DOCSLIB.ORG

October 1917) James Francis Cooke

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
October 1917) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 10-1-1917 Volume 35, Number 10 (October 1917) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 35, Number 10 (October 1917)." , (1917). https://digitalcommons.gardner-webb.edu/etude/640 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact digitalcommons@gardner-webb.edu. k I THE ETUDE Page 637 OCTOBER 1917 j«w'B1»sss,'sgah.»- {Continuedon fiagHor.) 1 THE ETUDE Page 639 OCTOBER 1917 OCTOBER 1917 Page 638 THE ETUDE Thanksgiving Music Guise-BysAM loyd Greatest Educational Work of the Age Famous Violinists in Puzzle THE following selection is made from Ten Prizes for Best Answers ATribute to American Pedagogy our standard publications; it in ___ Mathews’ Standard eludes some new music, especially fo the organ. In addition to these titles Graded Course of which are made up from our own cata logj we have in stock music of all pub StudieshPianoforte 1,000,000 fishers.. We would be pleased to send for your examination copies of any Compiled by W. S. B. MATHEWS music we hav£ The Leading Musical Writer and Copies Sold of These Works Theo. Presser Company Educator of the Preaent Time A COMPLETE course of standard ANTHEMS FOR THANKSGIVING TOUCH AND TECHNIC 5952 And God Said Let the Earth. from the best composers for the tivation of technic, taste and sight By DR. WM. MASON reading, carefully edited, fingered, 6280 Come and Worship the Lord. phrased, and annotated and supple¬ In four books. Price 31.00 each. Schoehel . mented with complete directions for A complete technic from the beginning to the finished artist. 10138 Come Sing Before the Lord. the application of Mason’s “System Two-finger Exercises; The Scales; The Arpeggio; Octave and Bravura Playing. 10062 Earth is the Lord’s, The. of Touch and Technic” for the pro¬ J. W. Lerman.. duction of a modern style of playing. 10733 Great is the Lord. A. -T. Boex 10740 How Excellent is Thy Loving Thirty years ago Music Teaching in Kindness. K. S. Barnes.. America was for the most part con¬ 6286 X Will Magnify Thee. Do Beef ducted in the most slip-shod and ex¬ 10370 It is a Good Thing to Give THE STANDARD Thanks. Patty Stair.... travagant manner imaginable. The 0082 Let the Righteous be Glad. teachers were not to blame for the C. Darnton . enormous expense of purchasing GRADED COURSE OF STUDIES 10782 Lord God, We Worship Thee! dividual studies and pieces of music (New.) Stults. By W. S. B. MATHEWS 6209 Iiord is My Strength, The. for educational purposes, nor were T. D. Williams. they to blame if they did not have the In 10 grades, 10 books. 31.00 each. 5964 Lord of the Harvest, Thee We experience to select the best studies Hail. P. H. Brackett. A compilation of standard studies progressively arranged, edited, fingered, 10482 Lord Reigneth, The. (New.) for the right time. The Graded Course T. D. 1 illiams idea is an original creation of the annotated, for the cultivation of Technic, Taste and Sight Reading. 10011 Make a Joyful Noise Unto tl Presser House. The Standard Graded Lord. K. A. Mueller. 5953 Make a Joyful Noise Unto tl Course has succeeded because Lord. Simner . built along the lines which years of ex¬ Universally used by the leading educators of America. perience had shown to be necessary. American works for American teachers. Thousands of unsolicited testimonials are being constantly received. CHIEF ADVANTAGES 10582 O Lord, How Manifold. Recommended by the world’s greatest musicians. (New.) Albert Ham. 10788 O Lord, How Manifold. (New.) Pierce . 71 O Lord, How Manifold Are Every teacher should examine a set of these works. Sent on inspection by the Thy Works. Barnby. 10313 O Lord, How Manifold Are publisher to any responsible person. Thy Works. Easthnui.... 10434 O Praise the Lord. Stults. 75 O Praise the Lord, All Ye PROGRESS SaSSSSft' THEO. PRESSER CO. Nations. Hanks . 10008 Our Country. (Festival 1712 CHESTNUT STREET PHILADELPHIA, PA. Choral March.) Whiting. 65 Praise the Lord, All Ye Nations. Fiske . VARIETY EJ 10358 Praise the Lord, O My Soul. Watson . 10004 Praise the Lord, O Jerusalem. C. Darnton . THE GEMS OF CZERNY ARRANGED AS • 25 Praise^the Lord,^ Ye Servants. taught by any teacher withoul ence or training in this course. There is do arbi- 44 Praise Ye the Father. Gounod A GRADED COURSE OF STUDIES 6289 Rejoice, the Lord is King. INTFRFST Only the most interesting 1 fcKL*51 practical studieshave been sel ed. The course always proves most fascinating to pupils, especially when compared with the old- 10095 To Thee, O Lord, Our Hearts fashioned method of using ponderous volume We Raise. W. Berwald. by one composer. 5950 To Thee, O Lord, Our Hearts Selected “Czerny” Studies We Raise. Dressier. 10073 Worship the Lord. J. L. MAKE NO MISTAKE Galbraith . Revised, Edited and Fingered, with Copious 10485 Ye Shall Go Out With Joy. A. F. Andrews. Annotations, by EMIL LIEBLING SONGS FOR THANKSGIVING IN THREE BOOKS PRICE 90 CENTS EACH 4485 do. Low 10 GRADES; 10 VOLUMES; 4489 do. Med. $1.00 EACH VOLUME VALUABLE and noteworthy addition to the technical litera¬ 12851 Hymn of Thanksgiving, A. A High. Walter S. Young.. Our usual discount is allowed. Send for ai „ ture of the pianoforte. This work represents a diligent sift¬ 12852 do. Low. all the volumes for inspection. When ordering ing and careful selection of material from the entire works of 1782 O Give Thanks.. Low. L. mention Mathews’ Standard Graded Course, — Feldpauche . there are others with similar names upon t Czerny, including all the popular opus num- 3277 Praise the Lord! Med. (Fr. bers together with many less known, but & Eng. Text.) George Rupes equally meritoriou s studies. Mr. Liebling’s DUETS STANDARD editorial work has been 5193 Be Glad, Ye Righteous. Mez.- of the most exact and Sop. i . Teno CONCERT ETUDES painstaking character from both the technical erpr sides; the annotations --- F. G. Rathbun FOR ADVANCED STUDY are of real practical value and musical in¬ 6468 Song of Praise, A. Sop. and Baritone. G. Goublier ... Price, $1.00 Grades IX to XI terest. The three volumes, which are ORGAN MUSIC These pieces are bound in book form, each se¬ carefully and closely graded, the studies be- lected for some standard technical essential; for 13709 Allegro Moderato in G. E. S. instance, the two compositions by Saint-Saens are ing arranged in pro¬ gressive order, range Hosmer .$o made up exclusively of rapid reiterated chords. 12957 Alleluia! Geo. Noyes Rock- Four of the pieces abound in arpeggio forms in difficulty from the early second to the sev- J -i-'-3rs in extended and arpeggioed chords, enth grade. Czerny’s mastery of technical de- irs in rhythmical puzzles, but all are of Each of the 10 Pictures Represents the Name of a Famous Violinist. Who are They? grade and content, famous pieces, ready tail and his mastery of musical expression are esentation—-" abundantly developed truly remarkable; he 11448 Marche Militaire.' ' ' Roland was a most voluminous Higgle . Sam Loyd, the puzzle-maker, has come to The Etude. To each of the 10 persons who send the best answers to Paderewski (Pad plus Ermine plus Sew minus Mines plus composers of them by composers st writer. The object of :his present compila- 13147 Marche Pontificate. Rene L all of the puzzles, will be awarded a copy of the “Cyclo¬ Ski) : No. 8, Busoni (Bus plus Onion plus Eden minus One living. A< Becker . This month’s puzzle page deals with a collection of famous Graded Cc tion is to present his very best studies of all grades in attractive and violinists of to-day. Each of the ten pictures represents pedia of 5,000 Puzzles, Games, Tricks and Conundrums,” minus Den) : No. 9, Hofmann (Hot plus Ear minus Tear plug 13127 Postlude In G. E. S Hosmer Farm minus Arm plus Man plus None minus One) ; No. 10, convenient form for general use. The success of this work has been 13038 Prelude Militaire. Geo. Noves the name of a famous violinist. published at $5.00. Rockwell . The puzzle page Is not intended for the children alone. By “Best” is meant, in the first place, absolute correct¬ Rosenthal (Rose plue Patent minus Pate plus Half plus of the most flattering character. It is the best work of the kind 12088 Song of Joy. F Frank Fry Sam Loyd’s puzzles appeal to all the family. Work them ness of answers. Then if minor points of merit must be Ace minus Pace). s solicited and filled to all pa ever offered.. It is printed from beautifully engraved special plates 13494 Song of the Angels. T. D. out together some cozy evening as you sit around the table taken Into consideration in selecting the winners, neatness, AUGUST PRIZE WINNERS and substantially and thoroughly bound in heavy paper. In the living room. clearness, etc., will be deciding factors. 11351 Spring Song. Whiting- Mr. Loyd will examine all letters received and his adjudi¬ Miss Mabel Chipman, Redgranite, Wls.: Louise Trow¬ Mendelssohn.
Load more

Recommended publications
  • University of Florida Thesis Or Dissertation Formatting
    IRISH MUSIC AND HOME-RULE POLITICS, 1800-1922 By AARON C. KEEBAUGH A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2011 1 © 2011 Aaron C. Keebaugh 2 ―I received a letter from the American Quarter Horse Association saying that I was the only member on their list who actually doesn‘t own a horse.‖—Jim Logg to Ernest the Sincere from Love Never Dies in Punxsutawney To James E. Schoenfelder 3 ACKNOWLEDGMENTS A project such as this one could easily go on forever. That said, I wish to thank many people for their assistance and support during the four years it took to complete this dissertation. First, I thank the members of my committee—Dr. Larry Crook, Dr. Paul Richards, Dr. Joyce Davis, and Dr. Jessica Harland-Jacobs—for their comments and pointers on the written draft of this work. I especially thank my committee chair, Dr. David Z. Kushner, for his guidance and friendship during my graduate studies at the University of Florida the past decade. I have learned much from the fine example he embodies as a scholar and teacher for his students in the musicology program. I also thank the University of Florida Center for European Studies and Office of Research, both of which provided funding for my travel to London to conduct research at the British Library. I owe gratitude to the staff at the Library of Congress in Washington, D.C. for their assistance in locating some of the materials in the Victor Herbert Collection.
    [Show full text]
  • NUI MAYNOOTH Ûllscôst La Ttéiîéann Mâ Üuad Charles Villiers Stanford’S Preludes for Piano Op.163 and Op.179: a Musicological Retrospective
    NUI MAYNOOTH Ûllscôst la ttÉiîéann Mâ Üuad Charles Villiers Stanford’s Preludes for Piano op.163 and op.179: A Musicological Retrospective (3 Volumes) Volume 1 Adèle Commins Thesis Submitted to the National University of Ireland, Maynooth for the degree of Doctor of Philosophy Department of Music National University of Ireland, Maynooth Maynooth Co. Kildare 2012 Head of Department: Professor Fiona M. Palmer Supervisors: Dr Lorraine Byrne Bodley & Dr Patrick F. Devine Acknowledgements I would like to express my appreciation to a number of people who have helped me throughout my doctoral studies. Firstly, I would like to express my gratitude and appreciation to my supervisors and mentors, Dr Lorraine Byrne Bodley and Dr Patrick Devine, for their guidance, insight, advice, criticism and commitment over the course of my doctoral studies. They enabled me to develop my ideas and bring the project to completion. I am grateful to Professor Fiona Palmer and to Professor Gerard Gillen who encouraged and supported my studies during both my undergraduate and postgraduate studies in the Music Department at NUI Maynooth. It was Professor Gillen who introduced me to Stanford and his music, and for this, I am very grateful. I am grateful to the staff in many libraries and archives for assisting me with my many queries and furnishing me with research materials. In particular, the Stanford Collection at the Robinson Library, Newcastle University has been an invaluable resource during this research project and I would like to thank Melanie Wood, Elaine Archbold and Alan Callender and all the staff at the Robinson Library, for all of their help and for granting me access to the vast Stanford collection.
    [Show full text]
  • Download Booklet
    Benjamin James Dale (1885–1943): The Romantic Viola majesty and grandeur and a melodic sweep such as some of his original intentions in his compositions. There none other of the present generation of string- are many instances, not only in the Phantasy but also in Suite for Viola and Piano in D major, Op. 2 writers seems able to approach”. the Suite, where although he keeps a long, legato Introduction and Andante for Six Violas, Op. 5 • Phantasy for Viola and Piano, Op. 4 melody in the piano part, the viola part for a similar or Dale promoted a number of techniques that were even identical melody is broken up, with tenuto markings Edwin Evans wrote of Dale in The Musical Times on 1st October 1906. This was followed by a performance of the not often used in English chamber music at the time, to separate the legato line. I personally feel that this may May 1919: “ʻHe has written fewer and better works than complete work in 1907. Tertis, who was particularly fond such as pizzicato, tremolos, ponticello and harmonics in have been Tertisʼs suggestion, in order to give the viola any English composer of his generation.ʼ That is the of the first two movements, asked Dale to orchestrate all six parts, also instructing the sixth violaʼs C string to part a better chance of being heard alongside the considered opinion of a well-known English musician.” them. The orchestrated versions were subsequently be tuned down to a G in order to reach the bass A flat in beautiful but nevertheless somewhat thick piano writing.
    [Show full text]
  • Download Booklet
    557592 bk Bax UK/US 8/03/2005 02:22pm Page 5 Ashley Wass Also available: The young British pianist, Ashley Wass, is recognised as one of the rising stars of his generation. Only the second British pianist in twenty years to reach the finals of the Leeds Piano Competition (in 2000), he was the first British BAX pianist ever to win the top prize at the World Piano Competition in 1997. He appeared in the ‘Rising Stars’ series at the 2001 Ravinia Festival and his promise has been further acknowledged by the BBC, who selected him to be a New Generations Artist over two seasons. Ashley Wass studied at Chethams Music School and won a scholarship to the Royal Academy of Music to study with Christopher Elton and Hamish Milne. He was made an Associate of the Piano Sonatas Nos. 3 and 4 Royal Academy in 2002. In 2000/1 he was a participant at the Marlboro Music Festival, playing chamber music with musicians such as Mitsuko Uchida, Richard Goode and David Soyer. He has given recitals at most of the major British concert halls including the Wigmore Hall, Queen Elizabeth Hall, Purcell Room, Bridgewater Hall and St Water Music • Winter Waters David’s Hall. His concerto performances have included Beethoven and Brahms with the Philharmonia, Mendelssohn with the Orchestre National de Lille and Mozart with the Vienna Chamber Orchestra at the Vienna Konzerthaus and the Brucknerhaus in Linz. He has also worked with Sir Simon Rattle and the City of Birmingham Symphony Orchestra, the London Mozart Players, the BBC Scottish Symphony Orchestra and the BBC Ashley Wass Philharmonic.
    [Show full text]
  • Works S11-1.Pub
    Fall 2010-Spring 2011 The Official Arts Publication of Sauk Valley Community College TheThe WorksWorks honorable mention in student visual art contest (above): Carlow, Ireland by William Brown Fiction Poetry Visual Arts The Anne Horton Writing Award 2011 Film Review Contest The Works Editorial Staff . Sara Beets Elizabeth Conderman Cody Froeter Tessa Ginn Tracy Hand Steven Hoyle James Hyde Jamie Lybarger Lauren Walter David Waters Faculty Advisor . Tom Irish * * * * * Special thanks to SVCC’s Foundation, Student Government Association, and English Department 2 Table of Contents . POETRY: First Place: Human Cannibalization: A Study, by Lauren Walter . 4 Honorable Mention: At the End of the Wind, by Phil Arellano . 6 Doesn’t Feel Right, by Sara Beets . 7 Goodnight, by Hayleigh Covella . 8 Two Caves, by Corey Coomes . .10 Doesn’t Feel Right, by Tessa Ginn . 11 Speed Kills, by Corey Coomes . 12 Something About Bravery, by Lauren Walter . .13 In My Place, by Jamie Lybarger . 14 Oh Sweetie, Oh Please, by Hayleigh Covella . 16 Mortal, by Sara Beets . 17 Hot Tears of Love, by Len Michaels . 18 Unimpressed, by Hayleigh Covella . 19 Planet Mars-Population: Failure, by Sara Beets . 20 Seventh Sin: A Collection of Poetry, by Sara Beets , Tessa Ginn, and Lauren Walter . 22 FICTION: First Place: Emperor Onion, by Elizabeth Conderman . 32 Honorable Mention: Buried, by Lauren Walter . 35 The Legend of the Pipperwhill, by Brooke Ehlert. 38 MICHAEL JUSTIN, by Rebekah Megill . 40 Just Animals, by Nick Sobottka . 42 The FINAL CHAPTER of NICK CARTER: The Price, by Jason Hedrick . 44 Pleasant Dreams, by Len Michaels . 47 A Very Short Story About Fruit Snacks, by Tom Irish .
    [Show full text]
  • The Apprenticeship of Duddy Kravitz Had Been a Popular Movie, with Richard Dreyfuss Playing a Jewish Nerd
    Begin Reading Table of Contents About the Author Photos Copyright Page Thank you for buying this Henry Holt and Company ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on Lenny Kravitz, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. For my mother I can’t breathe. Beneath the ground, the wooden casket I am trapped in is being lowered deeper and deeper into the cold, dark earth. Fear overtakes me as I fall into a paralytic state. I can hear the dirt being shoveled over me. My heart pounds through my chest. I can’t scream, and if I could, who would hear me? Just as the final shovel of soil is being packed tightly over me, I convulse out of my nightmare into the sweat- and urine-soaked bed in the small apartment on the island of Manhattan that my family calls home. Shaken and disoriented, I make my way out of the tiny back bedroom into the pitch-dark living room, where my mother and father sleep on a convertible couch. I stand at the foot of their bed just staring … waiting.
    [Show full text]
  • Information to Users
    INFORMATION TO U SER S This manuscript has been reproduced from the microfilm master UMl films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer The quality of this reproduction is dependent upon the quality of the copy submitted.Broken or indistinct phnt, colored or poor quality illustrations and photographs, print bleedthrough. substandard margins, and improper alignment can adversely affect reproduction In the unlikely event that the author did not send UMl a complete manuscript and there are missing pages, these will be noted. Also, if unauthonzed copyright material had to be removed, a note will indicate the deletion Oversize materials (e g . maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. ProQuest Information and Learning 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 800-521-0600 UMl® UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE MICHAEL HEAD’S LIGHT OPERA, KEY MONEY A MUSICAL DRAMATURGY A Document SUBMITTED TO THE GRADUATE FACULTY In partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS By MARILYN S. GOVICH Norman. Oklahoma 2002 UMl Number: 3070639 Copyright 2002 by Govlch, Marilyn S. All rights reserved. UMl UMl Microform 3070639 Copyright 2003 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17. United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O.
    [Show full text]
  • Kd Lagu Judul Lagu Penyanyi Mark
    By Titles # Harga @lagu hanya Rp.1000,- # Minimal 100 lagu, 500 lagu bonus SOFTWARE YEN-KARAOKE # Format file DAT/MPEG # Paket : DVD # Pembayaran Via Transfer Bank Mandiri No.Rek. 156-00-0223716-4 A/n Yendry # Pengiriman Via jasa JNE # Contact : Yendry 0812 50000 150 Beri tanda 1 pada kolom Mark untuk lagu pilihan Kirim xls ini kembali ke karaokeindo@yahoo.com bila anda memesan lagu2 karaoke berikut ini Kd_Lagu Judul_Lagu Penyanyi Mark E-0001 1 2 3 4 PLAIN WHITE TS Total lagu yg dip E-0002 1+1=CINTA BROERY PESOLIMA E-0003 100% PURE LOVE CRYSTAL WATER E-0004 1000 STARS NATALIE BASSINGTHWAIGTHE Harga E-0005 12 STEP CLARA FEAT MISSY ELLIOT E-0006 123 WHITNEY HOUSTON E-0007 18 TILL I DIE NN BARAT E-0008 1973 JAMES BLUNT E-0009 1999 PRINCE E-0010 21 GUNS GREEN DAY E-0011 21ST CENTURY BREAKDOWN GREEN DAY E-0012 25 MINUTES MLTR E-0013 25 OR 6 TO 4 NN BARAT E-0014 3 WORDS CHERYL COLE AND WILL I AM E-0015 3 BRITNEY SPEARS E-0016 30 SECONDS TO MARS A BEAUTIFUL LIE E-0017 4 EVER THE VERONICAS E-0018 4 MINUTES MADONNA FEAT JUSTIN E-0019 500 MILES AWAY FROM HOME PETER PAUL AND MARY E-0020 500 MILES PETER PAUL AND MARY E-0021 7 DAYS CRAIG DAVIDS E-0022 7 SECONDS YOUSSON NDOUR E-0023 7 THINGS MILEY CYRUS E-0024 7 YEARS AND 50 DAYS GROOVE COVERAGE E-0025 7 PRINCE E-0026 9 TO 5 DOLLY PARTON E-0027 A BETTER LOVE NEXT TIME JOHNNY CHRISTOPHER E-0028 A BETTER MAN NN BARAT E-0029 A BLOSSOM FELL NAT KING COLE E-0030 A CERTAIN KIND NN BARAT E-0031 A CERTAIN SMILE NN BARAT E-0032 A DEAR JOHN LETTER SKEETER DAVIDS E-0033 A DIFFERENT BEAT BOYZONE E-0034 A DIFFERENT
    [Show full text]
  • Eurovision Karaoke
    1 Eurovision Karaoke ALBANÍA ASERBAÍDJAN ALB 06 Zjarr e ftohtë AZE 08 Day after day ALB 07 Hear My Plea AZE 09 Always ALB 10 It's All About You AZE 14 Start The Fire ALB 12 Suus AZE 15 Hour of the Wolf ALB 13 Identitet AZE 16 Miracle ALB 14 Hersi - One Night's Anger ALB 15 I’m Alive AUSTURRÍKI ALB 16 Fairytale AUT 89 Nur ein Lied ANDORRA AUT 90 Keine Mauern mehr AUT 04 Du bist AND 07 Salvem el món AUT 07 Get a life - get alive AUT 11 The Secret Is Love ARMENÍA AUT 12 Woki Mit Deim Popo AUT 13 Shine ARM 07 Anytime you need AUT 14 Conchita Wurst- Rise Like a Phoenix ARM 08 Qele Qele AUT 15 I Am Yours ARM 09 Nor Par (Jan Jan) AUT 16 Loin d’Ici ARM 10 Apricot Stone ARM 11 Boom Boom ÁSTRALÍA ARM 13 Lonely Planet AUS 15 Tonight Again ARM 14 Aram Mp3- Not Alone AUS 16 Sound of Silence ARM 15 Face the Shadow ARM 16 LoveWave 2 Eurovision Karaoke BELGÍA UKI 10 That Sounds Good To Me UKI 11 I Can BEL 86 J'aime la vie UKI 12 Love Will Set You Free BEL 87 Soldiers of love UKI 13 Believe in Me BEL 89 Door de wind UKI 14 Molly- Children of the Universe BEL 98 Dis oui UKI 15 Still in Love with You BEL 06 Je t'adore UKI 16 You’re Not Alone BEL 12 Would You? BEL 15 Rhythm Inside BÚLGARÍA BEL 16 What’s the Pressure BUL 05 Lorraine BOSNÍA OG HERSEGÓVÍNA BUL 07 Water BUL 12 Love Unlimited BOS 99 Putnici BUL 13 Samo Shampioni BOS 06 Lejla BUL 16 If Love Was a Crime BOS 07 Rijeka bez imena BOS 08 D Pokušaj DUET VERSION DANMÖRK BOS 08 S Pokušaj BOS 11 Love In Rewind DEN 97 Stemmen i mit liv BOS 12 Korake Ti Znam DEN 00 Fly on the wings of love BOS 16 Ljubav Je DEN 06 Twist of love DEN 07 Drama queen BRETLAND DEN 10 New Tomorrow DEN 12 Should've Known Better UKI 83 I'm never giving up DEN 13 Only Teardrops UKI 96 Ooh aah..
    [Show full text]
  • English Songs
    English Songs 18000 04 55-Vũ Luân-Thoại My 18001 1 2 3-Gloria Estefan 18002 1 Sweet Day-Mariah Carey Boyz Ii M 18003 10,000 Promises-Backstreet Boys 18004 1999-Prince 18005 1everytime I Close My Eyes-Backstr 18006 2 Become 1-Spice Girls 18007 2 Become 1-Unknown 18008 2 Unlimited-No Limit 18009 25 Minutes-Michael Learns To Rock 18010 25 Minutes-Unknown 18011 4 gio 55-Wynners 18012 4 Seasons Of Lonelyness-Boyz Ii Me 18013 50 Ways To Leave Your Lover-Paul S 18014 500 Miles Away From Home-Peter Pau 18015 500 Miles-Man 18016 500 Miles-Peter Paul-Mary 18017 500 Miles-Unknown 18018 59th Street Bridge Song-Classic 18019 6 8 12-Brian McKnight 18020 7 Seconds-Unknown 18021 7-Prince 18022 9999999 Tears-Unknown 18023 A Better Love Next Time-Cruise-Pa 18024 A Certain Smile-Unknown 18025 A Christmas Carol-Jose Mari Chan 18026 A Christmas Greeting-Jeremiah 18027 A Day In The Life-Beatles-The 18028 A dear John Letter Lounge-Cardwell 18029 A dear John Letter-Jean Sheard Fer 18030 A dear John Letter-Skeeter Davis 18031 A dear Johns Letter-Foxtrot 18032 A Different Beat-Boyzone 18033 A Different Beat-Unknown 18034 A Different Corner-Barbra Streisan 18035 A Different Corner-George Michael 18036 A Foggy Day-Unknown 18037 A Girll Like You-Unknown 18038 A Groovy Kind Of Love-Phil Collins 18039 A Guy Is A Guy-Unknown 18040 A Hard Day S Night-The Beatle 18041 A Hard Days Night-The Beatles 18042 A Horse With No Name-America 18043 À La Même Heure Dans deux Ans-Fema 18044 A Lesson Of Love-Unknown 18045 A Little Bit Of Love Goes A Long W- 18046 A Little Bit-Jessica
    [Show full text]
  • Nonatonic Harmonic Structures in Symphonies by Ralph Vaughan Williams and Arnold Bax Cameron Logan Cam.Logan@Gmail.Com
    University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 12-2-2014 Nonatonic Harmonic Structures in Symphonies by Ralph Vaughan Williams and Arnold Bax Cameron Logan cam.logan@gmail.com Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Logan, Cameron, "Nonatonic Harmonic Structures in Symphonies by Ralph Vaughan Williams and Arnold Bax" (2014). Doctoral Dissertations. 603. https://opencommons.uconn.edu/dissertations/603 i Nonatonic Harmonic Structures in Symphonies by Ralph Vaughan Williams and Arnold Bax Cameron Logan, Ph.D. University of Connecticut, 2014 This study explores the pitch structures of passages within certain works by Ralph Vaughan Williams and Arnold Bax. A methodology that employs the nonatonic collection (set class 9-12) facilitates new insights into the harmonic language of symphonies by these two composers. The nonatonic collection has received only limited attention in studies of neo-Riemannian operations and transformational theory. This study seeks to go further in exploring the nonatonic‟s potential in forming transformational networks, especially those involving familiar types of seventh chords. An analysis of the entirety of Vaughan Williams‟s Fourth Symphony serves as the exemplar for these theories, and reveals that the nonatonic collection acts as a connecting thread between seemingly disparate pitch elements throughout the work. Nonatonicism is also revealed to be a significant structuring element in passages from Vaughan Williams‟s Sixth Symphony and his Sinfonia Antartica. A review of the historical context of the symphony in Great Britain shows that the need to craft a work of intellectual depth, simultaneously original and traditional, weighed heavily on the minds of British symphonists in the early twentieth century.
    [Show full text]
  • Eurovision Karaoke
    1 Eurovision Karaoke Eurovision Karaoke 2 Eurovision Karaoke ALBANÍA AUS 14 Conchita Wurst- Rise Like a Phoenix ALB 07 Hear My Plea BELGÍA ALB 10 It's All About You BEL 06 Je t'adore ALB 12 Suus BEL 12 Would You? ALB 13 Identitet BEL 86 J'aime la vie ALB 14 Hersi - One Night's Anger BEL 87 Soldiers of love BEL 89 Door de wind BEL 98 Dis oui ARMENÍA ARM 07 Anytime you need BOSNÍA OG HERSEGÓVÍNA ARM 08 Qele Qele BOS 99 Putnici ARM 09 Nor Par (Jan Jan) BOS 06 Lejla ARM 10 Apricot Stone BOS 07 Rijeka bez imena ARM 11 Boom Boom ARM 13 Lonely Planet ARM 14 Aram Mp3- Not Alone BOS 11 Love In Rewind BOS 12 Korake Ti Znam ASERBAÍDSJAN AZE 08 Day after day BRETLAND AZE 09 Always UKI 83 I'm never giving up AZE 14 Start The Fire UKI 96 Ooh aah... just a little bit UKI 04 Hold onto our love AUSTURRÍKI UKI 07 Flying the flag (for you) AUS 89 Nur ein Lied UKI 10 That Sounds Good To Me AUS 90 Keine Mauern mehr UKI 11 I Can AUS 04 Du bist UKI 12 Love Will Set You Free AUS 07 Get a life - get alive UKI 13 Believe in Me AUS 11 The Secret Is Love UKI 14 Molly- Children of the Universe AUS 12 Woki Mit Deim Popo AUS 13 Shine 3 Eurovision Karaoke BÚLGARÍA FIN 13 Marry Me BUL 05 Lorraine FIN 84 Hengaillaan BUL 07 Water BUL 12 Love Unlimited FRAKKLAND BUL 13 Samo Shampioni FRA 69 Un jour, un enfant DANMÖRK FRA 93 Mama Corsica DEN 97 Stemmen i mit liv DEN 00 Fly on the wings of love FRA 03 Monts et merveilles DEN 06 Twist of love DEN 07 Drama queen DEN 10 New Tomorrow FRA 09 Et S'il Fallait Le Faire DEN 12 Should've Known Better FRA 11 Sognu DEN 13 Only Teardrops
    [Show full text]