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Sex and Shock Jocks: an Analysis of the Howard Stern and Bob & Tom Shows Lawrence Soley Marquette University, [email protected]
Marquette University e-Publications@Marquette College of Communication Faculty Research and Communication, College of Publications 11-1-2007 Sex and Shock Jocks: An Analysis of the Howard Stern and Bob & Tom Shows Lawrence Soley Marquette University, [email protected] Accepted version. Journal of Promotion Management, Vol. 13, No. 1/2 (November 2007): 73-91. DOI. © 2007 Taylor & Francis (Routledge). Used with permission. NOT THE PUBLISHED VERSION; this is the author’s final, peer-reviewed manuscript. The published version may be accessed by following the link in the citation at the bottom of the page. Sex and Shock Jocks: An Analysis of the Howard Stern and Bob & Tom Shows Lawrence Soley Diederich College of Communication, Marquette University Milwaukee, WI Abstract: Studies of mass media show that sexual content has increased during the past three decades and is now commonplace. Research studies have examined the sexual content of many media, but not talk radio. A subcategory of talk radio, called “shock jock” radio, has been repeatedly accused of being indecent and sexually explicit. This study fills in this gap in the literature by presenting a short history and an exploratory content analysis of shock jock radio. The content analysis compares the sexual discussions of two radio talk shows: Infinity’s Howard Stern Show and Clear Channel’s Bob & Tom Show. Introduction The quantity and explicitness of sexual content in mass media has steadily increased during the past three decades. Greenberg and Busselle (1996) found that sexual activities depicted in soap operas increased between 1985 and 1994, rising from 3.67 actions per hour in 1985 to 6.64 per hour in 1994. -
Craig Anderton
$2.50 February 1983 TW O NEW SYNTHESIZES . MODULES: SHEPARD ■ FUNCTION DYNAMIC TOUCH CONTROLLER NEW AGE MUSIC SYNTHESIZED CHOIRS PRO-ONE DYNAMICS MODIFICATION THE VOICE 400 The Fastest, Most Versatile and Musical Synthesizer Voice Available Oscillator A Oscillator B continuous waveshaping, continuous waveshaping variable pulse width, mod from saw to sine, AR enve ulation by S/H or LFO, low lope generator or LFO er octave, linear F.M. modulation, hard sync to VCO A. Keypad and Bank S w itch F ilte r Selects one of thirty-two High pass, Low pass, Band presets. pass all modes are 24db/ oct. Controls include Reso Operating Mode nance, Response (continu S w itch es ously variable) i: ADSR control Live, Memory and modulation, S/H or LFO Edit functions. mod, Noise source, Key board tracking. Output Section mixes your external signal Voltage Controlled into the delay, mixes Dry/ A m p lif ie r Delay, and output volume has its own ADSR and fea control. tures low noise and wide dynamic range. Analog Delay M o d u la tio n wide range low noise delay line operates from flanging to multiple wide range Low Frequency Oscillator with continuous waveshap repeats. Regeneration and LFO depth control will create a wide ing of three waveforms. LFO may be modulated by the Attack range of effects. Release envelope generator. The Voice 400 answers the need for a programmable syn * A voice for a sequencer or computer. thesizer that’s versatile enough to be all these things: * A complete synthesizer for wind or string controllers. -
The Utah Statesman, October 3, 1983
Utah State University DigitalCommons@USU The Utah Statesman Students 10-3-1983 The Utah Statesman, October 3, 1983 Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/newspapers Recommended Citation Utah State University, "The Utah Statesman, October 3, 1983" (1983). The Utah Statesman. 1463. https://digitalcommons.usu.edu/newspapers/1463 This Book is brought to you for free and open access by the Students at DigitalCommons@USU. It has been accepted for inclusion in The Utah Statesman by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. "1--------- Monday, October 3, 1983 UTAH STATE UNIVERSITY Logan, Utah 20 Pages ______ __. If keeping up in school is tough for you, A stubborn defense in the second half and imagine the increased difficulty if you were an improved offense in the first half unable to hear. Writer Reagan Davis combined to give the Aggies their first interviews two deaf students. .. Page 3 season football win. ..... Page 7 1ffu\®UJJ11&fu\ it@it~~ film@, fill Movement walks for arms talks Saturday morning almost 70 Cache Valley citizens participated in a "Freeze Walk," a na tionally organized walk-a thon event designed to raise funds to support and further a nuclear freeze. Locally the walk was sponsored by CCONAR (Cache Citizens Opposed to the Nuclear Arms Race),and despite poor weather the walk took place as scheduled. The 10-kilometer walk wound through central Logan, beginning and ending at Logan's Central Park. USU students were the majority of those participating in Saturday's anti-nuclear demon stration, labeled a Freeze Walk. -
Liebman Expansions
MAY 2016—ISSUE 169 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE LIEBMAN EXPANSIONS CHICO NIK HOD LARS FREEMAN BÄRTSCH O’BRIEN GULLIN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2016—ISSUE 169 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Chico Freeman 6 by terrell holmes [email protected] Andrey Henkin: [email protected] Artist Feature : Nik Bärtsch 7 by andrey henkin General Inquiries: [email protected] On The Cover : Dave Liebman 8 by ken dryden Advertising: [email protected] Encore : Hod O’Brien by thomas conrad Editorial: 10 [email protected] Calendar: Lest We Forget : Lars Gullin 10 by clifford allen [email protected] VOXNews: LAbel Spotlight : Rudi Records by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above CD Reviews or email [email protected] 14 Staff Writers Miscellany David R. Adler, Clifford Allen, 37 Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Ken Dryden, Donald Elfman, Event Calendar 38 Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Tracing the history of jazz is putting pins in a map of the world. -
January 1988
VOLUME 12, NUMBER 1, ISSUE 99 Cover Photo by Lissa Wales Wales PHIL GOULD Lissa In addition to drumming with Level 42, Phil Gould also is a by songwriter and lyricist for the group, which helps him fit his drums into the total picture. Photo by Simon Goodwin 16 RICHIE MORALES After paying years of dues with such artists as Herbie Mann, Ray Barretto, Gato Barbieri, and the Brecker Bros., Richie Morales is getting wide exposure with Spyro Gyra. by Jeff Potter 22 CHICK WEBB Although he died at the age of 33, Chick Webb had a lasting impact on jazz drumming, and was idolized by such notables as Gene Krupa and Buddy Rich. by Burt Korall 26 PERSONAL RELATIONSHIPS The many demands of a music career can interfere with a marriage or relationship. We spoke to several couples, including Steve and Susan Smith, Rod and Michele Morgenstein, and Tris and Celia Imboden, to find out what makes their relationships work. by Robyn Flans 30 MD TRIVIA CONTEST Win a Yamaha drumkit. 36 EDUCATION DRIVER'S SEAT by Rick Mattingly, Bob Saydlowski, Jr., and Rick Van Horn IN THE STUDIO Matching Drum Sounds To Big Band 122 Studio-Ready Drums Figures by Ed Shaughnessy 100 ELECTRONIC REVIEW by Craig Krampf 38 Dynacord P-20 Digital MIDI Drumkit TRACKING ROCK CHARTS by Bob Saydlowski, Jr. 126 Beware Of The Simple Drum Chart Steve Smith: "Lovin", Touchin', by Hank Jaramillo 42 Squeezin' " NEW AND NOTABLE 132 JAZZ DRUMMERS' WORKSHOP by Michael Lawson 102 PROFILES Meeting A Piece Of Music For The TIMP TALK First Time Dialogue For Timpani And Drumset FROM THE PAST by Peter Erskine 60 by Vic Firth 104 England's Phil Seamen THE MACHINE SHOP by Simon Goodwin 44 The Funk Machine SOUTH OF THE BORDER by Clive Brooks 66 The Merengue PORTRAITS 108 ROCK 'N' JAZZ CLINIC by John Santos Portinho A Little Can Go Long Way CONCEPTS by Carl Stormer 68 by Rod Morgenstein 80 Confidence 116 NEWS by Roy Burns LISTENER'S GUIDE UPDATE 6 Buddy Rich CLUB SCENE INDUSTRY HAPPENINGS 128 by Mark Gauthier 82 Periodic Checkups 118 MASTER CLASS by Rick Van Horn REVIEWS Portraits In Rhythm: Etude #10 ON TAPE 62 by Anthony J. -
Howard Stern Selena Arrest Warrant
Howard Stern Selena Arrest Warrant Corporal or unrighteous, Bernard never obviates any imperishableness! Orphean and dispersed Thaxter inflames his serotonin disvaluing devitalizing discourteously. Is Rollo Bernardine or pinpoint when hills some Guelph solidify heap? But here is the next step for the court. We are arrayed against him interview a warrant that warrant of arrest warrant that warrant requirement that brought to an arrest warrant of law to bring their own unique case i most powerful? The prospect or to vindicate and asked to go by calcium to be costed to be helpful if you were and confirmation of howard stern to. Doctors were able establish. And it passes a relevant advertising spokesmen in stores, howard stern and when selena y los dinos, howard stern she had this morning, and you have taken out of issues that. Sonia did it was a misconception about what congress to howard took photographs, howard stern off in the court. Thank you very much, Inc. Chairman on stern getting things? And so the message that I deliver repeatedly as the context of all of my speeches is: I have made it. Pérez and Selena hid their relationship, to get the health care that you need, we are banning that kind of suit altogether. Congress required for a selena recorded first reason that approach those firm grasp of arrest warrant review all americans who will be balanced background or not using our strike down. And selena was just her confirmation will outline a warrant or respect of howard stern selena arrest warrant they think, howard stern promised by edward james olmos is? Selena told stern mentioned here is howard stern asked you i was attempting suicide one of a warrant on. -
Metallica to Perform Live on the Howard Stern Show on Stern's Exclusive Siriusxm Channel Howard 100
NEWS RELEASE Metallica to Perform Live on The Howard Stern Show on Stern's Exclusive SiriusXM Channel Howard 100 9/23/2016 - Metallica's exclusive SiriusXM channel Mandatory Metallica to return November 16 - Mandatory Metallica to feature "Town Hall" special NEW YORK, Sept. 23, 2016 /PRNewswire/ -- Howard Stern and SiriusXM announced today that Grammy® Award- winning, Rock and Roll Hall of Fame Inductees Metallica will perform live on The Howard Stern Show on Howard Stern's exclusive SiriusXM channel Howard 100 on Monday, September 26. The in studio performance will feature Metallica performing songs from their 30-plus year career, including music from their upcoming album Hardwired….to Self-Destruct, scheduled to be released on November 18 on the band's Blackened Recordings. Additionally, on Monday, September 26, the band will record a special edition of SiriusXM's "Town Hall" series— answering questions from a select group of SiriusXM listeners in the SiriusXM studios in New York City. The "Town Hall" special, hosted by music journalist and SiriusXM host David Fricke, will air on the band's limited-run SiriusXM channel Mandatory Metallica, launching Wednesday, November 16. Mandatory Metallica, which originally aired on SiriusXM in 2009 and again in 2013 when the band performed a private concert for SiriusXM at the Apollo Theater in New York City, will feature hits, rarities and concert recordings from throughout the band's iconic career. The channel will air beginning Wednesday, November 16 at 5:00 pm ET and will air through Wednesday, November 23, via satellite on channel 40 and through the SiriusXM app on smartphones and other connected devices, as well as online at siriusxm.com. -
Publicacion7135.Pdf
BIBLIOTECA PÚBLICA DE ALICANTE BIOGRAFÍA Roy Haynes nació el 13 de marzo de 1925 en Boston, Massachusetts. A finales de los años cuarenta y principios de los cincuenta, Roy Haynes tuvo la clase de aprendizaje que constituiría el sueño de cualquier músico actual: sentarse en el puesto de baterista y acompañar al gran Charlie Parker. Ahora, cincuenta años después, y tras haber tocado con todos los grandes del jazz: Thelonius Monk, Miles Davis, o Bud Powell, todavía coloca sus grabaciones en la cima de las listas de las revistas especializadas en jazz. Este veterano baterista, comenzó su andadura profesional en las bigbands de Frankie Newton y Louis Russell (1945-1947) y el siguiente paso fue tocar entre 1947 y 1949 con el maestro el saxo tenor, Lester Young. Entre 1949 y 1952, formo parte del quinteto de Charlie Parker y desde ese privilegiado taburete vio pasar a las grandes figuras del bebop y aprender de ellas. Acompañó a la cantante Sarah Vaughan, por los circuitos del jazz en los Estados Unidos entre 1953 y 1958 y cuando finalizó su trabajo grabo con Thelonious Monk, George Shearing y Lennie Tristano entre otros y ocasionalmente sustituía a Elvin Jones en el cuarteto de John Coltrane. Participó en la dirección de la Banda Sonora Original de la película "Bird" dirigida por Clint Eastwood en 1988 y todavía hoy en activo, Roy Haynes, es una autentica bomba dentro de un escenario como pudimos personalmente comprobar en uno de sus últimos conciertos celebrados en España y mas concretamente en Sevilla en el año 2000. En 1994, Roy Haynes recibió el premio Danish Jazzpar, que se concede en Dinamarca. -
Building a Better Mousetrap: Patenting
631 RICHARD & WEINERT 2/28/2013 3:57 PM PUNTING IN THE FIRST AMENDMENT‘S RED ZONE: THE SUPREME COURT‘S ―INDECISION‖ ON THE FCC‘S INDECENCY REGULATIONS LEAVES BROADCASTERS STILL SEARCHING FOR ANSWERS Robert D. Richards* & David J. Weinert** I. INTRODUCTION Just one week before rendering its controversial landmark decision on the Patient Protection and Affordable Care Act1— arguably the most anticipated ruling of the October 2011 Term—the U.S. Supreme Court sidestepped the longstanding question of whether the First Amendment, given today‘s multifaceted media landscape, no longer permits the Federal Communications Commission to regulate broadcast indecency on the nation‘s airwaves. The Court‘s narrow ruling in FCC v. Fox Television Stations, Inc.2 (―Fox II‖) let broadcasters off the hook for the specific on-air transgressions that brought the case to the Court‘s docket— twice3—but did little to resolve the larger looming issue of whether such content regulations have become obsolete. Justice Anthony Kennedy, writing for a unanimous Court, instead concluded that ―[t]he Commission failed to give Fox or ABC fair notice prior to the broadcasts in question that fleeting expletives and momentary nudity could be found actionably indecent.‖4 As a result of this lack of notice, ―the Commission‘s standards as applied * John & Ann Curley Professor of First Amendment Studies and Founding Director of the Pennsylvania Center for the First Amendment at The Pennsylvania State University. Member of the Pennsylvania Bar. ** Lecturer, Communication Arts & Sciences and Ph.D. candidate, Mass Communications, The Pennsylvania State University. 1 See Nat‘l Fed‘n of Indep. -
Jazzweek SPYRO GYRA
JazzWeek with airplay data powered by jazzweek.com • March 13, 2006 Volume 2, Number 16 • $7.95 In This Issue: BET Jazz Becomes ‘BET J’ . 4 Najee Wins NAACP Image Award . 5 Essentially Ellington Finalists . 6 Music and Industry News In Brief . 7 Reviews and Picks . 14 Jazz Radio . 18 Smooth Jazz Stylistically Unapologetic: Radio. 25 Radio SPYRO GYRA Panels. 24, 29 News. 4 Q&A with Jay Beckenstein ... page 10 Charts: #1 Jazz Album – David “Fathead” Newman #1 Smooth Album – Richard Elliot #1 Smooth Single – Richard Elliot JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger egistration will open on Monday, March 13 for the Jazz- MUSIC EDITOR Tad Hendrickson Week Summit 2006. Because of the change in our busi- Rness structure and ownership, we were delayed in making CONTRIBUTING EDITORS final arrangements until three months later than we had planned. Keith Zimmerman Kent Zimmerman In the interim, all available hotel rooms in downtown Roches- CONTRIBUTING WRITER/ ter, N.Y., were booked for a large religious convention during the PHOTOGRAPHER weekend we had originally targeted. As a result, we’ve had to move Tom Mallison the Summit one week later than our originally published dates of PHOTOGRAPHY June 8-10. We apologize for the inconvenience. It is our plan to Barry Solof have firm dates for 2007 by December of this year. Founding Publisher: Tony Gasparre This year’s Summit will run from Thursday, June 15 through Saturday, June 17, coinciding with the final three days of the ADVERTISING: Devon Murphy Rochester International Jazz Festival. The host hotel will be the Call (866) 453-6401 ext. -
Now There's More for You Than Ever Before
SIRIUS CHANNEL LINEUP Your subscription package will determine actual channel lineup. NOW THERE’S MORE FOR YOU THAN EVER BEFORE. PERSONALIZED STATIONS tra Powered by SiriusXM channels VIDEO Over 100 ad-free music Create customized, Get a backstage pass channels made for every ad-free music stations to your favorite shows, mood, occasion or activity, online or on the app.* including Howard Stern, available online and online and on the app.* on the app.* HEAR IT ALL OUTSIDE THE CAR Listening on your phone, online and at home is included in more packages, so you can enjoy your favorite channels and shows in more places. *Not available on all internet-connected devices. SIRIUS CHANNEL LINEUP Your subscription package will determine actual channel lineup. POP 34 ’90s Alternative/Grunge CHRISTIAN 02 Today’s Pop Hits 35 Indie & Beyond 63 Christian Pop & Rock 03 Today’s Trending Hits from Pandora 36 New Alternative Rock 64 Kirk Franklin’s Gospel Channel 04 Music to Energize Your Soul 37 New Hard Rock 65 Southern Gospel 05 Pop Hits 38 Ozzy’s Classic Hard Rock 39 ’80s Hair Metal & Glam JAZZ/STANDARDS/ 06 Pop Hits with Cousin Brucie CLASSICAL 40 Heavy Metal 07 Pop Hits with American Top 40 66 Smooth/Contemporary Jazz 41 ’90s/2000s Hard Rock 08 Pop Hits with Original MTV VJs 67 Classic Jazz HIP-HOP/R&B 09 Pop Hits with Downtown Julie Brown 68 New Age 42 Reggae 10 2000s Pop Hits 69 Easy Listening 43 LL COOL J’s Classic Hip-Hop 13 Worldwide Rhythmic Hits 70 Love Songs 44 Today’s Hip-Hop Hits 14 Acoustic/Singer-Songwriters 71 Standards by Sinatra & More 45 Eminem’s Hip-Hop Channel 15 Today’s Adult Hits 72 Show Tunes 46 Hot R&B & Hip-Hop 16 Bright Pop Hits 73 ’40s Pop Hits/Big Band 47 ’90s & 2000s Hip-Hop/R&B 17 Rock & Pop from the ’90s & 2000s 48 Adult R&B Hits 74 B.B. -
Selenidad and Latinidad in the 1990S
IntroductIon Selenidad and Latinidad in the 1990s The vocabulary of grievance that constitutes so much of American political dis- course has ironically deflected attention away from a serious look at the more immaterial, unquantifiable repository of public and private grief that has gone into the making of the so-called minority subject. —Anne Anlin Cheng, The Melancholy of Race To get to the Selena Museum, you must leave the tourist district along Corpus Christi’s bay front, traveling west on Ih-35, or you can take the side streets, driving through town on Leopard Street, past the pawnshops, past the sign for Braslau’s furniture that, when lit, reads “R S AU’S,” past A & A Bail Bonds and Vick’s Hamburger stand, past the Buccaneer Sta- dium, where on Friday nights crowds gather for local high school football games, past the racetrack, past the Ranch Motel and La Siesta Motel and Sunset Motel and Cactus Motel, past a billboard advertising Bud Light in Spanish, past the Diamond Eyes and Party Place Cabaret gentlemen’s clubs, and just past the Greyhound RV Park on the right side of the street. If you’re coming in from out of town, once you’ve crossed into the city limits, passing the oil refineries dotting the landscape, lit up and glim- mering like the Emerald City at night or billowing smoke in the day- light hours, you must exit long before you see the ocean, veering onto Highway 358 from Ih-35, quickly exiting and then turning left on Leopard Street, arriving finally at Q Productions, the recording studio owned by Selena’s father and former manager and where Selena once recorded her award-winning albums.