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Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 10-1-1911 Volume 29, Number 10 (October 1911) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 29, Number 10 (October 1911)." , (1911). https://digitalcommons.gardner-webb.edu/etude/574 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. “ORIG* UTY IN PIANO PLAYING” AND MANY NOTABLE VLADIMIR de PACHMANN ON FEATURES IN THIS SPECIAL “INSPIRATION” ISSUE OF THE ETUDE Important Request to Friends of The Etude . c __r.( m-ecenrinp’ o We have waited a long time for this opportunity,-the pnvilege of ^esena^g readers with a particularly good issue, which they might use m -n.reducing THE ETUDE k MONTHLY JOURNAL FOR THE MUSICIAN, THB MUSIC STUDENT. AND ALL MUSIC LOVERS. to their many friends who would be benefited by subscribing regala J. hich Edited by JAMES FRANCIS COOKE in it a FORCE which may incite many young music lovers to great succe , may revive the hopes of discouraged teachers. It is just the right kind induce pupils to get at their Fall work as they never have before. Here .s an oppormn.ty to help in the musical uplift of your fr,endsand promote the general mu*od welfere f our country Kindly ask your friends who do not take THE ETUDE to secure rms October “Self-Help, Uplift and Progress” issue, and judge from this how mdispensabl ft—r ._.• draft, or .r The Etude will be to them. er. United States postage stamps an »ived for cash. Money sent in letters mis, and we are not responsible for Many extremely successful teachers add the price of a subscription ($1.50) to the first tifition bill of the season knowing that THE ETUDE supplements the work of the teacher and complements the work of the pupil. The teacher s success deperd upon subscription expires. Explicit .lireetions giving parents satisfaction and in this THE ETUDE will help her more than anything else Vi ill l.e sent at die time of e£JJ.tr“*j£^alH possibly could. Show this issue to the intelligent parent and he will see at once that At 'On'the'~vil«pVier of tie next issue sent you will be worth many times $1.50 a year to the pupil. Read what one student has to say win be printed tlie date on wlneli your subscription is paid up, which serves as a page 708 of this issue. receipt for your subscription. XT1 SCRIPTS.—All manuscripts intended for publica¬ Teachers are not asked to get us subscribers for THE ETUDE solely in return tion should be addressed to THE ErlUb, for the good of music in their community. We give the greatest value in premium ?hestnut Street, i j should be’w..--- Contributions on topics a returns or in cash commission that is possible. We will gladly send our premium list on ■teaching and music-study j solicited. at are not available will be application and our cash commissions are as follows : ADVERTIS0G RATESI will be sent on application. 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Richard Wagner 658 The Foundation of Success ..Thomas Edison. These Offers Expire October 31, 1911 Champ Clark. Capt. Hobson, Stanley G. Hall, Booker T. Washington. «•>» lleeulnr Prlrr. Our Price Regular Prlrex Our Price Self-Hein Piano Course../!. .1/. Brower. L. THE ETUDE and the $1.50| bo™ FOR THEETUDEand Campbell. ./. /,. Erb. C. G. Hamilton. C W. Grimm. Mrs. Kotzschmar. .John Orth. WOMAN’S home Com- 1.50( $2.20 The Housekeeper J^00 1 .yU .lames II. lingers. 660 Gallery of Musical Celebrities. 601 PANION $3.00) $2.50J Octave Playing.E. M. Bowman 666 Inspiring Self-IIelP Thoughts. Regular Price N Our Price Regular Price Masters Who Have Triumphed by Self-Help. 66.i Overcoming Obstacles. Frederick Border, THE ETUDE . • ij.50 “ THE ETUDE . *• $1-50 \ Maud Powell. It. Huntington Woodman.. 666 Delineator . • A|Lj$2.00 Pictorial Review . 1.00 / First Lessons at the Piano.R. Palme 667 ^ "Madame Butterfly." Puccini’s Masterpiece.. 660 Modern Priscilla . -75 Mv Struggle for Success.... 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Hundreds of teachers' take advantage of this offer, some even donating the subscription On the Boulevard (violin and piano) Ignoring the above reasons, these three issues will contain fifty new and standard pieces ot music at ttie cost ol F. A. Franklin 693 about one-half cent each. This is in addition to the inspiration and the interest which is awakened by the reading oi Love Waiteth Yet to Greet Thee (vocal) The Etude pages. Let every teacher consider this offer, 25 cents cash for any three of the Summer issues. It will pay G. B. Kevin 694 to recommend its acceptance. Faith and Hope (vocal i.It. Millard 694 A1: Parting (vocal).Th. Lieurance 695 Canzonetta (pipe organ) .J. Frank Frysinger 696 THEODORE PRESSER CO. :: 1712 Chestnut Street :: Philadelphia, Pa. 651 THE ETUDE the etude 650 Geo. P. 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  • Dorothea Redepenning Russian Content in a European Form

    Dorothea Redepenning Russian Content in a European Form

    Dorothea Redepenning Russian Content in a European Form The Dialogue of Cultures in Music Ideas• of what should be considered “Russian” music and how it relates to “European” music have changed consid- erably in the course of Russian music history – a history that is in fact a music history of St. Petersburg. These changes in turn have corresponded to the rhythm of Euro- pean cultures. In other words, Russian music as an ele- vated form of art can only be understood through its ex- changes with non-Russian music and its contacts with other musical cultures that have helped propel it towards self-determination. Without such a dialogue, music, like any art, remains provincial; beyond the framework of its own culture, it remains unnoticed internationally. This was the case of Russian music before 1700 and, for the most part, Soviet music.1 What makes music Russian – or, generally speaking, typical of any nation – can be defined, on the one hand, by the level of material and subject matter used: References to or quotations from folk music and themes from a na- tion’s history make a music specific to a particular nation. On the other hand, what is typical can also be defined by the level of method. However, if a composer decides to use elements of folklore or national history, then his work •——— Dorothea Redepenning (1954) is Professor of Musicology at Heidelberg University. OSTEUROPA 2005, Sketches of Europe, S. 149–181 150 Dorothea Redepenning may become recognizably Russian, Italian or German. In doing so, however, he shares the decision to work this way with every composer who wishes to create a national piece of music.