DOCSLIB.ORG

2020 Season July 2-August 23, 2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2020 Season July 2-August 23, 2020 Aspen Music Festival and School 2020 Season July 2-August 23, 2020 THURSDAY, JULY 2, 2020 4:00 PM, Benedict Music Tent, $100 A Recital by Arnaud Sussmann violin, David Finckel R. STRAUSS: Moonlight Scene and Last Scene from cello, and Wu Han piano Capriccio, op. 85 7:00 PM, Harris Concert Hall, $75 --- HAYDN: Piano Trio in A major, Hob. XV/18 KEVIN PUTS: Letters from Georgia BEETHOVEN: Piano Trio in C minor, op. 1, no. 3 --- MONDAY, JULY 6, 2020 HAYDN: Piano Trio in E major, Hob. XV/28 Gotta Move! BEETHOVEN: Piano Trio in D major, op. 70, no. 1, 10:30 AM, Benedict Music Tent “Ghost” Violin Competition FRIDAY, JULY 3, 2020 4:00 PM, Castle Creek 1, Bucksbaum Campus, Free Aspen Chamber Symphony Dress Rehearsal 9:30 AM, Benedict Music Tent, $20 Spotlight Recital 4:00 PM, Pitkin County Library, Free Spotlight Recital 3:30 PM, Aspen Chapel, Free Chamber Music 6:00 PM, Harris Concert Hall, $45 Overtures: Preconcert Chamber Music Artists and program to be announced by April 1. 4:45 PM, Harris Concert Hall, $10 Aspen Chamber Symphony TUESDAY, JULY 7, 2020 Ludovic Morlot conductor, Kristóf Baráti violin Harris Concert Hall Master Class 5:30 PM, Benedict Music Tent, $82 1:00 PM, Harris Concert Hall, $25 BEETHOVEN: Coriolan Overture, op. 62 MENDELSSOHN: Violin Concerto in E minor, op. 64 Aspen Conducting Academy Orchestra BEETHOVEN: Symphony No. 7 in A major, op. 92 4:00 PM, Benedict Music Tent, Free Note: Concert is performed without intermission STUCKY: Rhapsodies COPLAND: Appalachian Spring SATURDAY, JULY 4, 2020 --- Fourth of July Concert BRAHMS: Symphony No. 4 in E minor, op. 98 Lawrence Isaacson conductor 4:00 PM, Benedict Music Tent, Free A Recital by Kristóf Baráti violin and Anton Nel piano SUNDAY, JULY 5, 2020 7:30 PM, Harris Concert Hall, $65 Aspen Festival Orchestra Dress Rehearsal— DEBUSSY: Violin Sonata CLOSED PROKOFIEV: Violin Sonata in F minor, op. 80 9:30 AM, Benedict Music Tent --- Please note this rehearsal is closed. FRANCK: Violin Sonata in A major, M. 8 Prelude: Preconcert Talk Asadour Santourian WEDNESDAY, JULY 8, 2020 3:00 PM, Harris Concert Hall, Free High Notes Discussion Alan Fletcher, moderator Aspen Festival Orchestra 12:00 PM, Location to be announced, Free Robert Spano conductor, Renée Fleming soprano Aspen Music Festival and School | 2020 Season pg. 1 Spotlight Recital PAUL DEAN: Horn Concerto (U.S. Premiere) 3:30 PM, Harris Concert Hall, Free BEETHOVEN: Romance in F major, op. 50 BEETHOVEN: Piano Concerto No. 5 in E-flat major, Aspen Philharmonic Orchestra op. 73, “Emperor” Ludovic Morlot conductor, Gallia Kastner violin Listener's Master Class (Dorothy DeLay Prize Winner) Tom Buesch 5:30 PM, Benedict Music Tent, $25 12:30 PM, Crossroads Church, Free BERLIOZ: Overture to Benvenuto Cellini, op. 23 SAINT-SAËNS: Havanaise in E major, op. 83 Spotlight Recital RAVEL: Tzigane 3:30 PM, Aspen Chapel, Free SHOSTAKOVICH: Symphony No. 5 in D minor, op. 47 Note: Concert is performed without intermission Overtures: Preconcert Chamber Music 4:45 PM, Harris Concert Hall, $10 A Recital by Paul Lewis piano 8:00 PM, Harris Concert Hall, $65 Aspen Chamber Symphony HAYDN: Piano Sonata in D major Hob. XVI/51 Nicholas McGegan conductor, Andrew Bain horn, BRAHMS: Ballade in B major, op. 10, no. 4 Paul Lewis piano BEETHOVEN: Piano Sonata No. 14 in C-sharp minor, 5:30 PM, Benedict Music Tent, $82 op. 27, no. 2, “Moonlight” BEETHOVEN: Overture to King Stephen, op. 117 --- PAUL DEAN: Horn Concerto (U.S. Premiere) BEETHOVEN: 33 Variations on a Waltz by Diabelli in BEETHOVEN: Romance in F major, op. 50 C major, op. 120 BEETHOVEN: Piano Concerto No. 5 in E-flat major, op. 73, “Emperor” Note: Concert is performed without intermission THURSDAY, JULY 9, 2020 Spotlight Recital 3:30 PM, Harris Concert Hall, Free SATURDAY, JULY 11, 2020 Special Event: Opera Theater Master Class with Aspen Opera Theater and VocalARTS Recital Renée Fleming and Patrick Summers 4:30 PM, Aspen Chapel, Free Renée Fleming, Patrick Summers, Aspen Opera Theater and VocalARTS-Faculty Low Strings Competition 10:00 AM, Wheeler Opera House, $40 5:00 PM, Hurst Hall, Bucksbaum Campus, Free Spotlight Recital A Recital by the Pacifica Quartet 1:30 PM, Aspen Community Church, Free Simin Ganatra violin, Austin Hartman violin, Mark Holloway viola, Brandon Vamos cello Special Event: Beginner's Ear I 7:30 PM, Harris Concert Hall, $55 2:00 PM, Benedict Music Tent, $25 LIGETI: String Quartet No. 1, “Métamorphoses nocturnes” Chamber Music CRAWFORD SEEGER: String Quartet 4:30 PM, Harris Concert Hall, $45 --- Artists and program to be announced by April 1. BEETHOVEN: String Quartet in B-flat major, op. 130 BEETHOVEN: Grosse Fuge in B-flat major, op. 133 A Recital by the Dover String Quartet and the Escher String Quartet String Showcase Joel Link violin, Bryan Lee violin, Milena Pajaro-van 8:30 PM, Edlis Neeson Hall, Bucksbaum Campus, Free de Stadt viola, Camden Shaw cello; Adam Barnett- Hart violin, Brendan Speltz violin, Pierre Lapointe viola, Brook Speltz cello FRIDAY, JULY 10, 2020 8:00 PM, Harris Concert Hall, $55 Aspen Chamber Symphony Dress Rehearsal GREGG KALLOR: String Octet 9:30 AM, Benedict Music Tent, $20 MENDELSSOHN: Octet in E-flat major, op. 20 BEETHOVEN: Overture to King Stephen, op. 117 --- Aspen Music Festival and School | 2020 Season pg. 2 ENESCU: String Octet in C major, op. 7 Alan Fletcher, moderator 12:00 PM, Location to be announced, Free SUNDAY, JULY 12, 2020 Spotlight Recital Aspen Festival Orchestra Dress Rehearsal 3:30 PM, Harris Concert Hall, Free 9:30 AM, Benedict Music Tent, $20 ROUSE: Rapture House Music (Opera) RAVEL: Piano Concerto in G major 3:30 PM, Private residence to be announced, $100 --- RIMSKY-KORSAKOV: Scheherazade, op. 35 Aspen Philharmonic Orchestra Scott Terrell conductor, Violin Competition Winner Prelude: Preconcert Talk 5:30 PM, Benedict Music Tent, $25 3:00 PM, Harris Concert Hall, Free SKRYABIN: The Poem of Ecstasy, Symphony No. 4, op. 54 Aspen Festival Orchestra MOZART: Violin Concerto No. 4 in D major, K. 218 Leonard Slatkin conductor, Behzod Abduraimov RESPIGHI: Pines of Rome piano Note: Concert is performed without intermission 4:00 PM, Benedict Music Tent, $85 ROUSE: Rapture A Baroque Evening with Nicholas McGegan RAVEL: Piano Concerto in G major Nicholas McGegan conductor, Stephen Waarts --- violin, Matthew Lipman viola RIMSKY-KORSAKOV: Scheherazade, op. 35 8:00 PM, Harris Concert Hall, $75 MONDAY, JULY 13, 2020 THURSDAY, JULY 16, 2020 Special Event: Beginner's Ear II Tunes and Tales 2:00 PM, Benedict Music Tent, $25 10:30 AM, Pitkin County Library, Free Chamber Music Spotlight Recital 6:00 PM, Harris Concert Hall, $45 3:30 PM, Harris Concert Hall, Free Artists and program to be announced by April 1. Aspen Opera Theater and VocalARTS Recital 4:30 PM, Aspen Chapel, Free TUESDAY, JULY 14, 2020 Special Event: Master Class with Renée Fleming Mozart's The Magic Flute soprano Patrick Summers conductor, Edward Berkeley 1:00 PM, Harris Concert Hall, $40 director 7:00 PM, Wheeler Opera House; $85, $50, $25 Aspen Conducting Academy Orchestra obstructed ACA Piano Competition Winner MOZART: The Magic Flute, K. 620 4:00 PM, Benedict Music Tent, Free SIBELIUS: The Swan of Tuonela from Lemminkäinen A Recital by Behzod Abduraimov piano Suite, op. 22 7:30 PM, Harris Concert Hall, $65 SCHUMANN: Piano Concerto in A minor, op. 54 CHOPIN: 24 Preludes, op. 28 --- --- TCHAIKOVSKY: Symphony No. 4 in F minor, op. 36 DEBUSSY: Children's Corner MUSORGSKY: Pictures at an Exhibition Music with a View 6:00 PM, Aspen Art Museum, Free String Showcase 8:30 PM, Edlis Neeson Hall, Bucksbaum Campus, Free WEDNESDAY, JULY 15, 2020 High Notes Discussion FRIDAY, JULY 17, 2020 Aspen Music Festival and School | 2020 Season pg. 3 Aspen Chamber Symphony Dress Rehearsal Adam Barnett-Hart violin, Brendan Speltz violin, Robert Spano conductor Pierre Lapointe viola, Brook Speltz cello 9:30 AM, Benedict Music Tent, $20 8:00 PM, Harris Concert Hall, $55 SHOSTAKOVICH/BARSHAI: Chamber Symphony in MENDELSSOHN: String Quartet No. 1 in E-flat major, C minor, op. 110a op. 12 PROKOFIEV: Piano Concerto No. 1 in D-flat major, op. BARTÓK: String Quartet No. 6, BB 119 10 --- BRAHMS: Serenade No. 2 in A major, op. 16 BEETHOVEN: String Quartet in C major, op. 59, no. 3, “Razumovsky” Listener's Master Class Tom Buesch 12:30 PM, Crossroads Church, Free SUNDAY, JULY 19, 2020 Composition Program Readings Spotlight Recital Robert Spano 3:30 PM, Aspen Chapel, Free 9:00 AM, Harris Concert Hall, Free Overtures: Preconcert Chamber Music Aspen Festival Orchestra Dress Rehearsal 4:45 PM, Harris Concert Hall, $10 9:30 AM, Benedict Music Tent, $20 BEETHOVEN: Concerto for Violin, Cello, and Piano in Aspen Chamber Symphony C major, op. 56, “Triple” Robert Spano conductor Denis Kozhukhin piano --- 5:30 PM, Benedict Music Tent, $82 SHOSTAKOVICH: Symphony No. 12 in D minor, op. SHOSTAKOVICH/BARSHAI: Chamber Symphony in 112, “The Year 1917” C minor, op. 110a PROKOFIEV: Piano Concerto No. 1 in D-flat major, op. Prelude: Preconcert Talk 10 3:00 PM, Harris Concert Hall, Free BRAHMS: Serenade No. 2 in A major, op. 16 Note: Concert is performed without intermission Aspen Festival Orchestra James Conlon conductor, Benjamin Beilman violin, Alisa Weilerstein cello, Inon Barnatan piano SATURDAY, JULY 18, 2020 4:00 PM, Benedict Music Tent, $85 Special Event: Opera Theater Master Class with BEETHOVEN: Concerto for Violin, Cello, and Piano in Renée Fleming and Patrick Summers C major, op. 56, “Triple” Renée Fleming, Patrick Summers, Aspen Opera --- Theater and VocalARTS-Faculty SHOSTAKOVICH: Symphony No. 12 in D minor, op.
Load more

Recommended publications
  • Keyboard Music
    Prairie View A&M University HenryMusic Library 5/18/2011 KEYBOARD CD 21 The Women’s Philharmonic Angela Cheng, piano Gillian Benet, harp Jo Ann Falletta, conductor Ouverture (Fanny Mendelssohn) Piano Concerto in a minor, Op. 7 (Clara Schumann) Concertino for Harp and Orchestra (Germaine Tailleferre) D’un Soir Triste (Lili Boulanger) D’un Matin de Printemps (Boulanger) CD 23 Pictures for Piano and Percussion Duo Vivace Sonate für Marimba and Klavier (Peter Tanner) Sonatine für drei Pauken und Klavier (Alexander Tscherepnin) Duettino für Vibraphon und Klavier, Op. 82b (Berthold Hummel) The Flea Market—Twelve Little Musical Pictures for Percussion and Piano (Yvonne Desportes) Cross Corners (George Hamilton Green) The Whistler (Green) CD 25 Kaleidoscope—Music by African-American Women Helen Walker-Hill, piano Gregory Walker, violin Sonata (Irene Britton Smith) Three Pieces for Violin and Piano (Dorothy Rudd Moore) Prelude for Piano (Julia Perry) Spring Intermezzo (from Four Seasonal Sketches) (Betty Jackson King) Troubled Water (Margaret Bonds) Pulsations (Lettie Beckon Alston) Before I’d Be a Slave (Undine Smith Moore) Five Interludes (Rachel Eubanks) I. Moderato V. Larghetto Portraits in jazz (Valerie Capers) XII. Cool-Trane VII. Billie’s Song A Summer Day (Lena Johnson McLIn) Etude No. 2 (Regina Harris Baiocchi) Blues Dialogues (Dolores White) Negro Dance, Op. 25 No. 1 (Nora Douglas Holt) Fantasie Negre (Florence Price) CD 29 Riches and Rags Nancy Fierro, piano II Sonata for the Piano (Grazyna Bacewicz) Nocturne in B flat Major (Maria Agata Szymanowska) Nocturne in A flat Major (Szymanowska) Mazurka No. 19 in C Major (Szymanowska) Mazurka No. 8 in D Major (Szymanowska) Mazurka No.
    [Show full text]
  • Program Notes: Inspiration & Impact
    CABRILLO FESTIVAL Program Notes: Inspiration & Impact Lola Montez Does the and she glides from the stage of sensory and expressive overload. Spider Dance (2016) overwhelmed with applause, At its premiere in March of 2012, the first third and smashed spiders, John Adams of the piece was largely a trope on the Opus (b. 1947) and radiant with parti-colored skirts, [World Premiere] 131 C# minor quartet’s scherzo and suffered smiles, graces, cobwebs and glory. from just this problem. After a moody opening of tremolo strings and fragments of the Ninth Commissioned by the musicians of the Cabrillo Lola Montez Does the Spider Dance was Symphony signal octave-dropping motive, Festival Orchestra in honor of Marin Alsop commissioned by members of the Cabrillo Festival Orchestra in celebration of Marin the solo quartet emerged as if out of a haze, The Irish-born actress and dancer Eliza Gilbert Alsop’s twenty five seasons as music director, playing the driving foursquare figures of that (1821—1861) achieved international fame and it is dedicated to her. scherzo material that almost immediately went under the name “Lola Montez, the Spanish through a series of strange permutations. Dancer.” After a controversial career on the —John Adams continent, including a sojourn in Bavaria This original opening never satisfied me. The where she become both the lover as well as clarity of the solo quartet’s role was often political advisor to King Ludwig, she returned Absolute Jest (2011) buried beneath the orchestral activity resulting in what sounded to me too much like “chatter.” to London, where she eloped with and married John Adams (b.
    [Show full text]
  • Baltimore Symphony Orchestra Announces 2019 New Music Festival
    Media contacts Linda Moxley, VP of Marketing & Communications 410.783.8020 [email protected] Devon Maloney, Director of Communications 410.783.8071 [email protected] For Immediate Release Baltimore Symphony Orchestra Announces 2019 New Music Festival Baltimore (April 18, 2019) Under the leadership of Music Director Marin Alsop, the Baltimore Symphony Orchestra (BSO) announces the 2019 New Music Festival. Launched by Alsop and the BSO in 2017, the New Music Festival brings contemporary classical music to Baltimore from June 19-22. The 2019 New Music Festival celebrates women composers ahead of the BSO’s 2019-20 season, which highlights women in music in conjunction with the 100th anniversary of women’s suffrage in the U.S. Performances include the Baltimore premiere of Jennifer Higdon’s Low Brass Concerto, a BSO co- commission, as well as the world premiere of Anna Clyne’s cello concerto, Dance, with Inbal Segev. “I’m thrilled that this year’s New Music Festival features such an outstanding group of contemporary composers, who happen to be women!” said Alsop. “Each piece of music that we’ve programmed tells a unique and compelling story, and we are proud to present a range of voices and perspectives that showcases some of the most inspired work happening in classical composition today.” The 2019 New Music Festival kicks off on Wednesday, June 19 when composer Sarah Kirkland Snider participates in a discussion on her composition process at Red Emma’s Bookstore Café. On Thursday, June 20, Associate Conductor Nicholas Hersh leads members of the BSO and Shara Nova, also known as My Brightest Diamond, in a free concert at the Ottobar.
    [Show full text]
  • Brahms Reimagined by René Spencer Saller
    CONCERT PROGRAM Friday, October 28, 2016 at 10:30AM Saturday, October 29, 2016 at 8:00PM Jun Märkl, conductor Jeremy Denk, piano LISZT Prometheus (1850) (1811–1886) MOZART Piano Concerto No. 23 in A major, K. 488 (1786) (1756–1791) Allegro Adagio Allegro assai Jeremy Denk, piano INTERMISSION BRAHMS/orch. Schoenberg Piano Quartet in G minor, op. 25 (1861/1937) (1833–1897)/(1874–1951) Allegro Intermezzo: Allegro, ma non troppo Andante con moto Rondo alla zingarese: Presto 23 ACKNOWLEDGMENTS These concerts are part of the Wells Fargo Advisors Orchestral Series. Jun Märkl is the Ann and Lee Liberman Guest Artist. Jeremy Denk is the Ann and Paul Lux Guest Artist. The concert of Saturday, October 29, is underwritten in part by a generous gift from Lawrence and Cheryl Katzenstein. Pre-Concert Conversations are sponsored by Washington University Physicians. Large print program notes are available through the generosity of The Delmar Gardens Family, and are located at the Customer Service table in the foyer. 24 CONCERT CALENDAR For tickets call 314-534-1700, visit stlsymphony.org, or use the free STL Symphony mobile app available for iOS and Android. TCHAIKOVSKY 5: Fri, Nov 4, 8:00pm | Sat, Nov 5, 8:00pm Han-Na Chang, conductor; Jan Mráček, violin GLINKA Ruslan und Lyudmila Overture PROKOFIEV Violin Concerto No. 1 I M E TCHAIKOVSKY Symphony No. 5 AND OCK R HEILA S Han-Na Chang SLATKIN CONDUCTS PORGY & BESS: Fri, Nov 11, 10:30am | Sat, Nov 12, 8:00pm Sun, Nov 13, 3:00pm Leonard Slatkin, conductor; Olga Kern, piano SLATKIN Kinah BARBER Piano Concerto H S ODI C COPLAND Billy the Kid Suite YBELLE GERSHWIN/arr.
    [Show full text]
  • Osmo Vänskä, Conductor Augustin Hadelich, Violin
    Pittsburgh Symphony Orchestra 2019-2020 Mellon Grand Classics Season December 6 and 8, 2019 OSMO VÄNSKÄ, CONDUCTOR AUGUSTIN HADELICH, VIOLIN CARL NIELSEN Helios Overture, Opus 17 WOLFGANG AMADEUS Concerto No. 2 in D major for Violin and Orchestra, K. 211 MOZART I. Allegro moderato II. Andante III. Rondeau: Allegro Mr. Hadelich Intermission THOMAS ADÈS Violin Concerto, “Concentric Paths,” Opus 24 I. Rings II. Paths III. Rounds Mr. Hadelich JEAN SIBELIUS Symphony No. 3 in C major, Opus 52 I. Allegro moderato II. Andantino con moto, quasi allegretto III. Moderato — Allegro (ma non tanto) Dec. 6-8, 2019, page 1 PROGRAM NOTES BY DR. RICHARD E. RODDA CARL NIELSEN Helios Overture, Opus 17 (1903) Carl Nielsen was born in Odense, Denmark on June 9, 1865, and died in Copenhagen on October 3, 1931. He composed his Helios Overture in 1903, and it was premiered by the Danish Royal Orchestra conducted by Joan Svendsen on October 8, 1903. These performances mark the Pittsburgh Symphony premiere of the work. The score calls for piccolo, two flutes, two oboes, two clarinets, two bassoons, four horns, three trumpets, three trombones, tuba, timpani and strings. Performance time: approximately 12 minutes. On September 1, 1889, three years after graduating from the Copenhagen Conservatory, Nielsen joined the second violin section of the Royal Chapel Orchestra, a post he held for the next sixteen years while continuing to foster his reputation as a leading figure in Danish music. His reputation as a composer grew with his works of the ensuing decade, most notably the Second Symphony and the opera Saul and David, but he was still financially unable to quit his job with the Chapel Orchestra to devote himself fully to composition.
    [Show full text]
  • Mcallister Interview Transcription
    Interview with Timothy McAllister: Gershwin, Adams, and the Orchestral Saxophone with Lisa Keeney Extended Interview In September 2016, the University of Michigan’s University Symphony Orchestra (USO) performed a concert program with the works of two major American composers: John Adams and George Gershwin. The USO premiered both the new edition of Concerto in F and the Unabridged Edition of An American in Paris created by the UM Gershwin Initiative. This program also featured Adams’ The Chairman Dances and his Saxophone Concerto with soloist Timothy McAllister, for whom the concerto was written. This interview took place in August 2016 as a promotion for the concert and was published on the Gershwin Initiative’s YouTube channel with the help of Novus New Music, Inc. The following is a full transcription of the extended interview, now available on the Gershwin channel on YouTube. Dr. Timothy McAllister is the professor of saxophone at the University of Michigan. In addition to being the featured soloist of John Adams’ Saxophone Concerto, he has been a frequent guest with ensembles such as the Chicago Symphony Orchestra and the Los Angeles Philharmonic. Lisa Keeney is a saxophonist and researcher; an alumna of the University of Michigan, she works as an editing assistant for the UM Gershwin Initiative and also independently researches Gershwin’s relationship with the saxophone. ORCHESTRAL SAXOPHONE LK: Let’s begin with a general question: what is the orchestral saxophone, and why is it considered an anomaly or specialty instrument in orchestral music? TM: It’s such a complicated past that we have with the saxophone.
    [Show full text]
  • Form in the Music of John Adams
    Graduate Theses, Dissertations, and Problem Reports 2018 Form in the Music of John Adams Michael Ridderbusch Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Ridderbusch, Michael, "Form in the Music of John Adams" (2018). Graduate Theses, Dissertations, and Problem Reports. 6503. https://researchrepository.wvu.edu/etd/6503 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Form in the Music of John Adams Michael Ridderbusch DMA Research Paper submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music Theory and Composition Andrew Kohn, Ph.D., Chair Travis D. Stimeling, Ph.D. Melissa Bingmann, Ph.D. Cynthia Anderson, MM Matthew Heap, Ph.D. School of Music Morgantown, West Virginia 2017 Keywords: John Adams, Minimalism, Phrygian Gates, Century Rolls, Son of Chamber Symphony, Formalism, Disunity, Moment Form, Block Form Copyright ©2017 by Michael Ridderbusch ABSTRACT Form in the Music of John Adams Michael Ridderbusch The American composer John Adams, born in 1947, has composed a large body of work that has attracted the attention of many performers and legions of listeners.
    [Show full text]
  • Rachmaninoff Italian Polka 1 Piano 4 Hands Sheet Music
    Rachmaninoff Italian Polka 1 Piano 4 Hands Sheet Music Download rachmaninoff italian polka 1 piano 4 hands sheet music pdf now available in our library. We give you 4 pages partial preview of rachmaninoff italian polka 1 piano 4 hands sheet music that you can try for free. This music notes has been read 13652 times and last read at 2021-09-24 00:14:22. In order to continue read the entire sheet music of rachmaninoff italian polka 1 piano 4 hands you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: 1 Piano 4 Hands, Piano Method Ensemble: Mixed Level: Early Intermediate [ READ SHEET MUSIC ] Other Sheet Music Italian Polka By Rachmaninoff Arr For 4 Hands Italian Polka By Rachmaninoff Arr For 4 Hands sheet music has been read 3334 times. Italian polka by rachmaninoff arr for 4 hands arrangement is for Early Intermediate level. The music notes has 2 preview and last read at 2021-09-24 02:03:33. [ Read More ] Italian Polka Polka Italienne By Sergei Rachmaninoff Italian Polka Polka Italienne By Sergei Rachmaninoff sheet music has been read 1926 times. Italian polka polka italienne by sergei rachmaninoff arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-22 11:02:16. [ Read More ] Italian Polka Sergei Rachmaninoff For Oboe Piano Italian Polka Sergei Rachmaninoff For Oboe Piano sheet music has been read 2773 times. Italian polka sergei rachmaninoff for oboe piano arrangement is for Beginning level. The music notes has 1 preview and last read at 2021-09-22 22:28:55.
    [Show full text]
  • VITA – 2020/21 Season “The Essence of Hadelich's
    VITA – 2020/21 Season “The essence of Hadelich’s playing is beauty: reveling in the myriad ways of making a phrase come alive on the violin, delivering the musical message with no technical impediments whatsoever, and thereby revealing something from a plane beyond ours.” WASHINGTON POST Augustin Hadelich is one of the great violinists of our time. From Bach to Paganini, from Brahms to Bartók to Adès, he has mastered a wide-ranging and adventurous repertoire. He is often referred to by colleagues as a musician's musician. Named Musical America’s 2018 "Instrumentalist of the Year", he is consistently cited worldwide for his phenomenal technique, soulful approach, and insightful interpretations. Highlights of Augustin Hadelich’s 2020/21 season include appearances with the Atlanta, Baltimore, Colorado, Dallas, Milwaukee, North Carolina and Seattle symphony orchestras, as well as the Leipzig Gewandhaus Orchestra, WDR radio orchestra Cologne, Philharmonia Zürich, Dresden Philharmonic, ORF Vienna Radio Symphony, Danish National Orchestra, City of Birmingham Symphony Orchestra, Finnish Radio Symphony Orchestra, BBC Scottish Orchestra, and Elbphilharmonie Orchestra Hamburg, where he was named Associate Artist starting with the 2019/20 season. Augustin Hadelich has appeared with every major orchestra in North America, including the Boston Symphony, Chicago Symphony, Cleveland Orchestra, Los Angeles Philharmonic, New York Philharmonic, Philadelphia Orchestra, San Francisco Symphony. His worldwide presence has been rapidly rising, with recent appearances with the Bavarian Radio Orchestra, Royal Concertgebouw Orchestra, London Philharmonic, Munich Philharmonic, Orquesta Nacional de España, Oslo Philharmonic, São Paulo Symphony, the radio orchestras of Frankfurt, Saarbrücken, Stuttgart, and Cologne, and the Academy of St. Martin in the Fields.
    [Show full text]
  • Chicago Presents Symphony Muti Symphony Center
    CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI zell music director SYMPHONY CENTER PRESENTS 17 cso.org1 312-294-30008 1 STIRRING welcome I have always believed that the arts embody our civilization’s highest ideals and have the power to change society. The Chicago Symphony Orchestra is a leading example of this, for while it is made of the world’s most talented and experienced musicians— PERFORMANCES. each individually skilled in his or her instrument—we achieve the greatest impact working together as one: as an orchestra or, in other words, as a community. Our purpose is to create the utmost form of artistic expression and in so doing, to serve as an example of what we can achieve as a collective when guided by our principles. Your presence is vital to supporting that process as well as building a vibrant future for this great cultural institution. With that in mind, I invite you to deepen your relationship with THE music and with the CSO during the 2017/18 season. SOUL-RENEWING Riccardo Muti POWER table of contents 4 season highlight 36 Symphony Center Presents Series Riccardo Muti & the Chicago Symphony Orchestra OF MUSIC. 36 Chamber Music 8 season highlight 37 Visiting Orchestras Dazzling Stars 38 Piano 44 Jazz 10 season highlight Symphonic Masterworks 40 MusicNOW 20th anniversary season 12 Chicago Symphony Orchestra Series 41 season highlight 34 CSO at Wheaton College John Williams Returns 41 CSO at the Movies Holiday Concerts 42 CSO Family Matinees/Once Upon a Symphony® 43 Special Concerts 13 season highlight 44 Muti Conducts Rossini Stabat mater 47 CSO Media and Sponsors 17 season highlight Bernstein at 100 24 How to Renew Guide center insert 19 season highlight 24 Season Grid & Calendar center fold-out A Tchaikovsky Celebration 23 season highlight Mahler 5 & 9 24 season highlight Symphony Ball NIGHT 27 season highlight Riccardo Muti & Yo-Yo Ma 29 season highlight AFTER The CSO’s Own 35 season highlight NIGHT.
    [Show full text]
  • Tchaikovsky (1840-1893) Concerto in D Major for Violin & Orchestra, Op
    JAN. 8–10 classical series SEGERSTROM CENTER FOR THE ARTS RENÉE AND HENRY SEGERSTROM CONCERT HALL presents 2014-15 HAL & JEANETTE SEGERSTROM FAMILY FOUNDATION CLASSICAL SERIES Performance begins at 8 p.m.; Preview talk with Alan chapman begins at 7 p.m. LEO HUSSAIN • conductor | AUGUSTIN HADELICH • violin toru takemitsu (1930-1996) Requiem Piotr ilyich tchaikovsky (1840-1893) Concerto in D Major for Violin & Orchestra, Op. 35, TH 59 Allegro moderato canzonetta: Andante Finale: Allegro vivacissimo Augustin Hadelich intErMiSSion Jean Sibelius (1865-1957) Symphony No. 2 in D Major, Op. 43 Allegretto Andante; ma rubato vivacissimo Finale: Allegro moderato this appearance by Augustin Hadelich is generously sponsored by Sam B. Ersan. PACIFIC SYMPHONY PROUDLY RECOGNIZES ITS OFFICIAL PARTNERS official vehicle official Hotel official television Station official classical radio Station the Saturday, Jan. 10, performance is being recorded for broadcast on Sunday, March 8, at 7 p.m. on classical KuSc. NOTES by michael clive thousands of Japanese civilians living underground in a network of shelters in the mountains west of tokyo that had been excavated as a civil defense measure against invasion. the 14-year-old takemitsu had never heard non-Japanese music, and no music was permitted in the shelters except for patriotic songs. But in the midst of these bleak, militarized conditions, an officer played some unauthorized music to distract some children including takemitsu. His revelation came at an unlikely moment, as he listened to the French monologist and chanteuse lucienne Boyer singing her biggest hit, the romantic “Parlez-moi d’amour.” But he credited it as the beginning of his musical awareness.
    [Show full text]
  • A B C a B C D a B C D A
    24 go symphonyorchestra chica symphony centerpresent BALL SYMPHONY anne-sophie mutter muti riccardo orchestra symphony chicago 22 september friday, highlight season tchaikovsky mozart 7:00 6:00 Mozart’s fiery undisputed queen ofviolin-playing” ( and Tchaikovsky’s in beloved masterpieces, including Rossini’s followed by Riccardo Muti leading the Chicago SymphonyOrchestra season. Enjoy afestive opento the preconcert 2017/18 reception, proudly presents aprestigious gala evening ofmusic and celebration The Board Women’s ofthe Chicago Symphony Orchestra Association Gala package guests will enjoy postconcert dinner and dancing. rossini Suite from Suite 5 No. Concerto Violin to Overture C P s oncert reconcert Reception Turkish The Sleeping Beauty Concerto. The SleepingBeauty William Tell conducto The Times . Anne-Sophie Mutter, “the (Turkish) William Tell , London), performs London), , media sponsor: r violin Overture 10 Concerts 10 Concerts A B C A B 5 Concerts 5 Concerts D E F G H I 8 Concerts 5 Concerts E F G H 5 Concerts 6 Conc. 5 Concerts THU FRI FRI SAT SAT SUN TUE 8:00 1:30 8:00 2017/18 8:00 8:00 3:00 7:30 ABCABCD ABCDAAB Riccardo Muti conductor penderecki The Awakening of Jacob 9/23 9/26 Anne-Sophie Mutter violin tchaikovsky Violin Concerto schumann Symphony No. 2 C A 9/28 9/29 Riccardo Muti conductor rossini Overture to William Tell 10/1 ogonek New Work world premiere, cso commission A • F A bruckner Symphony No. 4 (Romantic) A Alain Altinoglu conductor prokoFIEV Suite from The Love for Three Oranges Sandrine Piau soprano poulenc Gloria Michael Schade tenor gounod Saint Cecilia Mass 10/5 10/6 Andrew Foster-Williams 10/7 C • E B bass-baritone B • G Chicago Symphony Chorus Duain Wolfe chorus director 10/26 10/27 James Gaffigan conductor bernstein Symphonic Suite from On the Waterfront James Ehnes violin barber Violin Concerto B • I A rachmaninov Symphonic Dances Sir András Schiff conductor mozart Serenade for Winds in C Minor 11/2 11/3 and piano bartók Divertimento for String Orchestra 11/4 11/5 A • G C bach Keyboard Concerto No.
    [Show full text]