A Radio Program for the King of Instruments

Total Page:16

File Type:pdf, Size:1020Kb

A Radio Program for the King of Instruments A RADIO PROGRAM FOR THE KING OF INSTRUMENTS Program No. 1131 8/1/2011 which embraced everything from Baroque to modern, Phillips (1942 Aeolian-Skinner/St. Andrew’s High Fives…composite performances of including his own eclectic compositions. Episcopal Church, Amarillo, TX) Pipedreams th Archive (r. 4/23/10) the most famous of all organ symphonies To mark his 70 birthday year, we present select items from his extensive recorded catalog…including MARCEL DUPRÉ: Cortege & Litany, Op. 19, no. 2. (by Charles-Marie Widor), and its somber the legendary album of Wagner transcriptions taped TRADITIONAL (arr. Lemare): Londonderry Air – companion-challenger (by Louis Vierne). at the Cathedral of St. John the Divine in New York Todd Wilson (1931 Skinner/Holy Rosary Cathedral, Toledo, OH) Pipedreams Archive (r. 7/7/09) CHARLES-MARIE WIDOR (orchestral arrangement City…along with Newman’s own reflections on his by Frank Stewart Adams): Allegro vivace (i), fr Organ life and career, a reminder that he remains a potent G. F. HANDEL: Organ Concerto in F, Op. 4, no. 5. Symphony No. 5 in F, Op. 42. 5 –Zurich Symphony and iconoclastic presence. JONATHAN HARVEY: Toccata for Organ and Tape Orchestra/Daniel Schweizer, conductor; Ulrich (1980). MAX REGER: Toccata & Fugue in d/D, Program No. 1133 8/15/2011 Meldau (198 Kleuker-Steinmeyer/Zurich Tonhalle, Op. 59, nos. 5/6 –John Scott (1975 Aeolian-Skinner/ Switzerland) Motette 40241 Organ Plus…whether combined with Washington National Cathedral, Washington, DC; r. 6/25/06) JAV Recordings 167 WIDOR: Allegro cantabile (ii.), fr Symphony No. 5 – saxophone, brass ensemble, chamber orchestra Daniel Roth (1862 Cavaillé-Coll/St. Sulpice, Paris) or symphonic ensemble, the King of Instruments J. S. BACH: Nun danken alle Gott, BWV 657 (with Motette 11141 chorale sung by members of the Organ Historical proves itself an able and amiable companion. Society) –Joan Lippincott (1957 Beckerath/Trinity WIDOR: Andantino quasi allegretto (iii.), fr Symphony Evangelical Lutheran Church, Cleveland, OH) No. 5 –Charles Krigbaum (1929 Skinner/Woolsey FRANZ JOSEPH HAYDN: Organ Concerto in C, Pipedreams Archive (r. 7/6/09) Hall, Yale University, New Haven, CT) AFKA 523 H. XVIII, no. 5 –German Bach Soloists/Helmut Winschermann, conductor; Daniel Chrozempa ((1750 ALFRED FEDAK: Invocation & Dance –Franciscan WIDOR: Adagio (iv.), fr Symphony No. 5 –Ben Anonymous/Franziskanerkirche, Eisenstadt, Austria) Chamber Orchestra/Lanfranco Marcielletti, van Oosten (1890 Cavaillé-Coll/St. Ouen, Rouen) Philips 6500.359/60 conductor; Huw Lewis (1976 Schlicker-1992 Dabringhaus & Grimm 316.0403 JACOBUS KLOPPERS: Celebration, fr Carolingian Carey/St. Peter’s Episcopal Church, Albany, NY) WIDOR: Toccata (v.), fr Symphony No. 5 –Charles- Temperaments –William Street, saxophone; Marnie Pipedreams Archive (r. 5/12/2000) Marie Widor, recorded in 1932 (1862 Cavaillé-Coll/ Giesbrecht (1978 Brunzema-Casavant/Convocation St. Sulpice, Paris) EMI 55037 Hall, University of Alberta, Edmonton, Canada) Program No. 1135 8/29/2011 WIDOR: Toccata (v.), fr Symphony No. 5 –Jeanne Eclectra 2076 Sönic Böhm…a survey of music by the Demessieux (1967 Walker/Metropolitan Cathedral, LLOYD PFAUTSCH: If thou but suffer God to guide Lüneburg master Georg Böhm (1661-1733), Liverpool, England) Festivo 141 thee (Chorale Fantasy) –Missouri Brass Quintet; John LOUIS VIERNE: Marche episcopale (improvisation, whose exemplary shock-waves inspired, among Obetz (1993 Casavant/Community of Christ Temple, others, the young Johann Sebastian Bach. recorded in 1928) –Louis Vierne (1868 Cavaillé-Coll/ Independence, MO) RBW 008 Notre Dame Cathedral, Paris) EMI 55037 HORATIO PARKER: Organ Concerto in e-flat, Op. 55 GEORG BÖHM: Praeludium in C –Joachim Vogel- VIERNE: Grave (i.), fr Organ Symphony No. 5 in a, –Ingolstadt Philharmonic/Alfredo Ibarra, conductor; sänger (1553 Niehoff-1715 Droppa-1953 Beckerath/ Op. 47 –Joseph Ripka (1927-2001 Casavant-Schantz/ Franz Hauk (1977 Klais/Ingolstadt Cathedral, Johanniskirche, Lüneburg) Nomine 1 St. Andrew’s Lutheran Church, Mahtomedi, MN) Germany) Guild 7182 BÖHM: Partita, Auf meinen lieben Gott –Joachim Pipedreams Archive (r. 9/23/07). Vierne played the JOHN STANLEY: Trumpet Tune –Chicago Brass Vogelsänger (Johanniskirche, Lüneburg) BKL 1401 inaugural recital on this instrument in its original home Quintet; Paul Vander Weele (1963 Casavant/North BÖHM: Capriccio in D –Harald Vogel (1688-92 at Phillips Academy, Andover, MA. Shore Congregation Israel, Chicago, IL) Centaur 2221 Schnitger/Ludgerikirche, Norden) Organeum 09602 VIERNE: Allegro molto marcato (ii.), fr Symphony JOHN STANLEY: Organ Concerto in B-flat, Op. 2, no. BÖHM: Menuet “fait par M. Böhm”, fr Bach’s Anna No. 5 –Jeremy Filsell (1890 Cavaillé-Coll/St. Ouen, 6 –Parley of Instruments/Roy Goodman, director; Magdalena Notebook –E. Power Biggs (1958 Rouen) Signum 063 Paul Nicholson (Goetze & Gwynn chamber organ) Flentrop/Busch-Reisinger Museum, Harvard U., VIERNE: Tempo di scherzo ma non troppo vivo (iii.), Hyperion 66338 Cambridge, MA) CBS 30539 fr Symphony No. 5 (1888 Cavaillé-Coll/St. Sernin, PETER DICKINSON: Organ Concerto (1971) –BBC BÖHM: Partita, Herr Jesu Christ, dich zu uns wend Toulouse) Dabringhaus & Grimm 3213/14 Symphony/David Atherton, conductor; Jennifer Bate –Claudia Heberlein-Johnson (1688 Schnitger/St. VIERNE: Larghetto (iv.), fr Symphony No. 5 –Martin (1954 Harrison & Harrison/Royal Festival Hall, Cosmae & Damiani, Stade) Dabringhaus & Grimm Jean (1929 Skinner/Woolsey Hall, Yale University, London) EMI 47584 1124 New Haven, CT) Loft 1071/74 YAMAMOTO & MITTERER: From a Distant Place BÖHM: Praeludium, Fugue & Postlude in g –Joachim VIERNE: Final, fr Symphony No. 5 –Pierre Cochereau (improvisation) –Hozan Yamamoto, shakuhachi; Vogelsänger (Johanniskirche, Lüneburg) BKL 1401 (1868 Cavaillé-Coll/Notre Dame Cathedral, Paris) Wolfgang Mitterer (1983 Rieger/Marienkirche, BÖHM: Chorale-prelude, Vater unser im Himmelreich – Solstice 29/30 Vienna, Austria) PlayaSound 65199 Harald Vogel (Johanniskirche, Lüneburg) Pipedreams Program No. 1132 8/8/2011 LEON BOËLLMANN: Fantasie Dialoguée, Op. 35 Archive (r. 1/1981) A Newman for All Seasons…performances –Leipzig Symphony/Olaf Koch, conductor; Franz BÖHM: Chorale-prelude, Allein Gott, in der Höh –Jan Hauk (1977 Klais/Ingolstadt Cathedral, Germany) Jongepier (1727Müller/Jacobijnerkerk, Leeuwarden, by and conversation with the vibrant and Guild 7215 Netherlands) Dutch Organs Anthology 9033605619 provocative American virtuoso, composer and BÖHM: Paeludium in F –Harald Vogel (1713 von Holy/ musicologist Anthony Newman. Program No. 1134 8/22/2011 Marienkirche, Marienhafe) Ars Musici 0939 In Concert…from ‘lively’ contexts in Saint BÖHM: Praeludium in d –Josef Sluys (1700 Schnitger/ Anthony Newman (b. 5/12/1941) burst upon the Paul, Minneapolis, and Amarillo, recitalists Jacobikerk, Uithuizen, Netherlands) Ars Musici 232363 scene with vivid and athletic interpretations played on harpsichord and mechanical-action pipe organ. His Hector Olivera, Stephen Tharp, Craig Phillips BÖHM: Chorale-prelude, Gelobet seist du, Jesu Christ engaging performances, and thoughtful connection to and others perform. –Gustav Leonhardt (1693 Schnitger/Jacobikirche, Eastern religions, immediately established Newman Hamburg) Sony Classical 66262 J. S. BACH: Prelude & Fugue in E-flat, BWV 552 – BÖHM: Partita, Christe, der du bist Tag und Licht – as a ‘Bach guru’ for the Age of Aquarius, a young- Hector Olivera (2003 Blackinton/Bethel University, person’s foil to the other organist already established Stef Tuinstra (1631 Verbeek/Pepergasthuiskerk, Saint Paul, MN) Pipedreams Archive (r. 4/17/09) Groningen, Netherlands) Dutch Organs Anthology in the Columbia Masterworks catalog, E. Power JEANNE DEMESSIEUX: Prelude & Fugue in C, Op. Biggs. But Tony was more than that. 9033605619 13 (1964); Andante (1953); Te Deum, Op. 11 (1958) – BÖHM: Cantata, Mein Freud ist mein –Musica Alta Credentials as teacher, chamber musician and con- Stephen Tharp (1963 Casavant/Central Lutheran Church, Ripa/Ralf Popken, director. cpo 777143\ ductor were added to those of recitalist and record- Minneapolis, MN) Pipedreams Archive (r. 10/29/10) BÖHM: Partita, Freu dich sehr, o meine Seele – ing artist. Newman brought an individual approach to CRAIG PHILLIPS: Scenes from a Gallery (premiere) Christiaan Teeuwsen (1999 Reil/Bovenkerk, Kampen, tempos, articulation, embellishment, and repertoire, –Annie Chalex, violin; Brad Garner, flute; Craig Netherlands) Naxos 8.555857 SPREAD THE WORD • PROMOTE THE SHOW • SUPPORT PUBLIC RADIO Pipedreams® is American Public Media’s weekly program dedicated to the artistry of the pipe APOBA is a proud supporter organ. Host Michael Barone’s celebration of the “king of instruments” is heard on stations of Pipedreams® nationwide and worldwide via pipedreams.org. Go online to locate a broadcast station near you. www.apoba.com.
Recommended publications
  • Submitted to the Faculty of the Jacobs School of Music in Partial Fulfillment of the Requirements for the Degree, Doctor of Music, Indiana University December, 2015
    A HANDBOOK FOR INTRODUCING UNDERGRADUATES TO THE ORGAN AND ITS LITERATURE BY PATRICK EUGENE POPE Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music, Indiana University December, 2015 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. ___________________________________ Katherine Strand, Research Director __________________________________ Christopher Young, Chairperson __________________________________ Mary Ann Hart __________________________________ Marilyn Keiser September 17, 2015 ii Copyright © 2015 Patrick E. Pope iii ACKNOWLEDGEMENTS The writer wishes to acknowledge his organ teachers and professors, whose instruction led to a discerned need for this handbook and its creation: Donnie Beddingfield (1994-1998); William Bates (1998-2002); Marilyn Keiser (2002-2004); Todd Wilson (2008- 2009); and Christopher Young (2009-present). Their love and passion for teaching, performing, and researching has kindled the writer’s interest in the organ, its music, and its literature. The writer is a better musician because of their wisdom and encouragement. The writer wishes to thank the Reverend Kevin Brown, rector, and the parish of Holy Comforter Episcopal Church, Charlotte, North Carolina for their encouragement during the final stages of the doctoral degree. The writer wishes to thank the members of his doctoral research committee and other faculty for their guidance and professional support: Katherine Strand, research director; Christopher Young, chairperson; Janette Fishell; Marilyn Keiser; Mary Ann Hart; and Bruce Neswick. In particular, the writer is grateful to Professor Young for his insightful and energizing classroom teaching in a four-semester organ literature survey at Indiana University, in which the writer was privileged to take part during master’s and doctoral coursework.
    [Show full text]
  • Bärenreiter Organ Music
    >|NAJNAEPAN KNC=JIQOE? .,-.+.,-/ 1 CONTENTS Organ Music Solo Voice and Organ ...............30 Index by Collections and Series ...........4–13 Books............................................... 31 Edition Numbers ....................... 34 Composers ....................................14 Contemporary Music Index by Jazz .............................................. 29 A Selection ..............................32 Composers / Collections .........35 Transcriptions for Organ .........29 Photo: Edition Paavo Blåfi eld ABBREVIATIONS AND KEY TO FIGURES Ed. Editor Contents Ger German text Review Eng English text Content valid as of May 2012. Bärenreiter-Verlag Fr French text Errors excepted and delivery terms Karl Vötterle GmbH & Co. KG Lat Latin text subject to change without notice. International Department BA Bärenreiter Edition P.O. Box 10 03 29 H Bärenreiter Praha Cover design with a photograph D-34003 Kassel · Germany SM Süddeutscher Musikverlag by Edition Paavo Blåfi eld. Series E-Mail: paavo@blofi eld.de www.baerenreiter.com a.o. and others www.blofi eld.de E-Mail: [email protected] Printed in Germany 3/1206/10 · SPA 238 2 Discover Bärenreiter … www.baerenreiter.com Improved Functionality Simple navigation enables quick orientation Clear presentation Improved Search Facility Comprehensive product information User-friendly searches by means of keywords Product recommendations Focus A new area where current themes are presented in detail … the new website3 ORGAN Collections and Series Enjoy the Organ Ave Maria, gratia plena Ave-Maria settings The new series of easily playable pieces for solo voice and organ (Lat) BA 8250 page 30 Enjoy the Organ I contains a collection of stylistically varied Bärenreiter Organ Albums pieces for amateur organists Collections of organ pieces which are equally suitable for page 6-7 use in church services and in concerts.
    [Show full text]
  • Dissertation Body
    Summary of Three Dissertation Recitals by Leo R. Singer A dissertation submitted in partial fulfillment Of the requirements for the degree of Doctor of Musical Arts (Music Performance) in the University of Michigan 2020 Doctoral Committee: Professor Richard Aaron, Chair Professor Colleen Conway Assistant Professor Joseph Gascho Professor Andrew Jennings Professor James Joyce Leo R. Singer [email protected] ORCID iD: 0000-0002-2741-1104 © Leo R. Singer 2020 ACKNOWLEDGMENTS This dissertation was made possible by the incredible faculty at the University of Michigan. Each course presented new information and ways of thinking, which in turn inspired the programming and performing choices for these three dissertation recitals. I would like to thank all the collaborators who worked tirelessly to make these performances special. I also must express my sincere and utmost gratitude to Professor Richard Aaron for his years of guidance, mentorship and inspiration. Lastly, I would like to thank my parents, Scott and Rochelle, my sister, Julie, the rest of my family, and all of my friends for their unwavering support throughout the many ups and downs during my years of education. !ii TABLE OF CONTENTS ACKNOWLEDGMENTS ii ABSTRACT iv RECITALS I. MUSIC FROM FRANCE 1 RECITAL 1 PROGRAM 1 RECITAL 1 PROGRAM NOTES 2 BIBLIOGRAPHY 8 II. MUSIC FROM GERMANY AND AUSTRIA 10 RECITAL 2 PROGRAM 10 RECITAL 2 PROGRAM NOTES 12 BIBLIOGRAPHY 26 III. MUSIC FROM AMERICA 28 RECITAL 3 PROGRAM 28 RECITAL 3 PROGRAM NOTES 29 BIBLIOGRAPHY 37 !iii ABSTRACT In each of the three dissertation cello recitals, music from a different nation is featured. The first is music from France, the second from Germany and Austria, and the third from America.
    [Show full text]
  • Louis Vierne's Pièces De Fantaisie, Opp. 51, 53, 54, and 55
    LOUIS VIERNE’S PIÈCES DE FANTAISIE, OPP. 51, 53, 54, AND 55: INFLUENCE FROM CLAUDE DEBUSSY AND STANDARD NINETEENTH-CENTURY PRACTICES Hyun Kyung Lee, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2016 APPROVED: Jesse Eschbach, Major Professor Charles Brown, Related Field Professor Steve Harlos, Committee Member Justin Lavacek, Committee Member Benjamin Brand, Director of Graduate Studies of the College of Music Warren Henry, Dean of the College of Music Costas Tsatsoulis, Dean of the Toulouse Graduate School Lee, Hyun Kyung. Louis Vierne’s Pièces de Fantaisie, Opp. 51, 53, 54, and 55: Influence from Claude Debussy and Standard Nineteenth-Century Practices. Doctor of Musical Arts (Performance), May 2016, 47 pp., 2 tables, 43 musical examples, references, 23 titles. The purpose of this research is to document how Claude Debussy’s compositional style was used in Louis Vierne’s organ music in the early twentieth century. In addition, this research seeks standard nineteenth-century practices in Vierne’s music. Vierne lived at the same time as Debussy, who largely influenced his music. Nevertheless, his practices were varied on the basis of Vierne’s own musical ideas and development, which were influenced by established nineteenth-century practices. This research focuses on the music of Louis Vierne’s Pièces de fantaisie, Opp. 51, 53, 54, and 55 (1926-1927). In order to examine Debussy’s practices and standard nineteenth-century practices, this project will concentrate on a stylistic analysis that demonstrates innovations in melody, harmony, and mode compared to the existing musical styles.
    [Show full text]
  • In This August, 2019 Issue the Dean's Column
    Website: http://detroitago.org/ Visit Us on Facebook In This August, 2019 Issue The Dean’s Column Members News & Events (“The List”) Chapter News & Events For Sale The Dean’s Column I really can’t believe how summer has slipped away. Hoping it’s been a good summer for everyone and an opportunity for us to re-charge the batteries for the coming fall and Advent season. In the midst of choirs starting up again, preparation for special Advent and Christmas music, don’t forget about AGO programming. Andrew Herbruck, our Sub-Dean, has been working very hard this summer to put a schedule together for the coming year. And it is packed with great events. You will not want to miss any of them. In addition to the usual events including Epiphany banquet, organ crawl, installation of officers, scholarship auditions and scholarship/membership recital, there are two exciting recitals in the fall, a lecture/recital on music of Vierne and the list goes on and on. A special thank you to Andrew for his hard work on this endeavor. Speaking of installation of officers, this evening promises to be a delightful one. Wednesday, October 23 will be our annual installation of officers and board members for the new year. The evening includes a dinner sponsored by the host church, St. Paul’s UMC in Rochester and a recital by Johan Vexo, organist at Notre Dame/Paris. You will not want to miss this evening of good fellowship, friendship, sharing stories with colleagues and beautiful music. So please, if you have not done so, mark your calendars now for October 23 and save that date.
    [Show full text]
  • WALTER GRAY Violoncello JOSEPH ADAM Piano
    X ST. JAMES CATHEDRAL X SEATTLE X 27 OCTOBER 2020 X 7:00 PM X WALTER GRAY violoncello JOSEPH ADAM piano Five Elegies for solo violoncello (1985) Bern H. Herbolsheimer Lento, un poco rubato; semplice 1948–2016 Lento, un poco rubato; appassionato Allegro; ostinato Mesto; cantabile Andante; tranquillo Sonata in F Major, op. 99 Johannes Brahms Allegro vivace 1833–1897 Adagio affettuoso Allegro passionato Allegro molto BERN HERBOLSHEIMER received recognition throughout the United States and Europe for over 500 works ranging from ballet to symphonic, operatic, chamber and choral works. His numerous major commissions and premieres included ballets for the Frankfurt Ballet, the Atlanta Ballet, the Pacific Northwest Ballet, and the Eugene Ballet. His first opera, Aria da Capo, won first prize in the National Opera Association's New Opera Com- petition. Mark Me Twain, his second opera, was commissioned and premiered in 1993 by the Nevada Opera for its Silver Anniversary season. “The opera is filled with attractive, dramatic, often eloquent music... it could become an American work of genuine significance.” His Symphony No. 1 was premiered by the Florida Symphony under conductor Kenneth Jean. Other orches- tral music was premiered by the Seattle Symphony, Northwest Symphony Orchestra, and Music Today in New York under the direction of Gerard Schwarz. His vocal and choral works have been performed in Portugal, Spain, Germany, France, Italy, Australia, South America, Canada, Norway, Russia, Hungary, Japan, and throughout the United States. According to the Seattle Weekly, who named him as Best (Classical) Composer in 2005, “no Seat- tle composer has a more assured and polished craft than Herbolsheimer.
    [Show full text]
  • Jordan Prescott, Organ
    Jordan Prescott, Organ Three Impromptus, Op. 78 Samuel Coleridge-Taylor (1875-1912) I II III Fifth Symphonie pour Orgue, Op. 47 Louis Vierne (1879-1937) IV. Larghetto Vater unser im Himmelreich, BWV 636 J.S. Bach (1685-1750) Vater unser im Himmelreich Georg Böhm (1661-1733) Vater unser im Himmelreich, BWV 682 J.S. Bach Vater unser im Himmelreich, BWV 683 J.S. Bach Prélude et Fugue en Ut, Op. 13 Jeanne Demessieux (1921-1968) Rhapsody in D-flat Major, Op. 17, No. 1 Herbert Howells (1892-1983) Improvisation sur le ‘Te Deum’ Charles Tournemire (1870-1939) Reconstructed by Maurice Duruflé (1902-198) Friday, October 9, 2020 7:30 PM This recital is offered in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. Program Notes Jordan Prescott, MM Three Impromptus, Op. 78 Samuel Coleridge-Taylor (1875-1912) Born in 1875 to an English mother and a descendant of African-American slaves, Samuel Coleridge-Taylor entered the Royal College of Music in London at age 15, where he went on to study composition with the great Sir Charles Villiers Stanford. He also found a mentor in Sir Edward Elgar who advocated for his music and secured the premiere of Coleridge-Taylor’s ‘Ballade in a minor’ at the famed Three Choirs Festival. Coleridge-Taylor found great success in the United States following his seminal cantatas on the poem Song of Hiawatha by Henry Wadsworth Longfellow. In 1904, Samuel Coleridge-Taylor made his first tour to the United States and was received at the White House by President Theodore Roosevelt, a rare honor in those days for men of African descent.
    [Show full text]
  • Composers for the Pipe Organ from the Renaissance to the 20Th Century
    Principal Composers for the Pipe Organ from the Renaissance to the 20th Century Including brief biographical and technical information, with selected references and musical examples Compiled for POPs for KIDs, the Children‘s Pipe Organ Project of the Wichita Chapter of the American Guild of Organists, by Carrol Hassman, FAGO, ChM, Internal Links to Information In this Document Arnolt Schlick César Franck Andrea & Giovanni Gabrieli Johannes Brahms Girolamo Frescobaldi Josef Rheinberger Jean Titelouze Alexandre Guilmant Jan Pieterszoon Sweelinck Charles-Marie Widor Dieterich Buxtehude Louis Vierne Johann Pachelbel Max Reger François Couperin Wilhelm Middelschulte Nicolas de Grigny Marcel Dupré George Fredrick Händel Paul Hindemith Johann Sebastian Bach Jean Langlais Louis-Nicolas Clérambault Jehan Alain John Stanley Olivier Messiaen Haydn, Mozart, & Beethoven Links to information on other 20th century composers for the organ Felix Mendelssohn Young performer links Fanny Mendelssohn Hensel Pipe Organ reference sites Camille Saint-Saëns Credits for Facts and Performances Cited Almost all details in the articles below were gleaned from Wikipedia (and some of their own listed sources). All but a very few of the musical and video examples are drawn from postings on YouTube. The section of J.S. Bach also owes credit to Corliss Arnold’s Organ Literature: a Comprehensive Survey, 3rd ed.1 However, the Italicized interpolations, and many of the texts, are my own. Feedback will be appreciated. — Carrol Hassman, FAGO, ChM, Wichita Chapter AGO Earliest History of the Organ as an Instrument See the Wikipedia article on the Pipe Organ in Antiquity: http://en.wikipedia.org/wiki/Pipe_Organ#Antiquity Earliest Notated Keyboard Music, Late Medieval Period Like early music for the lute, the earliest organ music is notated in Tablature, not in the musical staff notation we know today.
    [Show full text]
  • Felix-Alexandre Guilmant
    OHS members may join as many chapters as they desire. Several chapters publish excellent newsletters with significant scholarly con- tent. Chapter and Newsletter, Membership Founding Date Editor, Address (•Datejoin�d OHS) andAnnual Membership Boston Organ Club Newsletter,E. A. Alan Laufman 1965,1976• Boadway, $5 Bo11. 104, Harrirville, NH 03460 Central New York, The Coupler, $5 Culver Mowers 1976 2371 Slaterville Rd., Bo11. 130, Brookt.onclale, NY The Organ Historical Society 14817 Box26811, Richmond, Virginia23261 Chicago Midwest, TheStopt Diapason, Julie Stephens 1980 SueanR.Friesen, $12 620 W. 47th St., Western (804)353-9226 Springe, IL 60668 OHS 0r,an Archive at Westminster Choir Collete, EasternIowa, 1982 Newsletter, AugustKnoll Princeton, New Jersey Mark Nemmers, $7 .5 0 Boir.486 Wheatland, IA 62777 TheNational Council GreaterNew York TheKeraulophon, Alan Laufman (as Officers and Councillors (all terms expire 1989) City, 1969 John Ogasapian,$5 above) William C.Aylesworth ............................... President Greater St . .uiuis, The Cypher, Eliza- John D. Phillippe 3230Harriaon, Evanst.on, IL60201 1975 beth Schmitt, $5 4336 DuPage Dr. Kristin Gronning Farmer ........................ Vice President Bridget.on, MO 63044 3060 Fraternity ChurchRd., Winet.on-Salem, NC 27107 Hilbus (Washington- Where the Tracker Peter Ziegler Michael D. Friesen .................................. Secretary Baltimore), 1970 Action Is, Carolyn 14300 Medwlck CL 2139 Haaeell Rd., Hoffman Eatate1, IL60196 Upper Marlboro, MD Fix, $4 20772 David M. Barnett ...................................TreaBUrer 423 N. Stafford Ave., Richmond, VA 23220 Mid-Hudson(New The Whistlebox, June Marvel Crown Hill Rd. James J.Hammann .........Councillor for Finance & Development York), 1978 Robert Guenther, $5 1787 Univenlity, Lincoln Park, MI 48146 Wapplngen Fall■, NY 12690 Timothy E. Smith .............
    [Show full text]
  • WARD, ADAM MICAH, D.M.A. from Imagination to Improvisation to Realization: a Study of Pieces by Four Organists. (2009) Directed by Dr
    WARD, ADAM MICAH, D.M.A. From Imagination to Improvisation to Realization: A Study of Pieces by Four Organists. (2009) Directed by Dr. William P. Carroll and Dr. Joseph A. Dipiazza. 24pp. The purpose of this research was to examine a representative portion of organ repertoire that was initially improvised and later written or transcribed for organists to study and perform. The pieces examined were Johann Sebastian Bach’s “Fantasia and Fugue in G minor” (BWV 542), Louis Vierne’s Trois Improvisations pour Grand Orgue, Gerre Hancock’s “Fantasy on ‘St. Denio’” and Charles Tournemire’s Improvisation sur le “Te Deum” from his Cinq Improvisations. Each piece was examined for its value as having been improvised before it was published. In the case of the Bach and the Hancock, the pieces were improvised and later written by the composer. In the case of Tournemire and Vierne, the pieces were “reconstituted” by Maurice Duruflé from recordings made by the organists themselves. Representative information about each composer or improvisateur was collected and studied with reference to their philosophies regarding improvisation and this was used to analyze the pieces themselves. The final outcome of this research was a lecture recital of each of the pieces using the research as a way of informing the performance. The recital included information about the way each improvisateur constructed their improvisations and about how each improvisation came to be put in print. FROM IMAGINATION TO IMPROVISATION TO REALIZATION A STUDY OF PIECES BY FOUR ORGANISTS by Adam Micah Ward A Dissertation Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Greensboro 2009 Approved by ____________________________________ Committee Co-Chair ____________________________________ Committee Co-Chair APPROVAL PAGE This dissertation has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro.
    [Show full text]
  • Presidents' Day Conference French Music in America
    Presidents’ Day Conference French Music in America – Monday 15, 2021 – Watch the Conference on our Facebook page by clicking here. Watch the Conference on YouTube by clicking here. Conference Schedule The 2021 Conference will be held only virtually. The Conference may be viewed via our NYCAGO Facebook Page or YouTube Channel. Each of the three main sessions will last no longer than one hour. There is no registration for any event; simply click and view. They will be archived on our YouTube Channel for later viewing. Monday, February 15th 3 PM – Panel Discussion: The French Influence in Contemporary Organ Building, Composition, and Performance with Didier Grassin, President of Noack Organ Company Rachel Laurin, prolific composer and concert organist, devoted to composition, recitals, master-classes, and lectures Stephen Tharp, internationally acclaimed concert organist, recording artist, and Artist-in-Residence of Saint James Episcopal Church on Madison Avenue James Kennerley, Chapter Dean, will serve as moderator. 5 PM – Lecture-Recital: Performing French Classical Organ Repertoire Today by Dr. Andrew Henderson Director of Music and Organist at Madison Avenue Presbyterian Church, Chair of the Organ Department at the Manhattan School of Music, and Associate Organist of Temple Emanu-El, Dr. Henderson will examine how to artfully and idiomatically register and perform music of the French Classical tradition on the modern North American organ. Music of Boyvin, Clerambault, Couperin, and de Grigny. 6:30 PM – Zoom Social for NYCAGO Members An opportunity for fellowship and discussion before the evening recital. No preregistration is required. Simply click here for the Zoom link or email James Wetzel to be sent the link directly.
    [Show full text]
  • Some Aspects of the French Organ Symphony, Culminating in the Symphonie-Passion of Marcel Dupre, Together with Three Recitals Of
    AIO.' SOME ASPECTS OF THE FRENCH ORGAN SYMPHONY, CULMINATING IN THE SYMPHONIE-PASSION OF MARCEL DUPRE, TOGETHER WITH THREE RECITALS OF SELECTED WORKS OF D. BUXTEHUDE, J. S. BACH, N. DELLO JOIO, P. HINDEMITH, S. KARG-ELERT, J. LANGLAIS, W. LATHAM, F. LISZT, N. LOCKWOOD, F. MARTIN, D. PINKHAM, L. SOWERBY, AND L. VIERNE DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts By Patricia June Kean, B. M., M. M. Denton, Texas August, 1973 1973 PATRICIA JUNE F'ORMAN KEAN ALL RIGHTS RESERVED Kean, Patricia June, Some Aspects of the French Organ Symphony, Culminating in the Symphonie-Passion of Marcel Dupre, Together With Three Recitals of Selected Works of D. Buxtehude, J. S. Bach, N. Dello Joio, P. Hindemith, S. Karg-Elert, J. Langlais, W. Latham, F. List, N. Lockwood, F. Martin, D. Pinkham, L. Sowerby, and L. Vierne. Doctor of Musical Arts (Organ Performance), August, 1973, pp. 31, bibliography, 33 titles. The lecture recital was given July 10, 1973. The Symphonie-Passion by Marcel Dupre was performed following a lecture on various factors that influenced the development of the organ symphony in France. In addition to the lecture recital, three other public recitals were performed, including solo compositions for the organ and three chamber works for organ and instruments. The first solo recital, including works of J. S. Bach, P. Hindemith, L. Sowerby, and L. Vierne, was performed on June 4, 1969. On April 17, 1970 the second solo recital was performed.
    [Show full text]