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2018 WHERE ARE the AUDIENCES Report

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2018 WHERE ARE the AUDIENCES Report WHERE ARE THE AUDIENCES? Full Report – Maori Introduction New Zealand On Air’s (NZ On Air) two yearly “Where Are The Audiences?” study is an important input in understanding how to reach New Zealanders overall and harder to reach audiences in particular. • This report summarises the results from NZ On Air’s 2018 “Where Are The Audiences?” study based on Maori. − It compares the 2016 and 2018 results among Maori, as well as comparing to the 2018 results among all New Zealanders. Glasshouse Consulting May 2018 | SLIDE 2 Research Approach - Overview • The first priority in the design and conduct of the 2018 study was to ensure valid and robust comparisons could be made to previous studies. Therefore the overall approach, timing of the study, sampling and respondent definition, question flow and most wording, and post-weighting factors were kept consistent with the 2014 and 2016 studies. • This included asking respondents about their behaviour “yesterday” within specific time periods between 6am and midnight. This technique enables the creation of accurate, survey based measures of actual behaviour by grounding responses in behaviour that is fresh in respondents’ minds and within specific parts of an actual day. • For the NZ On Air main study a total sample of n=1,414 was developed among all New Zealanders aged 15 and over, with representative samples created for each day of the week (n=200 per day) so that results can be extrapolated to a “typical” day. This sample included a sub-sample of n= 181 Maori. • In order to boost the robustness of the analysis based on Maori alone and enable more detailed and reliable analysis of subgroups within Maori, a separate booster sample of n=270 Maori was commissioned. This sample was developed via online interviewing using the Research Now/SSI research panel. This booster sample has been combined with the Maori respondents from the main study. • This report is based on n = 451 Maori who were included in the main study and booster sample. • The total sample from the main study has a maximum margin for error of +/-2.6%, and the sample of Maori has a maximum margin for error of +/-4.6%. Glasshouse Consulting May 2018 | SLIDE 3 Research Approach • As in 2014 and 2016, a mixed methodology of telephone and online interviewing was used to conduct the main NZ On Air study. • N=1,002 interviews were completed by telephone using random digit dialling, and n=412 interviews were completed online using Consumer Link’s Flybuys research panel. − This included regional sample stratification, and minimum quotas for males, 15-24 year olds and ethnicity. • The online interviews for the main study were conducted among consumers without access to a home landline. − The 2013 Census showed that 15% of people live in homes without a landline, however this incidence will have undoubtedly grown since 2013. Nielsen CMI data was used to estimate the 2018 incidence at 35% (it was estimated as 25% in 2016). › In 2013 Nielsen CMI estimated non-landline penetration at 25% (compared to 15% in the Census). In 2016 Nielsen estimated this incidence at 45%. Given the previous over-estimate compared to the 2013 Census result, we factored the 2018 estimate down to 35%. • The online interviews for the booster sample were conducted among all Maori with and without landlines. • All interviewing was conducted between April 16 and May 13. Fieldwork was conducted at the same time of year as the 2016 study, and timed for after the Commonwealth Games which could have abnormally influenced audience behaviour during that two week period. • Respondents were defined as all New Zealanders and all Maori aged 15 and over. • The samples from the main study and the booster sample have been combined and then post-weighted as per the 2013 Census by age and gender to ensure it was representative of the 15+ NZ Maori population; − Note that these age weights are significantly different to the total NZ 15+ population due to the much younger profile of the total Maori population compared to the general population. Glasshouse Consulting May 2018 | SLIDE 4 Research Scope • The study investigated the media consumed “yesterday”, for how long, and which channels, stations and sites were used. These questions measured the daily behaviour of the main broadcast, print, online and music media. The bulk of this report examines daily audience behaviour. • The study also captures the weekly reach of all media, including less frequently used media not covered by the daily measures, so as to provide a single point of comparison of all media included in this study. The first chart in the Summary section examines this overall comparison of all media based on weekly reach. • Two key aspects were not included in this study or previous studies; − Device used to consume media. (Ownership and access to devices was collected.) − Simultaneous media consumption. • Apart from changes to specific channels, sites and stations to ensure accuracy, other changes were made to the survey since 2016 to reflect the changing media landscape. These included; − Measuring podcast consumption for the first time. − Removal of specific questions relating to webseries as these are now measured as a type of online video (see next point) − Measuring types of video watched online on sites such as YouTube and Facebook • The results in this study will not exactly match data from sources such as TV ratings, radio surveys, or online analytics as the methodologies are different. However this study does provide a unique, single source comparison across all media. Glasshouse Consulting May 2018 | SLIDE 5 Market Context • When examining changes since 2016 it is useful to note the main developments that have taken place during the intervening two years, and also the developments that preceded 2016. • This information gives insight in to the stimulus for changes in audience behaviour and also the rate of change in audience behaviour. Developments 2014 -2016 Developments 2016-2018 PUTs declines PUTS declines NZ launch of Netflix, Lightbox, Neon, NZ On Screen Closure of FOUR, TVNZ Kidzone, The Zone Launch of TVNZ Duke, The Zone, Jones!, Discovery Turbo, Garage Launch of Bravo, HGTV, Viceland, Jones! Too Restrictions put in place on VPN use after broadcasters challenged Closure of Igloo “Global Mode” services from ISPs Launch of Apple Music Launch of FreeviewPlus, Chromecast Launch of NZME’s Watchme Glasshouse Consulting May 2018 | SLIDE 6 OVERALL SUMMARY Weekly Reach Daily Reach Most popular channels, sites and stations Weekly reach is the benchmark for all media covered in this study. Linear TV continues to attract the biggest weekly audience among Maori just ahead of online video, with radio and SVOD slightly below these. The biggest audience growth since 2016 has been the size of audiences watching Ondemand and SVOD each week, particularly NZ based SVOD services. WEEKLY REACH OF ALL MEDIA | % OF ALL NZERS 2018 Maori 86% 52% 2016 Maori Total (net) Linear TV 85% Overseas SVOD (e.g. Netflix, Hulu 24% 2018 All 15+ 82% 32% Online video (Eg. 80% 43% 73% Magazine (including online) 44% YouTube, Facebook) 72% 45% 78% 38% Live New Zealand Radio 70% Listen to music on Spotify 25% 78% 32% 70% 31% Total (net) SVOD 39% Online NZ radio 25% Apart from this 62% 18% opening chart and 70% 24% following summary TV (via Pay TV platform) Not measured in 2016 68% Listen to podcasts this report mainly 52% 21% 66% 18% examines daily Newspaper (including online) 68% Online international radio 15% media 67% 9% consumption. 65% Streamed, downloaded, torrented 14% Ondemand 16% However the 46% TV shows 44% 8% consumption of 65% Look for extra material online 12% NZ SVOD (e.g. Netflix, Lightbox) 8% some media must 31% about a TV show 48% 6% be measured on a 63% Downloaded songs/albums for 10% weekly basis due to Listen to music on Youtube 12% 60% free less frequent usage. 46% 5% 61% 8% Therefore weekly TV (via FTA platform) 46% Listen to iHeartRadio 7% 9% reach provides the 54% best comparison of 53% Used VPN to watch shows on 7% Music (CDs, iPod, vinyl) 10% all media measured 47% overseas website 47% 5% in this study. Q We’d like you now to think about what you do over a typical week. Please tell me about how many days per week you would usually do each of the following. Base: All respondents: (2018 Maori - n=451; 2016 Maori - n=195; 2018 All 15+ – n=1,414) Glasshouse Consulting May 2018 | SLIDE 8 The majority of this report examines the behaviour of New Zealand audiences on a daily basis. The chart below summarises the daily reach of the main media Maori engage with. DAILY REACH OF ALL MEDIA | % OF ALL NZERS 2018 Maori 63% Total (net) Linear TV 70% 2016 Maori 66% 2018 All 15+ 62% Online video (Eg. YouTube, Facebook) 53% 52% 52% Total (net) SVOD 27% 37% 48% Live New Zealand Radio 54% 55% 47% Music online/streamed (Eg. YouTube, Spotify) 41% 39% Linear TV and online video both 45% attract slightly more than six in TV (via Pay TV platform) 53% 39% ten Maori each day. 42% NZ SVOD (Eg. Netflix, Lightbox) 18% This similar audience size follows 30% 39% a decline in linear TV and an NZ Ondemand 25% 19% increase in the online video 35% Newspaper (including online) 38% audience since 2016. 41% SVOD, particularly NZ SVOD 34% TV (via FTA platform) 26% 37% services, show the biggest 34% growth in audience since 2016, Music (iPod, CDs) 30% 20% overtaking the audience listening 31% Overseas SVOD (Eg. Netflix, Hulu) 19% to radio each day. 16% 17% Listening to streamed music and Magazine (including online) 13% 19% watching Ondemand also show 13% Online NZ radio 8% strong growth, while radio 9% 8% listening and TV viewing via SKY Listened to a podcast Not measured in 2016 7% TV have fallen.
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