Lord Ramacandra Conquers Over Ravana
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The Plurality of Draupadi, Sita and Ahalya
Many Stories, Many Lessons: The Plurality of Draupadi, Sita and Ahalya Benu Verma Assistant Professor, USHSS Guru Gobind Singh Indraprastha University Dwarka, Delhi Abstract: The relationship between life and literature is a dialogic one. Life inspires literature and literature in turn influences life. Various genres in which literature is manifested reflect on the orientation, significance as well as the place of the text in its social environment. Mikhail Bakhtin proposes that genres dictate the reception of a text. Yet the same text could be interpreted differently in different times and contexts and be rewritten to reflect the aspirations of the author and her/his times. The many life stories of the feminine figures from the epics of Ramayana and Mahabharata assert not only the inconclusive nature of myth and the potency of these epics, they also tell us that with changing political and social milieu the authors reinterpret and record anew given stories to contribute to the literature of their times. Draupadi as the epic heroine of Mahabharata has been written about popularly and widely and in each version with a new take on the major milestones of her life like her five husbands and her birth from fire. The motifs of her disrobing and her hair have been employed variedly to tell various stories, sometimes of oppression and at others of liberation, each belonging to a different time and space. Each story reflected the political stance and aspiration of its author and read by readers differently as per their times and contexts. Through an examination of various literary renditions of the feminine figures from the epics, like Draupadi, Sita, and Ahalya, this paper discusses the relationship between life and literature and how changing times call for changing forms of literature. -
Ramayana of * - Valmeeki RENDERED INTO ENGLISH with EXHAUSTIVE NOTES BY
THE Ramayana OF * - Valmeeki RENDERED INTO ENGLISH WITH EXHAUSTIVE NOTES BY (. ^ ^reenivasa jHv$oiu$ar, B. A., LECTURER S. P G. COLLEGE, TRICHINGj, Balakanda and N MADRAS: * M. K. PEES8, A. L. T. PRKS8 AND GUARDIAN PBE8S. > 1910. % i*t - , JJf Reserved Copyright ftpfiglwtd. 3 [ JB^/to PREFACE The Ramayana of Valmeeki is a most unique work. The Aryans are the oldest race on earth and the most * advanced and the is their first ; Ramayana and grandest epic. The Eddas of Scandinavia, the Niebelungen Lied of Germany, the Iliad of Homer, the Enead of Virgil, the Inferno, the Purgatorio, and the Paradiso of Dante, the Paradise Lost of Milton, the Lusiad of Camcens, the Shah Nama of Firdausi are and no more the Epics ; Ramayana of Valmeeki is an Epic and much more. If any work can clam} to be the Bible of the Hindus, it is the Ramayana of Valmeeki. Professor MacDonell, the latest writer on Samskritha Literature, says : " The Epic contains the following verse foretelling its everlasting fame * As long as moynfain ranges stand And rivers flow upon the earth, So long will this Ramayana Survive upon the lips of men. This prophecy has been perhaps even more abundantly fulfilled than the well-known prediction of Horace. No pro- duct of Sanskrit Literature has enjoyed a greater popularity in India down to the present day than the Ramayana. Its story furnishes the subject of many other Sanskrit poems as well as plays and still delights, from the lips* of reciters, the hearts of the myriads of the Indian people, as at the 11 PREFACE great annual Rama-festival held at Benares. -
Abstracts Final
Conference on THE RAMAYANA IN LITERATURE, SOCIETY AND THE ARTS February 1-2, 2013 Abstracts published by C.P. R. Institute of Indological Research The C. P. Ramaswami Aiyar Foundation 1, Eldams Road, Chennai 600 018 1 2 CONTENT 1. Tracing the Antiquity of the Ramayana – Through the Inscriptions, literature and Art of the Gupta Period --------------------------------------------------------------------------- 7 Dr. Ashvini Agarwal 2. Plant Diversity in the Valmiki Ramayana ---------------------------------------------------------- 8 M. Amirthalingam 3. The Influence of Ramayana on Kalidasa --------------------------------------------------------- 9 Dr. S. Annapurna 4. Ethical Values of Ramayana ---------------------------------------------------------------------- 11 Dr. V. Balambal 5. Time-honored Depictions of Ramayana in Vidarbha (Maharashtra) during Vakatakas ------13 Kanchana B Bhaisare, B.C. Deotare and P.S. Joshi 6. Highlights from the Chronology of Ayodhya ----------------------------------------------------14 Nicole Elfi and Michel Danino 7. Temples in and around Thanjavur District, in Tamil Nadu connected with Ramayana -------15 Dr. S. Gayathri 8. The Historical Rama ------------------------------------------------------------------------------16 Dr. D.K. Hari and D.K. Hema Hari 9. Historicity of Rawana and Trails of Rama - Seetha in Srilanka --------------------------------23 Devmi Jayasinghe 10. Women in Ramayana - Portrayals, Understandings, Interpretations and Relevance ---------25 Dr. Prema Kasturi 11. Telling or Showing? -
Bhagavata Purana
Bhagavata Purana abridged translation by Parama Karuna Devi new edition 2021 Copyright © 2016 Parama Karuna Devi All rights reserved. ISBN: 9798530643811 published by Jagannatha Vallabha Vedic Research Center E-mail: [email protected] Blog: www.jagannathavallabhavedicresearch.wordpress.com Website: www.jagannathavallabha.com Correspondence address: Jagannatha Vallabha Vedic Research Center At Piteipur, P/O Alasana, PS Chandanpur, 752012 Dist. Puri Orissa, India Table of Contents Preface 5 The questions of the sages 7 The teachings of Sukadeva on yoga 18 Conversation between Maitreya and Vidura 27 The story of Varaha 34 The teachings of Kapila 39 The sacrifice of Daksha 56 The story of Dhruva 65 The story of king Prithu 71 The parable of Puranjana 82 The story of Rishabha 90 The story of Jada Bharata 97 The structure of the universe 106 The story of Ajamila 124 The descendants of Daksha 128 Indra and Vritrasura 134 Diti decides to kill Indra 143 The story of Prahlada 148 The varnashrama dharma system 155 The story of Gajendra 163 The nectar of immortality 168 The story of Vamana 179 The descendants of Sraddhadeva Manu 186 The story of Ambarisha 194 The descendants of Ikshvaku 199 The story of Rama 206 The dynastyof the Moon 213 Parama Karuna Devi The advent of Krishna 233 Krishna in the house of Nanda 245 The gopis fall in love with Krishna 263 Krishna dances with the gopis 276 Krishna kills more Asuras 281 Krishna goes to Mathura 286 Krishna builds the city of Dvaraka 299 Krishna marries Rukmini 305 The other wives of Krishna 311 The -
Sita Ram Baba
सीता राम बाबा Sītā Rāma Bābā סִיטָ ה רְ אַמָ ה בָבָ ה Bābā بَابَا He had a crippled leg and was on crutches. He tried to speak to us in broken English. His name was Sita Ram Baba. He sat there with his begging bowl in hand. Unlike most Sadhus, he had very high self- esteem. His eyes lit up when we bought him some ice-cream, he really enjoyed it. He stayed with us most of that evening. I videotaped the whole scene. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Locations 4961-4964). Trafford. Kindle Edition. … immortal Sita Ram Baba. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Location 5039). Trafford. Kindle Edition. Breaking the Death Habit: The Science of Everlasting Life by Leonard Orr (page 56) ראמה راما Ράμα ראמה راما Ράμα Rama has its origins in the Sanskrit language. It is used largely in Hebrew and Indian. It is derived literally from the word rama which is of the meaning 'pleasing'. http://www.babynamespedia.com/meaning/Rama/f Rama For other uses, see Rama (disambiguation). “Râm” redirects here. It is not to be confused with Ram (disambiguation). Rama (/ˈrɑːmə/;[1] Sanskrit: राम Rāma) is the seventh avatar of the Hindu god Vishnu,[2] and a king of Ayodhya in Hindu scriptures. Rama is also the protagonist of the Hindu epic Ramayana, which narrates his supremacy. Rama is one of the many popular figures and deities in Hinduism, specifically Vaishnavism and Vaishnava reli- gious scriptures in South and Southeast Asia.[3] Along with Krishna, Rama is considered to be one of the most important avatars of Vishnu. -
Shrî Râma Chandra
f Californi. Regional Facility T-t; .^ THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES ^^-^-<~-cJu^ J^^^-^^^-o^--^ — rntLA^dl^ i c -^ I Qo i2_^ bif soi.K i,i-:ssi-:i-:s Qi i:i:x's iiAi.i., .Mi;sNi«s. ciiAi'i'i-;!.!. & <ri. i.AN<;iiA.M I'l. v< i;. i.o.Mio.N. ^v . i. H'XDAv i:vi:Nix(is vi 7 June 13, 20, 27, July 4. Dr. Annie Besant "THE COMINcG OF THE WORLD TEACHERS' as §eee Ib^y Aeciieet aed Mo-dlea'e Centrat. Hindu College LECTunKS. TI . SHRl RAMA CHANDRA THE IDE^L KING. SOME LESSONS FROM THE RAmIYANA FOR THE USE OF HINDU STUDENTS IN THE SCHOOLS OF INDIA • BY ANNIE BESANT, F. T. S. From Notes of Lectures Originally Delivered AT THE Central Hindu College, Benares. Benares and London. Theosophical Publishing Society. I80i. Printed by Freeman & Co., Lti>., AT THE Taea Printing Works, Belnares. 3653 CONTENTS. Chapter I. Introduction. Chapter II. Youth and Marriage, Chapter III. Forest for Throne. Chapter IV. Brotherly Love. Chapter V. The Carrying off of SItA. Chapter VI. SIta's Faith. Chapter VII. Struggle. Chapter VIII. Triumph. 829275 SHRt RAMA CHANDRA, The Ideal King. CHAPTER I. Introduction. " Two years ago we were studying together one of the greatest books in the world," the Mahd' bhdrata. Now we are going to study the second great epic poem of India, the Rdmdyana. These two books stand out from the rest of Indian literature in a very marked way. The Vedas, the Institutes of Manu, are the great authorities for the learned, and only through the learned for the mass of the people. -
Svetasvatara Upanishad
Adhyathma Ramayanam An English Translation by P.R.Ramachander <[email protected] > Vol. 2 Aranya Kandam Kishkinda Kandam Sundara Kandam Edited by T.N.Sethumadhavan <[email protected] > 3. Aranya Kandam (Chapter on forests) Synopsis: (Aranya Kanda is the story of Ramayana , when Rama, Sita and Lakshmana enter the deep forest It starts with the salvation of Virada a Rakshasa , Sara Bhanga a saint, meeting with sages to find out problems , going to hermitage of Sutheeshna who is a disciple of Agasthya, visiting hermitage of Agasthya and taking from him , the Kodanda bow left by Indra, the great prayer of Agasthya, going and settling down in Panchavati where he meets Jatayu, clearing the philosophical doubts of Lakshmana(Rama Gita) , meeting and teasing Soorpanaka the sister of Ravana, cutting off her nose, ears and breats by Lakshmana when she tries to harm Sita, Killing of Khara, Dhooshana and Trisiras and their army of 14000 people in one and half hours, Soorpanaka’s complaint to Ravana suggesting him to kidnap Sita, his visit to Maricha , Rama telling the real Sita to hide in fire and replace herself with a Maya Sita, Rama running to catch the golden deer, the false alam given by Maricha, the kidnapping of Sita, Fight of Jatayu with Rama, Jatayu’s defeat , Rama doing funeral rites to Jatayu and granting him salvation, The prayer of Jatayu, Rama’s giving salvation to Khabanda ,Khabanda’s great prayer , Rama’s meeting with Sabari who gives him hints as to how to proceed further.) Oh girl, oh parrot which is at the top , Who is with -
Essence of Valmiki Ramayana in Four Parts So Far of Baala-Ayodhya-Aranya- and Now the Kishkindha
ESSENCE OF VALMIKI KISHKINDHA RAMAYANA Translated and interpreted byV.D.N.Rao, former General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, now at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda- Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers -Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu - Dharma Bindu - Shiva Sahasra Lingarchana-Essence of Paraashara Smriti- Essence of Pradhana Tirtha Mahima Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ -Essence of Maha Narayanopanishad; Essence of Maitri Upanishad Essence of Virat Parva of Maha Bharata- Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Essence of Knowledge of Numbers for students Essence -
Ramakatha Rasavahini II 7 Preface for This Edition 8 This Book 9 the Inner Meaning 11 Chapter 1
Ramakatha Rasavahini II Stream of Sacred Sweetness Sathya Sai Baba Contents Ramakatha Rasavahini II 7 Preface for this Edition 8 This Book 9 The Inner Meaning 11 Chapter 1. The Dandaka Forest 12 The fool Jayanta 12 A visit to the sage Athri’s hermitage 12 A stay at a beautiful hermitage 13 An encounter with Viradha, the ogre 14 Sarabhanga immolates himself 14 Sutheekshna adores Rama 15 On to Agastya’s ashram 16 Agastya asks not to be deluded into egotism 17 The story of the curse on Dandaka Forest 18 On to Dandaka Forest 18 Chapter 2. Panchavati 20 Lakshmana’s sense of duty 20 Rama constantly has visitors 21 Rama discourses on spiritual matters 22 Surpanakha falls for Lakshmana 23 Surpanakha is punished 24 The demons want revenge 25 The demons kill each other! 26 Ascetic sages visit Rama 27 Ravana hears Surpanakha’s story 28 Chapter 3. The Wily Villain 30 The thoughts of Ravana and Vibhishana 30 Ravana enlists Maricha’s help 30 Rama and Sita discuss their plans 31 The deer entices the brothers 32 Rama stalks and kills the deer 33 Caught between two loyalties 34 Sita is kidnapped! 35 Jatayu tries to save Sita 35 The brothers lament Sita’s disappearance 36 Lakshmana realizes the truth 37 Rama assents 38 Study the Ramayana closely! 39 Jatayu tells them what he knows 39 Ajamukhi loses her limbs 40 Rama kills Kabanda 40 Sabari tells her story 41 Rama admires devotion 42 Sabari tells what she knows 43 Chapter 4. An Ally Accepted 45 Hanuman meets the brothers 45 The brothers meet Sugriva 46 Lakshmana identifies some of the jewels 47 Sugriva tells his story 47 The story of the curse on Vali 49 Rama exhibits his power 50 Sugriva pours out his feelings 51 The battle between Vali and Sugriva 52 Rama kills His devotee, Vali 54 Rama consoles Tara 56 The search for Sita is delayed by weather 57 Chapter 5. -
Sand in Our Hands: the Little- Known Stories of Vasai-Palghar
38 Sand in Our Hands: The Little- known Stories of Vasai-Palghar Dr. Deepa Murdeshwar-Katre The word ‘indigenous’ originates in colonial references wherein the culture and literature of the colonizer was different from that of the native, and the literature of the latter came to be known as ‘indigenous’. It is the significant ‘Other’. Correspondingly, all literature in India as a colony of the British would have been considered ‘indigenous’. In the post- colonized scenario, the word indicates literature in English as against regional language literatures. It also refers to the ‘tribal’ as contrary to ‘urban’ or ‘mainstream’, which has been immensely influenced by the literature of the colonizers. However, in India, as Dr. G. N. Devy in the introduction to Painted Words: An Anthology of Tribal Literature states, “It is almost impossible to characterize all of India’s tribals in a single ethnographic or historic framework. In the Indian context, the term ‘tribal’ is too layered to be a synonym for ‘indigenous.” While most countries of the world have two types of literature, the ‘tribal’ and the ‘mainstream’, in India, there are broadly three types, viz., the ‘tribal’, ‘rural’ and ‘mainstream’ or ‘metropolitan’. Dr. Devy, in his observation on parampara in After Amnesia, broadly divides it into the “Marga - the metropolitan or mainstream tradition, and Desi - regional and subcultural traditions”(18). He thus includes the literature of the villages - the gramin (14) - in the second group - the important link between the two extremes of ‘tribal’ and ‘urban’. Many of the stories of these villages are intimately and intricately connected not only with the tribal but also mainstream literature of olden times. -
Vasishta Requests Rama to Be King
“Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Ayodhya Kanda – Chapter 110 Vasishta Requests Rama to be King Summary Vasishta gives details of the creation of the world to Sri Rama. He says that Brahma, in the form of a boar caused the earth to rise from water and from Brahma is created the entire world. He recites the Genealogy of Rama's line. He informs that Aja and Suvrata were the two sons of Naabhaaga and it was Aja who begot the virtuous King Dasaratha; Rama's father. Vasishta also informs Rama that i the whole of Ikshvaku race, only the eldest son become the king. He requests Sri Rama not to violate this tradition and take over the reins of Ayodhya. Chapter [Sarga] 110 in Detail Recognizing that Rama has become angry, Vasistha spoke as follows: "Even Jabali is aware of the going and coming of this world." nivartayitu kaamah tu tvaam etad vaakyam abraviit | imaam loka samutpattim loka naatha nibodha me || 2-110-2 "He spoke in this manner, on account of his desire that you should return. O, Lord of the people! Learn from me of the creation of the world!" sarvam salilam eva aasiit prithivii yatra nirmitaa | tatah samabhavad brahmaa svayambhuur daivataih saha || 2-110-3 "All was water only in the beginning" from which element the earth was formed. After that, the self-existent Brahma with all the gods came into existence." sa varaahah tato bhuutvaa projjahaara vasumdharaam | asrijac ca jagat sarvam saha putraih krita aatmabhih || 2-110-4 "Thereafter, that Brahma, assuming the form of boar, caused the earth to rise from water and with his sons of pure soul, created the entire world." Page 1 of 7 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Ayodhya Kanda – Chapter 110 aakaasha prabhavo brahmaa shaashvato nitya avyayah | tasmaan mariicih samjajne mariiceh kashyapah sutah || 2-110-5 "The eternal, changeless and imperishable Brahma was begotten from ether and from his was born Marichi. -
Arwachin Bharti Bhawan Nursery School
ARWACHIN BHARTI BHAWAN NURSERY SCHOOL Pre-School Registration list with Points System for the Session 2019-2020 Total S.No RegNo Student Name Gender Father Name Mother Name Points 1 2 Abhimanyu Nair Male Ravindran K V Sukanya G L 50 2 3 Daivik Tomar Male Rachit Tomar Manyata Tomar 30 3 4 Arshit Singh Male Abhishek Singh Ruchi Singh 10 4 5 Anura Raja Female Sachin Raja Geetanjali Raja 50 5 6 Geet Sharma Female Kamal Sharma Shruti Sharma 80 6 7 Kshitiz Sharma Male Anil Kumar Sharma Geeta 10 7 9 Vidyum Jain Male Anuj Jain Preeti Jain 30 8 10 Daksh Garg Male Jitedner Garg Priya Garg 50 9 12 Yashvi Sharma Female Mrinal Sharma Vijeta Sharma 30 10 13 Tiara Mittal Female Shashank Mittal Shashi Mittal 80 11 14 Kriday Kumar Male Manish Kumar Swati Singh 10 12 15 Siddhi Garg Female Mohit Kumar Garg Parul Gupta 50 13 16 Achint Chaudhary Male Alok Kumar Chaudhary Vandana Chaudhary 70 14 18 Rudransh Jindal Male Rahul Jindal Megha Jindal 60 15 19 Shivansh Sarin Male Rahul Sarin Ranjana Sarin 30 16 20 Ritwik Male Saish Kumar Sharma Rukmani Sharma 50 17 22 Kapil Sharma Male Kapil Sharma Puja Sharma 50 18 24 Aakarsh Raturi Male Rajendra Prasad Sunita 50 19 25 Saniya Hashmi Female Shahnwaz Ahmad Aisha Hashmi 30 20 26 Ekagra Goel Male Rohit Goel Pratibha Goel 30 21 27 Keshav Bansal Male Anshul Bansal Pooja Agarwal 70 22 28 Ssushant Bbhanot Male Ggaurav Sharma Bhawna Ssharma 10 23 30 Kritish Saxena Male Rahul Saxena Sakshi Saxena 50 24 31 Manan Singh Negi Male Kailash Singh Negi Kavita 30 25 32 Saaransh Goswami Male Sandeep Kumar Goswami Neha Goswami 30 26