The Heart of Cathedral Music

Total Page:16

File Type:pdf, Size:1020Kb

The Heart of Cathedral Music The Heart of Cathedral A WIDE-RANGI 38 CATHEDRAL MUSIC Music in Leeds Thomas Leech NG APPROACH The past decade has seen an explosion in choral foundations’ appreciation of the need to work with a community wider than their worshipping congregation and feeder schools. his work comes in many excellence but on a sweeping and demonstrating the excellence admirable designs and is programme involving children across the achievable with such firm foundations. Tdoubtless enriching to all who diocese, based on the unquestionable Resident at St Joseph’s Church, take part, but I would wager that there potential to use music as an educational, Bradford Boys’ Choir sing both mass are very few institutions that place social and catechetical instrument. and vespers regularly, and maintain a school singing at the heart of their Christopher McElroy’s appointment as substantial secular repertoire for choral programme. Since January of the diocesan Assistant Director of Music concerts and competitions. In its early this year I have had the great privilege in 2004 provided the vital time resource days a thriving SATB choir might have of, and responsibility for, managing the to develop this programme, and the been difficult to imagine, but founder Diocese of Leeds’ Schools Singing result of his work is the strikingly members (now on the verge of leaving Programme - choral provision wholly impressive structure we see today. We for university) currently provide the integrated with its cathedral, with a strive to provide a service where highly core of a strong tenor and bass team. proven record of success and, I hope, a skilled professional musicians deliver The parallel Girls’ Choir fulfils a bright and sustainable future. quality singing provision that is complementary function, singing fewer Why do we see thousands of children, educationally appropriate, whether services but maintaining a busy schedule visit scores of schools, employ a playing pitch-matching games in a Year of concert and competition substantial team of dedicated staff and Three class or preparing the cathedral performances. In Huddersfield, the run - in addition to the cathedral - five choirs for broadcasts. Parish of the Holy Redeemer supports auditioned youth choirs? The heart of our music-making is two similar choirs, aspiring to the model The Diocese of Leeds stretches from found not in the glorious reverberation of the Bradford choirs, and already the densely populated heart of West of polyphony around Leeds Cathedral providing music of commendable Yorkshire to parishes in the East Riding, but in classrooms across the diocese, as quality. In addition, a boys’ choir runs in North Yorkshire, Greater Manchester our team of choral directors seek to Harrogate, drawing its members from and Lancashire, encompassing light the spark in an astonishingly extremely diverse populations. Leeds diverse range of schools. Forty-three Cathedral, hosts a substantial schools buy choral provision from the worshipping congregation, second only diocese as they do any other external to Westminster in size. Typically, the service, giving them at least thirty hours period following the Second Vatican of provision per year and access to Council (1962-1965) saw the tradition numerous performance opportunities, of chant and polyphony neglected, and from small school-cluster concerts to a culture in which the see’s music was national broadcasts. Secondary school entirely reliant on the priorities of its partners, together with two parishes, incumbent musical director, resulting help to fund the auditioned youth in very specific excellence at the cost of choirs and in addition host their a broader and sustainable programme. rehearsals. In return the schools enjoy In 2002 Ben Saunders inherited an opportunities for their gifted singers, excellent girls’ choir as he stepped into receive assistance with school worship his new role as diocesan Director of and participate in various projects - at Music. One superb choir and an the moment including most of a sixth otherwise blank slate. With only limited form rugby team preparing medieval financial resources, and without the Spanish songs for a gala concert! institutional musical tradition found in The five auditioned youth choirs many Anglican cathedrals, it was clear provide the musical pinnacle of the that a new model of cathedral music was schools system, offering lasting required, concentrating not on limited opportunities across the opportunity and closely focused primary/secondary school transition CATHEDRAL MUSIC 39 schools in the north of the diocese. Christian Charitable Trust and a Worship on Radio 4 from Holy Rosary But what of the cathedral? Since 2010 growing number of private donors, the and St Anne’s Church in Chapeltown two junior choirs, boys and girls directed project is now on a sound financial on 17 June. The children are already by Lucy Haigh, feed recruitment to two footing for at least the next three years. hard at work learning Jehan Alain’s cathedral choirs, with potential This is a great relief for everyone Messe Modale, which they will perform choristers drawn from Leeds schools involved and we are all grateful for the with the original orchestration of string participating in our singing programme, chance to concentrate on the real quartet and flute. ultimately leading to the ‘outreach’ business of the choir school: the A cursory glance at the music supplying the majority of the cathedral development of excellent singers across department roster might suggest we choristers. The cathedral choirs sing the entire school. have luxurious levels of staffing, with vespers and mass daily, Sunday to Recently, Leeds Cathedral School perhaps the largest team of full-time Thursday (one of the delights of working Choir won first prize in the Novice Class musicians employed by an English here is having something almost at this year’s Mrs Sunderland Festival in diocese. This would seriously approaching a normal weekend!), with Huddersfield. The children were more underestimate the volume of work girls’ and boys’ choirs sharing the rota than delighted to win their first trophy, created by the schools programme. Our with choral scholars and a volunteer but more significant from Choir School three choral directors average twelve adult choir of vibrant quality. Choral Director Sally Egan’s point of school sessions per week, followed by In a bold and socially radical move, view was the other prize that the choir youth choir or cathedral rehearsals/ the diocese has committed substantial won at the Festival, for ‘Choir with the services and Sunday duties. As anyone resources to developing a state-sector most Potential’. Ms Egan, a former experiencing the unpredictable nature choir school in Holy Rosary and St vocal coach at Westminster Abbey and of class music-making will know, this is Anne’s school in Chapeltown, an inner- Westminster Cathedral (and a past an exhilarating but demanding city district of extremely varied ethnicity pupil of HRSA School) says, “These schedule! We strive to play to the and one which faces much deprivation. children are bursting with potential, as strengths of our staff and attempt to The cathedral choir school project everyone knows who has the pleasure of ensure that flexibility is maintained, continues to go from strength to working with them, and it is lovely to with choral directors able to work on strength. Five months ago things were have that confirmed by other specific projects with choirs, or to allow looking financially precarious to say the musicians.” The choir will make its first us to change staff duties to make best least, but thanks to generous donations live broadcast on national radio later use of resources at any given moment. from the Holbeck Trust, Leeds this year, when they sing Morning My work sees me coordinate this 40 CATHEDRAL MUSIC success, be defined? I would hope that any of our schools would reflect on our provision and affirm that we have enriched the Catholic life of their school, both for students and staff, both in collective worship and individual prayer. We see in our schools a growing recognition of singing as a central part of human expression - although I doubt it would be described in such portentous terms! More obviously, a narrower definition of success can be measured by competition participation (a Senior Choirs Award at the National Festival of Music for Youth in Birmingham for their sings prays twice’. The majority of our ‘outstanding musicianship’ and the top primary schools have an hourly session UK choir in the senior children’s choir every week, more often than not class at the Llangollen International divided between two classes at the Eisteddfod) or the frequency with which discretion of the school and choral our choirs broadcast and record - most director. While repertoire will often recently Radio 2’s Christmas Day Sunday include relatively sophisticated and Half Hour special, several Radio 4 Daily technically demanding music, we never Services, and most recently the recording impose an alien ‘cathedral’ ideal on the of Duruflé’s complete choral works for school environment; secular repertoire Brilliant Classics. The experience we occupies at least half of our schools provide staff with leads to excellent programme, with responsibility for the work and helps us bring imagination career progression, exemplified by the overall management of staff, and spark to less readily accessible appointments of Christopher Johns as maintaining the income levels from the music. Our choral directors aren’t given Director of Music at Leicester Cathedral, school provision, and ensuring that our a set curriculum, although joint services Christopher McElroy as Director of partner schools are receiving an and concerts will often dictate a core- Music at Liverpool Metropolitan excellent and educationally relevant shared repertoire, but we are always Cathedral and, most recently, Keith service. I spend plenty of time at the conscious of the requirements of the Roberts as Head of Choral Music at St coalface, however, directing both National Curriculum, and in many Aloysius’ College, Glasgow.
Recommended publications
  • (Public Pack)Agenda Document for Council, 29/06/2016 13:00
    Public Document Pack A meeting of the Council will be held in the Civic Hall, Leeds on Wednesday, 29th June, 2016 at 1.00 pm Members of the Council are invited to attend and transact the following business: 1 Minutes 1 - 6 To approve the minutes of the Council Meeting held on 19th May 2016. 2 Declarations of Interest To receive any declarations of interest from Members. 3 Communications To receive such communications as the Lord Mayor, the Leader, Members of the Executive Board or the Chief Executive consider appropriate 4 Deputations To receive deputations in accordance with Council Procedure Rule 10 5 Report on Appointments 7 - 10 To consider the report of the City Solicitor on appointments. 6 Recommendations of the Independent Remuneration Panel 11 - 18 - Members' Allowance Scheme To consider the report of the City Solicitor advising Council of the receipt of a report from the Independent Remuneration Panel (IRP) and asks Council to consider the recommendations of the IRP in relation to the Members’ Allowances Scheme. 7 Report on the Leeds Award 19 - 28 To consider the report of the City Solicitor in respect of the Leeds Award. 1 8 Report on Scrutiny Annual Report 29 - 46 To consider the report of the City Solicitor presenting the Scrutiny Boards’ Annual report to Council, prepared in accordance with Article 6 of the Constitution. 9 Questions To deal with questions in accordance with Council Procedure Rule 11 10 Minutes of the Health and Wellbeing Board and the 47 - 66 Executive Board To receive the minutes in accordance with Council Procedure Rule 2.2(i).
    [Show full text]
  • Leeds Culture Strategy Draft Scrutiny Statement
    Leeds Culture Strategy Draft Scrutiny Statement Introduction 1. In accordance with the remit of the Inclusive Growth, Culture and Sport Scrutiny Board, we agreed at the beginning of the 2017/18 municipal year to consider and monitor progress with the city’s European Capital of Culture 2023 Bid as well as monitoring the development of a delivery plan linked to the city’s new Culture Strategy 2017-2030, which was formally adopted in July 2017. 2. In July 2017, we therefore received a detailed overview of the work undertaken to develop the Leeds 2023 European Capital of Culture Bid and expressed our support, recognising the cultural and economic value a successful bid could have to the city and the wider region. 3. However, in December 2017 we received a further briefing from the Chief Executive, Chief Officer for Culture and Sport and the Leader of the Council in light of developments surrounding the eligibility of the UK to host European Capital of Culture 2023. 4. In February 2018, the Director of City Development then provided an interim update on the development of the Culture Strategy Delivery Plan following the adoption of the new Culture Strategy for Leeds 2017-2030 and also the implications of events relating to the city’s bid for European Capital of Culture. At that stage, we also welcomed contributions from external witnesses representing the business sector and musical arts. 5. In consideration of all this information presented to Scrutiny, we have set out within this Statement our key observations and conclusions regarding the situation with the 2023 European Capital of Culture Bid and in moving forward with the delivery of the city’s Culture Strategy for 2017-2030.
    [Show full text]
  • Panic on the Streets Of
    INSIDE: TRASH N FASHION SPECIAL INDEPENDENT NEWSPAPER 69 arrests • 100 injured • NUS launches inquiry PANIC ON THE STREETS OF 111:1011 ass Thursday's NUS march agnimat Imes use of both riot and students tried to initiate a erupted in violence within yards at the Howe mounted police. The sit-down on the bridge Lof Commons as students and palm lismight liar speaker of the Commons, although the march mov- over two hours on Westminster Brie. Mr Bernard Weatherill ed on again. The clash led to 69 ar- was respoinurfrile tor tilde has promised to in- The intended route was rests and up to 1011 people most viioleut Nil S dellgkoria- vestigate the matter. towards the Mary Harm- being treated for injuries. strati.= for tour years. The peaceful mood that sworth Memorial Park And central London The Natliooal Unioin has had marked the start of where a rally was plann- ground to a halt as the launched an i► t.erimail in- the march from Outside of ed with a number 01 demo caused what the quiry into what went the University of London speakers including Jack Automobile Association Veriamg. Union soon altered as the Straw. the opposition described as The worst Audi it debate no the front of the march reach- spokesperson for Educa- traffic jam we have ever biouse of Common's was ed Waterloo bridge. tion and former Leeds charge University Union seen tr► Central London: unutenrupted as an r Stewards in Numerous accusations Labour 1\11P's demanded a were ordered to slow president, have been made follow- statement from the Home down to prevent it break- Continued on page ing the march about who Secretary c ►ncenning ing up and a number of • Police and Students battle on Westminster bridge TV — .2 NEWS — p3 AIDS FEATURE'SPKIA4=6.-27.5-8 o 1 O.
    [Show full text]
  • LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the City with Song!
    LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the city with song! Festival Programme 2009 The Grammar School at Leeds inspiring individuals is pleased to support the Leeds Lieder+ Festival Our pupils aren’t just pupils. singers, They’re also actors, musicians, stagehands, light & sound technicians, comedians, , impressionists, producers, graphic artists, playwrightsbox office managers… ...sometimes they even sit exams! www.gsal.org.uk For admissions please call 0113 228 5121 Come along and see for yourself... or email [email protected] OPENING MORNING Saturday 17 October 9am - 12noon LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Biennial Festival of Art Song Artistic Director Julius Drake 3 Lord Harewood Elly Ameling If you, like me, have collected old gramophone records from Dear Friends of Leeds Lieder+ the time you were at school, you will undoubtedly have a large I am sure that you will have a great experience listening to this number of Lieder performances amongst them. Each one year’s rich choice of concerts and classes. It has become a is subtly different from its neighbour and that is part of the certainty! attraction. I know what I miss: alas, circumstances at home prevent me The same will be apparent in the performances which you this time from being with you and from nourishing my soul with will hear under the banner of Leeds Lieder+ and I hope this the music in Leeds. variety continues to give you the same sort of pleasure as Lieder singing always has in the past. I feel pretty sure that it To the musicians and to the audience as well I would like to will and that if you have any luck the memorable will become repeat the words that the old Josef Krips said to me right indistinguishable from the category of ‘great’.
    [Show full text]
  • 41 Call Lane, Leeds, LS1 7BT
    41 Call Lane, Leeds, LS1 7BT Northern Guitars Café Bar 41 Call Lane, Leeds, LS1 7BT License Extension Proposal Our Clientele • Live Music Fans • Musicians • Music Tourists • Mature crowd • Real Ale & Craft Beer Fans • Artists & Photographers • Private Parties • Couples & groups on a quiet night out Proposal • Current licensed hours 10am-10:30pm 7 days p/w • Proposed licensed hours 10am-11:30pm 7 days p/w The Reason • Customers and performing musicians are frustrated by the short opening hours especially when the bar shuts while an artist is still performing. • Our customers do not want to go anywhere else to finish off their night out. They tell us they would rather have a relaxed end to their evening at Northern Guitars. • Longterm success of the venue would be aided by improved customer experience for our existing clientele. • 10:30pm close is affecting our trading as a serious small live music venue. Potential live music promoters are put off by the limited hours. Private Hire: Leeds Pride 2017 O2 Mobile Event Outdoor smoking area / beer garden Promotion of the licensing objectives • We have a very strict door policy and have the same licensed doorman every Friday and Saturday. He has a very defined profile for the type of customer we admit: no drunk people ever, no stag or hen parties, no football shirts, no gangs of lads, and a Check 25 age policy on the door before admittance. We have a very stringent zero tolerance drugs policy. • We are increasing the number of our CCTV cameras to include the area of Call Lane outside the venue.
    [Show full text]
  • BARWICK in ELMET & SCHOLES PARISH COUNCIL Newsletter
    40308 CHassell 8pp A5_Layout 1 06/03/2013 14:01 Page 1 BBARWICKARWICKin i nELMET ELMET & SCHOLES &PARISH SCHO COUNCILLES PNewsletterARISH CO UNCIL NMe aw r c hsl 2e 0t 1t 3er March 2013 Sponsorship from TalkTalk has enabled a new Notice Board to be erected at Barwick Village Hall and seen here are Barwick in Bloom stalwarts Robert Allwood, Geoff Yapp & Peter Williams with Village Hall Treasurer Claire Thomas & Cllr Claire Hassell LEEDS FESTIVAL TICKETS 23-25 AUGUST Application forms and guidlines are now available on line from the parish web site and local shops with a deadline of 30 March. There are 250 tickets available at £40 each and a ballot will be held to determine the lucky residents. Details of the Community Fund grants allocated from last years ticket sales are outlined inside this newsletter. APPLICATION DEADLINE€30 Mar 40308 CHassell 8pp A5_Layout 1 06/03/2013 14:01 Page 2 BARWICK in ELMET & SCHOLES PARISH COUNCIL Chairman : [email protected] (Ben) NEXT COUNCIL MEETINGS Barwick in Elmet Ward [email protected] Monday 8 April [email protected] Scholes Methodist Hall [email protected] Open Forum at 7 pm [email protected] Monday 13 May [email protected] (David) Barwick Methodist Schoolroom [email protected] Open Forum at 7 pm Scholes Ward [email protected] Clerk to the Council [email protected] [email protected] (Julian Kelly) Chris Hassell [email protected] [email protected] [email protected] 0113 393 5861 web sites€ www.barwickandscholespc.com. www.barwickandscholesneighbourhoodplan.co.uk We are delighted to welcome the new Head Teacher of our Primary School in Barwick in Elmet and extend our very best wishes to her for a very happy and most productive tenure.
    [Show full text]
  • November 1915) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 11-1-1915 Volume 33, Number 11 (November 1915) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 33, Number 11 (November 1915)." , (1915). https://digitalcommons.gardner-webb.edu/etude/619 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE November 1915 Founded 1883 Edward Mac Dowell PRICE 15 CENTS Pressers Musical Magazine 773 THE ETUDE The Young Folks find that A MONTHLY JOURNAL FOR THE MUSICIAN, THE THE EMERSON 1 MUSIC STUDENT, AND ALL MUSIC LOVERS. Edited by James Francis Cooke Automatic Player Piano ,premiu^t^rre*,,owedfor CONTENTS NOVEMBER, 1915 furnishes good fun for impromptu entertainment or it may be used equally as well for formal dances. Music in the special tempo and with the “dancing accent’’ — the kind that must be played right—is rendered perfectly m by the Emerson Automatic. W&MSajggi A popular feature of the Emerson Automatic: it will re-roll and play over again automatically when you wish.
    [Show full text]
  • Bike! Prince Henry's New Cycling Squad Is Ready to Race
    The news magazine of Prince Henry’s Grammar School in Specialist Language College viewVolume 30 Winter 2012 On your Prince Henry's new cycling squad is bike! ready to race Proud of the past, prepared for the future Celebration of A common THE HEART OF THE COMMUNITY our achievements WELCOME to the winter edition Hands-on experience of our Inview magazine. HEALTH and Social Care students in Years 11 and 12 I hope you enjoy reading about goal are now completing work experience in local primary the fantastic achievements of WE have embarked on our fourth Comenius schools, nurseries and residential homes to help our students, from success Project this term. Comenius partnerships develop their caring and communication skills. in the Sci-lympics (see page are funded by the European Union, and Greta Petrulyte from Year 12 said: “It is a great 6) to the celebration of our enable students across Europe to work opportunity to learn new skills and meet different many successes in PE and collaboratively on a range of projects. people.” Olivia Simpson, also in Year 12, added: “It sport (see centre pages). You Our project involves schools in the Czech gives you a chance to work with children with Special can also read about other Republic, Germany, Poland and the UK, Educational Needs.” positive developments in our with students exploring issues of equality The Health and Social Care course gives students provision for students. These and diversity. the opportunity to gain hands-on experience, come at an exciting time when Thirty students visited Prince Henry’s informing both coursework and future career choices.
    [Show full text]
  • Welcome to Our 2015/16 Choral Season Programme
    Choral Season supported by www.leedsphil.org Welcome to our 2015/16 choral season programme. Our season of choral concerts starts with an invitation from the 22nd International Gilbert & Sullivan Festival in Harrogate to participate in a performance of Sullivan’s masterpiece The Golden Legend, written originally for the Leeds Musical Festival of 1886. ‘The Phil’ presented the centenary performance of this work to great acclaim under the baton of Sir Charles Mackerras as part of the 1986 LICS Season. This 2015 performance will take Until we look at it from every angle. place in Ripon Cathedral. For our November concert we join with the Manchester Camerata to present an all-Mozart Bringing a vision to life takes time. programme pairing the Requiem with the Symphony No 40 and the little-known It needs to be nurtured. Splendente te, Deus. 2015 ends with the traditional seasonal fun of The Lord Mayor’s Carols. At UBS, it’s our vision to create strong, In February 2016 we present a complete performance of Rachmaninov’s All Night Vigil (often open and long-lasting relationships. called the Vespers) in the splendid acoustic of St Anne’s Cathedral. We pair this profound Yes, we offer tailor-made investment solutions. choral work with Britten’s Third Suite for solo cello. Also in February, the Phil will be singing at the opening of the Leeds Lion Annual Conference. And we can put the expertise and resources of a truly integrated, global firm at your disposal. In June the Leeds International Concert Season comes to a majestic conclusion with a But what really matters is our connection with our client.
    [Show full text]
  • Magnified and Sanctified: the Music of Jewish Prayer
    Magnified and Sanctified – the music of Jewish Prayer June 2015 Leeds University Full Report Magnified and Sanctified: The Music of Jewish Prayer International Conference held at Leeds University, 16-19 June 2015 A Report by Dr Malcolm Miller and Dr Benjamin Wolf Pictured: Torah Mantle, Amsterdam c 1675© Victoria and Albert Museum, London Introduction and Overview A historically significant and ground-breaking event in the field of music and musicology, held at Leeds University in June 2015, set a benchmark in the field and a stimulus for rich avenues of research. Entitled Magnified and Sanctified: The Music of Jewish Prayer, the conference was the first ever International Conference on Jewish Liturgical Music in the UK , which, during the week of 16-19 June 2015, attracted an international array of leading scholars and musicians from Europe, Australia, USA and Israel to share cutting-edge research on all aspects of synagogue music past and present. The stimulating and diverse program featured an array of keynote lectures, scholarly papers, panel discussions and musical performances, and was followed by the 10th Annual European Cantors Convention weekend. The conference, presented by the European Cantor’s Association and the music department of Leeds University, was one of the inaugural events in the three-year international project ‘Performing the Jewish Archive’ (2015-2018) which has seen several major conferences and festivals across the world. Spearheaded by Dr Stephen Muir, Senior Lecturer at Leeds and Conference Director, the project has given rise to revivals of and research into much music lost during the period of the Holocaust and Jewish migrations in the 20th century.
    [Show full text]
  • “We Wanna Be Free to Do What We Wanna Do” the Evolution of Dance Music Spaces in Leeds
    “We wanna be free to do what we wanna do” The evolution of dance music spaces in Leeds Stuart Moss – [email protected] @stuartmoss “Back in the late 80s, UK cities just couldn't provide what Rave was the first entirely dance based subculture young people wanted: all night shenanigans, no holds barred” (James, 2002). (Sawyer, 2009, p.vii). The UK free party scene grew out of a combination of acid house, As the Police took the upper hand in foiling raves, people hippy traveller culture and Jamaican sound-system culture began to be disillusioned with the hassle “everyone became (St John, 2009). sick of it and by 1990/91 the heyday was over” (Gall, 2009, p.225). ‘Militias’ of police officers in riot gear with shields aloft and batons drawn were sent in to break up the party by force (Hook, 2009), In the late 1980s, people dancing in a field together genuinely and collectively thought that they could illicit a change in society for the better (Chapman, 1997). "Psychoactive substances such as cannabis and alcohol have "The Criminal Justice and Public Order Act 1994, section 63 been used by humans for thousands of years as a way of (1)(b) outlawed outdoor parties...if there were more than 10 altering the mind, bonding and having some pleasurable of you and you looked like you were waiting for a party, even moments of leisurely respite" if the land wasn't privately owned, you could be told to leave, (Spracklen, 2017, p.9). and if you did not, or if you returned, you faced up to three months in prison" (Guest, 2009).
    [Show full text]
  • THE CULTURAL VALUE of LIVE MUSIC from the PUB to the STADIUM: GETTING BEYOND the NUMBERS by Dr Adam Behr, Dr Matt Brennan & Professor Martin Cloonan
    THE CULTURAL VALUE OF LIVE MUSIC FROM THE PUB TO THE STADIUM: GETTING BEYOND THE NUMBERS By Dr Adam Behr, Dr Matt Brennan & Professor Martin Cloonan Research by The University of Edinburgh and The University of Glasgow Part of the Arts & Humanities Research Council’s Cultural Value Project The Cultural Value of Live Music from the Pub to the Stadium Acknowledgements Key Findings The authors are grateful to the Arts • The weakest point of the live music ecology at present is and Humanities Research Council’s the small to medium independent venues. Cultural Value project team for providing the funding which made • Policymakers need to pay more heed to the economic this research possible. We would and cultural contribution of smaller venues. Local regimes also like to thank UK Music, the often focus their attention on major developments whose Musicians’ Union and PRS for Music for their assistance and co-operation key beneficiaries are larger businesses. in carrying out the work. • Greater harmonisation of regulatory regimes and their We extend thanks to all the members implementation across the UK will benefit independent of the advisory board for their ideas and assistance and, particularly, all of the and major operators alike. people who took time out from their busy • The need for a more ‘joined up’ approach across council schedules to be interviewed. The qualitative nature of this research means that we services is widely acknowledged but not always fully needed the perspectives of a multitude of implemented. different stakeholders in British live music and their willingness to speak to us was • Competition between cities drives investment in invaluable to this project.
    [Show full text]