A Literary Analysis of the Flood Story As a Semitic Type-Scene
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Lesson 13 the Tower of Babel and the Mission Of
May 26, 2019 God created everything in the world to declare Lesson 13 his glory. The Tower of Babel and the What did God say after each part of creation? Mission of God It was good. He created everything for his glory, but he created humans in his image. Does that mean we look like God? Not exactly. Whereas Genesis 11:1-9; Psalm 67; creation glorifies God by displaying his power Revelation 5:9-12 and beauty, we manifest his personal attributes like love, grace, mercy, and justice. A tree cannot Application – All believers have an important give you a hug and tell you it loves you. A tree role to play in fulfilling the mission of God. cannot defend the weak and stand against the proud. But a person can display those parts of Introduction God’s character. Genesis 1:28 explains, God What do you think of when you hear the word created us in his image and said, “Be fruitful, missions? Do you picture dirt floor huts, cold multiply, and fill the earth.” He tells them to fill showers, and strange food? Do you picture the earth with image bearers for God’s glory. lonely, isolated villages? Do you picture underground churches and missionaries dodging 2) The Fall: Genesis 3 shady international governments? Adam and Eve disobeyed God, eating the fruit of the tree from which he told them not to eat. At Missions may indeed involve some of those the Fall, sin and death entered the world for the things, but the Missio Dei, the mission of God, is first time. -
020 7226 1787
Go Noah Go! Education Pack littleangeltheatre.com | 020 7226 1787 John Wright, the founder of Little Angel Theatre, was born in South Africa in 1906. He travelled to England in 1935 and worked as an assistant stage manager for the Ballet Rambert while studying at the Central School of Art and Design. During this time he saw a puppet performance by Podrecca’s Piccoli and became hooked. John made his very first puppet in 1938. In 1961 John and his troupe found a derelict temperance hall in Islington and transformed it into a theatre, designed for the presentation of marionette shows. It opened on Saturday 24th November 1961. This was to be the first purpose built puppet theatre the country had seen for many years and the only one with a permanent long string marionette bridge constructed backstage. The bridge was designed for puppeteers to stand on while they manipulate long stringed puppets who perform on the stage below leaving the audience unable to see the puppeteers. The original bridge is used to this day. The theatre has a traditional ‘proscenium arch’ and seats 100 audience members. John Wright died in 1991 but the work of the theatre continued apace with family, friends and supporters working tirelessly to continue in his footsteps to make sure John’s legacy would delight generations to come. How did Little Angel Theatre start? Angel Theatre start? How did Little “Over the next 30 years, the Little Angel team created and performed over 30 full-scale shows” A Great Flood is coming and Mr and Mrs Noah have been set the most impossible task: to take two of each animal and build them a home! A magical ark that is built on stage, over 50 carved animals and a host of songs to sing along with make this production one of Little Angel Theatre’s most successful and impressive shows. -
The Epic of Gilgamesh Humbaba from His Days Running Wild in the Forest
Gilgamesh's superiority. They hugged and became best friends. Name Always eager to build a name for himself, Gilgamesh wanted to have an adventure. He wanted to go to the Cedar Forest and slay its guardian demon, Humbaba. Enkidu did not like the idea. He knew The Epic of Gilgamesh Humbaba from his days running wild in the forest. He tried to talk his best friend out of it. But Gilgamesh refused to listen. Reluctantly, By Vickie Chao Enkidu agreed to go with him. A long, long time ago, there After several days of journeying, Gilgamesh and Enkidu at last was a kingdom called Uruk. reached the edge of the Cedar Forest. Their intrusion made Humbaba Its ruler was Gilgamesh. very angry. But thankfully, with the help of the sun god, Shamash, the duo prevailed. They killed Humbaba and cut down the forest. They Gilgamesh, by all accounts, fashioned a raft out of the cedar trees. Together, they set sail along the was not an ordinary person. Euphrates River and made their way back to Uruk. The only shadow He was actually a cast over this victory was Humbaba's curse. Before he was beheaded, superhuman, two-thirds god he shouted, "Of you two, may Enkidu not live the longer, may Enkidu and one-third human. As king, not find any peace in this world!" Gilgamesh was very harsh. His people were scared of him and grew wary over time. They pleaded with the sky god, Anu, for his help. In When Gilgamesh and Enkidu arrived at Uruk, they received a hero's response, Anu asked the goddess Aruru to create a beast-like man welcome. -
Writing and City Life
29 THEME2 writing and city life CITY life began in Mesopotamia*, the land between the Euphrates and the Tigris rivers that is now part of the Republic of Iraq. Mesopotamian civilisation is known for its prosperity, city life, its voluminous and rich literature and its mathematics and astronomy. Mesopotamia’s writing system and literature spread to the eastern Mediterranean, northern *The name Syria, and Turkey after 2000 BCE, so that the kingdoms of Mesopotamia is that entire region were writing to one another, and to the derived from the Pharaoh of Egypt, in the language and script of Mesopotamia. Greek words mesos, Here we shall explore the connection between city life and writing, and then look at some outcomes of a sustained meaning middle, tradition of writing. and potamos, In the beginning of recorded history, the land, mainly the meaning river. urbanised south (see discussion below), was called Sumer and Akkad. After 2000 BCE, when Babylon became an important city, the term Babylonia was used for the southern region. From about 1100 BCE, when the Assyrians established their kingdom in the north, the region became known as Assyria. The first known language of the land was Sumerian. It was gradually replaced by Akkadian around 2400 BCE when Akkadian speakers arrived. This language flourished till about Alexander’s time (336-323 BCE), with some regional changes occurring. From 1400 BCE, Aramaic also trickled in. This language, similar to Hebrew, became widely spoken after 1000 BCE. It is still spoken in parts of Iraq. Archaeology in Mesopotamia began in the 1840s. At one or two sites (including Uruk and Mari, which we discuss below), excavations continued for decades. -
Early Dynastic Cuneiform Range: 12480–1254F
Early Dynastic Cuneiform Range: 12480–1254F This file contains an excerpt from the character code tables and list of character names for The Unicode Standard, Version 14.0 This file may be changed at any time without notice to reflect errata or other updates to the Unicode Standard. See https://www.unicode.org/errata/ for an up-to-date list of errata. See https://www.unicode.org/charts/ for access to a complete list of the latest character code charts. See https://www.unicode.org/charts/PDF/Unicode-14.0/ for charts showing only the characters added in Unicode 14.0. See https://www.unicode.org/Public/14.0.0/charts/ for a complete archived file of character code charts for Unicode 14.0. Disclaimer These charts are provided as the online reference to the character contents of the Unicode Standard, Version 14.0 but do not provide all the information needed to fully support individual scripts using the Unicode Standard. For a complete understanding of the use of the characters contained in this file, please consult the appropriate sections of The Unicode Standard, Version 14.0, online at https://www.unicode.org/versions/Unicode14.0.0/, as well as Unicode Standard Annexes #9, #11, #14, #15, #24, #29, #31, #34, #38, #41, #42, #44, #45, and #50, the other Unicode Technical Reports and Standards, and the Unicode Character Database, which are available online. See https://www.unicode.org/ucd/ and https://www.unicode.org/reports/ A thorough understanding of the information contained in these additional sources is required for a successful implementation. -
(Un)Natural Pairings: Fantastic, Uncanny, Monstrous, and Cyborgian Encounters in Contemporary Central American and Hispanic Caribbean Literature” By
“(Un)Natural Pairings: Fantastic, Uncanny, Monstrous, and Cyborgian Encounters in Contemporary Central American and Hispanic Caribbean Literature” By Jennifer M. Abercrombie Foster @ Copyright 2016 Submitted to the graduate degree program in Spanish and Portuguese and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Co-Chairperson, Yajaira Padilla ________________________________ Co-Chairperson, Verónica Garibotto ________________________________ Jorge Pérez ________________________________ Vicky Unruh ________________________________ Hannah Britton ________________________________ Magalí Rabasa Date Defended: May 3, 2016 ii The Dissertation Committee for Jennifer M. Abercrombie Foster certifies that this is the approved version of the following dissertation: “(Un)Natural Pairings: Fantastic, Uncanny, Monstrous, and Cyborgian Encounters in Contemporary Central American and Hispanic Caribbean Literature” ________________________________ Co-Chairperson, Yajaira Padilla ________________________________ Co-Chairperson, Verónica Garibotto Date approved: May 9, 2016 iii Abstract Since the turn of the 20th century many writers, playwrights, and poets in Central America and the Hispanic Caribbean have published fantastic, gritty, and oftentimes unsettling stories of ghosts, anthropomorphic animals, zoomorphic humans, and uncanny spaces. These unexpected encounters and strange entities are an embodiment of muddled boundaries and -
The Epic of Gilgamesh
Cambridge University Press 978-0-521-88094-7 - The Cambridge Companion to the Epic Edited by Catherine Bates Excerpt More information 1 A. R. GEORGE The Epic of Gilgamesh Introduction The name ‘Epic of Gilgamesh’ is given to the Babylonian poem that tells the deeds of Gilgamesh, the greatest king and mightiest hero of ancient Mesopotamian legend. The poem falls into the category ‘epic’ because it is a long narrative poem of heroic content and has the seriousness and pathos that have sometimes been identified as markers of epic. Some early Assyri- ologists, when nationalism was a potent political force, characterized it as the ‘national epic’ of Babylonia, but this notion has deservedly lapsed. The poem’s subject is not the establishment of a Babylonian nation nor an episode in that nation’s history, but the vain quest of a man to escape his mortality. In its final and best-preserved version it is a sombre meditation on the human condition. The glorious exploits it tells are motivated by individ- ual human predicaments, especially desire for fame and horror of death. The emotional struggles related in the story of Gilgamesh are those of no collective group but of the individual. Among its timeless themes are the friction between nature and civilization, friendship between men, the place in the universe of gods, kings and mortals, and the misuse of power. The poem speaks to the anxieties and life-experience of a human being, and that is why modern readers find it both profound and enduringly relevant. Discovery and recovery The literatures of ancient Mesopotamia, chiefly in Sumerian and Babylonian (Akkadian), were lost when cuneiform writing died out in the first century ad. -
The Tower of Babel: the Dispersion of God's People
Denison Journal of Religion Volume 7 Article 3 2007 The oT wer of Babel: The Dispersion of God's People Stephanie Dixon Denison University Follow this and additional works at: http://digitalcommons.denison.edu/religion Part of the Ethics in Religion Commons, and the Sociology of Religion Commons Recommended Citation Dixon, Stephanie (2007) "The oT wer of Babel: The Dispersion of God's People," Denison Journal of Religion: Vol. 7 , Article 3. Available at: http://digitalcommons.denison.edu/religion/vol7/iss1/3 This Article is brought to you for free and open access by Denison Digital Commons. It has been accepted for inclusion in Denison Journal of Religion by an authorized editor of Denison Digital Commons. Dixon: The Tower of Babel: The Dispersion of God's People THE DENISON JOURNAL of RELIGION The Tower of Babel: The Dispersion of God’s People Stephanie Dixon he book of Genesis is filled with stories of how God and God’s creation interact. The book begins with the earth’s primordial couple, Adam Tand Eve. It continues by telling the story of the couple’s sons, Cain and Abel, and then moves into the story of the Great Flood and God’s relationship with Noah. After the Flood there comes a short but infamous story: the story of the Tower of Babel. What immediately distinguishes this story from those which precede it is the impersonality of the encounter between God and God’s creation. There is no main character with whom God communicates. Instead, God treats the whole of humanity. Though this could simply be a stylistic tactic of the sto- ryteller it also might be an indication that this story has a different purpose than those which come before it. -
The Tower of Babel Revisited: Global Governance As a Problematic Solution to Existential Threats, 19 N.C
NORTH CAROLINA JOURNAL OF LAW & TECHNOLOGY Volume 19 | Issue 1 Article 2 1-1-2018 The oT wer of Babel Revisited: Global Governance as a Problematic Solution to Existential Threats Craig S. Lerner Follow this and additional works at: https://scholarship.law.unc.edu/ncjolt Part of the Law Commons Recommended Citation Craig S. Lerner, The Tower of Babel Revisited: Global Governance as a Problematic Solution to Existential Threats, 19 N.C. J.L. & Tech. 69 (2018). Available at: https://scholarship.law.unc.edu/ncjolt/vol19/iss1/2 This Article is brought to you for free and open access by Carolina Law Scholarship Repository. It has been accepted for inclusion in North Carolina Journal of Law & Technology by an authorized editor of Carolina Law Scholarship Repository. For more information, please contact [email protected]. NORTH CAROLINA JOURNAL OF LAW & TECHNOLOGY VOLUME 19, ISSUE 1: OCTOBER 2017 THE TOWER OF BABEL REVISITED: GLOBAL GOVERNANCE AS A PROBLEMATIC SOLUTION TO EXISTENTIAL THREATS Craig S. Lerner* The Biblical story of the Tower of Babel illuminates contemporary efforts to secure ourselves from global catastrophic threats. Our advancing knowledge has allowed us to specify with greater clarity the Floods that we face (asteroids, supervolcanoes, gamma-ray bursts, etc.); our galloping powers of technology have spawned a new class of human-generated dangers (climate change, nuclear war, artificial intelligence, nanotechnology, etc.). Should any of these existential dangers actually come to pass, human beings, and even all life, could be imperiled. The claim that Man, and perhaps the Earth itself, hangs in the balance is said to imply the necessity of a global response. -
Amarna Period Down to the Opening of Sety I's Reign
oi.uchicago.edu STUDIES IN ANCIENT ORIENTAL CIVILIZATION * NO.42 THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO Thomas A. Holland * Editor with the assistance of Thomas G. Urban oi.uchicago.edu oi.uchicago.edu Internet publication of this work was made possible with the generous support of Misty and Lewis Gruber THE ROAD TO KADESH A HISTORICAL INTERPRETATION OF THE BATTLE RELIEFS OF KING SETY I AT KARNAK SECOND EDITION REVISED WILLIAM J. MURNANE THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO STUDIES IN ANCIENT ORIENTAL CIVILIZATION . NO.42 CHICAGO * ILLINOIS oi.uchicago.edu Library of Congress Catalog Card Number: 90-63725 ISBN: 0-918986-67-2 ISSN: 0081-7554 The Oriental Institute, Chicago © 1985, 1990 by The University of Chicago. All rights reserved. Published 1990. Printed in the United States of America. oi.uchicago.edu TABLE OF CONTENTS List of M aps ................................ ................................. ................................. vi Preface to the Second Edition ................................................................................................. vii Preface to the First Edition ................................................................................................. ix List of Bibliographic Abbreviations ..................................... ....................... xi Chapter 1. Egypt's Relations with Hatti From the Amarna Period Down to the Opening of Sety I's Reign ...................................................................... ......................... 1 The Clash of Empires -
Sintflut Textübersicht
Die Sintfluterzählung (Gen 6,5-9,17) – Eine Komposition aus zwei unterschiedlichen Erzählsträngen (Quellen?) Die Sintfluterzählung ist ein Lehrbeispiel dafür, dass die Unterscheidung in unterschiedliche Erzählstränge (Quellen) eine sinnvolle Hypothese zum Verständnis biblischer Texte ist. Auch im Text der Lutherbibel lässt sich mühelos erkennen, dass dem jetzigen Text der Sintfluterzählung zwei unterschiedliche Variationen desselben Erzählstoffes zugrunde liegen. Erkennbar sind sie sowohl an Widersprüchen im Erzählablauf als auch in Doppelungen einzelner Züge der Erzählung. (Vgl. Skript: Grundkurs AT, Kap. 5). 1. Ursache der Flut 6,5: Bosheit aller Menschen 6,11f. Verderbnis der Erde und allen Fleisches 2. Tiere in der Arche 7,2: Sieben reine und zwei unreine 6,19f: je zwei von allem Tiere bzw. Tierpaare Lebendigen 3. Dauer der Flut 7,4.12: vierzig Tage und vierzig 7,6; 8,13 = 7,11; 8,14: genau ein Nächte Jahr 4. Art der Flut 7,6; 8,2f. Sturzregen, nach dessen 7,11; 8,1f: Hervorbrechen der Aufhören das Wasser verläuft Urflut von unten und von oben 5. Herausgehen aus der Arche 8,6 12: nach Noahs 8,15 17: aufgrund der „Vogelexperiment“ Aufforderung Gottes Nahezu alle wichtigen Etappen des Geschehens werden zweimal erzählt, wobei die konkreten Vorstellungen jeweils variieren. Die nachstehende Tabelle sammelt die wichtigsten vierzehn Doppelungen und ordnet sie in zwei sinnvolle Geschehensfolgen: 1. Bosheit der Menschen 6,5 6,11-12 2. Entschluss zur Vernichtung 6,7 6,13 3. Ankündigung der Flut 7,4 6,17 4. Befehl zum Besteigen der Arche 7,1 6,18 5. Aufforderung zur Mitnahme einer bestimmten Zahl von Tieren 7,2 6,19-20 6. -
Mesopotamian Epic."
' / Prof. Scott B. Noege1 Chair, Dept. of Near Eastern Languages and Civilization University of Washington "Mesopotamian Epic." First Published in: John Miles Foley, ed. The Blackwell Companion to Ancient Epic London: Blackwell (2005), 233-245. ' / \.-/ A COMPANION TO ANCIENT EPIC Edited by John Miles Foley ~ A Blackwell '-II Publishing ~"o< - -_u - - ------ @ 2005 by Blackwell Publishing Ltd BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right ofJohn Miles Foley to be identified as the Author of the Editorial Material in this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. First published 2005 by Blackwell Publishing Ltd 1 2005 Library of Congress Cataloging-in-Publication Data A companion to ancient epic / edited by John Miles Foley. p. cm. - (Blackwell companions to the ancient world. Literature and culture) Includes bibliographical references and index. ISBN 1-4051-0524-0 (alk. paper) 1. Epic poetry-History and criticism. 2. Epic literature-History and criticism. 3. Epic poetry, Classical-History and criticism. I. Foley, John Miles. II. Series. PN1317.C662005 809.1'32-dc22 2004018322 ISBN-13: 978-1-4051-0524-8 (hardback) A catalogue record for this title is available from the British Library.