Welcome to Our 2015/16 Choral Season Programme

Total Page:16

File Type:pdf, Size:1020Kb

Welcome to Our 2015/16 Choral Season Programme Choral Season supported by www.leedsphil.org Welcome to our 2015/16 choral season programme. Our season of choral concerts starts with an invitation from the 22nd International Gilbert & Sullivan Festival in Harrogate to participate in a performance of Sullivan’s masterpiece The Golden Legend, written originally for the Leeds Musical Festival of 1886. ‘The Phil’ presented the centenary performance of this work to great acclaim under the baton of Sir Charles Mackerras as part of the 1986 LICS Season. This 2015 performance will take Until we look at it from every angle. place in Ripon Cathedral. For our November concert we join with the Manchester Camerata to present an all-Mozart Bringing a vision to life takes time. programme pairing the Requiem with the Symphony No 40 and the little-known It needs to be nurtured. Splendente te, Deus. 2015 ends with the traditional seasonal fun of The Lord Mayor’s Carols. At UBS, it’s our vision to create strong, In February 2016 we present a complete performance of Rachmaninov’s All Night Vigil (often open and long-lasting relationships. called the Vespers) in the splendid acoustic of St Anne’s Cathedral. We pair this profound Yes, we offer tailor-made investment solutions. choral work with Britten’s Third Suite for solo cello. Also in February, the Phil will be singing at the opening of the Leeds Lion Annual Conference. And we can put the expertise and resources of a truly integrated, global firm at your disposal. In June the Leeds International Concert Season comes to a majestic conclusion with a But what really matters is our connection with our client. performance of Mahler’s Symphony No 8. We are delighted to be taking part in this, only Our relationship with you. the second performance of the work in Leeds Town Hall, with the Orchestra of Opera North, Leeds Festival Chorus and Bradford Catholic Youth Choir. The value of an investment and the income from it can Our final concert for the Season is Simple Gifts – Songs of Old America given in the Priory fall as well as rise as a result of market and currency Church at Bolton Abbey. fluctuations and you may not get back the amount Our season of choral concerts is being supported by UBS. The Leeds Phil is very grateful for originally invested. UBS AG is authorised and regulated by Financial Market Supervisory Authority in Switzerland. the support they and other sponsors are providing. In the United Kingdom, UBS AG is authorised by the Prudential Regulation Authority and is subject to To you, our audience, thank you for your past support... regulation by the Financial Conduct Authority and limited we look forward to welcoming you again this season. regulation by the Prudential Regulation Authority. Details about the extent of our regulation by the Prudential We also look forward to welcoming new audience members Regulation Authority are available from us on request. as we present this season of varied choral works. Andrew Aitken UBS Wealth Management 8th Floor, Minerva 29 East Parade In association with Leeds, LS1 2ES Tel: 0113 301 8008 We will not rest www.ubs.com www.leedsphil.org 3 © UBS 2015. All rights reserved. 15453_Art_148x210_UK_en.indd 1 About us Saturday 15 August 2015, 7.30pm RIPON CATHEDRAL Director of Music: David Hill Chorus Master: Richard Wilberforce Leeds Philharmonic Chorus Piccadilly Symphony Orchestra Established in 1870, the Leeds Philharmonic Chorus – affectionately known as the Phil – has been a continuous and integral part of the local music scene, performing with world-class orchestras, conductors and soloists, both for the people of Leeds and beyond. Its repertoire covers everything from traditional Sir Edward Bairstow, Sir Malcolm Sargent, Presented by and well-known large-scale choral works to Sir Charles Mackerras, Sir Charles Groves and The Sullivan Society as part of the 22nd International Gilbert and Sulivan Festival modern and lesser-known works, including Richard Hickox. The Chorus was delighted when specially-commissioned new compositions. David Hill became its Music Director in May 2005, A highlight was the 2007 world première, in Leeds thus continuing the tradition of leadership by the James Hendry Town Hall, of The Brontë Mass by distinguished most eminent British choral conductors of the day. Sullivan conductor and musical co-ordinator for the Yorkshire-born composer Philip Wilby. International Gilbert and Sullivan Festival The Chorus has recorded CDs of Stanford’s The Golden Legend In addition to its Town Hall appearances, the Phil Stabat Mater and Te Deum (Chandos), Walton’s Sylvia Clarke regularly performs in other major UK concert Belshazzar’s Feast (Naxos) and Handel’s Messiah mezzo soprano venues: the Symphony Hall, Birmingham, the (CMI Records). Many of its concerts have been Bridgewater Hall, Manchester and the Sage Centre broadcast on BBC Radio 3 in conjunction with the Bruce Graham baritone at Gateshead, while its biennial overseas tours have BBC Philharmonic Orchestra. taken it to important musical cities throughout The Phil’s President is Dr Ingrid Roscoe, Sullivan northern Europe, including Prague, Krakow, Her Majesty’s Lord-Lieutenant for West Yorkshire. The Golden Legend Budapest and Vienna. Its distinguished past musical directors have included Sir Charles Stanford, For more concert information see “In a venue that is www.gsfestivals.org usually the graveyard of clear diction, every word was so immaculately clear” JAMES HENDRY SYLVIA CLARKE Yorkshire Evening Post “This performance contained power and introspection... a meaningful performance, full of integrity.” BRUCE GRAHAM Tickets: £20, from www.gsfestivals.org The Guardian 4 LEEDS PHILHARMONIC CHORUS www.leedsphil.org 5 Saturday 21 November 2015, 7.30pm Thursday 17 December 2015, 6.30pm and 8.30pm LEEDS TOWN HALL LEEDS TOWN HALL Leeds Philharmonic Chorus Leeds Philharmonic Chorus Manchester Camerata Rothwell Temperance Band Presented by Grant Llewellyn Introduced and conducted by Mozart conductor Lord Mayor’s Simon Lindley Requiem Rebecca Evans Carol Concerts Richard Wilberforce soprano chorus master Catherine Wyn Rogers Alan Horsey mezzo soprano organ John Daszak tenor Celebrate Christmas at Leeds Town Hall’s annual family carol concerts. Stephan Loges bass After the concert there will be a collection for the Lord Mayor’s Charity Appeal. The Lord Mayor’s Mozart chosen charity for 2015/16 is Specialist Autism Splendente te, Deus Services. Mozart Symphony No 40 GRANT LLEWELLYN REBECCA EVANS Mozart SIMON LINDLEY ALAN HORSEY Requiem Free pre-concert talk by Catherine Tackley at 6.45pm Tickets: £5, available from Box Office JOHN DASZAK STEPHAN LOGES Tickets: £16.50 – £33.50 ROTHWELL TEMPERANCE BAND Concessions £2.50 6 LEEDS PHILHARMONIC CHORUS www.leedsphil.org 7 Saturday 20 February 2016, 8pm Saturday 4 June 2016, 7.30pm ST ANNE’S CATHEDRAL LEEDS TOWN HALL Leeds Philharmonic Chorus Leeds Philharmonic Chorus Orchestra of Opera North Leeds Festival Chorus Bradford Catholic Youth Choir Presented by Presented by Leeds Phil Richard Wilberforce David Hill Rachmaninov conductor Mahler conductor All Night Vigil Nicholas Trygstad Symphony No 8 Lee Bisset (Vespers) Principal Cellist with the Hallé (Symphony of a Thousand) soprano Rachmaninov Katherine Broderick All-Night Vigil (aka Vespers) Op 37 soprano Britten Kate Valentine Third Suite for Solo Cello soprano Sarah Castle mezzo soprano Madeleine Shaw mezzo soprano Peter Wedd tenor Michael Druiett RICHARD WILBERFORCE DAVID HILL LEE BISSET bass Andrew Foster Williams baritone Mahler Symphony No 8 (Symphony of a Thousand) Free pre-concert talk by Dan Holden at 6.45pm NICHOLAS TRYGSTAD ST ANNE’S CATHEDRAL Tickets: £15, available on the door MADELEINE SHAW MICHAEL DRUIETT Tickets: £18 – £45 8 LEEDS PHILHARMONIC CHORUS www.leedsphil.org 9 Saturday 25 June 2016, 7.30pm Friends of the Phil Sponsorship and Legacies BOLTON PRIORY CHURCH Leeds Philharmonic Society, like many other cultural As a registered charity, Leeds Philharmonic Chorus organisations, has at its heart a loyal band of Friends does not receive government funding or any other Leeds Philharmonic Chorus who act as a conduit for encouraging support, endowments other than members’ subscriptions for keeping interested people informed about (which generally only cover music hire and the the Chorus and who help to raise much needed fees of its professional music team). The cost of funds. The Friends help the Chorus to promote performing great music continues to rise, and its performances and to bring new audiences to therefore, particularly in the case of its own- support its objective of promoting choral music to promotion concerts where it must meet all the the public. costs of publicity, venue/orchestra hire and soloists, the Chorus relies on outside funding to help it The Friends’ membership consists of many loyal Presented by Leeds Phil continue to perform on a regular basis with the spouses, partners, friends and former members highest-quality orchestras, conductors and soloists. who regularly come to the Phil’s performances, and who welcome the chance to lend their support. The Chorus is therefore very grateful for the In return they are kept informed of our activities generosity of its commercial and other sponsors, Richard Wilberforce by means of letters from the Friends’ Secretary as well as to the people who leave it a legacy. Simple Gifts conductor and Chorus Newsletters. Joining the Friends of the Your association with the Phil may be as a singer Phil is a way of expressing a belief in the value of past or present, or as an audience member who Songs of Old America Alan Horsey maintaining high standards of live choral music in has enjoyed our concerts. Becoming a sponsor or piano and organ Leeds. leaving a legacy is a chance to show how much you have valued this association and what the Chorus Including Shaker Songs and For further information about joining has given to you, perhaps over many years.
Recommended publications
  • A Take#-*' Jsyeoe-De& /V Atlzt S&Szafc
    GUIDE TO THE ERNEST BRADBURY ARCHIVE 1961 "Sir John has the right age and temperament. He can mirror the sentient loveliness o f this rare music, yet keep it free from cloying sentiment; he traces its inner lines as delicately as nature traces veins on a leaf and so shows the thin but unifying forces of Delius’ art - for Delius is not really a composer of the blurred image." Thus wrote Ernest Bradbury of Delius’ On Hearing the First Cuckoo., vindicating, if such be needed, the decision to make an archive of these writings, «,, Time has edged far enough forward now for us to catch our breath reading that he heard Hindemith and Stravinsky conducting "in the flesh" which in time will doubtless seem more awesome still..^arguments about not spending allocated local authority funds on music and over-reliance on the familiar might have been written last night. <• Once again I have not, regrettably, been able to credit (though my husband usually did) the invaluable work of producers and designers. Karajan is listed under K not V. Records and Music & Musicians articles appear in their month at the end of that month, records designated R. Music & Musicians entries (M M ) are in Miscellaneous only so it is advisable to check this section. The following (contents not alas listed) I hope the Brotherton will have photocopied from the Yorkshire Post by the time you read this; because of editioning dates and page numbers may vary slightly. 7.12.61 Combined Orchestras from Manchester (Halle & BBC Northern, Bruckner 9) 61—(page 7) Z effirelli charmn at Glyndcbournc ( L ’Elisir d?Am cTc): 25.10.61 (page 5) Leeds Town Hall, Royal Liverpool Phil.
    [Show full text]
  • Sing It - Play It Leeds Music Education Partnership Artforms, Leeds City Academy, Bedford Field, Woodhouse Cliff, Leeds LS6 2LG And
    Please return this form as soon as possible (and by 24th February if you require transport) to: Bring It - Sing It - Play It Leeds Music Education Partnership ArtForms, Leeds City Academy, Bedford Field, Woodhouse Cliff, Leeds LS6 2LG and Transport North Yorkshire Music Hub Subject to demand coach transfer to and from Horsforth school will be arranged on the day, with pick up points at ArtForms Music Centres. If you in partnership with would like to book a seat please tick your preferred option (from the centre to Horsforth, or from the ArtForms Music Centres centre and back again after the concert). Leeds Youth Choir and Leaving Guiseley 11.00am one way____both ways___ Leeds Festival Chorus Boston Spa 10.40am one way____both ways___ East Leeds 11.00am one way____both ways___ Rothwell 10.40am one way____both ways___ invite young people and adults to a South Leeds 10.40am one way____both ways___ BBC Ten Pieces North Leeds 11.00am one way____both ways___ Confirmation of your place on the day (and details Bring It - Sing It - Play It Day of transport arrangements if requested) will be sent after 26th February. Saturday 19th March 2016 We may take photographs on the day. Please inform us if you have any concerns. 11.30am to 5.15pm Please enclose a cheque for £5/£2 (plus coach transfer/s £1 per journey) made payable to Leeds Youth Choir. Signed ____________________parent/guardian if under 18 venue I would like to attend the Bring It - Sing It - Play It Horsforth School, Lee Lane East Day on 19th March Name _______________________________ Age
    [Show full text]
  • Shakespeare Requiem' Receives Its First Performance, by PATRIC STANDFORD, YORKSHIRE POST
    Judith Bingham's 'Shakespeare Requiem' receives its first performance, by PATRIC STANDFORD, YORKSHIRE POST The long awaited première of Judith Bingham's Shakespeare Requiem took place in Leeds Town Hall, UK, on 29 November 2008. The opening of the newly built town hall in 1858 was celebrated with the formation of a grand choral society -- the Leeds Festival Chorus -- and its first musical director, William Sterndale Bennett, initiated a tradition of first performances in the autumn of that year by directing the first performance of his own cantata The May Queen. The tradition of bringing new works to Leeds has remained with the Festival Chorus throughout its century and a half lifetime. A succession of distinguished directors maintained the tradition by commissioning new choral works, and the chorus have brought to life a fine inventory of great choral premiers including Sullivan's Golden Legend and Dvorák's St Ludmilla in 1886 and Elgar's Caractacus in 1898 through to Walton's Belshazzar's Feast, the memorable commission of 1931, and Michael Berkeley's The Red Macula of 1989. For this year's 150th Anniversary celebration, Judith Bingham could hardly be a more ideal choice. A student of both composition and singing in her time at London's Royal Academy of Music, she joined the BBC Singers in 1983 and spent twelve years as a full time member, becoming closely involved from the inside in the many challenges of both new and old music that such a renowned professional group of singers would undertake on a weekly basis. As may be expected, there is a large amount of choral music in her considerable output -- her catalogue has recently been taken up by Peters Edition, London -- and yet the new work for Leeds is her largest choral and orchestral undertaking to date.
    [Show full text]
  • (Public Pack)Agenda Document for Council, 29/06/2016 13:00
    Public Document Pack A meeting of the Council will be held in the Civic Hall, Leeds on Wednesday, 29th June, 2016 at 1.00 pm Members of the Council are invited to attend and transact the following business: 1 Minutes 1 - 6 To approve the minutes of the Council Meeting held on 19th May 2016. 2 Declarations of Interest To receive any declarations of interest from Members. 3 Communications To receive such communications as the Lord Mayor, the Leader, Members of the Executive Board or the Chief Executive consider appropriate 4 Deputations To receive deputations in accordance with Council Procedure Rule 10 5 Report on Appointments 7 - 10 To consider the report of the City Solicitor on appointments. 6 Recommendations of the Independent Remuneration Panel 11 - 18 - Members' Allowance Scheme To consider the report of the City Solicitor advising Council of the receipt of a report from the Independent Remuneration Panel (IRP) and asks Council to consider the recommendations of the IRP in relation to the Members’ Allowances Scheme. 7 Report on the Leeds Award 19 - 28 To consider the report of the City Solicitor in respect of the Leeds Award. 1 8 Report on Scrutiny Annual Report 29 - 46 To consider the report of the City Solicitor presenting the Scrutiny Boards’ Annual report to Council, prepared in accordance with Article 6 of the Constitution. 9 Questions To deal with questions in accordance with Council Procedure Rule 11 10 Minutes of the Health and Wellbeing Board and the 47 - 66 Executive Board To receive the minutes in accordance with Council Procedure Rule 2.2(i).
    [Show full text]
  • Leeds Culture Strategy Draft Scrutiny Statement
    Leeds Culture Strategy Draft Scrutiny Statement Introduction 1. In accordance with the remit of the Inclusive Growth, Culture and Sport Scrutiny Board, we agreed at the beginning of the 2017/18 municipal year to consider and monitor progress with the city’s European Capital of Culture 2023 Bid as well as monitoring the development of a delivery plan linked to the city’s new Culture Strategy 2017-2030, which was formally adopted in July 2017. 2. In July 2017, we therefore received a detailed overview of the work undertaken to develop the Leeds 2023 European Capital of Culture Bid and expressed our support, recognising the cultural and economic value a successful bid could have to the city and the wider region. 3. However, in December 2017 we received a further briefing from the Chief Executive, Chief Officer for Culture and Sport and the Leader of the Council in light of developments surrounding the eligibility of the UK to host European Capital of Culture 2023. 4. In February 2018, the Director of City Development then provided an interim update on the development of the Culture Strategy Delivery Plan following the adoption of the new Culture Strategy for Leeds 2017-2030 and also the implications of events relating to the city’s bid for European Capital of Culture. At that stage, we also welcomed contributions from external witnesses representing the business sector and musical arts. 5. In consideration of all this information presented to Scrutiny, we have set out within this Statement our key observations and conclusions regarding the situation with the 2023 European Capital of Culture Bid and in moving forward with the delivery of the city’s Culture Strategy for 2017-2030.
    [Show full text]
  • Panic on the Streets Of
    INSIDE: TRASH N FASHION SPECIAL INDEPENDENT NEWSPAPER 69 arrests • 100 injured • NUS launches inquiry PANIC ON THE STREETS OF 111:1011 ass Thursday's NUS march agnimat Imes use of both riot and students tried to initiate a erupted in violence within yards at the Howe mounted police. The sit-down on the bridge Lof Commons as students and palm lismight liar speaker of the Commons, although the march mov- over two hours on Westminster Brie. Mr Bernard Weatherill ed on again. The clash led to 69 ar- was respoinurfrile tor tilde has promised to in- The intended route was rests and up to 1011 people most viioleut Nil S dellgkoria- vestigate the matter. towards the Mary Harm- being treated for injuries. strati.= for tour years. The peaceful mood that sworth Memorial Park And central London The Natliooal Unioin has had marked the start of where a rally was plann- ground to a halt as the launched an i► t.erimail in- the march from Outside of ed with a number 01 demo caused what the quiry into what went the University of London speakers including Jack Automobile Association Veriamg. Union soon altered as the Straw. the opposition described as The worst Audi it debate no the front of the march reach- spokesperson for Educa- traffic jam we have ever biouse of Common's was ed Waterloo bridge. tion and former Leeds charge University Union seen tr► Central London: unutenrupted as an r Stewards in Numerous accusations Labour 1\11P's demanded a were ordered to slow president, have been made follow- statement from the Home down to prevent it break- Continued on page ing the march about who Secretary c ►ncenning ing up and a number of • Police and Students battle on Westminster bridge TV — .2 NEWS — p3 AIDS FEATURE'SPKIA4=6.-27.5-8 o 1 O.
    [Show full text]
  • LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the City with Song!
    LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the city with song! Festival Programme 2009 The Grammar School at Leeds inspiring individuals is pleased to support the Leeds Lieder+ Festival Our pupils aren’t just pupils. singers, They’re also actors, musicians, stagehands, light & sound technicians, comedians, , impressionists, producers, graphic artists, playwrightsbox office managers… ...sometimes they even sit exams! www.gsal.org.uk For admissions please call 0113 228 5121 Come along and see for yourself... or email [email protected] OPENING MORNING Saturday 17 October 9am - 12noon LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Biennial Festival of Art Song Artistic Director Julius Drake 3 Lord Harewood Elly Ameling If you, like me, have collected old gramophone records from Dear Friends of Leeds Lieder+ the time you were at school, you will undoubtedly have a large I am sure that you will have a great experience listening to this number of Lieder performances amongst them. Each one year’s rich choice of concerts and classes. It has become a is subtly different from its neighbour and that is part of the certainty! attraction. I know what I miss: alas, circumstances at home prevent me The same will be apparent in the performances which you this time from being with you and from nourishing my soul with will hear under the banner of Leeds Lieder+ and I hope this the music in Leeds. variety continues to give you the same sort of pleasure as Lieder singing always has in the past. I feel pretty sure that it To the musicians and to the audience as well I would like to will and that if you have any luck the memorable will become repeat the words that the old Josef Krips said to me right indistinguishable from the category of ‘great’.
    [Show full text]
  • 41 Call Lane, Leeds, LS1 7BT
    41 Call Lane, Leeds, LS1 7BT Northern Guitars Café Bar 41 Call Lane, Leeds, LS1 7BT License Extension Proposal Our Clientele • Live Music Fans • Musicians • Music Tourists • Mature crowd • Real Ale & Craft Beer Fans • Artists & Photographers • Private Parties • Couples & groups on a quiet night out Proposal • Current licensed hours 10am-10:30pm 7 days p/w • Proposed licensed hours 10am-11:30pm 7 days p/w The Reason • Customers and performing musicians are frustrated by the short opening hours especially when the bar shuts while an artist is still performing. • Our customers do not want to go anywhere else to finish off their night out. They tell us they would rather have a relaxed end to their evening at Northern Guitars. • Longterm success of the venue would be aided by improved customer experience for our existing clientele. • 10:30pm close is affecting our trading as a serious small live music venue. Potential live music promoters are put off by the limited hours. Private Hire: Leeds Pride 2017 O2 Mobile Event Outdoor smoking area / beer garden Promotion of the licensing objectives • We have a very strict door policy and have the same licensed doorman every Friday and Saturday. He has a very defined profile for the type of customer we admit: no drunk people ever, no stag or hen parties, no football shirts, no gangs of lads, and a Check 25 age policy on the door before admittance. We have a very stringent zero tolerance drugs policy. • We are increasing the number of our CCTV cameras to include the area of Call Lane outside the venue.
    [Show full text]
  • Bach: Magnificat & Christmas Cantata
    DUNEDIN CONSORT JOHN BUTT CHRISTMAS CANTATA 63 Reconstruction of Bach’s first Christmas Vespers in Leipzig in E flat major, BWV 243a and Cantata, BWV 63, within a reconstruction of J.S. Bach’s first Christmas in Leipzig: Vespers in the Nikolaikirche, 25 December 1723 Dunedin Consort John Butt Julia Doyle soprano Joanne Lunn soprano Clare Wilkinson mezzo-soprano Nicholas Mulroy tenor Matthew Brook bass-baritone For the full liturgy of the reconstruction of J.S. Bach’s first Christmas in Leipzig, please see pages 12–13. Additional content is available for download from www.linnrecords.com/recording-bach-magnificat.aspx for free. 2 Giovanni Gabrieli Magnificat in E flat major, BWV 243a q Motet: Hodie Christus natus f Magnificat .................................... 2:55 2:54 est a8 ............................................ g Et exsultavit ................................ 2:24 h Vom Himmel hoch .................... 1:30 Johann Sebastian Bach j Quia respexit .............................. 2:35 w Organ Prelude: Gott, durch k Omnes generationes ................. 1:21 deine Güte, BWV 600 ............. 1:00 l Quia fecit ...................................... 1:43 ; Freut euch und jubiliert .......... 1:20 Cantata: Christen, ätzet diesen Tag, 2) Et misericordia .......................... 3:30 BWV 63 2! Fecit potentiam ......................... 1:56 e Chorus: Christen, ätzet 2@ Gloria in excelsis Deo! ............. 1:06 diesen Tag .................................... 5:21 2# Deposuit potentes .................... 2:01 r Recit: O selger Tag! .................. 2:57 2$ Esurientes implevit bonis ....... 3:18 t Aria: Gott, du hast es wohl 2% Virga Jesse ................................ 2:58 gefüget ......................................... 7:26 2^ Suscepit Israel ........................... 2:03 y Recit: So kehret sich 2& Sicut locutus est ........................ 1:24 nun heut ...................................... 0:49 2* Gloria ............................................. 2:16 u Aria: Ruft und fleht den Himmel an ..................................
    [Show full text]
  • Welcome to Our 2017/18 Choral Season Programme
    2017/18 LeedsPhil @leedsphil www.leedsphil.com Welcome to our 2017/18 choral season programme. The first half of this new choral season is We are really pleased this season to be dominated by our preparations for the Leeds collaborating with the Bruckner Orchestra Linz International Concert Season (LICS) concert and the Sheffield Philharmonic Chorus to deliver in November, which will feature a rare three performances of Mahler's Symphony No 2. performance of Herbert Howells' deeply moving Unfortunately Leeds is not on the itinerary, but Hymnus Paradisi. Written as an outpouring of we are looking forward to travelling to Edinburgh, grief over the loss of his young son to polio, Middlesbrough and Sheffield in late April and this work has not been performed by the Phil early May 2018 to perform the symphony. since 1991. It will be conducted by our Director, The final performance for the Leeds International David Hill, who has recently recorded the piece Concert Season is Berlioz’ Damnation of Faust with with the Bach Choir, and it promises to be a Simon Wright and the Leeds Festival Chorus. very special event. Malcolm Arnold’s Peterloo This work has not been performed by the full Phil Overture, with its short choral ending, is a work since 1946, so will be unfamiliar to our current new to Leeds and will add to the occasion. We singers, but should give the LICS audience a are delighted to be singing with the Orchestra of rousing penultimate concert for the city's Concert Opera North for this concert. Season. We are welcoming the Orchestra of At Christmas this year, for the first time, the Opera North for a second time this season.
    [Show full text]
  • A Conductor's Guide to Twentieth-Century Choral-Orchestral Works in English
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9314580 A conductor's guide to twentieth-century choral-orchestral works in English Green, Jonathan David, D.M.A. The University of North Carolina at Greensboro, 1992 UMI 300 N.
    [Show full text]
  • English Chamber Orchestra
    Charles Mackerras & English Chamber Orchestra Concerts and broadcasts with the Goldsbrough Orchestra, which became the English Chamber Orchestra at the end of 1960. I am extremely grateful to Pauline Gilbertson, General Manager of the ECO, for allowing me to consult the orchestra’s archives, in particular the typed schedules (covering the years 1962–1991) which include information that would otherwise have been impossible to find. Venues are in London unless otherwise stated. A. Goldsbrough Orchestra 1953, April 10, broadcast Stravinsky: Renard (Richard Lewis, John Kentish, John Cameron, George James) [other works unspecified; The Times ‘Broadcasting’ lists the composers as Kodály, Ibert and Stravinsky] 1953, July 7, broadcast Ernst Eichner: Symphony [Op. 5 No. 1] Sullivan: Cello Concerto (William Pleeth) Radio Times: ‘The cadenzas Wiliiam Pleeth is to play tonight were written specially by Charles Mackerras’. This was the last known performance of Sullivan’s Cello Concerto before all the material was destroyed in Chappell’s fire (1964). 1953, August 16, broadcast Strauss: Le Bourgeois gentilhomme 1954, March 1, broadcast [unspecified works] Victoria Elliott (soprano), Marjorie Shires (contralto), John Kentish (tenor), Frederick Sharp (baritone), BBC Singers 1954, April 22, broadcast Piccini: La buona figliola Joan Sutherland (Lucinda), Hugues Cuénod (Armidoro), Alexander Young (Marquis of Conchiglia) Elsie Morison (Cecchina), Margaret Ritchie (Sandrina), Marion Lowe (Paoluccia), Dennis Noble (Tagliferro), John Cameron (Mengotto) 1955,
    [Show full text]