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nortonstreetfesta.com.au Rotunda COMMUNITY ENTER- SHORT ST. SHORT STAGE TAINMENT ALLEN ST. STAGE WETHERILL ST. WILLIAM ST. SUMMER MARION ST. LAWYERS CO.AS.IT. PIONEERS PARK CIAO STAGE STAGE LONG LUNCH TO TO CITY-WEST LINK NORTON STREET PARRAMATTA RD. COOKING STAGE WILLIAM ST. MARION ST. MARLBOROUGH ST. MARLBOROUGH ALLEN ST. ST. MACAULEY ST. CARLISLE The Royal Hotel Toilets Wests Tigers Petting Zoo Stages Boutique Beer Bar Bungee Jumping Information Stalls Children’s Rides Pony Rides Auto Festa ATMs Long Lunch Tables First Aid Police Road Closure Co.As.It Stage Cooking Stage Entertainment Stage Summer Lawyers Ciao Stage Community Stage in Rotunda MC Welcome - James Liotta 10:00AM Scott Gooding - Fortissimo! 11:00am La Gardenia Kids Fashion Dorothy Cowie School of 11.00am 10:30am 11:00am Whirlpool Ambassador Parade Dancing Italian Choir - 10:00AM Tarantella with Shine Dance Coro D’abruzzo Sydney 11:40am Best Dressed Nonna 11:00am Ch 9’s Family food fight Teams, Academy Ceroc & Modern Jive Dance Tarantella - VDC Academy 10:30AM The Pluchinottas & The Boumehris 11:30am Shorties Kids Fashion Parade 11:30am Company with Jane Degraaff Food Editor 11.30am Progetto Battisti 12:00pm Matthew Dal Cin 10:40AM Nine Honey & Special Appearance Hula Spectacular and learn 12:00pm Next Move 12:00pm Anna Polyviou to Hula Leo Abisaab Wests Tigers Mini 11:10AM 12:40pm [The Voice Australia] Francesco Zarrella – Cheerleaders Kid A Performing Arts Co. 1:00pm 12.30pm Best Dressed Kids Superhero Cheese Making 1:00pm MC - James Liotta 11:50AM Competition Nadya & The 101 Candles 1:00pm VDC Academy 1:30pm Sylvana Bonacci 12:00PM Gina Ottaway – Yamma Boys Indigenous 1.00pm 2:00pm MasterChef Top 12 – 2018 Nadya & The 101 Candles 2:05pm Dance Troupe Capitana 2:00pm Arturo Toscani 12:40PM Josh and Nic - West Tigers Cheerleaders Anthems - Italian Bilingual 1.30pm Fratelli Del Sud 2:50pm 2:45pm Wests Tigers Mini 1:20PM MKR 2018 Semi- Finalists Show 3:00pm School [IBS] Cheerleaders 3:10pm Street Paws sponsored by Official Speeches 1:30PM Vincenzo’s Plate 2.00pm The Baci Trio 3:00pm Vets To Go and PETstock Italian Bilingual School [IBS] 1:50PM Celebrity Chef Luca Ciano 2.30pm Elizabeth Smyth 4:00pm Performance Best Rescue Dog 3:30pm Cosima DeVito [Australian Idol] 2:10PM Nicole Brampton - Capriccio 3.00pm The Baci Trio 4:15pm Parade Your Pooch - 4:00pm Chris Ninni [The Voice Australia] 2:50PM Best Dressed Caffé Trombetta - 3.30pm MC - James Liotta 3:30PM The Art of Coffee Dogs Got Talent - judged by VIP gogglebox girls 4:30pm Tony Sergi 3:50PM Angie & Yvie.

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Helen Patching Photo: MUG Photography
Room 403, Linen Hall 162-168 Regent Street London, W1B 5TB 020 7734 7505 [email protected] Helen Patching Photo: MUG Photography Appearance: White Location: Kent, England, United Kingdom Other: Equity Height: 5'7" (170cm) Eye Colour: Blue Weight: 8st. 10lb. (55kg) Hair Colour: Blond(e) Playing Age: 16 - 35 years Hair Length: Long Musical Musical, Mary Margaret, Singing in The Rain, Kilworth House Theatre, Mitch Sebastian Musical, Ensemble, Irving Berlin's White Christmas, Dominion Theatre, Universal productions/Micheal Rose LTD, Evan Ensign Musical, Ensemble Dancer/Singer, 42nd Street Gala, London Palladium, Barry Mishon Productions, Carole Todd & Paul Robinson Musical, Ensemble, understudied & played Rita, Irving Berlin's White Christmas, Michael Rose LTD, David Morgan Musical, Ensemble/Understudy Rita, Irving Berlin's White Christmas, Michael Rose LTD, David Morgan Musical, Mermaid/Understudy Mrs Darling, Peter Pan, Michael Rose Productions, David Morgan Musical, Ensemble, Chitty Chitty Bang Bang, Michael Rose Productions, Adrian Noble Musical, Ensemble, Chitty Chitty Bang Bang, Michael Rose Productions, Adrian Noble Musical, Silly Girl/U.S. Babette, Disney's Beauty and the Beast, UK Productions, Alison Pollard Musical, Dance Captain/US Princess, Jack and the Beanstalk, Paul Holman Associates, Gordan Jay Musical, Singer/Dancer, The Rat Pack Party UK Tour, Premier Shows LTD, Paul Tyrer Musical, Cinderella, Cinderella, Spillers Pantomimes, Bev Berridge Musical, Ariel/Belle/Dance Captain, Disney Dreams, Disney Cruise Lines, David
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Body As Evidence
Chapter 1 Pop Goes Democracy Mediating Race, Gender, and Nation on American Idol Parallels between presidential elections and the hit TV series are not hard to make. Indeed, they had become punch lines in comedyAmerican routines: Idol from Comedy Central’s Stephen Colbert complaining that it took too long to determine the next American Idol (in a gag that had audiences assuming he was referring to the next U.S. president) to ABC’s Jimmy Kimmel quipping that, after watching the vice presidential debate during the U.S. presidential campaign in 2008, he “voted four times for Sarah Palin and six times for David Archuleta,” in reference to the popular Republican vice presidential candidate and frontrunner contestant that year. Interestingly, movie critic RogerAmerican Ebert Idol’s mounted criticism against Palin for being “the American Idol candidate,” in which he argued the following: I think I might be able to explain some of Sarah Palin’s appeal. She’s the “American Idol” candidate. Consider. What defines an “American Idol” finalist? They’re good‑looking, work well on television, have a sunny personality, are fierce competitors, and so talented, why, they’re darned near the real thing. There’s a reason “American Idol” gets such high ratings. People identify with the contestants. They think, Hey, that could be me up there on that show! . My problem is, I don’t want to be up there. I don’t want a vice president who is darned near good enough. I want a vice president who is better, wiser, well‑traveled, has met world leaders, who three months ago had an opinion on Iraq.
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Guy Sebastian
Guy Sebastian Multi-award Winning Singer/Songwriter & Keynote Speaker Guy Sebastian is an extraordinary musician. Voted Australia’s first Australian Idol winner in front of thousands of fans at the Sydney Opera House in 2013, he went on to become the only Australian male artist to have ever achieved six number one singles and two number one albums in chart history. Guy’s winning performance was the most watched program on Australian television. That year it was also the most watched single non-sporting telecast in Australian broadcasting history. His first single Angels Brought Me Here became the fastest selling Australian single in ARIA chart history, also reaching Number One in four Asian countries and New Zealand. A world-class talent, Guy was subsequently invited to sing as a guest at American Idol in 2004. Since his debut in 2013, Guy has scored multiple ARIA Awards, with nominations for Album of the Year, Best Pop Artist, Best Pop Release, Best Male Artist and the publicly voted categories of Best Australian Live Act and Song of the Year. He has scored seven consecutive multi-platinum albums and seven number-one singles. An engaging speaker and superb entertainer, Guy Sebastian is revered by audiences of all ages and from all words of life. More about Guy Sebastian: Guy was born in Malaysia in 1981 and moved with his family to Melbourne at the age of six. After he’d turned ten, his family moved to Adelaide. Guy started singing at the age of 14. Over the course of his career Guy has received 22 ARIA Award Nominations including Single of the Year, Best Male Artist and Best Pop Artist.
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Why Guy's Our Idol
FREE Publication AdelaideanNEWS FROM THE UNIVERSITY OF ADELAIDE Volume 12 • Number 11 • December 2003 inside this issue PAGE 7 Why Guy’s our idol Olivia’s a model student with a taste for gastronomy PAGE 9 Chess masters make a move for championship PAGE 13 Wheat crop has added health benefits PAGE 19 Thirty years on, the mystery solved PAGE 2 It’s a summer of love… for study! PAGE 4 China’s chief scientist opens lab in Adelaide PAGE 10 Concern over killer lung disease levels among smokers Before becoming a national star, Guy Sebastian grabbed World-class drug and the attention of classmates alcohol research at the University of Adelaide centre opens Photo courtesy of BMG Music Australia PAGE 15 Hot flowers – sexy rewards Australian Idol Guy Sebastian gave the University PAGE 16 Love of sport vaults Jennifer to success of Adelaide a taste of his undoubted musical PAGE 20 Mitchell’s study going talents earlier this year – as a student. swimmingly While most students wait until lucrative recording contract, a high Technology. But events overtook they’ve finished their studies before profile and a ready-made fan base his studies, and he took time off to making a name for themselves, eager for more of his vocal talents. pursue his Australian Idol dream. Guy has gone from studying at the The 22-year-old music teacher and According to Elder School of Music university’s prestigious Elder School recording engineer had been studying lecturer Dr Mark Carroll, those of Music to becoming a national star as part of the Vocational Education in Guy’s class were unexpectedly —and all within a matter of months! and Training (VET) program at the treated to a marvellous showcase of The University of Adelaide Along the way he’s earned the praise Elder School of Music.
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Culture Scope Volume 111: Table of Contents
A: PO Box 699 Lidcombe NSW 1825 P: (02) 9716 0378 W: www.sca.nsw.edu.au E: [email protected] Culture Scope Volume 111: Table of contents Feature Articles: • Gender Inequality devalues women’s work – Nick Baker (Social Inclusion and Exclusion) • Hip Hop, You Don’t Stop! - Morganics (Popular Culture) • Myanmar Film Industry mocks LGBT community – Nick Baker (Popular Culture) • Women bear the brunt of Natural Disasters – Nick Baker (Continuity and Change) What’s the A-gender (Resources from, and to supplement August 2017 PD Day) Personal and Social Identity • Gendered Toy content analysis table – Louise Dark, Newcastle High School • Genderisation of Colours – Katherine Dzida, Figtree High School • Reviewing the concept of gender PPT – Amanda Webb, Moorebank High School • The way we talk to girls and boys – Amanda Webb, Moorebank High School Social and Cultural Continuity and Change • #technologyandgender – Louise Dark, Newcastle High School • Women in Poland – Katherine Dzida, Figtree High School Popular Culture • Assessment task: Kardashian’s Content analysis – Amanda Webb, Moorebank High School • Assessment task: Contemporary Values and contribution to social change – Amanda Newell, Clancy Catholic College Additional resources: • Spotlight on Popular Culture (Reality TV) Part 2 – Kate Thompson, Aurora College • Using Speeches to compare Social Inclusion and Exclusion (ATSI) – Kevin Steed, Macquarie University Many thanks are extended to those who have contributed to this edition. We acknowledge your ongoing support of the Association and teachers of Society and Culture through the quality submissions you have prepared, and continue to submit for publication. These articles take significant time and effort to write and reference and your expertise and innovation is appreciated.
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Building the Authentic Celebrity: the “Idol” Phenomenon in the Attention Economy
Building the Authentic Celebrity: The “Idol” Phenomenon in the Attention Economy. by Charles Fairchild Abstract: The “Idol” phenomenon is a spectacle founded on the creation, perpetuation, and maintenance of specific kinds of carefully structured consumer relationships. Several of the more successful contestants are gradually formed into recognizable and familiar brands centered on varied and mostly familiar pop star personae intended to form the foundations of the relationships between the various contestants and their supporters. However “Idol” relationships are not limited to familiar musician-fan binaries, but grow and evolve into a series of intimate, active relationships that stretch well beyond the life of the show. By the end of each series the primary relationship is no longer confined to contestants and fans, but include a series of relationships between the program and its audience created through a wide range of channels. The main goal of “Idol’s” producers is to build affective investment in contestants and gradually shift that investment to the narrative and drama of the program itself. The Strategic Imperative The advent of the “Idol” phenomenon near the turn of millennium appeared to be overkill. At the time, we did not seem to be running short of pop stars nor were we light on manufactured pop confections. Of course, “Idol” is not a response to any perceived aesthetic crisis on the supply-side, but a reaction to a whole other set of concerns on the demand side. With the vertical integration of global cultural production, a sea change in the technology used to distribute, consume, and experience music, and a music industry now permanently embedded in the larger structures of the entertainment industry, music producers are faced with both grave crises and surprising opportunities.
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Adapting Idols Joost De Bruin and Koos Zwaan
Introduction: Adapting Idols Joost de Bruin and Koos Zwaan Idols is one of the most popular and successful global television formats produced in the last decade. The format has been adapted in over 40 territories all over the world, as the appendix – compiled by Sukhpreet Singh and Martin Kretschmer for this book – shows. The original show, Pop Idol, went to air in the UK in 2001. The next year, local versions of the show were broadcast in Poland, South Africa, the USA, Germany and the Netherlands. By the end of 2004 – exactly three years after the introduction of Pop Idol – 30 territories were screening their own Idols shows, illustrating the rapid global spread of the format. In some cases Idols was produced for transnational geographic regions, such as Asian Idol – with auditions in India, Indonesia, Malaysia, the Philippines, Singapore and Vietnam – and the Pan-Arab Superstar, which featured contestants from Lebanon, Syria, Iraq, Jordan, Libya, Morocco and Algeria. The most recent branch on the global Idols tree at the time of writing is Idol Puerto Rico. The owners of the Idols format, FremantleMedia and 19 Entertainment, have thus managed to capitalize on the work put into the design of the original UK show by turning it into a format and selling it to a range of territories. The goal of Idols shows is to involve a nation (or a region consisting of several different nations) in a quest for a popular music idol who can be admired by all. Idols shows are commonly divided into four distinct phases (Holmes 2004).
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NZ Idol: Youth Audiences and Local Meanings
NZ Idol: Youth Audiences and Local Meanings Joost de Bruin Introduction The reality television show NZ Idol has been one of the most successful locally made entertainment programmes in New Zealand over the past ten years. Three seasons were broadcast on TV2 in 2004, 2005 and 2006. According to its producer, the final episode of the first season was the mostwatched television show in New Zealand in 2004, with a staggering 1.4 million people, a third of the New Zealand population, tuning in to find out who won the first NZ Idol crown (South Pacific Pictures 2004). On top of impressive ratings the show also attracted considerable secondary media attention. Stories about NZ Idol and its contestants featured regularly in local media such as newspapers, popular websites, and women’s, youth and gossip magazines. NZ Idol is an adaptation of the global Idols format, which has been sold to more than 40 other territories around the world (Fremantle Media 2009). Although all adaptations are structured similarly – starting with regional auditions by a large pool of aspiring young people in front of a jury and finishing with live shows in which the remaining contestants perform on stage (Holmes 2004a: 153154) – each Idols version also incorporates typically local aspects. Existing scholarship on global formats has indicated that in the process of adaptation, local stories, events and characters can be included in the narrative (Moran 1998; Waisbord 2004). In the case of NZ Idol this has resulted in, among other aspects, a unique mix of contestants from Pacific Island, Māori and Pākehā backgrounds, ‘going home stories’ shot in locations all over Aotearoa/New Zealand, the use of local New Zealand music, and an overall appeal to New Zealand viewers to support and vote for the contestants and buy the products associated with the show.
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Media Release Wednesday 11 Dec 2019 for IMMEDIATE RELEASE
media release Wednesday 11 Dec 2019 FOR IMMEDIATE RELEASE TSO Announce concert with multi-platinum vocal star Anthony Callea, One performance only 8 April 2020 at Wrest Point The Tasmanian Symphony Orchestra today announces that acclaimed vocalist Anthony Callea will perform a very special concert with the Tasmanian Symphony Orchestra on Wednesday 8 April, 2020 featuring material from his new album, ARIA NUMBER 1 HITS IN SYMPHONY. Conducted by one of Australia’s top musical directors, John Foreman – well known for his work on Australian Idol, Carols by Candlelight and as the long-time MD for Good Morning Australia, Anthony will be performing iconic songs from the record including Nothing Compares 2 U, Save The Best For Last, Jesus To A Child, Right Here Waiting and I Swear amongst others alongside the TSO in this Tasmanian exclusive concert. The TSO said: ‘We’re thrilled to be working with Anthony, who has truly one of the greatest voices in the country. The program he has put together showcases some of the most beautiful and memorable songs of the modern era, and his soaring vocals combined with the dynamic forces of the TSO will make for a thrilling night of memorable music for a lucky audience. It has also been a longstanding ambition of ours to work with John Foreman, one of Australia’s great musical directors.’ Anthony Callea has a string of multi-Platinum, Gold, Number 1 and Top 40 releases spanning more than a decade, sold out national tours with the likes of Celine Dion, Whitney Houston, Diana Ross & Mariah Carey.
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Exploiting Idols
Exploiting Idols A case study of international TV formats trading in the absence of intellectual property protection1 Authors2: Martin Kretschmer & Sukhpreet Singh 1 Forthcoming 2010 in Robert Burnett & A.J. Zwaan (eds), Your Fans are Waiting: An academic volume on Idol. Research for this case study was funded under ESRC (UK) Grant No. RES–186–27–0012 (2008-09): ‘The Exploitation of Television Formats: Intellectual property and non-law based strategies’. 2 Sukhpreet Singh ([email protected]) is an Associate Lecturer in Media Management and a Research Fellow at the Centre for Intellectual Property Policy and Management, Bournemouth University, UK. Martin Kretschmer ([email protected]) is Professor of Information Jurisprudence and Director of the Centre for Intellectual Property Policy and Management (www.cippm.org.uk). Martin Kretschmer was the principal investigator of the ESRC project; Sukhpreet Singh was the lead researcher, carrying out the bulk of the empirical work. The research design was developed jointly. We would like to acknowledge the contribution of Jon Wardle, Director of the Centre for Excellence in Media Practice at Bournemouth University, www.cemp.ac.uk), who (as a co-applicant of the ESRC grant) was responsible for the digital resource of the project: http://tvformats.bournemouth.ac.uk. 1 Abstract Television formats have become a major export industry for Britain and the United States (who together account for nearly two thirds of all format hours broadcast annually worldwide). Yet, there is no such thing as a television format right under copyright law. Any producer is free to develop game, reality and talent shows that are based on similar ideas.
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Jessica Mauboy Takes the Reins of Her Career to Get Fierce and Fabulous with the Outstanding New Single Sunday
12 NEWS THURSDAY APRIL 11 2019 NOW YOU SEE ME Jessica Mauboy takes the reins of her career to get fierce and fabulous with the outstanding new single Sunday JESSICA Mauboy has finally haps time-frozen her in their are sitting around, having a sip, ence of building a career, being found the confidence to do ex- minds as the adorable, shy that’s what we do. And I love a aligned or associated with actly what she wants, writes teenager who competed in wig. I will go to concerts and other people’s ideas, being KATHY MCCABE Australian Idol in 2006, coming wear wigs; I wanted to share moulded or made to fit, the second to Damien Leith. these spontaneous things I do meeting and the greeting, ab- It was three days into the But she ain’t that little girl in my personal life. sorbing all that information new year and Jessica Mauboy any more. “That was me experiment- and then taking it on board be- decided to go blonde. “I was a little shocked by the ing, testing waters to see what cause someone wants you to Enjoying a few champagnes reaction but I wanted that con- conversations would come up. and you will deal with all of with two of her closest mates, versation. How far do we go?” And what came out of that has this later … now is the later,” stylist Mikey Ayoubi and she says. made me really excited be- she says. make-up artist Victoria Baron, “I had never been that ex- cause now I can do what I want “At some point, I’ve really she dug out a short-cropped, treme when it comes to photos — I can play.” struggled to work out how to platinum wig from her “dress- but when me and my besties say what I want, what are my up box” and matched it needs and what is my mess- with a couple of sexy age? outfits.
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Guy Sebastian Live!
WIN YOUR WAY TO SEE GUY SEBASTIAN LIVE! KIIS FM AND MARRIED AT FIRST SIGHT PRESENT GUY SEBASTIAN LIVE, POWERED BY IHEARTRADIO Friday, 25 January, 2019 - Guy Sebastian will captivate fans with an exclusive night of live music at the KIIS and Nine’s Married at First Sight present Guy Sebastian live, powered by iHeartRadio event on Saturday, 16 March at the Watsons Bay Boutique Hotel in Sydney. KIIS FM and Nine are giving Aussies the chance to win their way to this money-can’t-buy event, with flights, accommodation and tickets to see one of the country’s biggest music stars up for grabs. As part of KIIS 1065’s 5th birthday celebrations, the Sydney radio network along with Melbourne’s KIIS 101.1, Brisbane’s 97.3FM, Adelaide’s Mix102.3, iHeartRadio and Nine’s Married at First Sight will be treating winners across Australia to a night of music live on stage - including Guy’s latest single Before I Go, hits from his latest album Conscious, the nine times platinum Battle Scars, and much more. Entries to the competition are open now, with listeners encouraged to head to www.iheartradio.com.au or tune into their state’s KIIS FM station for their chance to win. Guy Sebastian said: “I’m so excited to be taking the stage in Sydney for this one night only event. I love performing live – the energy is always electrifying, and I’ve got some really great things in store for this show! I’ve got a few old favourites to play as well as the current songs I’ve been releasing.” ARN’s National Content Director, Duncan Campbell said: “KIIS is all about sharing the biggest stars and events with our listeners, and we’re so excited to offer the chance to see Guy Sebastian live across our network.
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