'New Normal' for Many in Ireland
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The Historical Development of Irish Euroscepticism to 2001
The Historical Development of Irish Euroscepticism to 2001 Troy James Piechnick Thesis submitted as part of the Doctor of Philosophy (PhD) program at Flinders University on the 1st of September 2016 Social and Behavioural Sciences School of History and International Relations Flinders University 2016 Supervisors Professor Peter Monteath (PhD) Dr Evan Smith (PhD) Associate Professor Matt Fitzpatrick (PhD) Contents GLOSSARY III ABSTRACT IV ACKNOWLEDGEMENTS V CHAPTER 1 INTRODUCTION 1 DEFINITIONS 2 PARAMETERS 13 LITERATURE REVIEW 14 MORE RECENT DEVELOPMENTS 20 THESIS AND METHODOLOGY 24 STRUCTURE 28 CHAPTER 2 EARLY ANTECEDENTS OF IRISH EUROSCEPTICISM: 1886–1949 30 IRISH REPUBLICANISM, 1780–1886 34 FIRST HOME RULE BILL (1886) AND SECOND HOME RULE BILL (1893) 36 THE BOER WAR, 1899–1902 39 SINN FÉIN 40 WORLD WAR I AND EASTER RISING 42 IRISH DECLARATION OF INDEPENDENCE 46 IRISH WAR OF INDEPENDENCE 1919 AND CIVIL WAR 1921 47 BALFOUR DECLARATION OF 1926 AND THE STATUTE OF WESTMINSTER IN 1931 52 EAMON DE VALERA AND WORLD WAR II 54 REPUBLIC OF IRELAND ACT 1948 AND OTHER IMPLICATIONS 61 CONCLUSION 62 CHAPTER 3 THE TREATY OF ROME AND FAILED APPLICATIONS FOR MEMBERSHIP IN 1961 AND 1967 64 THE TREATY OF ROME 67 IRELAND IN THE 1950S 67 DEVELOPING IRISH EUROSCEPTICISM IN THE 1950S 68 FAILED APPLICATIONS FOR MEMBERSHIP IN 1961 AND 1967 71 IDEOLOGICAL MAKINGS: FURTHER DEVELOPMENTS OF A EUROSCEPTIC NATURE (1960S) 75 Communist forms of Irish euroscepticism 75 Irish eurosceptics and republicanism 78 Irish euroscepticism accommodating democratic socialism 85 -
The Ithacan, 1990-03-29
Ithaca College Digital Commons @ IC The thI acan, 1989-90 The thI acan: 1980/81 to 1989/90 3-29-1990 The thI acan, 1990-03-29 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1989-90 Recommended Citation Ithaca College, "The thI acan, 1990-03-29" (1990). The Ithacan, 1989-90. 14. http://digitalcommons.ithaca.edu/ithacan_1989-90/14 This Newspaper is brought to you for free and open access by the The thI acan: 1980/81 to 1989/90 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1989-90 by an authorized administrator of Digital Commons @ IC. ·-· :Ji"~::;;·- vie.,.,.,, ti..;·, ~-~1tfffl-·:ti{· -· -e 1 · .. ·m.... - IC :professot·_:_·gives , ..... ..--~·, . .-: '\.,}t~: . ; ,.: . ,,,;.~~-~- ~ -..-!:~i/f~1;t=t;'J. '... :.I~. __-j~_ -Jl~~;.t~: ..t.: ~ . ~ Midnight Oil unleashes l, .. 1'"1'11'{="\~ : ... :i,·~.JJ.~,t!.!1~.... ~.:~~-t1Tt•.,· or'~',.t.~--... uf;-i ..--~:·,t .. ·.~.- ~·/-. ··glasnost· -7 - ·.:_· .. · .:·:;: .. ·,P~~~pectiVe, 10 p~werful declaration,14 ' ' '. ,._ felllhii~~ THJE T. The Newspaper For The Ithaca College Community Issue l~ March 29, n990 241 pages *lFll'ee Student Government: Candidates square off By Eve DeForest Action ... Let the campaigns begin! The -- ·1 first of several upcoming student ! "When we think of action, we government campaigns kicked off think of movement and change. Tuesday night as the candidates for Our first priority is to take action the 1990 Executive Board addressed on the students' needs. We have to the Student Congress in the Egbert do this in a professional, rational Union. Candidates were allocated and realistic manner." ten minutes to present their This is the way . -
Read Ebook {PDF EPUB} My Left Foot by Christy Brown MY LEFT FOOT
Read Ebook {PDF EPUB} My Left Foot by Christy Brown MY LEFT FOOT. This autobiographical account of a cerebral palsy victim, who for almost twenty years could only communicate with the world around him with his left foot, is not only an amazing account of the determination which can be stronger than any disability- no matter how extreme, but also a ""revelation. of the utmost need of the human soul to escape from every sort of prison"". Dublin born, and one of 22 children of which 17 survived, Christy was declared hopeless at the end of the year and believed to be mentally incompetent as well. But an unconquerable mother gave all the time she could to the child who was totally paralyzed and by the time he was five- Christy was able to prove his awareness when he grabbed a piece of chalk and learned to write with his left foot. The years of his early childhood spent largely with his brothers and in a go-cart was not preparation for the isolation which was to follow as he grew older- the loneliness and withdrawal with a box of paints (he won a contest). Adolescence brought a further despondency, the realization that he didn't want to be remarkable- only ordinary and not ""living in chains""- a pilgrimage to Lourdes proved no cure-and it was finally through Dr. Collis (who contributes the introduction) and with tremendous self-discipline that he abandoned his left foot, and gained a partial mobility, the power to speak, and the chance to develop his writing. -
An Chomhairle Ealaíon
An Chomhairle Ealaíon An Seachtú Tuarascáil Bhliantúil is Fiche, maille le Cuntais don bhliain dar chríoch 31ú Nollaig 1978. Tíolacadh don Rialtas agus leagadh faoi bhráid gach Tí den Oireachtas de bhun Altanna 6 [3] agus 7 [1] den Acht Ealaíon 1951. Twenty-Seventh Annual Report and Accounts for the year ended 31st December 1978. Presented to the Government and laid before each House of the Oireachtas pursuant to Sections 6 [3] and 7 [1] of the Arts Act, 1951. Cover Illustration: Scenes from Kieran Mickey's Film Exposure which won the Arts Council's film script award. Members (to December 1978) (from December 1978) Patrick J. Rock, Chairman James White, Chairman Kathleen Barrington Kathleen Barrington John Behan Brian Boydell Brian Boydell Maire de Paor Tom Caldwell Andrew Devane Maire de Paor Bridget Doolan Andrew Devane Dr J.B. Kearney Eilís Dillon Hugh Maguire Séamus Heaney Louis Marcus Dr J. B. Kearney Seán Ó Tuama Patsy Lawlor Donald Potter Hugh Maguire Nora Relihan Seán Ó Tuama Michael Scott Brian Quinn Richard Stokes Richard Stokes Dr T.J. Walsh Dr T. J. Walsh James Warwick James White Staff Director Colm Ó Briain Literature and Film Officer David Collins Music Officer Dinah Molloy Visual Arts Officer Paula McCarthy Education Officer Ciaran Benson Finance Officer David McConnell Administration Officer David Kavanagh Secretarial Assistants Veronica Barker Patricia Molloy Margaret O'Rahilly Marie Swan Receptionist Kathryn Cahille 70 Merrion Square, Dublin 2. Tel: (01) 764685. An Chomhaırle Ealaíon An Chomhairle Ealaíon (The Arts Council) is an independent organization set up under the Arts Acts 1951 and 1973 to promote the arts. -
ETD Template
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by D-Scholarship@Pitt “The World Goes One Way and We Go Another”: Movement, Migration, and Myths of Irish Cinema by Dana C. Och B.A. in English, University of Pittsburgh, 1996 M.A. in English, University of Pittsburgh, 1999 Submitted to the Graduate Faculty of Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2006 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Dana C. Och It was defended on 8-31-06 and approved by Dr. Nancy Condee Dr. Adam Lowenstein Dr. Colin MacCabe Dr. Marcia Landy Dissertation Director ii Copyright © by Dana C. Och 2006 iii “The World Goes One Way and We Go Another”: Movement, Migration and Myths of Irish Cinema Dana C. Och, Ph.D. University of Pittsburgh, 2006 The dissertation considers Irish films through the valence of movement and migration to conceptualize a cinema that can account for how films function locally and transnationally. I consider various forms of migration in films produced in Ireland to interrogate how identity and the nation are presented. Considering forms of migration opens a different approach to the films that enables questioning of the myths of the nation-state within globalized capital and culture. In Ireland, the land has given shape to the physical boundaries of imagined identity; land is understood as a material trace denoting a linear history of invasion, conquest, and ultimately independence – an evolution from colonial oppression to postcolonial identity. -
Read Ebook {PDF EPUB} Down All the Days by Christy Brown CHRISTY BROWN, AUTHOR, DIES; CRIPPLED, HE WROTE with TOE
Read Ebook {PDF EPUB} Down All the Days by Christy Brown CHRISTY BROWN, AUTHOR, DIES; CRIPPLED, HE WROTE WITH TOE. Christy Brown, the crippled Irish author who wrote by typing with the little toe of his left foot, choked to death Sunday while having dinner at home in Parbrook, a village in Somerset, in western England. He was 49 years old. Mr. Brown wrote his first book, ''My Left Foot,'' in 1954. His autobiographical novel, ''Down All the Days,'' was written in 1970 and was translated into 14 languages. It told of the subculture of Kimmage, a working-class Dublin suburb in whi ch Mr. Brown grew up, and earned him $370,000. His most recent work s were ''Shadow on Summer'' and a collection of poems, ''Backgro und Music.'' Mr. Brown was a victim of cerebral palsy. In his early years he could not stand, walk, feed himself or drink. His speech consisted largely of grunts understood by his family and close friends. He could not control any part of his body except his left foot. He would jerk and shake and often slaver. 'The Urge to Write' His mother, who had 22 children, of whom 13 survived, refused to put him in an institution. She taught him to write, and he learned to read and paint - holding a paint brush with the toes of his left foot. Robert Collis, a Dublin physician who specialized in cerebral palsy, encouraged Mr. Brown to write. ''From very early on I had the urge to write,'' Mr. Brown said. ''As far back as I can remember I was always writing bits and pieces - poems, short stories, essays. -
The Cultural and Economic Contribution of Live Entertainment Events in Ireland
LET’S CELEBRATE 2017 Le t’s The Cultural and Economic Contribution of Live Entertainment Events in Ireland 1 LET’S CELEBRATE Irish people's collective adeptness The cultural impact of live at weaving our rich artistic heritage entertainment is unique in into the events that we stage is one that it not only allows for of the major reasons why our cultural footprint audiences to witness the craft of all is so well travelled. Time and again we witness those bringing art and culture to life iconic live events that capture all that is great but, more importantly, brings audiences about Irish culture and identity and see it together to discuss and mediate what shared around the world.“ has unfolded before them.“ Mary Davis, Global CEO, Special Moya Doherty, Riverdance Producer & Olympics International Chairperson of the RTE Board Croke Park Riverdance, Croke Park Photo credit: Paulo Goncalves Photo credit: Tyrone Productions 2 LET’S CELEBRATE Playing in Ireland is always one of the highlights of my tours. I always look forward to coming to Ireland, the crowd is always amazing and there seems to be an incredible connection between audience and performer. Ireland has a special place in it’s heart for live music.” Robbie Williams Robbie Williams, Aviva Stadium Photo credit: Paulo Goncalves Results of 5,764 Customer Contents Research Data Executive Summary Importance, Quality & Recommendations p.23 A special message from Michael Bublé p.4 p.25 Number of Bed Nights, Distance Travelled, Introduction by Justin Green, and Time Spent p.27 Wide Awake -
Copyright Statement This Copy of the Thesis Has Been Supplied On
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2021 How progressive was the representation of physical disability within mainstream film in the 1990s, given the increased awareness about disability during the decade? Ruse, Connor David http://hdl.handle.net/10026.1/17388 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. Copyright Statement This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author's prior consent. 1 How progressive was the representation of physical disability within mainstream film in the 1990s, given the increased awareness about disability during the decade? by Connor David Ruse A thesis submitted to the University of Plymouth in partial fulfilment for the degree of RESEARCH MASTERS School of Humanities and Performing Arts July 2021 2 Acknowledgements Many thanks to my supervisory team at the University of Plymouth, Dr Darren Aoki, Dr Ryan Sweet and Dr Simon Topping, for providing excellent feedback throughout this Research Masters and for ensuring I remain focused on the historical side of film analysis. -
Christy Brown- the Life That Inspired My Left Foot by Georgina Louise Hambleton Mainstream Publishing ISBN 9781845963187 2012 247 Pp
Christy Brown- The Life That Inspired My Left Foot By Georgina Louise Hambleton Mainstream Publishing ISBN 9781845963187 2012 247 pp. The story of Christy Brown is indeed a remarkable one in many ways especially considering the obstacle he had to overcome. Brown was born severely disabled with cerebral palsy, unable to use any part of his body save for his left foot. Born on 5 June 1932 in Dublin, doctors had told family members that because of the way he was positioned in the womb both mother and son might not survive..but they did. At the time of his birth in the 1930's, cerebral palsy was difficult to understand in Ireland. The name describes a group of chronic conditions affecting body movements, muscle coordination, and usually mental function. "Cerebral" refers to the brain and "palsy" means a disorder of movement or posture. His mother was pressured by some to institutionalize him, but she refused and continually tried to stimulate him by playing with him, speaking to him, and reading to him. Gradually he developed his language skills. When he was five he rewarded his mother's patience by taking a piece of chalk between the first and second toes of his left foot and writing MOTHER on the floor. From this moment on Christy's life took on new meaning. He eventually learned to type on a typewriter using the first toe and paint positioning the brush as he did the chalk. He was fortunate that his brain was also not affected and he became a well known writer and poet. -
Adaptation a Festival of Films from the Works Ofwilliam Trevor Fri 22 - Sun 24 September 2006 Co
Leitrim Cinemobile and the Irish Film Institute presents Adaptation a festival of films from the works ofWilliam Trevor Fri 22 - Sun 24 September 2006 Co. Leitrim www.leitrimcinema.ie www.irishfilm.ie Introduction In setting out on our second year it is only right to mention John McGahern, last year’s featured writer. In retrospect our collaboration with him for our debut festival proved not just fitting, but timely. What a gracious and inspirational subject he proved to be. This year’s Adaptation festival pays tribute to one of the country’s most prolific and most adapted writers, William Trevor. Due to a long-standing engagement he is regretfully unable to attend. However, in a development from last year’s festival, the event will benefit from the involvement of some of those key talents and professionals responsible for bringing these works to the screen: Robert Cooper who for many years performed the role of a one- man film studio at BBC N. Ireland, celebrated actor Tom Hickey and of course Pat O’Connor, one of a small band of Irish directors to cut a consistent international profile over the past twenty years. While clearly keeping our focus on the festival as an event with broad audience and national appeal, this event comes at a time of change for the local film scene in Leitrim and the North West. The Dromahaire based team of Marian Quinn and Tom Weir are on course to complete their debut feature film for 2007 release, proving that a film industry can become increasingly de-centralised. -
Studies in Arts and Humanities VOL03/ISSUE01/2017 INTERVIEW | Sahjournal.Com
Studies in Arts and Humanities VOL03/ISSUE01/2017 INTERVIEW | sahjournal.com In Conversation with Jim Sheridan Jim Sheridan Playwright, Screenwriter, Film Director and Film Producer Dublin, Ireland Conor Murphy (Interviewer) School of Arts, Dublin Business School Chairman of Filmbase Dublin, Ireland Barnaby Taylor (Interviewer) School of Arts, Dublin Business School Dublin, Ireland Stephen Bendict (Interviewer) Filmmaker and Broadcaster Dublin, Ireland © Jim Sheridan. This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. Abstract On 9th February 2016 SAH Journal was privileged to host a public interview with arguably Ireland’s most successful filmmaker, Jim Sheridan. Born in 1949, Jim Sheridan grew up in family of social and artistic activists in the Sheriff Street area of Dublin’s inner city. He studied at University College Dublin and worked with an emerging generation of writers, performers and theatre makers. He was instrumental in the establishment of the Project Arts Centre and he occupies a central position among a group of artists who have left an indelible mark on the creative and cultural life of Ireland over the past 40 years. Sheridan left Dublin for Canada and then the United States in the early 1980s and became the artistic director at the Irish Arts Center in New York. Following a course in film production at the NYU Tisch School of the Arts, he returned to Dublin and became quickly involved in the burgeoning Irish film industry. The global impact of his debut feature film My Left Foot (1989) marked the beginning of a uniquely successful career as one of the outstanding Irish filmmakers on the international scene. -
My Left Foot 4
study guide fiieducation My Left Foot Contents Introduction Introduction 2 Welcome to the fiieducation My Left Foot study guide. Since the Pre-Viewing Worksheet 3 addition of film studies to the revised Leaving Cert English curriculum, Christy Brown; Hero? 4-5 this Irish film has become one of the favourite choices for teachers Christy’s Relationships: and students. Released in 1989, it won two Oscars for Daniel Day- Mother 6 Lewis as Best Actor and Brenda Fricker as Best Supporting Actress. Father and Son 7 Its worldwide success created a new interest and energy for Eileen Cole & Mary Carr 8-9 filmmaking in Ireland and its popularity has endured. The World of the Film 10-11 Appendices This guide has been devised to facilitate teachers’ own training in I Sequences for study 12 the teaching of film, but also for classroom use. The three principle II Analysing a Key Moment & Sample Key Moment Analysis 13-14 sections, Hero, Relationships and the World of the Film include III Speech from Hamlet detailed discussion and suggested Key Moments. Explorations for and The Myth of Oedipus 15 Students are also included to stimulate classroom discussion. These IV Interviews: Brenda Fricker 16-17 sections can be used independently but ideally combine to make a Hugh O Conor 18 complete study of the film. Supplementary material is supplied in the Noel Pearson 19-20 V Comparative study grid 21 Appendices, including sequences for study, a sample key moment VI Comparattive study questions 22 analysis and sample Comparative Study questions. Interviews with VII Credits 23 Brenda Fricker, Hugh O Conor, and Noel Pearson offer interesting insights into the making of the film.