Model TYPE # ECL Or E2 MFG OK Sensor Type Canon EOS 5D 3

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Model TYPE # ECL or E2 MFG OK Sensor Type Canon EOS 5D 3 Eclipse N CMOS Canon EOS 350D 2 Eclipse N CMOS Canon EOS 10D 2 Eclipse N CMOS Canon EOS 1D 1 Eclipse N CCD Canon EOS 1D Mark II 1 Eclipse N CMOS Canon EOS 1D Mark III 2 E2 N CMOS Canon EOS 1Ds 3 Eclipse N CMOS Canon EOS 1Ds Mark II 3 Eclipse N CMOS Canon EOS 20D 2 Eclipse N CMOS Canon EOS 400D 2 Eclipse N CMOS Canon EOS 300D 2 Eclipse N CMOS Canon EOS 30D 2 Eclipse N CMOS Canon EOS D30 2 Eclipse N CMOS Canon EOS D60 2 Eclipse N CMOS Canon Rebel 2 Eclipse N CMOS Canon 400D Rebel Xti 2 E2 N CMOS Canon Rebel Xti 2 E2 N CMOS Contax N Digital 3 Eclipse N CCD Fuji Finepix S1 Pro 1 Eclipse Y CCD Fuji Finepix S2 Pro 1 Eclipse Y CCD Fuji Finepix S3 Pro 1 Eclipse Y CCD Fuji Finepix S5 Pro 2 Eclipse Y CCD Kodak DCS 14n 3 Eclipse Y CMOS Kodak DCS 760 1 Eclipse Y CCD Kodak DCS SLR/c 3 Eclipse Y CMOS Kodak DCS SLR/n 3 Eclipse Y CMOS Kodak DCS620 1 Eclipse Y CCD Kodak DCS620X 1 Eclipse Y CCD Konica Minolta Maxxum 5D 2 Eclipse N CCD Maxxum 7D 2 Eclipse N CCD Leica M8 1 E2 N CCD Leica Module R 1 Eclipse Y CCD Nikon D1 2 Eclipse N CCD Nikon D100 2 Eclipse N CCD Nikon D1H 2 Eclipse N CCD Nikon D1X 2 Eclipse N CCD Nikon D200 2 Eclipse N CCD Nikon D2H 2 Eclipse N JFET Nikon D2Hs 2 Eclipse N JFET Nikon D2X 2 Eclipse N CMOS Nikon D40 2 Eclipse N CCD Nikon D50 2 Eclipse N CCD Nikon D70 2 E2 N CCD Nikon D70s 2 E2 N CCD Nikon D80 2 E2 N CCD Nikon D40 2 E2 N CCD Nikon D40X 2 E2 N CCD Olympus E300 2 Eclipse N CCD Olympus E1 2 Eclipse N CCD Olympus E410 2 E2 N CCD Pentax *ist DL 2 Eclipse N CCD Pentax *ist DS 2 Eclipse N CCD Pentax *ist D 2 Eclipse N CCD Pentax K100D 2 Eclipse N CCD Pentax K10D 2 E2 N CCD Sigma SD9 1 Eclipse N CMOS Sigma SD10 1 Eclipse N CMOS Sony Alpha 100 2 E2 Y CCD .

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Fujifilm Finepix S3 Pro C
John Henshall’s Chip Shop EVOLUTION OF THE SPECIES John Henshall takes a look at the latest DSLR in the series which changed photography. he FujiFilm S1 Pro DSLR was, for many of us, the camera which made our transition T from film to digital image capture an affordable reality. The camera produced excellent JPEG images which needed little or no post- shoot adjustment, making it extremely well suited to power the transition of wedding and other types of photography from film to digital. The camera wasn’t built like a tank, to last a decade, because Fuji knew that it would be superseded within two S2 S1 or three years. But many are still going strong nearly five years later. Two years after the introduction of the S1 Pro came the S2 Pro, with higher picture quality and some other carefully considered improvements, This camera has been the workhorse of most of my digital photography since it appeared. I haven’t shot a roll of film since – except for comparative tests. Now the third model in the FujiFilm DSLR dynasty is available. There is no headline-seeking increase in pixel count but the changes made do have a m o c . major impact on picture quality. e r t n In a phrase, the new S3 Pro is an e c - i evolution, not a revolution. And this is p e as it should be. @ n h o If you’ve been using the S1 or S2, j l l the handling of S3 Pro will seem a h s familiar to you but even nicer.
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TokinaLensCatalog-Inter-Photokina 10.9.10 2:00 PM Page 1 LENS CATALOG www.tokinalens.com TokinaLensCatalog-Inter-Photokina 10.9.10 2:00 PM Page 2 Digital Eyes Floating Element Assembly Aluminum Alloy Die-Cast Model VISIONARY TECHNOLOGY MAKES A DIFFERENCE YOU CAN SEE. Tokina’s proprietary AT-X technology has been evolving toward optical perfection for more than 30 years. Since our mission began in 1981 we have made continuous advances. Each new model is a further refinement in a continuing legacy of excellence in design and materials. The current AT-X PRO series continues this evolution of excellence by using the most state-of-the-art technology anywhere. More Quality Than Meets The Eye. The Tokina difference comes from special material selection and assembly technology that employs micron-unit quality control. This ensures optimum consistency while maintaining the highest quality for every lens. Worldwide, both professionals and knowledgeable photography enthusiasts rely on Tokina lenses. AT-X Technology AT-X comes from our original concept of “Advanced Technology Extra.” This vision encompasses a special group of lenses that are manufactured without compromise, using the most advanced design and fabrication technologies available. The use of unique and unprecedented optical systems independently pioneered by Tokina, has made advanced features, high performance, lightweight, and compact designs a reality. Of course, we have also given full attention to ergonomics and handling. To any user, AT-X means excellent performance through superior technology. 2 TokinaLensCatalog-Inter-Photokina 10.9.10 2:00 PM Page 3 DIGITAL SERIES Flexible printed circuit board SD (Super Low Dispersion) Glass Mechanisms 1.
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12.34M Nikon Lens Mount Nikon F Mount (With AF Coupling, AF Contacts) Dimensions 147.8 (W)×135.3 (H)×78.5 (D) Mm/5.8 (W)×5.3 (H)X3.1 (D) In
SPECIFICATIONS DIGITAL CAMERA FinePix S3 PRO Type of camera Interchangeable-lens SLR-type digital camera Viewfinder Fixed-eyelevel pentaprism, built-in diopter adjustment (-2.0 -1 to +1.0m-1) Number of effective pixels* 12.34 million (S-pixel: 6.17million, R-pixel: 6.17million) pixels Frame coverage: Approx.93% vertical, Aprox.95% horizontal CCD sensor 23.0×15.5mm Super CCD SR II Eye point 24 mm Number of total pixels: 12.9million (S-pixel: 6.45million, R-pixel: 6.45million ) pixels Focusing screen Clear Matte Screen II with focus brackets and On-demand Number of recorded pixels Still image: 4,256×2,848 (12.1million)/3,024×2,016/ Grid Lines able to display 2,304×1,536/1,440×960 pixels Viewfinder Focus indications, Metering system, AE lock, Shutter speed, Aperture, Storage media Slot No.1: xD-Picture Card™ (16MB – 512MB) information Exposure mode, Electronic analog exposure display/exposure Slot No.2: CF/Microdrive™ compensation display, Frame counter/exposure compensation value, (Compatibility is listed on Fujifilm website:http://home.fujifilm.com/products/digital/) Ready-light, Multiple exposure, Focus area, Flash exposure File format JPEG-DCF compatible (Exif Ver 2.21** ) compensation, Five sets of focus brackets (area) /Spot metering area, ( Design rule for Camera File system compliant / DPOF-compatible ) Center-Weighted metering,On-Demand Grid Lines able to display CCD-RAW (14bit) LCD panel Shutter speed/Exposure compensation value, Aperture, Number of images/recording time (top panel) display Exposure compensation, Flash exposure compensation, Auto exposure bracketing, Bracketing bar graphs, flexible program, Flash sync mode, Number of recorded pixels 4256 × 2848 3024 × 2016 2304 × 1536 1440 × 960 AF area mode Focus area, Battery power Quality RAW-WIDE RAW-STD JPEG F JPEG N JPEG F JPEG N JPEG F JPEG N JPEG F JPEG N LCD monitor 2.0-inch low temperature polysilicon TFT (approx.
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TEXT BY Douglas ALLAN WEITZ AND DOUGLAS DUBLER 3 IMAGES BY Dubler DOUGLAS DUBLER 3 Puts Fujiﬁ lm’s FinePix S3 Pro to the Test Once More, With Even More Feeling www.imaginginfo.com 2/2005 studio photography & design 11 The Fujifilm nameplate always brings something new Though still based on a Nikon film camera, there is little to the marketplace. Think about it. What other camera of the original Nikon chassis to be found in the finished company has introduced a more eclectic batch of 120/220 product. Aside from the top-plate, lens mount assembly, film cameras—running the gamut from a 645AF to a set the metering and auto-focusing systems, the entire cam- of 6x7 and 6x9 rangefinders, a 6x8 studio camera, and era is built to Fujifilm specs around the newest Fujifilm a 6x17 panoramic camera? While only the GX617 and Super CCD SR II imaging sensor. GX680III remain in Fujifilm’s current film camera lineup, Fujifilm has never shied away from new technology Fujifilm continues to shake the nuts off the trees with its concepts, and its new Fujifilm Super CCD SR II sen- latest DSLR: the Fujifilm FinePix S3 Pro. sor employs dual photodiodes to capture and record The third-generation of Fujifilm’s foray into the DSLR the light image, as opposed to the industry standard market, the Fujifilm FinePix S3 Pro, in many ways, car- of using a single photodiode to gather the entire range ries on Fujifilm’s talent for thinking outside the box, of light. The ‘S’ photodiode resides within the pixel to Ttechnologically and otherwise.
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A New Vision of Professional Quality and Performance
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February 2005 Roll 69, Exposure 2 Editor: John Opie Associate Editor: Dennis Mally Website: E-Mail: [email protected]
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Brand Model Sensor Size (Approx.) Swab
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