Chinese Immigration and Its Implications on Urban Management in Los Angeles
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Pft Pittsburgh Picks! Aft Convention 2018
Pittsburgh Federation of Teachers PFT PITTSBURGH PICKS! AFT CONVENTION 2018 Welcome to Pittsburgh! The “Front Door” you see above is just a glimpse of what awaits you in the Steel City during our national convention! Here are some of our members’ absolute favorites – from restaurants and tours, to the best views, shopping, sights, and places to see, and be seen! Sightseeing, Tours & Seeing The City Double Decker Bus Just Ducky Tours Online booking only Land and Water Tour of the ‘Burgh Neighborhood and City Points of Interest Tours 125 W. Station Square Drive (15219) Taste of Pittsburgh Tours Gateway Clipper Tours Online booking only Tour the Beautiful Three Rivers Walking & Tasting Tours of City Neighborhoods 350 W. Station Square Drive (15219) Pittsburgh Party Pedaler Rivers of Steel Pedal Pittsburgh – Drink and Don’t Drive! Classic Boat Tour 2524 Penn Avenue (15222) Rivers of Steel Dock (15212) City Brew Tours Beer Lovers: Drink and Don’t Drive! 112 Washington Place (15219) Culture, Museums, and Theatres Andy Warhol Museum Pittsburgh Zoo 117 Sandusky Street (15212) 7370 Baker Street (15206) Mattress Factory The Frick Museum 500 Sampsonia Way (15212) 7227 Reynolds Street (15208) Randyland Fallingwater 1501 Arch Street (15212) Mill Run, PA (15464) National Aviary Flight 93 National Memorial 700 Arch Street (15212) 6424 Lincoln Highway (15563) Phipps Conservatory Pgh CLO (Civic Light Opera) 1 Schenley Drive (15213) 719 Liberty Avenue 6th Fl (15222) Carnegie Museum Arcade Comedy Theater 4400 Forbes Avenue (15213) 943 Penn Avenue (15222) -
Chinatown and Urban Redevelopment: a Spatial Narrative of Race, Identity, and Urban Politics 1950 – 2000
CHINATOWN AND URBAN REDEVELOPMENT: A SPATIAL NARRATIVE OF RACE, IDENTITY, AND URBAN POLITICS 1950 – 2000 BY CHUO LI DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Landscape Architecture in the Graduate College of the University of Illinois at Urbana-Champaign, 2011 Urbana, Illinois Doctoral Committee: Professor D. Fairchild Ruggles, Chair Professor Dianne Harris Associate Professor Martin Manalansan Associate Professor Faranak Miraftab Abstract The dissertation explores the intricate relations between landscape, race/ethnicity, and urban economy and politics in American Chinatowns. It focuses on the landscape changes and spatial struggles in the Chinatowns under the forces of urban redevelopment after WWII. As the world has entered into a global era in the second half of the twentieth century, the conditions of Chinatown have significantly changed due to the explosion of information and the blurring of racial and cultural boundaries. One major change has been the new agenda of urban land planning which increasingly prioritizes the rationality of capital accumulation. The different stages of urban redevelopment have in common the deliberate efforts to manipulate the land uses and spatial representations of Chinatown as part of the socio-cultural strategies of urban development. A central thread linking the dissertation’s chapters is the attempt to examine the contingent and often contradictory production and reproduction of socio-spatial forms in Chinatowns when the world is increasingly structured around the dynamics of economic and technological changes with the new forms of global and local activities. Late capitalism has dramatically altered city forms such that a new understanding of the role of ethnicity and race in the making of urban space is required. -
Circles and Circuits: Chinese Caribbean
Circles and Circuits: Chinese Caribbean Art EXHIBITION FACT SHEET Organized by the Chinese American Museum (CAM) in partnership with the Asian/Pacific/American Institute at New York University and the California African American Museum (CAAM), Circles and Circuits: Chinese Caribbean Art is presented in two parts: History and Art of the Chinese Caribbean Diaspora at CAAM and Contemporary Chinese Caribbean Art at CAM. Circles and Circuits: Chinese Caribbean Art is part of Pacific Standard Time: LA/LA, a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles, taking place from September 2017 through January 2018 at more than 70 cultural institutions across Southern California. Pacific Standard Time is an initiative of the Getty. The presenting sponsor is Bank of America. Description: Circles and Circuits explores the art of the Chinese Caribbean diaspora from the early 20th century to the present day. The presentation at CAAM traces the history of Chinese Caribbean art from the 1930s through the period of the region’s independence movements, showcasing the contributions of artists little known outside their own countries, such as Sybil Atteck (Trinidad and Tobago) and Manuel Chong Neto (Panama), and providing a new context for understanding the better-known work of Wifredo Lam (Cuba). At CAM, the exhibition focuses on the work of contemporary artists such as Albert Chong and Maria Magdalena Campos-Pons, as well as artists of the ongoing Chinese Caribbean diaspora. Publication: The exhibition is accompanied by a catalog that will be the first publication devoted to Chinese Caribbean art history and visual culture. -
Immigration and Restaurants in Chicago During the Era of Chinese Exclusion, 1893-1933
University of South Carolina Scholar Commons Theses and Dissertations Summer 2019 Exclusive Dining: Immigration and Restaurants in Chicago during the Era of Chinese Exclusion, 1893-1933 Samuel C. King Follow this and additional works at: https://scholarcommons.sc.edu/etd Recommended Citation King, S. C.(2019). Exclusive Dining: Immigration and Restaurants in Chicago during the Era of Chinese Exclusion, 1893-1933. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5418 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Exclusive Dining: Immigration and Restaurants in Chicago during the Era of Chinese Exclusion, 1893-1933 by Samuel C. King Bachelor of Arts New York University, 2012 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in History College of Arts and Sciences University of South Carolina 2019 Accepted by: Lauren Sklaroff, Major Professor Mark Smith, Committee Member David S. Shields, Committee Member Erica J. Peters, Committee Member Yulian Wu, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School Abstract The central aim of this project is to describe and explicate the process by which the status of Chinese restaurants in the United States underwent a dramatic and complete reversal in American consumer culture between the 1890s and the 1930s. In pursuit of this aim, this research demonstrates the connection that historically existed between restaurants, race, immigration, and foreign affairs during the Chinese Exclusion era. -
Chinatown: a Taste of China in New York City
Chinatown: A Taste of China in New York City Historical Overview Chinatown in New York City was the second Chinatown created after the one made in San Francisco, California. Similar to the first one, Chinatown was originally a place for Chinese immigrants to come to after getting off their long journey on the ships. Originally the Chinese immigrants came to the West in hopes of getting a quick fortune from the Gold Rush or earning money from working on the Transcontinental Railroad. However, they soon realized that there was no potential to obtain wealth or to gain a job since the railroad was completed. They began to work for low wages at textile or cigarette making factories. However, since these immigrants were working at drastically lower prices, Americans were unable to get a job. This caused tension to grow and the Chinese faced increasing discrimination and violence (Waxman par.2-4). To escape these hardships, a majority of Chinese immigrants began to move towards the East Coast. These immigrants typically lived in the slums of the Five Points and the boundary of New York. By staying together, they would be able to support each other and separate themselves from the rest of society to live their own lives. As a result of not assimilating and stealing jobs, the U.S. government enacted the Chinese Exclusion Act of 1882. This diminished the number of Chinese immigrants who could come to the United States unless they had a special permit to enter. This caused the Chinese immigrants to become devastated because they could not bring their family relatives or friends to join them in the United States. -
(De)Constructing Chinatown July 26, 2012 – October 28, 2012
425 North Los Angeles Street | Los Angeles, CA 90012 | Tel: 213 485-8567| www.camla.org FOR IMMEDIATE RELEASE CONTACT: Michael Duchemin (213) 485-8356 (de)Constructing Chinatown July 26, 2012 – October 28, 2012 MEDIA PREVIEW DAY Tues., July 24, 11 a.m. – 1 p.m. THE CHINESE AMERICAN MUSEUM PRESENTS A NEW EXHIBITION THAT EXPLORES NOTIONS OF LOS ANGELES’ CHINATOWN AS IT RELATES TO LOS ANGELES’ CHANGING CULTURAL, ETHNIC AND ARCHITECTURAL LANDSCAPES (LOS ANGELES, July 3, 2012) -- On view beginning July 26, 2012 through October 28, 2012, (de)Constructing Chinatown, a new exhibition from the Chinese American Museum (CAM) at El Pueblo de Los Angeles Historical Monument, features an evolving critical view of Los Angeles Chinatown through the eyes of eight local artists who use the historic neighborhood as a canvas to capture a glimpse of the constantly changing city. - more - (de)Constructing Chinatown 2012 Page 2 Chinatowns around the world have long been the subject of art, literature and culture, with artists often creating their own idyllic impressions of these unique places, often reducing them to an exotic destination filled with both mystery and intrigue. Unfortunately, Los Angeles Chinatown is not exempt from this clichéd legacy. Such representations have overshadowed the critical role of this community as both a cultural center for new immigrants and a location for important connections with surrounding communities. The new exhibition, (de)Constructing Chinatown, is an artist showcase of Los Angeles Chinatown, revealing a the geographical space in a state constant change, from the original home of Historic Chinatown, where Union Station now sits, to the current home of “New Chinatown,” along the Broadway Avenue corridor, the exhibition provides an alternative view in contrast to preconceived notions about Los Angeles Chinatown. -
Chinatown Then and Now.Pdf
Bethany Y. Li Asian American Legal Defense and Education Fund (AALDEF) CHINATOWN 99 Hudson St, 12th Fl THEN AND NOW New York, NY 10013 tel: 212 966 5932 fax: 212 966 4303 email: [email protected] a snapshot of new york’s chinatown Chinatown: Then & Now A Snapshot of New York’s Chinatown Introduction The mention of “Chinatown” evokes many images. But for decades, Chinatown has meant home for immigrant families. Chinatown residents rely on networks of friends and relatives in the community and on affordable food and goods in nearby stores. Workers depend on jobs they find in the neighborhood and from employment agencies centered in these communities. Yet as land use struggles change downtown areas across the United States, Chinatowns are becoming increasingly destabilized as their future as sustainable low-income immigrant communities is threatened. The Asian American Legal Defense and Education Fund (AALDEF) embarked on a three-city study of Chinatowns in Boston, New York, and Philadelphia to determine the current state of Chinatowns. Whereas Chinatowns used to be disfavored places to live and dumping grounds for undesirable uses, luxury and institutional developers began targeting these previously shunned areas in the 1980s and 1990s for more luxury uses including high-end condominiums and stadiums. For decades, residents, workers, small business owners, and community organizations have fought against development that threatens to weaken immigrant networks and resources in these neighborhoods. In collaboration with these community partners, academic institutions, and hundreds of volunteers, AALDEF spent a year recording block by block and lot by lot the existing land uses in Boston, New York, and Philadelphia’s Chinatown and surrounding immigrant areas. -
The Chinese American Museum and the Chinese American Citizens Alliance to Launch a Nationnation----Widewide Art Competition
425 North Los Angeles Street | Los Angeles, CA 90012 | Tel: 213 485-8567| www.camla.org FOR IMMEDIATE RELEASE Contact: Linh Duong (213) 485-8568 THE CHINESE AMERICAN MUSEUM AND THE CHINESE AMERICAN CITIZENS ALLIANCE TO LAUNCH A NATIONNATION----WIDEWIDE ART COMPETITION LOS ANGELES (October 17, 2006) ------The-- Chinese American Museum (CAM) in partnership with the Chinese American Citizens Alliance (CACA) is pleased to launch a National Art Competition on November 5, 2006 for students in grades one through twelve. Themed, “ Growing Up Chinese American ,” the competition will promote a better understanding of cultural diversity and improve racial harmony among the many diverse groups in the United States as well as educate students on the cultural heritage and the contributions of Chinese Americans. This will be the first national art competition organized by CAM and the second for CACA. In 1995, CACA commemorated the organization’s 100 th Anniversary by holding its first and only art contest. Now almost twelve years later, these vibrant images are brought together again in Celebrate! Chinese Holidays Through the Eyes of Children , one of three new exhibitions opening at the Chinese American Museum on November 5, 2006. The children’s images featured in this exhibit, all of which garnered awards and special mention in the contest, celebrate Chinese tradition and the diversity of American culture as seen from a young person’s point-of-view. Focusing on the theme “ Growing Up Chinese American ,” this year’s CACA/CAM National Art Competition will encourage students of all backgrounds to draw from their own observations and subjectively express through art, what it means to grow up Chinese American. -
CHINESE AMERICAN MUSEUM CAM Honors History-Making Innovators
CHINESE AMERICAN MUSEUM 425 North Los Angeles Street Los Angeles, CA 90012 Tel 213 485-8484 Fax 213 485-0428 www.camla.org FOR IMMEDIATE RELEASE September 25, 2014 CAM Honors History-making Innovators, Pioneers, Leaders LOS ANGELES.—Innovators, pioneers, corporate and community leaders were recognized Thursday, Sept. 25 as the Chinese American Museum (CAM) raised the curtain on the 18th annual Historymakers Awards Gala and commemorated its 10th anniversary. In line with the gala’s theme, “CAM at 10: New Directions for the Next Decade,” Nissan North America served as title sponsor for the event and announced the launch of Project Future Star, a contest designed to celebrate visionaries and innovators. "We thank Nissan for joining with us as we expand our mission into the next decade," stated Dr. Gay Yuen, Friends of the Chinese American Museum (FCAM) president. Kin Hui, Chairman and CEO of the Singpoli Group, served as honorary dinner chair. The event took place at the Bonaventure Hotel in downtown Los Angeles. Awards were presented to the following individuals and organizations: Ming Hsieh (Judge Ronald S. W. Lew Visionary Award) is at the forefront of engineering medicine for cancer research and biometric identification. As the founder, Chairman, and Chief Executive Officer of 3M Cogent Inc., he has led the development of global identification systems. He has also served as the Chairman and CEO of Fulgent Therapeutics Inc., a cancer drug research and development company. Raised in Shenyang, northern China, he currently a trustee of the University of Southern California. David Fon Lee (Dr. Dan S. Louie, Jr., Lifetime Achievement Award), best known as proprietor of the iconic General Lee’s Man Jen Low Restaurant, led advocacy on behalf of Chinatown and U.S.-China relations as early as the 1970s. -
The Chinese American Museum Celebrates 10 Years of the Lantern
425 North Los Angeles Street | Los Angeles, CA 90012 | Tel: 213 485-8567| www.camla.org FOR IMMEDIATE RELEASE Contact: Linh Duong (213) 485-8568 / [email protected] THE CHINESE AMERICAN MUSEUM CELEBRATES TEN YEARS OF LANTERN FESTIVAL! EVENT INFORMATION Saturday, March 5, 2011 / Noon – 7pm @ El Pueblo de Los Angeles Historical Monument (across from Union Station) FREE ADMISSION (LOS ANGELES, February 8, 2011) –––The– Chinese American Museum (CAM), in partnership with El Pueblo de Los Angeles Historical Monument, will host The 10 th Annual Lantern Festival 2011 (LF’11) celebration on Saturday, March 5, 2011, noon – 7pm at El Pueblo Plaza, the historic site of the city’s original Chinatown and now home to CAM. This year’s event marks a milestone achievement as CAM’s Lantern Festival celebrates its 10 th Anniversary, commemorating a decade of free arts, culture and educational activities for the public. A simple idea that began in 2002, Lantern Festival has since flourished into a beloved community tradition that attracts thousands of visitors from all over Southern California and beyond, and is renowned for being the only free festival in Los Angeles that offers the LARGEST variety of interactive arts, crafts and educational activities celebrating the Lunar New Year holiday. -more- Lantern Festival 2011 Page 2 This year’s event will spotlight a colorful re-creation of a traditional Chinese village street fair animated with a newly expanded selection of arts and crafts workshops, an exciting line-up of cultural stage performances, popular food trucks, and a spirited new LF’11 t-shirt design renewing CAM’s commitment to providing families and the general public with activities that educate as well as entertain. -
Coronavirus/COVID-19 Resources Message From
CascadesCascades Volume XIX, No. IV Citywide News for Business, Community and Education May 2020 Message from the Coronavirus/COVID-19 Resources Although city facilities such as city hall, the library, senior center o American Legion Post 397: 338 S. Ramona Avenue, City Manager and others are closed to the general public during the Safer Monterey Park, CA 91754, 626-692-4918. at Home order, city staff continue to be available by phone o L.A. County Department of Public Social Services: To our Monterey Park community, or email to assist residents or businesses. Constituents are CalFresh (California's Food Stamp Program), welcome to call their usual city contacts or the contacts listed 866-613-3777, www.dpss.lacounty.gov. Thank you to all healthcare workers at on city correspondence. If you’re not sure which department to o Workforce Development, Aging and Community our local hospitals and medical facilities Services (WDACS): Emergency meals for seniors for being the frontline soldiers of this call, please feel free to contact the MPK Help Desk at 626-307- worldwide fight against COVID-19. On 1377 or [email protected], 9 a.m.-6 p.m., available by appointment only 323-260-2801, behalf of the City of Monterey Park, Monday-Saturday (closed Sunday), or visit www.MontereyPark. wdacs.lacounty.gov/. I would like to express our gratitude ca.gov/Coronavirus. and appreciation for the work that you Businesses do each day to ensure the health and safety of us all. The City of Monterey Park has prepared this list of o L.A. -
History&Perspectives
2012 CHINESE AMERICA History&Perspectives THE JOURNAL OF THE CHINESE HISTORICAL SOCIETY OF AMERICA CHINESE AMERICA HISTORY & PERSPECTIVES The Journal of the Chinese Historical Society of America 2012 CHINESE HISTORICAL SOCIETY OF AMERICA Chinese America: History & Perspectives — The Journal of the Chinese Historical Society of America Chinese Historical Society of America Museum & Learning Center 965 Clay Street San Francisco, California 94108 chsa.org Copyright © 2012 Chinese Historical Society of America. All rights reserved. Copyright of individual articles remains with the author(s). ISBN-13: 978-1-885864-47-5 ISBN-10: 1-885864-47-7 Design by Side By Side Studios, San Francisco. Permission is granted for reproducing up to fifty copies of any one article for Educa- tional Use as defined by the Digital Millennium Copyright Act. To order additional copies or inquire about large-order discounts, see order form at back or email [email protected]. Articles appearing in this journal are indexed in Historical Abstracts and America: History and Life. About the cover image: Lum Ngow with his parents in China, 1925. Photo courtesy of Lee Show Nam. 10 9 8 7 6 5 4 3 2 1 Contents THINGS MATTER Chinese American Culture Work and the Gods of Marysville 1 Jonathan H. X. Lee and Vivian-Lee Nyitray LIFE IN A CHINATOWN COLD WATER TENEMENT BUILDING 7 Lyle Jan HISTORY OF TRADITIONAL CHINESE MEDICINE IN CALIFORNIA A Perspective through the Stories of Four Acupuncturists 11 Emily S. Wu “We WERE REAL, SO THERE waS NO NEED TO BE AFRAID” Lum Ngow’s Long Detention on Angel Island 19 Judy Yung THE TWENTY-FIRST-CENTURY CHINESE AMERICA Growth and Diversity 27 Wei Li and Wan Yu About the Contributors 33 About the Editorial Committee 35 Guidelines for Manuscript Submission 37 Chinese Historical Society of America Membership Form 39 iii Things Matter Chinese American Culture Work and the Gods of Marysville Jonathan H.