Chinese Chicago from 1893 to 1943
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Chinatown and Urban Redevelopment: a Spatial Narrative of Race, Identity, and Urban Politics 1950 – 2000
CHINATOWN AND URBAN REDEVELOPMENT: A SPATIAL NARRATIVE OF RACE, IDENTITY, AND URBAN POLITICS 1950 – 2000 BY CHUO LI DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Landscape Architecture in the Graduate College of the University of Illinois at Urbana-Champaign, 2011 Urbana, Illinois Doctoral Committee: Professor D. Fairchild Ruggles, Chair Professor Dianne Harris Associate Professor Martin Manalansan Associate Professor Faranak Miraftab Abstract The dissertation explores the intricate relations between landscape, race/ethnicity, and urban economy and politics in American Chinatowns. It focuses on the landscape changes and spatial struggles in the Chinatowns under the forces of urban redevelopment after WWII. As the world has entered into a global era in the second half of the twentieth century, the conditions of Chinatown have significantly changed due to the explosion of information and the blurring of racial and cultural boundaries. One major change has been the new agenda of urban land planning which increasingly prioritizes the rationality of capital accumulation. The different stages of urban redevelopment have in common the deliberate efforts to manipulate the land uses and spatial representations of Chinatown as part of the socio-cultural strategies of urban development. A central thread linking the dissertation’s chapters is the attempt to examine the contingent and often contradictory production and reproduction of socio-spatial forms in Chinatowns when the world is increasingly structured around the dynamics of economic and technological changes with the new forms of global and local activities. Late capitalism has dramatically altered city forms such that a new understanding of the role of ethnicity and race in the making of urban space is required. -
Circles and Circuits: Chinese Caribbean
Circles and Circuits: Chinese Caribbean Art EXHIBITION FACT SHEET Organized by the Chinese American Museum (CAM) in partnership with the Asian/Pacific/American Institute at New York University and the California African American Museum (CAAM), Circles and Circuits: Chinese Caribbean Art is presented in two parts: History and Art of the Chinese Caribbean Diaspora at CAAM and Contemporary Chinese Caribbean Art at CAM. Circles and Circuits: Chinese Caribbean Art is part of Pacific Standard Time: LA/LA, a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles, taking place from September 2017 through January 2018 at more than 70 cultural institutions across Southern California. Pacific Standard Time is an initiative of the Getty. The presenting sponsor is Bank of America. Description: Circles and Circuits explores the art of the Chinese Caribbean diaspora from the early 20th century to the present day. The presentation at CAAM traces the history of Chinese Caribbean art from the 1930s through the period of the region’s independence movements, showcasing the contributions of artists little known outside their own countries, such as Sybil Atteck (Trinidad and Tobago) and Manuel Chong Neto (Panama), and providing a new context for understanding the better-known work of Wifredo Lam (Cuba). At CAM, the exhibition focuses on the work of contemporary artists such as Albert Chong and Maria Magdalena Campos-Pons, as well as artists of the ongoing Chinese Caribbean diaspora. Publication: The exhibition is accompanied by a catalog that will be the first publication devoted to Chinese Caribbean art history and visual culture. -
Immigration and Restaurants in Chicago During the Era of Chinese Exclusion, 1893-1933
University of South Carolina Scholar Commons Theses and Dissertations Summer 2019 Exclusive Dining: Immigration and Restaurants in Chicago during the Era of Chinese Exclusion, 1893-1933 Samuel C. King Follow this and additional works at: https://scholarcommons.sc.edu/etd Recommended Citation King, S. C.(2019). Exclusive Dining: Immigration and Restaurants in Chicago during the Era of Chinese Exclusion, 1893-1933. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5418 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Exclusive Dining: Immigration and Restaurants in Chicago during the Era of Chinese Exclusion, 1893-1933 by Samuel C. King Bachelor of Arts New York University, 2012 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in History College of Arts and Sciences University of South Carolina 2019 Accepted by: Lauren Sklaroff, Major Professor Mark Smith, Committee Member David S. Shields, Committee Member Erica J. Peters, Committee Member Yulian Wu, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School Abstract The central aim of this project is to describe and explicate the process by which the status of Chinese restaurants in the United States underwent a dramatic and complete reversal in American consumer culture between the 1890s and the 1930s. In pursuit of this aim, this research demonstrates the connection that historically existed between restaurants, race, immigration, and foreign affairs during the Chinese Exclusion era. -
Chinese Immigration and Its Implications on Urban Management in Los Angeles
Chen X. CHINESE IMMIGRATION AND ITS IMPLICATIONS ON URBAN MANAGEMENT IN LOS ANGELES CHINESE IMMIGRATION AND ITS IMPLICATIONS ON URBAN MANAGEMENT IN LOS ANGELES Xueming CHEN Virginia Commonwealth University ement 923 West Franklin Street, Richmond, VA 23284, United States of America [email protected] Abstract This paper reviews the Chinese immigration history in Los Angeles, with Chinatown representing its urbanization process and San Gabriel Valley representing its suburbanization process. These two processes are distinct and have different impacting factors. This empirical study also compares similarities and differences of the urban development patterns between the Chinese Americans and the mainstream white Americans. Furthermore, the paper examines the implications of Chinese immigration on local urban management from political, cultural, and socioeconomic aspects. Keywords: urbanization, suburbanization, Los Angeles, Chinatown, San Gabriel Valley. 1. Introduction Los Angeles County is the most populous, multi-ethnic county in the United States (U.S.) with an existing total population exceeding 10 million. Of all the U.S. counties, Los Angeles County has most Chinese American population. In the year 2000, the County’s total Chinese American population Number 4(13) / November 2009 amounted to 377,301, which was 33.6% and 15.6% of all Chinese American population living in California (1,122,187) and U.S. (2,422,970), respectively (Source: http://www.ameredia.com/resources/demographics/chinese.html). Therefore, examining Chinese Americans’ urban development patterns in Los Angeles clearly has its national significance. A good urban management requires a clear understanding about its population, including ethnic population. Theoretical Empirical and Researches in Urban Manag With the globalization trend and emergence of China, Chinese Americans will play an ever important role in future American urbanmanagement, economy and politics. -
CURRICULUM VITAE Min ZHOU, Ph.D
CURRICULUM VITAE Min ZHOU, Ph.D. ADDRESS Department of Sociology, UCLA 264 Haines Hall, 375 Portola Plaza, Box 951551 Los Angeles, CA 90095-1551 U.S.A. Office Phone: +1 (310) 825-3532 Email: [email protected]; home page: https://soc.ucla.edu/faculty/Zhou-Min EDUCATION May 1989 Doctor of Philosophy in Sociology, State University of New York (SUNY) at Albany May 1988 Certificate of Graduate Study in Urban Policy, SUNY-Albany December 1985 Master of Arts in Sociology, SUNY-Albany January 1982 Bachelor of Arts in English, Sun Yat-sen University (SYSU), China PHD DISSERTATION The Enclave Economy and Immigrant Incorporation in New York City’s Chinatown. UMI Dissertation Information Services, 1989. Advisor: John R. Logan, SUNY-Albany • Winner of the 1989 President’s Distinguished Doctoral Dissertation Award, SUNY-Albany PROFESSIONAL CAREER Current Positions • Distinguished Professor of Sociology and Asian American Studies, UCLA (since July 2021) • Walter and Shirley Wang Endowed Chair in U.S.-China Relations and Communications, UCLA (since 2009) • Director, UCLA Asia Pacific Center (since November 1, 2016) July 2000 to June 2021 • Professor of Sociology and Asian American Studies, UCLA • Founding Chair, Asian American Studies Department, UCLA (2004-2005; Chair of Asian American Studies Interdepartmental Degree Program (2001-2004) July 2013 to June 2016 • Tan Lark Sye Chair Professor of Sociology & Head of Division of Sociology, School of Humanities and Social Sciences, Nanyang Technological University (NTU), Singapore • Director, Chinese Heritage Centre (CHC), NTU, Singapore July 1994 to June 2000 Assistant to Associate Professor with tenure, Department of Sociology & Asian American Studies Interdepartmental Degree Program, UCLA August 1990 to July 1994 Assistant Professor of Sociology, Louisiana State University, Baton Rouge M. -
(De)Constructing Chinatown July 26, 2012 – October 28, 2012
425 North Los Angeles Street | Los Angeles, CA 90012 | Tel: 213 485-8567| www.camla.org FOR IMMEDIATE RELEASE CONTACT: Michael Duchemin (213) 485-8356 (de)Constructing Chinatown July 26, 2012 – October 28, 2012 MEDIA PREVIEW DAY Tues., July 24, 11 a.m. – 1 p.m. THE CHINESE AMERICAN MUSEUM PRESENTS A NEW EXHIBITION THAT EXPLORES NOTIONS OF LOS ANGELES’ CHINATOWN AS IT RELATES TO LOS ANGELES’ CHANGING CULTURAL, ETHNIC AND ARCHITECTURAL LANDSCAPES (LOS ANGELES, July 3, 2012) -- On view beginning July 26, 2012 through October 28, 2012, (de)Constructing Chinatown, a new exhibition from the Chinese American Museum (CAM) at El Pueblo de Los Angeles Historical Monument, features an evolving critical view of Los Angeles Chinatown through the eyes of eight local artists who use the historic neighborhood as a canvas to capture a glimpse of the constantly changing city. - more - (de)Constructing Chinatown 2012 Page 2 Chinatowns around the world have long been the subject of art, literature and culture, with artists often creating their own idyllic impressions of these unique places, often reducing them to an exotic destination filled with both mystery and intrigue. Unfortunately, Los Angeles Chinatown is not exempt from this clichéd legacy. Such representations have overshadowed the critical role of this community as both a cultural center for new immigrants and a location for important connections with surrounding communities. The new exhibition, (de)Constructing Chinatown, is an artist showcase of Los Angeles Chinatown, revealing a the geographical space in a state constant change, from the original home of Historic Chinatown, where Union Station now sits, to the current home of “New Chinatown,” along the Broadway Avenue corridor, the exhibition provides an alternative view in contrast to preconceived notions about Los Angeles Chinatown. -
UNIVERSITY of CALIFORNIA RIVERSIDE Migration, Social Network, and Identity
UNIVERSITY OF CALIFORNIA RIVERSIDE Migration, Social Network, and Identity: The Evolution of Chinese Community in East San Gabriel Valley, 1980-2010 A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History by Yu-Ju Hung August 2013 Dissertation Committee: Dr. Clifford Trafzer, Chairperson Dr. Larry Burgess Dr. Rebecca Monte Kugel Copyright by Yu-Ju Hung 2013 The Dissertation of Yu-Ju Hung is approved: ____________________________________________ ___________________________________________ ___________________________________________ Committee Chairperson University of California, Riverside Acknowledgements This dissertation would hardly have possible without the help of many friends and people. I would like to express deepest gratitude to my advisor, Professor Clifford Trafzer, who gave me boundless patience and time for my doctoral studies. His guidance and instruction not only inspired me in the dissertation research but also influenced my interests in academic pursuits. I want to thank other committee members: Professor Larry Burgess and Professor Rebecca Monte Kugel. Both of them provided thoughtful comments and valuable ideas for my dissertation. I am also indebted to Tony Yang, for his painstaking editing and proofreading work during my final writing stage. My special thanks go to Professor Chin-Yu Chen, for her constant concern and insightful suggestions for my research. I am also grateful to all people who assisted me in the process of my fieldwork: Cary Chen, Joseph Chang, Norman Hsu, David Fong, Judy Haggerty Chen, Ivy Kuan, Chuching Wang, Charles Liu, Livingstone Liu, Scarlet Treu, Chien-kuo Shieh, Champion Tang, and Sam Lo. They both served as my interviewees and informants, providing me valuable first-hand materials and access to local Chinese community. -
The Chinese American Museum and the Chinese American Citizens Alliance to Launch a Nationnation----Widewide Art Competition
425 North Los Angeles Street | Los Angeles, CA 90012 | Tel: 213 485-8567| www.camla.org FOR IMMEDIATE RELEASE Contact: Linh Duong (213) 485-8568 THE CHINESE AMERICAN MUSEUM AND THE CHINESE AMERICAN CITIZENS ALLIANCE TO LAUNCH A NATIONNATION----WIDEWIDE ART COMPETITION LOS ANGELES (October 17, 2006) ------The-- Chinese American Museum (CAM) in partnership with the Chinese American Citizens Alliance (CACA) is pleased to launch a National Art Competition on November 5, 2006 for students in grades one through twelve. Themed, “ Growing Up Chinese American ,” the competition will promote a better understanding of cultural diversity and improve racial harmony among the many diverse groups in the United States as well as educate students on the cultural heritage and the contributions of Chinese Americans. This will be the first national art competition organized by CAM and the second for CACA. In 1995, CACA commemorated the organization’s 100 th Anniversary by holding its first and only art contest. Now almost twelve years later, these vibrant images are brought together again in Celebrate! Chinese Holidays Through the Eyes of Children , one of three new exhibitions opening at the Chinese American Museum on November 5, 2006. The children’s images featured in this exhibit, all of which garnered awards and special mention in the contest, celebrate Chinese tradition and the diversity of American culture as seen from a young person’s point-of-view. Focusing on the theme “ Growing Up Chinese American ,” this year’s CACA/CAM National Art Competition will encourage students of all backgrounds to draw from their own observations and subjectively express through art, what it means to grow up Chinese American. -
CHINESE AMERICAN MUSEUM CAM Honors History-Making Innovators
CHINESE AMERICAN MUSEUM 425 North Los Angeles Street Los Angeles, CA 90012 Tel 213 485-8484 Fax 213 485-0428 www.camla.org FOR IMMEDIATE RELEASE September 25, 2014 CAM Honors History-making Innovators, Pioneers, Leaders LOS ANGELES.—Innovators, pioneers, corporate and community leaders were recognized Thursday, Sept. 25 as the Chinese American Museum (CAM) raised the curtain on the 18th annual Historymakers Awards Gala and commemorated its 10th anniversary. In line with the gala’s theme, “CAM at 10: New Directions for the Next Decade,” Nissan North America served as title sponsor for the event and announced the launch of Project Future Star, a contest designed to celebrate visionaries and innovators. "We thank Nissan for joining with us as we expand our mission into the next decade," stated Dr. Gay Yuen, Friends of the Chinese American Museum (FCAM) president. Kin Hui, Chairman and CEO of the Singpoli Group, served as honorary dinner chair. The event took place at the Bonaventure Hotel in downtown Los Angeles. Awards were presented to the following individuals and organizations: Ming Hsieh (Judge Ronald S. W. Lew Visionary Award) is at the forefront of engineering medicine for cancer research and biometric identification. As the founder, Chairman, and Chief Executive Officer of 3M Cogent Inc., he has led the development of global identification systems. He has also served as the Chairman and CEO of Fulgent Therapeutics Inc., a cancer drug research and development company. Raised in Shenyang, northern China, he currently a trustee of the University of Southern California. David Fon Lee (Dr. Dan S. Louie, Jr., Lifetime Achievement Award), best known as proprietor of the iconic General Lee’s Man Jen Low Restaurant, led advocacy on behalf of Chinatown and U.S.-China relations as early as the 1970s. -
The Chinese American Museum Celebrates 10 Years of the Lantern
425 North Los Angeles Street | Los Angeles, CA 90012 | Tel: 213 485-8567| www.camla.org FOR IMMEDIATE RELEASE Contact: Linh Duong (213) 485-8568 / [email protected] THE CHINESE AMERICAN MUSEUM CELEBRATES TEN YEARS OF LANTERN FESTIVAL! EVENT INFORMATION Saturday, March 5, 2011 / Noon – 7pm @ El Pueblo de Los Angeles Historical Monument (across from Union Station) FREE ADMISSION (LOS ANGELES, February 8, 2011) –––The– Chinese American Museum (CAM), in partnership with El Pueblo de Los Angeles Historical Monument, will host The 10 th Annual Lantern Festival 2011 (LF’11) celebration on Saturday, March 5, 2011, noon – 7pm at El Pueblo Plaza, the historic site of the city’s original Chinatown and now home to CAM. This year’s event marks a milestone achievement as CAM’s Lantern Festival celebrates its 10 th Anniversary, commemorating a decade of free arts, culture and educational activities for the public. A simple idea that began in 2002, Lantern Festival has since flourished into a beloved community tradition that attracts thousands of visitors from all over Southern California and beyond, and is renowned for being the only free festival in Los Angeles that offers the LARGEST variety of interactive arts, crafts and educational activities celebrating the Lunar New Year holiday. -more- Lantern Festival 2011 Page 2 This year’s event will spotlight a colorful re-creation of a traditional Chinese village street fair animated with a newly expanded selection of arts and crafts workshops, an exciting line-up of cultural stage performances, popular food trucks, and a spirited new LF’11 t-shirt design renewing CAM’s commitment to providing families and the general public with activities that educate as well as entertain. -
The Transnational World of Chinese Entrepreneurs in Chicago, 1870S to 1940S: New Sources and Perspectives on Southern Chinese Emigration
Front. Hist. China 2011, 6(3): 370–406 DOI 10.1007/s11462-011-0134-z RESEARCH ARTICLE Huping Ling The Transnational World of Chinese Entrepreneurs in Chicago, 1870s to 1940s: New Sources and Perspectives on Southern Chinese Emigration 树挪死,人挪活 A tree would likely die when transplanted; a man will survive and thrive when migrated. —Chinese proverb (author’s translation) © Higher Education Press and Springer-Verlag 2011 Abstract This article contributes to an ongoing dialogue on the causes of migration and emigration and the relationship between migrants/emigrants and their homelands by investigating historical materials dealing with the Chinese in Chicago from 1870s to 1940s. It shows that patterns of Chinese migration/ emigration overseas have endured for a long period, from pre-Qing times to today’s global capitalist expansionism. The key argument is that from the very beginning of these patterns, it has been trans-local and transnational connections that have acted as primary vehicles facilitating survival in the new land. While adjusting their lives in new environments, migrants and emigrants have made conscious efforts to maintain and renew socioeconomic and emotional ties with their homelands, thus creating transnational ethnic experiences. Keywords Chinese migration and emigration, overseas Chinese, Chinese in Chicago, Chinese ethnic businesses Introduction Just as all early civilizations used migration as an important survival strategy, so too Chinese migrated in great numbers. For example, beginning even as early as Huping Ling -
History&Perspectives
2012 CHINESE AMERICA History&Perspectives THE JOURNAL OF THE CHINESE HISTORICAL SOCIETY OF AMERICA CHINESE AMERICA HISTORY & PERSPECTIVES The Journal of the Chinese Historical Society of America 2012 CHINESE HISTORICAL SOCIETY OF AMERICA Chinese America: History & Perspectives — The Journal of the Chinese Historical Society of America Chinese Historical Society of America Museum & Learning Center 965 Clay Street San Francisco, California 94108 chsa.org Copyright © 2012 Chinese Historical Society of America. All rights reserved. Copyright of individual articles remains with the author(s). ISBN-13: 978-1-885864-47-5 ISBN-10: 1-885864-47-7 Design by Side By Side Studios, San Francisco. Permission is granted for reproducing up to fifty copies of any one article for Educa- tional Use as defined by the Digital Millennium Copyright Act. To order additional copies or inquire about large-order discounts, see order form at back or email [email protected]. Articles appearing in this journal are indexed in Historical Abstracts and America: History and Life. About the cover image: Lum Ngow with his parents in China, 1925. Photo courtesy of Lee Show Nam. 10 9 8 7 6 5 4 3 2 1 Contents THINGS MATTER Chinese American Culture Work and the Gods of Marysville 1 Jonathan H. X. Lee and Vivian-Lee Nyitray LIFE IN A CHINATOWN COLD WATER TENEMENT BUILDING 7 Lyle Jan HISTORY OF TRADITIONAL CHINESE MEDICINE IN CALIFORNIA A Perspective through the Stories of Four Acupuncturists 11 Emily S. Wu “We WERE REAL, SO THERE waS NO NEED TO BE AFRAID” Lum Ngow’s Long Detention on Angel Island 19 Judy Yung THE TWENTY-FIRST-CENTURY CHINESE AMERICA Growth and Diversity 27 Wei Li and Wan Yu About the Contributors 33 About the Editorial Committee 35 Guidelines for Manuscript Submission 37 Chinese Historical Society of America Membership Form 39 iii Things Matter Chinese American Culture Work and the Gods of Marysville Jonathan H.