Newglass Review 26
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An Artists' Resume
DANTE MARIONI Selected Museum Collections The White House Collection of American Crafts, Washington, DC Tacoma Art Museum, Tacoma, WA Seattle Art Museum, Seattle, WA Corning Museum of Glass, Corning, NY Los Angeles County Museum of Art, Los Angeles, CA The Museum of Art and Design, New York, NY Smithsonian American Art Museum Renwick Gallery, Washington, DC Carnegie Museum of Art, Pittsburgh, PA Birmingham Museum of Art, Birmingham, AL Chrysler Museum of Art, Norfolk, VA Cincinnati Art Museum, Cincinnati, OH Columbia Museum of Art, Columbia, SC The Museum of Fine Arts, Houston, TX Hunter Museum of American Art, Chattanooga, TN Racine Art Museum, Racine, WI Vero Beach Museum of Art, Vero Beach, FL Huntsville Museum of Art, Huntsville, AL Mint Museum of Craft and Design, Charlotte, NC Mobile Museum of Art, Mobile, AL Suffolk Center for Cultural Arts, Suffolk VA New Orleans Museum of Art, New Orleans, LA Philadelphia Museum of Art, Philadelphia, PA Whatcom Museum, Bellingham, WA Washington State University’s Museum of Art, Pullman, WA University of Miami’s Lowe Art Museum, Miami, FL Western Washington University, Bellingham, WA University of Missouri’s Museum of Art and Archaeology, Columbia, MO Stanford University’s Iris & Gerald Cantor Center for Visual Arts, Stanford, CA Arizona State University’s Art Museum, Tempe, AZ Montreal Museum of Fine Arts, Quebec, Canada Victoria and Albert Museum, London, England Scottish National Gallery, Edinburgh, Scotland Ebeltoft Glass Museum, Ebeltoft, Denmark National Museum if Fine Arts, Stockholm, Sweden -
Graphic Recording by Terry Laban of the Global Health Matters Forum on March 25, 2020 Co-Hosted by Craftnow and the Foundation F
Graphic Recording by Terry LaBan of the Global Health Matters Forum on March 25, 2020 Co-Hosted by CraftNOW and the Foundation for Advancement of International Medical Education and Research With Gratitude to Our 2020 Contributors* $10,000 + Up to $500 Jane Davis Barbara Adams Drexel University Lenfest Center for Cultural Anonymous Partnerships Jeffrey Berger Patricia and Gordon Fowler Sally Bleznack Philadelphia Cultural Fund Barbara Boroff Poor Richard’s Charitable Trust William Burdick Lisa Roberts and David Seltzer Erik Calvo Fielding Rose Cheney and Howie Wiener $5,000 - $9,999 Rachel Davey Richard Goldberg Clara and Ben Hollander Barbara Harberger Nancy Hays $2,500 - $4,999 Thora Jacobson Brucie and Ed Baumstein Sarah Kaizar Joseph Robert Foundation Beth and Bill Landman Techné of the Philadelphia Museum of Art Tina and Albert Lecoff Ami Lonner $1,000 - $2,499 Brenton McCloskey Josephine Burri Frances Metzman The Center for Art in Wood Jennifer-Navva Milliken and Ron Gardi City of Philadelphia Office of Arts, Culture, and Angela Nadeau the Creative Economy, Greater Philadelphia Karen Peckham Cultural Alliance and Philadelphia Cultural Fund Pentimenti Gallery The Clay Studio Jane Pepper Christina and Craig Copeland Caroline Wishmann and David Rasner James Renwick Alliance Natalia Reyes Jacqueline Lewis Carol Saline and Paul Rathblatt Suzanne Perrault and David Rago Judith Schaechter Rago Auction Ruth and Rick Snyderman Nicholas Selch Carol Klein and Larry Spitz James Terrani Paul Stark Elissa Topol and Lee Osterman Jeffrey Sugerman -
JESSE RING: Sculpture
CV JESSE RING: sculpture EDUCATION -2013-2015 MFA in Ceramics, New York State College of Ceramics at Alfred University, Alfred, NY |AlfredCeramics.com -2002-2006 BFA in Ceramics with minor studies in Painting, Kansas City Art Institute, Kansas City, MO. | KCAI.edu SOLO EXHIBITIONS -2015 “Paper Moon”, Thesis Exhibition, Fosdick Nelson Gallery, Alfred University, Alfred, NY. (Curatorial Advisor Sharon McConnell) -2012 “Moonlight Mythstakes & Summerscape-isms” Carbondale Clay Center, Carbondale, CO. (Curated by K Cesark) -2011 “Enshrined” Springfield Pottery, Springfield, MO -2010 “Monuments Too” Gilloiz Theater Lobby, Springfield, MO “Collagescape” The Albatross, Springfield, MO. June 2010- Jan 2011 -2008 “Vagrant Opulence” Via Viva, Mural Opening, Carbondale, CO. SELECTED EXHIBITIONS -2017 “Confluence and Bifurcations” NCECA Exhibition, Oregon College of Art and Craft, Portland, OR. -2016 “Modern Makers” Bathgate, Cincinatti, OH. (Jurors:) “SOFA Chicago” University of Cincinatti Booth 220, Chicago, IL. “Inhale” Aotu Studio, Beijing, China. (Curator Jialin Yang) “Bang Bang” Open Gate Gallery, Caochangdi, Beijing, China “Planning the Improbable, Sketching the Impossible” Washington Street Arts Center, Invitational, Boston, MA (Curator Mitch Shiles) “Clay Landmarks” The Arabia Steamboat Museum, Invitational Site Specific Group Show, Kansas City, MO. (Curator Allison Newsome) -2015 “Art in Craft Media-2015” Burchfield Penny Museum, Buffalo, NY. (Juror Wayne Higby, Curator Scott Propeak) “ Midwest Life Vest” University of Nebraska Kearney, Kearny, NS. (Curator Amy Santoferarro) “History in the Making” Carbondale Clay Center, Carbondale, CO. (Curator Jill Oberman) “Variance” The Wurks Gallery, Providence, RI. -2013 “Sustain” Art House Delray, Delray Beach, FL. (Curators Jade Henderson and Chelsea Odum) “Resident Artist Show” Armory Art Center, West Palm Beach, FL. “Beyond the Brickyard” Archie Bray Foundation, Helena, MT. -
Curriculum Vitae Ezra Shales, Ph.D. [email protected] Professor
Curriculum Vitae Ezra Shales, Ph.D. [email protected] Professor, Massachusetts College of Art and Design Publications Books Holding Things Together (in process) Revised editions and introductions to David Pye, Nature and Art of Workmanship (1968) and Pye, Nature and Aesthetics of Design (1964) (Bloomsbury Press, 2018) The Shape of Craft (Reaktion Books, anticipated publication Winter 2017-2018) Made in Newark: Cultivating Industrial Arts and Civic Identity in the Progressive Era (Rutgers University Press, 2010) Peer-Reviewed Scholarly Publications “Craft” in Textile Terms: A Glossary, ed. Reineke, Röhl, Kapustka and Weddigen (Edition Immorde, Berlin, 2016), 53-56 “Throwing the Potter’s Wheel (and Women) Back into Modernism: Reconsidering Edith Heath, Karen Karnes, and Toshiko Takaezu as Canonical Figures” in Ceramics in America 2016 (Chipstone, 2017), 2-30 “Eva Zeisel Recontextualized, Again: Savoring Sentimental Historicism in Tomorrow’s Classic Today” Journal of Modern Craft vol. 8, no. 2 (November 2015): 155-166 “The Politics of ‘Ordinary Manufacture’ and the Perils of Self-Serve Craft,” Nation Building: Craft and Contemporary American Culture (Smithsonian American Art Museum, 2015), 204-221 “Mass Production as an Academic Imaginary,” Journal of Modern Craft vol. 6, no. 3 (November 2013): 267-274 “A ‘Little Journey’ to Empathize with (and Complicate) the Factory,” Design & Culture vol. 4, no. 2 (Summer 2012): 215-220 “Decadent Plumbers Porcelain: Craft and Modernity in Ceramic Sanitary Ware,” Kunst Og Kultur (Norwegian Journal of Art and Culture) vol. 94, no. 3 (Fall 2011): 218-229 “Corporate Craft: Constructing the Empire State Building,” Journal of Modern Craft vol. 4, no. 2 (July 2011): 119-145 “Toying with Design Reform: Henry Cole and Instructive Play for Children,” Journal of Design History vol. -
The Factory of Visual
ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving. -
Morris Gallery Curatorial Records
Morris Gallery Curatorial records Collection ID: RG.02.01.08 Finding Aid prepared by Hoang Tran The Pennsylvania Academy of the Fine Arts 118-128 North Broad Street Philadelphia, PA 19102 [email protected] 215-972-2066 Prepared May 2015 Morris Gallery Curatorial records (RG.02.01.08) Summary Information Repository The Pennsylvania Academy of the Fine Arts, Dorothy and Kenneth Woodcock Archives Creator Morris Gallery curators (various) Title Morris Gallery Curatorial records Date [bulk] Date [inclusive] 1978-2010 Extent 11 document boxes Location note Language English Language of Materials note English Abstract The collection comprises of curatorial files for managing and curating exhibitions in PAFA’s Morris Gallery from 1978-2010. Additional curatorial materials can be found in Julien Robson curatorial records (RG.02.01.15) and Alex Baker Curatorial records (RG.02.01.14) and photographs for exhibitions found in PC.01.12. Preferred Citation note [identification of item], Title of Collection, Collection ID#, The Pennsylvania Academy of the Fine Art, Dorothy and Kenneth Woodcock Archives, Philadelphia, PA. Page 1 Morris Gallery Curatorial records (RG.02.01.08) Historical note Scope and Contents note Arrangement note Arranged chronologically. Administrative Information Conditions Governing Access note Collection is open for research. The archives reserves the right to restrict access to materials of sensitive nature. Please contact the department for further information. Conditions Governing Use note The collection is the physical property of the Pennsylvania Academy of the Fine Arts, Archives. The Museum holds literary rights only for material created by Museum personnel or given to the Museum with such rights specifically assigned. -
Curriculum Vitae ROBERT MAXWELL SCHWARTZ
1 Curriculum Vitae ROBERT MAXWELL SCHWARTZ 130 Grayson St. Hackett, ACT 2602, Australia +61 (0) 414 298 738 [email protected] schwartzglass.com Artist Background Born Indiana, United States, 1988 Resides Australian Capital Territory, Australia Currently Instructor (casual) at Canberra Glassworks, Kingston ACT, Australia Sales Rep at Toscan Glass, Queanbeyan NSW, Australia Technical Officer (casual) at Canberra Glassworks. Kingston ACT, Australia Artist assistant at Australian National University (ANU) Glass Workshop, ACT, Australia Artist assistant at Canberra Glassworks, Kingston ACT, Australia Education 2015-2017 Master of Visual Arts (Advanced) in Glass at School of Art and Design, Australian National University, ACT Australia 2007-2014 Bachelor of Fine Arts (Majoring in Glass and Visual Communications), Minor in Graphic Arts Technologies. Ball State University, Muncie, Indiana USA Professional Experience Robert Maxwell Schwartz 130 Grayson St. Hackett, ACT 2602, Australia +61 (0) 414 298 738 08 May 2018 [email protected] schwartzglass.com 2 2018 Instructor (casual) at Canberra Glassworks, Kingston ACT, Australia Sales Rep at Toscan Glass, Queanbeyan NSW, Australia Technical Officer (casual) at Canberra Glassworks. Kingston ACT, Australia Glass Hotshop assistant to Jenni Martinello, Holly Grace, Tom Rowney, Alex Chambers, at Canberra Glassworks, ACT Australia 2017 Sales Rep at Toscan Glass, Queanbeyan NSW, Australia Technical Officer (casual) at Canberra Glassworks. Kingston ACT, Australia Cold working assistant on Australian of the Year Awards, ANU, ACT Australia Glass Hotshop assistant to Holly Grace, Jenni Martinello, Catherine Newton, Andrew Baldwin, Mel Douglas, Tom Rowney, Ken Unsworth, ANU School of Art and Design & Canberra Glassworks, ACT Australia Hotshop Gaffer to Juz Kitson, ANU, ACT, Australia Ausglass demo hotshop assistant to Ben Wright, Canberra Glassworks, Kingston ACT, Australia Technical Officer (casual) School of Art and Design. -
Richard Marquis
Richard Marquis Born 1945 Bumblebee, AZ Education 1972 M.A. University of California, Berkeley 1969 B.A. University of California, Berkeley Selected Honors and Awards 2010 Neddy Artist Fellowship, The Behnke Fellowship, Seattle, WA 2009 James Renwick Alliance Masters of the Medium Award 2006 Lifetime Achievement Award, Art Alliance of Contemporary Glass 2005 Lifetime Achievement Award, Glass Art Society 2004 Libensky Award, Pilchuck Glass School and Artist Series Meritage, Chateau Ste. Michelle, Woodinville, WA 2000 Outstanding Achievement in Glass, Urban Glass, New York Selected Distinguished Alumnus, College of Environmental Design, U.C. Berkeley 1995 Elected to the College of Fellows of the American Crafts Council, New York 1982, 88 Fulbright Hayes Grant (Senior), New Zealand 1979-82 Research Grant, U.C.L.A. 1974, 78, 81, 90 National Endowment for the Arts Grant 1974-76 Australian Crafts Council Grant 1969 Fulbright Grant, Venice, Italy (Venini & Co.) 1967 President’s Fellowship, U.C. Berkeley 1966 Eisner Prize for Design, U.C. Berkeley 1963 National Merit Scholarship Selected Exhibitions 2013 “Masters of Studio Glass: Richard Marquis,” Corning Museum of Glass, Corning, NY “Links: Australian Glass and the Northwest”, Museum of Glass, Tacoma, WA “Playing with Fire: 50 Years of Contemporary Glass”, Museum of Art and Design, NY, NY 2012 “Color Ignited”, Toledo Museum of Art, Toledo, OH “50 Years of Studio Glass”, Kentucky Museum of Art and Craft, Louisville, KY “Handle with Care: Recent Acquisitions in Glass”, Racine Art Museum, Racine, WI 2011 “Handle with Care: Recent Acquisitions in Glass”, Racine Art Museum, Racine, WI “The Golden State of Craft: California 1960-1985”, Craft & Folk Art Museum, Los AUSTIN ART STUDIO RING. -
The Influence of Lino Tagliapietra
FOR IMMEDIATE RELEASE CONTEMPORARY GLASS AT INAUGURAL SILICON VALLEY ART FAIR: THE INFLUENCE OF LINO TAGLIAPIETRA Media Inquiries: Thursday, April 10-Sunday, April 13, 2014 at Silicon Valley Contemporary Art Fair Kristin Carlson McEnery Convention Center in San Jose, California | Schantz Galleries Booth #410 Think All Day 505-501-2497 [email protected] SAN JOSE, CA—Schantz Galleries (Stockbridge, Massachusetts) is pleased to present new work by five top contemporary glass artists at the first annual Silicon Valley Contemporary Art Fair, April 10-13, 2014, Booth #410, McEnery Convention Center in San Jose, California. The work of Lino Tagliapietra, Dante Marioni, John Kiley, David Walters, and Giles Bettison demonstrates that the intersection between technology and art precedes the digital age; cutting-edge science and innovative expression have long been synthesized in the discipline of glassmaking. Each of these artists has mastered and pushed the boundaries of traditional techniques, and achieved important advances in this time-honored art form. Italian glass maestro Lino Tagliapietra is acknowledged worldwide as one of the most influential glassmakers of our time; the other four artists in this exhibition have each studied and worked with Tagliapietra, and the broad scope of his influence in the field of glass art is evident in the far-reaching facets of their careers. Lino Tagliapietra, Africa, 2013, blown glass, 10.25 x 19.25 x 19.25.” Photo by Russell Johnson. LINO TAGLIAPIETRA: MAESTRO. Celebrating his 80th birthday this year, Lino Tagliapietra is one of the world’s most accomplished artists working with glass today. Tagliapietra has been an independent glass artist since 1989, exhibiting in museums internationally, receiving countless honors, openly sharing his extensive knowledge of the medium and his skill as one of its finest practitioners, and helping to create a new renaissance in studio glassmaking. -
Download New Glass Review 15
eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird. -
Canberra School of Art, the Australian Nationa
Born: New Jersey, 1971 Education 2000 Master of Arts, Visual Arts (by Research), Canberra School of Art, The Australian National University 1997 Bachelor of Fine Arts, Massachusetts College of Art, Boston, Massachusetts 1992-94 California College of Arts and Crafts, Oakland, California Selected Solo Exhibitions 2017 (upcoming) Gallery NAGA, Boston, Massachusetts (upcoming) Austin Art Projects, Palm Desert, California 2015 Afterlight, Friesen Gallery, Sun Valley, Idaho (e-catalogue) 2014 Mirari, Gallery NAGA, Boston, Massachusetts Friesen Gallery, Sun Valley, Idaho 2011 Lux, Heller Gallery, New York, New York 2008 Heller Gallery, New York, New York Galerie B, Baden-Baden, Germany 2007 Volo, Heller Gallery, New York, New York 2006 Sky / Water, Fuller Craft Museum, Brockton, Massachusetts 2005 Between Glances, Heller Gallery, New York, New York Sky / Water, Gallery Sklo, Seoul, Korea 2004 R. Duane Reed Gallery, St. Louis, Missouri 2003 R. Duane Reed Gallery, Ft. Lauderdale, Florida 2002 Between light and matter, Chappell Gallery, New York, New York Sky / Water, Chappell Gallery, Boston, Massachusetts Selected Group Exhibitions 2016 (upcoming) Masterworks from the Kaplan-Ostergaard Collection, The Crocker Art Museum, Sacramento, California (catalogue) Color and Light, Embassy of the United States, Panama City, Panama (catalogue) Korean Galleries Art Fair, presented by Gallery Sklo, Seoul, Korea American Art: 1945 to the Present, Mobile Museum of Art, Mobile, Alabama 2015 Korean International Art Fair, Seoul, Korea, presented by Gallery Sklo, -
Born: New Jersey, 1971 Education 2000 Master Of
Born: New Jersey, 1971 Education 2000 Master of Arts, Visual Arts (by Research), Canberra School of Art, The Australian National University 1997 Bachelor of Fine Arts, Massachusetts College of Art, Boston, Massachusetts 1992-94 California College of Arts and Crafts, Oakland, California Selected Solo Exhibitions 2018 Demiror, Friesen Gallery, Sun Valley, Idaho 2017 Aubade, Gallery NAGA, Boston, Massachusetts Galerie B, Baden-Baden, Germany 2016 Lustrare, Friesen Gallery, Sun Valley, Idaho (e-catalogue) 2015 Afterlight, Friesen Gallery, Sun Valley, Idaho (e-catalogue) 2014 Mirari, Gallery NAGA, Boston, Massachusetts Friesen Gallery, Sun Valley, Idaho 2011 Lux, Heller Gallery, New York, New York 2008 Heller Gallery, New York, New York Galerie B, Baden-Baden, Germany 2007 Volo, Heller Gallery, New York, New York 2006 Sky / Water, Fuller Craft Museum, Brockton, Massachusetts 2005 Between Glances, Heller Gallery, New York, New York Sky / Water, Gallery Sklo, Seoul, Korea 2004 R. Duane Reed Gallery, St. Louis, Missouri 2003 R. Duane Reed Gallery, Ft. Lauderdale, Florida 2002 Between light and matter, Chappell Gallery, New York, New York Sky / Water, Chappell Gallery, Boston, Massachusetts Selected Group Exhibitions 2017 40th Anniversary: Artists A-K, Gallery NAGA, Boston, Massachusetts Revelo, Friesen Gallery, Sun Valley, Idaho Recent Acquisitions, The Newport Art Museum, Newport, Rhode Island 2016 Korean International Art Fair, Seoul, Korea, presented by Gallery Sklo, Seoul, Korea Glass for the New Millennium: Masterworks from the Kaplan-Ostergaard