Architecture News | Archdaily, Page 250

Total Page:16

File Type:pdf, Size:1020Kb

Architecture News | Archdaily, Page 250 4/5/2021 Architecture News | ArchDaily, page 250 By using ArchDaily, you agree to our Terms of Use, Privacy Policy and Cookie Policy. I ACCEPT ArchDaily Architecture News Architecture News AIA Announces 2018 Thomas Jeerson Award and Collaborative Achievement Award Winners February 02, 2018 The American Institute of Architects (AIA) has announced the winners of the 2018 Thomas Jeerson Award for service to public architecture and the 2018 Collaborative Achievement Award for distinguished achievements of those who have had a beneficial influence on or advanced the architectural profession. Save this article Read more » Winter Has Arrived at Finland's Game of Thrones-Themed Ice Hotel February 02, 2018 Home Projects Products Folders Feed https://www.archdaily.com/architecture-news/page/250?c=11668841528201263147 1/24 4/5/2021 Architecture News | ArchDaily, page 250 By using ArchDaily, you agree to our Terms of Use, Privacy Policy and Cookie Policy. I ACCEPT For all those Game of Thrones fans looking to go face to face with a White Walker (or snuggle up like Jon and Dany), here’s your chance: Lapland Hotels Snowvillage in northern Finland has opened its very own Game of Thrones-themed ice hotel, complete with ice-carvings of the show’s best settings and sigils. Save this article Read more » Bjarke Ingels: "No Matter How Wonderful a Building Is, If There Is No Client, It Doesn't Get Built" February 02, 2018 Home Projects Products Folders Feed https://www.archdaily.com/architecture-news/page/250?c=11668841528201263147 2/24 4/5/2021 Architecture News | ArchDaily, page 250 In just 13 years since its inception, Danish firm BIG has earned world renown for its inventive architecture and its founder, Bjarke Ingels, has become one of the most popular names in the architectural world. However, with success comes criticism; BIG has been called out by some critics for what they believe is the "Byin usfinagn ArtcihlDizaialyt, iyoun a gorefe ator ocurh Teitrmesc otfu Usree, P,"ri vraecyf ePorlriciyn agnd t Cooo tkhie ePoirlic dy.esigns as isolated, self-admiring anI AdC sCoElPeTly photogenic. On her most recent visit to Spain, Spanish journalist Anatxu Zabalbeascoa spoke with Ingels about the impact of the Danish oice on architecture and how their work wavers on a tightrope between "breakthrough projects for the world of the powerful" and "a face for people who are not happy with existing architectural models." Save this article Read more » Most Visited Products of Fabric / Textile Architecture TENSILE STRUCTURES RETRACTABLE STRUCTURES FabriTec Structures ShadeFX Airport Tensile Membrane Structures Retractable Shade - Vaughan TENSILE STRUCTURES Home Projects Products Folders Feed https://www.archdaily.com/architecture-news/page/250?c=11668841528201263147 3/24 4/5/2021 Architecture News | ArchDaily, page 250 By using ArchDaily, you agree to our Terms of Use, Privacy Policy and Cookie Policy. I ACCEPT Lastra y Zorrilla Single Layer Covers and Façades Alejandro Aravena Discloses New Details on ELEMENTAL's Cultural Mega-Project in Qatar February 02, 2018 In May 2017, the Chilean firm ELEMENTAL was chosen to design the Art Mill, a cultural center that will be one of the largest in Qatar and will share a neighborhood with the Museum of Islamic Art (by I.M. Pei) and the National Museum of Qatar (by Jean Nouvel). Organized by Malcolm Reading Consultants, the final verdict closed an exhausting call that initially received 489 proposals and extended for two years in its four phases. Aer making a trip to Doha (Qatar), Alejandro Aravena spoke with Chilean newspaper El Mercurio and shared details about this project. "One of the things we set out to do is to make this endure for the next Home Projects Products Folders Feed https://www.archdaily.com/architecture-news/page/250?c=11668841528201263147 4/24 4/5/2021 Architecture News | ArchDaily, page 250 1,000 years," explains the 2016 Pritzker Prize winner. "When you look at industrial facilities, especially silos, archaeological ruins are the kind of things that remain," he adds. By using ArchDaily, you agree to our Terms of Use, Privacy Policy and Cookie Policy. I ACCEPT Save this article Read more » Amanda Levete Wins 2018 Jane Drew Prize for Women in Architecture February 01, 2018 British architect Amanda Levete has been selected as the recipient of the 2018 Jane Drew Prize, recognizing “an architectural designer who, through their work and commitment to design excellence, has raised the profile of women in architecture.” Founder of London-based practice AL_A, Levete rose to promise as one half of Stirling Prize-winning practice Future Systems, which she ran with then-husband Jan Kaplický. Together, they completed paradigm-shiing and critically acclaimed works such as the Birmingham Selfridges and the Lord’s Media Centre, winner of the 1999 RIBA Stirling Prize. Levete le Future Systems to form AL_A in 2009, where she found continued success designing cultural venues with bold materiality. Some of the firm’s best known works include the Museum of Art, Architecture and Technology (MAAT) in Lisbon, the Central Embassy Shopping Center in Bangkok, the 2015 MPavilion in Melbourne, and the recently-opened addition to the V&A museum in London. Home Projects Products Folders Feed https://www.archdaily.com/architecture-news/page/250?c=11668841528201263147 5/24 4/5/2021 Architecture News | ArchDaily, page 250 Save this article Read more » By using ArchDaily, you agree to our Terms of Use, Privacy Policy and Cookie Policy. I ACCEPT Top Young North American Firms Win The Architectural League's 2018 Emerging Voices Awards February 01, 2018 The Architectural League of New York has announced the recipients of its 2018 Emerging Voices awards, spotlighting individuals and firms “with distinct design voices and the potential to influence the disciplines of architecture, landscape design, and urbanism.” Save this article Read more » What Does it Take to Design a Super Bowl Stadium? February 01, 2018 Home Projects Products Folders Feed https://www.archdaily.com/architecture-news/page/250?c=11668841528201263147 6/24 4/5/2021 Architecture News | ArchDaily, page 250 By using ArchDaily, you agree to our Terms of Use, Privacy Policy and Cookie Policy. I ACCEPT On the 4th of February, Minneapolis will host the New England Patriots and the Philadelphia Eagles for the 52nd Super Bowl. With over 100 million people expected to watch the game this Sunday, all eyes will be on the city of Minneapolis—a city known for not allowing the harsh climate get in the way of their celebrations —and the brand new US Bank Stadium, where a huge permanent roof will ensure that, come rain, shine, or snow, Minneapolitans will have a space to gather and enjoy themselves. HKS Architects took on the challenge of designing the stadium to replace the Minnesota Viking’s previous home, the Metrodome, which was known as "Minneapolis’s living room" for the strong relationship it had with the population as both a civic hub and a stadium. Unlike past stadiums the Dallas-based architects have designed, the US Bank Stadium required a dierent outlook, with a focus on designing a catalyst for public infrastructure and a communal space that provokes interaction with the community. So how did they achieve a structure that can both host the Super Bowl yet remain a prominent part of the city for years to come? We spoke to the lead architect on the US Bank Stadium, Lance Evans, about how to design and construct the centerpiece for one of the biggest sports events of the year. Save this article Read more » 2018 ArchDaily Building of the Year Awards: The Finalists February 01, 2018 Home Projects Products Folders Feed https://www.archdaily.com/architecture-news/page/250?c=11668841528201263147 7/24 4/5/2021 Architecture News | ArchDaily, page 250 By using ArchDaily, you agree to our Terms of Use, Privacy Policy and Cookie Policy. I ACCEPT 2018 has been an unprecedented year for ArchDaily’s Building of the Year Awards. But before we get to shortlisted nominees, we want to emphasize the values embodied by this awards process. As the world’s largest platform for architecture we are acutely aware of our responsibility to the profession, and to the advancement of architecture as a discipline. Since our mission is directly related to the architecture of the future—in inspiring and educating the global community of architects who will design the urban fabric of the future—the trust placed in us by our readers to reflect architectural trends from regions around the whole world creates challenges that we are eager to rise to. The democratically- voted, user-centered Building of the Year Awards is one of the key pillars of our response to these challenges, aiming to tear down established hierarchies and geographical barriers. By participating in the process, the ArchDaily community decides what it means to push architecture forward. So without further ado, these are the most inspiring building, according to ArchDaily readers. VOTE NOW Save this article Read more » Reebok Teams Up With Gensler to Turn Gas Stations Into Fitness Hubs February 01, 2018 Home Projects Products Folders Feed https://www.archdaily.com/architecture-news/page/250?c=11668841528201263147 8/24 4/5/2021 Architecture News | ArchDaily, page 250 By using ArchDaily, you agree to our Terms of Use, Privacy Policy and Cookie Policy. I ACCEPT The gas station does not usually catch one’s fancy. It is a ubiquitous building, one built primarily for function instead of for pleasure or community. We see them all the time but barely give them a second glance unless the need arises – and then, we get our fuel, and we are out of the station in minutes. With the smell of gasoline and the usual convenience store spread, these service stations do not exude any particular sense of wellness.
Recommended publications
  • HERITAGE UNDER SIEGE in BRAZIL the Bolsonaro Government Announced the Auction Sale of the Palácio Capanema in Rio, a Modern
    HERITAGE UNDER SIEGE IN BRAZIL the Bolsonaro Government announced the auction sale of the Palácio Capanema in Rio, a modern architecture icon that was formerly the Ministry of Education building FIRST NAME AND FAMILY NAME / COUNTRY TITLE, ORGANIZATION / CITY HUBERT-JAN HENKET, NL Honorary President of DOCOMOMO international ANA TOSTÕES, PORTUGAL Chair, DOCOMOMO International RENATO DA GAMA-ROSA COSTA, BRASIL Chair, DOCOMOMO Brasil LOUISE NOELLE GRAS, MEXICO Chair, DOCOMOMO Mexico HORACIO TORRENT, CHILE Chair, DOCOMOMO Chile THEODORE PRUDON, USA Chair, DOCOMOMO US LIZ WAYTKUS, USA Executive Director, DOCOMOMO US, New York IVONNE MARIA MARCIAL VEGA, PUERTO RICO Chair, DOCOMOMO Puerto Rico JÖRG HASPEL, GERMANY Chair, DOCOMOMO Germany PETR VORLIK / CZECH REPUBLIC Chair, DOCOMOMO Czech Republic PHILIP BOYLE / UK Chair, DOCOMOMO UK OLA ODUKU/ GHANA Chair, DOCOMOMO Ghana SUSANA LANDROVE, SPAIN Director, Fundación DOCOMOMO Ibérico, Barcelona IVONNE MARIA MARCIAL VEGA, PUERTO RICO Chair, DOCOMOMO Puerto Rico CAROLINA QUIROGA, ARGENTINA Chair, DOCOMOMO Argentina RUI LEAO / MACAU Chair, DOCOMOMO Macau UTA POTTGIESSER / GERMANY Vice-Chair, DOCOMOMO Germany / Berlin - Chair elect, DOCOMOMO International / Delft ANTOINE PICON, FRANCE Chairman, Fondation Le Corbusier PHYLLIS LAMBERT. CANADA Founding Director Imerita. Canadian Centre for Architecture. Montreal MARIA ELISA COSTA, BRASIL Presidente, CASA DE LUCIO COSTA/ Ex Presidente, IPHAN/ Rio de Janeiro JULIETA SOBRAL Diretora Executiva, CASA DE LUCIO COSTA, Rio de Janeiro ANA LUCIA NIEMEYER/ BRAZIL
    [Show full text]
  • Venice & the Common Ground
    COVER Magazine No 02 Venice & the Common Ground Magazine No 02 | Venice & the Common Ground | Page 01 TABLE OF CONTENTS Part 01 of 02 EDITORIAL 04 STATEMENTS 25 - 29 EDITORIAL Re: COMMON GROUND Reflections and reactions on the main exhibition By Pedro Gadanho, Steven Holl, Andres Lepik, Beatrice Galilee a.o. VIDEO INTERVIew 06 REPORT 30 - 31 WHAT IS »COMMON GROUND«? THE GOLDEN LIONS David Chipperfield on his curatorial concept Who won what and why Text: Florian Heilmeyer Text: Jessica Bridger PHOTO ESSAY 07 - 21 INTERVIew 32 - 39 EXCAVATING THE COMMON GROUND STIMULATORS AND MODERATORS Our highlights from the two main exhibitions Jury member Kristin Feireiss about this year’s awards Interview: Florian Heilmeyer ESSAY 22 - 24 REVIEW 40 - 41 ARCHITECTURE OBSERVES ITSELF GUERILLA URBANISM David Chipperfield’s Biennale misses social and From ad-hoc to DIY in the US Pavilion political topics – and voices from outside Europe Text: Jessica Bridger Text: Florian Heilmeyer Magazine No 02 | Venice & the Common Ground | Page 02 TABLE OF CONTENTS Part 02 of 02 ReVIEW 42 REVIEW 51 REDUCE REUSE RECYCLE AND NOW THE ENSEMBLE!!! Germany’s Pavilion dwells in re-uses the existing On Melancholy in the Swiss Pavilion Text: Rob Wilson Text: Rob Wilson ESSAY 43 - 46 ReVIEW 52 - 54 OLD BUILDINGS, New LIFE THE WAY OF ENTHUSIASTS On the theme of re-use and renovation across the An exhibition that’s worth the boat ride biennale Text: Elvia Wilk Text: Rob Wilson ReVIEW 47 ESSAY 55 - 60 CULTURE UNDER CONSTRUCTION DARK SIDE CLUB 2012 Mexico’s church pavilion The Dark Side of Debate Text: Rob Wilson Text: Norman Kietzman ESSAY 48 - 50 NEXT 61 ARCHITECTURE, WITH LOVE MANUELLE GAUTRAND Greece and Spain address economic turmoil Text: Jessica Bridger Magazine No 02 | Venice & the Common Ground | Page 03 EDITORIAL Inside uncube No.2 you’ll find our selections from the 13th Architecture Biennale in Venice.
    [Show full text]
  • Table of Contents
    4 CONTENTS CONTENTS INTRODUCTION / EINLEITUNG / INTRODUCTION 8 ANNETTE GIGON / MIKE GUYER & ATELIER WW – Löwenbräu-Areal Arts Center Zurich 238 ZAHA HADID – Heydar Aliyev Cultural Center Baku / Sheikh Zayed Bridge Abu Dhabi 246 ACEBO X ALONSO – National Museum of Science and Technology, MUNCYT A Coruña 40 HERZOG & DE MEURON – Schaulager Münchenstein / STAN ALLEN – CCV Chapel Tagaytay 48 TEA Santa Cruz de Tenerife 260 TADAO ANDO – Château la Coste Art Center Le Puy-Sainte-Réparade / Chichu Art Museum Naoshima 56 STEVEN HOLL – Sliced Porosity Block Chengdu 278 CHIAKI ARAI – Niigata City Konan Ward Cultural Center Niigata 68 CARSTEN HÖLLER AND MARCEL ODENBACH – House Turtle Biriwa 288 ALEJANDRO ARAVENA / ELEMENTAL – UC Innovation Center—Anacleto Angelini Santiago 80 TOYO ITO – Meiso no Mori Municipal Funeral Hall Kakamigahara 298 ARCHEA – Antinori Winery Bargino 86 IZQUIERDO LEHMANN – Cruz del Sur Office Building Santiago / House in Vitacura Santiago 306 ARTECHNIC – Breeze Tokyo 98 MATHIAS KLOTZ + ALVANO & RIQUELME – Vitacura 3565 Santiago 314 BAK – Cher House Mar Azul 110 KSP JÜRGEN ENGEL – Bergen-Belsen Documentation and Information Center Celle 320 BARCLAY & CROUSSE – Vedoble Houses Cañete 120 MARTE.MARTE – Schanerloch Bridge Dornbirn 328 HAGY BELZBERG – Los Angeles Museum of the Holocaust Los Angeles 132 RICHARD MEIER – Jubilee Church Tor Tre Teste, Rome 332 TATIANA BILBAO – Casa Ventura Monterrey 142 PAULO MENDES DA ROCHA – Leme Gallery São Paulo 342 BNKR – Sunset Chapel Acapulco 150 FERNANDO MENIS – Church of the Holy Redeemer San
    [Show full text]
  • Parametric Articulation
    Parametric Articulation A thesis submitted to the Graduate School of the University of Cincinnati Division of Research and Advanced Studies for partial fulfillment of the requirements for the degree of Master of Architecture School of Architecture and Interior Design 2013 By Andrew Newman B.F.A Environmental Design, MICA, 2008 Committee Chairs: Ming Tang Thesis Abstract In the world today, actual concerns for human experience and climate change obligate professional disciplines related to the building industry to explore more innovative design solutions. With the scarce allocation of capital the practice of architecture is in the process of adapting to a more economical process of utilizing parametric tools to design, document, analyze and fabricate building facades. Parametric tools, however, can only aid a designer in the process of achieving the qualitative features of a demanded certain spatial experience. Design and analysis of a building's enclosure system is a fundamental first step in the design process to achieve the qualitative and quantitative benefits of comfort, protection and reduction in energy consumption. As we move forward into information-based future, it is important for the architecture practice to utilize the technological advances in industrial design, computational design and rapid fabrication processes. These advances bring with them the tools needed for architects to innovate, analyze and construct new dynamic enclosure systems for the future. The Architectural Problem Traditional methods of cladding and enclosing structures responsively tend to produce uniformly articulated facades. The character of building articulation, which is ultimately based on orientation, climate, and interior comfort, varies in terms of materials and methods.
    [Show full text]
  • Labs at Assigned Time: 50 Minutes Thursdays: Lecture and Discussion: 9:00 – 10:40
    ARC 5744 Architectural History from 1840 to Present and ARC 5744 Lab Wednesdays: Labs at assigned time: 50 minutes Thursdays: Lecture and discussion: 9:00 – 10:40 Professor Gray Read, Email: [email protected] Website: http://faculty.fiu.edu/~readg/ Office: PCA376 (Office Hours: Tuesdays 9:00-12:00) My Blog: http://architecture-performance.blogspot.com Secondary Instructor: Asha Kutty, mailto:[email protected] GA: Juan Gatica, [email protected] Turnitin Course Number: Password: history (you must register yourself in this course on www.turnitin.com) Description: Course introduces students to the major ideas and figures that shaped the multiple strains of architectural design from 1840 to the present as well as examples of contemporaneous vernacular and indigenous design. Course considers three main themes present in much of design research and innovation: architecture as social action that engages often conflicting economic and cultural patterns of use, architecture as physical modification that addresses the natural world as well as people’s differing abilities, and architecture as technological innovation. Students will read and discuss influential texts of the late 19th and early 20th centuries, then consider how those ideas were manifest in architectural design. Objectives: Students will become familiar with the major figures, buildings, and ideas in the multiple strains of recent architectural history across the globe. Students will become aware of multiple historical legacies grounded in political, economic, ecological and technological conditions. Students will consider how diverse social and cultural norms influenced design decisions, particularly when they must be negotiated in multicultural situations. They will develop critical thinking and writing skill through discussion and essays that focus on ideas and use specific analytical examples to support theses.
    [Show full text]
  • Drift Bench Concrete Drift Drift-In Drift-Out Amanda Levete
    Drift Bench concrete Drift Drift-in Drift-out Amanda Levete Drift Bench, Concrete Drift, Drift-In Drift-Out Bench Amanda Levete Design 2006–07 Drift Bench Amanda Levete The New Elegance Accept this charming invitation to contemplate super smooth contours ambient glow The Drift bench is a masterclass in complex curves, angles and subtracted spaces. Informed by a piece of found driftwood Amanda Levete translated her organic, highly sensual, architectural language into a condensed form. The naturally fluid lines soften angles without dissolving the defined outline associated with traditional sculptural forms. ‘You can’t say found space is non- space. Actually it is very carefully chosen.’ Amanda Levete Drift Bench, Concrete Drift, Drift-In Drift-Out Bench Amanda Levete Design 2006–07 Concrete Drift Amanda Levete Rock Solid Put your trust in a solid foundation It’s hard to find a more futuristic looking form. Designed to last, the concrete Drift bench is a timeless masterpiece. Whether placed in a bank lobby, public square, botanical greenhouse, English country garden or alpine height this bench provides a sculptural focal point. Made from very fine sand and cement with a crushed limestone fleck the smooth surface is expertly cast by an artisan sculpture studio. Drift Bench, Concrete Drift, Drift-In Drift-Out Bench Amanda Levete Design 2006–07 Drift-In Drift-Out Amanda Levete Making Shapes Dance and design with this flexible seating set ‘Drift-In, Drift-Out is a natural evolution of the Drift bench. I wanted to use the same conceptual language of the piece of found driftwood on these much smaller scale, versatile, modular pieces.’ Amanda Levete Easily moved about, these smaller curved two-seater benches can be used singularly or positioned together in numerous configurations.
    [Show full text]
  • AL A-Brochure1.Pdf
    Whenever you go see AL_A you have to leave your shoes at the entrance along with at least 40 other pairs of shoes. AL_A have enabled us to contemplate new possibilities for our future in the V&A, they have challenged our thinking and they continue to bring a freshness which we all relish. Their studio is a think tank, it has a very unusual atmosphere, a lot of brilliant young people and great ideas. AL_A support our work but they challenge us too. Martin Roth’s Introduction to the V&A Museum Annual Design Lecture by Amanda Levete, February 2013 INTRODUCING AL_A AL_A is an award-winning architecture and design studio. It was founded in 2009 by Amanda Levete and grew out of Future Systems, a practice widely regarded as laying down the agenda for architecture in the twenty-first century, with works including the Stirling Prize-winning Media Centre at Lord’s Cricket Ground and the Selfridges department store, Birmingham. Led by Amanda Levete, Ho-Yin Ng, Maximiliano Arrocet and Alice Dietsch, AL_A has refined an intuitive and strategic approach to design that has radicalised clients and briefs, and led to a diverse range of concepts for cultural, retail and commercial schemes around the world. The practice’s creative relationship with a client is defined by a mutual respect as well as being reciprocally demanding: AL_A challenge assumptions and presuppositions, and expect to be challenged in return. Recent commissions include the highly anticipated expansion of the Victoria & Albert Museum in London, Central Embassy, a 1.5 million sq ft mixed-use development in Bangkok on the former grounds of the British embassy, a new centre for the cancer care charity Maggie’s, a 13-hectare media campus for Sky, and a cultural centre in Lisbon commissioned by EDP, one of the world’s foremost energy companies.
    [Show full text]
  • The Art of Architecture/ the Politics of Awards: 2016 Pritzker Architecture Prize Continues Conversations About Sexism and Social Value
    MARCH // APRIL // 2016 DIVERSITY IN THE PROFESSION ON THE RISE, AIDED BY NEW INITIATIVES // 34 THE PRITZKER PRIZE // 42 M A RAIACHICAGO.ORG C H // A PR I L // 2 016 1 THE ART OF ARCHITECTURE/ THE POLITICS OF AWARDS: 2016 PRITZKER ARCHITECTURE PRIZE CONTINUES CONVERSATIONS ABOUT SEXISM AND SOCIAL VALUE BY DAWN REISS Students romp and play in the Obama Library Drone Aviary 42 MARCH // APRIL // 2016 CHICAGO ARCHITECT AIACHICAGO.ORG 2016 PRITZKER ARCHITECTURE PRIZE CONTINUES CONVERSATIONS ABOUT SEXISM AND SOCIAL VALUE artha Thorne, executive director of the Pritzker Architecture Prize vividly remembers the phone call she made to Alejandro Aravena telling him the eight-person jury Mhad selected him as the 2016 prizewinner. “He literally could not speak,” Thorne said. “The first thing he said to me was ‘Martha, don’t joke about these things.’ I said ‘But I’m not.’” Thorne says the Chilean architect, who is the direc- tor of the 2016 Venice Architecture Biennale, was genuinely shocked and emotional. “He never expected it,” Thorne said. “In part because he is that type of person, incredibly generous. The jury is committed to the prize and the best. They are committed to the mission of the prize before any other. There’s no benefit for the jury in engaging in politics.” But as anyone knows, anytime there’s a group of people, there are politics. Since the inception of the Pritzker Architecture Prize by Jay and Cindy Pritzker, which was first given to Phillip Johnson in 1979, the influential prize has been synonymous as the “Nobel Prize for architects.” There’s no doubt that the winners are some of most influential architects from I.
    [Show full text]
  • Museum and Center for Contemporary Art: Design Principles and Functional Features
    E3S Web of Conferences 274, 01019 (2021) https://doi.org/10.1051/e3sconf/202127401019 STCCE – 2021 Museum and center for contemporary art: design principles and functional features Elza Bashirova1[0000-0002-0346-1713], Elena Denisenko1[0000-0002-3155-2153], Kamilla Akhmetova1, and Vilnur Kadirov1 1Kazan State University of Architecture and Engineering, 420043 Kazan, Russia Abstract. The article discusses the topical issue of the establishment of museum and center for contemporary art. The objective of the research is to analyze the historical background of contemporary art museums; to review the world design practice of them according to urban planning, functional, architectural and expositional criteria; to reveal functional features’ trends and to identify the design principles of an advanced center for contemporary art. We collected more than 45 leading examples to compile a matrix using classification and analysis methods. As a result, we reached the museums’ functional features: administrative, exhibition, educational, recreational are fixed functions; storage and research functions are optional; cultural and entertainment are particularly additional functions. At first, art museums and centers are focused on adaption to visitors and intersection with them, secondly, on the exhibit. To sum up, we define the design principles of the ideal architectural model on the basis of urban planning, architectural, sociocultural and technological radicals. In conclusion, it is revealed that contemporary art centers have absorbed most of the historical functions of the museum and today are one of the developed types of the multifunctional architecture. Keywords. Architecture, center for contemporary art, museum, contemporary art, design principles, functional features. 1 Introduction Contemporary art, that was formed by the end of the Second World War and has been changing its appearance up to the present time, has become an integral part of the social and cultural life of a person.
    [Show full text]
  • For Immediate Release – 13 June 2019
    For immediate release – 13 June 2019 International design competition launched for new Markets at Birmingham Smithfield An international competition has been launched to find the creative team that will be tasked with designing a new home for the Birmingham markets positioned at the heart of the £1.5 billion Smithfield development. Lendlease has begun the search for designers who will play a key role in one of the most high-profile city-centre regeneration opportunities in Europe. Markets have been at the heart of Birmingham since the birth of the city, and the brief is to imagine a market building for the future. A place that builds on the existing energy and spirit of the markets by mixing in new ingredients and spaces to delight the existing communities, whilst attracting and entertaining new visitors. Lendlease is Birmingham City Council’s preferred development partner for Smithfield and the markets are central to the City Council’s Big City Plan, a 25-year vision to support the development of a world-class city centre. The markets will provide the backdrop for a new injection of colour, atmosphere, culture and vitality into the heart of Birmingham, accelerating the next wave of growth and regeneration in this youthful international city. Located in the heart of Birmingham, the project is set to reposition the city on an international stage. As well as a new markets building, the Smithfield development will deliver a significant family leisure and cultural offer, a new public square, integrated public transport and more than 2,000 homes with a public park and community facilities.
    [Show full text]
  • Half-Happy Architecture
    Half-happy architecture Camillo Boano, Francisco Vergara Perucich e thought and discussed a lot before writing this text. Few Wweeks ago, we witnessed the Pritzker awarding ceremony of Alejandro Aravena and we were puzzled by the use and the abuse of the buzz-concept of “social architect”. After that then, we followed the opening speech of the 2016 Venice Biennale where the rhetoric of the social turn has been displaced, literally, on top of a metal scale staring to the frontier of the yet to come experimentation of formalist archi- tecture with a social look. The two events are not to be taken as connected, but rather treated as discrete. So despite the several hesitations we had in planning it, this text gives us the opportunity to develop some reflections around the implications and the reasons for not simplifying the struggle of those architects who are trying to produce relevant work in the frame of the current global challenges. Taking a distance from the critique of Ale- jandro Aravena as a person with good social skills (as argued by many critics) and his media-friendly “starchitect” role, we aim at focusing on the space produced by his firm and its overall aesthetic. We wish to rise two specific points hoping to contribute to a critical view on the current architectural debate and its capacity of “reporting from the front”. The first is a concise critique of the idea of a good-half-house coined by Elemental (Aravena’s studio) for the Quinta Monroy project, con- testing its real contribution to the idea of good quality architecture for the poor.
    [Show full text]
  • Maat - Museum of Art, Architecture and Technology - Opens in Lisbon
    3 October 2016 MAAT - MUSEUM OF ART, ARCHITECTURE AND TECHNOLOGY - OPENS IN LISBON This Wednesday, 5 October 2016, the EDP Foundation will officially open MAAT - Museum of Art, Architecture and Technology - on the Tagus River in Belém, Lisbon, with a 12-hour public programme featuring exhibition openings, educational events, performances and music happenings. Housed within two buildings and spanning a vast outdoor site, MAAT will explore contemporary culture through visual arts, new media, architecture, technology and science. It will comprise the elegant new kunsthalle designed by AL_A, the architecture practice headed by British architect Amanda Levete, and the recently renovated Central Tejo power station. The new museum complex is located on the EDP Foundation Campus, which is at the heart of an exciting urban revitalisation along one of Lisbon’s most historic waterfronts. Speaking about the EDP Foundation’s commission, António Mexia, CEO of EDP Group and Chairman of EDP Foundation, said: “MAAT will restore the historic connection between the city and the water. It will be a hub for attracting people who come here to enjoy art and architecture. More than that, however, it will draw people from the heart of the city to the panoramic views along the Tagus estuary, a riverfront area that has long been neglected, but thanks to MAAT, will become a vibrant new destination within Lisbon.” Pedro Gadanho, Director of MAAT, added: “With its unique industrial heritage, a growing collection of Portuguese art and an innovative exhibition programme, MAAT will be a cultural space of discovery, critical thinking and global dialogue. MAAT will not only support the work of Portuguese artists and curators, but will also offer them a platform to connect with the international art community.” The new kunsthalle AL_A’s new kunstshalle, which contains four distinct gallery spaces, captures the essence of the exceptional 38,000 m2 riverside site and its extraordinary light.
    [Show full text]