Rebels & Radicals
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28415 NDR Credits
28415 NDR Credits Billing Primary Liable party name Full Property Address Primary Liable Party Contact Add Outstanding Debt Period British Airways Plc - (5), Edinburgh Airport, Edinburgh, EH12 9DN Cbre Ltd, Henrietta House, Henrietta Place, London, W1G 0NB 2019 -5,292.00 Building 320, (54), Edinburgh Airport, Edinburgh, Building 319, World Cargo Centre, Manchester Airport, Manchester, Alpha Lsg Ltd 2017 -18,696.00 EH12 9DN M90 5EX Building 320, (54), Edinburgh Airport, Edinburgh, Building 319, World Cargo Centre, Manchester Airport, Manchester, Alpha Lsg Ltd 2018 -19,228.00 EH12 9DN M90 5EX Building 320, (54), Edinburgh Airport, Edinburgh, Building 319, World Cargo Centre, Manchester Airport, Manchester, Alpha Lsg Ltd 2019 -19,608.00 EH12 9DN M90 5EX The Maitland Social Club Per The 70a, Main Street, Kirkliston, EH29 9AB 70 Main Street, Kirkliston, West Lothian, EH29 9AB 2003 -9.00 Secretary/Treasurer 30, Old Liston Road, Newbridge, Midlothian, EH28 The Royal Bank Of Scotland Plc C/O Gva , Po Box 6079, Wolverhampton, WV1 9RA 2019 -519.00 8SS 194a, Lanark Road West, Currie, Midlothian, Martin Bone Associates Ltd (194a) Lanark Road West, Currie, Midlothian, EH14 5NX 2003 -25.20 EH14 5NX C/O Cbre - Corporate Outsourcing, 55 Temple Row, Birmingham, Lloyds Banking Group 564, Queensferry Road, Edinburgh, EH4 6AT 2019 -2,721.60 B2 5LS Unit 3, 38c, West Shore Road, Edinburgh, EH5 House Of Fraser (Stores) Ltd Granite House, 31 Stockwell Street, Glasgow, G1 4RZ 2008 -354.00 1QD Tsb Bank Plc 210, Boswall Parkway, Edinburgh, EH5 2LX C/O Cbre, 55 Temple -
The Meaning of Katrina Amy Jenkins on This Life Now Judi Dench
Poor Prince Charles, he’s such a 12.09.05 Section:GDN TW PaGe:1 Edition Date:050912 Edition:01 Zone: Sent at 11/9/2005 17:09 troubled man. This time it’s the Back page modern world. It’s all so frenetic. Sam Wollaston on TV. Page 32 John Crace’s digested read Quick Crossword no 11,030 Title Stories We Could Tell triumphal night of Terry’s life, but 1 2 3 4 5 6 7 Author Tony Parsons instead he was being humiliated as Dag and Misty made up to each other. 8 Publisher HarperCollins “I’m going off to the hotel with 9 10 Price £17.99 Dag,” squeaked Misty. “How can you do this to me?” Terry It was 1977 and Terry squealed. couldn’t stop pinching “I am a woman in my own right,” 11 12 himself. His dad used to she squeaked again. do seven jobs at once to Ray tramped through the London keep the family out of night in a daze of existential 13 14 15 council housing, and here navel-gazing. What did it mean that he was working on The Elvis had died that night? What was 16 17 Paper. He knew he had only been wrong with peace and love? He wound brought in because he was part of the up at The Speakeasy where he met 18 19 20 21 new music scene, but he didn’t care; the wife of a well-known band’s tour his piece on Dag Wood, who uncannily manager. “Come back to my place,” resembled Iggy Pop, was on the cover she said, “and I’ll help you find John 22 23 and Misty was by his side. -
18 February 2011 Page 1 of 15
Radio 4 Listings for 12 – 18 February 2011 Page 1 of 15 SATURDAY 12 FEBRUARY 2011 SAT 07:00 Today (b00yd8mz) was stepping down; Rupert Wingfield Hayes examines what Morning news and current affairs with James Naughtie and will happen to the army of police, thugs and torturers who SAT 00:00 Midnight News (b00y9yd3) Evan Davis, including: enforced Mubarak's police state; Jonathan Marcus explains how The latest national and international news from BBC Radio 4. 08:32 The Foreign Secretary William Hague on the potential western diplomats were left floundering by this very Egyptian Followed by Weather. impact of Egypt's revolution on the middle east. revolution while Sarah Monaghan's in Oman, a distant outpost 07:57 Just what effect will David Cameron's Big Society really of the Arab world waiting to see if the winds of change will have? blow through there as well. SAT 00:30 Book of the Week (b00ydbn9) 08:23 Hip-hop writer Dave Tompkins explains his love for the Battle Hymn of the Tiger Mother vocoder. SAT 12:00 Money Box (b00ydbv5) Episode 5 In this week's programme, Paul Lewis interviews the minister SAT 09:00 Saturday Live (b00yd8n1) responsible for the funding of high-street debt advice. The By Amy Chua. After a difficult time for the family the Chuas Fi Glover with Eden Project founder Tim Smit and poet Salena government recently announced the end of the Financial go on holiday to Russia. But in Red Square, tensions between Godden; interviews with a man who lived with a stammer for Inclusion Fund, which pays for 500 face-to-face debt advisors Amy and Lulu come to a head. -
2 to Be Somebody: Ambition and the Desire to Be Different
2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time. -
Introduction
Notes Introduction 1. Tribune, December 3, 1943, in Paul Anderson ed. Orwell in Tribune (London: Politico’s, 2006), 57. 2. Margaret Tapster, WW2 People’s War, an online archive of wartime memories con- tributed by members of the public and gathered by the BBC. The archive can be found at bbc.co.uk/ww2peopleswar. http://www.bbc.co.uk/history/ww2peopleswar/stories/ 65/a5827665.shtml Accessed May 30, 2013. 3. Paul Addison, No Turning Back: The Peacetime Revolutions of Post-War Britain (Oxford and New York: Oxford University Press, 2010); Peter Hennessy, Having It So Good: Britain in the Fifties (London: Allen Lane, 2006); David Kynaston Aus- terity Britain, 1945–51 (London, Berlin and New York: Bloomsbury, 2007); David Kynaston, Family Britain, 1951–1957 (London, Berlin, New York: Bloomsbury, 2009); Mark Donnelly, Sixties Britain: Culture, Society and Politics (Harlow: Pearson, 2005); Alwyn W. Turner, Crisis? What Crisis? Britain in the 1970s (London: Aurum Press, 2008); Andy Beckett, When the Lights Went Out: Britain in the Seventies (London: Faber and Faber, 2009); Dominic Sandbrook, Seasons in the Sun: The Battle for Britain, 1974–1979 (London: Allen Lane, 2012); Alwyn W. Turner, Rejoice! Rejoice! Britain in the 1980s (London: Aurum, 2010) and Andy McSmith, No Such Thing as Society: A History of Britain in the 1980s (London: Constable, 2011). 4. British and European resistance to American culture is expounded by Dick Hebdige, Subculture: The Meaning of Style (London and New York: Routledge, 1979); Rob Kroes et al. Cultural Transmissions and Receptions: American Mass Culture in Europe (Amsterdam: VU University Press, 1993) and Rob Kroes, If You’ve Seen One, You’ve Seen the Mall: Europeans and American Mass Culture (Urbana, IL: University of Illinois Press, 1996). -
DC Biog Current
THE DIVINE COMEDY – A BIOGRAPHY The Divine Comedy is Neil Hannon. Over the years, the name has encompassed other musicians, but the driving force of the band and its main (sometimes only!) member has always been Neil Hannon. He chose the name 'The Divine Comedy' aged 18, almost at random. He and two Enniskillen school friends needed a new name for their band and Neil spotted a copy of Dante’s epic poem on the family bookshelf. It stuck, and a year later it was the name under which the trio signed to Irish run indie Setanta Records. They left Northern Ireland, moved into a squat in London, released a mini-album, 1990’s REM/Ride influenced 'Fanfare for the Comic Muse' and ‘91’s ‘Europop’ E.P. then split up. Neil's bandmates went to university and Neil returned home. Retaining the name, he spent 18 months living in his parents’ attic, sleeping during the day, watching old movies and writing songs at night. Influenced by everything from Jacques Brel, Scott Walker and Michael Nyman to "A Room with a View", Wordsworth, and Mr Benn, these songs eventually evolved into two albums. The first of these, ‘Liberation’ was released in 1993. Totally different to anything else around, and indeed his previous work, he now considers it his first album proper. The press adored it. The NME described it as "..an array of seductive yarns.. glorious, gleeful tunesmanship." Dave Cavanagh, writing in Select said "...one of the bountiful, overflowing joys of the year. Any year." Melody Maker described it as "An album that could make any listener want to stumble up to him and proclaim ‘Neil, you’re a genius’". -
'Strange and Gorgeous'
‘Strange and gorgeous’ - The Telegraph // ‘This band is doing it right’ - BuzzFeed // ‘Heaven’ - The Guardian O/R RECORDS [email protected] WHAT THE CRITICS SAY ABOUT PUNCH... ON THE RADIO “Filled to the brim with charm Mark Radcliffe and Stuart Maconie, and warmth, Autoheart’s debut BBC Radio 2 and Radio 6 album ‘Punch’ keeps you Chris Hawkins, Radio 6 captivated from its uplifting Bob Harris, Radio 2 opening to the bittersweet Shaun Keaveny, Radio 6 finale.” -Virgin.com Janice Long, Radio 2 “Joyous… packs a real emotional punch” - MusicOMH CONNECT weareautoheart.com “Without a filler track in sight @autoheart this album’s certainly got some @autoheartvision miles in it. Beautiful” facebook.com/autoheart - Planet Notion soundcloud.com/autoheart youtube.com/autoheartofficial “Brilliant” - Londonist itunes.co.uk/autoheart/id573630216 autoheart.bandcamp.com “A towering debut” - EQ Music Blog AUTOHEART ARE SINGER JODY GADSDEN, SIMON NEILSON ON KEYS AND BARNEY JC ON GUITARS Having bonded over a shared love of 70s folk singers, 80s chart synth pop and 90s torch song divas, their first single Sailor Song quickly caught the attention of DJs Marc Radcliffe and Stuart Maconie, who invited the band to perform live on their Radio 2 show. The 200,000 plus views that song has now had on YouTube was followed by a critically acclaimed debut album, ‘Punch’, and a live residency at the Lexington where they co-starred with other breakthrough acts including Bright Light Bright Light, Fiona Bevan and Black Gold Buffalo. Offbeat love-song Moscow gained the attention of Stephen Fry for its proud message of support to the Russian LGBT community - and quickly gained more than 150,000 YouTube views. -
The Value of Station Investment Research on Regenerative Impacts Report November 2011 the Value of Station Investment Page 2 Foreword
The Value of Station Investment Research on Regenerative Impacts report November 2011 The Value of Station Investment Page 2 Foreword The rail network makes an unrivalled contribution to the sustainable growth of the UK economy, providing millions of people with access to jobs, goods and services. There is no more visible evidence of this contribution than that afforded by the role of railway stations in their communities. Transport investment decisions are typically made through analysing the value of the investment to the user of the service. Yet stations play a broader role than providing a means of access to the rail network. They are increasingly the focal points of our towns and cities and can be centres of economic activity in their own right. Network Rail commissioned Steer Davies Gleave to research the value of station investment and take into account the wider regenerative impact. The research confirms that investing in stations can be an economic catalyst at a local and regional level in addition to delivering improvements for passengers. Working with the industry we will use these findings to support the development of plans for stations. We hope that our stakeholders find this research useful and would like to thank those who helped in its preparation. Mike Goggin Director, Stations and Customer Service The Value of Station Investment Page 3 The Value of Station Investment Page 4 Contents 8 improving stations 44 E executive summary 3 introduction 8 potential station improvements 44 stations and the economy 10 exploiting commercial -
25 February 2011 Page 1 of 16
Radio 4 Listings for 19 – 25 February 2011 Page 1 of 16 SATURDAY 19 FEBRUARY 2011 There are too many horses for the number of good quality changing its membership rules to allow Liberal Democrats to homes available for them in the UK, according to the country's join. He and Julian Astle of the Liberal Democrat think tank SAT 00:00 Midnight News (b00yjtgz) biggest horse charity Redwings. CentreForum talk about how British politics is adapting to The latest national and international news from BBC Radio 4. coalition politics. Followed by Weather. Charlotte Smith speaks with horse riders in North The editor was Marie Jessel. Warwickshire about the financial strain of keeping the animal. Anna Hill visits World Horse Welfare in Norfolk who have SAT 00:30 Book of the Week (b00yl3yh) taken in 230 horses in the last year. SAT 11:30 From Our Own Correspondent (b00ym6cm) The 33 The roots of the rage that has rocked the tiny kingdom of Horse owners, carers and riders in Britain spend more than £7 Bahrain. Episode 5 billion per year in gross output terms, Charlotte visits the London Equestrian Centre in Barnet to see if it is still in the How an "age of recklessness" ruined Ireland. The 33 by Jonathan Franklin current economic climate. The ancient North-South division that still splits hearts and In 2010, the world turned towards Chile when the collapse of a Also, we hear from Stephen Potter who runs an abattoir in minds in Italy. copper mine left 33 men to survive underground for almost 3 Taunton about the possibility of selling horses for meat and months, the longest time in history. -
Rating List As at 20 September 2013
Tendring District Council - Rating List as at 20 September 2013 Property Reference Account Start Rateable Number Property Address Company Name Contact Address date Value N5313308500000B Boy Scouts Association, Parkeston1st/2nd Road, Parkeston Dovercourt, Scout Harwich,Group Essex, CO12 4NX 01/04/1990 1525 N63842000000008 Clacton Scout Group, Leas Road,1st Clacton Clacton Scout On Sea, Group Essex, CO15 1DY 01/04/1990 2800 N04136009100911 9c Beaver House, Plough Road1st HomeCentre, Improvements Plough Road, GreatLtd Bentley, Colchester, Essex, CO7 8LG 01/01/2013 1150 N1240601300100A Venture Centre 2000, Bromley1st Road, Lawford Lawford, Scout Manningtree, Group Essex, CO11 2JE 21/09/1998 8800 N1651200700000A Recreation Hut, Harwich Road,1st LittleLittle Oakley, Oakley Harwich, Scout Group Essex, CO12 5EB 01/04/1990 750 N6722000602000A 8, West Avenue, Clacton On1st Sea, Trinity Essex, Properties CO15 1QT Limited 16/06/2008 12750 N07210022000002 2000 Plant Ltd At Greshams2000 Farm, Plant Harwich Limited Road, Great Bromley, Colchester, Essex,Greshams CO7 Farm,7UH Harwich Road, Great Bromley, Colchester, CO7 7UH 01/04/2013 11250 N63487551000005 Jaywick Scout Centre, Jaywick3rd Lane, Clacton Clacton (Jaywick) On Sea, Scout Essex, Grp CO16 8BG 85 West Avenue, Clacton On Sea, Essex, CO15 1HB 24/08/2003 1975 N3338819900000B Scout Hall At Recreation Ground,4th Brightlingsea Lower Park Road, Scout Brightlingsea, Group Colchester, Essex, CO7 0SU 01/04/2012 5100 N52036303010001 4th Dovercourt Sea Scouts, 4thBarrack Dovercourt Lane, Harwich, Sea Scouts -
BBC Executive Priorities and Summary Workplan for 2011/12 Statement from the Senior Independent Director
BBC Executive priorities and summary workplan for 2011/12 Statement from the Senior Independent Director This workplan for the BBC is the first edition of a new annual publication. It summarises the BBC's strategy, objectives and outline budget for the year ahead together with noteworthy individual events. The publication of this workplan is part of the BBC's commitment to openness and transparency, both to the BBC Trust and to licence fee payers. The document is also an important part of the way that I, as the BBC's Senior Independent Director, acting together with my fellow non-executive directors on the BBC's Executive Board, will ensure that the BBC meets its strategy and fulfils its obligations to the satisfaction of the BBC Trust and licence fee payers. This document is not a blueprint for the year ahead. Plans must and no doubt will change in certain areas to accommodate events. The BBC has, however, a clear strategy in Putting Quality First and, with the licence fee settlement of October 2010, a clear budgetary framework to work within. Whenever our plans change they must, on balance, remain focussed on delivering against our strategy and within our budget. It is intended that the annual workplan will assist this reconciliation of our regular affairs with our long-term strategy and budget. The non-executive members of the BBC Executive Board look forward to working with the Director-General to deliver the contents of this workplan and I commend it to the BBC Trust. Marcus Agius Senior Independent Director BBC BBC Summary Workplan -
27Th August 2014 Request: Required Informat
Freedom of Information Act Request Deputy Chief Executive Directorate Response date: 27th August 2014 Request: Required Information;- A list of all live business rates accounts with a 2010 list Rateable Value greater than or equal to £5,000. • Property Reference Number (also known as Billing Authority Reference Number) of the property on which the charge is made. Please note that this is not the Rate Demand or Rate Account Number. • Current rateable value • Account holder name • Property address • The billing address (where different to the property address), the contact telephone number and email address • The date the current ratepayer became liable for the business rates – we do not require any historical account liability dates only the current ratepayers liability start date • Where a property is currently empty please provide the date the ratepayer became liable for empty rates • Where there is an exemption on the account please provide the start and end date and type of exemption applied (e.g. listed building) • Where there is a relief on the account please provide the date it was applied and the type of relief (e.g. charity) • We do not require any personal information or sole traders. Please provide the information in an electronic, spreadsheet format. Response: Please see attached spreadsheet. Valuation Office Ref Last Rateable Value for 2010 Primary Liable party name Full Property Address Account Mailing Address Contact Telephone Number Account Start date Exemption/Relief Relief/Exemption Start Date Relief/Exemption End Date