Multilingual Exarcheia the New Refugee-Housing City-State of Greece

Total Page:16

File Type:pdf, Size:1020Kb

Multilingual Exarcheia the New Refugee-Housing City-State of Greece Better World Multilingual Exarcheia The new refugee-housing city-state of Greece Emily deTar Gilmartin Exarcheia dirty looks while they hold heavy semi- Emily deTar Gilmartin is a freelance writer living automatic weapons and occasionally wear riot gear. in London. She has spent the last several years ey know me now, always in the same coat and fundraising and volunteering for refugee charities work boots, always walking as fast as I can, always in Europe. Prior to that she was the senior adminis- taking a left as soon as I pass them to walk uphill trator of a political office in the House of Lords, and into Exarcheia while they watch me. a fundraiser for various nonprofits and charities. To the average tourist who does not know about Ohi Day, Exarcheia, the recent rise of fascism in Greece, or the Four times a day I pass an armored van parked decades-long war between anarchists and the police in Ath- outside the Archeological Museum of Athens, ens, this is any other busy street in the capitol and the police headphones in, my hands in the pockets of my look as though they have been called there due to a particular parka stinking of campfire smoke and souvlaki. threat of violence. ose who don’t live in this part of Athens ere is a sort of game we play, the police and I. don’t realize the police are here every day, 24 hours a day, and ey stare me down, nudging one another as soon that they are here because they are not allowed to set foot as they spot me walking quickly down a wide street in Exarcheia. ey are meant to appear as though they are protecting the Athenians from the anarchists, refugees and named 28th of October, the day that the Greeks drug addicts in Exarcheia, and the Greek media’s political defied Mussolini and began their resistance against rhetoric works tirelessly to bolster this illusion. fascism. e irony is not lost on me that they stand e borders of Exarcheia do indeed not look promising, here, of all places, giving those walking in and out of with no people in sight, boarded-up windows and a burnt out 48 March 2017 Better World kiosk. Used needles lie on the ground under orange trees still bearing fruit in December, a December so cold that I lose feeling in my hands on the 15-minute walk between my Airbnb and the squat I volunteer in every day. But wander in even two blocks and the view changes. ere are taxis lin- ing up near the platia, cafés busy with students and volunteer coordinators on their laptops, refugees playing football in the platia while old Greek men smoke and play chess and a man with dreadlocks wearing a dress Children sleeping in a room in the squat. practices juggling. Within a few minutes of walking into Exarcheia’s heart, I begin to see two hours tiptoeing into the bound- in Exarcheia’s platia as my friends people I know, and they always smile aries to snap some Instagram photos and I walked to a bar that also gives and a few come to kiss me, promising of graffiti. free Greek language lessons during to swing by the squat later that eve- is was not the Exarcheia I rec- the day. e five of us that first night ning, sometimes asking if they can ognized, that I worked in 12 hours a were all working as volunteers in the bring me coffee or a snack. It feels day, that I played cards in with other same refugee camp south of Ath- like a village scene in a Marcel Pagnol volunteers. I searched for an hour ens, and this overnight break in the film, and even the baristas wave at and found nothing that accurately capitol was a rare treat. One of us, a me through the windows, although could describe life in Exarcheia. I also young German man, had lived in the I only have enough money to go in didn’t find any media mention of the most famous anarchist squat of all, once or twice a week. ey know that fascists from Golden Dawn sending an abandoned hotel called City Plaza, if a young American woman is here death threats to us, planting a bomb at and he told us he knew where to go more than once and not by accident, the squat closest to ours or attacking for some relaxation after the stress that she isn’t a tourist and that seems refugees with machetes. No, Golden of the camp. Most bars I had gone to inspire some respect. Most Ameri- Dawn doesn’t get mentioned in any into in Athens charged 20 euros for cans who come to Greece won’t set articles about Exarcheia, but there a double bourbon, but in Exarcheia foot here, but I didn’t know that for are accusations against anarchists the mafia is in charge of the liquor. I a long time. aplenty. I ask a Greek friend about get a whiskey for four euros and by When I tried through a series of this, and she says the government the end of the evening, I have made WhatsApp messages to describe to decides what is printed about Exar- Iranian and Greek friends and have my parents where I was staying and cheia, and that they plant agitators at the number of a Spanish language what I was doing in Athens, I strug- demonstrations. It is a well-accepted teacher who would like me to come gled to come up with the right words fact here that the police and govern- to Christmas Eve in a squat to cook that would illuminate the incredible ment start riots so they can have an with refugees and other volunteers. language and economy forged by excuse to raid the anarchist proper- It was this Spanish volunteer who basic human need and self-organi- ties and “purge” the people they see introduced me to the anarchists zation. Growing frustrated that they as undesirable. running the squat where I eventually could not absorb the full picture, I did began volunteering full-time. a cursory Google search of Exarcheia Arriving in Exarcheia Many buildings in Exarcheia have and I was shocked at the results: only I knew absolutely nothing about been abandoned for years. Some used a handful of articles from the Greek Exarcheia the first time I crossed its to be schools, others were places of media slandering the anarchists, no small borders, and so I felt no appre- business, and a few are apartments mention that their work day in and hension, only curiosity and excite- whose tenants died and the proper- day out was on behalf of refugees, ment and the pleasure of seeing so ties were never claimed. At any rate, and only a few blog posts from tour- many refugees socializing outdoors, they were empty when the anarchists ists mentioning their nervous one or their laughter traveling from the fires decided to appropriate them to turn March 2017 49 Better World them into refugee housing. Some are smiling at me hugely only inches ese assemblies can take three hours, very small; the squat I spent Christ- from my face, her eyes warm. depending on the concerns discussed, mas Eve cooking in houses only three It takes me a while to figure out and there is a vast amount of time dedi- Kurdish families who are especially the ins and outs of anarchy in the cated to just translation. Every issue is vulnerable. e father of one of the squats. For one, the concept of anar- discussed in English, then translated families has had five botched surger- chy to me used to be different from into Arabic, Kurdish, Farsi and Greek ies on a clubbed foot and now needs seeing its ideology in action. Here in simultaneously in different corners of to use a wheelchair, and his oldest the squats, anarchy is basically noth- the room. en each language group daughter is here after escaping an ing other than self-organization with has an opportunity to comment, to abusive marriage. ey are kind and no hierarchy. I am 100% accountable raise concerns themselves, to ask ques- social and help a gaggle of Spanish, for only myself. ere are no bosses, tions. It is efficient and seems tribal, as French and Greek anarchists reno- and children are just as expected to a representative from each family gives vate the abandoned apartment one assist in the ways they are able as we their earnest opinions. I find I spend floor at a time. When I meet them adults are, helping sweep the stairs or quite a lot of these meetings wishing on Christmas Eve there is only one providing translation now and then. I the rest of the world were organized on habitable floor. By the time I will come when I want and leave when I such a small scale, watching 50 people leave Exarcheia several weeks later, want and so does everyone else. We speaking five languages and patiently there are two floors finished, another do not accept funding from non- working through security scheduling family is about to move in and self- profit organizations or governments, and a shortage of heaters as they roll defense classes are being taught only from individuals, and those one another cigarettes and sip sweet there. e daughters are close to my come mostly from Western Europe, black tea. age, both chatty and giggly and they America and Canada.
Recommended publications
  • Cultural Heritage in the Realm of the Commons: Conversations on the Case of Greece
    CHAPTER 10 Commoning Over a Cup of Coffee: The Case of Kafeneio, a Co-op Cafe at Plato’s Academy Chrysostomos Galanos The story of Kafeneio Kafeneio, a co-op cafe at Plato’s Academy in Athens, was founded on the 1st of May 2010. The opening day was combined with an open, self-organised gather- ing that emphasised the need to reclaim open public spaces for the people. It is important to note that every turning point in the life of Kafeneio was somehow linked to a large gathering. Indeed, the very start of the initiative, in September 2009, took the form of an alternative festival which we named ‘Point Defect’. In order to understand the choice of ‘Point Defect’ as the name for the launch party, one need only look at the press release we made at the time: ‘When we have a perfect crystal, all atoms are positioned exactly at the points they should be, for the crystal to be intact; in the molecular structure of this crystal everything seems aligned. It can be, however, that one of the atoms is not at place or missing, or another type of atom is at its place. In that case we say that the crystal has a ‘point defect’, a point where its struc- ture is not perfect, a point from which the crystal could start collapsing’. How to cite this book chapter: Galanos, C. 2020. Commoning Over a Cup of Coffee: The Case of Kafeneio, a Co-op Cafe at Plato’s Academy. In Lekakis, S. (ed.) Cultural Heritage in the Realm of the Commons: Conversations on the Case of Greece.
    [Show full text]
  • Athens Guide
    ATHENS GUIDE Made by Dorling Kindersley 27. May 2010 PERSONAL GUIDES POWERED BY traveldk.com 1 Top 10 Athens guide Top 10 Acropolis The temples on the “Sacred Rock” of Athens are considered the most important monuments in the Western world, for they have exerted more influence on our architecture than anything since. The great marble masterpieces were constructed during the late 5th-century BC reign of Perikles, the Golden Age of Athens. Most were temples built to honour Athena, the city’s patron goddess. Still breathtaking for their proportion and scale, both human and majestic, the temples were adorned with magnificent, dramatic sculptures of the gods. Herodes Atticus Theatre Top 10 Sights 9 A much later addition, built in 161 by its namesake. Acropolis Rock In summer it hosts the Athens Festival (see Festivals 1 As the highest part of the city, the rock is an ideal and Events). place for refuge, religion and royalty. The Acropolis Rock has been used continuously for these purposes since Dionysus Theatre Neolithic times. 10 This mosaic-tiled theatre was the site of Classical Greece’s drama competitions, where the tragedies and Propylaia comedies by the great playwrights (Aeschylus, 2 At the top of the rock, you are greeted by the Sophocles, Euripides) were first performed. The theatre Propylaia, the grand entrance through which all visitors seated 15,000, and you can still see engraved front-row passed to reach the summit temples. marble seats, reserved for priests of Dionysus. Temple of Athena Nike (“Victory”) 3 There has been a temple to a goddess of victory at New Acropolis Museum this location since prehistoric times, as it protects and stands over the part of the rock most vulnerable to The Glass Floor enemy attack.
    [Show full text]
  • The Case of Athens During the Refugee Crisis
    The Newcomers’ Right to the Common Space: The case of Athens during the refugee crisis Charalampos Tsavdaroglou Post-Doc Department of Planning and Regional Development School of Engineering, University of Thessaly [email protected] Abstract The ongoing refugee streams that derive from the recent conflict in the Middle East are a central issue to the growing socio-political debate about the different facets of contemporary crisis. While borders, in the era of globalization, constitute porous passages for capital goods and labor market, at the same time they function as new enclosures for migrant and refugee populations. Nevertheless, these human flows contest border regimes and exclusionary urban policies and create a nexus of emerging common spaces. Following the recent spatial approaches on “commons” and “enclosures” (Dellenbaugh et al., 2015; Harvey, 2012; Stavrides, 2016) this paper focuses on the dialectic between the refugees’ solidarity housing commons and the State-run refugee camps. Particularly, I examine the case of Greece, a country that is situated in the South-East-End of the European Union close to Asia and Africa; hence it is in the epicenter of the current refugee crisis and I pinpoint in the case of Athens, the capital of Greece and the main refugee transit city. Il diritto allo spazio comune dei nuovi arrivati: il caso di Atene durante la crisi dei rifugiati L’aumento dei flussi di migranti derivante dal recente conflitto in Medio Oriente rappresenta un tema centrale nel crescente dibattito socio-politico sulle diverse Published with Creative Commons licence: Attribution–Noncommercial–No Derivatives ACME: An International Journal for Critical Geographies, 2018, 17(2): 376-401 377 sfaccettature della crisi attuale.
    [Show full text]
  • Cultural Heritage in the Realm of the Commons: Conversations on the Case of Greece
    Stelios Lekakis Stelios Lekakis Edited by Edited by CulturalCultural heritageheritage waswas inventedinvented inin thethe realmrealm ofof nation-states,nation-states, andand fromfrom EditedEdited byby anan earlyearly pointpoint itit waswas consideredconsidered aa publicpublic good,good, stewardedstewarded toto narratenarrate thethe SteliosStelios LekakisLekakis historichistoric deedsdeeds ofof thethe ancestors,ancestors, onon behalfbehalf ofof theirtheir descendants.descendants. NowaNowa-- days,days, asas thethe neoliberalneoliberal rhetoricrhetoric wouldwould havehave it,it, itit isis forfor thethe benefitbenefit ofof thesethese tax-payingtax-paying citizenscitizens thatthat privatisationprivatisation logiclogic thrivesthrives inin thethe heritageheritage sector,sector, toto covercover theirtheir needsneeds inin thethe namename ofof socialsocial responsibilityresponsibility andand otherother truntrun-- catedcated viewsviews ofof thethe welfarewelfare state.state. WeWe areare nownow atat aa criticalcritical stage,stage, wherewhere thisthis doubledouble enclosureenclosure ofof thethe pastpast endangersendangers monuments,monuments, thinsthins outout theirtheir socialsocial significancesignificance andand manipulatesmanipulates theirtheir valuesvalues inin favourfavour ofof economisticeconomistic horizons.horizons. Conversations on the Case of Greece Conversations on the Case of Greece Cultural Heritage in the Realm of Commons: Cultural Heritage in the Realm of Commons: ThisThis volumevolume examinesexamines whetherwhether wewe cancan placeplace
    [Show full text]
  • So, Here You Are in Athens
    So, here you are in Athens! New city… new people… new places… a new way of living! Have no anxiety about this completely new way of living! Here is a simple guide to help you turn your residence in Athens into an unforgetable experience! Description of the Guide The following guide refers to clubs, bars, cafes, restaurants in Athens which are recommended because of their decoration, environment, prices or the different experiences they offer! Where it is possible, there is an estimation about the cost per person or a reference to the actual prices. Don’t worry…there are recommendations for every mood, budget or preference! Clubbing Guide Dance Stages : From progressive to techno BIOS BASEMENT _ Pireos Str. 8, Athens, tel. : 210 3425335 YES _ Mavrimichali & Gravias Str. 10, Pireaus, tel.: 6946 760798. Open only on Friday and Saturday. YOU (Playback by Pierro’’s) _ Dekeleon Str. 26, tel.: 210 3452220, 6947 745816 Massive Clubs BAROC’ E _ Stadiou square 5 & Agras Str., Kallimarmaro, tel.: 210 7565007 – 8. Freestyle and mainstream music. BIANCO NERO _ Vafeiochoriou Str. 65 (after Evelpidon), Polygono, tel.: 210 6465326 CAMEL CLUB _ Erakleidon Str. 74, Thiseio, tel.: 210 3476847, www.camelclub.gr DEXX CLUB _ Alexandras Avenue 87 & Drosi Str. 1 , Gyzi, tel. : 210 6465290 EGOIST _ Panepistimiou Str. 10, Athens, tel.: 210 3638201. Bottle of whisky €100, drink €10 HARD ROCK CAFÉ _ Fillelinon Str. 18, tel.: 210 3252742. Rock and mainstream music. American kitchen. The first shop of the famous brand in Athens. Open from 12 a.m. to very late every night.
    [Show full text]
  • Athens Survival Guide of the Historic City of the Gods!
    Welcome to Athens Survival guide of the historic city of the gods! Maps Tips: use your google maps guide or use the traditional way of a paper map. Download OASA Telematics application for buses. A hidden island in the heart of Athens! Anafiotika The great city of Athens, Greece is made up of numerous small villages that have melded together over the years. Plaka is the most ancient, original part of the city where most of the archaeological sites are located. Just up on the hill above Plaka, under the flank of the Acropolis (“the high city”) there is the tiny village of Anafiotika, so unique and so beautiful and totally different from the city. You have this amazing sense of being in a different place, on an island and you can enjoy the scenery, the beauty of it and the silence away from all he noises of the city. Plaka One of the most picturesque neighborhoods in Athens, with its narrow streets, lovely colourful neoclassical buildings, small cafes, traditional tavernas, souvenir shops and ancient ruins in almost every corner. Plaka is in the heart of the center of Athens, just under the Acropolis hill, yet has a totally different air than the rest of the city center, creating a feeling of nostalgia of the old Athens. Even though it is very commercial and popular with tourists, it is the ideal place to enjoy a nice walk, as there are plenty of things to do and see, while strolling around its small pedestrian streets. Tips *bar: Brettos *cafe: Yiasemi Bistro *taverna: Byzantino Monastiraki square In the heart of the Athens center, Monastiraki Square is a unique blend of styles, eras and cultures.
    [Show full text]
  • Discover Athens, Greece Top 5
    Discover Athens, Greece Photo: Anastasios71/Shutterstock.com Of all Europe’s historical capitals, Athens is probably the one that has changed the most in recent years. But even though it has become a modern metropolis, it still retains a good deal of its old small town feel. Here antiquity meets the future, and the ancient monuments mix with a trendier Athens and it is precisely these great contrasts that make the city such a fascinating place to explore.The heart of its historical centre is the Plaka neighbourhood, with narrow streets mingling like a labyrinth where to discover ancient secrets. Anastasios71/Shutterstock.com Top 5 1. Roman Agora During the antiquity, the Agora played a major role as both a marketplace and … 2. National Archaeological Museum The National Archaeological Museum, in Exarchia, is home to 3. The Acropolis and its surround The Parthenon, the temple of Athena, is the major city attraction as well as... Anastasios71/Shutterstock.com 4. Benaki Museum of Greek Culture Benaki is a history museum with Greek art and objects from the 5. Mount Lycabettus Mount Lycabettus (in Greek: Lykavittos, Λυκαβηττός) lies right in the centre... Milan Gonda/Shutterstock.com Athens THE CITY DO & SEE Nick Pavlakis/Shutterstock.com Anastasios71/Shutterstock.com Athens’ heyday was around 400 years BC, that’s Dive in perhaps the most historically rich capital when most of the classical monuments were of Europe and discover its secrets. Athens' past built. During the Byzantine and Turkish eras, the and its landmarks are worldly famous, but the city decayed into just an insignicant little city ofiers much more than the postcards show: village, only to become the capital of it is a vivid city of culture and art, where the newly-liberated Greece in 1833.
    [Show full text]
  • Programma Festival 2017 EN-1.Pdf
    Give me this stranger (...) who as a stranger has nowhere to lay his head. [George Akropolites (13th c.), sticheron from the Matins of Holy Friday] Give me this stranger (...) who as a stranger has nowhere to lay his head. [George Akropolites (13th c.), sticheron from the Matins of Holy Friday] ATHENS & EPIDAURUS FESTIVAL 2017 ARTISTIC DIRECTOR Vangelis Theodoropoulos BOARD OF DIRECTORS PRESIDENT John Milios VICE PRESIDENT Petros Stavrianos MEMBERS Nikos Erinakis Martha Fosteri George Kouroupos Vassilis Lambrinoudakis Effi Yannopoulou ARTISTIC CO-CURATORS Matthias von Hartz – International Productions Georgina Kakoudaki – Educational Programmes Dimitra Kondylaki – Contemporary Greek Theatre Steriani Tsintziloni – Dance Nikos Vassiliou – Music EPIDAURUS “The Arrival of the Stranger” INTERNATIONAL PRODUCTIONS Ancient Theatre of Epidaurus Tribute to Volksbühne Cezaris Graužinis, Seven Against Thebes Frank Castorf, The Gambler Stavros Tsakiris, Oedipus at Colonus Herbert Fritsch, Murmel Murmel / Mumbling Ektoras Lygizos, The Bacchae René Pollesch, I Love You, but I’ve Chosen Entdramatisierung Konstantinos Arvanitakis, Peace Masterclass with Hans-Thies Lehmann Katerina Evangelatos, Alcestis Robert Wilson – Mikhail Baryshnikov, Letter to a Man Marianna Calbari, Medea Julien Gosselin, Les Particules élémentaires / Atomised Aris Biniaris, The Persians Milo Rau, Empire Closing celebration: Dances of the Peloponnese Afsaneh Mahian, From the Basement to the Roof Romeo Castellucci, Democracy in America Little Theatre of Ancient Epidaurus Forced Entertainment,
    [Show full text]
  • 1 QUEERING the PUBLIC SPACE: PUNISHMENT and UTOPIAS in ATHENS by LUCIA NIKOLAOU-DAMASKINOU a Thesis Submitted to the Graduate Fa
    QUEERING THE PUBLIC SPACE: PUNISHMENT AND UTOPIAS IN ATHENS BY LUCIA NIKOLAOU-DAMASKINOU A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Communication May 2021 Winston-Salem, North Carolina Approved By: Alessandra Beasly Von Burg, PhD, Advisor Kristina Gupta, PhD, Chair Anna Carastathis, PhD Amber Kelsie, PhD 1 DEDICATION In loving memory of Shehzad Luqman, Zak Kostopoulos (Zackie Oh), and my father. ii ACKNOWLEDGEMENTS The completion of this thesis would not be possible without the support and guidance of my advisor, Dr. Alessandra Von Burg. Her consistent providing of feedback and questions were critical in pushing my work to the next level and her enthusiasm for learning kept me motivated even when I wanted to give up. Next, I am beyond grateful for my amazing committee who fostered a community of learning for me to work within. Dr. Amber Kelsie, Dr. Kristina Gupta, and Dr. Anna Carastathis each brought a unique perspective in their feedback, all of which helped tremendously in my writing. Thank you to my mother who has always been supportive and loving, especially during my thesis writing days. Also, a big warm thank you also to my dear friends, family, and partner for always being there to comfort me and to listen to my endless rambling on oppressive structures in Athens and displacement. Lastly, thank you to my father whose parting words to me were “I am envious of you because you are about to begin a journey of exploration and learning”.
    [Show full text]
  • Erisian Mysteries: the Art of Squatting, Resistance and Solidarity in Exarcheia, Athens Katelyn Squires Undergraduate Student, IBA Anthropology/Philosophy Hons
    CONTINGENT HORIZONS The York University Student Journal of Anthropology VOLUME 4, NUMBER 1 (2018) PUBLIC ANTHROPOLOGY Erisian Mysteries: The Art of Squatting, Resistance and Solidarity in Exarcheia, Athens Katelyn Squires Undergraduate Student, IBA Anthropology/Philosophy Hons. | York University, Toronto, Canada Contingent Horizons: The York University Student Journal of Anthropology. 2018. 4(1):17–31. First published online September 4, 2018. Contingent Horizons is available online at www.contingenthorizons.com. Contingent Horizons is an annual open-access, peer- reviewed student journal published by the department of anthropology at York University, Toronto, Canada. The journal provides a platform for graduate and undergraduate students of anthropology to publish their outstanding scholarly work in a peer-reviewed academic forum. Contingent Horizons is run by a student editorial collective and is guided by an ethos of social justice, which informs its functioning, structure, and policies. Contingent Horizons’ website provides open-access to the journal’s published articles. ISSN 2292-7514 (Print) ISSN 2292-6739 (Online) editorial collective Meredith Evans, Nadine Ryan, Vishwaveda Joshi. cover photo Nadine Ryan Erisian Mysteries The Art of Squatting, Resistance and Solidarity in Exarcheia, Athens KATELYN SQUIRES UNDERGRADUATE STUDENT, IBA ANTHROPOLOGY/PHILOSOPHY HONS. YORK UNIVERSITY, TORONTO, CANADA This article is guided by the central question: how have the anarchists and residents of Exar- cheia in Athens, Greece, manifested, both spatially and socially, forms of resistance to the state in the face of austerity and following the 2008 December riots? Based on ethnographic field- work in the anarchist neighbourhood of Exarcheia, located in Athens, this article investigates how anarchist dissent and solidarity have manifested spatially through grassroots organizing, solidarity networks, spatial forms of resistance and other infrastructures of dissent.
    [Show full text]
  • The Emergence of the “Jazz Neighbourhood” of Kerameikos in Recession Athens
    The Greek Review of Social Research, 2020 Print ISSN: 0013-9696 Online ISSN: 2241-8512 Copyright © 2020 The Author Τhis work is licensed under the Creative Commons Attribution-Non Commercial 4.0 International (CC BY-NC 4.0) https://creativecommons.org/licenses/by-nc/4.0/ Georgia Vavva* ___________________________________________________________________________ The emergence of the “jazz neighbourhood” of Kerameikos in recession Athens ABSTRACT This paper maps the transformations related to the work practices of jazz venue owners and professional jazz musicians as a response to the crisis, and the ways in which these practices are spatialized in the area of Kerameikos in Athens, Greece. It is based on ethnographic fieldwork, conducted in 2015-2017 as part of my ethnomusicological doctoral research regarding the Athenian jazz scene in the post-2010 era. As I argue, the financescape disruption that occurred in 2010 triggered an impressive rise of small-scale musical performances and at the same time led to the prioritization of a globally-informed locality. In Kerameikos this process has been further assisted by the decelerating rhythms of gentrification, where shifts in the work practices of musicians and venue owners alike have brought together two concepts pertaining seemingly to contradicting social imaginaries, that of jazz and kafeneio, adding further to the emergent puzzling urban crisis-scape during this tumultuous period. Keywords: ethnomusicology, crisis, gentrification, Kerameikos, jazz ____________________ * PhD in Ethnomusicology,
    [Show full text]
  • Athens Hilton, Ilisia Good Buys Landmark Lodgings
    Retail Athens Hilton, Ilisia Good buys Landmark lodgings Every room in this 1960s building has a private balcony and is tastefully decorated with white 34 walls, wooden floors and a marble bathroom. Zeus + Dione, Kolonaki 46 Vasilissis Sofias Avenue, 115 28 Contemporary Hellenic 130 210 7281 000 athens.hilton.com During the crisis, Mareva Grabowski and Dimitra Kolotoura took a chance on a label Athens inspired by ancient Hellenic culture. Now InnAthens, Plaka their pieces can be found at more than 50 Sound of silence wholesalers worldwide. 21 Ploutarchou, 106 73 Think of Athens and the An olive’s toss from lively Syntagma Square, 130 210 7400 090 this storied building has had many guises in its zeusndione.com first things that spring to century-long history. mind are ancient ruins 3 Souri, 105 57 130 210 3258 555 Paraphernalia, Omonoia and camera-toting crowds innathens.com Unique pieces (before they hotfoot it to Food and drink This shop presents a forever-changing the island-bound ferries On the menu collection of furniture, lighting, jewellery, at the port of Piraeus, that accessories, plants and homeware – some new and others upcycled. Everything is is). It’s true, the Acropolis for sale, including the antique furniture on is ever present and during which smaller pieces are displayed, from the Café Avissinia, Monastiraki woodcarving counter to the mug rack. summer the city thrums with Old Athens 15 Ioannou Paparrigopoulou, 105 61 schools of holidaymakers. 130 213 0343 663 A cabinet of curiosities awaits in this classic paraphernalia.gr But there’s much more to the Athenian stop-in on Avissinias Square, home Greek capital than temples to a famous flea market.
    [Show full text]