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Poezija Britanske Popularne Kulture 20. Veka: Poetika I Hermeneutika

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Poezija Britanske Popularne Kulture 20. Veka: Poetika I Hermeneutika UNIVERZITET U NOVOM SADU FILOZOFSKI FAKULTET ODSEK ZA ANGLISTIKU POEZIJA BRITANSKE POPULARNE KULTURE 20. VEKA: POETIKA I HERMENEUTIKA DOKTORSKA DISERTACIJA Mentor: Prof. dr Zoran Paunović Kandidat: mr Bojana Vujin Novi Sad, septembar 2014. godine UNIVERZITET U NOVOM SADU FILOZOFSKI FAKULTET KLJUČNA DOKUMENTACIJSKA INFORMACIJA Redni broj: RBR Identifikacioni broj: IBR Tip dokumentacije: Monografska dokumentacija TD Tip zapisa: Tekstualni štampani materijal TZ Vrsta rada (dipl., mag., dokt.): Doktorska disertacija VR Ime i prezime autora: Mr Bojana Vujin AU Mentor (titula, ime, prezime, Prof. dr Zoran Paunović, redovni profesor zvanje): MN Naslov rada: Poezija britanske popularne kulture 20. veka: NR poetika i hermeneutika Jezik publikacije: srpski JP Jezik izvoda: srpski / engleski JI Zemlja publikovanja: Republika Srbija ZP Uže geografsko područje: AP Vojvodina UGP Godina: 2014. GO Izdavač: autorski reprint IZ Mesto i adresa: Novi Sad, Dr Zorana Đinđića 2 MA ii Fizički opis rada: 6 poglavlja / 265 stranica / 1 prilog FO Naučna oblast: Anglistika NO Naučna disciplina: Anglistika, engleska književnost ND Predmetna odrednica, ključne reči: engleska književnost, popularna kultura, PO poezija, pop, rok, muzika, tekstovi pesama, Bitlsi, Kvin, Mjuz UDK Čuva se: ČU Važna napomena: VN Izvod: Tema ovog rada jeste poezija britanske IZ popularne kulture dvadesetog veka, odnosno, stihovi pop i rok pesama britanskih muzičkih autora. Polazna teza disertacije jeste to da se tekstovi popularnih pesama mogu smatrati poezijom, te da se uobičajene metode koje se koriste pri analizi tradicionalnog pesničkog stvaralaštva mogu upotrebiti i kada je reč o pop i rok tekstu. Iako se popularna muzika odavno posmatra kao bitan činilac u kulturi dvadesetog i dvadeset prvog veka, i kao takva jeste predmet brojnih kritičkih studija, primećuje se iznenađujuća činjenica da se te studije uglavnom bave njenom kulturološko- sociološkom ulogom, zbog čega je i istražuju upravo iz tog ugla. Za razliku od njih, ovaj rad se usredsređuje na pesničke elemente popularne muzike (poetika), i to tako što ih tumači kao i svaki drugi književni tekst (hermeneutika). Ponekad se ovoj analizi dodaje i muzikološka, jer se značenje popularnih pesama stvara kombinacijom tekstualnog i muzičkog aspekta. U odabiru bendova koji su postavljeni u središte analize od velike koristi bila je teorija Kira Kitlija (Keir Keightley) o romantičarkoj i modernističkoj autentičnosti popularne muzike. S obzirom na to da su studije popularne muzike iii uglavnom posvećene romantičarsko autentičnim stvaraocima, predmet istraživanja ove disertacije jesu tri modernističko autentične grupe, a to su Bitlsi (The Beatles), Kvin (Queen) i Mjuz (Muse). Njihovi tekstovi su tematski podeljeni u četiri grupe: pesme o ljubavi, narativne pesme, pesme o unutrašnjem svetu i pesme o spoljašnjem svetu; i analizirani su u skladu sa takvom podelom. Nakon izvršene analize, izveden je zaključak da se tekstovi rok i pop pesama uistinu mogu smatrati poezijom, čak i kada stihovni element neke pesme služi pre svega kao pratnja muzičkom. Na ovaj način, utvrđeno je da pop i rok poeziji i te kako pripada mesto u širokoj i raznorodnoj oblasti pesničkog stvaralaštva. Datum prihvatanja teme od strane 13. novembar 2009. NN veća: DP Datum odbrane: DO Članovi komisije: predsednik: (ime i prezime / titula / zvanje / član: naziv organizacije / status) član: KO iv University of Novi Sad Key word documentation Accession number: ANO Identification number: INO Document type: Monograph documentation DT Type of record: Textual printed material TR Contents code: Doctoral dissertation CC Author: Bojana Vujin AU Mentor: Dr Zoran Paunović, full professor MN Title: Poetry Of 20th Century British Popular Culture: TI Poetics And Hermeneutics Language of text: Serbian LT Language of abstract: English / Serbian LA Country of publication: Serbia CP Locality of publication: Vojvodina LP Publication year: 2014 PY Publisher: Author’s reprint PU Publication place: Novi Sad, Dr Zorana Đinđića 2 PP v Physical description: 6 chapters / 265 pages / 1 appendix PD Scientific field English studies SF Scientific discipline English studies, English literature SD Subject, Key words English literature, popular culture, poetry, pop, SKW rock, music, lyrics, The Beatles, Queen, Muse UC Holding data: HD Note: N Abstract: The topic of this research was the poetry AB of 20th century British popular culture, i.e., the lyrics of pop and rock songs written by British authors. The basic thesis of the dissertation was the idea that popular music lyrics can be considered to be poetry, and that the usual methods used to analyse traditional poetry can thus also be used in the analysis of pop and rock lyrics. Even though popular music has long been considered a valuable factor in the 20th and 21st century culture, therefore being the topic of numerous critical studies, most of these studies have, surprisingly, been focused almost exclusively on the culturological and sociological importance of popular music and have thus approached it accordingly. This research is instead focused on its poetical elements (poetics), interpreting them as it would any other kind of literary text (hermeneutics). Sometimes, musicological element is also added to the analysis, given that the meaning of popular songs is created by the combination of both text and music. Keir Keightley’s theory of Romantic and Modernist authenticity in music has been greatly helpful in choosing the bands on which the research was to focus. Since popular music studies mostly deal with Romantic authenticity, three bands which display Modernist vi authenticity – The Beatles, Queen, and Muse – were here chosen as subjects instead. Their lyrics were divided into four thematic groups: songs about love, narrative songs, songs about the inner world, and songs about the outer world; they were analysed according to these thematic focuses. After the analysis was done, the following conclusion was drawn: pop and rock lyrics can indeed be considered poetry, even when the textual element is only secondary to the musical one. It has thus been proved that pop and rock texts should be regarded as part of the vast and varied area of poetry in general. Accepted on Scientific Board on: 13 November 2009 AS Defended: DE Thesis Defend Board: president: DB member: member: vii Sadržaj Apstrakt 1 Abstract 2 Uvod 1. Kako pristupiti muzičkom tekstu? 3 2. Tradicionalna poezija i tekstovi pesama 10 3. Tumačenje muzičkog teksta 16 4. Poezija popularne kulture 19 5. Fokus istraživanja: Bitlsi, Kvin i Mjuz 22 6. Struktura rada 26 Pesme o ljubavi 1. Ljubavna poezija 28 2. Bitlsi, Kvin i Mjuz: rani albumi 32 3. Bitlsi, Kvin i Mjuz: kasniji albumi 67 Narativne pesme 100 Pesme o unutrašnjem svetu 145 Pesme o spoljašnjem svetu 202 Zaključak 237 Dodatak 251 Literatura 256 viii POEZIJA BRITANSKE POPULARNE KULTURE 20. VEKA: POETIKA I HERMENEUTIKA APSTRAKT Tema ovog rada jeste poezija britanske popularne kulture dvadesetog veka, odnosno, stihovi pop i rok pesama britanskih muzičkih autora. Polazna teza disertacije jeste to da se tekstovi popularnih pesama mogu smatrati poezijom, te da se uobičajene metode koje se koriste pri analizi tradicionalnog pesničkog stvaralaštva mogu upotrebiti i kada je reč o pop i rok tekstu. Iako se popularna muzika odavno posmatra kao bitan činilac u kulturi dvadesetog i dvadeset prvog veka, i kao takva jeste predmet brojnih kritičkih studija, primećuje se iznenađujuća činjenica da se te studije uglavnom bave njenom kulturološko-sociološkom ulogom, zbog čega je i istražuju upravo iz tog ugla. Za razliku od njih, ovaj rad se usredsređuje na pesničke elemente popularne muzike (poetika), i to tako što ih tumači kao i svaki drugi književni tekst (hermeneutika). Ponekad se ovoj analizi dodaje i muzikološka, jer se značenje popularnih pesama stvara kombinacijom tekstualnog i muzičkog aspekta. U odabiru bendova koji su postavljeni u središte analize od velike koristi bila je teorija Kira Kitlija (Keir Keightley) o romantičarskoj i modernističkoj autentičnosti popularne muzike. S obzirom na to da su studije popularne muzike uglavnom posvećene romantičarsko autentičnim stvaraocima, predmet istraživanja ove disertacije jesu tri modernističko autentične grupe, a to su Bitlsi (The Beatles), Kvin (Queen) i Mjuz (Muse). Njihovi tekstovi su tematski podeljeni u četiri grupe: pesme o ljubavi, narativne pesme, pesme o unutrašnjem svetu i pesme o spoljašnjem svetu; i analizirani su u skladu sa takvom podelom. Nakon izvršene analize, izveden je zaključak da se tekstovi rok i pop pesama uistinu mogu smatrati poezijom, čak i kada stihovni element neke pesme služi pre svega kao pratnja muzičkom. Na ovaj način, utvrđeno je da pop i rok poeziji i te kako pripada mesto u širokoj i raznorodnoj oblasti pesničkog stvaralaštva. KLJUČNE REČI Poezija, popularna kultura, rok, pop, muzika, tekstovi pesama, Bitlsi, Kvin, Mjuz 1 POETRY OF 20TH CENTURY BRITISH POPULAR CULTURE: POETICS AND HERMENEUTICS ABSTRACT The topic of this research was the poetry of 20th century British popular culture, i.e., the lyrics of pop and rock songs written by British authors. The basic thesis of the dissertation was the idea that popular music lyrics can be considered to be poetry, and that the usual methods used to analyse traditional poetry can thus also be used in the analysis of pop and rock lyrics. Even though popular music has long been considered a valuable factor in the 20th and 21st century culture, therefore being the topic of numerous critical studies, most of these studies
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