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Writers Professional Materials
Writers Professional Working Materials INTRODUCTION Writers professional working materials and the tools of the trade – they are considered the sales tools for a writer’s work. These will be the most utilised materials when trying to establish yourself as a scriptwriter as either writer-for-hire work or when pitching your own original idea. No Producer or Production Company (locally or internationally) will ever read a script, treatment, logline or synopsis – unless a pre-existing relationship is in place – unsolicited. This means writers first need to be invited to send through materials in the manner that best suits that Producer or Production Companies. This helps to protect copyright or a copyright claim for both parties. It is also important to note that in international territories only Agents are able to introduce writers to Producers and Production Companies. Below each header you will find links to helpful sites and further information. As a screenwriter your job is to write, research, write, learn, write, and adapt. Google is your friend and before you ask Facebook for the answer, ask Google! Or check out the NZWG website for information on knowing your rights, contracting, useful facts and upcoming events. Before going any further, the below link is a must read for newcomers and is aimed at people applying for early development funding. It’s put together by Screen Australia, and is a very basic ‘How To Guide’ for feature filmmakers on application materials included in their application process – logline, synopsis & treatment. https://www.screenaustralia.gov.au/getmedia/ae5708a4-05d9-4db0-b5fb-4f999fdfed57/What-is-a- synopsis.pdf Below are all the materials broken into parts, starting with how to format your works. -
Screenwriting I Film-M213-002 Engl-A313-002
SCREENWRITING I FILM-M213-002 ENGL-A313-002 Course Term: FALL 2020 Course Location: ONLINE Class hours: TU/TH, 3:30-4:45 pm Instructor: Miles Doleac, PhD Office Location: CM Building 412 Phone: (Office) 504-865-3430, (Cell) 601-329-1630 Email: [email protected] Office hours: By appointment “A screenplay is a story told with pictures, in dialogue and description, and placed within the context of dramatic structure.” -Syd Field REQUIRED TEXTS: Field, Syd. Screenplay: The Foundations of Screenwriting, rev. ed. New York: Bantam Dell, 2005. McKee, Robert. Story: Substance, Structure, Style, and the Principles of Screenwriting. New York: HarperCollins, 1997. Rogan, Michael. Screenplay Format Made (Stupidly) Easy. Scriptbully, 2018. COURSE AIM: This course is intended to introduce students to the craft of screenwriting, and, in broader terms, the art of storytelling. In doing so, our focus will be the following: 1) Hollywood paradigms and brilliant scripts that defied them 2) classical dramaturgy, mythology and universal forms: how age-old tropes have been assimilated and appropriated by Hollywood 3) Movie writing as a “combination of art and science” (to borrow Field’s phrase): techniques, tricks and the search for a subject 4) what makes compelling characters and dialogue 5) formal or “traditional” screenwriting structure. NOTE: I place “for- mal screenwriting structure” last in my litany of focus points, because, although important to always keep in mind, the “rules” of screenwriting are often and often quite effectively violated. YOUR CHARGE: By the end of this semester, you will have written 15 or so pages of a NEW screenplay, a self-contained short film. -
Screenplay Format Guide
Screenplay Format Guide Format-wise, anything that makes your script stand out is unwise. This may seem counterintuitive. Anything you do to make your screenplay distinctive is good, right? Depart from the traditional format, though, and you risk having your script prejudged as amateurish. A truly conscientious reader will overlook such superficial matters and focus on content. However, if your work looks unprofessional, it may not be taken seriously. To ensure your script gets a fair read, follow these formatting guidelines: It isn’t necessary to file a copyright with the Library of Congress. Your script is automatically protected under common law. However, it’s a good idea to register it, either with an online service, such as the National Creative Registry (protectrite.com), or with the Writers Guild. This being said, the Industry tends to view registration and copyright notices as the marks of a paranoid amateur. You would be wise to leave them off your script. Use a plain cover. White or pastel card stock, not leatherette. Avoid using screw posts or plastic-comb binding. Bind your script with sturdy, brass fasteners, such as those made by ACCOÒ. The ones Staples sells are too flimsy. Readers hate it when a script falls apart in their hands. You can order professional-quality script supplies online from WritersStore.com. Although scripts are printed on three-hole-punched paper, there’s an unwritten rule that speculative scripts are bound with two fasteners, not three. Why this tends to be common practice is unclear. Perhaps it’s because submissions often get copied by the studio’s story department, and it’s easier (and cheaper) if there are only two brads. -
Nick Sita the Writer’S Perspective Identifies a Key Story Mechanic Common to Some of TV’S Best Dramas
LOGLINE January / February 2013 The Screenwriter’s eZine Volume 6: Number 1 Published by: Letter from the Editor The PAGE International Screenwriting Awards The 2013 PAGE Awards competition is now underway. Is your script ready to enter the fray? LO Every year, the PAGE Awards generate heat for dozens of promising screenplays written by 7510 Sunset Blvd. #610 Hollywood, CA 90046 aspiring screenwriters from around the world. Every year, many winners and finalists find www.pageawards.com representation, option their screenplays, and land paid screenwriting assignments. If you’re ready to take that huge next step in your career, make sure you enter this year’s contest! In this issue: In addition, with help from PAGE Script Services, you can fine-tune material that didn’t advance in 2012 or give a new project its best shot to succeed in a competitive spec market. Whether the script needs to be reimagined or simply refined, our friendly and knowledgeable Latest News from PAGE Judges are happy to contribute to your success. the PAGE Awards 1 In the first LOGLINE eZine of the New Year, our resolution is to provide practical, inspiring content for up-and-coming screen scribes. 2009 Grand Prize winner Mehul Desai describes the life crossroads that almost led him down a different path. PAGE Awards Judge Nick Sita The Writer’s Perspective identifies a key story mechanic common to some of TV’s best dramas. John Truby, our resident How I Almost Gave Up 2 genre expert, assesses genre-bending hits and what they say about screenwriting in 2013. -
Bells and Whistles #3
BELLS AND WHISTLES #3 IMPORTING FOUNTAIN TEXT Going Back in History. In the early days of the internet, screenplay formatting online was a lot more primitive than it is now. We usually wrote screenplay text like this: ΗΜΣ−Λ∆ΧΗΒ≅ΚΝΕΕΗΒ∆—Θ∆Β∆ΟΣΗΝΜ—Χ≅Ξ Σγδνεεηβδγρυφτδκξ≅εθηβµσγδλδ+ϖησγϖηβϕδθγµχηβθεσησδλρ+ δανµξ,βνκνθδχναιδβσρνµσγδϖκκρ+µχοηµσηµφρµχρηκγντδσσδρνε ϖθθηνθρµχοθδφµµσϖνλδµ− ≅οκπτδηµρηχδσγδθδβδοσηνµϖηµχνϖρξρ9 ΧΘ−ΝΡςΗΜ ΣγδΘ∆Β∆ΟΣΗΝΜΗΡΣκννϕρσΓδροδθρσµχηµφσσγδϖηµχνϖ− Θ∆Β∆ΟΣΗΝΜΗΡΣ ∋ϖησγµνδµσγτρηρλ( ΛξΗγδκοξντ> Γ∆ΡΟ∆Θ I’λΓδροδθΦθξρνµ−ΗγυδµοονηµσλδµσϖησγΧθ−Νρϖηµσεντθ, σγηθσξ−Η’λµδϖοσηδµσ− Θ∆Β∆ΟΣΗΝΜΗΡΣ Ξντρξ)µδϖ)>ςδχνµ’σββδοσµδϖοσηδµσρ− Γ∆ΡΟ∆Θ ΑτσΛθρ−Ρβκηβκκδχξντ−Ργδρηχησϖρκκθθµφδχ− Θ∆Β∆ΟΣΗΝΜΗΡΣ Νγ+Λθρ−Ρβκη−−−ξδρ+νεβντθρδ−≅σεντθ,σγηθσξ− The common practice was to type everything flush against the left margin (except for transitions, if we used them). Paired *asterisks* or paired _underscores_ were markers for conveying emphasis. Many writers use essentially the same technique today, with a few enhancements, for drafting screenplay text. The technique has become part of Fountain style. What Is Fountain? Fountain is a simple but rich and useful markup method for preparing screenplay text in a text editor or a word processor. (You only rarely need to use any markup.) You type text as I did in my example, and then you import the text into a screenwriting application (or some other converter program) that supports the Fountain 2 of 6 format. For example, Fade In supports Fountain. When you import a Fountain file, Fade In converts it in a flash to normal screenplay format. Creating Fountain Text. You can use any text editor or any word processor to create your text. Be aware, though, that some issues can arise from the type of text encoding that your text follows. -
Judging Screenplays by Their Coverage
JUDGING SCREENPLAYS BY THEIR COVERAGE An analysis of 12,000+ unproduced feature film screenplays and the scores they received, revealing what professional script readers think makes a good screenplay. BY STEPHEN FOLLOWS AND JOSH COCKCROFT WITH LIORA MICHLIN IN PARTNERSHIP WITH SCREENCRAFT JUDGING SCREENPLAYS BY THEIR COVERAGE CONTENTS Foreword .........................................................................3 TL;DR ..............................................................................5 Introduction .....................................................................6 Section A: How To Impress Script Readers ........................8 What Matters Most to Script Readers ........................................................................................................................................................... 9 Genre-specific Advice ................................................................................................................................................................................... 10 Sentiment ...................................................................................................................................................................................................... 17 Plot Arcs ........................................................................................................................................................................................................ 19 Swearing....................................................................................................................................................................................................... -
What Hollywood Professionals Have to Say About Final Draft
What Hollywood professionals have to say about Final Draft: “My entire writing staff uses Final Draft. Even if you don’t own a computer, I recommend buying Final Draft.” J.J. Abrams – Writer / Director / Producer Cloverfield 1 - 2, Six Degrees (TV), Mission Impossible III, Lost (TV), Alias (TV)... “I've tried a variety of scriptwriting software and Final Draft is without question my favorite. It's a real beauty of a program-smart, intuitive and useful.” Alan Ball – Writer / Producer / Academy Award™ Winner Towelhead,Six Feet Under (TV), American Beauty... “Final Draft is the only screenwriting software I have ever used. Quite simply because it is the best. The industry standard. From fade in to fade out, Final Draft is the essential screenwriter’s tool.” Stuart Beattie – Writer / Producer Pirates of the Caribbean: Dead Man's Chest, Pirates of the Caribbean: Curse of the Black Pearl... “You can't win a race without a champion car. Final Draft is my Ferrari.” James Cameron - Writer / Director / Producer / Academy Award™ Winner Terminator : The Sarah Connor Chronicles,Titanic, Terminator, T2, Aliens, The Abyss,True Lies… “Final Draft is an indispensable tool for screenwriters. It has become the industry standard. David Goyer – Writer / Director / Producer The Unborn, The Flash, The Dark Knight, Batman Begins, Blade,Threshold, Jumper… “Final Draft makes it possible to simply imagine the movie in script form. If you can think in cinematic terms, you can write in the terms of cinema.” Tom Hanks – Writer / Director / Producer / Actor / Academy Award™ Winner Toy Story 1-3, The Da Vinci Code, Forrest Gump, Cast Away, Philadelphia, Saving Private Ryan, That Thing You Do… “We used Final Draft on my last three films...and by far it's the software we've most enjoyed working with” Oliver Stone - Writer / Director / Producer / Academy Award™ Winner W, World Trade Center, Alexander, Scarface, Platoon, Wall Street, JFK, Midnight Express… “After all these years, writing is still hard, and the zone of creativity takes patience to access. -
Professional Screenplay Format
1 The Coverage Ink Spec Format & Style Guide 2017, All Rights Reserved. WELCOME. If you’re considering writing a screenplay, or perhaps you’ve written a few screenplays but are still unsure as to exactly what they are supposed to look like, or even if you’ve written a whole big pile of screenplays and think you know everything -- you’ve come to the right place. Screenplay format is a deceptively difficult thing to master. It looks so easy, even perhaps intuitive, as you read a script, doesn’t it? Sure, the guy talking is in the middle, and then the other stuff is over at the left side… piece o’ cake. But as you sit down to write one yourself, that’s when the headache begins. Where exactly does the dialogue go? Is it centered? Am I supposed to tell the camera what to do? (Hint: the word “CAMERA” should never, ever appear in your screenplay.) What words get CAPITALIZED? How do I tell the audience that this line is supposed to be sarcastic and said with a wink? And on and on. Well, fear not! We’re here to help you master screenplay format. And we’re going to do it in a breezy, accessible style, because learning this stuff should be fun, not an exercise in tedium. Relieved? We certainly hope so. One more thing: while there are rules and industry standards to be sure, there is no one true and correct way to format a screenplay, as you will see. Plenty of writers do things differently. -
Professional Experience
Professional Lecturer I, Central Michigan University, Mount Pleasant, MI - 2016-present Teaching as a writing specialist for the School of Broadcast and Cinematic Arts. Courses taught Experience include 200-level Introduction to Media Writing, 300-level Electronic Media Copywriting, and 500-level television & serial narrative writing. Consulting Screeenwriter. Freelance - 2012-present Editing and providing story notes on feature length screenplays for clients. Advising on the development of story ideas from outline to finished script. Lecturer, Boston University. Boston, MA - 2012-2015 Taught 300-level introductory undergraduate screenwriting classes, focusing on the basics of screenplay formatting, structure, and narrative storytelling. Served on faculty panel to judge student screenplays for the Fleder/Rosenberg short film competition. Visiting Assistant Professor of Film Making, Wheaton College. Norton, MA - 2015. Developed an undergraduate screenwriting course, workshopping student scripts and covering the basics of format and dramatic structure. Lectured on topics connecting writing, film theory, and film history. Film Development Intern, Davis Entertainment. Los Angeles, CA, Fall 2011. Written and verbal screenplay analysis for properties being evaluated for development as feature films or television shows. Evaluated writing samples under consideration for adaptation of existing properties. Alumni & Development Office Assistant, Boston University. 2009-2011. Assisted Development Officers with donor recognition, event planning, and research on prospective donors. Narrative Screening Committee, Ann Arbor Film Festival. Ann Arbor, MI - 2008-2009. Viewing film submissions and offering recommendations to festival programmers. Sending constructive feedback to rejected filmmakers after the festival. Operations Manager, Ann Arbor Film Festival. Ann Arbor, MI - 2006-2008. Coordinated festival production, including VIP travel, donor tracking, and database management. -
Feit Electric App User Guide User Guide for Feit Electric App
Feit Electric App User Guide User Guide For Feit Electric App. Set up instructions for Alexa,Google Assistant and Siri Shortcuts. Smarter More Helpful Home Light Bulbs That Work with Alexa, Google Assistant and Siri Shortcuts Easily turn lights On/Off, set groups and schedules. Choose energizing daylight or wind down with relaxing soft white light. Get creative with color, it’s all up to you. Control lighting with simple voice commands and an intuitive mobile app. Set up is simple. The bulbs connect directly to your Wi-Fi at home. It has never been easier to customize your home’s lighting to suit your lifestyle. NOTE: Only works with 2 2.4GHz Wi-Fi networks Enter mobile number or Getting Started Go to your Wi-Fi settings and connect email address, then tap Continue. your phone to your 2.4GHz Wi-Fi network. (A verifi cation code will be sent to your mobile number or email.) ENGLISH Wi-Fi 2.4GHz Wi-Fi 5GHz Wi-Fi 2.4GHz Wi-Fi 5GHz 3 Create a Password then tap Done. Download the Feit Electric App. 1 Launch the App and tap Register for new accounts or Login for existing accounts. Download the Feit Electric App from the Apple App StoreSM or Google Play™ 4 Install & power On bulb(s), 6 then tap Add Device. Power On the bulb(s) and make sure After confirming that you are on a the light(s) are blinking, then tap 2.4GHz Wi-Fi network, Confirm. tap Confirm. NOTE: If the bulbs are not blinking, ENGLISH Adding Devices turn bulbs ON-OFF-ON-OFF-ON. -
HZ9205 Creative Writing: Screenwriting
HZ9205 Creative Writing: Screenwriting Division of English, Nanyang Technological University Semester 2, AY 2018/2019 Day: Thursday, 2:30 – 5:30pm Location: TR+??? Seminar Leader: Senior Lecturer Ben Slater Contact Details: [email protected] Office: ADM 02-9 Pre-requisite: HZ9101 Course Synopsis: A screenplay is a written document that attempts to convey the narrative and cinematic experience of a film before it is produced. It is both a creative and ‘technical’ form of writing, which makes it unique as a type of Creative Writing. This course will introduce you to the processes involved in the development of stories and scripts for the screen. Over the course of the semester, you will complete two short professionally formatted screenplays, while developing critical skills around script writing and reading, developing story, structure and cinematic story-telling. The course is taught through a combination of lectures, seminar-style discussion sessions, workshops and peer-review of works-in-progress. Course Outline: S/N Topic Seminar Hours 1 Introduction The role of a screenwriter. Cinematic Storytelling & Story Structure 3 2 Screenplay formatting Examining professional screenplay layouts and conventions. In-class writing exercises – ‘First Pages’ 3 3 Character Introductions Exercise Presentation and discussion of student selected clips 3 4 Developing Character/Story/Pitches Workshopping story ideas and presenting to class. 3 5 Breaking the Story – Outlining Presenting short outline of story ideas for first script. 3 6 First Drafts Reading/Discussion of first drafts 3 7 Second Drafts Reading/Discussion of second drafts 3 Recess 8 Short Film Screenings Screening and discussion of 10-15 minute short films. -
The Ultimate List of Writer's References Online
Page | 1 THE ULTIMATE LIST OF WRITER’S REFERENCES ONLINE – MANY FREE! Books Notes Have I? Emotion Thesaurus Angela Ackerman/B Puglisi ✔ On Writing Stephen King ✔ Take Off Your Pants Libby Hawker ✔ The Penguin Guide to Punctuation Writers and Artists Yearbook Names, addresses of publishers, each year ✔ Software Apache Open Office Just like Microsoft Office, but free Atomic Scribbler Free Dropbox Cloud file keeper ✔ Fade in Pro Screenwriting software Final Draft Drama writing - industry standard ✔ Focus Writer Distraction free environment Gingko writing Writing layout ✔ iA Writer App Kingsoft Writer Like word but free Libre Office Free office type processors Liquid Story Binder Word processor like Scrivener Mac Pages On Apple devices as app or programme ✔ Microsoft Word On PC’s and as an app ✔ Microsoft One Note Notes and storage ✔ New Novelist Writing software Novel Factory Advice and software Ommwriter Advice and software PageFour Software Papel visually arrange story. Plume Creator Free software for Writers Scrivener All round novel writing software ✔ Storyist Story writing software soon Treepad Storage and info Twine Interactive online tool Ulysses Like Scrivener Workflowy Notes, lists and outlines ✔ Write Way Pro Writing software Write Monkey Really simple scrivener yWriter Writing software ✔ Online Software Calmly Writer Online Basic blank screen for writing Celtx Screenwriting software ✔ Evernote Note taking and organiser ✔ Ilys Set your word goal and do it or else Tablo Read, write and share stories Wattpad Social storytelling site