, glass, enamel, silver gilt and other alluring materials make this extensive exhibition dazzle and the objects exhibited provide a rare, intimate glimpse into the everyday lives of the tsars. The collection brings together a political and social timeline tied to an understanding of Russian culture. The Tsars’ Cabinet will transport you to a majestic era of progressive politics and dynamic social change. The Introduction of Porcelain to Russia During the late seventeenth and early eighteenth centuries, Europe had a passion for porcelain. It was not until 1709 that Johann Friedrich Böttger, sponsored by Augustus II (known as Augustus the Strong) was able to reproduce porcelain at Meissen, Germany. After Augustus II began manufacturing porcelain at the Meissen factory, other European monarchs attempted to establish their own porcelain factories.