DOCSLIB.ORG

Joseph Logan Publication Design As of July 9, 2013 Forthcoming: Ad

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Joseph Logan Publication Design As of July 9, 2013 Forthcoming: Ad Joseph Logan Publication Design as of July 9, 2013 Forthcoming: Ad Reinhardt: Art Cartoons (exhibition catalogue). David Zwirner, New York Anne Truitt: Threshold (exhibition catalogue). Matthew Marks Gallery, New York. Amy Sillman: one lump or two (exhibition catalogue). The Institute of Contemporary Art, Boston. The Artist’s House: From Workplace to Artwork by Kirsy Bell. Berlin: Sternberg Press. Dries Van Noten (exhibition catalogue). Les Arts Décoratifs, Paris Jordan Wolfson (exhibition catalogue). REDCAT, Los Angeles. Ryan Sullivan: The Hedra Workshop (exhibition catalogue). Sadie Coles, London. Sigmar Polke (exhibition catalogue). Museum of Modern Art, New York. Taryn Simon: Birds of the West Indies. Ostfildern: Hatje Cantz Verlag. Taryn Simon: The Picture Collection. Paris: Cahiers d’Art. Zoe Leonard (to be titled). New York: Dancing Foxes. 2013 Artists for Artists: Fifty Years of the Foundation for Contemporary Arts. New York: D.A.P./Distributed Art Publishers, Inc. Carol Bove: Manuals 2010. New York: The Leopard Press. Claes Oldenburg Writing on the Side 1956–1969. Museum of Modern Art, New York. Elizabeth Peyton: Here She Comes Now (exhibition catalogue). Staatliche Kunsthalle Baden-Baden. Ellsworth Kelly: Chatham Series (exhibition catalogue). Museum of Modern Art, New York. Ellsworth Kelly at Ninety (exhibition catalogue). Matthew Marks Gallery, New York. Glenn Ligon: Neon. Luhring Augustine, New York. Martial Raysse (exhibition catalogue). Luxembourg & Dayan, New York. Meredyth Sparks: Windows and Screens (exhibition catalogue). Arts Club of Chicago. Sam Lewitt: Fluid Employment. Miguel Abreu Gallery, New York. 2012 Anne Collier (exhibition catalogue). Anton Kern Gallery, New York. Claes Oldenburg: The Sixties (exhibition catalogue). MUMOK 2012. Munich: DelMonico Books, Prestel. Elizabeth Peyton (exhibition catalogue). Regen Projects II, Los Angeles. Ellsworth Kelly Los Angeles (exhibition catalogue). Matthew Marks Gallery, Los Angeles. Interiors. Johanna Burton, Lynne Cooke, and Josiah McElheny, eds. Center for Curatorial Studies, Bard College. Berlin: Sternberg Press. Jasper Johns: Numbers, 0–9 and Postcards (exhibition catalogue). Matthew Marks Gallery, Los Angeles. Terry Winters: Cricket Music, Tessellation & Notebook (exhibition catalogue). Matthew Marks Gallery, New York. Wade Guyton OS (exhibition catalogue). Scott Rothkopf, ed. Whitney Museum of American Art, New York. Whitney Biennial 2012 (exhibition catalogue). Elizabeth Susssman and Jay Sanders, eds. Whitney Museum of American Art, New York. New Haven: Yale University Press. 2011 Elad Lassry (exhibition catalogue). Luhring Augustine, New York. Ellsworth Kelly: Plant Drawings (exhibition catalogue). Staatliche Graphische Sammlung, Pinakothek der Moderne (Munich), Louisiana Museum, Humblebaek (Denmark), The Metropolitan Museum of Art (New York). Munich: Schirmer/Mosel. Ghost: Elizabeth Peyton (exhibition catalogue). Mildred Lane Kemper Art Museum, St. Louis and Opelvillen, Russelsheim. Ostfildern: Hatke Cantz Verlag) How Soon is Now? (exhibition catalogue). Tim Griffin, ed. Luma Foundation. New York: D.A.P./Distributed Art Publishers, Inc. James Castle: Show and Store. Museo Nacional Centro de Arte Reina Sofia, Madrid. New York: D.A.P./Distributed Art Publishers, Inc. Jasper Johns: New Sculpture and Works on Paper. Matthew Marks Gallery, New York. Lightning People by Christopher Bollen. Berkeley: Soft Skull Press. Taryn Simon: A Living Man Declared Dead and Other Chapters (exhibition catalogue). Nationalgalerie, Staatliche Museen zu Berlin. London: MACK. Wade Guyton Zeichnungen fur ein kleins Zimmer Grafisches Kabinett-Secession, Wien 27.Mai - 21.August 2011 (exhibition catalogue). New York: D.A.P./ Distributed Art Publishers, Inc. 2010 At Home/Not At Home: Works from the Collection of Martin and Rebecca Eisenberg (exhibition catalogue). Matthew Higgs, ed. Hessel Museum of Art / Center for Curatorial Studies, Bard College. New York: D.A.P./ Distributed Art Publishers. Taryn Simon: Contraband (exhibition catalogue). Gagosian Gallery, New York. Gottigen: Steidl Publishers. Wade Guyton Zeichnungen fur ein grobes Bild Museum Ludwig Koln 23.April - 22.August 2010 (exhibition catalogue). Museum Ludwig Koln. New York: D.A.P./ Distributed Art Publishers, Inc. Wade Guyton: Black Paintings. Friedrick Petzel Gallery, New York. Frankfurt am Main: Portikus and Zurich: JRP | Ringier. Zoe Leonard: You See I Am Here After All (exhibition catalogue). Dia Art Foundation. New Haven: Yale University Press. 2009 Ann Craven: Shadows Moon and Abstract Lies. Frac Champagne-Ardenne, Reims. Zurich: JRP | Ringier. Jonathan Horowitz: And/Or. PS1 Contemporary Art Center, New York. Zurich: JRP | Ringier. Meredyth Sparks. Gallerie Frank Elbaz and Elizabeth Dee Gallery. Blou: Mongrafik Editions. Pop or Populus by Bettina Funcke. Berlin: Sternberg Press. Seth Price (exhibition catalogue). MAMbo (Museo d’Arte Moderna di Bologna). 2008 How to Disappear in America by Seth Price. New York: The Leopard Press. 2007 Carroll Dunham. Gladstone Gallery, New York. Guyton, Price, Smith, Walker (exhibition catalogue). Kunsthalle Zurich. Zurich: JRP | Ringier. Taryn Simon: An American Index of the Hidden and Unfamiliar (exhibition catalogue). Whitney Museum of American Art. Gottingen:Steidl. 2006 Continuous Project #8. Chatou: Cneai. Grey Flags (exhibition catalogue). SculptureCenter, New York. T.J. Wilcox: Films. Zurich: JRP | Ringier. Wade Guyton (exhibition catalogue). Lyon: La Salle de Bains. Wade Guyton: Color, Power & Style. Kunstverein in Hamburg. New York: D.A.P./ Distributed Art Publishers, Inc..
Load more

Recommended publications
  • Patel Spring 2017 GL ARH 4470 Syllabus
    Do not copy without the express written consent of the instructor. Syllabus Spring 2017 ARH 4470/ARH 5482 Contemporary Art A Discipline-Specific Global Learning Course1 Tuesday and Thursday 2-3:15pm Green Library, Room 165 Instructor: Dr. Alpesh Kantilal Patel Assistant Professor, Contemporary Art and Theory Director, MFA in Visual Arts Affiliate Faculty, Center for Women’s and Gender Studies Affiliate Faculty, African and African diaspora Program Contact information for instructor: Department of Art + Art History MM Campus, VH 235 Preferred mode of contact: [email protected] Office hours: Thursday: 12:45-1:45pm Course description: This course examines major artists, artworks, and movements after World War II; as well as broader visual culture—everything from music videos and print advertisements to propaganda and photojournalism—especially as the difference between ‘art’ and non-art increasingly becomes blurred and the objectivity of aesthetics is called into question. Movements studied include Abstract Expressionism, Pop, and Minimalism in the 1950s and 1960s; Post-Minimalism/Process Art, and Land art in the late 1960s and 1970s; Pastiche/Appropriation and rise of interest in “identity” in the 1980s; and the emergence of Post-Identity, Relational Art, Internet/New Media art, and Post- Internet art in the 1990s/post-2000 period. This course will explore the expansion of the art world beyond “Euro- America.” In particular, we will consider the shift from an emphasis on the international to transnational. We will focus not only on artistic production in the US, but also that in Europe, South and East Asia, Africa, and the Middle East.
    [Show full text]
  • Wade Guyton : Double Negative = Doppelt Negativ
    Wade Guyton : double negative = doppelt negativ Autor(en): Cotter, Suzanne / Opstelten, Bram Objekttyp: Article Zeitschrift: Parkett : the Parkett series with contemporary artists = Die Parkett- Reihe mit Gegenwartskünstlern Band (Jahr): - (2008) Heft 83: Collaborations Robert Frank, Wade Guyton, Christopher Wool PDF erstellt am: 04.10.2021 Persistenter Link: http://doi.org/10.5169/seals-680628 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Wad* Gtt)/on St/ZAAATE COTTTÄ In 2007, a work by Wade Guyton appeared, intrigu- WADE Gt/FTOH, TRAGMEiVT OE SCULPTURE THE SEZE OE ingly, in the exhibition Very Abstract and .Ftgwr«- A HOt/SE (EEACEEEFWOOD,), 2002, S«12j/0'/ tiwe at Thomas Dane Gallery in London's St.
    [Show full text]
  • Kelley Walker Biography
    P A U L A C O O P E R G A L L E R Y KELLEY WALKER Biography BORN 1969 Columbus, Georgia EDUCATION 1995 BFA, University of Tennessee, Knoxville ONE AND TWO PERSON EXHIBITIONS 2018 Kelley Walker, Capitain Petzel, Berlin, Germany (4/27—6/9/18) 2017 Kelley Walker, MAMCO, Geneva, Switzerland (5/30 – 9/10/17) Kelley Walker, Thomas Dane Gallery, London, UK (9/28—11/18/17) Kelley Walker, Le Mur Consortium, Paris, France (10/16—12/30/17) 2016 Kelley Walker: Direct Drive, Contemporary Art Museum, St. Louis, MO (9/16- 12/31/16) 2015 Kelley Walker, Galerie Gisela Capitain, Cologne, Germany (4/16 – 5/23/15) Kelley Walker, Paula Cooper Gallery, New York (3/3 – 4/18/15) 2014 Walead Beshty + Kelley Walker, Paula Cooper Gallery, New York (11/8 – 12/6/14) Kelley Walker, Paula Cooper Gallery, New York (2/22 – 3/29/14) 2013 Wade Guyton, Guyton\Walker, Kelley Walker, Kunsthaus-Bregenz, Bregenz, Austria (4/27 – 6/30/13) 2012 Dreams Without Frontiers, Manchester Art Gallery, Manchester, UK (6/29/12 – 5/1/13) Kelley Walker, Galerie Catherine Bastide, Brussels, Belgium (6/2 – 7/21/12) 2011 Untitled, 2011, Redling Fine Art, Los Angeles, CA (11/17 – 12/22/11) 2010 Kelley Walker, Thomas Dane Gallery, London, United Kingdom (10/12 – 11/13/10) Front Room: Guyton\Walker, The Baltimore Museum of Art, Baltimore, MD (9/22/10 – 1/16/11) Kelley Walker, Capitain Petzel, Berlin, Germany (6/11 – 8/28/10) Whitney on Site: New Commissions Downtown: Guyton\Walker, Whitney Museum of American Art, New York, NY (5/8 – 7/7/10) 2009 Kelley Walker, Capitain Petzel Gallery, Berlin,
    [Show full text]
  • Bortolami Gallery Through June 15Th, 2019.” Art Observed, May 30Th, 2019, Illus
    BORTOLAMI Virginia Overton (b. 1971 in Nashville, Tennessee) Lives and works in Brooklyn, New York Education 2005 University of Memphis, TN, MFA 2002 University of Memphis, TN, BFA Solo Exhibitions 2019 Água Viva, Bortolami, New York, NY Francesca Pia, Zürich, Switzerland (forthcoming) 2018 Built, Don River Valley Park, Toronto, Canada secret space, Biel, Switzerland Built, Socrates Sculpture Park, Queens, NY Virginia Overton, University of Memphis Fogelman Galleries, Memphis, TN 2017 Why?! Why Did You Take My Log?!?!, Museum of Contemporary Art, Tucson, AZ 2016 Winter Garden, Whitney Museum of American Art, New York, NY White Cube Bermondsey, London, England Sculpture Gardens, Whitney Museum of American Art, New York, NY The Aldrich Contemporary Art Museum, Ridgefield, CT 2015 White Cube, London, England 2014 Flat Rock, Museum of Contemporary Art North Miami, North Miami, FL 2013 Westfälischer Kunstverein, Munster, Germany Kunsthalle Bern, Bern, Switzerland Mitchell-Innes & Nash, New York, NY 2012 The Kitchen, New York, NY Deluxe, The Power Station, Dallas, TX 2011 Freymond-Guth, Zürich, Switzerland 2010 Untitled (Milano), N.O. Gallery, Milan, Italy Cheekwood Museum of Art, Nashville, TN True Grit, Dispatch, New York, NY 2008 Moving on South, curated by Dana Orland, White Box, New York, NY This Is Not A Ladder, Artlab at AMUM, Memphis, TN 39 WALKER STREET NEW YORK NY 10013 T 212 727 2050 BORTOLAMIGALLERY.COM BORTOLAMI 2007 Skytracker, Powerhouse, Memphis, TN Selected Group Exhibitions 2019 Downtown Painting, curated by Alex Katz, Peter
    [Show full text]
  • Biography Kelley Walker
    Biography Kelley Walker Columbus, Georgia, 1969. Lives and works in New York SOLO EXHIBITIONS 2017 None 2016 2016 - Direct Drive, Contemporary Art Museum, St. Louis, USA 2016 - Schema, Contemporary Art Museum St. Louis, St. Louis, USA 2015 2015 - Kelley Walker, Galerie Gisela Capitain, Köln, D None 2014 2014 - Kelley Walker, Paula Cooper Gallery, New York, USA 2014 - Walead Beshty + Kelley Walker, Paula Cooper Gallery, New York, USA 2013 2013 - Guyton\Walker, Kelley Walker, Wade Guyton, Kunsthaus-Bregenz, Bregenz, A 2012 2012 - Dreams Without Frontiers, Manchester Art Gallery, Manchester, UK 2012 - Kelley Walker, Galerie Catherine Bastide, Bruxelles, B 2011 2011 - Untitled, Redling Fine Art, Los Angeles, USA 2010 2010 - Whitney on Site: New Commissions Downtown, Whitney Museum of American Art, New York, USA 2010 - Kelley Walker, Capitain Petzel, Berlin, D 2010 - Kelley Walker, Tomas Dane Gallery, London, UK 2010 - Front Room: Guyton\Walker, Te Baltimore Museum of Art, Baltimore, USA 2009 2009 - Kelley Walker, Capitain Petzel, Berlin, D 2009 - Kelley Walker, Massimo De Carlo, Milano, I 2009 - Guyton/Walker, Greene Nafali, New York, USA 2009 - Guyton/Walker, Air de Paris, Paris, F 2008 2008 - Billboards: Guyton/Walker, Laxart, Los Angeles, USA 2008 - Kelley Walker, Wiels, Bruxelles, B 2008 - Kelley Walker, Paula Cooper Gallery, New York, USA 2008 - Guyton/Walker, curated by Andrea Viliani, MAMbo–Museo dʼArte Moderna di Bologna, Bologna, I 2007 2007 - Kelley Walker, Magasin - CNAC, Grenoble, F 2007 - Kelley Walker, Mario Diacono Gallery
    [Show full text]
  • “9 Art Events to Attend in New York City This Week,” Artnews, June 18, 2018
    Editors, “9 Art Events to Attend in New York City This Week,” ARTnews, June 18, 2018. MONDAY, JUNE 18 Screening: “An Evening with Frances Stark” at Museum of Modern Art This event features the New York debut of Frances Stark’s video The Magic Flute, which the Los Angeles–based artist has called a “pedagogical opera.” Stark is known for her inventive, playful works that deal with language and syntax, and The Magic Flute is an experimental version of Mozart’s 1791 opera of the same name, this one with the music performed by an orchestra of young musicians (between the ages of 10 and 19) alongside animated text. Following the screening, Stark will discuss the work with Stuart Comer, the chief curator of MoMA’s department of media and performance art. The evening serves as an aperitif for a Stark show that opens on Friday at Gavin Brown’s Enterprise in Harlem. Museum of Modern Art, 11 West 53rd Street, 7 p.m. Tickets $8/$10/$12 WEDNESDAY, JUNE 20 Exhibition: John Akomfrah at New Museum The work of British artist, film director, and writer John Akomfrah first garnered attention during the early 1980s when he was part of the Black Audio Film Collective, a group of seven artists that was established following the 1981 Brixton Riots in London. The collective would come to be known for its incisive documentation of social issues in the U.K. and its focus on black British history. Since the group disbanded, in 1998, Akomfrah has been producing films that explore more broadly the themes of colonialism and memory.
    [Show full text]
  • Continuous Project Chose to Contrast with Avalanche’S 1970S Conceptualism
    3 number 8). Number 2, then, was indicated temporarily by Bettina Funcke, Wade Guyton, a gap in the sequence, which has since been filled, as the Joseph Logan, and Seth Price collaborative has designated its website’s code as number New York City, Paris, Vienna, and Oxford 2. The first issue was followed, counterintuitively, by the 13 issues fourth issue, a reproduction of the first issue of Monika 2003–present Sprüth’s Eau de Cologne (1985), a 1980s feminist periodical that the editors of Continuous Project chose to contrast with Avalanche’s 1970s conceptualism. Six months later, Continuous Project number 3 instigated the “Dictator Series” with a reproduction of Muammar Qaddafi’s 1998 collection of short stories, Escape to Hell and Other Stories (though no other “Dictator” issue has been published, leaving this a “series” of one). Continuous Project’s fifth incarnation introduced its second tactic: Pacemaker, a Parisian art and culture periodical, accepted the submission of a scan of “Loveladies,” a typed proposal for an artwork by Robert Morris. Somewhere between this style of viral intervention and its earlier method of reproduction, number 7 9/13 appeared in the first issue of the “curated” Viennese art magazine Parabol, for which Continuous Project replicated Ferdinand Kriwet’s Publit, originally published by the Nova Broadcast Press in 1971. The reproduced copy was one of several artists’ works in Parabol’s enormous plastic bag. CONtINuOuS PrOJeCt Its latest tactic has been a tandem of original, bound With Continuous Project Bulletin bookworks, marathon readings, and video documentation 4/13 of those readings. In 2005, an unpublished interview between gallerist Virginia Dwan and historian Charles 5/13 Continuous Project is a mirror in time, a resurrection or a rebirth.
    [Show full text]
  • For Immediate Release Metropolis
    FOR IMMEDIATE RELEASE METROPOLIS CARL ANDRE | NOAH BARKER | ANGELA BULLOCH | LARRY CLARK | DAN GRAHAM | ZOE LEONARD | ERIC N. MACK | ROSE MARCUS | JOÃO PENALVA | LUC TUYMANS | KELLEY WALKER 28 JUNE – 11 AUGUST 2017, NEW YORK PRIVATE VIEW: WEDNESDAY, 28 JUNE 6 - 8 PM Simon Lee Gallery New York is delighted to present Metropolis, an exhibition that showcases how artists use the city as a source for materials, subjects, and ideas. The works present how artists can interpret the metropolis in multifarious forms, and illustrate the universality of the city. The cityscape is a source of disorder, a place to play and learn; it’s a site of both creation and destruction. A warren of brick alleys and concrete streets expanding and contracting in unison, the metropolis is a living organism. A stimulant for cultural circulation, the city lends itself as a platform for the creative community. The work presented within this exhibition displays how the urban environment affects and is influenced by the artists residing inside. “Manhattanism is the one urbanistic ideology that has fed, from its conception, on the splendors and miseries of the metropolitan condition—hyper-density—without once losing faith in it as the basis for a desirable modern culture. Manhattan's architecture is a paradigm for the exploitation of congestion.” This quote, written in 1979 by the Dutch-born, London-based architect Rem Koolhaas, epitomizes the specific condition whereby culture is directly influenced by its urban design and architecture. The metropolis serves as a platform for the controlled fluidity of human interaction and exchange which for centuries has been illustrated in the fine arts.
    [Show full text]
  • Josh Smith Born 1976 in Okinawa, Japan
    This document was updated November 27, 2020. For reference only and not for purposes of publication. For more information, please contact the gallery. Josh Smith Born 1976 in Okinawa, Japan. Lives and works in Brooklyn, New York. EDUCATION 1996-1998 B.F.A., University of Tennessee, Knoxville 1994-1996 Miami University, Oxford, Ohio SOLO EXHIBITIONS 2020 Josh Smith: Spectre, David Zwirner, New York concurrently on view at David Zwirner, London Josh Smith: High As Fuck, David Zwirner Offsite/Online: Josh Smith Studio, Brooklyn, New York [online presentation] Josh Smith: Life, Galerie Eva Presenhuber, Zurich 2019 Josh Smith: Emo Jungle, David Zwirner, New York [catalogue] Josh Smith: Finding Emo, Xavier Hufkens, Brussels 2018 Josh Smith: I Will Carry the Weight, Massimo De Carlo, London Josh Smith: Understand Me, Galerie Eva Presenhuber, New York 2017 Josh Smith: You Walk On Ahead, Go As Fast As You Want. I’ll Follow Along Slowly. I Know The Road Well, Standard (Oslo), Oslo 2016 Josh Smith, Bonner Kunstverein, Bonn, Germany Josh Smith: Fishes, Xavier Hufkens, Brussels [catalogue] 2015 Josh Smith, Galerie Eva Presenhuber, Zurich Josh Smith, Museo d’Arte Contemporanea Roma, Rome Josh Smith: Cold Fusion, Hiromi Yoshii Roppongi, Tokyo Josh Smith/Dieter Roth, Cahiers d’Art, Paris [organized by Galerie Eva Presenhuber] [two-person exhibition] Josh Smith: Sculpture, Luhring Augustine, New York 2014 Josh Smith: Unsolved Mystery, Massimo De Carlo, Milan 2013 24 Hours, Galerie Eva Presenhuber, Zurich Josh Smith, Luhring Augustine Bushwick, New York
    [Show full text]
  • WADE GUYTON B. 1972, Hammond, in Lives and Works in New York, NY
    WADE GUYTON b. 1972, Hammond, IN Lives and works in New York, NY EDUCATION 1996-1998 Hunter College, New York, NV 1990-1995 BA University of Tennessee, Knoxville, TN SOLO PERSON EXHIBITIONS 2010 Museum Ludwig, Cologne 2009 Air de Paris, Paris (Guyton/Walker) Greene Naftali, New York (Guyton/Walker) Museum Dhondt – Dhaenens, Deurle Galerie Gio Marconi, Milan 2008 Portkus, Frankfurt am Main Galerie Chantel Crousel, Paris LAXART, Los Angeles, CA (Guyton/Walker) Mseo d’Arte Moderna do Bologna-MAMbo, curated by Andrea Viliani (Guyton/Walker) 2007 Fredrich Petzel Gallery, New York Galerie Francesca Pia, Zurich Galerie Gisela Capitain, Cologne The Suburban, Chicago 2006 Haubrokshows, Berlin West London Projects, London Guyton\Walker, MAMBO, Bologna La Salle de Bains, Lyon, France Hard Hat Editions, Geneva, Switzerland Guyton\Walker: Empire Strikes Back, Carpenter Center, Harvard University, Cambridge Color, Power & Style, Friedrich Petzel Gallery, New York City 2005 Gavlak, West Palm Beach Color, Power & Style, Kunstverein Hamburg, Germany Galerie Francesca Pia, Bern, Switzerland Art 36 Statements, Galerie Francesca Pia, Basel The Failever of Judgement, Part III, Guyton\Walker collaboration, Greene Naftali Gallery, NY 2004 Objects are Much More Familiar, Power House, Memphis, TN The Failever of Judgement, Guyton\Walker collaboration, presented by Greene Naftali, Reinschau, Cologne XXXXX BBB XXXXXFFFFFF FFFF, Guyton\Walker collaboration, Midway Contemporary, St. Paul, MN 2003 Elements of an Incomplete Map, Artists Space, New York City 1999 Andrew
    [Show full text]
  • Christopher Wool
    CHRISTOPHER WOOL BIOGRAPHY Born 1955 in Chicago, IL Lives and works in New York, NY EDUCATION 1969-1972 B.A, Sarah Lawrence College, New York, NY 1973 Painting Course, New York Studio School, New York, NY Painting Course, New York University, New York, NY SELECTED SOLO EXHIBITIONS 2019 Maybe Maybe Not: Christopher Wool and the Hill Collection, Hill Art Foundation, New York, NY 2018 Christopher Wool: A New Sculpture, Luhring Augustine, Brooklyn, NY Christopher Wool: Highlights from the Hill Art Collection, Hill Art Foundation, H Queen’s Atrium, Hong Kong 2017 Christopher Wool: Text Without Message, Philbrook Downtown, Tulsa, OK Christopher Wool, Galerie Max Hetzler, Berlin, Germany 2015 Christopher Wool, Luhring Augustine, New York, NY Christopher Wool: Selected Paintings, McCabe Fine Art, Stockholm, Sweden Inbox: Christopher Wool, MoMA, New York, NY 2013 Christopher Wool, Guggenheim Museum, New York, NY. This exhibition travelled in 2014 to Art Institute of Chicago, Chicago, IL (exh. cat.) 2012 Christopher Wool, Musée d’Art Moderne de la Ville de Paris, Paris, France 2011 Christopher Wool, Galerie Gisela Capitain, Cologne, Germany 2010 Christopher Wool, Gagosian Gallery, Rome, Italy Christopher Wool, Corbett vs. Dempsey, Chicago, IL 2009 Christopher Wool, Galerie Micheline Szwajcer, Antwerp, Belgium Christopher Wool: Editions, Artelier Contemporary, Graz, Austria 2008 Christopher Wool, Luhring Augustine Gallery, New York, NY Christopher Wool. Porto – Köln, curated by Ulrich Loock and Julia Friedrich, Museu Serralves, Porto, Portugal. This exhibition travelled to the Museum Ludwig (exh. cat). 2007 Pattern Paintings 1987-2000, Skarstedt Gallery, New York, NY (exh. cat) Christopher Wool, Galerie Max Hetzler, Berlin, Germany (exh. cat) Christopher Wool, Eleni Koroneou Gallery, Athens, Greece 2006 Christopher Wool, Simon Lee Gallery, London, UK Christopher Wool, ETH (Swiss Federal Institute of Technology), Zurich, Germany Christopher Wool, IVAM Institut Valencià d'Art Modern, Valencia, Spain (exh.
    [Show full text]
  • Inventaire Presskit-UK-29January
    I�I�I�I�I�§ I�I�I�I�I�I�§ I�I�I�I�I�I�I�I�I�I� I�I�I�I�I� 26.01.2021 → 20.06.2021 I�I�I� MAMCO | Musée d’art moderne et contemporain [email protected] T + 41 22 320 61 22 10, rue des Vieux-Grenadiers | CH–1205 Genève www.mamco.ch F + 41 22 781 56 81 I�I�I�I�I�I�I�I� Introduction p. 3 Minimalism/Post-minimalism p. 4 Balthasar Burkhard/Niele Toroni p. 5 Supports/Surfaces p. 6 Archives Ecart p. 7 Robert Filliou p. 8 Nam June Paik p. 9 Ruth Wolf-Rehfeldt p. 10 Body Art p. 11 Situationists Legacies p. 12 Présence Panchounette p. 13 The Street, Urban Spaces p. 14 Scheerbart Parlour p. 15 Theatricalities p. 16 The “Pictures Generation“ p. 17 Appropriation p. 18 Ericka Beckman p. 19 The Agency p. 20 Readymades p. 21 Neo-Geo and Beyond p. 22 Figurations p. 23 General Idea/Guerrilla Girls p. 24 Sylvie Fleury p. 25 Amy O’Neill p. 26 Alain Séchas p. 27 Renée Levi p. 28 Adel Abdessemed p. 29 Tatiana Trouvé p. 30 Liquid Images p. 31 Timothée Calame/Mike Lash p. 32 Moo Chew Wong p. 33 Iconography p. 34 Exhibition Partners p. 37 2 I�I�I�I�I�I�I�I�I�I�I�I� Since March 2020, the COVID-19 crisis and the measures aimed at com- bating it have profoundly affected MAMCO’s programming and opera- tions. For months, we were prevented from carrying out our main mis- sion of receiving the public.
    [Show full text]