The Zagreb Earthquake of 22 March 2020 a Remote Study by the Lfe UK Team for EEFIT
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Framing Croatia's Politics of Memory and Identity
Workshop: War and Identity in the Balkans and the Middle East WORKING PAPER WORKSHOP: War and Identity in the Balkans and the Middle East WORKING PAPER Author: Taylor A. McConnell, School of Social and Political Science, University of Edinburgh Title: “KRVatska”, “Branitelji”, “Žrtve”: (Re-)framing Croatia’s politics of memory and identity Date: 3 April 2018 Workshop: War and Identity in the Balkans and the Middle East WORKING PAPER “KRVatska”, “Branitelji”, “Žrtve”: (Re-)framing Croatia’s politics of memory and identity Taylor McConnell, School of Social and Political Science, University of Edinburgh Web: taylormcconnell.com | Twitter: @TMcConnell_SSPS | E-mail: [email protected] Abstract This paper explores the development of Croatian memory politics and the construction of a new Croatian identity in the aftermath of the 1990s war for independence. Using the public “face” of memory – monuments, museums and commemorations – I contend that Croatia’s narrative of self and self- sacrifice (hence “KRVatska” – a portmanteau of “blood/krv” and “Croatia/Hrvatska”) is divided between praising “defenders”/“branitelji”, selectively remembering its victims/“žrtve”, and silencing the Serb minority. While this divide is partially dependent on geography and the various ways the Croatian War for Independence came to an end in Dalmatia and Slavonia, the “defender” narrative remains preeminent. As well, I discuss the division of Croatian civil society, particularly between veterans’ associations and regional minority bodies, which continues to disrupt amicable relations among the Yugoslav successor states and places Croatia in a generally undesired but unshakable space between “Europe” and the Balkans. 1 Workshop: War and Identity in the Balkans and the Middle East WORKING PAPER Table of Contents Abstract ................................................................................................................................................................... -
Vladimir-Peter-Goss-The-Beginnings
Vladimir Peter Goss THE BEGINNINGS OF CROATIAN ART Published by Ibis grafika d.o.o. IV. Ravnice 25 Zagreb, Croatia Editor Krešimir Krnic This electronic edition is published in October 2020. This is PDF rendering of epub edition of the same book. ISBN 978-953-7997-97-7 VLADIMIR PETER GOSS THE BEGINNINGS OF CROATIAN ART Zagreb 2020 Contents Author’s Preface ........................................................................................V What is “Croatia”? Space, spirit, nature, culture ....................................1 Rome in Illyricum – the first historical “Pre-Croatian” landscape ...11 Creativity in Croatian Space ..................................................................35 Branimir’s Croatia ...................................................................................75 Zvonimir’s Croatia .................................................................................137 Interlude of the 12th c. and the Croatia of Herceg Koloman ............165 Et in Arcadia Ego ...................................................................................231 The catastrophe of Turkish conquest ..................................................263 Croatia Rediviva ....................................................................................269 Forest City ..............................................................................................277 Literature ................................................................................................303 List of Illustrations ................................................................................324 -
Zagreb Winter 2016/2017
Maps Events Restaurants Cafés Nightlife Sightseeing Shopping Hotels Zagreb Winter 2016/2017 Trešnjevka Where wild cherries once grew Go Gourmet A Croatian feast Shopping Cheat Sheet Find your unique item N°86 - complimentary copy zagreb.inyourpocket.com Festive December Contents in Ljubljana ESSENTIAL CITY G UIDES Foreword 4 Sightseeing 46 A word of welcome Snap, camera, action Arrival & Getting Around 6 Zagreb Pulse 53 We unravel the A to Z of travel City people, city trends Zagreb Basics 12 Shopping 55 All the things you need to know about Zagreb Ready for a shopping spree Trešnjevka 13 Hotels 61 A city district with buzz The true meaning of “Do not disturb” Culture & Events 16 List of Small Features Let’s fill up that social calendar of yours Advent in Zagreb 24 Foodie’s Guide 34 Go Gourmet 26 Festive Lights Switch-on Event City Centre Shopping 59 Ćevap or tofu!? Both! 25. Nov. at 17:15 / Prešernov trg Winter’s Hot Shopping List 60 Restaurants 35 Maps & Index Festive Fair Breakfast, lunch or dinner? You pick... from 25. Nov. / Breg, Cankarjevo nabrežje, Prešernov in Kongresni trg Street Register 63 Coffee & Cakes 41 Transport Map 63 What a pleasure City Centre Map 64-65 St. Nicholas Procession City Map 66 5. Dec. at 17:00 / Krekov trg, Mestni trg, Prešernov trg Nightlife 43 Bop ‘till you drop Street Theatre 16. - 20. Dec. at 19:00 / Park Zvezda Traditional Christmas Concert 24. Dec. at 17:00 / in front of the Town Hall Grandpa Frost Proccesions 26. - 30. Dec. at 17:00 / Old Town New Year’s Eve Celebrations for Children 31. -
Report on Zagreb Museums
REPORT ZAGREB MUSEUMS SUFFER HEAVY DAMAGES IN THE RECENT EARTHQUAKE THAT HIT THE CITY DURING THE COVID-19 PANDEMIC RESTRICTIONS When disasters strike, we are always reminded how emergency preparedness is a crucial procedure that every institution has to take care about. We are also reminded how vulnerable we are and how fragile our heritage is. Only a month ago the international conference on risk management held in Dubrovnik and organised by the Ministry of Culture within the Croatian EU presidency showed numerous threats, including those for museums, that have to be addressed by authorities and experts showed what should be done to reduce existing risks. However, when a real thing occurs, we can testify how poorly we are prepared. All the weaknesses became obvious and we can clearly see what the biggest challenges are and what a long-lasting neglect to invest in prevention can do. A strong 5.5 magnitude earthquake hit Zagreb at 6.24 on Sunday, March 22nd 2020. Luckily the streets of Croatia’s capital were empty and all institutions closed thus human casualties were avoided except a 15-year old girl who died from severe injuries caused by falling objects. Only a few seconds transformed the historic centre of Zagreb. Fallen facades and chimneys, damaged roofs, crashed vehicles that were parked on the streets were piling on a demolished property-lists. The town centre, which is home to many Croatian museums, was hit in the worst way. Buildings with poor construction could not resist the earthquake in spite that the magnitude was not the highest. -
The Ban's Mana
Cultural Studies ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/rcus20 The Ban’s mana: post-imperial affect and public memory in Zagreb Jeremy F. Walton To cite this article: Jeremy F. Walton (2020): The Ban’s mana: post-imperial affect and public memory in Zagreb, Cultural Studies, DOI: 10.1080/09502386.2020.1780285 To link to this article: https://doi.org/10.1080/09502386.2020.1780285 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 16 Jun 2020. Submit your article to this journal Article views: 134 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcus20 CULTURAL STUDIES https://doi.org/10.1080/09502386.2020.1780285 The Ban’s mana: post-imperial affect and public memory in Zagreb Jeremy F. Walton Max Planck Institute for the Study of Religious and Ethnic Diversity, Göttingen, Germany ABSTRACT How might scholars of public memory approach the protean relationship among imperial legacies, nationalized collective memories and urban space from an ‘off-center’ perspective? In this essay, I pursue this question in relation to a monument whose political biography traverses, and troubles, the distinction between imperial and national times, sentiments, and polities. The statue in question is that of Ban Josip Jelačić, a nineteenth Century figure who was both a loyal servant of the Habsburg Empire and a personification of nascent Croatian and South Slavic national aspirations. Jelačić’s monument was erected in Zagreb’s central square in 1866, only seven years following his death; in the heady political context of the Dual Monarchy, his apotheosis as a figure of regional rebellion caused consternation on the part of the Hungarian authorities. -
2020 Content
Annual report 2020 CONTENT FINANCIAL HIGHLIGHTS OPERATIONAL STATISTICS INTRODUCTION LETTER TO SHAREHOLDERS CORPORATE PROFILE INVESTOR INFORMATION MANAGEMENT BOARD SUPERVISORY BOARD CORPORATE GOVERNANCE CODE COMPLIANCE STATEMENT SUPERVISORY BOARD REPORT ECONOMIC ENVIRONMENT ECONOMIC BACKGROUND CROATIAN MARKET OVERVIEW REGULATORY OVERVIEW CHANGES IN REPORTING BUSINESS REVIEW SUMMARY OF KEY FINANCIAL INDICATORS – HT GROUP (INCLUDING CRNOGORSKI TELEKOM) SUMMARY OF KEY FINANCIAL INDICATORS – HT GROUP IN CROATIA SUMMARY OF KEY FINANCIAL INDICATORS – CRNOGORSKI TELEKOM STANDALONE OVERVIEW OF SEGMENT PROFITABILITY HT INC. FINANCIAL HIGHLIGHTS CORPORATE SOCIAL RESPONSIBILITY HT GROUP FINANCIAL STATEMENTS CONSOLIDATED INCOME STATEMENT CONSOLIDATED BALANCE SHEET CONSOLIDATED CASH FLOW STATEMENT CONSOLIDATED FINANCIAL STATEMENTS INDEPENDENT AUDITOR’S REPORT RESPONSIBILITY FOR THE CONSOLIDATED FINANCIAL STATEMENTS CONSOLIDATED STATEMENT OF COMPREHENSIVE INCOME CONSOLIDATED STATEMENT OF FINANCIAL POSITION CONSOLIDATED STATEMENT OF CASH FLOWS CONSOLIDATED STATEMENT OF CHANGES IN EQUITY NOTES TO THE CONSOLIDATED FINANCIAL STATEMENTS 3 FINANCIAL HIGHLIGHTS Income statement in HRK million 2019 2020 % of change Q4 2019 Q4 2020 % of change BALANCE SHEET At 31 Dec At 31 Dec % of change At 31 Dec At 31 Dec % of change A20/A19 A20/A19 2019 2020 A20/A19 2019 2020 A20/A19 Total non current assets 10.447 10.415 -0,3% 10.447 10.415 -0,3% Revenue 7.704 7.458 -3,2% 1.992 1.966 -1,3% Assets classified as held for sale 68 2 -97,1% 68 2 -97,1% Mobile 3.464 3.325 -4,0% -
University of Zagreb Faculty of Veterinary Medicine
UNIVERSITY OF ZAGREB FACULTY OF VETERINARY MEDICINE DETAILED PROPOSAL OF THE STUDY PROGRAMME VETERINARY MEDICINE IN ENGLISH FOR THE 2019-2020 ACADEMIC YEAR TABLE OF CONTENTS GENERAL INFORMATION ABOUT UNIVERSITY OF ZAGREB ......................................................................3 GENERAL FACTS ON FACULTY OF VETERINARY MEDICINE – ZAGREB ......................................................4 GENERAL INFORMATION ABOUT THE PROPOSED STUDY PROGRAM .....................................................6 COURSE CATALOGUE – OBLIGATORY AND ELECTIVE COURSE LIST .......... Error! Bookmark not defined. REGISTRATION AND EXAMINATION REQUIREMENTS SCHEME ................ Error! Bookmark not defined. LIST OF OBLIGATORY SUBJECTS - 1st STUDY YEAR ................................................................................. 19 LIST OF OBLIGATORY SUBJECTS - 2nd STUDY YEAR ................................................................................ 77 LIST OF OBLIGATORY SUBJECTS – 3rd STUDY YEAR .................................... Error! Bookmark not defined. LIST OF ELECTIVE SUBJECTS ................................................................................................................. 222 USEFUL INFORMATION FOR STUDENTS .................................................... Error! Bookmark not defined. GENERAL INFORMATION ABOUT UNIVERSITY OF ZAGREB UNIVERSITY OF ZAGREB Address: University of Zagreb Trg Republike Hrvatske 14, Zagreb Phone: +385 1 4564111 e-mail: [email protected] The University of Zagreb (Universitas Studiorum -
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4 Contemporary accounts of Croatian national identity According to Benedict Anderson , ‘communities are to be distinguished, not by their falsity/genuineness, but by the style in which they are imagined’.1 This chapter investigates how the Croatian nation was imagined in the 1990s. It focuses on four sets of accounts that attempted to provide contemporary resonance to the abstract frames of national identity discussed in the previous chapter. These accounts attempted to either interpret what it meant to be Croatian in order to secure support for a political programme, or – as in the case of the dissident intellectuals – to challenge such accounts. However, they all attempted to give resonance to abstract ideas in the contemporary context. After a discussion of the so-called ‘Franjoist’ narrative offered by President Franjo Tuœman and his party, I will discuss alternative conceptions of identity that were articulated by opposition parties, dissident intellectuals and the Croatian diaspora. I argue that each of these ‘political entrepreneurs’ drew upon, and offered interpretations of, the historical statehood thesis in order to legitimise their programmes or to challenge the manifestos of others. The abstract frames discussed in the previous chapter therefore presented common frames of reference with which to seek legitimacy for political practices or to use to question that legitimacy. One of the central themes of this chapter is that different accounts of national identity (which draw upon a common stock of narrative or makes use of similar ‘frames’) inform political discourse and compete with each other. As Michael Billig argued: Different factions, whether classes, religions, genders or ethnicities, always struggle for the power to speak for the nation, and to present their particular voice as the voice of the national whole, defining the history of other sub-sections accordingly. -
The Zagreb (Croatia) M5.5 Earthquake on 22 March 2020
The Zagreb (Croatia) M5.5 Earthquake on 22 March 2020 Markušić, Snježana; Stanko, Davor; Korbar, Tvrtko; Belić, Nikola; Penava, Davorin; Kordić, Branko Source / Izvornik: Geosciences, 2020, 10, - - - Journal article, Published version Rad u časopisu, Objavljena verzija rada (izdavačev PDF) https://doi.org/10.3390/geosciences10070252 Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:245:886928 Rights / Prava: Attribution 4.0 International Download date / Datum preuzimanja: 2020-10-20 Repository / Repozitorij: Repository of the Croatian Geological Survey geosciences Article The Zagreb (Croatia) M5.5 Earthquake on 22 March 2020 Snježana Markuši´c 1,* , Davor Stanko 2 , Tvrtko Korbar 3 , Nikola Beli´c 3, Davorin Penava 4 and Branko Kordi´c 3 1 Department of Geophysics, Faculty of Science, University of Zagreb, 10000 Zagreb, Croatia 2 Faculty of Geotechnical Engineering, University of Zagreb, 42000 Varaždin, Croatia; [email protected] 3 Department of Geology, Croatian Geological Survey, 10000 Zagreb, Croatia; [email protected] (T.K.); [email protected] (N.B.); [email protected] (B.K.) 4 Faculty of Civil Engineering and Architecture Osijek, Josip Juraj Strossmayer University of Osijek, 31000 Osijek, Croatia; [email protected] * Correspondence: [email protected]; Tel.: +385-1-460-5913 Received: 4 May 2020; Accepted: 28 June 2020; Published: 1 July 2020 Abstract: On 22 March 2020, Zagreb was struck by an M5.5 earthquake that had been expected for more than 100 years and revealed all the failures in the construction of residential buildings in the Croatian capital, especially those built in the first half of the 20th century. Because of that, extensive seismological, geological, geodetic and structural engineering surveys were conducted immediately after the main shock. -
Baroque in Croatia. Presentation of Baroque Culture in Croatia in the Socialist Period
Baroque in Croatia. Presentation of baroque culture in Croatia in the socialist period Dubravka Botica Introduction In the Croatian art historiography of the Cold-War period, Baroque art stands out as a particular subject of interest. Defined in simplified terms as the art of Counter- Reformation and of Absolute Monarchy, that is to say the art of the Church and the nobility, Baroque art posed a stark contrast to the dominant ideology of communism, with its emphasis on the culture of the peasantry and the workers. One might expect that for art historians this was not likely to offer the best possible conditions for researching local Baroque heritage. However, no comprehensive account of art historiography in Croatia in the twentieth century has yet been written – nor has the subject even attracted much interest among the research community as yet. Over the past decade a growing number of texts have appeared dealing with the beginnings of art history on Croatian territory1 or with a number of individual influential scholars who have blazed the trail in promoting art history as a professional practice in the first half of the twentieth century.2 However, the development of academic discourse in the post-war period on art history has only been touched upon in passing by researchers concentrating on broader topics, such as the analysis of culture and art of particular historical periods.3 Therefore, due to the lack of any comprehensive overview of the development of academic discourse on the subject in Croatia, the interpretation of Baroque art in the Croatian art historiography of the second half of the twentieth century remains fragmentary. -
The Role of Presidents in Croatia and Serbia, 1990-2015
The Role of Presidents in Croatia and Serbia, 1990-2015 By: Mislav Ilija Vulić Submitted to Central European University Department of Political Science In partial fulfillment of the requirements for the degree of Master of Arts Supervisor: Zsolt Enyedi CEU eTD Collection Budapest, Hungary (2015) Abstract Both Croatia and Serbia introduced a semi-presidential system of government in 1990. In Croatia this choice was motivated by a need to have a decisive and efficient decision- making institution in light of the upcoming instability and war. In Serbia introduction of semi- presidentialism was motivated primarily by the need of Slobodan Milošević to be legitimized as a national leader. Croatian semi-presidentialism in 1990s was of a presidential- parliamentary subtype because the President had autonomous power to appoint and dismiss the Government. Serbian semi-presidentialism was of a premier-presidential subtype because the Government was accountable solely to the Assembly. In both countries tendencies towards authoritarianism emerged. The death of Franjo Tuđman and the resignation of Slobodan Milošević ended the authoritarian rule but the two countries diverged in how they dealt with the institutional framework of semi-presidentialism. In Croatia the Constitution was amended immediately after the change of government. In Serbia it remains the same even today with only minor alterations. The present system of government in Croatia can be characterized as parliamentary while system of government in Serbia can be characterized as semi-presidential. The key difference does not emerge from constitutional powers but from the fact that Croatian President is forbidden to be a member of the political party or its president, while in Serbia this possibility exists, and can be used to position the President as a central figure in the political system. -
Current Situation in Croatia
105th CONGRESS Printed for the use of the 1st Session Commission on Security and Cooperation in Europe Current Situation in Croatia March 21, 1997 Briefing of the Commission on Security and Cooperation in Europe ABOUT THE ORGANIZATION (OSCE) The Conference on Security and Cooperation in Europe, also known as the Helsinki process, traces its origin to the signing of the Helsinki Final Act in Finland on August 1, 1975, by the leaders of 33 European countries, the United States and Canada. Since then, its membership has expanded to 55, reflecting the breakup of the Soviet Union, Czechoslova- kia, and Yugoslavia. (The Federal Republic of Yugoslavia, Serbia and Montenegro, has been suspended since 1992, leaving the number of countries fully participating at 54.) As of Janu- ary 1, 1995, the formal name of the Helsinki process was changed to the Organization for Security and Cooperation in Europe (OSCE). The OSCE is engaged in standard setting in fields including military security, economic and environmental cooperation, and human rights and humanitarian concerns. In addition, it undertakes a variety of preventive diplomacy initiatives designed to prevent, manage and resolve conflict within and among the participating States. The OSCE has its main office in Vienna, Austria, where weekly meetings of permanent representatives are held. In addition, specialized seminars and meetings are convened in various locations and periodic consultations among Senior Officials, Ministers and Heads of State or Government are held. ABOUT THE COMMISSION (CSCE) The Commission on Security and Cooperation in Europe (CSCE), also known as the Helsinki Commission, is a U.S. Government agency created in 1976 to monitor and encour- age compliance with the agreements of the OSCE.