DOCSLIB.ORG

February 2005 Roll 69, Exposure 2 Editor: John Opie Associate Editor: Dennis Mally Website: E-Mail: [email protected]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
February 2005 Roll 69, Exposure 2 Editor: John Opie Associate Editor: Dennis Mally Website: E-Mail: Joscribbler@Comcast.Net February 2005 Roll 69, Exposure 2 Editor: John Opie Associate Editor: Dennis Mally Website: http://www.members.aol.com/tccameraclub/ E-Mail: [email protected] Next Competition Night: Monday: March 14 Subject: Portrait: A photographer’s attempt to capture a person’s mood and/or personality under controlled conditions. Backgrounds and lighting should compliment the subject. It’s important to remember the written guidelines for select subject on competition nights: The written guidelines that describe what qualifies an image for the particular month’s select subject category are not being followed – either by the members or the judges. Competitors are asked to review these guidelines before submitting their entries and Ken will be more explicit when lining up the judges at future meetings. Gorson will also attempt to get the select subject description as well as the overall judging guidelines to the judges before the meeting whenever possible. Think Ahead: Future Competition Nights: April: Night photos May: Architecture June: Nature Reminder: Spring 2005 SWMCCC Competition photos due April 25 The Spring conference of SWMCCC will be held June 3-5 at the Jackson Community College, Jackson, Michigan. The conference theme will be digital photography and processing. Representatives of Adobe, Epson and others will be on hand to offer workshops and presentations. (Film shooters: don’t be alarmed. You aren’t being excluded; digital is just the theme. Film entries for the competitions will undoubtedly outnumber digital by a large margin.) Don Vander Molen will need your entries by the April 25th program meeting, so he can organize and submit them to the competition chairs at the May 1 Board Meeting. Judging will take place on May 31. More information, including a list of area motels, will be in a forthcoming issue of the SWMCCC Counsellor. Four TCCC Members Participated in 48 Hour Twin City Photo Project: Results to be at Box Factory It’s name is “Two Cities: 48 Hours,” a photo project involving 20 photographers taking over 8000 images in the twin cities in 48 hours. It is terrific to report that four TCCC members were invited to join up with mostly professional photographers: Ken McKeown, Len Anderson, Paul Hicks, and Colleen Lawrence. The Box Factory will display more than 200 selected images. The show runs from March 11 to April 18, 2005, with the opening reception on Friday, March 18, 2005, at 6:30. The images will be printed on an Epson printer with Epson papers and ink. Epson will also have printers on display and will be printing prints. A great event to attend and also support our TCCC representatives! The Digital Corner, by Dan Penrod: Important Reminder on Digital Slide Submissions Please remember that the deadline for digital submissions is the Monday, seven days before competition night. This month it will be especially important since I will be on vacation the week of competition, but I will still be putting together the program. Name your submissions. For instance, one of my entries for February was called "Angles in Blue". The way to format the name is “Dan Penrod-Angles in Blue.jpg" Makers name first, a dash "-" then the title of the image. This helps a great deal in assembling the show since I use the file name to announce the acceptances and honors. Also, please in the body of the e-mail, state if the item is in the "Select" or "Open" category. Most of the time I can guess, but I don't want to make a mistake. TCCC Annual Business Meeting Highlights by Dennis Mally Following is a summary of noteworthy information reported at the annual business meeting held on February 28, 2005. Financial and Membership Report Howard Nahikian reported that, excluding the purchase of our new digital projector and notebook computer, income approximated expenses for the year, leaving the Club’s bank balance at about the same level as when the year started. Conclusion: TCCC is financially solvent. The Club is also flourishing. Many new members have joined and attendance at last season’s banquet was up 40% versus average attendance for the past several years. Judges Needed for Competition Nights Finding competent judges for the monthly and year-end competitions continues to be a challenge. Gorson Drake would greatly appreciate any leads you might have on prospective judges. Please call him with sources or names at 463-7333. Future Programs (Fourth Monday of Each Month): A good line-up of programs is scheduled for the remainder of this year. Dean Pennala who teaches at the Kalamazoo Institute of Arts will present a program on March 28th on nature/landscape photography. (Dean takes great photos and has an unusually good way of explaining why and how he took them.) The April 25th program meeting will feature a video by Jim Brandenburg. (It will be projected on the big screen by our new digital projector!) You might know Jim as the guy from Minnesota who is famous for his photos of wolves. Jim’s video in April will feature his “one photo per day series.” Victor Coar will present another Photoshop and PS Elements mini-tutorial at the meeting on May 23rd. Victor plans to cover layers and sharpening. His tutorial last year was well done and members found it helpful. This one promises to be the same. Special Outing Proposed Len Anderson proposed that the Club plan a multi-day outing to a photo-rich location like Great Smokey Mountain National Park. Len made a good case that such an outing would provide a nice opportunity for members to get some good shots, socialize and get to know one another, and pass on tips and techniques (perhaps especially to newer members). Len made it clear that he is not locked in to the Smokey mountain area alone, but it would be a good choice because of it’s proximity to many non- photographic attractions (shopping!) that might be of interest to spouses and companions who aren’t photography addicts. Len welcomes any member thoughts or suggestions on the idea in general, and any suggestions of other good locations as well. Len offered to head up organizing and arranging such an outing. To get the ball rolling he will investigate the costs and logistics for a Smokies trip and report on it at a future meeting. Film vs. Digital Slides The much-debated issue of film and digital slides was again discussed at the meeting. Some members feel that, because digital images can be adjusted and manipulated more easily and much more extensively than film slides, it is unfair to have them scored in the same category. Following much lively discussion it was decided to tap into the opinions of the general membership on this issue. Please complete the attached survey and return it to Ken McKeown. The Board will review the results and decide what will be done for next season. Notice for the June Slide-or-the-Year Competition: For ease in winnowing down entries for the June slide-of-the-year competition, it was decided by a consensus of those in attendance that both digital and film slides will be presented via the digital projector (i.e., Film slides will be scanned). This means you will have to get your slides in earlier. Dan will have more about the due date as we come closer to the June competition. Digital SLR Camera for sale by Dan Penrod ([email protected]. 683-4764 461-6993) For Sale. Fujifilm FinePix S2 Pro (body only). Asking price $1000. Price new $2250. Everything works on the camera. Low Mileage, under 6000 images. Will include 1GB Microdrive. FinePix S2 Pro Features: 6.17-Megapixel Fujifilm Super CCD (12.1 MP output). Uses Nikon F-mount lenses (with 1.5x focal multiplier). Program AE w/Shift, Shutter priority, Aperture priority and full Manual. Shutter speeds from 1/4,000 to 30 seconds plus Bulb. Continuous drive at 2fps up to 7 frames. ISO sensitivity from 100 to 1600. For a highly-detailed and comprehensive review of the camera with pictures from all angles go to: http://www.steves-digicams.com/2002_reviews/s2.html The Club has a 17” color TV for sale. (No remote.) If interested, make an offer to Ken McKeown. Three Websites for Terrific Camera (35mm & Digital) and Digital Printing Reviews: Dan’s reference reminded me that great up-to-date information can be found on the following: http://www.steves-digicams.com/ (tests cameras and lenses—really great reviews) http://www.fredmiranda.com/ (tests cameras, lenses, accessories & displays photographers) http://www.wilhelm-research.com/ (tests archival durability of printers and papers) _________________________ Remember, Please Fill out the attached survey on the separate sheet – Film vs. Digital Slides .
Load more

Recommended publications
  • DUBLER 205.Indd
    TEXT BY Douglas ALLAN WEITZ AND DOUGLAS DUBLER 3 IMAGES BY Dubler DOUGLAS DUBLER 3 Puts Fujifi lm’s FinePix S3 Pro to the Test Once More, With Even More Feeling www.imaginginfo.com 2/2005 studio photography & design 11 The Fujifilm nameplate always brings something new Though still based on a Nikon film camera, there is little to the marketplace. Think about it. What other camera of the original Nikon chassis to be found in the finished company has introduced a more eclectic batch of 120/220 product. Aside from the top-plate, lens mount assembly, film cameras—running the gamut from a 645AF to a set the metering and auto-focusing systems, the entire cam- of 6x7 and 6x9 rangefinders, a 6x8 studio camera, and era is built to Fujifilm specs around the newest Fujifilm a 6x17 panoramic camera? While only the GX617 and Super CCD SR II imaging sensor. GX680III remain in Fujifilm’s current film camera lineup, Fujifilm has never shied away from new technology Fujifilm continues to shake the nuts off the trees with its concepts, and its new Fujifilm Super CCD SR II sen- latest DSLR: the Fujifilm FinePix S3 Pro. sor employs dual photodiodes to capture and record The third-generation of Fujifilm’s foray into the DSLR the light image, as opposed to the industry standard market, the Fujifilm FinePix S3 Pro, in many ways, car- of using a single photodiode to gather the entire range ries on Fujifilm’s talent for thinking outside the box, of light. The ‘S’ photodiode resides within the pixel to Ttechnologically and otherwise.
    [Show full text]
  • Finepix S3pro SERVICE MANUAL US/CA/EU/EG/GE/AS/JP-Model
    DIGITAL CAMERA FinePix S3Pro SERVICE MANUAL US/CA/EU/EG/GE/AS/JP-Model WARNING THE COMPONENTS IDENTIFIED BY THE MARK “ ” ON THE SCHEMATIC DIAGRAM AND IN THE PARTS LIST ARE CRITICAL FOR SAFETY. PLEASE REPLACE ONLY BY THE COMPONENTS SPECIFIED ON THE SCHEMATIC DIAGRAM AND IN THE PARTS LIST. IF YOU USE PARTS NOT SPECIFIED, IT MAY RESULT IN A FIRE AND AN ELECTRICAL SHOCK. Ref.No.: ZM00576-102 FUJI PHOTO FILM CO., LTD. Printed in Japan 2004.12 FinePix S3Pro Service Manual SAFETY CHECK-OUT After correcting the original problem, perform the following safety check before return the product to the customer. 1. Check the area of your repair for unsoldered or poorly 7. CAUTION: FOR CONTINUED soldered connections. Check the entire board surface PROTECTION AGAINST FIRE for solder splasher and bridges. HAZARD, REPLACE ONLY WITH SAME TYPE 2.5 AMPERES 125V 2. Check the interboard wiring to ensure that no wires are FUSE. “pinched” or contact high-wattage resistors. RISK OF FIRE- ATTENTION: AFIN D'ASSURER 2.5A 125V REPLACE FUSE 3. Look for unauthorized replacement parts, particularly AS MARKED UNE PROTECTION 2.5A 125V transistors, that were installed during a previous repair. PERMANENTE CONTRE LES Point them out to the customer and recommend their RISQUES D'INCENDIE, replacement. REMPLACER UNIQUEMENT PAR UN FUSIBLE DE MEME, 4. Look for parts which, though functioning, show obvious TYPE 2.5 AMPERES, 125 VOLTS. signs of deterioration. Point them out to the customer and recommend their replacement. 8. WARNING: TO REDUCE THE ELECTRIC 5. Check the B + voltage to see it is at the values SHOCK, BE CAREFUL TO specified.
    [Show full text]
  • Fujifilm S2PRO PL.Pdf
    Ostrzeżenie ! Aby uniknąć pożaru lub porażenia, nie wystawiaj kamery na działanie deszczu i wilgoci. RYZYKO PORAŻENIA PRĄDEM NIE OTWIERAĆ Uwaga aby uniknąć porażenia prądem nie należy otwierać obudowy. Wewnątrz nie znajdują się żadne elementy obsługowe. Naprawy należy zlecać autoryzowanemu serwisowi. Graficzne symbole umieszczone są na obudowie Ten symbol ostrzega użytkownika przed obecnością niebezpiecznego napięcia na nieoizolowanych elementach urządzenia, które może spowodować porażenie elektryczne Ten symbol informuje użytkownika o konieczności stosowania się do zaleceń zawartych w instrukcji obsługi dołączonej do produktu Ostrzeżenie To urządzenie było badane i otrzymało stosowne zezwolenie użyteczności w klasie bezpieczeństwa B oraz rozdziału 15 przepisów FCC stworzonych do zabezpieczenia sieci elektrycznej przed szkodliwymi interferencjami. To urządzenie generuje promieniowanie elektromagnetyczne i jeśli nie jest używane zgodnie z instrukcją może powodować zakłócenia w odbiorze w odbiorze fal radiowych. Nie wyklucza się jednak wystąpienia szkodliwego wpływu na niektóre urządzenia elektryczne. Jeśli to urządzenie powoduje zakłócenia w odbiorze radiowym lub telewizyjnym i występujące podczas włączania lub wyłączania urządzenia można zredukować to zjawisko według poniższych zaleceń: - Zmienić ustawienie anteny odbiornika. - Zwiększyć odległość pomiędzy urządzeniem a odbiornikiem. - Nie włączać urządzenia do tego samego gniazda sieciowego, do którego podłączony jest odbiornik. - Jeśli nadal interferencje się pojawiają skontaktuj się
    [Show full text]
  • Model TYPE # ECL Or E2 MFG OK Sensor Type Canon EOS 5D 3
    Model TYPE # ECL or E2 MFG OK Sensor Type Canon EOS 5D 3 Eclipse N CMOS Canon EOS 350D 2 Eclipse N CMOS Canon EOS 10D 2 Eclipse N CMOS Canon EOS 1D 1 Eclipse N CCD Canon EOS 1D Mark II 1 Eclipse N CMOS Canon EOS 1D Mark III 2 E2 N CMOS Canon EOS 1Ds 3 Eclipse N CMOS Canon EOS 1Ds Mark II 3 Eclipse N CMOS Canon EOS 20D 2 Eclipse N CMOS Canon EOS 400D 2 Eclipse N CMOS Canon EOS 300D 2 Eclipse N CMOS Canon EOS 30D 2 Eclipse N CMOS Canon EOS D30 2 Eclipse N CMOS Canon EOS D60 2 Eclipse N CMOS Canon Rebel 2 Eclipse N CMOS Canon 400D Rebel Xti 2 E2 N CMOS Canon Rebel Xti 2 E2 N CMOS Contax N Digital 3 Eclipse N CCD Fuji Finepix S1 Pro 1 Eclipse Y CCD Fuji Finepix S2 Pro 1 Eclipse Y CCD Fuji Finepix S3 Pro 1 Eclipse Y CCD Fuji Finepix S5 Pro 2 Eclipse Y CCD Kodak DCS 14n 3 Eclipse Y CMOS Kodak DCS 760 1 Eclipse Y CCD Kodak DCS SLR/c 3 Eclipse Y CMOS Kodak DCS SLR/n 3 Eclipse Y CMOS Kodak DCS620 1 Eclipse Y CCD Kodak DCS620X 1 Eclipse Y CCD Konica Minolta Maxxum 5D 2 Eclipse N CCD Maxxum 7D 2 Eclipse N CCD Leica M8 1 E2 N CCD Leica Module R 1 Eclipse Y CCD Nikon D1 2 Eclipse N CCD Nikon D100 2 Eclipse N CCD Nikon D1H 2 Eclipse N CCD Nikon D1X 2 Eclipse N CCD Nikon D200 2 Eclipse N CCD Nikon D2H 2 Eclipse N JFET Nikon D2Hs 2 Eclipse N JFET Nikon D2X 2 Eclipse N CMOS Nikon D40 2 Eclipse N CCD Nikon D50 2 Eclipse N CCD Nikon D70 2 E2 N CCD Nikon D70s 2 E2 N CCD Nikon D80 2 E2 N CCD Nikon D40 2 E2 N CCD Nikon D40X 2 E2 N CCD Olympus E300 2 Eclipse N CCD Olympus E1 2 Eclipse N CCD Olympus E410 2 E2 N CCD Pentax *ist DL 2 Eclipse N CCD Pentax *ist DS 2 Eclipse N CCD Pentax *ist D 2 Eclipse N CCD Pentax K100D 2 Eclipse N CCD Pentax K10D 2 E2 N CCD Sigma SD9 1 Eclipse N CMOS Sigma SD10 1 Eclipse N CMOS Sony Alpha 100 2 E2 Y CCD .
    [Show full text]
  • Dc Lens for Digital Slr Camera
    LENS TECHNOLOGY Sigma lens technology enables the photographer to express his own sensitivity through images. Sigma has refined optical technology, in order to fully realize the possibilities of single lens reflex cameras and to respond exactly to the demands of the photographer, helping him to bring his visions to reality. Ⅵ The high quality lens series of Sigma. Ⅵ SIGMA Advanced Lens Technology. DC (Digital Camera) DG (Digital) EX Lens: Hyper-Sonic Motor (HSM): Lenses: Lenses: The excellent features of these Sigma lenses, such as new optical and This lens uses a motor driven by ultrasonic waves to provide a quiet, high- For these special digital single-lens reflex camera The most suitable lenses for 35 mm film single-lens mechanical design concept, superior performance, perfect handling, ultra speed AF. lenses, the image circle has been designed to match the reflex cameras, as well as for digital SLR cameras. compact design, durability etc., are symbolized by the EX mark. image elements which correspond to the APS-C size. Sigma’s development of the DG (Digital) range of Rear Focus: The original technology gathered during the lenses has concentrated on the correction of Aspherical Lens: This lens is equipped with a system that moves the rear lens group for high- development of the SD series of digital singe-lens distortion and aberrations. Magnification of chromatic The aspherical lens complex allows freedom of design, improved speed, silent focusing. reflex cameras has been used to realize optical aberration is particularly conspicuous with digital performance, a reduced number of component lenses and a compact size. abilities most suitable for digital images.
    [Show full text]
  • Finepix S2 Pro SERVICE MANUAL U/E-Model
    DIGITAL CAMERA FinePix S2 Pro SERVICE MANUAL U/E-Model WARNING THE COMPORNENTS IDENTIFIED BY THE MARK “ ” ON THE SCHEMATHIC DIAGRAM AND IN THE PARTS LIST ARE CRITICAL FOR SAFETY. PLEASE REPLACE ONLY BY THE COMPORNENTS SPECIFIED ON THE SCHMATHIC DIAGRAMAND IN THE PARTS LIST. IF YOU USE WITH PART NUMBER UN-SPECIFIED, IT MAY RESULT IN A FIRE AND AN ELECTORICAL SHOCK. Ref.No.:ZM00438-105 FUJI PHOTO FILM CO.,LTD. Printed in Japan 2002.06(T.S.) FinePix S2 Pro (U/E) SERVICE MANUAL SAFETY CHECK-OUT After correcting the original problem, perform the following safety check before returning the product to the customer. 1. Check the area of your repair for unsoldered or poorly 6. Make leakage - current measurements to determine sol dered connections. Check the entire board sur that exposed parts are acceptably insulated from the face for solder splasher and bridges. supply circuit before returning the product to the customer. 2. Check the interboard wiring to ensure that no wires 7. CAUTION: FOR CONTINUED are “pinched” or contact high-wattage resistors. PROTECTION AGAINST FIRE HAZARD, REPLACE ONLY WITH SAME TYPE 2.5 AMPERES 125V 3. Look for unauthorized replacement parts, particu FUSE. RISK OF FIRE- larly tran sistors, that were installed during a previ 2.5A125V REPLACE FUSE ATTENTION: AFIN D'ASSURER ous repair. Point them out to the customer and rec AS MARKED UNE PROTECTION 2.5A125V PERMANENTE CONTRE LES ommend their replacement. RISQUES D'INCENDIE, REMPLACER UNIQUEMENT PAR UN FUSIBLE DE MEME, 4. Look for parts which, though functioning, show obvi TYPE 2.5 AMPERES, 125 ous signs of deterioration.
    [Show full text]
  • Adobe® Digital Negative Converter 6.7 Read Me
    Adobe® Digital Negative Converter 6.7 Read Me What is a Digital Negative (DNG)? Digital Negative (DNG) is an openly published raw file specification that stores the “raw” pixel data captured by the digital camera sensor before it has been converted to JPEG or TIFF along with standard EXIF metadata, date, time, camera used, and camera settings. This format is freely available for other software and hardware vendors to support. What is the Adobe (DNG) Converter? The Adobe DNG Converter enables you to easily convert camera-specific raw files from the supported cameras listed below to a more universal DNG raw file. What is a “raw” file? A raw file contains the “raw” data captured by the digital camera sensor before it has been converted to JPEG or TIFF. Cameras that create JPEG or TIFF files process (and in the case of JPEG files, compress) the sensor data. When working with raw files, the file is not compressed or processed in the camera—instead, our software gives the user complete control over the conversion settings. For example, white balance is not applied to the raw file but is stored with the file so the software can default to the originally intended setting. Other information contained in a DNG file includes standard EXIF metadata (just like in JPEG files), date, time, camera used, and camera settings. Benefits of raw files Some of the benefits of shooting raw include: • Smaller files than uncompressed TIFF • Does not have the artifacts of compressed JPEGs • Many key camera parameters, such as white balance, can be modified even after the image is captured • You have complete control over conversion settings rather than letting the camera decide • Access to 16-bit data for greater detail and fidelity • Flexibility of converting a single file using multiple conversion settings Why convert to DNG files? Unlike most manufacturer-specific raw formats, the Digital Negative is an openly published specification that not only is supported by Adobe, but is also freely available for other software and hardware vendors to support.
    [Show full text]
  • LENS TECHNOLOGY Sigma Lens Technology Enables the Photographer to Express His Own Sensitivity Through Images
    LENS TECHNOLOGY Sigma lens technology enables the photographer to express his own sensitivity through images. Sigma has refined optical technology, in order to fully realize the possibilities of single lens reflex cameras and to respond exactly to the demands of the photographer, helping him to bring his visions to reality. Ⅵ The high quality lens series of Sigma. Ⅵ SIGMA Advanced Lens Technology. DC (Digital Camera) DG (Digital) EX Lens: Hyper-Sonic Motor (HSM): Lenses: Lenses: The excellent features of these Sigma lenses, such as new optical and This lens uses a motor driven by ultrasonic waves to provide a quiet, high- For these special digital single-lens reflex camera The most suitable lenses for 35 mm film single-lens mechanical design concept, superior performance, perfect handling, ultra speed AF. lenses, the image circle has been designed to match the reflex cameras, as well as for digital SLR cameras. compact design, durability etc., are symbolized by the EX mark. image elements which correspond to the APS-C size. Sigma’s development of the DG (Digital) range of Rear Focus: The original technology gathered during the lenses has concentrated on the correction of Aspherical Lens: This lens is equipped with a system that moves the rear lens group for high- development of the SD series of digital singe-lens distortion and aberrations. Magnification of chromatic The aspherical lens complex allows freedom of design, improved speed, silent focusing. reflex cameras has been used to realize optical aberration is particularly conspicuous with digital performance, a reduced number of component lenses and a compact size. abilities most suitable for digital images.
    [Show full text]
  • Last Updated : 2021/02/15 1 NA-Ittl NIKON ELECTRONIC FLASH EF-530 DG SUPER
    NA-iTTL NIKON ELECTRONIC FLASH EF-530 DG SUPER It is compatible with the new i-TTL system. Availability of TTL Auto depends on the lens, but this system can be used with all Nikon camera models. It is possible to use Manual Flash as well as distance-priority manual flash, which is specific to Nikon (except D1X and D1H cameras). Red-eye reduction control, Rear-Curtain Synchro and Exposure Compensation functions are also available (except with some camera models). Manual Flash Functions, as well as Wireless Flash Functions are also available (except with some camera models). Manual switching of the amount of light is from 1/1 to 1/64. Auto-Power Off function shuts off the power if the flashgun is not used for 80 seconds. Distance AF Red-Eye Designated Rear- Exposure Autozoom Wireless Normal TTL Auto *1 Priority Auxiliary Reduction Slave Curtain Compensation Head Flash Slave Flash Manual Flash Lamp Function Flash *4 Synchro Function F3 TTL Flash Control × ✔ × × × ✔ ✔ × × TTL-BL Flash Control, F4 Series ✔ ✔ ✔ ✔ × ✔ ✔ × ✔ Simple TTL-BL Flash Control 3D-Multi BL Flash Control, F5 ✔ ✔ ✔ *2 × × ✔ ✔ ✔ ✔ Multi BL Flash Contro i-TTL-BL Flash Control, F6 ✔ ✔ ✔ *2 ✔ ✔ ✔ ✔ *5 ✔ ✔ Multi BL Flash Control TTL-BL Flash Control, F50D (N50) × ✔ × × × ✔ ✔ × × Simple TTL-BL Flash Control TTL-BL Flash Control, F60D (N60) × ✔ ✔ × × ✔ ✔ × × Simple TTL-BL Flash Control 3D-Multi BL Flash Control, F70D (N70) ✔ ✔ ✔ ✔ × ✔ ✔ ✔ ✔ Multi BL Flash Contro 3D-Multi BL Flash Control, F80 (N80) Series ✔ ✔ ✔ *2 ✔ × ✔ ✔ ✔ ✔ Multi BL Flash Contro 3D-Multi BL Flash Control, F90X
    [Show full text]
  • Konica Minoltas First Digital Single Reflex Camera
    x Konica Minoltas first Digital Single Reflex Camera x First DSLR with in body integrated Anti-Shake System x 6 Megapixel CCD (23.5 x 15.6 mm) x High performance Optical Viewfinder x High Speed Auto Focus System 9 areas, 8 lines x Large 2.5-type TFT monitor Positioning street prices August 2004 Canon 1Ds/Mark II Nikon D2H High End 6.764.-/3.999.-€ 3.887.-€ Canon 10D Nikon D100 Middle Class Konica Minolta 1.399.-€ 1.444.-€ Dynax 7D Entry Model Canon D300 Nikon D70 919.-€ 1.017.-€ Comparison D7D/A2 Comparison D7D/A2 DiMAGE A2 Dynax 7D Resolution 8 Megapixel 6 Megapixel Focal Lens 28 -200 mm 24 – 900 mm (22.5 - 300 mm) (crop. 1.5) CCD Size 2/3 inch Type 23.5x15.6 mm AF-System Video AF Phase-Detection AE -Metering CCD-Metering SPC Metering Flash Metering CCD-Metering SPC Metering Viewfinder Electronic Optical Viewfinder Viewfinder White balance CCD CCD SPC (silicone photo cell) CCD Sensor DiMAGE CCD A2/ CCD Dynax 7D 2/3 inch Type 23.5x15.6 mm 15.6 mm 11 mm 6.6 mm 28,4 mm 8.8 mm 2/3 inch 23.5 mm = unit cell size 2.7x2.7 µm = unit cell size 7.8x7.8 µm CCD Sensor Comparison of Sensor Types Konica Minolta Nikon D70 Nikon D100 Canon 300D Dynax 7D Sensor CCD CCD CCD CMOS Type 23,5x15,7 mm 23,7x15,6 mm 23,7x15,6 mm 22,7x15,1 mm (APS-C size) (APS-C size) (APS-C size) PENTAX *ist D OLYMPUS E-1 FUJIFILM Canon 10D FinePix S2 Pro Sensor CCD Four-thirds size Super-CCD CMOS Type 23,7x15,6 mm CCD 23,3x15,6 mm 22,7x15,1 mm (APS-C size) 17,3x13,0mm (APS-C size) (APS-C size) AS-System CCD-Shift Anti-Shake System Anti Shake is compatible with almost every lens* • The cameras CCD is shifted in the X and Y dimension to compensate for the camera shaking • Two angular velocity sensors detect the camera shake User benefits: Compensation: • Shutter speed bracketing in max.
    [Show full text]