Charles Isaacs Papers, 1941-1973
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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
Page Key to Index
PAGE KEY TO INDEX AIRCRAFT — B-17 "Flying Fortresses" 1 AIRCRAFT — Other 2 AWARDS — Military 2 AWARDS —Other 3 CITIES 3 ESCAPES and EVASIONS 10 GENERAL 10 INTERNEES 19 KILLED IN ACTION 19 MEMORIALS and CEMETERIES 20 MILITARY ORGANIZATIONS — 303rd BG 20 MILITARY ORGANIZATIONS — Other 21 MISSIONS — Target and Date 25 PERSONS 26 PRISONERS OF WAR 51 REUNIONS 51 WRITERS 52 1 El Screamo (Feb. 2004, pg. 18) Miss Lace (Feb. 2004, pg. 18), (May 2004, Fast Worker II (May 2005, pg. 12) pg. 15) + (May 2005, pg. 12), (Nov. 2005, I N D E X FDR (May 2004, pg. 17) pg. 8) + (Nov. 2006, pg. 13) + (May 2007, FDR's Potato Peeler Kids (Feb. 2002, pg. pg. 16-photo) 15) + (May 2004, pg. 17) Miss Liberty (Aug. 2006, pg. 17) Flak Wolf (Aug. 2005, pg. 5), (Nov. 2005, Miss Umbriago (Aug 2003, pg. 15) AIRCRAFT pg. 18) Mugger, The (Feb. 2004, pg. 18) Flak Wolf II (May 2004, pg. 7) My Darling (Feb. 2004, pg. 18) B-17 "Flying Fortress" Floose (May 2004, pg. 4, 6-photo) Myasis Dragon (Feb. 2004, pg. 18) Flying Bison (Nov. 2006, pg. 19-photo) Nero (Feb. 2004, pg. 18) Flying Bitch (Aug. 2002, pg. 17) + (Feb. Neva, The Silver Lady (May 2005, pg. 15), “451" (Feb. 2002, pg. 17) 2004, pg. 18) (Aug. 2005, pg. 19) “546" (Feb. 2002, pg. 17) Fox for the F (Nov. 2004, pg. 7) Nine-O-Nine (May 2005, pg. 20) + (May 41-24577 (May 2002, pg. 12) Full House (Feb. 2004, pg. 18) 2007, pg. 20-photo) 41-24603 (Aug. -
Spring 2014 Commencement Program
TE TA UN S E ST TH AT I F E V A O O E L F A DITAT DEUS N A E R R S I O Z T S O A N Z E I A R I T G R Y A 1912 1885 ARIZONA STATE UNIVERSITY COMMENCEMENT AND CONVOCATION PROGRAM Spring 2014 May 12 - 16, 2014 THE NATIONAL ANTHEM THE STAR SPANGLED BANNER O say can you see, by the dawn’s early light, What so proudly we hailed at the twilight’s last gleaming? Whose broad stripes and bright stars through the perilous fight O’er the ramparts we watched, were so gallantly streaming? And the rockets’ red glare, the bombs bursting in air Gave proof through the night that our flag was still there. O say does that Star-Spangled Banner yet wave O’er the land of the free and the home of the brave? ALMA MATER ARIZONA STATE UNIVERSITY Where the bold saguaros Raise their arms on high, Praying strength for brave tomorrows From the western sky; Where eternal mountains Kneel at sunset’s gate, Here we hail thee, Alma Mater, Arizona State. —Hopkins-Dresskell MAROON AND GOLD Fight, Devils down the field Fight with your might and don’t ever yield Long may our colors outshine all others Echo from the buttes, Give em’ hell Devils! Cheer, cheer for A-S-U! Fight for the old Maroon For it’s Hail! Hail! The gang’s all here And it’s onward to victory! Students whose names appear in this program have completed degree requirements. -
1 Sex Differences in Preferences for Humor Produced by Men Or Women: Is Humor in the Sex of the Perceiver? [Word Count = <25
1 Sex differences in preferences for humor produced by men or women: Is humor in the sex of the perceiver? [word count = <2500] Address correspondence to: 2 ABSTRACT It is a common argument that men are funnier than women. Recently, this belief has received modest empirical support among evolutionary psychologists who argue that humor results from sexual selection. Humor signals intelligence, and women thus use humor to discriminate between potential mates. From this, it follows that in addition to men being skilled producers of humor, women should be skilled perceivers of humor. Extant research has focused on humor production; here we focus on humor perception. In three studies, men and women identified the most humorous professional comedian (Studies 1 and 2) or individual they know personally (Study 3). We found large sex differences. In all three studies, men overwhelmingly preferred humor produced by other men, whereas women showed smaller (study 1) or no (studies 2 and 3) sex preference. We discuss biological and cultural roots of humor in light of these findings. 3 Sex differences in humor perception: Is humor in the sex of the perceiver? Although sex differences in the ability to produce humor have been debated at least since the 17th century (Congreve, 1695/1761; for more recent discussion, see the dialog between Hitchens and Stanley, Hitchens, 2007; Stanley, 2007), surprisingly few empirical studies exist on the topic. Yet understanding any sex difference in humor production or perception is important, since research suggests that humor mediates crucial social, psychological, and physiological processes. Socially, humor performs invaluable roles in persuasion (Mulkay, 1988) and managing personal relationships (Shiota, Campos, Keltner, & Hertenstein, 2004). -
The Digital Deli Online - List of Known Available Shows As of 01-01-2003
The Digital Deli Online - List of Known Available Shows as of 01-01-2003 $64,000 Question, The 10-2-4 Ranch 10-2-4 Time 1340 Club 150th Anniversary Of The Inauguration Of George Washington, The 176 Keys, 20 Fingers 1812 Overture, The 1929 Wishing You A Merry Christmas 1933 Musical Revue 1936 In Review 1937 In Review 1937 Shakespeare Festival 1939 In Review 1940 In Review 1941 In Review 1942 In Revue 1943 In Review 1944 In Review 1944 March Of Dimes Campaign, The 1945 Christmas Seal Campaign 1945 In Review 1946 In Review 1946 March Of Dimes, The 1947 March Of Dimes Campaign 1947 March Of Dimes, The 1948 Christmas Seal Party 1948 March Of Dimes Show, The 1948 March Of Dimes, The 1949 March Of Dimes, The 1949 Savings Bond Show 1950 March Of Dimes 1950 March Of Dimes, The 1951 March Of Dimes 1951 March Of Dimes Is On The Air, The 1951 March Of Dimes On The Air, The 1951 Packard Radio Spots 1952 Heart Fund, The 1953 Heart Fund, The 1953 March Of Dimes On The Air 1954 Heart Fund, The 1954 March Of Dimes 1954 March Of Dimes Is On The Air With The Fabulous Dorseys, The 1954 March Of Dimes Is On The Air, The 1954 March Of Dimes On The Air 1955 March Of Dimes 1955 March Of Dimes Is On The Air, The 1955 March Of Dimes, The 1955 Pennsylvania Cancer Crusade, The 1956 Easter Seal Parade Of Stars 1956 March Of Dimes Is On The Air, The 1957 Heart Fund, The 1957 March Of Dimes Galaxy Of Stars, The 1957 March Of Dimes Is On The Air, The 1957 March Of Dimes Presents The One and Only Judy, The 1958 March Of Dimes Carousel, The 1958 March Of Dimes Star Carousel, The 1959 Cancer Crusade Musical Interludes 1960 Cancer Crusade 1960: Jiminy Cricket! 1962 Cancer Crusade 1962: A TV Album 1963: A TV Album 1968: Up Against The Establishment 1969 Ford...It's The Going Thing 1969...A Record Of The Year 1973: A Television Album 1974: A Television Album 1975: The World Turned Upside Down 1976-1977. -
Broadway and Tin Pan Alley Introductory Essay
Broadway and Tin Pan Alley Introductory Essay “Way Down Upon the Hudson River: Tin Pan Alley's New York Triumph” Rachel Rubin, Professor of American Studies, University of Massachusetts Broadway in the 1920s was a showcase for the sweeping changes transforming American culture in the early 20th century, including new roles for women, the mixing of social classes in new settings like Prohibition-era speakeasies and creative innovation by African Americans in jazz clubs and music halls. Sons of immigrants from Europe -- including the Gershwins, Irving Berlin, Jerome Kern and Harold Arlen -- made up a large percentage of the new word and music smiths writing for Tin Pan Alley and Broadway’s musical revues. Their syncopated rhythms borrowed from the jazz craze and their lyrics helped create a vibrant, witty new American argot. Tin Pan Alley and Broadway contributed such classic standards as “Alexander’s Ragtime Band” (Berlin), “I Got Rhythm” (Gershwin and Gershwin), “Ol’Man River,” (Kern and Hammerstein), “Stormy Weather” (Arlen and Koehler), “Ain’t Misbehavin’” (Razaf, Waller, Brooks), “Anything Goes” (Porter) and many more. These songs formed the musical backdrop of an era. The production of these songs also became big business. The first major book written about Tin Pan Alley was published in 1930 by Harvard professor Isaac Goldberg, and it was subtitled “A Chronicle of the American Popular Music Racket.” Goldberg’s humorous use of the word “racket” captured something about the origins of the name “Tin Pan Alley” given to the music composed by poorly-paid songwriters banging away in cubicles in downtown New York City on cheap pianos. -
Coast Guard Combat Veterans Association
QuarterQuarterthe deckdeck LogLog Membership publication of the Coast Guard Combat Veterans Association. Publishes quarterly –– Winter, Spring, Summer, and Fall. Not sold on a subscription basis. The Coast Guard Combat Veterans Association is a Non-Profit Corporation of Active Duty Members, Retired Members, Reserve Members, and Honorably Discharged Former Members of the United States Coast Guard who served in, or provided direct support to combat situations recognized by an appropriate military award while serving as a member of the United States Coast Guard. Volume 19, Number 4 Winter 2004 What Are They Doing Now? Reuniting With Previous CGCVA Coast Guard Persons of the Year At our 2002 Convention & Reunion in Reno, we voted to with the severely injured pilot, Kelly jumped into the frigid 20- make all those selected as CGCVACoast Guard Persons of the foot seas and swam to the survivor. In addition to his injuries Year Honorary Life Members of our Association (if they and hypothermia, the pilot was entangled in his parachute and weren’t otherwise eligible). Memberships were presented to it took Kelly 20 minutes to free him so he could be hoisted to the 2001 recipient (SN Gavino Ortiz of USCG Station South the hovering aircraft. By this time, Kelly herself was suffering Padre Island, Texas), 2002 recipient (AVT3 William Nolte of from hypothermia since her dry suit had leaked, allowing cold USCG Air Station Houston, Texas), and 2003 recipient BM1 water to enter. A second Coast Guard aircraft arrived to search Jacob Carawan of the USCGC Block Island). The first time we for the weapons officer whose body was ultimately found made the award presentation entangled in his parachute was 1991 and we have hon- about 12-feet beneath the life ored a deserving Coast Guard raft. -
The Transnational Sound of Harpo Marx
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 22 | 2021 Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx Marie Ventura Electronic version URL: http://journals.openedition.org/miranda/36228 DOI: 10.4000/miranda.36228 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Marie Ventura, “Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx”, Miranda [Online], 22 | 2021, Online since 02 March 2021, connection on 27 April 2021. URL: http:// journals.openedition.org/miranda/36228 ; DOI: https://doi.org/10.4000/miranda.36228 This text was automatically generated on 27 April 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx 1 Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx Marie Ventura Introduction: a Transnational Trickster 1 In early autumn, 1933, New York critic Alexander Woollcott telephoned his friend Harpo Marx with a singular proposal. Having just learned that President Franklin Roosevelt was about to carry out his campaign promise to have the United States recognize the Soviet Union, Woollcott—a great friend and supporter of the Roosevelts, and Eleanor Roosevelt in particular—had decided “that Harpo Marx should be the first American artist to perform in Moscow after the US and the USSR become friendly nations” (Marx and Barber 297). “They’ll adore you,” Woollcott told him. “With a name like yours, how can you miss? Can’t you see the three-sheets? ‘Presenting Marx—In person’!” (Marx and Barber 297) 2 Harpo’s response, quite naturally, was a rather vehement: you’re crazy! The forty-four- year-old performer had no intention of going to Russia.1 In 1933, he was working in Hollywood as one of a family comedy team of four Marx Brothers: Chico, Harpo, Groucho, and Zeppo. -
\O-Fault Insurance Bill Passed by Legislature
Plan Freehold Penalty Protest SEE STORY PAGE 2 Partly Sunny THEDAILY FINAL Partly gunny today, highs in the 60s. Mostly cloudy with HvA Hank, Freehold chance of showers tonight and Hruiifli EDITION tomorrow. REGISTER 28 PAGES Moninoutli County'* Outstanding Home Xewapaper VOL.94 .NO.232 RKD BANK, N.J. FRIDAY, MAY 19,1972 TEN CENTS iiiiimiiiiiiiiitiiuuiiiuiiiiuuiuifiiuiiiimiiiniiiiimiumiimiiitinifnmfHuiitminimuwmmiiiiiiiniiiniimiuiiii Cahill Stern in Demand for Tax Action TRENTON (AP) - Putting bers of his cabinet, Cahill • speech was enthusiastically ate. But I do know there are a Asked by a newsman if the would be graduated from 1 to his political prestige squarely said, "either this program will applauded by members of both lot of guys in there who hope governor was hinting that lie 1% per cent on yearly in- on the line, Gov. William T. be accepted this July or it will parties who said they were this doesn't get through the might not support Republican comes up to $23,000 and up to Cahill has sternly warned the be the subject of the next gu- convinced now that Cahill was Assembly so they don't have candidates who didn't vote for 14 per cent for persons mak- New Jersey Legislature that bernatorial and legislative sincere in his desire to enact to vote on it." tax reform, Cahill smiled ing over $500,000 a year. Tho it will have to answer to him election. You're going to go the reforms promptly. Came as .Surprise broadly and said. "I didn't levy would yield $550 million and the voters next year if it into every hamlet of this state However, he is expected to The governor's warning to say that." based on last year's economic postpones action on tax re- and you will have to explain face a difficult task in lining the legislature to avoid delay, Cahill's tax package is figures. -
Bridging the Gap Between Structure and Properties in Nano-Particle Filled Polymers
Bridging the Gap between Structure and Properties in Nano-Particle Filled Polymers Erik Hobbie Jack Douglas Francis Starr Charles Han U.S. DEPARTMENT OF COMMERCE Technology Administration National Institute ot Standards and Technology Gaithersburg, MD 20899-8910 Qd NIST /oo Notional Institute off Standards and Technology ,UJ5^ Technology Administration U.S. Department of Commerce Bridging the Gap between Structure and Properties in Nano-Particle Filled Polymers Erik Hobbie Jack Douglas Francis Starr Charles Han U.S. DEPARTMENT OF COMMERCE Technology Administration National Institute of Standards and Technology Gaithersburg, MD 20899-8910 July 2002 U.S. DEPARTMENT OF COMMERCE Donald L. Evans, Secretary TECHNOLOGY ADMINISTRATION Phillip J. Bond, Under Secretary for Technology NATIONAL INSTITUTE OF STANDARDS AND TECHNOLOGY Arden L. Bement, Jr., Director Bridging the Gap Between Structure and Properties in Nanoparticle-Filled Polymers May 29-30, 2002 National Institute of Standards and Technology Gaithersburg, MD Organizers: Erik Hobbie Jack Douglas Francis Starr Charles Han I. Nanotechnology Workshop On May 29-30 of 2002, a workshop on polymer nanocomposites was held at NIST in Gaithersburg, Maryland. The workshop was entitled Bridging the Gap Between Structure and Properties in Nanoparticle- Filled Polymers and focused primarily on the interrelation between particle dispersion and the properties of polymers filled with clay and nanotube fillers. The purpose of the workshop was to identify research topics for NIST research and to initiate research collaboration with industrial and academic researchers in this important technological area. The workshop participants included a diverse mix of industrial, government and academic researchers. This document reproduces the slides presented by the speakers of this workshop along with a few introductory remarks about each contribution.