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September 6, 2011 (XXIII:2) Anthony Asquith and Leslie Howard, PYGMALION (1938, 96 Min)
September 6, 2011 (XXIII:2) Anthony Asquith and Leslie Howard, PYGMALION (1938, 96 min) Directed by Anthony Asquith and Leslie Howard Written by George Bernard Shaw (play, scenario & dialogue), W.P. Lipscomb, Cecil Lewis, Ian Dalrymple (uncredited), Anatole de Grunwald (uncredited), Kay Walsh (uncredited) Produced by Gabriel Pascal Original Music by Arthur Honegger Cinematography by Harry Stradling Edited by David Lean Art Direction by John Bryan Costume Design by Ladislaw Czettel (as Professor L. Czettel), Schiaparelli (uncredited), Worth (uncredited) Music composed by William Axt Music conducted by Louis Levy Leslie Howard...Professor Henry Higgins Wendy Hiller...Eliza Doolittle Wilfrid Lawson...Alfred Doolittle Marie Lohr...Mrs. Higgins Scott Sunderland...Colonel George Pickering GEORGE BERNARD SHAW [from Wikipedia](26 July 1856 – 2 Jean Cadell...Mrs. Pearce November 1950) was an Irish playwright and a co-founder of the David Tree...Freddy Eynsford-Hill London School of Economics. Although his first profitable writing Everley Gregg...Mrs. Eynsford-Hill was music and literary criticism, in which capacity he wrote many Leueen MacGrath...Clara Eynsford Hill highly articulate pieces of journalism, his main talent was for Esme Percy...Count Aristid Karpathy drama, and he wrote more than 60 plays. Nearly all his writings address prevailing social problems, but have a vein of comedy Academy Award – 1939 – Best Screenplay which makes their stark themes more palatable. Shaw examined George Bernard Shaw, W.P. Lipscomb, Cecil Lewis, Ian Dalrymple education, marriage, religion, government, health care, and class privilege. ANTHONY ASQUITH (November 9, 1902, London, England, UK – He was most angered by what he perceived as the February 20, 1968, Marylebone, London, England, UK) directed 43 exploitation of the working class. -
Brief Encounter
NOËL COWARD’S BRIEF ENCOUNTER STUDY PACK “I’m not very keen on Hollywood…I’d rather have a nice cup of cocoa really” - Noël Coward Highlights Of A Life And Career 1899 16 December, Noël Peirce Coward born in Teddington, Middlesex, eldest surviving son of Arthur Coward, piano salesman and Violet. His early circumstances were of refined suburban poverty. 1907 First public appearances in school and community concerts. 1908 Family moved to Battersea and took in lodgers. 1911 First professional appearance as Prince Mussel in The Goldfish, produced by Lila Field at the Little Theatre and revived in same year at Crystal Palace and Royal Court Theatre. Cannard, the page-boy, in The Great Name at the Prince of Wales Theatre and William in Where the Rainbow Ends with Charles Hawtrey’s Company at the Savoy Theatre. 1912 Directed The Daisy Chain and stage-managed The Prince’s Bride at Savoy in series of matinees featuring the work of the children of the Rainbow cast. Mushroom in An Autumn Idyll ballet, Savoy. 1913 An angel (Gertrude Lawrence was another) in Basil Dean’s production of Hannele. Slightly in Peter Pan, Duke of York’s. 1914 Toured in Peter Pan. Collaborated with fellow performer Esmé Wynne on songs, sketches, and short stories. Coward as a teenager 1915 Admitted to sanatorium for tuberculosis. 1916 Five-month tour as Charley in Charley’s Aunt. Walk-on in The Best of Luck, Drury Lane. Wrote first full-length song, ‘Forbidden Fruit’. Basil Pycroft in The Light Blues, produced by Robert Courtneidge, with daughter Cicely also in cast, Shaftesbury. -
Teachers Companion
Spring 2009 TEACHERS COMPANION Niagara-on-the-Lake, Ontario THE SHAW FESTIVAL IN April 1 to November 1 NIAGARA-ON-THE-LaKE IS FESTIVAL THEATRE OUTSTANDING BRIEF ENCOUNTERS ONE OF NORTH AMERICA’S Still Life, We Were Dancing, Hands MOST EXCITING THEATRE THEATRE FOR Across the Sea STUDENTS! NOEL COWARD DESTINATIONS! BoRN YESTERDAY One of the many highlights in 2009 is a GARSON KANIN celebration of one of Bernard Shaw’s most ThE DEVIL’S DISCIPLE famous contemporaries, Noël Coward, and BERNARD SHAW his collection of ten short plays entitled COURT HOUSE THEATRE Tonight at 8:30. From classic Coward WAYS of THE HEART comedies to moving dramas – some known The Astonished Heart, Family Album, and treasured, and some rarely seen – each of Ways and Means NOEL COWARD the plays is a tiny jewel of playwriting. This marks the first time in repertory theatre A MooN foR THE MISBEGOTTEN EUGENE O’NEILL history that all ten plays will be performed together. A once-in-a-lifetime experience for ALBERTINE IN FIVE TIMES MICHEL TREMBLAY students! TRANSLATED BY LINDA GABORIAU ROYAL GEORGE THEATRE We’ve not forgotten our illustrious namesake, PLAY, ORCHESTRA, PLAY presenting two rousing works by Bernard Red Peppers, Fumed Oak, Shadow Play Shaw, The Devil’s Disciple and In Good King NOEL COWARD Charles’s Golden Days – as well as Garson SUNDAY IN THE PARK Kanin’s romantic comedy Born Yesterday, WITH GEORGE Stephen Sondheim’s award-winning Sunday MUSIC AND LYRICS BY in the Park with George, Eugene O’Neill’s Claire Jullien IN GOOD KING CHARLES’S GOLDEN DAYS. -
Resource Pack.Indd
Noël Coward’s Private Lives Lesson Resource Pack Director Lucy Bailey Designer Katrina Lindsay Lighting Designer Oliver Fenwick Music Errollyn Wallen Image: Noël Coward photographed by Horst P Horst in 1933. Horst Estate/Courtesy Staley-Wise Gallery, New York Contents Introduction & Cast List ……………………… 3 Information for Teachers................................ 4 Noël Coward by Sheriden Morley…………… 5 In Conversation with Lucy Bailey................... 7 Private Lives by John Knowles....…..……. 9 Synopsis …………..…………………………… 11 Social Class................................................... 12 Noël Coward: In his own words….…….…….. 13 Noël Coward visits Hampstead Theatre......... 14 Texts for Comparison with Private Lives…… 15 Performance Evaluation…..………..….....….. 16 Set Design by Katrina Lindsay....................... 17 Language of Private Lives.............................. 18 Lesson Activities - Worksheet one………………………………… 20 Worksheet two………………………………… 21 Worksheet three………………………………. 22 Worksheet four………………………………… 23 Worksheet fi ve…………………………………. 24 Script Extract……….………………………….. 25 Further reading………………………………… 29 Introduction Amanda and Elyot can’t live together and they can’t live apart. When they discover they are honey- mooning in the same hotel with their new spouses, they not only fall in love all over again, they learn to hate each other all over again. A comedy with a dark underside, fi reworks fl y as each character yearns desperately for love. Full of wit and razor sharp dialogue, Private Lives remains one of the most successful and popular comedies ever written. Written in 1929, Private Lives was brilliantly revived at Hampstead in 1962, bringing about a ‘renaissance’ in Coward’s career and establishing Hampstead as a prominent new theatre for London. Private Lives was a runaway hit when it debuted in 1930, and the play has remained popular in revivals ever since. -
CSIF/Calgary Public Library 16Mm and Super 8 Film Collection
CSIF Film Library CSIF/Calgary Public Library 16mm and Super 8 Film Collection Film Running Time Number Title Producer Date Description (min) A long, hard look at marriage and motherhood as expressed in the views of a group of young girls and married women. Their opinions cover a wide range. At regular intervals glossy advertisements extolling romance, weddings, babies, flash across the screen, in strong contrast to the words that are being spoken. The film ends on a sobering thought: the solution to dashed expectations could be as simple as growing up before marriage. Made as part of the Challenge for Change 1 ... And They Lived Happily Ever After Len Chatwin, Kathleen Shannon 1975 program. 13 min Presents an excerpt from the original 1934 motion picture. A story of bedroom confusions and misunderstandings that result when an American dancer begins pursuing and English woman who, in turn, is trying to invent the technical grounds of 2 Gay Divorcee, The (excerpt) Films Incorporated 1974 divorce 14 A hilarious parody of "Star Wars". Uses a combination of Ernie Fosselius and Michael Wiese special effects and everyday household appliances to simulate 4 Hardware Wars (Pyramid Films) 1978 sophisticated space hardware. 10 Laurel and Hardy prepare for a Sunday outing with their wives 5 Perfect Day, A Hal Roach Studios (Blackhawk Films) 1929 and Uncle Edgar Kennedy, who has a gouty foot. 21 Witty, sad, and often bizarre anecdotes of Chuck Clayton, the 73-year-old former manager of the largest cemetery east of 6 Boo Hoo National Film Board of Canada 1975 Montreal, told as he wanders nostalgically through its grounds. -
Encountering Previn > Opera News > the Met Opera Guild
Encountering Previn > Opera News > The Met Opera Guild http://www.operanews.com/Opera_News_Magazine/2009/4/Fea... Features April 2009 — Vol. 73, No. 10 (http://www.operanews.org/Opera_News_Magazine/2009/4 /DRAMATIC_SOPRANO_CHRISTINE_BREWER.html) Encountering Previn In his eightieth-birthday year, André Previn looks back on an eclectic career that has taken him from Hollywood to the world's elite orchestras - and forward to his new opera, Brief Encounter, which opens at Houston Grand Opera next month. By BARRY SINGER Librettist Caird and composer Previn 1 of 6 1/9/12 12:11 PM Encountering Previn > Opera News > The Met Opera Guild http://www.operanews.com/Opera_News_Magazine/2009/4/Fea... © PWL Studio 2009 André Previn remembers the first opera he ever saw. "I was six or seven. We were still living in Berlin, where I was born, and my father, who adored music and was extremely German, thought, 'Well, now the kid has seen symphonic concerts, he's seen recitals, the time has come for him to see an opera.' Still, he worried, maybe operas are too long for one so young. My father looked in the newspaper and found a performance of Strauss's Salome, which he saw was short, a one-act. So the first opera I ever saw was Salome, but on a double bill with the ballet Coppélia, if you can believe it! Apparently the presenter figured a one-act was not worth real money, so they paired Salome with Coppélia. I adored Salome, but it was quite a while before I realized that Herod did not work in a toyshop." It is no secret that Previn, who turns eighty this year, wound up taking his time before revisiting the opera house as a composer - more than sixty years, in fact. -
May Home Chat 2001 the Newsletter of the Noel Coward Society
MAY HOME CHAT 2001 THE NEWSLETTER OF THE NOEL COWARD SOCIETY AFTER THE BALL In Conversation with Joan Hirst by Gareth Pike Barry Day writes ... The historic Custom House on Until this year when Birmingham University took over Battery Park was the setting for the responsibility for the London based part of the Coward archive New York Premiere of the concert its guardian had been Joan Hirst, the Society's new Vice- version of After The Ball . The President. In Coward's lifetime she ran his London office and Standing Room Only audience of mindful of the precept of her predecessor Lorn Loraine that some 400 - with almost as many they were there to support Noel and never to take the limelight turned away - cheered the cast to from him, she was reluctant to be interviewed. Finally I the echo at the end of the persuaded her. performance. “When and why did you come to work for Noël?” Prior to professional commitments “It was after the war. I was alone with a son to bring up, and of the cast - most of whom were I needed the work. At the time I was working for Michael singers from the Metropolitan Redgrave, and as Michael and Noël knew each other, it wasn’t Opera and giving their services free - meant that the piece surprising that Lorn got to hear of me. It was agreed that she was played without an intermission. Seeing it done this way needed an assistant, especially one who could type, because for the first time in its new life of three performances to date she didn’t type, and I was there.” convinced me that we what we have here is not so much a “I didn’t know that you had ever worked for the Redgraves’.” musical as a ‘chamber opera.’ The lack of sets and décor - “Oh yes. -
Past and Present 19/7/05 3:53 Pm Page I
2725 M&M Past and Present 19/7/05 3:53 pm Page i Turner Classic Movies British Film Guides General Editor: Jeffrey Richards Brighton Rock Dracula The 39 Steps Steve Chibnall Peter Hutchings Mark Glancy A Hard Day’s Night Get Carter The Dam Busters Stephen Glynn Steve Chibnall John Ramsden My Beautiful The Charge of the Light A Night to Remember Launderette Brigade Jeffrey Richards Christine Geraghty Mark Connelly The Private Life of Whiskey Galore! & The Henry VIII Maggie Greg Walker Colin McArthur Cinema and Society Series General Editor: Jeffrey Richards ‘Banned in the USA’: British Films in the United States and Their Censorship, 1933–1960 Anthony Slide Best of British: Cinema and Society from 1930 to the Present Anthony Aldgate & Jeffrey Richards Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema Colin McArthur British Cinema and the Cold War Tony Shaw The British at War: Cinema, State and Propaganda, 1939–1945 James Chapman Christmas at the Movies: Images of Christmas in American, British and European Cinema Edited by Mark Connelly The Crowded Prairie: American National Identity in the Hollywood Western Michael Coyne Distorted Images: British National Identity and Film in the 1920s Kenton Bamford An Everyday Magic: Cinema and Cultural Memory Annette Kuhn Film and Community in Britain and France: From La Règle du Jeu to Room at the Top Margaret Butler 2725 M&M Past and Present 19/7/05 3:53 pm Page ii Film Propaganda: Soviet Russia and Nazi Germany Richard Taylor Hollywood Genres and Post-War America: Masculinity, -
BRIEF ENCOUNTER MOVIE INFO on a Cafe at a Railway Station, Housewife (1945) Laura Jesson Meets Dr
BRIEF ENCOUNTER MOVIE INFO On a cafe at a railway station, housewife (1945) Laura Jesson meets Dr. Alec Harvey. Although they are already married, they gradually fall in love with each other. They continue to meet every Thursday on the TOMATOMETER small cafe, although they know that their love is impossible All Critics 88% Average Rating: 8.2/10 Reviews Counted: 32 Fresh: 28 Rotten: 4 Top Critics 60% Average Rating: 6.5/10 Reviews Counted: 5 Fresh: 3 Rotten: 2 Critics Consensus: No consensus yet. Theatrical release poster [Wikipedia] Audience Score Rating: Unrated 91% Genre: Drama, Romance, Classics liked it Directed By: David Lean Average Rating: 4.2/5 Written By: David Lean, Anthony Havelock-Allan, User Ratings: 10,837 Ronald Neame, Noel Coward, Coward Lean In Theaters: Nov 26, 1945 Wide On DVD: Sep 7, 2004 Runtime: 1 hr. 26 min. Universal Pictures [www.rottentomatoes.com] Brief Encounter From Wikipedia, the free encyclopedia Brief Encounter is a 1945 British film directed by David Lean about British suburban life, centering on Laura, a married woman with children whose conventional life becomes increasingly complicated because of a chance meeting at a railway station with a stranger, Celia Johnson and Trevor Howard Alec. They inadvertently but quickly progress to an emotional love affair, which brings about Enjoying each other's company, the two arrange unexpected consequences. to meet again. They are soon troubled to find their innocent and casual relationship quickly The film stars Celia Johnson, Trevor developing into something deeper. Howard, Stanley Holloway and Joyce Carey. The screenplay is by Noël Coward, based on his For a while, they meet openly, until they run into 1936 one-act play Still Life. -
TONIGHT at 8.30 a Collection of Ten One Act Plays by Noël Coward
LEWES THEATRE CLUB Newsletter No.32 JUNE 2011 TONIGHT AT 8.30 A Collection of Ten One Act Plays by Noël Coward A Tri-Theatre Adventure project involving two other Little Theatre Guild theatres, The Oast Theatre, Tonbridge and Archway Theatre Company, Horley. Friday 15 July to Saturday 30 July at 7.45pm except Sundays Matinees Saturday 16,23,30 at 2.45pm. www.lewestheatre.org 2 LLT NEWSLETTER LLT NEWSLETTER 3 Editor’s notes IN THIS ISSUE... PREVIEW TONIGHT AT 8.30 Following The Handyman is not an easy 3 PREVIEW Tonight at 8.30 task – it was a powerful and thought provoking production with an outstanding 4 REVIEW The Handyman by Noël Coward directed by Cathryn Parker performance by Alan Bucksey. The play Evening performances at 7.45pm. Matinee at 2.45pm on Saturday 16,23,30 July. raised issues of individual responsibility 6 AUDITION Enter A Free Man THE BOX OFFICE 01273 474826 will be open daily except Sundays from Monday 11 July over obedience to authority and to Saturday 30 July from 10.30 am until noon and from 7pm to 7.30pm. Postal bookings 7 AUDITION Flare Path received before the Box Office opening period will be given priority. Tickets not paid for questioned the applicability of mercy and 15 minutes before the performance is timed to start may be resold. forgiveness in the face of horrific crimes. 8 DIRECTOR’S NOTES SEE PAGE 14 for more details of booking arrangements. Never mind – Noel Coward will cheer In any case seats booked in advance but not taken up must be paid for if not resold. -
BVC M010546 Cine Y Teatro. Guía De Largometrajes Adaptados De Obras
Guía de Largometrajes 2009 cine y teatro introducción La GUÍA DE CINE Y TEATRO es una compilación de una amplia selección de largometrajes que son adaptaciones de obras teatrales a la pantalla cinematográfica. Se encuadra en la colección Guías de Cine, editadas por la Comunidad de Madrid, presentándose ahora en formato CD, con el fin de proporcionar un formato más adecuado para una obra de referencia, ya que facilita la realización de consultas y búsquedas automáticas útiles para los interesados en el tema. La mayoría de los títulos incluidos han sido estrenados comercialmente y figuran por ello en la base de datos de películas del Ministerio de Cultura. En esta guía se ha optado por reflejar también obras que han sido estrenadas en festivales, aunque no hayan llegado a las pantallas comerciales, así como algunos títulos señalados que, por causas diversas, no han llegado a verse en proyección pública alguna en España. La GUÍA DE CINE Y TEATRO consta de dos partes: 1) Referencias fílmicas. Se relacionan los autores teatrales por orden alfabético y, en caso de que el autor tenga más de una adaptación a la pantalla, las películas se ordenan por orden alfabético de título. 2) Índices. - De autores - De películas En cada ficha se proporcionan los datos básicos de cada película (director, intérpretes principales, guión, argumento, música, director de fotografía, año de producción, nacionalidad, duración, datos técnicos, género, calificación, productora y distribuidora), así como un breve resumen. obras por autor 16 A Argumento: Basado en la obra teatral “No te ofendas, Beatriz” de Carlos ABATI Y DÍAZ, JOAQUÍN (1856-1936) Arniches y Joaquín Abati (1926) Música: Juán Durán Alemany Escritor y libretista de zarzuelas, nacido en Madrid en 1865. -
Chronology of Coward's Plays in Order of Composition
Chronology of Coward's Plays in Order of Composition (with first production dates) 1918 The Rat Trap (1926). 1919 I'll Leave it to You (1920). 1920 Barriers Down (unproduced). 1921 The Young Idea (1922), Sirocco (1927), The Better Half(1922). 1922 A Young Man's Fancy (unproduced), The Queen Was in the Parlour (1926), Bottles and Bones and Mild Oats (sketches, 1922). 1923 London Calling! (1923), The Vortex (1924), Fallen Angels (1925), Weatherwise (sketch, 1932). 1924 Hay Fever (1925), Easy Virtue (New York 1925, London 1926). 1925 On With the Dance (1925). 1926 Semi-Monde (1977), This Was a Man (New York 1926), The Marquise (1927). 1927 Pretty Prattle (sketch, 1927), Home Chat (1927). 1928 This Year of Grace! (1928), Concerto (unproduced screenplay). 1929 Bitter-Sweet (1929). 1930 Private Lives (1930), Post Mortem (1944, POW production), Some Other Private Lives (sketch, 1930). 1931 Cavalcade (1931). 200 Chronology 1932 Design for Living (New York 1933, London 1939), Words and Music (1932). 1933 Conversation Piece ( 1934). 1934 Point Valaine (1934). 1935 Tonight at 8.30 (ten plays, 1935). 1937 Operette (1938). 1939 Present Laughter (1942), This Happy Breed (1942). 1940 Time Remembered (unproduced). 1941 Blithe Spirit (1941), Screenplay for In Which We Serve (1942). 1945 Sigh No More (1945), Pacific I860 (1946). 1946 Peace in Our Time (1947). 1947 Long Island Sound (unproduced). 1949 South Sea Bubble (1956), Ace of Clubs (1950). 1950 Relative Values ( 1951). 1951 Quadrille (1952). 1954 Nude with Violin (1956). 1956 Volcano (unproduced). 1958 Look after Lulu! (adaptation of Feydeau's Occupe-toi d'Amelie, 1959). 1959 Waiting in the Wings (1960).