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Bibliography Bibliography Anderson, Chris. Makers: The New Industrial Revolution. London: Random House Business Books, 2012. Argentini, Paul. Elements of Style for Screenwriters. Los Angeles: Lone Eagle Publications, 1998. Arijon, Daniel. Grammar of the Film Language. New York: Focal Press, 1976. Armer, Alan A. Writing the Screenplay. 2nd Ed. Belmont, CA: Wadsworth Pub. Co., 1993. Aronson, Linda. Screenwriting Updated New (and Conventional) Ways of Writing for the Screen. Ist Ed. Los Angeles: Silman-James P, 2001. Aristotle, Poetics, trans. Malcolm Heath, London:Penguin, 1996. Ayzenshtat, Mark, Elena Filatova, Kristina Holst, and Vladislav Shchogolev. EMuse: Rapid Screenplay Prototyping Language. Diss. University of Columbia. 7 Feb. 2007 <http://www1.cs.columbia.edu/~sedwards/classes/2003/w4115/eMuse.final.p df>. Baboulene, David. The Story Book. DreamEngine Media, 2010. Barber, Ian. Part of Speech Tagging. http://phpir.com/part-of-speech-tagging/ - posted 20 November 2009 and accessed 02 April 2012. Batty,Craig and Waldeback, Zara, Writing for the Screen; Creative and Critical Approaches. Basinstoke: Palgrave Macmillan, 2008. Borst, Terry. Mastering Celtx. Course Technology, Boston MA, 2012. boyd, d. m., & Ellison, N. B. (2007). Social network sites: Definition, history, and Stewart McKie - 272 - As of 09/08/2013 scholarship. Journal of Computer-Mediated Communication, 13(1), article 11. http://jcmc.indiana.edu/vol13/issue1/boyd.ellison.html (accessed 09 July 2013). Brill, Eric (1992). A Simple Rule-Based Part of Speech Tagger. http://acl.ldc.upenn.edu/H/H92/H92-1022.pdf - accessed 02 April, 2012. Brown Corpus. http://en.wikipedia.org/wiki/Brown_Corpus#Part-of- speech_tags_used - accessed 02 April 2012. Card, Stuart, MacKinlay Jock and Shneiderman, Ben. Readings in Information Visualization: Using Vision to Think. Morgan Kaufman, 1999. Celtx - http://www.celtx.com/ - accessed 23 January 2012 Character Writer - http://typingchimp.com/characterwriter/index.html - accessed 23 January 2012. Clayton, Sue. Development Lab-The Importance of Good Peer Review in the Context of Screenwriting (2006). http://www.adm.heacademy.ac.uk/resources/case-studies/development- lab-the-importance-of-good-peer-review-practice-in-the-context-of- screenwriting/ - accessed 10 December 2012. Chatman, Seymour. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca, NewYork: Cornell University Press, 1980. Cole, Hillis R., Haag, Judith H. The Complete Guide to Standard Script Formats – Part1: The Screenplay. Los Angeles: CMC Publishing, 1989. Cooper, Dona. Writing Great Screenplays for Film and TV. 1st Ed. New York: Prentice Hall, 1994. Corrigan, Timothy J. A Short Guide to Writing About Film. 6th Ed.. Pearson Longman, 2007. Stewart McKie - 273 - As of 09/08/2013 Cowgill, Linda J. Secrets of Screenplay Structure How to Recognize and Emulate the Structural Frameworks of Great Films. Los Angeles: Lone Eagle Publications, 1999. Cowgill, Linda J. Writing Short Films Structure and Content for Screenwriters. Los Angeles: Lone Eagle Publications, 1997. Cron, Lisa. Wired for Story. New York: Ten Speed Press, 2012. Davenport, G, and M Murtaugh. "Automatist Storyteller Systems and the Shifting Sands of Story." IBM Systems Journal 36 (1997): 446-456. 5 Feb. 2007 <http://www.research.ibm.com/journal/sj/363/davenport.html>. Decker, Dan. Anatomy of a Screenplay. Chicago: The Screenwriters Group, 1998. Demystifying Big Data - http://www.techamericafoundation.org/bigdata - accessed 7 June 2013. Donath, Judith S. "The Illustrated Conversation." Multimedia Tools and Applications 1 (1995). 7 Feb. 2007 <http://smg.media.mit.edu/papers/Donath/IllustratedConversation.pdf>. Dramatica Pro - http://www.dramatica.com/theory/articles/index.htm - accessed 23 January 2012. Edwards,Rona and Skerbelis, Monika. ‘I Liked It. Didn’t Love It’. 2nd Ed. Beverly Hills: Edwards Skerbelis Entertainment, 2009. Egri, Lajos. The Art of Dramatic Writing. New York: Touchstone, 2004 (original edition, 1942). Epstein, Alex. Crafty Screenwriting Writing Movies That Get Made. 1st Ed. New York: H. Holt, 2002. Few, Stephen. Information Dashboard Design. Sebastopol, CA: 2006. Stewart McKie - 274 - As of 09/08/2013 Field, Syd. Screenplay: The Foundations of Screenwriting. Rev. Ed. New York: Delta Trade Paperbacks, 2005. Final Draft genesis http://www.finaldraft.com/products/ accessed 23 January 2012. Final Draft AV http://www.finaldraft.com/company/about-us.php accessed 23 January 2012 Flinn, Denny Martin. How Not to Write a Screenplay. New York:Watson-Guptill Publications, 1999. Forster, E. M. Aspects of the Novel. London: Penguin Books, 2005. FrameForge - http://www.frameforge3d.com/kb/entry/25/ - accessed 23 January 2012 Freeman, Eric T. –Lifestreams – accessed March 1, 2012 at: http://cs-www.cs.yale.edu/homes/freeman/lifestreams.html Frensham, Ray. Teach Yourself Screenwriting. 2nd Ed. London: Hodder Headline Ltd., 2003. Freytag, Gustav. Technique of the Drama: An Exposition of Dramatic Composition and Art. (trans. Elias J. McEwan). Amsterdam: Fredonia Books, 2005 (Originally published 1899). Garfinkel, Asher. Screenplay Story Analysis: The Art and Business. New York: Allworth Press, 2007. Geroimenko, Vladimir, and Chaomei Chen. Visualizing the Semantic Web XML- Based Internet and Information Visualization. 2nd Ed. London: Springer, 2006. Goldman, William. Adventures in the Screen Trade. London: Abacus, 1996. Gorilla - http://www.junglesoftware.com/home/ - accessed 23 January 2012 Stewart McKie - 275 - As of 09/08/2013 Grove, Elliot. Raindance Writer's Lab Write + Sell the Hot Screenplay. Boston: Focal Press, 2001. Henderson, Peter and De Silva, Nishadi. A Narrative Approach to Collaborative Writing: A Business Process Model. 8th International Conference on Enterprise Information Systems (ICEIS) 2006. Hornall Anderson touch walls http://www.hornallanderson.com/casestudy/better-living-through-technology - accessed 02 April 2012 Horton, Andrew. Writing the Character-Centered Screenplay. 2nd Ed. Berkeley: University of California Press, 1999. Indick, William. Psychology for Screenwriters: Building Conflict in Your Script. Studio City, CA: Michael Wiese Productions, 2004. James, Henry. ‘The art of fiction’ in Shapira, Morris (ed.), Henry James: Selected Literary Criticism. London: Penguin, 1963. Jewell, Michael O., K Faith Lawrence, Adam Pruegel-Bennett, and M C. Schraefel. "Annotation of Heterogenous Media Using OntoMedia." 7 Feb. 2007 <http://image.ntua.gr/swamm2006/resources/paper12.pdf>. Jinhong, Shen, Seiya Miyazaki, Terumasa Aoki, and Hiroshi Yasuda. Filmmaking Production System with Rule-Based Reasoning. Diss. The Univ. of Tokyo, 2003. 5 Feb. 2007 <http://sprg.massey.ac.nz/ivcnz/Proceedings/IVCNZ_66.pdf>. Jinhong, Shen, Seiya Miyazaki, Terumasa Aoki, and Hiroshi Yasuda. Filmmaking Production System with Rule-Based Reasoning. Image and Vision Computing New Zealand, University of Tokyo. 7 Feb. 2007 <http://sprg.massey.ac.nz/ivcnz/Proceedings/IVCNZ_66.pdf>. Kaplan, R.S. and Norton D.P. Using the balance scorecard as a strategic management system. Harvard Business Review, January/February, 1996. Stewart McKie - 276 - As of 09/08/2013 Kitchen, Jeff. Writing a Great Movie: Key Tools for Successful Screenwriting. New York: Lone Eagle Publications, 2006. Lacey, Nick. Narrative and Genre Key Concepts in Media Studies. Basingstoke, England: Palgrave, 2000. Lavandier, Yves. Writing Drama. Trans. Bernard Besserglik. Paris: Le Clown & L’Enfant, 2004. Lee, Jason. The Psychology of Screenwriting: Theory and Practice. London: Bloomsbury Publishing plc, 2013. Liu, Zhi-Qiang. Script Visualization (ScriptViz): a Smart System. Diss. Centre for Media Technology (RCMT) and School of Creative Media, 2004. 5 Feb. 2007 <http://www.ieeesmc.org/announcements/Newsletter/Dec2004/SMCS-E- NewLetter-Liu2004.pdf>. Lucey, Paul. Story Sense: Writing Story and Script for Feature Films and Television. New York: McGraw-Hill, 1996. Mackendrick, Alexander, and Paul Cronin. On Film-Making: An Introduction to the Craft of the Director. London: Faber and Faber, 2004. Macdonald, Ian W. (2004), ‘Disentangling the Screen Idea’, Journal of Media Practice, 5: 2,pp. 89–99. (2010) ‘…So it’s not surprising I’m neurotic’ The Screenwriter and the Screen Idea Work Group, Journal of Screenwriting, 1:1, pp. 45-58. Mamet, David (2007). Bambi vs. Godzilla. London: Simon & Schuster UK Ltd. McGinn, Colin. The Power of Movies How Screen and Mind Interact. 1st Ed. New York: Pantheon Books, 2005. McKee, Robert. Story Substance, Structure, Style and the Principles of Stewart McKie - 277 - As of 09/08/2013 Screenwriting. 1st Ed. New York: Regan Books, 1997. McKie, Stewart. Mariner Montage: Screenwriting software with a marketing edge. ScriptWriter, September 2006(a), pp.49-51. McKie, Stewart. Sophocles, ScriptWriter, November 2006(b), pp.36-39. MediaWiki Screenplay Extension,.http://siege.org/projects/mwspe, accessed 5 Apr. 2006. Metz, Christian. Film Language: A Semiotics of the Cinema. Chicago, University of Chicago Press, 1974. Millard, Kathryn. After the typewriter: the screenplay in a digital era. Journal of Screenwriting, 1:1, pp.11-25. Movie Outline - http://www.movieoutline.com/ - accessed 23 January 2012 Murdock, Maureen. The Heroine's Journey. 1st Ed. Boston: Shambala Publications, 1990. Murtagh, Fionn, Ganz, Adam and McKie, Stewart. The Structure of Narrative: the Case of Film Scripts. arXiv:0805.3799v1 [cs.AI], May 24 2008. Murtaugh, Michael. The Automatist Storytelling System: Putting the Editor's Knowledge in Software. Diss. MIT Media Lab.,
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