Hindenburg - the Last Flight

Total Page:16

File Type:pdf, Size:1020Kb

Hindenburg - the Last Flight MIPCOM 2010 Line-Up Booth R31.01A Phone: +33 (0) 4 92 99 88 53 www.betafilm.com Visit our Screeningroom! Miniseries (2 x two hours, HD) Hindenburg - The Last Flight An awe-inspiring airship. A murderous conspiracy. A devastating catastrophe. Frankfurt, May 1937. The Hindenburg, the world's largest airship, is getting ready to fly to New York. A vehicle of staggering dimensions, it is the pride of Nazi Germany. But it has one serious flaw: due to an American embargo preventing the sale of helium to Germany, the Hindenburg is filled with highly combustible hydrogen gas instead. To Merten Kröger, an engineer who helped design the Hindenburg, the ship is a stick of dynamite waiting for a spark. The young man of great charm but modest means has fallen in love with the wealthy Jennifer van Zandt, the daughter of an American industrialist who wants to sell helium to the Germans. Just before the ship takes off, Merten learns how far the industrialist will go: he has had a bomb placed on the airship. What van Zandt didn't know is that his wife and daughter would be on board. Merten sneaks aboard the airship without a minute to spare. The young couple is reunited, and despite the great difference in class and social status between them, Jennifer, too, avows her love for Merten. He tells her of the bomb hidden somewhere on the airship. But there is little time for explanations, since Merten must flee: he is being sought for a murder he says he did not commit. Jennifer is confused – is Merten lying to her? On the run from the crew, Merten overhears Jennifer's mother telling someone to reset the bomb, as the Hindenburg is expected to land in Lakehurst, near New York, several hours behind schedule. Before he can find out whom she was talking to, he is caught and brutally beaten. Once proof is found that Merten did not commit the murder and that he is telling the truth about the bomb, the crew begins a race-against-time search to find it – a search for the needle in a haystack. Jennifer is shocked to learn that her mother was in on the conspiracy. Unfortunately, Mrs. van Zandt also doesn't know the location of the explosives. And when the only person on board who knows where the dynamite has been hidden plunges into the sea to his death, it looks like nothing can save the Hindenburg anymore. Awaited by festive crowds, photographers and radio reporters, the airship majestically approaches Lakehurst… Original title Hindenburg Genre Event-Drama Category Miniseries Format 2 x two hours, HD Starring Lauren Lee Smith, Stacy Keach, Greta Scacchi, Maximilian Simonischek, Heiner Lauterbach, Ulrich Noethen, Christiane Paul, Hannes Jaenicke Directed by Philipp Kadelbach Produced by Teamworx for RTL in coproduction wit EOS in association with Beta www.betafilm.com/hindenburg 2 Miniseries (2 x two hours, HD) The Last Patriarch In the autumn of his life, he learns the true meaning of family… Entrepreneur Konrad Hansen prides himself on having made "Hansen Marzipan" a market leader in Europe. His younger son Lars believes the time is ripe to expand to China, where marzipan is still unknown. Now 72, Konrad wants to step down; but instead of passing the torch on to his eldest son Sven, a hard worker familiar with the day-to-day business, he names Lars as his successor, thus provoking perplexity and ill feelings within his family. To celebrate the founding of the Chinese subsidiary, Konrad and Lars travel to Shanghai, where an unsettling surprise awaits them. A mysterious package is delivered to Konrad after the ceremony: a Chinese-produced marzipan loaf bearing the Hansen logo and colors, and made from the very same recipe that has been a well-guarded family secret since 1882. Hansen stands to lose his 200 million euro investment, which could bring down his entire company. He hires Florian, a journalist for the "Shanghai Economist," to investigate – and who immediately senses that Hansen's official government interpreter/watchdog Chang Suong knows more than she's telling. Suong is hiding a secret – one that goes back several decades and directly concerns Konrad Hansen. As Lars struggles with his reputation and his inner demons, and as his brother Sven plunges into severe depression, Konrad tries to hold everything together. Suong, however, is unable to keep the past a secret any longer and confides in the journalist: many years ago, her mother fled to Germany and found refuge with the Hansens, where she was treated with great kindness; however, after Konrad betrayed his wife with her, she was forced to leave. Tao, the result of their affair and the son Konrad never knew he had, has now become his nemesis and wants to destroy the Hansens. Original title The last Patriarch Genre Drama Category Miniseries Format 2 x two hours, HD Starring Mario Adorf, Hannelore Elsner, Ursula Karven, Julia Richter, Max Urlacher Kai Scheve Directed by Michael Steinke Produced by UFA Filmproduktion GmbH / Six-Six-Eight Pte. Ltd. www.betafilm.com/thelastpatriarch 3 Now in NEW Seasons – BETAs ONGOING SERIES SUCCESS 52 x half hour, HD 69 x one hour, HD 25 x one hour 25 x one hour, HD 22 x one hour 68 x one hour, HD 4 TV Movie (two hours, HD) Murder is no fairy tale Once upon a crime… The body of a girl is found near the Elbe River in Hamburg, a message for the police concealed in her hand. Homicide Inspector Jan Fabel is entrusted with the case. Though still psychologically fragile after a catastrophic police operation, he's been judged fit by his female therapist, his on-and-off girlfriend. For Fabel, the note in the victim's hand is not only a mystery but also a hint that this could be the beginning of a serial killer's murder spree. Sure enough, a couple is later also found murdered, again with a message that Fabel now realizes is drawn from the fairy tales of the Brothers Grimm. The victims are laid out in poses or with props that evoke the fairy tale in question. But since there seems to be no link among the victims, the homicide squad is stumped, the killer free to enact his deadly fantasies. Yet there are leads and suspects. One man claims to have seen a heavily tattooed man in a wolf's mask attack the murdered couple, and a popular author's latest book bears remarkable similarities with the murders. Is the author inspiring a madman to kill, or is he himself the crazed killer? When Fabel finally discovers a connection between the victims, it's nearly too late. He and his partner are attacked by the man in the wolf's mask, but more as a warning than as a deadly assault. Somewhere in the city the wolf is about to strike again. And the fairy tale to be reenacted is "Little Red Riding Hood," in which not only a grandmother, but also a young girl become the victims of the Big Bad Wolf. Title Murder is no fairy tale Genre Crime Category TV Movie Format two hours, HD Starring Peter Lohmeyer, Lutz Blochberger, Hinnerk Schönemann, David Scheller, Lisa Maria Potthoff, Marie-Lou Sellem Directed by Urs Egger Produced by Tivolifilm for ARD in association with Beta www.betafilm.com/murderisnofairytale 5 TV Movie (two hours, HD) Shadows from the Past Only the future is ours to shape. Directed by Academy Award and Emmy nominated Robert Dornhelm Some people learn to live with their past. Others try to bury it. Like Vera Schlink. The life she led 12 years ago is the last thing on her mind at the glittering cocktail party being given to celebrate her nomination as Fund Manager of the Year. Lovely, charming, married to successful manager Hannes, mother of pretty eight-year-old Paula, committed to helping environmental and Third-World causes, Vera is the very portrait of the woman who has it all, and who's liked by all. The only smudge on the portrait is Kurt, a man who played a brief but decisive role in her past and who now unexpectedly appears at her party. The gift he's brought her are photos from the life she once led and that she's been able to cover up until now: her past as a prostitute. A past that no one, not even Hannes, knows anything about. Thanks to Vera's testimony, Kurt and a pal were sent to jail for the murder of Vera's boyfriend. Kurt has served his sentence and wants compensation for his lost years – from Vera. Frightened and desperate, Vera turns for help not to her husband, but to a new friend, Melli, a no-nonsense, clear-thinking young woman who unquestioningly devotes herself to Vera during these tense weeks. If Kurt doesn't get a million, he's going to destroy not only Vera's life, but also that of Hannes and Paula. Melli favors a radical solution – but on whose side is she really on? Title Shadows from the Past Genre Thriller Category TV Movie Format two hours, HD Starring Aglaia Szyszkowitz, Bernhard Schir, Mavie Hörbiger, André Hennicke Directed by Robert Dornhelm Produced by DOR Film in coproduction with ARD and ORF in association with Beta www.betafilm.com/shadowsfromthepast 6 TV Movie (two hours, HD) Blue Skin On the open water, there's nothing to cling to With summer nearly over, it's time to party hard and fast. As usual, Germán throws the splashiest party and proposes a cruise on his jaw-droppingly luxurious yacht.
Recommended publications
  • Martin Moszkowicz Filmographie
    FILMOGRAPHIE MARTIN MOSZKOWICZ FILMOGRAPHIE MARTIN MOSZKOWICZ JAHR TITEL REGIE 2022 Liebesdings Anika Decker EXECUTIVE PRODUCER Der Nachname Sönke Wortmann EXECUTIVE PRODUCER 2021 Welcome to Raccoon City Johannes Roberts EXECUTIVE PRODUCER Contra Sönke Wortmann EXECUTIVE PRODUCER Caveman Laura Lackmann EXECUTIVE PRODUCER Tides Tim Fehlbaum EXECUTIVE PRODUCER Ostwind - Der große Orkan Lea Schmidbauer CO-PRODUZENT The Foundation Mike P. Nelson EXECUTIVE PRODUCER Monster Hunter Paul W.S. Anderson EXECUTIVE PRODUCER 2 020 Drachenreiter Tomer Eshed EXECUTIVE PRODUCER Black Beauty Ashley Avis EXECUTIVE PRODUCER Berlin, Berlin Franziska Meyer Price CO-PRODUZENT Das geheime Leben der Bäume Jörg Adolph EXECUTIVE PRODUCER 2019 Das perfekte Geheimnis Bora Dagtekin EXECUTIVE PRODUCER Eine ganz heiße Nummer 2.0 Rainer Kaufmann CO-PRODUZENT Die drei !!! Viviane Andereggen CO-PRODUZENT The Silence John R. Leonetti EXECUTIVE PRODUCER Der Fall Collini Marco Kreuzpaintner EXECUTIVE PRODUCER Ostwind – Aris Ankunft Theresa von Eltz CO-PRODUZENT Polar Jonas Akerlund EXECUTIVE PRODUCER FILMOGRAPHIE MARTIN MOSZKOWICZ JAHR TITEL REGIE 2018 Der Vorname Sönke Wortmann EXECUTIVE PRODUCER Fünf Freunde und das Tal der Dinosaurier Mike Marzuk CO-PRODUZENT Asphaltgorillas Detlev Buck EXECUTIVE PRODUCER Verpiss Dich, Schneewittchen Cüneyt Kaya EXECUTIVE PRODUCER Nur Gott kann mich richten Özgur Yildrim CO-PRODUZENT 2017 Dieses bescheuerte Herz Marc Rothemund PRODUZENT Das Pubertier Leander Haußmann EXECUTIVE PRODUCER Tigermilch Ute Wieland EXECUTIVE PRODUCER Ostwind – Aufbruch nach Ora Katja von Garnier CO-PRODUZENT Axolotl Overkill Helene Hegemann EXECUTIVE PRODUCER Tiger Girl Jakob Lass EXECUTIVE PRODUCER Jugend ohne Gott Alain Gsponer EXECUTIVE PRODUCER Timm Thaler oder das verkaufte Lachen Andreas Dresen EXECUTIVE PRODUCER Shadowhunters (TV) McG u.a. PRODUZENT Resident Evil: The Final Chapter Paul W.S.
    [Show full text]
  • German Films Quarterly 2 · 2004
    German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS.
    [Show full text]
  • Hindenburg - the Last Flight
    MIPCOM 2010 Line-Up Booth R31.01A Phone: +33 (0) 4 92 99 88 53 www.betafilm.com Visit our Screeningroom! Miniseries (2 x two hours, HD) Hindenburg - The Last Flight An awe-inspiring airship. A murderous conspiracy. A devastating catastrophe. Frankfurt, May 1937. The Hindenburg, the world's largest airship, is getting ready to fly to New York. A vehicle of staggering dimensions, it is the pride of Nazi Germany. But it has one serious flaw: due to an American embargo preventing the sale of helium to Germany, the Hindenburg is filled with highly combustible hydrogen gas instead. To Merten Kröger, an engineer who helped design the Hindenburg, the ship is a stick of dynamite waiting for a spark. The young man of great charm but modest means has fallen in love with the wealthy Jennifer van Zandt, the daughter of an American industrialist who wants to sell helium to the Germans. Just before the ship takes off, Merten learns how far the industrialist will go: he has had a bomb placed on the airship. What van Zandt didn't know is that his wife and daughter would be on board. Merten sneaks aboard the airship without a minute to spare. The young couple is reunited, and despite the great difference in class and social status between them, Jennifer, too, avows her love for Merten. He tells her of the bomb hidden somewhere on the airship. But there is little time for explanations, since Merten must flee: he is being sought for a murder he says he did not commit.
    [Show full text]
  • Quarterly 4 · 2004
    German Films Quarterly 4 · 2004 DOWNFALL by Oliver Hirschbiegel Competes for the OSCAR DIRECTORS’ PORTRAITS Dagmar Knoepfel & Oskar Roehler PRODUCERS' PORTRAIT Moneypenny Fosters New Talents SPECIAL REPORT German Films: Redefining the Role of Film Promotion Abroad german films quarterly 4/2004 focus on 4 GERMAN FILMS directors’ portraits 10 TRILOGY OF FEMININE STRENGTH A portrait of Dagmar Knoepfel 12 LEARNING TO LOVE LIFE A portrait of Oskar Roehler producers’ portrait 14 FOSTERING NEW TALENTS A portrait of Moneypenny Film actress’ portrait 16 TYPICAL GEMINI A portrait of Sibel Kekilli 18 news in production 22 CROSSING THE BRIDGE Fatih Akin 22 ERKAN & STEFAN III, FETTES MERCI FUER DIE LEICHE Michael Karen 23 GISELA Isabelle Stever 24 DIE HEXEN VOM PRENZLAUER BERG Diethard Kuester 24 ICH BIN EIN MOERDER Bernd Boehlich 25 KEIN HIMMEL UEBER AFRIKA Roland Suso Richter 26 MAX UND MORITZ Thomas Frydetzki 26 NVA Leander Haussmann 27 DER ROTE KAKADU Dominik Graf 28 DER SCHATZ DER WEISSEN FALKEN Christian Zuebert 28 SEHNSUCHT Valeska Grisebach 29 DIE WILDEN KERLE 2 Joachim Masannek new german films 30 24-7-365 Roland Reber 31 AUS DER TIEFE DES RAUMES Gil Mehmert 32 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 33 BIBI BLOCKSBERG UND DAS GEHEIMNIS DER BLAUEN EULEN BIBI BLOCKSBERG AND THE SECRET OF THE BLUE OWLS Franziska Buch 34 COWGIRL Mark Schlichter 35 ERBSEN AUF HALB 6 PEAS ON HALF PAST FIVE Lars Buechel 36 GOODBYE Steve Hudson 37 JENA PARADIES Marco Mittelstaedt 38 KAETHCHENS TRAUM Juergen Flimm 39 KATZE IM SACK LET THE CAT OUT OF THE BAG Florian
    [Show full text]
  • The Summer Issue
    GFQ3_18_Druckvorlage.qxp_Layout 1 25.07.18 14:47 Seite 1 GFQ GERMAN FILMS QUARTERLY THE SUMMER ISSUE IN LOCARNO Concorso internazionale GERMANY. A WINTER’S TALE by Jan Bonny Piazza Grande WHAT DOESN’T KILL US by Sandra Nettelbeck Concorso Cineasti del presente ALL GOOD by Eva Trobisch IN VENICE In Competition NEVER LOOK AWAY by Florian Henckel von Donnersmarck DIRECTORS Angela Schanelec & Robert Schwentke PRODUCERS Schiwago Film ACTOR Bjarne Mädel ISSUE 3-2018 GFQ3_18_Druckvorlage.qxp_Layout 1 25.07.18 14:47 Seite 2 CONTENTS GFQ 3-2018 18 20 23 24 26 28 29 30 32 35 36 36 2 GFQ3_18_Druckvorlage.qxp_Layout 1 25.07.18 14:47 Seite 3 GFQ 3-2018 CONTENTS IN THIS ISSUE PORTRAITS NEW DOCUMENTARIES LIFE IN THE TIME OF NO BELONGING DEFENDER OF THE FAITH A portrait of director Angela Schanelec .......................................... 4 Christoph Röhl ................................................................................. 34 AT HOME IN TWO WORLDS DIE GEHEIMNISSE DES SCHÖNEN LEO A portrait of director Robert Schwentke ......................................... 6 THE SECRETS OF HANDSOME LEO Benedikt Schwarzer .............. 34 HANDS ON PRODUCERS STILLER KAMERAD A portrait of Schiwago Film .............................................................. 8 SILENT COMRADE Leonhard Hollmann .......................................... 35 IN SEARCH OF NEW CHALLENGES SUNSET OVER MULHOLLAND DRIVE A portrait of actor Bjarne Mädel ....................................................... 10 Uli Gaulke .........................................................................................
    [Show full text]
  • What the Downfall Hitler Meme Means for Transformative Works, Fair Use, and Parody
    Buffalo Intellectual Property Law Journal Volume 8 Number 1 Article 1 4-1-2012 Reclaiming Copyright from the Outside In: What the Downfall Hitler Meme Means for Transformative Works, Fair Use, and Parody Aaron Schwabach Thomas Jefferson School of Law Follow this and additional works at: https://digitalcommons.law.buffalo.edu/buffaloipjournal Part of the Intellectual Property Law Commons Recommended Citation Aaron Schwabach, Reclaiming Copyright from the Outside In: What the Downfall Hitler Meme Means for Transformative Works, Fair Use, and Parody, 8 Buff. Intell. Prop. L.J. 1 (2012). Available at: https://digitalcommons.law.buffalo.edu/buffaloipjournal/vol8/iss1/1 This Article is brought to you for free and open access by the Law Journals at Digital Commons @ University at Buffalo School of Law. It has been accepted for inclusion in Buffalo Intellectual Property Law Journal by an authorized editor of Digital Commons @ University at Buffalo School of Law. For more information, please contact [email protected]. BUFFALO INTELLECTUAL PROPERTY LAW JOURNAL VOLUME VIl Spring 2012 Issue 1 RECLAIMING COPYRIGHT FROM THE OUTSIDE IN: WHAT THE DOWNFALL HITLER MEME MEANS FOR TRANSFORMATIVE WORKS, FAIR USE, AND PARODY AARON SCHWABACHI ABSTRACT Continuing advances in consumer information technology have made video editing, once difficult, into a relatively simple matter. The average consumer can easily create and edit videos, and post them online. Inevitably many of these posted videos incorporate existing copyrighted content, raising questions of infringement, derivative versus transformative use, fair use, and parody. This article looks at several such works, with its main focus on one category of examples: the Downfall Hitler meme.
    [Show full text]
  • Rechtsgrundlagen Für Die Tätigkeit Des ZDF
    ZDF-Jahrbuch 2014 Start Themen des Jahres Das Jahr im Rückblick Finanzen Dokumentation Programmchronik Rechtsgrundlagen für die Tätigkeit des ZDF Staatsverträge/Gesetze Satzung Finanzordnung ZDF-Staatsvertrag der gemeinnützigen Anstalt des öffentlichen der gemeinnützigen Anstalt des öffentlichen in der Fassung vom 1. Januar 2013 Rechts – »Zweites Deutsches Fernsehen« Rechts »Zweites Deutsches Fernsehen« in der Fassung vom 9.Dezember 2011 in der Fassung vom 22. Januar 2010 Staatsvertrag für Rundfunk und Telemedien (Rundfunkstaatsvertrag) Richtlinien für die Sendungen und Tele- Personalvertretungsgesetz in der Fassung vom 1. Januar 2013 medienangebote des ZDF für das Land Rheinland-Pfalz – LPersVG – des »Zweiten Deutschen Fernsehens« in der Fassung vom 8. Juli 2014 Rundfunkbeitragsstaatsvertrag in der Fassung vom 11. Dezember 2009 in der Fassung vom 1. Januar 2013 Landesdatenschutzgesetz (LDSG) Richtlinien für Werbung und Sponsoring, in der Fassung vom 20.Dezember 2011 Rundfunkfinanzierungsstaatsvertrag Gewinnspiele und Produktionshilfe in der Fassung vom 1. Januar 2013 in der Fassung vom 12. März 2010 Grundregeln für die Zusammenarbeit im ZDF Jugendmedienschutz-Staatsvertrag Richtlinien des Zweiten Deutschen (Leitordnung) vom 1. Mai 1996 in der Fassung vom 1. April 2010 Fernsehens zur Sicherung des Jugend- schutzes Deutschlandradio-Staatsvertrag in der Fassung vom 10. Oktober 2003 in der Fassung vom 1. Januar 2013 Geschäftsordnung des Fernsehrats ARD-Staatsvertrag der gemeinnützigen Anstalt des öffentlichen in der Fassung vom 1. Juni 2009 Rechts »Zweites Deutsches Fernsehen« in der Fassung vom 10.Dezember2010 Telemediengesetz in der Fassung vom 31. Mai 2010 Geschäftsordnung des Verwaltungsrats des »Zweiten Deutschen Fernsehens« vom 4. März 1994 ZDF-Jahrbuch 2014 Start Themen des Jahres Das Jahr im Rückblick Finanzen Dokumentation Programmchronik Selbstverpflichtungserklärung des ZDF 2015 – 2016 1 Überblick Fernsehen ist mehr denn je überall frei verfügbares Videoangebot.
    [Show full text]
  • 1144 05/16 Issue One Thousand One Hundred Forty-Four Thursday, May Sixteen, Mmxix
    #1144 05/16 issue one thousand one hundred forty-four thursday, may sixteen, mmxix “9-1-1: LONE STAR” Series / FOX TWENTIETH CENTURY FOX TELEVISION 10201 W. Pico Blvd, Bldg. 1, Los Angeles, CA 90064 [email protected] PHONE: 310-969-5511 FAX: 310-969-4886 STATUS: Summer 2019 PRODUCER: Ryan Murphy - Brad Falchuk - Tim Minear CAST: Rob Lowe RYAN MURPHY PRODUCTIONS 10201 W. Pico Blvd., Bldg. 12, The Loft, Los Angeles, CA 90035 310-369-3970 Follows a sophisticated New York cop (Lowe) who, along with his son, re-locates to Austin, and must try to balance saving those who are at their most vulnerable with solving the problems in his own life. “355” Feature Film 05-09-19 ê GENRE FILMS 10201 West Pico Boulevard Building 49, Los Angeles, CA 90035 PHONE: 310-369-2842 STATUS: July 8 LOCATION: Paris - London - Morocco PRODUCER: Kelly Carmichael WRITER: Theresa Rebeck DIRECTOR: Simon Kinberg LP: Richard Hewitt PM: Jennifer Wynne DP: Roger Deakins CAST: Jessica Chastain - Penelope Cruz - Lupita Nyong’o - Fan Bingbing - Sebastian Stan - Edgar Ramirez FRECKLE FILMS 205 West 57th St., New York, NY 10019 646-830-3365 [email protected] FILMNATION ENTERTAINMENT 150 W. 22nd Street, Suite 1025, New York, NY 10011 917-484-8900 [email protected] GOLDEN TITLE 29 Austin Road, 11/F, Tsim Sha Tsui, Kowloon, Hong Kong, China UNIVERSAL PICTURES 100 Universal City Plaza Universal City, CA 91608 818-777-1000 A large-scale espionage film about international agents in a grounded, edgy action thriller. The film involves these top agents from organizations around the world uniting to stop a global organization from acquiring a weapon that could plunge an already unstable world into total chaos.
    [Show full text]
  • Annual Report 2018 Highlight Communications Ag
    highlight-communications.ch [email protected] · [email protected] PRATTELN/SWITZERLAND 23BNETZIBODENSTR. ·4133 AG HIGHLIGHT COMMUNICATIONS k +41 (0)61–816 96 96 96 96 (0)61–816 +41 HIGHLIGHT COMMUNICATIONS AG ANNUAL REPORT 2018 2018 ANNUAL REPORT ANNUAL KEY FIGURES in TCHF 2 018 2017 Consolidated balance sheet Balance sheet total 638,646 512,792 EVENTS Film assets 185,451 161,814 Cash and cash equivalents 52,530 186,553 Financial liabilities 149,004 77,172 2019 Equity 225,582 236,414 Equity ratio 35.3 % 46.1 % Consolidated income Sales 531,610 374,313 Cinema Cannes Film Festival May 14 – 25 statement W Film 364,362 315,625 Locarno Film Festival August 7 – 17 W Sports- and Event-Marketing 63,728 58,688 Venice Film Festival August 28 – September 7 W Sports – 104,242 Toronto Film Festival September 5 – 15 Profi t from operations (EBIT) 31,954 25,384 W Film 12,137 9,678 Football UEFA Europa League fi nal May 29 W Sports- and Event-Marketing 31,549 27,262 UEFA Champions League fi nal June 1 W Sports –4,421 – UEFA Super Cup August 14 Net profi t (Highlight shareholders) 18,391 22,731 Earnings per share (CHF) 0.32 0.41 Earnings per share (EUR) 0.28 0.37 Investor Interim reports May/August/November Relations Annual General Meeting June 20 Consolidated Cash fl ow from operating activities 173,477 139,503 German Equity Forum November 25 – 27 statement of cash fl ows Cash fl ow for investing activities –300,074 –140,130 thereof payments for fi lm assets –177,184 –134,765 Cash fl ow for/from fi nancing activities –4,236 90,569 thereof dividend payments –12,447
    [Show full text]
  • Guide to the William K
    Guide to the William K. Everson Collection George Amberg Memorial Film Study Center Department of Cinema Studies Tisch School of the Arts New York University Descriptive Summary Creator: Everson, William Keith Title: William K. Everson Collection Dates: 1894-1997 Historical/Biographical Note William K. Everson: Selected Bibliography I. Books by Everson Shakespeare in Hollywood. New York: US Information Service, 1957. The Western, From Silents to Cinerama. New York: Orion Press, 1962 (co-authored with George N. Fenin). The American Movie. New York: Atheneum, 1963. The Bad Guys: A Pictorial History of the Movie Villain. New York: Citadel Press, 1964. The Films of Laurel and Hardy. New York: Citadel Press, 1967. The Art of W.C. Fields. Indianapolis: Bobbs-Merrill, 1967. A Pictorial History of the Western Film. Secaucus, N.J.: Citadel Press, 1969. The Films of Hal Roach. New York: Museum of Modern Art, 1971. The Detective in Film. Secaucus, N.J.: Citadel Press, 1972. The Western, from Silents to the Seventies. Rev. ed. New York: Grossman, 1973. (Co-authored with George N. Fenin). Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974. Claudette Colbert. New York: Pyramid Publications, 1976. American Silent Film. New York: Oxford University Press, 1978, Love in the Film. Secaucus, N.J.: Citadel Press, 1979. More Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1986. The Hollywood Western: 90 Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers, and Assorted Heroes and Desperados. Secaucus, N.J.: Carol Pub. Group, 1992. Hollywood Bedlam: Classic Screwball Comedies. Secaucus, N.J.: Carol Pub. Group, 1994.
    [Show full text]
  • 1 Original Movie Streaming Nov. 27, Only on Disney+ PRODUCTION NOTES from Disney+, “Black Beauty” — the Contemporary Reima
    Original Movie Streaming Nov. 27, Only on Disney+ PRODUCTION NOTES From Disney+, “Black Beauty” — the contemporary reimagining of Anna Sewell’s classic novel — follows the life of a wild mustang Born free in the American West. Beauty’s world is turned upside down when she is cruelly rounded up, taken from her home and sent to live in a dusty corral. However, Beauty’s fortune is destined to turn, when a quiet and gentle horse whisperer named John Manly arrives from New York and notices her fiery spirit. Adopting Beauty for his training program at Birtwick StaBles, John is unsure if she can ever be tamed. Beauty is heartBroken and angry over the loss of all she’s ever known and does not trust the presence of humans. John’s world is upended when his niece, 17-year-old Jo Green, shows up on his doorstep. Similar to Beauty, Jo has just lost her parents and her spirit is close to Breaking. It is through their profound connection that Jo and Beauty begin the process of healing. The two forge an unBreakaBle bond that will last a lifetime, even after Beauty is taken away on a series of adventures with different owners. Through the seasons of her life, Beauty learns about joy, loss, heartBreak and the extraordinary power of love. “Black Beauty” stars Academy Award®-winner Kate Winslet (“The Reader”, “Titanic”) as the voice of Black Beauty, Mackenzie Foy (“Interstellar,” “The Nutcracker and the Four Realms”) as Jo Green, Iain Glen (“Game of Thrones,” “Lara Croft: Tomb Raider”) as John Manly, Claire Forlani (“Meet Joe Black,” “In the Name of the King”) as Mrs.
    [Show full text]
  • Pocket Product Guide 2006
    THENew Digital Platform EFM 2011 tm BERLIN POCKET ISSUE & PRODUCT OF FILM GUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSConnect to Seller - Buy Product EFM 2011 Bumper Online - EFM Daily Editions - Unabridged EFM Product Guide + Stills The Visual is The Medium synopsisandtrailers.com makes it easy for you to Your Simplest Sales Tool read-watch-connect-buy like never before. S HOWCASING T RAILERS D AILY F EB 10-16 An end to site hopping. VISIT:thebusinessoffilmdaily.com For Buyers: Time is Money - View & Connect For Sellers: Attract Buyer Interest - Spend Your Time Promoting New Films November 2 - 9, 2011 Arrow Entertainment Sahamongkolfilm MGB Stand #120 MGB Stand #129 Vision Films Imageworks Ent. MGB Booth #127 Maritim Hotel Suite 9002 STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE BERLIN PRODUCT GUIDE 2011 Writer: Laura Beccaria 6 SALES Producer: Abano Producion, Anera Films, 6 Sales, Alto de las cabañas 5 28231 Las Continental Producciones Rozas de Madrid. Tel: +34.91.636.10.54. Delivery Status: completed Fax: +34.91.710.35.93. www.6sales.es, E- Year of Production: 2010, Country of mail: [email protected] Origin: Spain Sales Agent Little MUMU’s journey towards her ulti- At EFM: Marina Fuentes (Partner), mate dream: to become a great star. Avraham Pirchi (Partner), Mar Abadin THE RUNWAY (Head of Sales) http://www.6sales.es/theRunaway.html Office: Washington Suite, office 100, Family comedy (100 min) Marriott Hotel, Tel: +49(0)30.22000.1127
    [Show full text]