DOCSLIB.ORG

Essence of Valmiki Aaranya Ramayana

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Translated and interpreted byV.D.N.Rao, former General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, now at Chennai Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers -Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu - Dharma Bindu - Shiva Sahasra Lingarchana-Essence of Paraashara Smriti- Essence of Pradhana Tirtha Mahima Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda-Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ -Essence of Maha Narayanopanishad; Essence of Maitri Upanishad Essence of Virat Parva of Maha Bharata- Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Essence of Knowledge of Numbers for students Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities Essence of Manu Smriti- Quintessence of Manu Smriti- Essence of Paramartha Saara; Essence of Pratyaksha Bhaskra; Essence of Pratyaksha Chandra Essence of Vidya-Vigjnaana-Vaak Devi; Essence of Bhagya -Bhogya-Yogyata Lakshmi Essence of Soundarya Lahari- Essence of Popular Stotras- Essence of Pancha Maha Bhutas Essence of Taittireeya Aranyaka- Quintessence of Soundarya Lahari- Essence of Gayatri Essence of Ganesha Mahima - Essence of Shiva Raatri Mahima Essence of Chaturupanishads- Essence of Ashtaadasha Upanishads - Essence of Bhagavad Gita Essence of Valmiki Baala Ramayana- Essence of Valmiki Ayodhya Ramayana- Essence of Aranya Ramayana Note: All the above Scriptures already released on www. Kamakoti.org as also on Google by the respective references. INRODUCTION As Brahma Maanasa Putras of Sanaka-Sanandana-Sanaatana-Sanat Kumaras were interrupted by Vaikuntha Dwaara Palakaas of Jaya Vijayas, the Kumaras cursed to be born in ten sucessive births of Evil Energies of the Time Cycle. Hence Maha Vishnu was necessitated to assume Ten ‘Avataaraas’ to vindicate Dharma and Nyaaya again and again. An ‘Avatara’ (Incarnation) is like the lighting of a lamp from another lamp; like-wise, Bhagavan is a manifestation suited to specific purpose and end-use. Among such Avatars of Vishnu, the first well-known manifestation of Matsya the Fish which retrieved the Sacred Vedas stolen from Brahma by Makarasura. The temptation to Danavas to obtain ‘Amrit’, ‘Samudra Mathana’was set as Manthara Mountain as the churning rod, Maha Sarpa Vasuki was the string with which to tie up the Mountain and Bhagavan himself as balancing Shakti as the Avatar of Kurma to ensure that the Meru Mountain would be made stable and steady. As Hiranyaakasha, the mighty son of Devi Diti pulled up Bhu Devi and dragged her into the depths of the Ocean down to the ‘atholokas’, Lord Vishnu assumed the incarnation of Maha Varaha and killed himas Devi Prithvi heaved a great sigh of relief. Hiranyakashipu got on to his wits’ end, when his own son Prahlada was forced to show that Narayana any where, say in a Pillar, he broke it with his mace and there emerged the fierce Man-Lion, Narasimha, who had half-body as a giant Lion roaring and killed the demon. Bhagavan agreed to be born to Aditi and Kashyapa as Vamana the foremost human as dwaf; grew up as a Brahmachari, learnt Vedas, sporting ‘Mriga Charma’, Danda and wooden footwear appeared at the Yagna by daanava Bali Chakravarti and asked for a charity of three feet of land.Vamana then assumed a sky body and measured one foot as Earth, Samudras, Parvatas; second foot as Sky, Nakshtras, Planets, Deva- Brahmaaadi lokas. Even as the second foot still fell short of the required size , Vaamana had to push Bali’s head down to ‘Rasatala’. As Manu prayed to Vishnu as his son, the Lord agreed for Preservation of Dharma and affirmed: Paritra naaya Sadhunaam Vinaasaaya cha Dushkrutaam, Dharma samsthaapanaarthaaya sambhavaami yuge yugey! (I shall no doubt take human birth to revive Dharma and punish Evil from time to time). As promised by Vishnu, Swayambhu was born as King Dasaratha and gave Shri Rama in Treta Yuga. Being a human, Rama was subject to the weaknesses of kama-krodha-mohas but being an ideal most specimen of humanity he was prone to cryings and wailings, bursts of anger and anguish, high possessiveness and frustrastion, passion and compassion. But, all rolled in yet covered by supreme and unique qualities of idealism, virtue and justice, devotion and veneration overshadowed by the single motivation of ‘Pitru Vaakya Paripalana’. All these traits were at display in the current series of Essence of Vaaklmiki Ramayana, especially in the instant Aranya Ramaayana, since the Baala and Ayodhya series had since seen attempted. As I approached with humility with a request to translate Ramayana, HH Vijayendra Saraswati of ‘Kanchi Peetha’ had spontaneously instructed : ‘ Try Vaalmiki Ramayana, but with vishleshanas’. It is that command which has generated ready inspiration and determination, quite apart from the innate power of the directive itself. For over a decade and half He has inspired me to take to translations of the essence of Ashtaadasha Puranas, Ashtaadasha Upanishads, Dharma Sindhu, Brahma Sutras, Manu Smriti, Soundarya Lahari, Bhagavad Gita, and scripts on Lakshmi-Sarasvati- Gayatri- Surya-Chandras etc. My earnest prostrations to Him by the self and family with all humility, faith and dedication. VDN Rao and family Contents Page Introduction 5 Retrospectives of Baala Kanda and Ayodhya Kanda 5 Sarga One: Shri Rama - Devi Sita-Lakshmanas felicitated in ‘Muni ashramas’ 10 [Vishleshana on Bali Vaishva Deva from ‘Dharma Sindhu’] Sarga Two: As Rama-Sita-Lakshmanas proceeded into the thick forest, they encounterd 12 Rakshasa Viraatha Sarga Three: Exchange of hot words by Rama Lakshmanas with Rakshasa Viraatha 14 Sarga Four: Rama Lakshmanas kill Rakshasa Viraatha Sarga Five: Shri Rama-Sita-Lakshmanas visit Sharabhanga Muni’s ashrama and after 15 ‘atithya’ the Muni departs for Brahma Loka Sarga Six: Vaanaprastha Munis approach Shri Rama for safety from Rakshasaas and Rama 17 Lakshmanas assure and pacify them Sarga Seven: Shri Rama-Sita-Lakshmanas reach the ashram of Muni Suteekshna who offers 18 ‘atithya’ overnight Sarga Eight: Next early morning Rama-Sita-Lakshmanas exit Suteekshna ashram 19 Sarga Nine: Gatheringa of innocent commoners and Munis seek protection from frequent 20 attacks by Rakshasaas and Devi Sita enumerates the tenets of dharma Sarga Ten: Rama Lakshmanas assure and make ‘pratigjnas’ of Kshatriya kula duty to 21 safeguard the tenets of Dharma Sarga Eleven: Rama Sita Lakshmanas visit Panchapsara Tirtha and Maandikarana ashrama 22 and after visiting other Muni Ashramas too, visit the ashram of the brother of Agastya Maharshi who lauds the glory of Agastya Vishleshanas on a) Creation of Agasthya and Vasishtha as brothers by MitraVaruna from Urvashi and b)Agastya Muni dries up the Ocean and enables to destroy the demon Kalakeya- Matsya-Padma Puranas respectively Sarga Twelve: Rama-Sita-Lakshmanas visit Agastya Maharshi and after welcoming them, 27 Agastya gifts ‘diyvaastras’ Sarga Thirteen:Maharshi Agastya complements Devi Sita as a ‘pativrata’ and directs 28 Rama Lakshmanas to construct Panchavati Ashram Vishleshana on Devi Arundhati Sarga Fourteen: On the way to Panchavati, Rama-Sita-Lakshmanas meet the Great Grudhra 29 Raja Jatayu who vividly explains the family background of Jatayu [ Vishleshana on Daksha Prajapati and Kashyapa from Puranas Sarga Fifteen: The compact and vastu based ‘Panchavati Parnashaala’of Rama-Sita- 33 Lakshmanas reside comfortably Vishleshana on Vaastu Shaanti Sarga Sixteen: Happy living by Rama Sita Lakshmanas at Panchavati through Hemanta 34 Ritu and Godavari Snaanaas [Vishleshana on a) Rithus / Seasons; abd b) on the Sacred River Godavari and the excellence of bathings in the River Sarga Seventeen: Rakshasi Shurpanakha arrives at Panchavati, introduces, proposes 38 to Rama to wed as his wife Sarga Eighteen: Shurpanakha compromises to wed Lakshmana as he was single there 40 but the latter cuts off her ears and nose Sarga Nineteen: Khara incensed the treatment to sister and despatches fourteen rakshasaas 41 to kill Rama Lakshmanas Sarga Twenty: Shri Rama devastates fourteen followers of Khara 42 Sarga Twenty One: Shurpanakha reaches brother Khara , conveys Rama’s killing fourteen 43 rakshasas, provokes Khara to seek revenge Sarga Twenty Two: Khara Dushana Rakshasaas along with fourteen thoushand sena attack 44 Panchavati of Ramas Sarga Twenty three: Khara then noticed dusshakunas like donkey brayings and squeaks of 45 vultures from the sky, but having ignored these, Khara reaches Shri Rama ‘ashrama’ [Vishlashana on premonitions of death in general terms to humans sourced from Markandeya Purana] Sarga Twenty Four: As the dusshakunas loomed large, Rama hopes for the doom of 47 Rakshasaas and victory for himself- as a precaution,
Recommended publications
  • The Ashtavinayaka Temples, the Yatra Vidhi and More

    The Ashtavinayaka Temples, the Yatra Vidhi and More

    Newsletter Archives www.dollsofindia.com Ashtavinayaka - the Eight Holy Abodes of Ganesha Copyright © 2018, DollsofIndia Sri Ganesha, also known as Vinayaka, is one of the most popular deities of the Hindu pantheon. Highly revered as the Harbinger of Success and the Remover of Obstacles, this Elephant- Headed son of Shiva and Parvati is venerated not only by Hindus, but also by people from all religions and all walks of life; from all over the world. One can find innumerable Ganesha temples all over the globe. In fact, all Hindu temples; irrespective of who the main deity is; necessarily have at least one shrine dedicated to Vighnavinayaka. Devotees first visit this shrine, pray to Ganesha to absolve them of their sins and only then proceed to the main sanctum. So exalted is the position of this God in Hindu culture. Shola Pith Ganapati Sculpture There are eight forms of Vinayaka, collectively referred to as Ashtavinayaka ('Ashta' in Sanskrit means 'eight'). The Ashtavinayaka Yatra implies a pilgrimage to the eight Vinayaka temples, which can be found in the Indian State of Maharashtra, situated in and around the city of Pune. The Yatra follows a particular route, in a pre-ascertained sequence. Each of these ancient Ashtavinayaka temples features a distinct murti (idol) of Ganesha and has a different legend behind its existence. Not only that; the appearance of each murti; even the angle of his trunk; are all distinct from one another. In this post, we bring you all the details on the Ashtavinayaka temples, the Yatra vidhi and more. Resin Ashtavinayak with Shloka on Wood - Wall Hanging The Ashtavinayaka Temples The eight temples of Ashtavinayaka, in their order, are as follows: 1.
  • @Ibet,@Binu^ Un! Lupun

    @Ibet,@Binu^ Un! Lupun

    @be @olbeddeg of jUnlis, @ibet,@binu^ un! luPun by Lawrcnce Durdin-hobertron Cesata Publications, Eire Copyrighted Material. All Rights Reserved. The cover design. by Anna Durdin-Robertson. is a mandala oi a Chinese rlraqon goddess. Lawrence Durdln Rot,erlson. li_6 r2.00 Copyrighted Material. All Rights Reserved. The Goddesses of India, Tibet, China and Japan Copyrighted Material. All Rights Reserved. The Goddesses of India, Tibet, China and Japan by Lawrence Durdin-Robertron, M.A. (Dublin) with illustrations by Arna Durdin-Robertson Cesara Publications Huntington Castle, Clonegal, Enniscorthy. Eire. Printed by The Nationalist, Carlow. Eire. Anno Deae Cesara. Hiberniae Dominae. MMMMCCCXXIV Copyrighted Material. All Rights Reserved. Thir serle. of books is written in bonour of The lrish Great Mother, Cessrs aod The Four Guardian Goddesses of lreland, Dsna, Banba' Fodhla and Eire. It is dedicated to my wife, Pantela. Copyrighted Material. All Rights Reserved. CONTENTS I. The Goddesses of India'...'...'........"..'..........'....'..... I II. The Goddesses of Tlbet ............. ................."..,',,., 222 lll. Thc Goddesses of China ...............'..'..'........'...'..' 270 lV. The Goddesscs of Japan .........'.............'....'....'.. " 36 I List of abbreviations ....'........'...."..'...467 Bibfiogr.phy and Acknowledgments....'........'....'...,,,,.,'.,, 469 Index ................ .,...,.........,........,,. 473 Copyrighted Material. All Rights Reserved. Copyrighted Material. All Rights Reserved. Copyrighted Material. All Rights Reserved. SECTION ONE The Goddesses of India and Tibet NAMES: THE AMMAS, THE MOTHERS. ETYMoLoGY: [The etymology of the Sanskrit names is based mainly on Macdonell's Sanskrit Dictionary. The accents denot- ing the letters a, i and 0 are used in the Egrmology sections; elsewhere they are used only when they are necessary for identification.] Indian, amma, mother: cf. Skr. amba, mother: Phrygian Amma, N.
  • The Mahabharata of Krishna-Dwaipayana Vyasa SALYA

    The Mahabharata of Krishna-Dwaipayana Vyasa SALYA

    The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras.
  • Western and Eastern Ur-Topias: Communities and Nostalgia

    Western and Eastern Ur-Topias: Communities and Nostalgia

    5 Western and Eastern Ur-Topias: Communities and Nostalgia Anjan Sen1 and Asun López-Varela2 1National Tagore Scholar, 2Universidad Complutense Madrid, 1India 2Spain 1. Introduction In Western civilization, the prefix ‘Ur’ is often used as metaphor to refer to a primitive, seminal, or prototypical example of an artistic representation, concept or idea. The associations of the word can be traced back to Sumerian sources and the origins of Indo- European civilization. Ur is considered by many to be the city of Ur-Kasdim mentioned in the Book of Genesis as the birthplace of the patriarch Abram (Abraham). The existence of cities can be traced back in antiquity to the important role of communities such as Memphis, Babylon, Thebes, Athens, Sparta, Mohenjodaro or Anuradhapura, among others. Rome was perhaps the first city to reach a population of one million around the time of Christ. Only in 1800 did London become the second city to reach this size. At that time only two percent of the world’s population was urbanized. Communities are not just defined in political and economic terms: cultural issues, perceptions, and foci contribute to give identity to the community, whether a village, a city, or a nation. Mirrors of cultural change, artistic representations offer insights into the way humans have transformed their living spaces. Works by artists, poets, novelists, visual artists, etc., helps unveil the distinctiveness in the way communities are viewed. The term mindscape, used to refer to human communities, refers to structures for thinking about human spaces built on conceptualisations of their physical landscape, whether urban or rural, and more recently virtual, as well as on their images as transported through cultural representation, memory, and imagination in different media formats.
  • The Plurality of Draupadi, Sita and Ahalya

    The Plurality of Draupadi, Sita and Ahalya

    Many Stories, Many Lessons: The Plurality of Draupadi, Sita and Ahalya Benu Verma Assistant Professor, USHSS Guru Gobind Singh Indraprastha University Dwarka, Delhi Abstract: The relationship between life and literature is a dialogic one. Life inspires literature and literature in turn influences life. Various genres in which literature is manifested reflect on the orientation, significance as well as the place of the text in its social environment. Mikhail Bakhtin proposes that genres dictate the reception of a text. Yet the same text could be interpreted differently in different times and contexts and be rewritten to reflect the aspirations of the author and her/his times. The many life stories of the feminine figures from the epics of Ramayana and Mahabharata assert not only the inconclusive nature of myth and the potency of these epics, they also tell us that with changing political and social milieu the authors reinterpret and record anew given stories to contribute to the literature of their times. Draupadi as the epic heroine of Mahabharata has been written about popularly and widely and in each version with a new take on the major milestones of her life like her five husbands and her birth from fire. The motifs of her disrobing and her hair have been employed variedly to tell various stories, sometimes of oppression and at others of liberation, each belonging to a different time and space. Each story reflected the political stance and aspiration of its author and read by readers differently as per their times and contexts. Through an examination of various literary renditions of the feminine figures from the epics, like Draupadi, Sita, and Ahalya, this paper discusses the relationship between life and literature and how changing times call for changing forms of literature.
  • Sathya Sai Speaks

    Sathya Sai Speaks

    SATHYA SAI SPEAKS VOLUME - 34 Discourses of BHAGAWAN SRI SATHYA SAI BABA Delivered during 2001 PRASANTHI NILAYAM SRI SATHYA SAI BOOKS & PUBLICATIONS TRUST Prasanthi Nilayam - 515 134 Anantapur District, Andhra Pradesh, India Grams: BOOK TRUST STD: 08555 ISD: 91-8555 Phone: 87375. FAX: 8723 © Sri Sathya Sai Books & Publications Trust Prasanthi Nilayam (India) All Rights Reserved The copyright and the rights of translation in any language are reserved by the Publisher. No part, para, passage, text or photo-graph or art work of this book should be reproduced, transmitted or utilised, in original language or by translation, in any form, or by any means, electronic, mechanical, photo copying, recording or by any information, storage or retrieval system, except with and prior permission, in writing from The Convener Sri Sathya Sai Books & Publications Trust, Prasanthi Nilayam, (Andhra Pradesh) India, except for brief passages quoted in book review. This book can be exported from India only by Sri Sathya Sai Books and Publications Trust, Prasanthi Nilayam (India). International standard book no. International Standard Book No 81 - 7208 - 308 – 4 81 - 7208 - 118 - 9 (set) First Edition: Published by The Convener, Sri Sathya Sai Books & Publications Trust Prasanthi Nilayam, India, Pin code 515 134 Phone: 87375 Fax: 87236 STD: 08555 ISD: 91 - 8555 2 CONTENTS 1. Good Thoughts Herald New Year ..... 1 02. Hospitals Are Meant To Serve The Poor And Needy ..... 13 03. Vision Of The Atma ..... 25 04. Have Steady Faith In The Atma ..... 41 05. Know Thyself ..... 55 6. Ramayana - The Essence Of The Vedas ..... 69 07. Fill All Your Actions With Love ....
  • Fairs and Festivals, (20 Nalgonda)

    Fairs and Festivals, (20 Nalgonda)

    PRG. 179.20 (N) 750 NALGONDA CENSUS OF INDIA 1961 VOLUME II ANDHRA PRADESH PART VII-B (20) • ."" ( 20. Nalgonda District) A. CHANDRA SEKHAR OF THE INDIAN ADMINISTRATIVE SERVICE Superintendent of Census Operations, Andhra Pradesh Price: Rs. 5.25 P. or 12 Sh. 4d. or $ 1.89 c. 1961 CENSUS PUBLICATIONS, ANDHRA PRADESH ( All the Census Publications of this State bear Vol. No. II ) PART I-A General Report PART I-B Report on Vital Statistics PART I-C Subsidiary Tables PART II-A General Population Tables PART II-B (i) Economic Tables [B-1 to B-IV] PART II-B (ii) Economic Tables [B-V to B-IX] PART ll-C Cultural and Migration Tables PART III Household Economic Tables PART IV-A Report on Housing and Establishments (with Subsidiary Tables) PART IV-B Housing and Establishment Tables PART V-A Special Tables for Scheduled Castes and Scheduled Tribes PART V-B Ethnographic Notes on Scheduled Castes and Scheduled Tribes PART VI Village Survey Monographs (46) PART VII-A (1) I I Handicrafts Survey Reports (Selected Crafts) PART VIT-A (2) J PART VII-B (1 to 20) Fairs and Festivals (Separate Book for each District) PART VIII-A Administration Report-Enumeration I I (Not Jor sale) PART VIII-B Administra tion Report-Tabulation J PART IX State Atlas PART X Special Report on Hyderabad City District Census Handbooks (Separate Volume Jor each District) :2 SlJ..... (l) I ,......; () » ~ <: ~ ~ -.(l) "'<! ~ 0 tl'l >-+:I ~ ~ K'! I") ~ :::.... a.. (JQ . -..: . _ ~ ~ ~ . (JQ ~ ~I") ;:::; v.,~ SlJ .,CI:l to -. ::r t-- C ~ ::s ~ !J.9 .
  • Abstracts Final

    Abstracts Final

    Conference on THE RAMAYANA IN LITERATURE, SOCIETY AND THE ARTS February 1-2, 2013 Abstracts published by C.P. R. Institute of Indological Research The C. P. Ramaswami Aiyar Foundation 1, Eldams Road, Chennai 600 018 1 2 CONTENT 1. Tracing the Antiquity of the Ramayana – Through the Inscriptions, literature and Art of the Gupta Period --------------------------------------------------------------------------- 7 Dr. Ashvini Agarwal 2. Plant Diversity in the Valmiki Ramayana ---------------------------------------------------------- 8 M. Amirthalingam 3. The Influence of Ramayana on Kalidasa --------------------------------------------------------- 9 Dr. S. Annapurna 4. Ethical Values of Ramayana ---------------------------------------------------------------------- 11 Dr. V. Balambal 5. Time-honored Depictions of Ramayana in Vidarbha (Maharashtra) during Vakatakas ------13 Kanchana B Bhaisare, B.C. Deotare and P.S. Joshi 6. Highlights from the Chronology of Ayodhya ----------------------------------------------------14 Nicole Elfi and Michel Danino 7. Temples in and around Thanjavur District, in Tamil Nadu connected with Ramayana -------15 Dr. S. Gayathri 8. The Historical Rama ------------------------------------------------------------------------------16 Dr. D.K. Hari and D.K. Hema Hari 9. Historicity of Rawana and Trails of Rama - Seetha in Srilanka --------------------------------23 Devmi Jayasinghe 10. Women in Ramayana - Portrayals, Understandings, Interpretations and Relevance ---------25 Dr. Prema Kasturi 11. Telling or Showing?
  • Ayushdhara (E-Journal)

    Ayushdhara (E-Journal)

    CORE Metadata, citation and similar papers at core.ac.uk Provided by Ayushdhara (E-Journal) AYUSHDHARA ISSN: 2393-9583 (P)/ 2393-9591 (O) An International Journal of Research in AYUSH and Allied Systems Review Article LITERARY STUDY OF MUTRASANGRAHANIYA MAHAKASHAYA WITH RESPECT TO MUTRASANGRAHANIYA KARMA Vinay Chavan1*, Amol Patil2, Dnyaneshwar Chavan3, Vipul Gurav4, Shende K.L.5 *1 Associate Professor, Dept. of Panchakarma, LRP Ayurved Medical College, Urun, Islampur, Dist-Sangali, M.S. India. 2Assistant Professor, Dept. of Dravyaguna, Late Kedari Redekar Ayurved College, Gadhinglaj, M.S. India. 3Associate Professor, Dept. of Shalyatantra Dr.G.D.Pol foundation YMT Ayurved College, Kharghar, Navi Mumbai, M.S., India. 4Associate Professor, Dept. of Agadtantra Y.C. Ayurved College, Pune, M.S. India. 5Assistant Professor, Dept. of Kayachikitsa, D.Y. Patil Ayurved College, Pune, M.S., India. KEYWORDS: ABSTRACT Mutrasangrahaniya The tremendous craze for junk food, fast food, canned food, untimely food intake Mahakashaya, Jambu, Amra, wrong sleeping habits, causes physical as well as mental hazards like Sheetmeha, Plaksa, Udumbara, Ashvattha, Hastimeha, hypertension along with that Insomnia, Anxiety etc. have become a Bhallataka, Vata, Asmantaka, very common problem. Kapitana, Somvalka, The herbal option for treatment of Sheetameha, Hastimeha etc. Mutrasangrahaniya Karma. Mutrasangrahaniya Mahakashaya from Ayurvedic text can be used as readymade guide. In this work Mutrasangrahaniya Mahakashaya from Charak Samhita is studied. Prameha is considered as one of the emerging disease in today’s era. The cardinal symptom of Prameha in Ayurveda is Atipravrutti of Mutra which resemble to the “Diabetes”. Numerous Experiments and Research projects are performed everyday to tackle this disease.
  • Sita Ram Baba

    Sita Ram Baba

    सीता राम बाबा Sītā Rāma Bābā סִיטָ ה רְ אַמָ ה בָבָ ה Bābā بَابَا He had a crippled leg and was on crutches. He tried to speak to us in broken English. His name was Sita Ram Baba. He sat there with his begging bowl in hand. Unlike most Sadhus, he had very high self- esteem. His eyes lit up when we bought him some ice-cream, he really enjoyed it. He stayed with us most of that evening. I videotaped the whole scene. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Locations 4961-4964). Trafford. Kindle Edition. … immortal Sita Ram Baba. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Location 5039). Trafford. Kindle Edition. Breaking the Death Habit: The Science of Everlasting Life by Leonard Orr (page 56) ראמה راما Ράμα ראמה راما Ράμα Rama has its origins in the Sanskrit language. It is used largely in Hebrew and Indian. It is derived literally from the word rama which is of the meaning 'pleasing'. http://www.babynamespedia.com/meaning/Rama/f Rama For other uses, see Rama (disambiguation). “Râm” redirects here. It is not to be confused with Ram (disambiguation). Rama (/ˈrɑːmə/;[1] Sanskrit: राम Rāma) is the seventh avatar of the Hindu god Vishnu,[2] and a king of Ayodhya in Hindu scriptures. Rama is also the protagonist of the Hindu epic Ramayana, which narrates his supremacy. Rama is one of the many popular figures and deities in Hinduism, specifically Vaishnavism and Vaishnava reli- gious scriptures in South and Southeast Asia.[3] Along with Krishna, Rama is considered to be one of the most important avatars of Vishnu.
  • Vedic Predecessors of One Type of Tantric Ritual

    Vedic Predecessors of One Type of Tantric Ritual

    Cracow Indological Studies vol. XVI (2014) 10.12797/CIS.16.2014.16.06 Shingo Einoo [email protected] (University of Tokyo) Vedic Predecessors of One Type of Tantric Ritual SUMMARY: Verses 9–16 of the Parātriṃśikā prescribe a ritual application of the hr̥ dayabīja mantra ‘sauḥ’. In this case the mantra ‘sauḥ’ has different effects according to durations of the mental recitation of it. This is a very simple example of one type of tantric ritual where a limited number of mantras of a certain deity are used in different ways to accomplish a variety of efficacy by changing ritual elements of them. In Hindu tantric texts we find more similar cases. In the newest layer of Vedic texts such as the Ṛgvidhāna, Sāmavidhāna Brāhmaṇa and the Atharvavedapariśiṣṭa there are some similar examples of this kind. The Taittirīyasaṃhitā describes in two succeeding chapters various applications of two mantras called rāṣṭrabhr̥ t and devikāhavis respectively. In this paper I examine more Vedic examples and elucidate the basic idea underlying this type of ritual. KEYWORDS: Vedic ritual, Tantric ritual, ritual application, ritual variation 1. Introduction 1-0 Both Vedic studies and Tantric studies have their own vast fields of research, namely the corpus of Vedic and Tantric texts. Both areas have their own history of development and characteristics. It is there- fore not easy to have an intimate knowledge of both the Vedic and Tantric texts at the same time for one scholar. But by choosing some specific topics it may be possible to investigate Vedic and Tantric texts in some detail.
  • Svetasvatara Upanishad

    Svetasvatara Upanishad

    Adhyathma Ramayanam An English Translation by P.R.Ramachander <[email protected] > Vol. 2 Aranya Kandam Kishkinda Kandam Sundara Kandam Edited by T.N.Sethumadhavan <[email protected] > 3. Aranya Kandam (Chapter on forests) Synopsis: (Aranya Kanda is the story of Ramayana , when Rama, Sita and Lakshmana enter the deep forest It starts with the salvation of Virada a Rakshasa , Sara Bhanga a saint, meeting with sages to find out problems , going to hermitage of Sutheeshna who is a disciple of Agasthya, visiting hermitage of Agasthya and taking from him , the Kodanda bow left by Indra, the great prayer of Agasthya, going and settling down in Panchavati where he meets Jatayu, clearing the philosophical doubts of Lakshmana(Rama Gita) , meeting and teasing Soorpanaka the sister of Ravana, cutting off her nose, ears and breats by Lakshmana when she tries to harm Sita, Killing of Khara, Dhooshana and Trisiras and their army of 14000 people in one and half hours, Soorpanaka’s complaint to Ravana suggesting him to kidnap Sita, his visit to Maricha , Rama telling the real Sita to hide in fire and replace herself with a Maya Sita, Rama running to catch the golden deer, the false alam given by Maricha, the kidnapping of Sita, Fight of Jatayu with Rama, Jatayu’s defeat , Rama doing funeral rites to Jatayu and granting him salvation, The prayer of Jatayu, Rama’s giving salvation to Khabanda ,Khabanda’s great prayer , Rama’s meeting with Sabari who gives him hints as to how to proceed further.) Oh girl, oh parrot which is at the top , Who is with