DAWID ROGACZ* Knowledge and Truth in the Thought of Jizang (549
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On the Penetration of Dharmakya and Dharmadesana -Based on the Different Ideas of Dharani and Tathagatagarbha
On the Penetration of Dharmakya and Dharmadesana -based on the different ideas of dharani and tathagatagarbha- Kakusho U jike We can recognize many developements of the Buddhakaya theory in the evo- lution of Mahayana thought systems which are related to various doctrines such as the Vi jnanavada, etc. In my opinion, the Buddhakaya theory stressed how the Bodhisattvas or any living being can meet the eternal Buddha and enjoy the benefits of instruction on enlightenment from him. In the Mahayana, the concept of truth also developed parallel with the Bud- dhakaya theory and the most important theme for the Mahayanist is how to understand the nature of the Buddha who became one with the truth (dharma- kaya). That is to say, the problem of how to realize the truth is the same pro- blem of how to meet the eternal Buddha with the joy of uniting oneself with the realm of the Buddha's enlightenment (dharmadhatu). In this situation one's faculties are always tested in the effort to encounter and understand the real teaching of the Buddha, because the truth revealed by the Buddha is quite high and deep, going beyond the intellect of ordinary people The Buddha's teaching is understood only by eminent Bodhisattvas who possess the super power of hearing the subtle voice of the Buddha. One of the excellent means of the Bodhisattvas for hearing, memorizing, and preaching etc., the teachings of the Buddha is considered to be the dharani. Dharani seemed to appear at first in the Prajnaparamita-sutras or in other Sutras having close relation to theme). -
Reading the Miraculous Powers of Japanese Poetry Spells, Truth Acts, and a Medieval Buddhist Poetics of the Supernatural
Japanese Journal of Religious Studies 32/: –33 © 2005 Nanzan Institute for Religion and Culture R. Keller Kimbrough Reading the Miraculous Powers of Japanese Poetry Spells, Truth Acts, and a Medieval Buddhist Poetics of the Supernatural The supernatural powers of Japanese poetry are widely documented in the lit- erature of Heian and medieval Japan. Twentieth-century scholars have tended to follow Orikuchi Shinobu in interpreting and discussing miraculous verses in terms of ancient (arguably pre-Buddhist and pre-historical) beliefs in koto- dama 言霊, “the magic spirit power of special words.” In this paper, I argue for the application of a more contemporaneous hermeneutical approach to the miraculous poem-stories of late-Heian and medieval Japan: thirteenth- century Japanese “dharani theory,” according to which Japanese poetry is capable of supernatural effects because, as the dharani of Japan, it contains “reason” or “truth” (kotowari) in a semantic superabundance. In the first sec- tion of this article I discuss “dharani theory” as it is articulated in a number of Kamakura- and Muromachi-period sources; in the second, I apply that the- ory to several Heian and medieval rainmaking poem-tales; and in the third, I argue for a possible connection between the magico-religious technology of Indian “Truth Acts” (saccakiriyā, satyakriyā), imported to Japan in various sutras and sutra commentaries, and some of the miraculous poems of the late- Heian and medieval periods. keywords: waka – dharani – kotodama – katoku setsuwa – rainmaking – Truth Act – saccakiriyā, satyakriyā R. Keller Kimbrough is an Assistant Professor of Japanese at Colby College. In the 2005– 2006 academic year, he will be a Visiting Research Fellow at the Nanzan Institute for Religion and Culture. -
Contents Transcriptions Romanization Zen 1 Chinese Chán Sanskrit Name 1.1 Periodisation Sanskrit Dhyāna 1.2 Origins and Taoist Influences (C
7/11/2014 Zen - Wikipedia, the free encyclopedia Zen From Wikipedia, the free encyclopedia Zen is a school of Mahayana Buddhism[note 1] that Zen developed in China during the 6th century as Chán. From China, Zen spread south to Vietnam, northeast to Korea and Chinese name east to Japan.[2] Simplified Chinese 禅 Traditional Chinese 禪 The word Zen is derived from the Japanese pronunciation of the Middle Chinese word 禪 (dʑjen) (pinyin: Chán), which in Transcriptions turn is derived from the Sanskrit word dhyāna,[3] which can Mandarin be approximately translated as "absorption" or "meditative Hanyu Pinyin Chán state".[4] Cantonese Zen emphasizes insight into Buddha-nature and the personal Jyutping Sim4 expression of this insight in daily life, especially for the benefit Middle Chinese [5][6] of others. As such, it de-emphasizes mere knowledge of Middle Chinese dʑjen sutras and doctrine[7][8] and favors direct understanding Vietnamese name through zazen and interaction with an accomplished Vietnamese Thiền teacher.[9] Korean name The teachings of Zen include various sources of Mahāyāna Hangul 선 thought, especially Yogācāra, the Tathāgatagarbha Sutras and Huayan, with their emphasis on Buddha-nature, totality, Hanja 禪 and the Bodhisattva-ideal.[10][11] The Prajñāpāramitā Transcriptions literature[12] and, to a lesser extent, Madhyamaka have also Revised Romanization Seon been influential. Japanese name Kanji 禅 Contents Transcriptions Romanization Zen 1 Chinese Chán Sanskrit name 1.1 Periodisation Sanskrit dhyāna 1.2 Origins and Taoist influences (c. 200- 500) 1.3 Legendary or Proto-Chán - Six Patriarchs (c. 500-600) 1.4 Early Chán - Tang Dynasty (c. -
An Exploration of the Early One-True Dharmadhatu Thoughts---From
2019 9th International Conference on Education and Social Science (ICESS 2019) An Exploration of the Early One-True Dharmadhatu Thoughts----From Mind Only Chittamatra, Tantra to Huayen Theory Xiangjun Su Institute of Taoism and Religious Culture, Sichuan University, Chengdu, Sichuan Province, China 206877705@qq. com Keywords: One-true dharmadhatu; Mind only chittamatra; Tantra, Huayen theory; Harmony without obstacles Abstract: The concept of one-true Dharmadhatu originates from India Buddhism, and it appears both in Vijnapti-matrata and Tantra classics, approximately having the same meaning. Li tongxuan was the first one who introduced the concept of One-true Dharmadhatu into Huayen theory. Conformed with the thinking mode of Matter-mind-being Nonduality by Li Tongxuan, taking Fundamental Wisdom as its basis, One-true Dharmadhatu has such harmonious teaching characteristics as wisdom and earth being one, nature and things binging not different, and harmony without obstacles. Later, Chengguan, in his Wutai Mountain Period, explained One-true Dharmadhatu as Dharmadhatu Pure Wisdom, and combined it with Fazang’s Five Dharmadhatu thought, thus made it more philosophical. Introduction In China’s Huayen thoughts, One-true Dharmadhatu is an important concept. Since was introduced into Huayen theory by Li Tongxuan, One-true Dharmadhatu has appeared often in Chenguan’s works and the Huayen works of the following dynasties. Japanese scholar Xiaodaodaishan, Tanwan region researcher Hong Meizhen have discussed the concept of One-true Dharmadhatu in their works. [1]China Main Land scholar Liu Yuanyuan has discussed Li Tongxuan’s thoughts on One-true Dharmadhatu and its influences on Chengguan deeply, but it is not comprehensive, and also not involves in the thoughts of Chengguan. -
A Translation of the Introduction and the Tenth Chapters of the Hizo Hoyaku
A Translation of the 密 Introduction and the Tenth Chapters of the Hizo Hoyaku 教 文 by Minoru Kiyota 化 Assistant Professor, University of Wisconsin Preface Although the mantra and dharani literature was already known in the Nara period (710-784),it failed to occupy a respectable position in the academiccircles of the Buddhists either during the Nara period or the early Heian period. During the reign of Emperor Saga, (809-823), leading masters of Nara presented their views on Buddhism in the presence of the emperor at Shoryo-ji Temple, after which they were asked to organize their views into texts. Texts were composed and submitted to the throne at the time of the reign of Emperor Junna, (823-833). Kukai, (774-835), though not a member of the Nara priesthood, submitted the Juju Shinron, the Treatise on the Ten Stages, organized into ten chuan, and the Sokushin Jobutsu Gi, the Essence of Inherent Buddhahood, organized into one chuan. It is commonlyheld, however, that because the Juju Shinron was excessively voluminous, Kukai was asked to submit an abridged version, which is the Hizo Hoyaku, the Jewel Key to the Secret Store, organized into three chuan. It is speculated therefore, that both the Hizo Hoyaku and the Sokushin Jobutsu Gi were composed sometime in the early 830's under an imperial edict. The Hizo Hoyaku is designed to describe the doctrine of Shingon Buddhism, the Japanese version of the mantra school, and to bring about the official recognition of that school as a distinct school of Japanese Buddhism. The major literary sources to which the Hizo Hoyaku makes reference are: Mahavairocana Sutra, Vajrasekhara Sutra, Laiikavatara Sutra, Bodhicitta Sastra, Shaku-maka-en-ron (Shih- -96- mo-ho-yeh-lun) and Daichido-ron (Ta-chih-tu-lun). -
The Tathagatagarbha Theory Reconsidered Reflections on Some Recent Issues in Japanese Buddhist Studies
Japanese Journal of Religious Studies 2000 27/1-2 The Tathagatagarbha Theory Reconsidered Reflections on Some Recent Issues in Japanese Buddhist Studies TAKASAKlJikido 高崎直道 The Tathagatagarbha theory is an influential yet controversial part of the Buddhist tradition. This essay examines some of the issues related to tms tradition that have been discussed recently by Buddhist scholars: the dhdtu-vada thesis and the critique of “original enlightenment, ” the rela tionship between the terms tathagatagarbha and padmagarbha, the inter pretation of dependent origination in the Ratnagotravibhaga, the role of relics worship in the Mahdparinirvana-sutra, and the Tathagatamrbha theory in Tibetan Buddhism. Keywords: Tathagatagarbha — Ratnagotravibhaga — padmagarbha — dhdtu — Buddha nature — relics — Mahdparinirvana-sutra Nearly fifty years have passed since the publication of the Ratnagvtra- vibhdga, the earliest and most basic Sanskrit text of the Tathagatagarbha theory, since then many studies of this text and the Tathagatagarbha theory have been published, including my English translation of the Ratnagotravibhaga (Takasaki 1966), my work m Japanese on the forma tion of the Tathagatagarbha theory in Indian Mahayana Buddhism (1974), and D. Seyfort R uegg’s works on the Tathaeataearbha theory in Tibetan Buddnism (1969,1989). Recent notable publications on this topic include S. K. Hookham’s Buddha Within (1991) and Shimoda Masahiro’s work on the Mahdparinirvana-sutra (1997),indicating that the Tathagatagarbha theory is a continuing (and continually contro versial) topic of interest among Buddhist scholars. In the 1980s voices of criticism were raised against the Tathagata- This essay is an expanded revision of a paper given at the XIIth Conference of the International Association of Buddhist Studies at Lausanne, Switzerland, Ausrust 1999. -
The Wisdom of the Unsayable in the Chinese Tradition Karl-Heinz Pohl
3 The Wisdom of the Unsayable in the Chinese Tradition Karl-Heinz Pohl Concerning Eastern teachings such as Daoism, Buddhism, and Confucianism, there is often widespread confusion about how these are to be classified—as religion or as philosophy. This problem, however, is culturally homemade: the distinction between religion and philosophy based on European cultural tradi- tions often does not apply when we leave our culture behind. Thus, the Eastern teachings, which are often referred to as “wisdom religions” (e.g. by Hans Küng), are either religion and philosophy or neither religion nor philosophy; whichever way you prefer ideologically. As is well known, there is a certain “family resemblance” (as Wittgenstein would put it) between Daoism and Buddhism. There is, however, very little that connects these Asian philosophies and religions with the European tradition emanating from Greco-Roman and Christian thought. This does not mean that their philosophemes would be fundamentally alien to the Europeans: at most they do not belong to the European mainstream. So the family resemblance could certainly be extended to certain European philoso- phers and schools: There is in Europe a tradition—from the pre-Socratics through the apophatic theology and mysticism of the Middle Ages to existen- tialism and philosophy of language of modernity—that has very much in common with Daoism and Buddhism. Hence, a blend of selected passages from Heraclitus (cf. Wohlfart 1998: 24–39), Neo-Pythagoreanism, Sextus Empiricus, Gnosticism, Pseudo-Dionysius the Areopagite, Nicholas of Cusa, Meister Eckhart, Jacob Boehme, Montaigne, Hegel (cf. Wohlfart 1998: 24–39), Heidegger, Wittgenstein, Derrida, et al. -
The Mandala of Zen Rock Garden Wong Wah Sang, University Of
Purity and Equanimity – The Mandala of Zen Rock Garden Wong Wah Sang, University of Hong Kong, Hong Kong The Asian Conference on Ethics, Religion and Philosophy 2016 Official Conference Proceedings Abstract This paper discusses the ultimate essence of realization in Buddhism as the nature of purity and great equanimity. To illustrate this, the Zen rock garden is revealed like a Zen Koan, a case study to discern into the essence. The example used here is the karesansui (dry landscape) or rock garden in the Ryoanji Temple in Kyoto. Made up of sand, rock and moss, the rock garden invites direct contemplation from the observers. Scholars, artists and Buddhists etc. have made numerous investigation on this garden to answer the koan and different interpretations have been received. Now the Zen rock garden is looked upon as a mandala that bears the meaning to hold the essence of all phenomena. This essence has a technical term called dharmata, a Sanskrit word to mean the nature of phenomena which is also the nature of dharmadhatu, another Sanskrit word to mean the ultimate universe of Buddhism that contains all (all universes in n-dimensional time and n-dimensional space, all land in samsara and nirvana). The attributes of the dharmadhatu can be divided into the form and form-less aspects. There is an aspect of emptiness, a space-like aspect to allow all different manifestation, and an aspect of manifestation, a powerful aspect of vitality to allow things to appear. This aspect of emptiness has the quality of purity as it is free from discrimination and conceptuality while the aspect of manifestation has the quality of great equanimity as vitality is prevalent everywhere in the dharmadhatu, in all universes. -
The Realm of Enlightenment in Vijñaptimātratā: the Formulation Of
THE JOURNAL OF THE INTERNATIONAL ASSOCIATION OF BUDDHIST STUDIES EDITOR-IN-CHIEF A. K. Narain University of Wisconsin, Madison, USA EDITORS Heinz Bechert Leon Hurvitz Universitdt Gottingen, FRG UBC, Vancouver, Canada Lewis Lancaster Alexander W. MacDonald University of California, Berkeley, USA Universite de Paris X, Nanterre, France B.J. Stavisky Alex Way man WNIIR, Moscow, USSR Columbia University, New York, USA ASSOCIATE EDITOR Stephan Beyer University of Wisconsin, Madison, USA Volume 3 1980 Number 2 CONTENTS I. ARTICLES 1. A Yogacara Analysis of the Mind, Based on the Vijndna Section of Vasubandhu's Pancaskandhaprakarana with Guna- prabha's Commentary, by Brian Galloway 7 2. The Realm of Enlightenment in Vijnaptimdtratd: The Formu lation of the "Four Kinds of Pure Dharmas", by Noriaki Hakamaya, translated from the Japanese by John Keenan 21 3. Hu-Jan Nien-Ch'i (Suddenly a Thought Rose) Chinese Under standing of Mind and Consciousness, by Whalen Lai 42 4. Notes on the Ratnakuta Collection, by K. Priscilla Pedersen 60 5. The Sixteen Aspects of the Four Noble Truths and Their Opposites, by Alex Wayman 67 II. SHORT PAPERS 1. Kaniska's Buddha Coins — The Official Iconography of Sakyamuni & Maitreya, by Joseph Cribb 79 2. "Buddha-Mazda" from Kara-tepe in Old Termez (Uzbekistan): A Preliminary Communication, by Boris J. Stavisky 89 3. FausbpU and the Pali Jatakas, by Elisabeth Strandberg 95 III. BOOK REVIEWS 1. Love and Sympathy in Theravada Buddhism, by Harvey B. Aronson 103 2. Chukan to Vuishiki (Madhyamika and Vijriaptimatrata), by Gadjin Nagao 105 3. Introduction a la connaissance des hlvin bal de Thailande, by Anatole-Roger Peltier 107 4. -
Buddhist Print Culture in Early Republican China Gregory Adam Scott Submitted in Partial Fulfillment Of
Conversion by the Book: Buddhist Print Culture in Early Republican China Gregory Adam Scott Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Gregory Adam Scott All Rights Reserved This work may be used under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. For more information about that license, see http://creativecommons.org/licenses/by-nc-nd/3.0/. For other uses, please contact the author. ABSTRACT Conversion by the Book: Buddhist Print Culture in Early Republican China 經典佛化: 民國初期佛教出版文化 Gregory Adam Scott 史瑞戈 In this dissertation I argue that print culture acted as a catalyst for change among Buddhists in modern China. Through examining major publication institutions, publishing projects, and their managers and contributors from the late nineteenth century to the 1920s, I show that the expansion of the scope and variety of printed works, as well as new the social structures surrounding publishing, substantially impacted the activity of Chinese Buddhists. In doing so I hope to contribute to ongoing discussions of the ‘revival’ of Chinese Buddhism in the modern period, and demonstrate that publishing, propelled by new print technologies and new forms of social organization, was a key field of interaction and communication for religious actors during this era, one that helped make possible the introduction and adoption of new forms of religious thought and practice. 本論文的論點是出版文化在近代中國佛教人物之中,扮演了變化觸媒的角色. 通過研究從十 九世紀末到二十世紀二十年代的主要的出版機構, 種類, 及其主辦人物與提供貢獻者, 論文 說明佛教印刷的多元化 以及範圍的大量擴展, 再加上跟出版有關的社會結構, 對中國佛教 人物的活動都發生了顯著的影響. 此研究顯示在被新印刷技術與新形式的社會結構的推進 下的出版事業, 為該時代的宗教人物展開一種新的相互連結與構通的場域, 因而使新的宗教 思想與實踐的引入成為可能. 此論文試圖對現行關於近代中國佛教的所謂'復興'的討論提出 貢獻. Table of Contents List of Figures and Tables iii Acknowledgements v Abbreviations and Conventions ix Works Cited by Abbreviation x Maps of Principle Locations xi Introduction Print Culture and Religion in Modern China 1. -
The Relation of Akasa to Pratityasamutpada in Nagarjuna's
The relation of akasa to pratityasamutpada in Nagarjuna’s writings Garth Mason To Juliet, my wife, whose love, acceptance and graceful realism made this thesis possible. To Sinead and Kieran who teach me everyday I would like to thank Professor Deirdre Byrne for her intellectual support and editing the thesis The relation of akasa to pratityasamutpada in Nagarjuna’s writings By Garth Mason Submitted in accordance with the requirements for the degree of DOCTOR OF LITERATURE AND PHILOSOPHY In the subject of RELIGIOUS STUDIES at the UNIVERSITY OF SOUTH AFRICA PROMOTER: PROF. M. CLASQUIN AUGUST 2012 i Summary of thesis: While much of Nāgārjuna’s writings are aimed at deconstructing fixed views and views that hold to some form of substantialist thought (where certain qualities are held to be inherent in phenomena), he does not make many assertive propositions regarding his philosophical position. He focuses most of his writing to applying the prasaṅga method of argumentation to prove the importance of recognizing that all phenomena are śūnya by deconstructing views of phenomena based on substance. Nāgārjuna does, however, assert that all phenomena are empty and that phenomena are meaningful because śūnyatā makes logical sense.1 Based on his deconstruction of prevailing views of substance, he maintains that holding to any view of substance is absurd, that phenomena can only make sense if viewed from the standpoint of śūnyatā. This thesis grapples with the problem that Nāgārjuna does not provide adequate supporting arguments to prove that phenomena are meaningful due to their śūnyatā. It is clear that if saṃvṛti is indiscernible due to its emptiness, saṃvṛtisatya cannot be corroborated on its own terms due to its insubstantiality. -
Korean Single-Sheet Buddhist Woodblock Illustrated Prints Produced for Protection and Worship
religions Article Korean Single-Sheet Buddhist Woodblock Illustrated Prints Produced for Protection and Worship Jahyun Kim Department of History and Culture, University of Ulsan, Ulsan 44610, Korea; [email protected] Received: 24 October 2020; Accepted: 28 November 2020; Published: 2 December 2020 Abstract: This paper examines the characteristics and production background of major examples of single-sheet Buddhist woodblock illustrated prints. In the form a single sheet of paper, the original first prints were not easily handed down, and in most cases the date and place of production are not clearly known. These factors made systematic research difficult, but the release of various related materials has recently enabled comprehensive study of the subject. As materials substantiating Buddhism’s religious role in society and the propagation activities of temples, single-sheet Buddhist prints hold great value. Research showed that two major types of single-sheet Buddhist prints were made: dharani-type prints used as talismans and prints used for worship or spiritual practice. The former type was likely made for self-protection or Buddhist enshrinement in statues for their protection and to seek blessings for this meritorious deed or to protect the dharma. The latter type was used as a visual aid in worship and chanting. They can be divided into prints featuring universally loved icons and prints featuring icons reflecting the trends of certain periods. They were analyzed in relation to popular beliefs and methods of spiritual practice in the Buddhist circle as well as trends in faith among the ordinary people. Keywords: single-sheet woodblock illustrated Buddhist print; dharani; talismans; protection of the dharma; objects of worship or spiritual practice; Three Gates Buddhist Practice 三門修m; Suryukjae 4xK ritual; belief in Chilseong 七星 1.