“Doc” Holliday
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Stagecoach Trail (#36 on the ASRA Topo Trail Map)
Stagecoach Trail (#36 on the ASRA Topo Trail Map) Distance: 2 miles; 1½ hrs. up, ¾ hrs down “Stagecoach Trail to Russell Road” sign. The (hiking) first ¼ mile is the steepest, but it provides good views of the North Fork American River, at Difficulty: Moderate up, easy down several spots on the right. Slope: 8% avg; 23% max. (see below) At about ¼ mile, the trail turns sharply left at the “Stagecoach Trail” sign. As you pause to catch your breath, you can almost hear the echo of Trailhead / Parking: (N38-55-010; W121-02-207) harness bells on horses and the clatter of stage- Trailhead is at confluence area, 1¾ miles south coaches that once traveled this road. of ASRA Park Headquarters. Take Hwy 49 from A short distance up the trail, the graceful arches Auburn south to Old Foresthill Road at the bottom of Mt. Quarries RR Bridge come into view on the of the canyon. Continue straight for ¼ mile and left. A little further along, the appearance of park on the left. Trailhead is just beyond parking ponderosa pine, big leaf maple, interior live oak, area at green gate near kiosk and port-a-potty. blue oak, willow, and Himalayan blackberry bushes signal the first of several riparian Description corridors on the trail. Here you can see water This historic trail offers great, bird’s eye views of running year round, unlike other spots on the the confluence area and American River canyon. trail where it is only visible in winter and spring. Its gradual gradient offers a good aerobic workout A little further on, a narrow unmarked trail known on the way up, climbing 800 ft in 2 miles from the as Tinker’s Cut-off intersects on the left. -
Doc Holliday and Consumptive Identity in the Wild West
‘Killer Consumptive in the Wild West: the Posthumous Decline of Doc Holliday’ Item Type Book chapter Authors Tankard, Alex Citation Tankard, A. (2014). Killer Consumptive in the Wild West: the Posthumous Decline of Doc Holliday. In Bolt, D. (Ed.), Changing Social Attitudes Toward Disability (pp. 26-37). London: Routlege. Publisher Routledge Download date 30/09/2021 07:07:53 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/10034/621724 Killer Consumptive in the Wild West: the Posthumous Decline of Doc Holliday Introduction In 1882, journalists in Colorado interviewed the deadliest gunfighter in the Wild West. John Henry ‘Doc’ Holliday (1851-1887) was a man devoid of fear, reputed to have killed up to fifty men (‘Caught in Denver’, 1882). Yet journalists were astonished to discover he was also a genteel, frail-looking ‘consumptive’ living with incurable tuberculosis. Holliday’s consumptive body fascinated contemporaries – partly because this impairment was traditionally associated with a Romantic, sentimental disabled identity quite incongruous with his brutal reputation, and partly because he seemed physically incapable of violence: one journalist even marvelled that his slender wrists could hold a gun (‘Awful Arizona’, 1882). Yet these early descriptions emphasised above all the elective aspects of his physical presence – his polished manners and exquisite dress and grooming – and presented his consumptive body not as a passive object of pathology or pity but, rather, as an essential component of a persona defined by self-possession, neatness, and ‘a suavity of manner for which he was always noted’ (‘Caught’, 1882). Holliday’s contemporaries delighted in the debonair consumptive gunfighter, but this delight did not last long after his death. -
The Wit & Wisdom of Doc Holliday
® Cowboy Action Shooting Stages & Scenarios 26 August 2012 The Wit & Wisdom Of Doc Holliday The Ten CAS Commandments 1. Thou shalt not allow thy muzzle to point at any person! Thou shalt keep thy muzzle pointed downrange when drawing or holstering from a Cross-Draw holster. Thou shalt not sweep thy neighbor, nor thy neighbor's wife, nor thy neighbor's ass (nor any other portion of his anatomy!) Safety! First, Last, and Always. 2. Thou shalt abide by all SASS Safety Rules, and thou shalt have FUN! 3. Protect thine eyes and ears at all times. Spectators shall do the same. 4. Except when shooting, loading, or unloading, thou shalt keep thy pistols holstered. 5. Thou shalt not close the action of thy rifle until thou loadest it at the Load Station. Thou shalt open thy rifle's action immediately after completing the rifle portion of the stage. Thou shalt not close thy shotgun except while holding it in thy hands at the firing line. 6. Suffer not thy gun to fall upon the ground, for a dropped gun is “Dead”. A loaded dropped gun is dead, and shall not rise again this day. Only the Range Officer may retrieve or pick up a dropped gun. NOTE: An empty long gun carefully staged against a barricade, wall, or other prop that subsequently slips and falls shall not result in any penalty. 7. There is no Rule #7. 8. Suffer not thine ammunition to fall upon the ground. Dropped ammo is "Dead", and may only be retrieved by the brass pickers, after the shooter has completed the stage. -
Tombstone, Arizona Shippensburg University
Trent Otis © 2011 Applied GIS with Dr. Drzyzga Tombstone, Arizona Shippensburg University Photo © dailyventure.com. Photographer unknown. Tombstone and the Old West The People Wyatt Earp Virgil and Morgan Earp Tombstone established itself as a boomtown after The tragedy that occurred at Tombstone, Arizona involved Wyatt has been most often Virgil and Morgan Earp are the silver was discovered in a local mine in 1877. It quickly characters who were as interesting as the time period. From characterized as a strict, no nonsense brothers of Wyatt. Virgil held various became a prospering community which attracted all lawmen turned silver prospectors, dentists turned gam- person who prefered to settle disputes law enforcement positions throughout walks of life. blers, outlaws and worse, these men all had their stakes in with words rather than confrontation. his life and was appointed as a Deputy the events at Tombstone. Following are short descriptions U.S Marshal before moving to of these men. Wyatt is arguably one of the most Tombstone. Later on, he was The American Old West has captured the minds and inuential individuals in the Old West. appointed as acting marshal for the imaginations of the American people since the West He encoutered some initial hardship in town after the current marshal was became more civilized in the late 1800s to early 1900s. his life when his rst wife died. accidentally slain by one of the Earp In the early 1880s, a specic event occurred that would Eventually, his sutuation improved and antagonists. capture the essence of the old west in one story. -
Masculinity, Aging, Illness, and Death in Tombstone and Logan
ORIGINAL SCIENTIFIC PAPER 791-51 DOI:10.5937/ ZRFFP48-18623 DANIJELA L J. P ETKOVIĆ1 UNIVERSITY OF N IŠ FACULTY OF P HILOSOPHY ENGLISH D EPARTMENT (IM)POSSIBLE MARTYRDOM: MASCULINITY, AGING, ILLNESS, AND DEATH IN TOMBSTONE AND LOGAN ABSTRACT. The title of this paper alludes to Hannah Arendt’s famous claim that in Nazi concentration camps martyrdom was made impossible, for the first time in Western history, by the utter anonymity and meaninglessness of inmates’ deaths (Arendt, 2000, p. 133): the paper, in contrast, examines two contem- porary films which, while intersecting normative/heroic masculinity with debilitating illness and death, allow for the possibility of martyrdom. Tomb- stone and Logan , directed by George P. Cosmatos and James Mangold respectively, depict the last days of such pop culture icons of masculinity as John Henry “Doc” Holliday and James Howlett, aka Logan/Wolverine. The films’ thematic focus on the (protracted) ending of life, which is evident not only in the storylines and dialogues but also in the numerous close-ups of emaciated, bleeding, scarred and prostrate male bodies, afflicted with tuberculosis and cancer-like adamantium poisoning, invites, first, a discus- sion of the relationship between the cinematic representations of normative and disabled masculinities. Specifically, since normative masculinity, as opposed to femininity, is synonymous with physical and mental strength, power and domination – including the control of one’s own body – the focus of this discussion is if, and how, the films depict Doc Holliday and Wolverine as feminized by their failing/disobedient bodies, thus contribut- ing to the cultural construction of gender. Secondly, the paper discusses the halo of martyrdom with which the films’ dying men are rewarded as emo- tionally deeply satisfying to the viewer: in Logan and Tombstone , death is not averted but hastened for the sake of friendship, family, and the protec- tion of the vulnerable and the marginalized. -
<B>FREDERICK (FRED) J. FRAIKOR.</B> Born 1937. <B
<b>FREDERICK (FRED) J. FRAIKOR.</b> Born 1937. <b>Transcript</b> of <b>OH 1359V A-B</b> This interview was recorded on June 16, 2005, for the Maria Rogers Oral History Program and the Rocky Flats Cold War Museum. The interviewer is Hannah Nordhaus. The interview is also available in video format, filmed by Hannah Nordhaus. The interview was transcribed by Sandy Adler. NOTE: Interviewer’s questions and comments appear in parentheses. Added material appears in brackets. [A]. 00:00 (OK, we’re recording. This is the Rocky Flats Cold War Museum Oral History Project. I’m interviewing Fred Fraikor. I’m Hannah Nordhaus. It’s the 16th of June, 2005. We’re at Fred’s office at the Colorado School of Mines, where he teaches.) (Fred, to get started, if you could just tell me a little bit about your background, where you were born, what your parents did.) OK. I was born in a steel town called Ducaine, Pennsylvania, which is one of the suburbs of Pittsburgh. My parents, although my dad grew up here, were of Slovak—back then it was Czechoslovakia—origin. My dad, like all the other immigrants at the time, would run back and forth, they’d make their money in the coal mines and the steel mills and then they’d go back to Czechoslovakia, buy up land, and come back here. What they didn’t realize was that the Communists would then confiscate the land, which is why I’m not a big land baron at this point. He brought my mother back here in 1936, just before World War II, when the Nazis invaded. -
Review of Death of a Gunfighter: the Quest for Jack Slade, the West's Most Elusive Legend by Dan Rottenberg J
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for 2010 Review of Death of a Gunfighter: The Quest for Jack Slade, the West's Most Elusive Legend By Dan Rottenberg J. Randolph Cox Dundas, Minnesota Follow this and additional works at: http://digitalcommons.unl.edu/greatplainsquarterly Part of the American Studies Commons, Cultural History Commons, and the United States History Commons Cox, J. Randolph, "Review of Death of a Gunfighter: The Quest for Jack Slade, the West's Most Elusive Legend By Dan Rottenberg" (2010). Great Plains Quarterly. 2531. http://digitalcommons.unl.edu/greatplainsquarterly/2531 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 56 GREAT PLAINS QUARTERLY, WINTER 2010 Death of a Gunfighter: The Quest for Jack Slade, the West's Most Elusive Legend. By Dan Rottenberg. Yardley, PA: Westholme, 2008. xiv + 520 pp. Maps, photographs, notes, bibliogra phy, index. $29.95. Freight teamster and wagon master along the Overland Trail, stagecoach driver in Texas, as well as stagecoach division superintendent along the Central Overland route, Joseph Alfred "Jack" Slade (1831-1864) is remembered for having helped launch and operate the Pony Express in 1860-61. He is also remembered as a gunfighter and the "Law West of Kearney." The BOOK REVIEWS 57 legends about him (including those in Mark Twain's Roughing It and Prentiss Ingraham's dime novels about Buffalo Bill) are largely false, but the truth has been difficult to establish. -
Arizona Historical Review, Vol
Arizona Historical Review, Vol. 2 No. 3 (October 1929) Item Type text; Article Publisher Arizona State Historian (Phoenix, AZ) Journal Arizona Historical Review Rights This content is in the public domain. Download date 04/10/2021 01:12:46 Link to Item http://hdl.handle.net/10150/623308 noT ARIZONA HISTORICAL REVIEW CONTENTS Current Comment Geo. H. Kelly Prehistoric Irrigation Dr. O. A. Turney It All Happened in Tombstone John P. Clum Early Arizona Court Experiences ..... ____Hon. A. C. Baker Advent to Southwest G A. Clum Reminiscences of a Pioneer Isaac Goldberg Hopi Indian Snake Dance Mrs. J. X. McDonald Providing Education in Arizona Geo. H. Kelly Vol. 2. OCTOBER, 1929 No. 3. Published Quarterly by ARIZONA STATE HISTORIAN PHOENIX, ARIZONA Entered as Second Class Mail Tomorrow... the history of Arizona's Today will be written. We will be proud of our part in the Industrial and Domestic Development of the communities we are serving and helping to build in Arizona. ARIZONA EDISON CO. Electricity Gas --Water --Ice Bisbee Globe Florence Coolidge Douglas Miami Casa Grande Gila Bend Yuma Safford A. P. K. SAFFORD Served as Governor of the Territory of Arizona. Appointed by President Grant in April, 1869. Won the affections of Arizonians by his great efforts in behalf of public education. ARIZONA Historical Review A QUARTERLY SUBSCRIPTION $3.00 PER YEAR Volume 2 OCTOBER, 1929 Number 3 Arr- STATE CAPITOL BUILDING HART, SCHA.FFNER & MARX CLOTHES Vic Hanny Co. 36-42 North Central -- Twin Fronts Stetson Hats Arrow Shirts Johnston & Murphy Shoes -
Wyatt Earp and the Gunfight at the OK Corral 1881
Other Forms of Conflict in the West – Wyatt Earp and the Gunfight at the OK Corral 1881 Lesson Objectives: Starter Questions: • To understand how the expansion of 1) Give definitions for the following the West caused other forms of terms/key people to show their tension between settlers, not just conflict between white Americans and relevance to this part of the course Plains Indians. • Pat Garrett: • To explain the significance of the • Vigilante Gunfight at the OK Corral in • Homesteader understanding other types of conflict. • Rancher • To assess the significance of Wyatt • Prospecting Earp and what his story tells us about • Rustling law and order. • Lincoln County As homesteaders, hunters, miners and cattle ranchers flooded onto the Plains, they not only came into conflict with the Plains Indians who already lived there, but also with each other. This was a time of robberies, range wars and Indian wars in the wide open spaces of the West. Gradually, the forces of law and order caught up with the lawbreakers, while the US army defeated the Plains Indians. Other Forms of Conflict in the West – Wyatt Earp and the Gunfight at the OK Corral 1881 Who was Wyatt Earp? What does Wikipedia say?! Wyatt Berry Stapp Earp (March 19, 1848 – January 13, 1929) was an American frontiersman who appears frequently in a variety of well known stories of the American West, especially in notorious "Wild West" towns such as Dodge City, Kansas and Tombstone, Arizona. A hunter, businessman, gambler, and lawman, he worked in a wide variety of trades throughout his life. -
Hidalgo County Historical Museum Archives
Museum of South Texas History Archives Photo Collection Subject Index Inventory Headings List Revision: January 2016 Consult archivist for finding aids relating to photo collections, negatives, slides, stereographs, or exhibit images. HEADING KEY I. Places II. People III. Activity IV. Things The HEADING lists are normally referred to only by their Roman numeral. For example, II includes groups and organizations, and III includes events and occupations. Each of the four HEADING lists is in upper case arranged alphabetically. Occasionally, subheadings appear as italics or with underlining, such as I GOVT BUILDINGS Federal Linn Post Office. Infrequently sub- subheading may appear, indicated by another right margin shift. Beneath each HEADING, Subheading, or Sub-subheading are folder titles. KEY HEADINGS = All Caps Subheadings= Underlined Folder Title = Regular Capitalization A I. AERIAL Brownsville/Matamoros Edinburg/Pan American/HCHM Elsa/Edcouch Hidalgo La Blanca Linn McAllen Madero McAllen Mission/Sharyland Mexico Padre Island, South/Port Isabel Pharr Rio Grande City/Fort Ringgold San Antonio Weslaco I. AGRICULTURE/SUPPLIES/BUSINESSES/AGENCIES/SEED and FEED I. AIRBASES/AIRFIELDS/AIRPORTS Brownsville Harlingen McAllen (Miller) Mercedes Moore World War II Korea Screwworm/Agriculture/Medical Science Projects Reynosa San Benito I. ARCHEOLOGY SITES Boca Chica Shipwreck Mexico I. AUCTION HOUSES B I. BACKYARDS I. BAKERIES/ PANADERIAS I. BANDSTANDS/QIOSCOS/KIOSKS/PAVILIONS Edinburg Mexico Rio Grande City 2 I. BANKS/SAVINGS AND LOANS/CREDIT UNIONS/INSURANCE AGENCIES/ LOAN COMPANY Brownsville Edinburg Chapin Edinburg State First National First State (NBC) Groundbreaking Construction/Expansion Completion Openings Exterior Interior Elsa Harlingen Hidalgo City La Feria McAllen First National Bank First State McAllen State Texas Commerce Mercedes Mission Monterrey San Antonio San Benito San Juan I. -
Overland Stagecoach Service Through Tucson” and “A Half Century of Tucson-Area Stagecoach Service.”
The History of Stagecoaches in Tucson, Arizona Bob Ring August 2012 AUTHOR’S NOTES This article is based on a two-part newspaper series that ran in the Arizona Daily Star Regional Sections on June 28 and July 12, 2012. This story combines the newspaper columns: “Overland Stagecoach Service through Tucson” and “A Half Century of Tucson-Area Stagecoach Service.” In this integrated article, I took the opportunity to include significant new material not covered in the newspaper. For comments or questions, please contact me via e-mail at [email protected]. 2 Overland Stagecoach Service through Tucson 1857-1880 If it weren’t for stagecoaches, Tucson wouldn’t have developed to be the town we see today! Let’s set the stage (sorry). Stagecoaches are defined as public conveyances that carry mail, express, and/or passengers. The term “stage” originally referred to the distance between stages or stations on a route. Now, let’s get to the problem. In 1850, two years after its gold rush began in 1848, California became the 31st state of the Union, separated from the rest of the country by the vast expanse of the Great Plains and the Rocky Mountains. Mail delivery to California from the East took at least a month and a half by steamship and pack animal across Panama. From the beginning, California pressured the U. S. Government to provide faster mail service. It took five more years for military expeditions and surveyors to establish a trail across the southwestern U.S. that stagecoaches could use year round for overland mail delivery. -
Butterfield Overland Mail Company Stagecoaches and Stage (Celerity) Wagons Used on the Southern Trail
Butterfield Overland Mail Company Stagecoaches and Stage (Celerity) Wagons used on the Southern Trail 1858-1861 by ©2013 Gerald T. Ahnert 1027 Westmoreland Ave. Syracuse, NY 13210 Email: [email protected] Telephone: 315-472-3876 This is a copyrighted report and no part of it may be used, including the images, without permission of the author except for short passages for reference. ©April 2013-Gerald T. Ahnert 1 Overview Celebrations in the southwest, often called “Butterfield Stage Days,” commemorating this important chapter in American history, incorrectly use replica stagecoaches, instead of stage (celerity) wagons. Also, many southwest museums often display stagecoaches which are erroneously contributed to Butterfield As the “Butterfield Stage Days” celebrations and museum displays are the most visible to the public, they have contributed significantly to the erroneous history of John Butterfield’s Overland Mail Company. There are some historians that I have been working with in Arizona, who are trying to correct these inaccuracies. Although the use of stagecoaches and stage (celerity) wagons used by the Overland Mail Company has been basically covered in my 2011 book The Butterfield Trail and Overland Mail Company in Arizona, 1858-1861, this comprehensive report is prepared as an aid to historians. Thirteen images made at the time of Butterfield’s service are used for this report. They are six prints from copies of original newspapers that are in my collection, six images are copies of original drawings, and one copy of a daguerreotype. Included are many descriptions by correspondents which describe the types of stagecoaches or stage wagons that were used by Butterfield.