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2016

POLISH CULTURE YEARBOOK 2016

POLISH CULTURE YEARBOOK

Warsaw 2016 INTRODUCTION Professor Piotr Gliński, PhD, Deputy Prime Minister, 2016 Minister of Culture and National Heritage 5 PUBLISHER’S NOTE, Mateusz Werner, PhD, Deputy Director for Culture Research and Strategy at the National Centre for Culture, 6

1. FIELDS OF CULTURE AND NATIONAL HERITAGE 9

STATE ARCHIVES (ed. The Head Office of the State Archives) 10 LIBRARIES (ed. The National Library) 19 CULTURAL CENTRES* 31 (ed. The Polish Institute) 42 MUSEUMS (ed. The National Institute for Museums and Public Collections) 51 MUSIC (ed. The Institute of Music and Dance) 57 PUBLISHING MARKET (ed. The National Library) 66 PROMOTING POLISH CULTURE ABROAD – CULTURE.PL (ed. The Institute) 76 POLISH CULTURE YEARBOOK POLISH CULTURE BOOK MARKET (ed. The Book Institute) 83 ART EDUCATION (ed. The Centre for Art Education) 93 DANCE (ed. The Institute of Music and Dance) 101 THEATRE (ed. The Theatre Institute) 107 MONUMENTS (ed. The National Heritage Board of Poland) 116

2. CULTURE FUNDING AND CULTURAL ECONOMICS 133

CULTURE FUNDING BY THE MINISTRY OF CULTURE AND NATIONAL HERITAGE (ed. The Department of State Patronage of the Ministry of Culture and National Heritage) 134 LOCAL GOVERNMENT SPENDING ON CULTURE* 142 EMPLOYMENT AND PRODUCTION IN THE CULTURAL SECTOR* 155

3. PUBLIC MEDIA 165

POLISH TELEVISION (ed. Polish Television) 166 POLISH RADIO (ed. Polish Radio) 174

* Edited by the National Centre for Culture, Poland

FIELDS OF CULTURE AND NATIONAL HERITAGE 2 4. CULTURAL PARTICIPATION 185 2016

READERSHIP (ed. The National Library) 186 CULTURAL ACTIVITIES* 198 COLLECTIVE MEMORY* 207 THE INTERNET USE FOR CULTURAL PURPOSES* 217

5. VARIA 227

VISTULA RIVER 229 MURALISM 231 VIDEO GAMES 234 FESTIVALS 238 CONTEMPORARY ART GALLERIES 241 INTERNATIONAL COMPETITION (ed. The National Institute of Chopin) 243 POLISH CULTURE YEARBOOK POLISH CULTURE 6. SUPPLEMENT 249

POLISH CULTURAL HERITAGE ABROAD 250 REPATRIATION OF CULTURAL PROPERTY 267 POLISH MEMORIALS ABROAD 275

* Edited by the National Centre for Culture, Poland

FIELDS OF CULTURE AND NATIONAL HERITAGE 3

Dear Readers,

We are pleased to present the first edition ofPolish Culture Yearbook 2016, which describes the cultural reality in Poland. The expertise on cultural institutions and significant cultural and art events is delivered in an under- standable and competent manner. It also provides readers with information on some projects financed by the Ministry of Culture and National Heritage, many actions supported by local authorities and activities promoting Polish culture abroad. The data is based on the latest indicators for the years 2015 and 2016 and also the tendencies resulting from long-term processes and projects are taken into consideration. The statistical data, trends and correlations described in this Yearbook constitute a basic work tool for anyone whose decisions are driven by reliable and research-based knowledge. Therefore, I am absolutely convinced that this publication will become a daily source of information for culture managers, public officers and entrepreneurs. It is available in a printed and electronic form. The English edition of Polish Culture Yearbook 2016 will undoubtedly be useful for foreign recipients as it serves as a “toolbox” for anyone who wants to learn more about Polish culture.

Professor Piotr Gliński, PhD Deputy Prime Minister, Minister of Culture and National Heritage

POLISH CULTURE YEARBOOK 2016 Dance, Institute, theBook theTheatre Institute andtheNational Institute Institute for theInstitute Museums and PublicCollections, ofMusicand Heritage State Archives, theNational Library, thePolish FilmInstitute, theNational National and Culture of the Ministry ofCulture and National Heritage. Thechapter entitled in thefieldofcultural research amonginstitutions thatare subject to in arespective field. be sure thatthispublicationcontains onlyknowledge provided by experts with theuseofdata generated for theirown needs.Therefore, readers can of experts whocollected andedited respective ofthisyearbook sections in the individual fields of culture to work with us and we have built up a team needs. To meet theabove challenges,we invited Polish institutions involved ers willbeableto explore further inmore detail inaccordance withtheirown observed inindividual areas ofPolish culture andillustrate thatread issues institutions andtheiroperations. ture andresearchers lookingfor information on thePolish culture-related companies thatplanto launchtheiroperations inanyspecificfieldofcul Moreover, thispublicationisalsodirected attherepresentatives ofPolish consider thecurrent state ofculture intheirdecision-makingprocesses. alsopublicofficersencompasses andemployees ofinstitutions whomust ment ofcultural policy atvarious levels. Thelatter group ofrecipients tion with Polish institutions, as well as people involved in the develop representatives of foreign organizations that intend to establish coopera presentation with easy language, synthetic approach and rich graphic layout. Yearbook Culture Polish comparative analysis onayear-to-year basis.Thus,we have comeupwith monographic publicationsoncontemporary Polish culture thatwould allow only issue fragmentarily. Itisdifficult to find amongthem anyhigh-quality high numberofvaluable publicationsbut,unfortunately, they describethe our country, research studies carriedoutinthefieldofculture result ina by sharingthelatest andmost reliable data onthetopic profesionally. In 2016 We are delighted to present you thefirst editionof Publisher’s Note The thematic layout of this yearbook reflects the distribution of tasks The objective of thisyearbook is to provide a better overview of trends The yearbook has beencreated for awideaudience, includingthe . The behind it is the posibbility of promoting Polish culture that combines meticulous and professional data has beenwritten by ofthe theHeadOffice Polish Culture Yearbook Yearbook Culture Polish 7 Fields Fields - - - -

POLISH CULTURE YEARBOOK 2016 Polish Culture Yearbook 2016 place inaprivate library ofanyone to whomthePolish culture isimportant. Yearbook Culture Polish ral relationships, including global relations. I am absolutely convinced that operation within the cultural sector and firmer establishment of intersecto of the Polish culture in the forthcoming years and contribute to better co internal andexternal data, aswell asthe Research DepartmentoftheNationalCentre for Culture, Poland, basedon Art Education andtheAdam Mickiewicz Institute, respectively. position ontheinternational stage have beendeveloped by theCentre for National Heritage, concerningarteducationandPoland’s whilethesections ten by theDepartmentofStage Patronage oftheMinistry ofCulture and of culture by theMinistry ofCulture andNationalHeritage hasbeenwrit by Polish Radio andPolish Television. Thechapter describingthefunding of Heritage. Thechapter dedicated to public media hasbeen edited jointly Institute ofFrederic Chopin. on theInternational ChopinPianoCompetition was written by theNational of themost interesting reports publishedinPoland in2016. Thelast section We hopethat,over time, thispublicationwillreflect thecurrent state This yearbook hasbeensupplemented by theanalysis conducted by the and Strategy attheNationalCentre for Culture, Poland isamuch-neededpublicationthatwillfind Deputy Director for Culture Research Varia chapter thatcontains some Mateusz Werner, PhD 8 - - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE 1. POLISH CULTURE YEARBOOK 2016 AND NATIONAL HERITAGE FIELDS OFCULTURE 9 FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016

The Head Office oftheStateThe HeadOffice Archives handling casesregarding thetemporary storage ofdocuments to theextent carrying outinformational andpromotional concerningarchives; activities scientificandpublishing conducting works inthefieldof archive science providing to access archive materials; recording andcompilingarchive materials; storingcollecting, andsecuringarchive materials; shaping andsupervisingnationalarchive resources; performing official verification andconfirmationofthe stored archive ma State Archives, whichisthecentral bodyofthegovernment administration Minister ofCulture andNationalHeritage through ofthe theHeadOffice In Poland, the national archive resources are supervised by the competent tional archives (Polish JournalofLaws of2015, Item 1446, asamended). teri STATE ARCHIVES materials, drafting extracts, excerpts, copiesandvisualoraudiorepresenta provide services such as browsing information and data contained in archive provided by theAct onthenationalarchives. responsible for thoseresources. and related disciplines; The statutory dutiesoftheState Archives include: The State Archives operate undertheAct of14th July1983 onthena als; On top mentionedabove, activities oftheessential theState Archives 10 - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE

2016 Bolesławiec Strzmiele

Międzyzdroje

Kamieniec Ząbkowicki

SZCZECIN GORZÓW WIELKOPOSKI

ZIELONA GÓRA

Stargard Szczeciński

LESZNO WROCŁAW

Jelenia Góra Poznań Legnica Piła KOSZALIN

0 STATE ARCHIVES INPOLAND

agencies

Szczecinek

OPOLE

offices of state archives branches andagencies Słupsk Racibórz 50 GDAŃSK Gliwice 100

Gdynia Pszczyna

KALISZ Inowrocław Cieszyn 150

TORUŃ Sieradz MALBORK

Włocławek 200 km AP Elbląg Łęczyca CZĘSTOCHOWA Bielsko-Biała Żywiec Spytkowice ŁÓDŹ PIOTRKÓW PŁOCK TRYBUNALSKI Łowicz

Tomaszów Maz. KRAKÓW

Nowy Targ Bochnia Mława Nidzica OLSZTYN

Grodzisk Maz. Milanówek Kielce

Nowy Sącz WARSZAWA Pułtusk

RADOM Tarnów Sandomierz Łomża SUWAŁKI 11 RZESZÓW Ełk Kraśnik Sanok PRZEMYŚL Podlaski Radzyń Chełm BIAŁ

Zam YSTOK

ość FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 ARCHIVE RESOURCES ARCHIVE

Archives are contained intheSEZAM andZoSIA databases (online search As of31st December, 2015, thearchive resources collected andstored 1918, aswell asthelegacy ofoutstanding politicalandsocialleaders; The NationalDigital Archives The Central Archives of Records The Central Archives ofHistorical Records (including TheNationalArchives ofPersonal andWage Documentation trial undertakings andeconomicinstitutions, thearchives offamilies and testimonies to thepast andto guarantee universal to access thesetesti oftheStatethe mission Archives isto ensure thepreservation ofany tions ofmaterials, processing information anddata contained inarchives transitory materials, comprisedthefollowing: 95,760 archive fonds and tographic documentation, videos,audiorecordings, stamps, aswell as in Milanówek) and5agenciesofcompetent attheregional jurisdiction by the State Archives, including textual documentation, parchments land estates, andthepapers ofindividuals. level. Theregional archives andstore collect materials developed by local mentation; 50,254 electronic documents and 137,687 files of the total nographic documents, aswell asvideodocumentation developed through monies withthepurposeofsupportingfurther development ofcivilstate engine available at: 44,760,779collections; archive units; 331,5 runningkilometres ofdocu educational, religious andsocialestablishments andorganisations, indus out the20thand21st century; of central authorities, nationwide institutions andassociationscreated after authorities andstate offices,courts, localgovernments andinstitutions, authorities andfamily archives created before 1918; and society. and preserving them. and paper documents, technical documentation, cartographic andpho size reaching 17,109 GB. The State Archives network iscomposedofthree central units: In accordance with theStrategy oftheState Archives for 2010–2020, Details regarding the national archive resourcesDetails regarding stored intheState thenational archive as well as 30 regional archives www.archiva.gov.pl , collecting andstoring, collecting photographic andpho together withtheir40 branch offices ). , collecting and storing the records , storing therecords ofcentral 12 ------FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 FILES ELECTRONIC 17,109 GBOF The Polish Constitution isalsoincludedinthePolish nationallist ofmonu Archives are To e-documents. meet theneedsArchives ofElectronic Source: KN-1 statistical summaries–archive asof31st activity December, 2015. Records project hasbeenlaunchedundertheOperational Programme Digi Constitution of3rd May, 1791, was awarded theEuropean Heritage Label. tal Poland. ThisITsystem willenabletheState Archives to store collect, mainly by thepublicadministration bodies. documentation issupervisedby theState Archives. ments oftheUNESCO als stored by thestate andlocalgovernment entities.Thehandlingofthis and share allarchive materials available inanelectronic form andcreated The growing numberofdocuments collected eachyear by theState The most valuable documentstored by theState Archives isthePolish In addition,there are over 551 runningkilometres ofarchive materi (COLLECTIONS) 95,760 FONDS as of31st December, 2015 Memory of the World the of Memory RESOURCES ARCHIVE OF CURRENTRECORDS 331,5 KILOMETERS Programme, together withthe 13 44,760,779 ARCHIVE UNITS - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 USE OF ARCHIVE RESOURCES USE OFARCHIVE 28,737 Persons Direct (inreading access rooms) Providing to access archive resources in2015* The State Archives provide easy to access thestored materials. Anyone America Woodrow Wilson of 17th January 1917. 15th century to thelate-18th century between theKingdom(or Republic) of 67,000 search queries. who is interested in such materials may read their content directly in the Poland andtheOttoman Empire (learnmore athttp://pamiecpolski.archiwa. Polish NationalList oftheUNESCO Memorial ofIgnacy JanPaderewski to thePresident oftheUnited States of the reading rooms oftheState Archives were visited by nearly29,000 peo the Central Archives of Historical Records andthe1153 Zbilut’s Document the State Archives, such as the Foundation Act of the Prussian Confed gov.pl/memory-of-poland). gramme’s World Register include:the1573 Declaration oftheWarsaw Con information ordocuments andtheirreproduction against payment.In2015, incorporation charter ofthecityCracow of5thJune1257, therecords of theUnityBrethren, andpeacetreaties concludedfrom themid- eration kept by theState Archives inToruń, theŁaski’s Statute kept by expanded by addingother documents, priceless includingthosestored in ple conducting theirownple conducting research andusingapproximately 823,000 units during almost 86,000 visits. theState Besides, Archives alsoperformed of theNationalOrganisation oftheJanuaryUprising(1863–1864), andthe Source: KN-1 statistical summaries–archive operations asof 31st December, 2015 stored, amongothers, intheState Archives inPoznań. selected officesorentrust theselected archives withthesearch for specific federation, the Archive of Reconstruction Office, the files and library Other documents entered into theUNESCO Visits 85,827 823,354 Shared units Memory of the World World the of Memory In the secondedition, the Memory of the World the of Memory Search queries 67,003 Indirect access 14 Programme was Pro - - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016

The estimates show thatreaders theirown conducting research represent Registers ofPopulation inArchive Materials (ELA). Programme for theRegistration ofRecords from Parish andCivilRegistration Inventories ofArchive Fonds (IZA); Integrated Archive Information System (ZoSIA); System for Evidence ofArchive Materials (SEZAM); websites ofinstitutions collaborating withtheState Archives, e.g. genealogi websites ofregional digital libraries; websites ofonlinestate archives; genealogiawarchiwach.pl, awebsite providing to onlineaccess over 3.2 mil szukajwarchiwach.pl, awebsite providing to online access over 20million State Archives participated intheAPEXproject consisting intheprovision State Archives (www.archiva.gov.pl), suchas: Offices (PRADZIAD);Offices territory oftheKujawsko-pomorskie Province; their digitized onto collections theInternet. Thedigital copiesofmaterials the majorityofallusers intheentire archive network. Thesecondbiggest their publicationontheEuropean Archives Portal. Poland was oneof33 lion pagesofdigitized birthcertificates andpopulation register from the resources isprovided. For thisreason, theState Archives keep uploading cal societies. over 1.4 million scans. of information onthe archive materials stored by European archives and rooms. Thegenealogical research isalsothemost frequent typeofsearch ership interests. of users entrusting theState Archives withresearch related to their own queries performed by theState Archives, asthere isasignificantnumber active participants inthisproject anddisclosed3milliondata items and aimed atsharingarchive resources online. Duringtheyears 2012–2015, the systems anddatabases, available onthewebsite ofthe oftheHeadOffice selected archives not includedinthestate archive network; scans ofarchive materials (asofJuly2016) stored by 31 state archives and stored by theState Archives are now available onthefollowing websites: group ofusers are genealogists archive whoaccess materials inreading The State Archives have alsojoinedarange ofinternational projects The usage ofarchive resources iseasierthanks to data from various It is important and expected by archive’s users that online access to the 15 - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 AND ARCHIVE MATERIALS ARCHIVE AWARENESS PROMOTION

Archives ortheiremployees. online presence insocialmedia; organisation ofopendays; olddocuments; aimedatcollecting social actions contests andurbangames; workshops basedontheuseofdocumentation; multimedia presentations; traditional andvirtual exhibitions; ongenealogylessons andregional history; educational projects, e.g. “Old Writing” –www.dawnepismo.ank.gov.pl. Such initiatives have ontheanimationofcultural asignificantimpact and One ofthestatutory dutiesoftheState Archives of isthedissemination universities, museums, libraries andsocial organisations. Details regarding their own initiatives within the framework of the International Archives Day ofthewebsite:tional section www.archiva.gov.pl. tation points, theState Archives provide advisoryservicesregarding the by theState Archives, inadditionto over 300 virtual exhibitions andpre- ness including: ness national archive resources awareness to promote individualexploration celebrated on9thJune. current promotional andeducational projects are available intheeduca eration withother educational, scientificandcultural institutions, suchas cluding multimediaandvirtual materials) withtheparticipationofState of the importance of archive resources and their possible versatile use. of national history, homeland, one’s own family, andto raise awareness archive there Besides, lessons. were more than470 (in publicationsissued sentations. There were over 1,200educationalprojects undertaken, mainly scientific life ofcommunities,especiallyinsmall towns. growing interest in genealogical research. Inspecially established consul The State Archives undertake promotional mainlyinco-op activities There isavariety undertaken ofactivities to disseminate suchaware The State Archives actively participate inspecialevents andorganize The “Family Archives” project has beenlaunched,asaresponse to the In 2015, there were 419 traditional exhibitions organised orco-organised 16 - - - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 OTHER ACTIVITIES PLANS ANDFORECASTSPLANS FOR 2017

The amountoffunding provided for thedigitisation anddisclosure ofdocu Act of14th July1983 onnationalarchive resources andarchives, theHead Implementation of initiatives aimed at commemorating historical figures Continuation of investments concerning the acquisition of storage facilities Actions for thebroad to access onlineresources. Thedownward trend in Continuation ofdigitisation ofarchive resources inlinewithusers’ expecta which enables the performance of tasks specified in Article 43a of the Under the public action entitled Under thepublicaction National Library. Supportwas alsogranted to eighteen other Polish institu Laffitte was completed. Thisproject was carriedoutincooperation withthe PLN 400,000.00 in2016. Office oftheStateOffice Archives financiallysupports alsocommunity archives. tions andpreferences. tions operating outside thecountry. 2016 saw thecontinuationofthese the programme for protecting cultural heritage abroad, aproject for the tions worldwide inclosecooperation withallstate archives. In2015, under to continuein2017, whilethenumberofmaterials onlineis accessed the numberofarchive materials inreading accessed rooms isexpected garding central archives. Thenew officesoftheState Archives inBiałystok handling offamily documents, theirprotection anddevelopment offamily mentation collected by subsidisedorganisations was andassociations ness promotion.ness development oftheArchives ofthe“Culture” Literary Institute inMaisons expected to increase. nealogical research. at researching andpreserving materials onIgnacy JanPaderewski. includingvisitsactivities, to thePolish MusicCentre inLos Angelesaimed and events within theframework ofarchive materials andarchives aware are plannedto bebuiltin2017. archives, aswell asanynecessary information ontheperformance ofge for thecontinuouslygrowing volume ofarchive resources, particularlyre The Head Office oftheStateThe HeadOffice Archives actively supports Polish organiza Supporting Archive Operations 2016 Operations Archive Supporting 17 ------, FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016

/dla-uzytkownikow/wydawnictwa/e-publikacje Jerzy Skowronek dedicata 2013), Laszuk, ofTheState ed.A. TheHeadOffice Archives, Warsaw 2015. Archives, Warsaw 2011. Warsaw 2015. Warsaw 2011. Warsaw 2012. Electronic records and access to archive resources via the Internet the via resources archive to access and State records the with Electronic Cooperation of Models Archives. Community of “Memory UNESCO the of List World Nations. and States of Remembrance D. Grot, Strategy ofState Archives for 2010–2020, oftheState HeadOffice Archives, Report oftheState oftheHeadOffice Archives 2015 (inpreparation). Report oftheState oftheHeadOffice Archives 2014, Warsaw 2015. Rosa,A. “Archeion”, No. 116, 2015. The electronic versions ofselected literature are available onthewebsite SELECTED PUBLICATIONS the World” Programme World” the period 1918–2014 period of the Head Office oftheStateof theHeadOffice Archives at:https://www.archiwa.gov.pl/pl Towards Open Past. Access to State Archives in Poland over the the over Poland in Archives State to Access Past. Open Towards Educational Function of Archives of Function Educational , Head Office oftheState, HeadOffice Archives, Warsaw 2015. , ed.B. Berska, W. Stępniak, oftheState HeadOffice , Head Office oftheState, HeadOffice Archives, 18 , KARTA Centre, (Colloquia (Colloquia

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 The NationalLibrary 1,480 parishlibraries 32,000. Theknowledge ofbasicnetworks, i.e. public, scientific, pedagogical, 1 2 3 Statistical of Office Poland (GUS), there were 9,710 libraries in Poland in2015 (including: 8,050 publiclibraries; 1,001 scientificlibraries In 2015, theoverall numberoflibraries operating inPoland was approximately technical information centres andscientificsocieties, stems from the stud ies oftheCentral Statistical of Office Poland (GUS). These studies are sup libraries; 315 specialized libraries, 52 specialized-fiction libraries, 21libraries based ondifferent methodological principles.As reported by theCentral prison andparishlibraries). Thisdata is,however, collected occasionally and plemented by data onother typesoflibraries (school,military-educational, of scientific, technical and economicinformation centres, and 13 libraries of school libraries scientific societies). Othersources indicate thatthere are alsoabout20,400 specialized, specialized-fiction libraries, as well aslibraries ofscientificand LIBRARIES

-Klimczak, August, 2016] 13 publiclibraries and1pedagogical library withascientific status are in Source: Educational Information System oftheMinistry ofNationalEduca Source: B. Budyńska, M. Jezierska, G. Lewandowicz-Nosal, G. Walczewska- tion; basedontheanalyses of 2012. cluded both inthegroup ofpublicorpedagogical andscientificlibraries. bn.org.pl/396/Biblioteki-w-Polsce-w-2012-roku.html on:29th [accessed 2 , 118 military-educational libraries, 157 prisonlibraries and Libraries in Poland as of 2012 of as Poland in Libraries 3 operating inPoland. , Warsaw 2016, http://ksiegarnia. 19 1 ; 272pedagogical - - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 Public Public 25% libraries 3% Scientificlibraries Pedagogical libraries 1% Specialized libraries 1% .html [accessed on:29thAugust,.html [accessed 2016] NUMBER OFLIBRARIES INPOLAND2015, BY TYPEOFLIBRARY Source: Data provided by the Central Statistical ofOffice Poland (GUS) on the basis of the K-03 land as of 2012 of as land form; B. Budyńska, M. Jezierska, G.Lewandowicz-Nosal, G.Walczewska-Klimczak, , Warsaw 2016, http://ksiegarnia.bn.org.pl/396/Biblioteki-w-Polsce-w-2012-roku Parish libraries 5% Other libraries 1% 20 Libraries in Po in Libraries School libraries 64% -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 The percentage ofpubliclibraries equippedwithcomputers was 93.6%. In The level ofinfrastructure affects other components ofinstitutional potential 4 18,278 employees involved At inbasicactivities. thesame time, thenumberof 21 in2015 (by 25%);thenumberofspecialized-fiction libraries went down from 84.25% of them were equipped with 22,538 computers, out of which 44.2% 65 in2012 to 52 in2015 (by 20%).However, interms ofthenumberunits, the (812,481 square metres) andpedagogical libraries (90,915 square metres). (GUS), thenumber of libraries operating in Poland isdecreasing, regardless of (9,112) and2,025 (1,395) employees, respectively. Outofthetotal number their type. Compared to 2014 and2012 total, they offered 47,526 computers, including26,239 (55.2%) computers with ies, 695 scientificlibraries,ies, 695 125pedagogical libraries and 177 other libraries. ized libraries fell from 369 in2012 to 315 in2015 (by 14.6%), whilethenumber by publiclibraries (1,080,540 square metres), followed by scientificlibraries by 102 (1%)and339 (3.4%), respectively. Inpercentage terms, more significant es include264,237,269 inventory units: 233,524,900 items bookcollection represented computers usedby readers. Allpedagogical libraries (100%) were places, respectively. There are alsodiscrepancies inthenumberofemploy most significantdrop was observed inthegroup ofpubliclibraries. Theirnumber equipped withthetotal numberof3,913 computers, outofwhich44.7% were of 4,065 libraries withfacilities for thedisabled, there were 3,081 publiclibrar employees working in scientific and pedagogical libraries amounted to 10,538 ees. Thenumberofpeopleemployed by publiclibraries was 23,594, including of libraries, measuring1,944,453 square metres, thelargest surface istaken of pedagogical libraries diminishedfrom 318 in2012 to 272in2015 (by 14.5%). decreased from 8,182 in2012 to 8,050 in2015 (by 1.6%). Thenumberofspecial of libraries ofscientificand technical information centres fell from 28in2012 to drops were observed inthegroup ofsmallerlibraries. For instance, thenumber available to readers. foraccess readers andtheInternet Inthecaseofscientificlibraries, access. scientific, pedagogical and other libraries offered 51,077; 5,731 and2,239 such shown by libraries. Publiclibraries offered 118,922 placesfor readers, while

According to data for 2015 provided by theCentral Statistical of Office Poland Polish libraries constitute ofbooks. atypicalcollection Theirresourc Public libraries showed thegreatest potential in2015. Outofthetotal area The basic types of libraries operating in Poland were described for the first time inthejointK-03 form withextended material scopein2012. 4 , theoverall numberoflibraries declined 21 - - - -

NUMBER OF LIBRARIES AND LIBRARY SERVICE POINTS IN POLAND IN 2015 AS REPORTED BY THE CENTRAL STATISTICAL OFFICE OF POLAND (GUS) – INSTITUTIONAL POTENTIAL

LIBRARIES / LIBRARY SERVICE POINTS Number Total* Public Scientific Pedagogical Specialized Specialized- Libraries of scien- Libraries -fiction tific and technical of Scientific information centres societies

0 1 2 3 4 5 6 7 8

Libraries and library service points 9,710 8,050 1,001 272 315 52 21 13

including libraries with facilities 4,065 3,081 695 125 143 24 6 4 for the disabled

Collections (inventory units) 264,237,269 135,095,597 115,282,764 13,311,967 10,331,226 567,832 596,351 264,180

including books (volumes) 209,727,902 128,061,354 72,000,981 12,235,727 4,138,143 563,207 320,136 137,246

Usable area of library premises 1,944,453 1,080,540 812,481 90,915 34,484 3,798 3,325 1,823 (in sq.m.)

Places for readers 175,538 118,922 51,077 5,731 2,239 275 233 142

Employees (overall number) 34,980 23,594 10,538 2,025 469 75 35 11

including employees involved 28,087 18,278 9,112 1,395 423 75 35 9 in basic activities

Library units equipped with 8,930 7,538 843 272 238 26 19 8 computers

Computers used in library units 72,159 47,526 22,538 3,913 658 72 51 18

including computers with access 37,752 26,239 9,972 1,748 287 21 24 11 for readers and the Internet access

*The column 1 is not the sum of columns 2-8 because 13 public libraries (column 2) and 1 pedagogical library (column 4) are also scientific libraries and are also included in column 3.

FIELDS OF CULTURE AND NATIONAL HERITAGE 22 NUMBER OF LIBRARIES AND LIBRARY SERVICE POINTS IN POLAND IN 2015 AS REPORTED BY THE CENTRAL STATISTICAL OFFICE OF POLAND (GUS) – INSTITUTIONAL POTENTIAL

LIBRARIES / LIBRARY SERVICE POINTS Number Total* Public Scientific Pedagogical Specialized Specialized- Libraries of scien- Libraries -fiction tific and technical of Scientific information centres societies

0 1 2 3 4 5 6 7 8

Libraries and library service points 9,710 8,050 1,001 272 315 52 21 13 including libraries with facilities 4,065 3,081 695 125 143 24 6 4 for the disabled

Collections (inventory units) 264,237,269 135,095,597 115,282,764 13,311,967 10,331,226 567,832 596,351 264,180 including books (volumes) 209,727,902 128,061,354 72,000,981 12,235,727 4,138,143 563,207 320,136 137,246

Usable area of library premises 1,944,453 1,080,540 812,481 90,915 34,484 3,798 3,325 1,823 (in sq.m.)

Places for readers 175,538 118,922 51,077 5,731 2,239 275 233 142

Employees (overall number) 34,980 23,594 10,538 2,025 469 75 35 11 including employees involved 28,087 18,278 9,112 1,395 423 75 35 9 in basic activities

Library units equipped with 8,930 7,538 843 272 238 26 19 8 computers

Computers used in library units 72,159 47,526 22,538 3,913 658 72 51 18 including computers with access 37,752 26,239 9,972 1,748 287 21 24 11 for readers and the Internet access

*The column 1 is not the sum of columns 2-8 because 13 public libraries (column 2) and 1 pedagogical library (column 4) are also scientific libraries and are also included in column 3. Source: Data provided by the Central Statistical Office of Poland (GUS) based on the K-03 form.

FIELDS OF CULTURE AND NATIONAL HERITAGE 23 FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 Total Specialized-fiction li Specialized libraries Scientific libraries SERVICE POINTS Libraries of scientific Libraries of scientific Pedagogical libraries Public libraries LIBRARIES /LIBRARY tion centres braries and technical informa societies SELECTED INDICATORS –POTENTIAL (128,061,354), followed by scientific libraries (72,000,981) and pedagogical (209,727,902 books and 23,797,000 magazines), 29,814,000 other non- libraries (12,235,727). compared peronelibrary. on physical media. Public libraries own the highest number of books electronic inventory units and898,300 electronic inventory units stored Source: Owncalculationsbasedonthedata provided by theCentral Statistical of Office Poland (GUS). Polish libraries show even more diverse potential with their indicators 0 - - SELECTED INDICATORS –POTENTIAL per onelibrary 115,168 28,398 32,798 20,322 10,920 48,941 16,782

27,213 Collections per one library (inventory units) 1

Computers with 10.0

0.8 the Internet access 0.9 6.4 3.9 0.4 3.3 1.1 2 available to readers

Employees involved 2.9 2.3 1.3 0.7 1.4 9.1 5.1 in basic activities 1.7 3

24 Usable 200 334 109 158 140 812 134

73 area (sq.m.) 4

Number of places for readers 18 15 51 21 11 11 5 5 7 FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 0 208,801,500, including the amount of PLN 114,739,100 spent by scientific with greatest resources ofthiskind.Out29,751,703 licensedtitles ac users; pedagogical libraries for 274,600 users, andother libraries (special information centres andscientificsocieties) for 42,300 users. ized andspecialized-fiction libraries, libraries ofscientificand technical by other libraries. libraries; PLN87,414,300 spentby publiclibraries; andPLN9,779,600 spent andlicenses.In2015,lections thetotal spendingfor thispurposewas PLN ber oflicensespurchased by pedagogical andspecialisedlibraries, aswell libraries, whileonly 3,302,168 are owned by publiclibraries. Thetotal num public libraries accountfor 6,232,900 users; scientificlibraries for 1,421,800 manner ofexploiting resources. Beyond doubt, thehighest socialis impact resources andtasks to assigned and them,influencetheirsocialimpact exerted by public libraries. Inthe total numberoflibrary users (7,771,200), bycessed libraries, asmuch26,366,230 titlesare owned by scientific ers with toaccess new licenses, changes the situation in terms of libraries affects theamountofexpenses incurred by libraries onthepurchase ofcol as libraries ofscientific and technical information centres andscientific Source: Data provided by theCentral Statistical of Office Poland (GUS) basedonthe K-03 form. societies, is106,866. In thousand Scientificlibraries Publiclibraries The institutional potential shown by Polish libraries, aswell astheir The variety of methods used by libraries to build up their collections Upgrading by bookcollections purchasing licensesandproviding read NUMBER OFLIBRARY INPOLAND, USERS BY TYPEOFLIBRARY 1,000 2,000 3,000 4,000 5,000 Otherlibraries Pedagogical libraries 6,232.9 6,000 25 7,000 1,421.8 274.6 42.3 8,000 - - - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 4,033,300 loans;andother libraries for 391,300 loans.Ontheother hand,loans 1,655,600 downloads inspecialized libraries; and1,183,300 downloads 284,600 inventory units loanedto readers inreading rooms. Scientific andpedagogical libraries were involved inthe preparation ofsuch (20,424,100) orpedagogical libraries (2,287,000). Inother libraries, there were were organized by public libraries (andnearly7millionpeopleparticipated). Out ofthetotal numberof131,875,700 and loans(loansofbookcollections to readers in reading rooms (41,477,300 inventory units) are most common trainings and educational activities also varies, depending on their operations in different typesoflibraries proves thattheirsituation isvaried, telling in pedagogical libraries. Theseproportions are similarregarding thenum in scientificlibraries (21,076,300 loans),butare frequent less inpubliclibraries ber ofviews ofpublicationsfrom digital libraries. Outofthe total number ber offilesdownloaded inlibraries was 57,380,100, including39,426,900 by users ofscientificlibraries; 26,247,000 sessions were created by users ber of73,894,400 registered 46,263,400 sessions, were sessions created library. However, itoccurs mainlyinscientificlibraries. Outofthe total num loans; scientificlibraries for 13,882,600 loans;pedagogical libraries for public libraries accountfor 31,640,400 views; specialized libraries account of theireffectiveness andusage ofresources andservices. of 93,824,900 suchviews, scientificlibraries account for 69,669,300 views; downloads inscientific libraries; 16,053,300 downloads inpubliclibraries; cal libraries. Among other libraries, particular attention should be given to of publiclibraries; and447,600 were sessions created by users ofpedagogi other publiclibraries kindsofcollections), accountfor asmuch116,002,900 promotional activities, e.g. establishing literary meetings and discussions, organized by libraries was 312,700. Amongthem,asmany as303,900 events and 5,334 events with similarintensityactivities butonasmallerscale. They organized 5,368 and educational activities, 3millionwereand educationalactivities, publiclibrary users (428,000 were scale.and impact Outofthetotal numberof3.5 millionparticipants ofcourses specialized libraries with2,064,000 registered Thetotal sessions. num special events, exhibitions andtrainings. In2015, theoverall numberofevents for 902,600 views The summaryofindicators concerningtheusage oflibrary resources inlibrariesThe useofe-services varies dependingonthetypeofagiven An important ofoperations aspect undertaken by Polish libraries are their Public libraries also dominate themarket interms ofout-of-library loans. , respectively. Thecontributionoflibraries inestablishing , andpedagogical libraries accountfor 391,200 views 26 . - - - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 libraries Pedagogical libraries Scientific Public libraries Total* centres information and technical of scientific Libraries librariesfiction Specialized- libraries Specialized societies of scientific Libraries 0 POINTS SERVICE LIBRARY LIBRARIES /

AND ELECTRONIC RESOURCES IMPACT SCALE: READERS, USAGE OFCOLLECTIONS Source: Data provided by theCentral Statistical of Office Poland (GUS) basedonthe K-03 form. 1 pedagogical library thatalsohave thestatus ofascientificlibrary. the numbers concerningscientific libraries include data on 13 publiclibraries and * Total does not denote the sum of all subsequent rows presented in columns because

6,232.9 Readers 1,421.8 7,771.2 274.6 20.6 19.2 0.6 1.9 1 Usage 116,002.9 131,875.7 13,882.6

4,033.3 Out-of-library loans 240.9 131.4 14.3 4.7 2 21,076.3 20,424.1 41,477.3 Loans to users 2,287.0 223.8 In thousand 29.6 23.2 in reading rooms NUMBER 7.9 3 46,263.4 73,894.4 26,247.0

2,064.0 Sessions 447.6 6.0 3.5 4 - 39,426.9 16,053.3

57,380.1

1,655.6 Downloaded files 1,183.3 27 0.5 4.4 5 - 69,669.3 93,824.9 31,640.4 Views of publications 902.6 391.2 from digital libraries 0.6 0.3 6 -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 of Poland (GUS). Source: Owncalculationsbasedonthedata provided by theCentral Statistical Office andspecialcollections. *The sumofbookcollections SELECTED INDICATORS –IMPACT SCALE (USAGE) societies scientific Libraries of centres information and technical scientific Libraries of librariesfiction Specialized- libraries Specialized libraries Pedagogical Scientific libraries Public libraries Total SERVICE POINTS LIBRARY LIBRARIES / 0 SELECTED INDICATORS –USAGE Readers 1,009 1,420 per one library 800 397 774 90 44 61 1

Collection usage* per one 0.05 0.03 0.07 0.5 0.5 0.3 0.7 1.0 inventory unit 2

Collection usage* per one reader 28 25 23 23 22 22 22 18 13 3

Number of downloads 86.1 27.7 4.3 2.6 2.3 1.0 7.4

4 per one reader - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 “Public Libraries inFigures” statistical yearbook, whichsummarizes activi zasoby-cyfrowe-i-linki/elektroniczne-publikacje-bn/biblioteki-publiczne- fice of Poland (GUS)) insubsequent years ispresented inthe form of table (public libraries andother libraries covered by theCentral Statistical Of w-liczbach). At thesame time, there are numerous works carriedoutwithin who are now calledconsumers instead ofreaders orclients. types oflibraries covered by statistics, theOffice butalsoaddresses awider ties oflibraries basedonthedata provided by theCentral Statistical Office ternal environment to adjust theiroperations to theneedsofvarious target introduction of digital services ies ofeachkind(decline inthenumberofunits). But,atthesame time, it institutional potential oflibraries shows areduction inthenumberoflibrar going beyond thephysical walls ofinstitutions (e.g. by providing remote ac groups ofusers oflibrary services.Thekey elementofthesechangesisthe issued 5,383issued titlesoutofall6,955 titlespublishedby alllibraries in2015). 5 range related ofissues to changesintheoperations oflibraries, suchasthe reviews theoperations undertaken by Polish libraries. Ithaspublishedits relations withlibrary users iskey to influencingtheidentificationofusers, potential ofPolish libraries anddiverse nature oftheiroperations, aswell of Poland (GUS), since1972 tocess library resources), engaging users inshapingthespaceoflibraries develop their services and change the manner of communicating with ex erations, prevailed over other libraries inthenumberofown publications(they a new title–“State ofPolish libraries. Report” and servicesoffered by them.Enhancinglibrary servicesandstrengthening also proves thatlibraries upgrade theiroffers, implementnew technologies, as different target groups summaries on the website of the National Library (http://www.bn.org.pl/ simultaneous development oftraditional anddigital (electronic) resources, specialized libraries, whichare not active intheabove-describedarea ofop scientific library users; 212,500 were pedagogical library users). Whereas

The Institute andReadership ofBook oftheNationalLibrary regularly All numericaldata ontheoperations undertaken by Polish libraries

It is possible toIt ispossible outline characteristic trends, dependingonthevaried

The observations concerning the operations of public libraries are confirmed dation, FRSI) andinotherdation, FRSI) European countries. by reports prepared both in Poland (Information Society Development Foun 5 . Ontheonehand,analysis ofthestate and . In2012, theyearbook started to under beissued . . Not onlydoesitincludeother 29 ------FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016

SELECTED PUBLICATIONS

_wynikajacych_ze_stosowania_technologii_--informacyjno-komunikacyj -statystycznego/ on:October [accessed 3, 2016]. -w-bibliotekach-program-rozwoju-bibliotek-w-danych-glownego-urzedu The NationalLibrary. /artykuly/Europejskie_badanie_opinii_uzytkownikow_na_temat_korzysci 29, 2016]. Why need libraries. Report summarising three years of the Library Library the of years three summarising Report libraries. need Poles Why libraries? in changed has What Palfrey J., Quick S.,Quick Prior G.,Toombs B., Taylor L.,Currenti R., B. Budyńska, M. Jezierska, G. Lewandowicz-Nosal, G. Walczewska-Klimczak, “Public Libraries inFigures” (Yearbooks for theperiod1971–2011), Warsaw, Budyńska B., Jezierska M., Lewandowicz-Nosal G., Walczewska-Klimczak G., “State ofPolish libraries. Report 2012” (typescript) Melinda Gates Foundation, 2013 [online document] http://www.biblioteki.org Hardcover Programme, Development 2012 of as Poland in Libraries as Poland in Libraries Polish libraries. Theseworks allow deeperknowledge onschoollibraries or the framework ofregular monitoring oftrends andprocesses occurringin bn.org.pl/396/Biblioteki-w-Polsce-w-2012-roku.html on:August [accessed nych_w_bibliotekach_publicznych.html on:May25, [accessed 2016]. libraries, public in ICT of benefits the of perceptions users’ measure public libraries for children andyoung adults. on: October 3, 2016]. org/dam/.../RAPORT_PO_CO_POLAKOM_BIBLIOTEKI_www.pdf [accessed 2014dation (FRSI), [online document]http://frsi.org.pl/co-sie-zmienilo BiblioTech: , New York 2015.

Why Libraries Matter More Than Ever in the Age of Google Google of Age the in Ever Than More Matter Libraries Why

of 2012 of 2012, [online document]http://www.biblioteki. , “Polish Libraries” 2014, Vol. 2. , 2016 [online document]http://ksiegarnia. Information Society Development Foun Cross-European survey to to survey Cross-European 30 Bill and Bill and -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 NUMBER OFINSTITUTIONS The best available data on the activities undertaken by this group of institu The largest group ofcultural institutions inPoland, next to libraries, are cul The NationalCentre for Culture, Poland 2011 (3,708), thenumber oftheseinstitutions hasslightlyincreased inrecent years. Now itamounts to 4,070. Almost two inthree (63.2%) cultural centres CENTRES CULTURAL Office of Office Poland (GUS).Based onthedata provided by GUS, there were 4,070 tions, includingcultural centres andestablishments, clubsandcommunity tural centres andestablishments, clubs,andcommunitycentres. They carry the MałopolskieProvince (444). Thelowest numberofsuchinstitutions tablishments, clubsandcommunitycentres isbeyond doubt located in is intheLubuskie Province (78). Significant territorial discrepancies also institutions of thiskindoperating inPoland in2015. After reaching abottom in centres, is contained in the yearbooks published by the Central Statistical other things,festivals, exhibitions, theatre performances andconcerts. They cultural educationandsupportingamateur they activities, organize, among out arange ofdiversified cultural Apartfrom activities. cultural , emerge when comparing the ratio between the number of institutions and thenumberofinhabitants. Inthisrespect, thebest situation isin and establishments, clubsand communitycentres are situated inrural areas. say thatcultural centres focus thecultural life within,like alens. In territorial terms, thehighest numberofcultural centres 31 - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 4,000 5,000 3,000 2,000 1,000 0 Source: Central Statistical of Office Poland (GUS), DataLocal Bank, own study CLUBS ANDCOMMUNITYCENTRES INPOLAND OVERALL NUMBEROFCULTURAL CENTRES ANDESTABLISHMENTS, the Zachodnio-pomorskieProvince (4,900 inhabitants peroneunit)and in thePodkarpackie Province (6,000 inhabitants peroneunit).Theworst situation isintheMazowieckie Province (18,900 inhabitants peroneunit). 2005 2007 2009 2011 2012 20 13 32 20 14 20 15 FIELDS OFCULTURE ANDNATIONAL HERITAGE 2016 78 PROVINCE LUBUSKIE 350 PROVINCE -POMORSKIE ZACHODNIO 302 PROVINCE DOLNOŚLĄSKIE 313 PROVINCE WIELKOPOLSKIE AND COMMUNITYCENTRES INPOLAND NUMBER OFCULTURAL CENTRES ANDESTABLISHMENTS, CLUBS Source: Central Statistical of Office Poland (GUS), DataLocal Bank, own study 321 PROVINCE POMORSKIE 214 PROVINCE OPOLSKIE 221 PROVINCE KUJAWSKO-POMORSKIE 366 PROVINCE ŚLĄSKIE 187 PROVINCE ŁÓDZKIE 444 PROVINCE MAŁOPOLSKIE 148 PROVINCE WARMIŃSKO-MAZURSKIE 282 PROVINCE MAZOWIECKIE 135 PROVINCE ŚWIĘTOKRZYSKIE 352 PROVINCE PODKARPACKIE 33 167 PROVINCE PODLASKIE 190 PROVINCE LUBELSKIE FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 STATE ANDLOCAL FUNDING GOVERNMENT INFRASTRUCTURE The vast majority ofinstitutions categorised ascultural centres andestab The performance of diversified cultural issimplified activities by relatively 100,000 more seats thancinemas. 2016, localgovernments invested thesumofalmost PLN254 millionincultural (92109) are predominantly funded by local governments and, simultaneously, In total, allentertainment venues owned by theinstitutions inquestion of tres andestablishments, communitycentres andclubs,as well asartand this iswhere local governments allocate thehighest share oftheirexpenses. In items. Thestate’s contributionto thefinancingofcultural centres isnegli in localgovernment spendingoncultural centres amounts to 45%. gible, whilethebudget ofartandculture centres isdistributed almost evenly lishments, clubsandcommunitycentres were public(93.4%). Dueto the by comparing this numberwiththeofseats incinemas.Cultural huge infrastructure facilities. In2015, 67% ofallinstitutions categorised as between localgovernments andthestate. Thisreflects the role played by the line. The highest financialcontributionsare made by countycitieswhoseshare municipalities (without countycities),i.e. over PLN1.5billion. ments. Thehighest share offunds earmarked for thispurposeisallocated by method of classifying budgetary expenses, it is possible to compare culture culture centres gives afuller accountoffunding theanalysed budgetary centres, which represents nearly30% ofallculture spendingoflocalgovern centres ofbudget (section – classification 92113). centres and clubs (section of budget classification – 92109), 2) art and culture centres andestablishments, clubsandcommunitycentres offer by over cultural centres andestablishments, clubsandcommunitycentres useda are distributed more evenly than in the case of the previously analysed budget art and culture centres. analysis An in-depth of expenditures shows thatfunds spending intwo groups: 1)cultural centres andestablishments, community separate building.As muchas2,172 ofthemowned anentertainment venue. fered 377,783 standard seats. Thescaleofthisphenomenoncanbeassessed The analysis ofthegeneral structure ofpublicspending oncultural cen In 2016, localgovernment authoritiesallocated atotal ofPLN 254 million to Cultural centres and establishments, community centres and clubs 34 - - - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 County cities 19% Source: Ministry ofFinance, own study CLUBS (AS PLANNEDFOR 2016) CENTRES ANDESTABLISHMENTS, COMMUNITYCENTRES AND STRUCTURE OFLOCAL GOVERNMENT SPENDINGONCULTURAL Total Provinces Counties County cities Municipalities withoutcountycities LOCAL GOVERNMENT UNIT

Provinces 4%

2,044,994,701 76,756,803 4,200,901 393,164,897 1,570,872,100 FOR 2016 INPLN EXPENDITURES PLANNED county cities without Municipalities 77% 35 FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 Source: Ministry ofFinance, own study Provinces 19% AND CULTURE CENTRES (2016) STRUCTURE OFLOCAL GOVERNMENT SPENDINGONART Total Counties Provinces County cities Municipalities withoutcountycities LOCAL GOVERNMENT UNIT County cities 45% Counties 2% 253,923,518 5,318,485 48,267,317 115,032,864 85,304,852 FOR 2016 INPLN EXPENDITURES PLANNED 36 cities without county Municipalities 34% FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 governments State Local STRUCTURE OFPUBLICSPENDING (2015) Source: Ministry ofFinance, own study 100% 80% 60% 40% 20% 0% CENTRES CLUBS ANDCOMMUNITY AND ESTABLISHMENTS, CULTURAL CENTRES 2,035 m 6 m CENTRES ART ANDCULTURE 37

246 m 246 227 m FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 TRAINING NEEDS TRAINING ABOUT THE NATIONAL THE ABOUT CENTRE FOR CULTURE, POLAND The National Centre for Culture, Poland has carried out theCulture Centre + The goalofthiseditionwas to undertake aimedatwideningaccess activities (one-off workshops(one-off lasting several hours) (73%),exchanging experiences with other persons involved (72%)andcourses insimilaractivities (lasting was carriedout During the years 2014–2015, a nationwide diagnosis of improving qualifications 6 useful form ofimproving competencies by respondents (54%). their competencies towards iswillingness self-development. that 39%ofemployees ofcentres ofculture whoimprove theircompetencies the state isconcentrated onsuperregional institutions. to culture, creating conditions fostering the development of cooperation invest intraining outside theirworking hours atleast onceayear. Themain benefit from improving qualificationsisthe employee’s own satisfaction. The programme since2010. Thefirst editionoftheCulture Centre +programme maximum several days) (64%). Conferences are considered to be the least most important factor discouraging employees from participationintrainings conditions favourable to moderncultural education. of tools supporting the functioning of cultural centres andestablishments conducted by theNationalCentre for Culture, Poland was designedasaset conducted with900respondents from allover Poland. Theresults showed of staff employed incentres ofculture, cultural centres andestablishments are financialbarriers (52%) andthemain factor encouraging them to improve authorities are focused ontheoperations oflocalculture institutions, while and communication, mobilising civic activity in the cultural space, creating and centres ofculture insmalltowns ofpopulationbelow 20,000 inhabitants. state and local government authorities in culture funding. Local government

According to respondents, theoptimum form oftraining are workshops

B. Dziadzia et al., Culture, Cultural Centres and Establishments and Centres Cultural Culture, 2015; own study 6 . Based onarandom. Based sample ofinstitutions, interviews were Improving Qualifications of Staff Employed in Centres of of Centres in Employed Staff of Qualifications Improving , Regional Observatory of Culture, 38 FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 self-satisfaction Only 36% Yes, inpart 21% No 21% tural Centres and Establishments and Centres tural Source: B. Dziadzia et al., QUALIFICATIONS? DOES YOUR EMPLOYER REFUNDTHECOSTS OFIMPROVING Establishments and Centres tural Source: B. Dziadzia et al., DOES IMPROVEMENT OFQUALIFICATIONS BRINGANYBENEFITS?

4% No answer Improving Qualifications of Staff Employed in Centres of Culture, Cul Culture, of Centres in Employed Staff of Qualifications Improving Improving Qualifications of Staff Employed in Centres of Culture, Cul Culture, of Centres in Employed Staff of Qualifications Improving 34% , Regional Observatory ofCulture, Katowice 2015; own study , Regional Observatory ofCulture, Katowice 2015; own study No Yes 30% Yes, infull 54% 39 - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 The aimoftheCulture Centre+ ArtEducation was to create conditionsfos To pursue thisobjective, these entitiesare substantially supported by acul (grants for educationalandanimation-related “soft”projects). Apartfrom within theCulture Centre+ Programme SupportNetwork (website, social National Centre for Culture, Poland, grants for complementary trainings Centre for Culture, Poland. Thefirst stage ofaproject implemented by the Culture Centre+ Local Initiatives programme. Theprogramme the assumes urban, urban-rural andrural municipalities.Theprogramme thejoint assumes the engagement of cultural centres and establishments, as well as art and tural capital ofits members, aswell asculture-forming resources ofthese tering thedevelopment ofsocialcapital withtheuseof resources owned through the implementation of educational activities in art-related subjects. the prioritiesmentionedabove, theNationalCentre for Culture, Poland has tural operator prepared for thisrole by anorganisation selected by theNational initiation of activities leadingtoinitiation ofactivities theenhacementofengagement ofcultural interinstitutional cooperation. in thediagnosisofalocalcommunity andthepreparation ofa competition ing bottom-up culture-forming initiatives undertaken by the inhabitants of beneficiaries of the Culture Centre+ Local Initiatives programme consists of by cultural centres andto establish coalitionsfor culture inthecontext of participation oflocalgovernment cultural institutions andlocalcommunities. media, conferences, meetings, publications). culture centres communities. of localcommunities,discovering andenhancingthepotential andcul centres andestablishments, aswell asartandculture centres, inthelife of theprogramme). Theparticipationintheprogramme partner assumed development strategy, ofdevelopment thesubmission strategy to the edition took partinthePriority 1Trainings (trainings onthebuildingof also launchedabroad range ofweb-basedoperations andfunctionalities ship cooperation between cultural centres orestablishments andschools for localinitiatives by thelocalcentre ofculture. Next, thecentre ofculture for proposals to theCulture Centre+ Programme ArtEducation (2ndedition for thestaff ofcultural institutions), andtheninPriority 2Development The aimoftheCulture Centre+ Local Initiatives programme isto increase Since 2013, theNationalCentre for Culture, Poland hascarriedoutthe In August 2012, the National Centre for Culture, Poland launched a call During theyears 2010–2011, theparticipants ofthe programme’s first , inthelife oflocalcommunities by discovering andsupport 40 - - - - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 SELECTED PUBLICATIONS

Central Statistical of Office Poland (GUS), B. Dziadzia et al., Poland, the beneficiaries start executing thesecondpartofproject –the Culture, Cultural Centres and Establishments and Centres Cultural Culture, ture, Katowice 2015. is directed by thesecentres ofculture thatare ready to innovative conduct implementation ofselected projects by theirauthors –therepresentatives representatives ofagiven localcommunity. mentation ofthefirst stage oftheproject by theNational Centre for Culture, cultural animationprojects basedontheresults ofanearlierdiagnosisand of localcommunitiessupported by cultural establishments. Theprogramme subject tosubject evaluation, aswell asfocusing oncloseanddirect cooperation with selects from 3 to 7local initiatives. After the approval of the report onimple 247 beneficiariesparticipated intheprogramme attheendof2016. Improving Qualifications of Staff Employed in Centres of of Centres in Employed Staff of Qualifications Improving Edited by: Tomasz Kukołowicz, MarlenaModzelewska, The NationalCentre for Culture, Poland Culture in 2015. in Culture , Regional Observatory ofCul 41 - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 “Let’s imaginethatyou are afilmcritic, hibernated manydecadesago, who The Polish FilmInstitute 7 Wasilewski, director ofthe woke up in today’s world. You would probably be deeply shocked. Why? Fontaine reached exceptional attendance levels inFrench cinemas. Thefilm Polish FilmInstitute have gained numerous prestigious awards onanin Because there is probably nothing else in Poland that has changed as much CINEMATOGRAPHY ternational level. Duringthe66thInternational FilmFestival, Tomasz in the ists. InthemiddleofOctober 2016, Polish titleswere seenby over 8.5 million present atthe key globalcinematography events, winningtherecognition received theprestigious Lampart statuette for hisrole asZdzisław Beksiński during the73rd openinggala oftheVenice International FilmFestival was of audiencesandexcellent reviews offilmcritics. as cinematography.” and European directors. a well-earned,deserved distinctionfor oneofthemost important Polish seen by over 720,000 viewers inthiscountry. starring Agata Kulesza, Agata Buzek, JoannaKulig andAnnaPróchniak was for thebest . Duringthe69th MFFinLocarno, The GoldenLionfor for hislifetime achievements Viewers inPolish cinemascontinueto choosefilmsdirected by localart In 2016, documentary fiction, andanimatedco-financed filmsby the Last Family Last W. Orliński, saw 2015, p. 8. 10 Years of Emotions. Polish Cinema 2005–2015 Cinema Polish Emotions. of Years 10 directed by JanP. Matuszyński. Polish were also 7 United States of Love of States United , was awarded theprize The Innocents The 42 , Agora S.A., War, Agora S.A., by Anne - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 POLISH POLISH FILM DEVELOPMENT OFTHE The Polish film market was enriched by 140 new companies offering abroad viewers (which ismore thanintheentire year of2015). Taking accountoffilm 8 was sosmallthatthere was noneedto procedures carryoutanyselection dur Film Institute686 documentary fiction, andanimated co-financed films. Institute was established. For thefirst 10 years ofits operations, the Polish For the Polish cinema,the political transformation of1989 resulted ina major tendance atPolish productions was muchhigherinthewholeof2016. This tival. Inonecasethejurydidnot award themainprize –theGoldenLions.The in thefieldoffilm withoneorproduction even more partners, including foreign ing themost important nationalcinematography event –theGdyniaFilmFes in the form of hegemonic American cinemas. Cinemas not generating enough huge success washuge success dueto, amongother things,theexistence andoperations broken themonopolyofbiggest companiesthathadproduced allfilms by theAct onCinematography adopted in2005, underwhichthePolish Film breakdown. Film-makers were overwhelmed by free market andcompetition premieres plannedby distributors for thelast quarter of2016, includingmuch narrow specialisation inthespecific equipmentand technologies provision, Thecontemporarynational co-productions. Polish market offilmservicesis made inPoland before thefoundation oftheInstitute. range ofopportunities inthefieldoffilm andservices.Thishas production of thePolish FilmInstitute. expected ones. Duringthefirst 10 years, the Polish FilmInstitute 121inter co-financed revenues had no chance to flourish. The number of films produced in Poland political transformation, we becameoneofmanyEuropean countries–situated as well ascompaniesoffering afull range offilmservices. also well-developed. Theparticipants ofthismarket are both companieswith far away from thecentre oftheworld andshowing nospecialcharacteristics global audiencealsostopped beinginterested inPolish cinema. The conditionsfor therevival ofPolish cinematography were provided

Polish filmmakers started to join forces andnow undertake cooperation

T. Lubelski, p. 635. Wołyń by Wojciech Smarzowski, there isnodoubt thatthefinalat Cinema 1895–2014 Cinema Polish of History , Universitas, Cracow 2015, 43 “ Following the .” 8 - - - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 INTERNATIONAL FAME OFPOLISHCINEMA 10 film festivals andcompetitions, programmes onprofessionalism, digital re film industry, tourism andnationalheritage abroad. within theframework ofpromoting filmculture. In Poland, about 150 film were includedintheprogrammes ofthemost important world film festivals, 9 During thefirst 10 years oftheInstitute’s activity, Polish filmmakers brought they are newcomers whoshow oneofthemost interesting faces ofthePol this kind are operating. All of them constitute an additional source film tute andits partners developed proposals concerningtheorganisational internationally. ish cinema.In2015, thedébutfilmsco-financedby PolishFilmInstitute ing foreign investments andproductions to ourregion. In2015, despite the in theterritory ofPoland andstimulating localentrepreneurship by attract goal of the Film Commission Polandgoal oftheFilmCommission isto promote thepotential ofthePolish home over 2,900 awards from international festivals. Polish films were nom projects were from co-financed theOperational Programme Education and newcomers participated in contests organised within the most important many, Great Britain, India,Israel andtheUSA were madeinPoland productions financing. construction and cinema-related publications. In 2016, more than 170 such cinematography festivals inKarlovy Vary, Locarno andSan Sebastian. directing projects. Two generations ofartists have madeadébutsofar and creating conditions for theimplementation of international filmproductions absence ofanytax incentive system, films by film crews from , Ger and legal form ofthesefunds. For thetimebeing,10 localinitiatives of such asthefestivals inCannes, Toronto Berlin, orVenice. Thisyear, Polish festivals are currently beingorganized

The Polish Film Institute financially supports many initiatives, including A regional network offilm funds was launched.The Polish FilmInsti Within 10 years of its operations, the Institute co-financed 188 début Moreover, Poland theFilmCommission was established withanaimof _1_2016_double.pdf on:10th [accessed October, 2016] http://filmcommissionpoland.pl/assets/Zalaczniki/Polish_Film_Magazine A. Wróblewska,A. Warsaw 2014. Film Market in Poland in Market Film 9 , twenty ofwhich are recognized , Wojciech Marzec PublishingHouse, 44 10 . Another . Another ------

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 BY THE POLISH FILM INSTITUTE POLISHFILM BY THE PRODUCTIONFUNDINGFILM

2015. Inthesame year, two other Polish titleswere nominated to theOscar 13 12 11 Polish animationfilms were screened over 600 timesatinternational fes Polish short films were screened over 1,300 timesat international festivals Polish documentary films were screened over 460 times at international 90.5 million of this sum was allocated to film production, PLN 25 million to In 2016, thePolish FilmInstitute plannedto invest PLN133.5 millionin all Park Utah (MFFSundance), Locarno Berlin, andVenice. They stand agood tivals andreceived almost 50awards the Polish documentary school renown. times. A symbolic confirmation ofthe constantly growing quality of Polish inated to the Academy Award for the Best Foreign Language Film three my Award. In2016, the student’s Oscar was won by Klara Kochańska who cinemas, andPLN8millionto thepromotion ofPolish filmabroad. education andfilmculture promotion, PLN6million to thedevelopment of directed entitled ashortfiction chance ofreceiving further distinctions,includingtheEuropean FilmAcade- of Polish cinematography, whichwas granted to cinema as a brand was the first Oscar award inthis category inthehistory areas of its activities within the Operational Programmes. As much as PLN and received almost 150 awards award inthecategory oftheBestDocumentary Thisproves ShortSubject. festivals andreceived more than90awards

In 2016, Polish artists were awarded, amongothers, atthefestivals in In 2015: _animowanych_-_podsumowanie_2015_roku [10th October, 2016]. _czyli_polskie_filmy_krotkometrazowe_na_zagranicznych_festiwalach 2016]. http://polishanimations.pl/pl/aktualnosci/2850/sukcesy_polskich_filmow http://polishshorts.pl/pl/aktualnosci/2855/podsumowanie_roku_2015 http://polishdocs.pl/pl/aktualnosci/2799/polski_dokument_na_zagranicz [accessed on:10th[accessed October, 2016]. nych_festiwalach_-_podsumowanie_2015_roku on:10th [accessed October, The Tenants. The 12 ; 13 . 11 ; Ida by Paweł Pawlikowski in 45 -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 Education 25 of cinemas Development 6 OF THEPOLISHFILMINSTITUTE IN2016 (INPLNMILLION) PLANNED EXPENDITURES ONOPERATIONAL PROGRAMMES film producers must apply to the Polish FilmInstitute for oneofthree tion carriedoutby experts whoare appointed by theMinister ofCulture expenses are distributed by theGeneral Director oftheInstitute. earmarked for film production, while the remaining 20%ofbudgetary ers of the expert committee decide on the distribution of 80% of funds composed ofrepresentatives offilm,literary andartcommunities. Lead and NationalHeritage for theterm of12months. Thegroup of experts is Source: ThePolish FilmInstitute sessions takingsessions placeeachyear. There isatwo-stage project evalua To obtain funding from theOperational Programme FilmProduction, abroad cinematography of Polish Promotion 8

other purposes awards, Experts, 4 46 production Film 90.5 - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 CINEMA BOOM CINEMA 50 30 40 20 10 0 The mission ofthePolishThe mission FilmInstitute hasnot onlybeento restore the 7 milliontickets to 37 Polishco-produced films orfilms by Poland.The top 22%. Duringthefirst eightmonthsof2016, Polish cinemassold almost fiction films.Thenumberofdocumentaryfiction films offered in Polishcinemas films was 700,000 (3% market share). After ten years oftheInstitute’s ac watched inPoland. In2015, themost popularfilm was NUMBER OF VIEWERS (INMILLION) NUMBER OFVIEWERS Bogowie Polish cinematography. In2005, the total numberoftickets soldto Polish Polish filmmarket, butalsotheconfidenceofaudienceand its faithin tivity, Polish viewers boughttwelve timesmore tickets (8.3 million)to see has alsoincreased. Intheannualbox office rankings, thedomestic titles production (almost 2.9 million viewers), while in 2014 it was the Polish film position in this year’s box office is taken by another Polish film domestic filmproductions and gained asignificantlywiderchoiceof Polish Source: boxoffice.pl singli successfully compete withUSproductions asthetop ten most popularfilms 2005 23 In the past five years, the average market share of Polish films exceeded .6 (over 1.9 millionviewers). 2006 (more than2.1 millionviewers). 32 2007 32.6 2008 33.8 2009 39 .2 20 37 .5 10 2011 38 .7 2012 38.5 Listy do M. 2 M. do Listy 20 36.3 47 13 20 40 14 .4 ofPolish Planeta Planeta 20 44 15 .7 -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 1 12 0 8 0 6 4 2 2016, cinemasinPoland soldover 31.5 tickets and7millionviewers chose 2015, experienced arecord-breaking attendance atthelevel of44.7 million viewers ten years later. At thesame time, duringthefirst eightmonthsof within thePolish Digital CinemasNetwork, whichisnow composedof124 NUMBER OF VIEWERS OFPOLISHFILMS(INMILLION) NUMBER OFVIEWERS the digitizationofcinemas,withinwhichallarthousecinemasacross Po tributors to watch filmsdirected by Polish artists. Taking into consideration therich located inbigger cities.Polish cinemas land were transformed into modern cultural establishments of high quality beneficial not only for Polish artists. In2011, itlaunchedaprogramme for positive trend willchangein2017. projection, simultaneously preserving theirspirit.Thosecinemaswhich cess cess to films,which so far have been offered aspremieres onlyin cinemas digitization have been supported by the Polish Film Institute, are united arthouse cinemas. The viewers from smaller towns and villages gained ac and varied repertoire ofPolish filmpremieres planned for Q42016 by dis Source: boxoffice.pl for thelast 11 years will continue. There are nosignsindicating thatthis 2005 0. The establishment ofthePolish FilmInstitute (PISF) turned outto be 7 2006 , 5. it can be assumed thattheupward itcanbeassumed trend consistently maintained 1 2007 8. 1 2008 8 2009 8. 5 20 5. 10 4 , whichsold23.6 milliontickets in 2011 11.8 2012 6. 2 20 48 7. 2 13 20 11 14 20 8. 15 3 - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 SELECTED PUBLICATIONS ABOUT THE POLISH FILM INSTITUTE POLISHFILM THE ABOUT

The Polish FilmInstitute (PISF) operates undertheAct onCinematography Warsaw 2014. Wydawnictwo Naukowe UAM, Poznań 2015. History of Polish Documentary 1945–2014 Documentary Polish of History T. Lubelski, Wróblewska, Institute ismanagedby MagdalenaSroka. Odorowicz, oftheCinematography aco-author Act, whohadperformed unions, expresses its plans,financial opinionsonactivity reports andannual undertaking its own andsupportingoperations actions ofother organisa this function for two consecutive terms before 2015. For thetimebeing, tives offilmmakers, film producers, cinemas,distributors, broadcasters, tions, includingfilmschools. to industry newcomers whoexperienced obstacles preventing themfrom budget isformed, amongothers, by payments from theFund for thePro lowing offilmproduction, goals:co-funding distribution anddissemination motion of Culture, revenues from the exploitation of films, the economic revenues to thePolish FilmInstitute. Theremaining partoftheInstitute’s made by television broadcasters, digital platforms, cableoperators, aswell reports oftheInstitute andapproves its Operational Programmes. copyrights belonging to the Institute, as well as core subsidies from the cable TVoperators anddigital platforms, aswell ascinematography trade debuting inprevious years. TheInstitute fulfils its statutory obligations by of films,promotion of Polish cinematography worldwide, providing support as cinemaowners andfilmdistributors. Allofthem allocate 1.5%oftheir age. TheCouncilofthePolish FilmInstitute, composedoftherepresenta adopted on19th August, 2005, andits statute. TheInstitute pursues thefol state budget. The primarysource ofincomethePolish FilmInstitute are payments The first General Director ofthe Polish FilmInstitute was Agnieszka The Institute issupervisedby theMinister ofCulture andNationalHerit History of Polish Cinema Polish of History Film Market in Poland in Market Film , Universitas, Cracow 2015. , Wojciech Marzec PublishingHouse, , ed.Małgorzata Hendrykowska, 49 - - - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016

.pdf [accessed on:October.pdf [accessed 10, 2016]. /dokumenty/rozne/npf2016/PISF_Polish_Docs_Shorts_Animations_2016 /apps/details?id=pl.pisf.newpolishfilms on:October [accessed 10, 2016]. /wa/viewSoftware?id=807902950&mt=8 //https://play.google.com/store Polish: Documentaries, Shorts &Animations2016, http://www.pisf.pl/files New Polish Films2016, https://itunes.apple.com/WebObjects/MZStore.woa http://10latemocji.pisf.pl/ on:October [accessed 10, 2016]. Edited by: Kalina Cybulska, Rafał Jankowski, Piotr Szymański 50

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 The NationalInstitute for MuseumsandPublicCollections 17 16 15 14 Polish museumsoperate undertheAct of21st 1996 onmuse ums. Inaccordance withtheprovisions thereof, “a museumisanon-profit the widerpublicby organising permanentandtemporary exhibitions and tion. Ontheother hand, museums are obliged to provide access to their tory Ontheonehand,they activities. are focused ongathering collections, in Poland heritage ofmankind,both tangible andintangible, informs aboutthevalues other events. this,museumsalsooffer Besides educational,publishing forcollections scientific purposes,as well asmake themaccessible for organisational entity which collects and preserves natural andcultural and scientificactivities and world history, scienceandculture, fosters cognitive andaesthetic sen and contents ofits diffuses collections, thefundamental values ofPolish storing andmaintaining theminconditionsthatsafeguard theirpreserva sitivity andprovides to access thecollected holdings.” fulfilment oftheseobligations, museumsundertake awide range of statu MUSEUMS

As shown by various estimates, there are between 844

Museum database oftheNationalInstitute for MuseumsandPublicCollec Ibidem. Act of 21st November 1996 on museums, Polish Journal of Laws of 1997, No. 5, Culture in 2014 in Culture Item 24. www.stat.gov.pl. tions (NIMOZ) asof 1st July, 2016. 17 , includinglocalbranches. Anydiscrepancies inthesefigures result , data provided by the Central Statistical Office of Poland (GUS), 15 . 16 51 14 and 964 museums and964 museums To ensure proper - - - - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 persons run by private Museums 170 persons run by legal Museums 118 19 18 were 124 museumsentered to theState Register ofMuseums,which are MUSEUM BY ORGANISER their organiser, suchmuseumscanbedividedinto thefollowing categories: taining high standards interms ofdescribing, storing, preserving andpro referred to asregistered museums moting At museumsandtheircollections. theendofJuly2016, there of museumsintheform oftheState Register ofMuseumsaimedatmain of Culture andNationalHeritage. Thenumber ofsuchestablished institutions of museums with a relevant statute or by-laws in place is given by the Ministry amounted to 652 Source: Ownstudy basedonthedata publishedonthewebsite oftheMinistry ofCulture and from theapplicationofvarious definitionsofamuseum.The exact number National Heritage

The Ministry ofCulture and NationalHeritage alsokeeps therecord

List ofmuseums entered to the State Register ofMuseums, Public Informa List ofmuseumsthePublicInformation (BIP) Office oftheMinistry ofCulture tion Bulletin (BIP), Ministry ofCulture andNationalHeritage. and NationalHeritage. churches run by Museums 10 18 in2016. Dependingonwhichentityisconsidered to be 22 State museums ofCulture andNational Heritage 17 Museums co-run by Museums co-run theMinistry 19 . museums Local government 315 52 - - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 -to-year basis. It means that Polish society considers these institutions, often 20 visit museums, which translates to agradual increase in attendance onayear- financing theiroperations liesmainlywiththeirorganizers. As thechartbelow 6.6, 6, 7.3 and14 museumsper100,000 inhabitants Portugal, Spain,Croatia, Finland,Latvia andSwitzerland itwas 3.50, 3.80, 3.20, there were only2.22museumsper100,000 inhabitants, whileinLithuania, tute a significant challenge for them, particularly within the scope of upgrading fortheir collections free onallseven days oftheweek), consti financialissues to thefact thatmuseumsare obligedto undertake awiderange ofstatutory illustrates, more thanhalfoftheseinstitutions receive supportfrom thestate inhabitants) doesnot determine Poland as“thecountryofmuseums”. In2014, infrastructure, preserving historic buildings, and preserving and enhancing budget (state museums,localgovernment museums).Due museums,co-run museums. Inthelast 25years, numerous investments related to thecon represent about14.68%) Incaseofmuseumsownedmuseum collections. by theMinistry ofCulture other European countries(indicated by thenumberofmuseumsper100,000 completed. organizers, museumssuccessfully handletheirfinancialsituation by raising of museums owned by local governments, it is approx. 81.4% (own revenues of theirbudget (own revenues amountto approx. 24%). Whereas, inthecase every average citizen ofPoland, whopermanentlyresides inourcountry, visits contrary to stereotypes, to beincreasingly crucialentitiesofpubliclife and in a museumatleast onceayear. additional sources offunding. and National Heritage, the funding of the organizer represents approx. 71% at least onceaweek (martyrdom museumsare obligedto provide to access andtheyactivities are alsoboundto provide to access for theircollections free stitutions ofculture, science, entertainment andremembrance policy. Almost struction ofnew museumsorthemodernisation ofexisting oneshave been

However, according to statistical data, Poles are increasingly willing to However, thesaturation ofthePolish market withmuseumscompared to It seemsthatthePolish mapofcultural institutions isjam-packed with Museums are non-profit organisations. Therefore, the responsibility for

Data provided by theNationalInstitute for Museums andPublicCollections (NIMOZ). 20 . Regardless majorfinancialcommitmentoftheir , respectively. 53 - - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 3 20 35 25 10 15 0 5 0 ATTENDANCE (INMILLION) Source: Central Statistical of Office Poland (GUS) (Reports: Culture) 2008 20.7 2009 20.7 22.2 20 10 24.9 2011 26.7 2012 29.0 20 13 2014: 13.7 m 2013: 13.4 m Free-of-charge sightseeing 54 20 30.6 14

20 33.3 15

Source: Central Statistical of Office Poland (GUS) (Reports: Culture) FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 MUSEUM STATISTICS Taking into consideration data theaccessible onthemuseumsector, it (GUS) andanalysis reports devoted solelyto certain areas ofmuseumactivi (each institution isobligedto report to its organizer withanadditionalobli which determines to thenecessity apply various methodologies andcom which focuses atcreating acomprehensive database ofPolish museology. December 2016, thepublicationofasummaryreport basedondata col Institute for kept MuseumsandPublicCollections inmindthatits primary Each year, allmuseumsare invited to participate inthisproject, regard National Heritage, initiated aproject underthename (NIMOZ),Public Collections inconsultation withtheMinistry ofCulture and Collections (www.nimoz.pl)Collections andthededicated website ofthe update ofinformation undertaken onactivities by institutions operating the participants panelonthemuseumstatistics ofthe discussion inPoland, tistics transformation consisting inthemodernisation ofmuseums.Therefore, in ties, andoften relies onlyontheintuition ofresearchers tistical Office of tistical Office Poland (GUS), theMinistry ofCulture andNationalHeritage, the central level. The Group iscomposed ofrepresentatives oftheCentral Sta the Working Group on Museum Statistics was established at the Intermini- in themuseumsector. gation to provide statistical tables). Moreover, individualforms vary greatly, goal isnot ofdata, thecollection butthecreation ofbasicdiagnostics for lected withinthepast three years was planned.Itwillalsobeavailable for oftheir less legal status, form oforganization, size, structure or the scope reporting obligation. To satisfy the expectations ofthemuseumcommunity, mit alot oftimeto fillthemonthepartofinstitutions covered withthe downloads onthe website oftheNationalInstitute for MuseumsandPublic of theircore Theproject activities. serves asatool enablinganannual on macroeconomic data collected by theCentral Statistical of Office Poland as well astheaudience, agreed thatthere are too manyreporting systems sterial Methodological Team for Culture Statistics. Its aimisto create the should be admitted that the insight remains incomplete. It is based mainly framework for establishing anintegrated reporting system for museums at Therefore inDecember2013, theNationalInstitute for Museumsand When implementing the During the1st Congress ofMuseumProfessionals organised in May 2015, project (www.statystykamuzeow.nimoz.pl). Statistics of Museums of Statistics project, theNational Museum Statistics Museum 55 .

Museum Sta Museum ------,

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 SELECTED PUBLICATIONS

2012. 2009, No. 50. 2017. They willmost probably ofalively bethesubject within discussion Activity of Cultural Institutions in Poland in Institutions Cultural of Prospects. Activity Development Context, Situation, Poland. in Education Museum P. Majewski, D. Folga-Januszewska, Report on the State of Museum in Education Museum of State the on Report Office of Office Poland (GUS) –StatisticalOffice in Cracow, www.stat.gov.pl. the museumcommunity. rewritten. New narrations of history and museum presentations of the past the of presentations museum and history of narrations New rewritten. results ofoperations undertaken by theexpert team are to bepublishedin ed. R. Kostro, K.Wóycicki, M.Wysocki, Polish History Museum,Warsaw 2014. and theNationalInstitute for Thefirst MuseumsandPublicCollections. Museums – Need for Remembrance Policy Remembrance for Need – Museums Edited by: Piotr Majewski, PhD, Katarzyna Skomorucha-Figiel Museums in Poland 1989–2008 Poland in Museums , Study oftheCentral Statistical , ed.M.Szeląg, Warsaw , in: 56 – – Poland of History , “Muzealnictwo” ,

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 The reality makes theartists constantly lookfor new ideas,provide listeners The European artofthe21st century ismultidimensional andhasmultiple The Institute ofMusicandDance with valuable pieces ofartandcare for theirown image, asthemusicstage Internet expansion, freedom ofmedia,andglobalization.However, there are May 2011. Itwas aimedatmaking“a photographic record ofmusiclife, aswell Polish music. Thefirst In 2010, the Institute of Music and appointedDance a team of experts, under the foreword by Andrzej Kosowski, Director oftheInstitute ofMusicandDance. tions andnon-governmental organizations active inthisfield”, asit reads in the guidanceofAndrzej Chłopecki,to diagnosethestate ofthecontemporary is constantly changingandits mainplayers are constantly rotating. is constantly changinganddynamic, influenced by all factors shapingthe grammes of major festivals, orthepositionoftheiralbums insales rankings. longer dependentontheoriginalityoftheirworks orindividualstyle, butis in manyvarious fieldsandtheadoption ofanew approach. multi-dimensional commercialism. Thepositionofmusiciansinthecultural landscapeisno contemporary progress ofcivilisation: development ofnew technologies, the also influenced by theirpromotion skills,their work beingincludedinthepro also negative aspects, such as information noise, domination of mass culture, as allartists andcomposers, musicologists, journalists, critics,musicalinstitu sible to find one dominating aesthetic, attitude or trend withinit.Thepicture storylines, andthePolish musicmarket shows thesame picture. Itisimpos MUSIC Such apluralistic musiclandscaperequires theinvolvement ofspecialists Report on the State of Polish Music Polish of State the on Report 57 was publishedin - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 – from theprinted version to theextensive onlinewebsite Muzykapolska.org. The report describes the educational system, the methods of financing musical Zubel whosecompositionentitled Symphony who is the winner of the Toru Takemitsu Award 2013, the biggest and the winner ofthe“Coryphaeus ofPolish Music”Award in2015. Hecomposed Mountain Presidency in2011 closingceremony, aswell ashislatest opera City ofParis in2014, currently asthePolish acting representative inthe the Internet offered anopportunity ofmakingdeepercomparisons,showing the mediumthrough whichtheresults are shared withreaders haschanged the Institute of Music and Dance continues to carry out this research. Only interactive map. Both interms ofquality–thanks to numerous indicative and initiated andpublishedfurther nineworks, thevolume ofwhichcovered tens hop, traditional andfolk music, to dance. basis – inchronological order, and in spatialway – in the form of a dynamic, many excellent works, including porary stage ofPolish covers approximately 300 artists. Several mary tables andstatistics, andfinally–in an overall manner, starting from multidimensional relations, further andcomprehensive connections analyses pl. Thewebsite hasbeenfilledwithcontent ofall ten volumes of reports and most prestigious compositioncontest inJapan,theArtist Resident ofthe points attheInternational Rostrum ofComposers in . Another very of themtake aprominent placeboth inthelocalandinternational music contemporary music, musicto classical alternative music, jazz, pop, rock, hip descriptive texts, aswell asinterms ofquantity–with the useofcharts, sum on thehighest level. Thepicture ofthePolish musicwas outlinedonalinear of Polish music can now be recognized as nearly complete. For the time being, of texts (2,540 pages!),suchasstatements, intermediate reports, statistics ers inthecountry’s musicallife. By2015, theInstitute had ofMusicandDance culture, legal frameworks, undertaken activities by media,publishinghouses excellent singerspecialized in theinterpretation ofmodern works Agata and charts. Thanks to thisinitiative, theinitiallymodest picture ofthestate and phonographic companies,aswell astheparticipationoflisteners andview further summaries,descriptions andanalyses. Theinstruments available via successful Polish composerontheinternational stage isMarcin Stańczyk space. Oneofthemost outstanding composers isPaweł Mykietyn –the So, whatisthepicture ofPolish musicinthe21st century? Thecontem . Specialattention shouldbepaidto themusicofacomposerand , performed at the NationalCultural Programme ofthePolish EU Second Symphony, St. Mark Passion, Third Third Passion, Mark St. Symphony, Second Not I Not received thehighest score of60 58 The Magic Magic The - - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 “The BestSingeroftheSeason”, aswell ascriticallyacclaimeddébutofTomasz Treliński. The staging of Zbigniew Penherski, Zbigniew Bargielski, Zygmunt Krauze, Stanisław Krupowicz, Among numerous successes of Polish opera singers, two prestigious awards Witold Lutosławski andAndrzej Panufnik, whosecentenaries ofbirthhave been 20th century”, i.e. representatives ofthePolish sonorism,acurrent ofimprovised Musagète Quarter, Royal StringQuartet, Lutosławski Quartet, proModern vocal Konieczny inthetitlerole ofWozzeck intheLyric Opera inChicago2015. Piotr and others. Moss Recently, theirmusichasbeenpropagated by renowned Eugeniusz Knapik,Elżbieta Sikora andHannaKulenty, Aleksander Lasoń, Marek Chołoniewski, Krzysztof Knittel, Paweł Szymański, MarianBorkowski, Przybylski, JagodaSzmytka, andWojciech Ziemowit Zych. Onegin Onegin Covent Garden, withMariuszKwiecień inthetitle role, alsoturned outto be Grażyna Bacewicz, , , BogusławSchaeffer, ticipation ofPiotr took Beczała placeintheMET, i.e. doubleperformance including new simplicityandnew . Thisgroup ofartists isheadedby based onthe“16+1” model.Adistinguished placeamongthemost renowned ning streak. Themajorevent oftheyear 2013 was thepremiere of recently celebrated allover theworld, HenrykMikołaj Górecki, , positions ofthemiddlegeneration ofartists, aswell asPolish “ ofthe of theMetropolitan Opera inNew York, starring MariuszKwiecień asOnegin of of Polish Radio thathasledinthisfield for many years. ensembles specialisedintheinterpretation ofmodernworks, suchasApollon cultural cooperation programme between Chinaand16 European countries diveristy, thehistorical legacy ofPoland stands outonthemapofPolish music. category “TheArtist oftheYear” andBachtrack Opera Award inthecategory and Piotr asLenski. Beczała InJanuary2015, other premieres withthepar a major success in2015.a majorsuccess Theperformance was recognized astheevent ofthe art combinedwithelectronic music, attheendoftrend ofpostmodernism, artists isalsotaken by suchPolish composers asPaweł Łukaszewski, Dariusz for Aleksandra Kurzak are worth mentioning–International Opera Award inthe season andshown instreaming. Several monthslater, itwas released onDVD. sextet andthe New Music Orchestra, next to the National Symphonic Orchestra Iolanta The repertoires ofmusiciansandmusicalensemblesalsoincludethecom Next to themost recent works andtogether withthe variety ofattitude and On theinternational opera stage, Polish opera singers keep enjoying awin written by Pyotr Ilyich Tchaikovsky, which inaugurated the season by Tchaikovsky and King Roger King Bluebeard’s Castle Bluebeard’s written by in the by Bartok directed by Mariusz 59 Eugene Eugene - - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 The world of class Polish folk artists is confirmed by theirinternational achieve Arte deiSuonatori, and{oh!} Historic Orchestra, oneoftheyoungest ensembles. World MusicExpoinBudapest. Furthermore, Muzykanci performed inKorea and Wojciech Myrczek. Thefollowing bandsstood out:Atom StringQuarter, High Strączek, Piotr Damasiewicz, MaciejFortuna, Piotr Schmidt,MaciejObara, and Spain, Germany, , Czech Republic andAustria. Spain, Norway andSwitzerland, andJanuszPrusinowski Kompania performed in Nowadays, thereconstruction trend isseenwithinthemore andmore extensive Hungary, JoannaSłowinska performed inGeorgia, MariaPomianowska performed Prusinowski Trio andPiotrKapela Gaca, Brodów andJanCebulafrom Rzeszów). Prusinowski Trio. Theseensemblesattempt to “revive” the19th-century manu Its mainrepresentatives are two musicalensembles:Kapela Brodów andJanusz Polish Jazz? Yes! Jazz? Polish Quartet,Definition Pink Freud, RGG.In2015, oneofthemost interesting jazz Michał Kapczuk, Marek Kądziela, Szymon Mika, Rafał Sarnecki, Przemysław Paweł Tomaszewski, DominikWania, MichałWróblewski, Dominik Bukowski, Mateusz Smoczyński, Aga Derlak, Nikola Kołodziejczyk, Piotr Orzechowski, Czech Republic, Italy, andSlovakia, Kroke performed inGermany, Italy, Pałyga,Cicha &Bart thebandsSutari andMuzykanci were guests atWOMEX –the to Singapore. Thecooperation between Polish jazzmen andAmericanScan the UK,France, Spain,Estonia, Germany and Czech Republic, MichałCzachowski the guidanceofprominent traditional musiciansoftheoldergeneration (Janusz in , India,SouthKorea, ChinaandRussia, Kapela ze Wsi Warszawa performed in ish festival called“Womad” andplayed concerts inMalaysia Karolina andBelgium. role was played by young musicians,suchasAdam Bałdych, Bartosz Dworak, performed inColumbia,Italy Čači andtheUSA, Vorba performed inGermany, ments. In2015, musiciansfrom Kapela Maliszów performed attheprestigious Brit records was thealbumrecorded by Zbigniew Namysłowski Quintet andentitled dinavian jazz musicians also developed. On the Polish stage, the most significant of thecountry. In2015, Polish jazz was present onthestages from Ecuador excellent ensemblesastheCapella Cracoviensis, theWrocław Orchestra, alternative music. In 2015, as many as four albums from Poland were included scripts ofOskar Kolberg through jointmusic-makingandundertaking study under strongly present inthePolish folk musicasthe scope ofmusicalrepertoire. Historic performance becamethedomainofsuch The shifttowards thereconstruction, makingreferences to sources, hasbeen Recent years have also seen numerous international successes of Polish For manyyears, alsojazz musicianshave successfully crossed theborders , whichincludedworks inspired by Polish folklore. revival tendency sincethe1990s. 60 - - - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 The artist oftheyear injazz musicwas Marcin Wasilewski who, together with Jaczyński) published. Joanna Kos-Krauze and Krzysztof Krauze, 2013), P. Jan A. Kaczmarek ( Awards Ceremony oftheFryderyk MusicAwards ofthePhonographic Academy, Westerplatte 2015). Thenationalcinematography hasbeenrecently marked with theten with theparticipationofSampler Orchestra, aduet ofproducers. There was was awarded intwo categories – was includedinthelist oftop albumscreated by votes ofseveral tens ofcritics Interpretacje Kuba Ziołek,insecondplace. Thealbum thors: Dominika Węcławek, Marcin Flint,Tomasz Kleyff, Andrzej Cała andKamil tion oftheNationalSymphonic Orchestra ofPolish Radio underthe direction towa the Polish cinemafor sometime( tive composers whospecialiseinthisfield,there are namesofsuchprominent, globally acknowledged artists asJanKanty Pawluśkiewicz ( it was Natalia Przybysz whotriumphedinthefieldofentertainment musicand in theTop 100 AlbumsofTheQuietus, aprestigious British musicservice, in by Piotr Wereśniak, 2015), orAbelKorzeniowski whohasbeenabsent from his trio, alsoreceived anaward for the place – polska ems ofTadeusz Różewicz inthemusicalinterpretation by Sokół andHades, of Radzimir Dębski(Jimek) andthepremiere ofthemusicalbum of theAudio-Video Producers Association(ZPAV): atthe3rd place– of sales ofphonograms andthepopularityinstreaming services.In2015, Polish especially rock, popandhiphop–are currently measured withthevolume centred around “TheWire” magazine (itwas ranked 16th). cluding dency to commission to foreign artists (e.g. debuting incinemas(includingdocumentaries Amongac andco-productions). also anextensive monograph entitled artists dominated thefirst Officialten placesonthe Retail SalesChart (OLiS) Music Mystic African Hughes. Langston and The achievements inawidelyunderstood area ofentertainment music– Each year, there are about50Polish filmswithmusicalaccompaniment In 2015, inthefieldofhiphopmusic, theconcertofMiuoshwithparticipa by Stanisława Celińska, 4thplace – directed by JanuszZaorski, 2013), MaciejZieliński( Annoyance and disappointment and Annoyance Zamknęły się oczy ziemi oczy się Zamknęły directed by Paweł Chochlew, 2013), Krzesimir Dębski( generated many reports in media. by Stara Rzeka, musicalproject of aone-man Album of the Year – Rock – Year the of Album Ziarno prawdy Ziarno Jazz Album of the Year. the of Album Jazz by Podsiadło. Dawid In2015 duringthe Anthology of Polish Rap Polish of Anthology Raphael Rogiński Plays John Coltrane Coltrane John Plays Rogiński Raphael Królowie życia Królowie of aguitarist Raphael Rogiński

directed by , The latter includes the po Ida by Gang Albanii, 5th by Albanii,5th Gang and Wkręceni 2 Wkręceni Papusza 61 directed by Paweł Song of the Year. the of Song (multipleau directed by Tajemnica Tajemnica Syberiada Syberiada Różewicz. Różewicz. Atramen directed ------

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 śniegu śniegu Wrona withmusiccomposedby Krzysztof Penderecki andMiąższ, vices isalsosystematically growing. However, thegreatest popularityisenjoyed 3 (ballscene, directed by MichałZadar, Polish Theatre inWrocław) and whereas thevalue ofthephonographic market was calculated atPLN430 mil Music Polska, Warner MusicPoland. The share ofindependentcompaniesin French Duszyński whocomposedmusicto four important performances: Prokopowicz withmusiccomposedby Micromusic, Pawlikowski withmusiccomposedby Kristian EidnesAndersen, 2013). Besides though thesale ofvinylalbumsisontherise. The expansion of streaming ser that hasbeenoriginallywritten for thepurposesoftheatre plays isbecom this, producers often cooperate withmusiciansfrom thefieldofalternative tender proceedings andhave beentransferred to theNationalDigital Archives the biggest share intherevenues ofphonographic industry inPoland isheld ing housePolskie Nagrania, whichhadbeeninliquidationdueto bankruptcy in 2017. In2015, Warner MusicPoland purchased thehistoric musicpublish is still dominated by traditional physical media, with CDs in the first place, al ing increasingly clear. Oneofthemost prolific composers of2015 was Jan by therepresentatives ofthree globalconcerns:SonyMusicPolska, Universal by websites enablingusers to listen to music(andads)for free. Traditionally, lion. Despite thedevelopment ofnew technologies, thephonographic industry by institutional operations – from publishing and phonographic activity to the rected by Krzysztof Garbaczewski, Polish Theatre in Wrocław), niebo music, improvisation andcontemporary music( revenues onthephysical media market isestimated to reach approx. 35%-37% organisation ofconcerts andfestivals, aswell aspromotion. others, with Janusz Wiśniewski in 2015, as well as the works of Karol Nepelski directed by Jerzy Skolimowski withmusiccomposedby Paweł Mykietyn, and Zygmunt Konieczny. acknowledged works are thoseofJerzy Satanowski whocooperated, among and Candelaria Saenz Valiente, allofthemproduced in2015). as nationalarchive resources. for manyyears. Theoriginaltapes oflegendary Muzawere excluded from the The picture ofthePolish musicsceneisalsoshapedto asignificant extent In 2015, themusicconcertmarket inPoland was valued atUSD228million, In the field of so-called backgroundIn thefieldofso-called music, the tendency to usemusic directed by Gajewski Dariusz withmusiccomposedby Marcin Masecki (directed by Piotr Cieplak,NationalTheatre inWarsaw), (directed by Krzysztof Warlikowski, New Theater inWarsaw). Other Chemia Demon directed by Bartosz 62 directed by Marcin Part Part Dziady Burza Burza 11 minut 11 Królowa Królowa Obce Obce The The (di ------

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 – includingphilharmonics,opera theatres andmusicaltheatres –constitute the 2013), the new seat of the National Symphonic Orchestra of Polish Radio and years, manyconcerthallsandfacilities have beenmodernised.Also, manynew Eufonium, Euterpe andPolskie Wydawnictwo Muzyczne – (PWM).Theiractivities Forum of MusicinWrocław, equipped with its system state-of-the-art for regu Opera andPhilharmonic–European ArtCentre inBiałystok (opened in2012), these magazines isvery diversified, althoughnotable amongthemare magazines three publishers of music books and sheet music, as well as orchestra materials: third placeistaken by museums.Theinstitutions undertaking artistic activities types ofmedia.Apartfrom the Internet, which hasdominated in recent years, the buildingofPhilharmonicinSzczecin (opened in2014) orthe National the Krzysztof Penderecki European Centre for MusicinLusławice and the seat group ofcultural institutions are cultural centres andestablishments, whilethe in smallertowns, not onlyby undertaking for activities thegrowth ofreadership, ince, followed by theMałopolskieProvince. Ingeneral, libraries prevail among ing ofmusicalensemblesorthepromotion ofmusicalcomposition.Inrecent but alsoorganising exhibitions, orconcerts. artclasses Thesecondlargest lating acoustics (opened in2015). buildings have beenconstructed, includingthenew buildingofthePodlasie least numerous group but,atthesame time, they are crucialfor thefunction mentioned: “Ruch Muzyczny”, “Glissando” and“Gazeta Magnetofonowa”, anew press carriedoutby theInstitute alsoenabledthecollection ofMusicandDance cultural institutions, which often perform culture-forming functions especially quarterly dedicated exclusively to Polish musicandestablished in2015. dedicated to science, popularscienceandmusicology. Amongthemost opinion- of data on84 music magazines publishedinPoland since 2013. Thesubject of of composers. Surveys andresearch studies concerning themarket ofmusic cover ofpublications.Amongthem,theleadingrole theissuance isplayed by encourage the promotion ofhigh culture, includingtheChannel2ofPolish of theKashubian PhilharmonicHall–Wejherowo Cultural Centre (opened in apart from publications–alsoincludetherepresentation issuing ofcopyrights artistic communityare 28musicpublishingcompanieswhoseoperations fully and sheet musicpublishers. Themost important andsignificantgroup for the and manynewly developed, valuable websites onPolish music, publicmedia still forming titlesinthemusiccommunity, thefollowing three magazines shouldbe The dissemination andpromotionThe dissemination ofmusicfall withintheremit ofvarious The majorityofcultural institutions are situated intheMazowieckie Prov In 2013, there were 181 active entities on the Polish market ofmusicbooks 63 - - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 215 schoolsreporting to theMinistry ofCulture andNationalHeritage, while (e.g. popularandtraditional music),interdisciplinary projects combiningmusic which includemainlyworks music, as,socalled,classical classified as well as Dance. Thisisthefirst suchschemein Poland for financingthelatest musi Radio, launchedin1991 andfocused onmusic, literature, theatre, cultural pub Commissions”, initiated in2012 andoperated by theInstitute ofMusicand tions, recordings andpublicationsonmusic. Musiclovers willlisten to arange of the wholepicture. Studies andanalyses must beundertaken regarding other in 2002. TheChannel2,often referred to as“Dwójka”, isparticularlyperceived in primaryandsecondaryschools,aswell ashighereducationinstitutions in 2016, two years after its adoption. The condition of learning process, both lications andnews, as well asTVPKultura, a thematic TV channel established performance of musical theatres, projects combining various music genres position works onpublicbroadcasting channelsallover theworld. recommends Polish compositionsto bepresented attheInternational Rostrum network of the European Broadcasting Union (EBU). Each year, it (successfully) pre-performances duringrenowned festivals and concerts innew, excellently private schools.According to data of2010, inPoland, 71.7% ofpupilsattended music education,publicschoolsstill enjoy higherprestige andpopularitythan cal compositions.Each year withintheframework ofthisprogramme, there of Composers, whichconstitutes themost important review ofthelatest com only 10.91% ofpupilsattended 211 private schools(other pupilsattended 67 cism andthepressure ofthepublicopinionindicatingneedfor reforming diagnoses. Over 60,000 students ofprimaryandsecondarymusicschools offering music-related fieldsof study requires analysesfurther in-depth and of the primary education did not bring expected results and it was revoked countries. Theproblem ofmusiceducationremains to besolved –thereform and performance orvisualarts. are aboutonehundred new works created by Polish andforeign composers, as the leading station among international media promoting music through the almost 6,000 students ofmusicacademiesare expecting effective systemic inthefieldofbackgroundactivities music (computer games, ads),thepre- sence ofPolish artists abroad, thecomparisonoffunding schemeswithother schools administered by localgovernment bodies). solutions. However, itisworth emphasizingthat,despite thevoices ofcriti A shortdescription ofallareas ofthePolish musicalstage doesnot give Artists are alsosupported through theuniqueprogramme “Composing 2017 willenrichthelegacy ofPolish culture withhundreds ofnew composi 64 - - - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 SELECT

A. Białkowski,A. Institute ofMusicandDance, Warsaw 2012. Muzykapolska.org.pl: http://www.muzykapolska.org.pl [will belaunchedon http://composingcommissions.pl/[accessedComposingcommissions.pl: on: museums, ethnographic and museums open-air on Education Report Music Secondary of state the on Report Report Annual 2013. Music Polish Report Annual 2011. Poland Music in Polish music stage and model jazz of problems, field the in Diagnoses, Education education. music primary Poland of in state the education on Report music in paths development and areas New Music Polish of State the on Report W. Grozdew-Kołacińska P. K. Korzeniewska,Gałuszka, K.M. Wyrzykowska, Jagiełło-Skupińska A. well astheexceptional Year oftheVistula River plannedfor 2017. M. Chmurzyńska, Institute ofMusicandDance, Warsaw 2014. Dance, Warsaw 2014. Dance, Warsaw 2013. Piłsudski, Adam Chmielowski, Honorat Koźmiński andTadeusz Kościuszko, as Decem Institute ofMusicandDance, Warsaw October 12,2016]. tute ofMusicandDance, Warsaw 2014. graphic Market in Poland 2011/2012 Poland in Market graphic inspired by thecelebrations oftheYear ofJosephConrad-Korzeniowski, Józef niversaries of 2017 by the Polish parliament, musicians and composers may be conclusions of MusicandDance, Warsaw 2011. of anymusic-related personality hasbeenincludedinthelist ofimportant an opportunity to vote for theirmusicidolsonweb portals. Althoughnoanniversary equipped, modern concert halls, while enthusiasts of lighter sounds will have an stitute ofMusicandDance, Warsaw 2013. ED PUBLICATIONS ber 1,2016]. , ed.W. Jankowski, Institute ofMusicandDance, Warsaw 2012. Report on the state of traditional music culture music traditional of state the on Report , ed. J. Grotkowska, Institute of Music and , ed.J. Grotkowska, Institute ofMusicand , Institute ofMusicandDance, Warsaw 2013. , ed.J. Grotkowska, Chłopecki, Institute A.

2014. Edited by: AnnaIwanicka-Nijakowska , ed.Z.Konaszkiewicz, , ed. A. Białkowski,, ed.A. In 65 ed.D. Kunecki, Phono , Insti , ed. - - - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 GROWING NUMBERGROWING OFBOOKS BOOKS The statistical data onthepublishingmarket, whichhasbeencollected by The NationalLibrary The publishingoffer issignificantlygreater in France, Germany, Spain or Republic, Greece Belgium, orSlovenia. Italy, andsmallerinsuchcountriesas:Hungary, Norway, Finland,theCzech In 2015, thenationalbibliography contained 33,454 titlesofbooks published Library, describedandcategorised inmanyways, whichconstitutes the the NationalLibrary since1955, isbasedon three legal deposits, i.e. man takes quite ahighpositionincomparisonwithother European countries. in Poland, whichrepresents asmallbutsignificantincrease inthenumber basis for creatingstatistical description amulti-dimensional ofthePolish publishing market. drop in2014). consecutive years ofshrinking(astrong decrease in2013 andaslight of books compared to theprevious year. Thisincrease occurred after two datory copiesofallbooks andperiodicalspublishedinPoland, whichare applicable provisions oflaw. Each submitted titleisstored intheNational submitted to theNationalLibrary by publishers, inaccordance withthe PUBLISHING MARKET Due to theabsolute numberofbooktitlespublishedperyear, Poland 66 -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 3 35,00 20 25,000 10 15 0, 5,00 ,000 ,000 ,000 000 0 0 0 YEARS 1991–2015YEARS NUMBER OFBOOKS PUBLISHEDINPOLANDANNUALLY text. The large population, even atlow readership ratings, may generate and included inthestudy. gard, Poland shows muchworse results. Withtheresult of1,149 inhabitants book market capacity, compared withother European countries. Inthatre per onetitle, Poland overtakes onlyGreece amongallEuropean countries picture asto how great isPoland’s capabilityto create publicationsand the maintain relatively high publishing volume. The information on the ratio of thenumbercitizens to thenumberofpublishedtitlesgives abetter extent, a result of quite big population of our country in the European con Source: Polish PublishinginFigures 1991-2015 1991 A relatively highnumberofbooktitlespublishedinPoland is,to some 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008

67 2009 2010 2011 2012 2013 2014

- - 2015 FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 STEADY, BOOKS DROPPINGDECLINE INSCIENTIFIC BUT 1,500 1,200 900 60 30 0 0 0 * Thedata onindividualcountriesstems from theperiod2012–2015, dependingonthe ANNUALLY INRELATION TO THENUMBEROFINHABITANTS –COMPARISON* 2%). Thecausesofsuchdeclinecouldbe:specific valuation ofdifferent In 2015, thenumberofscientificbooks dropped again butonlyslightly(by During 2013–2014, arapid declineinthe number ofscientificbooks NUMBER OFBOOKS PUBLISHEDINSELECTED EUROPEANCOUNTRIES types ofpublicationsby theMinistry ofScienceandHigherEducation (which increasingly favours thepublicationofarticlesinranked scientificjournals); published in Poland on an annual basis (by 23% in total) was observed. Data source: seeReferences. context, seemsto theirimpact betemporarily weakening. of academicbooks. However, regardless ofwhat factors would bekey inthis do not require anybookpublications;removal ofsubsidies for thepublishing of books ofthiskind;anintroduction ofnew habitation procedures, which a slightreduction inacademicstaff, i.e. thenumberofpotential authors availability ofstatistics. Therefore, this comparisoncanbetreated onlyasindicative.

Norway

Spai n

Czechi a

Hungary

Finlan d

Franc e

Italy

68 Germany

Poland

Greec e

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 20 10 15 CONTINUOUS INCREASE INLITERATURECONTINUOUS –MAINLY FICTION POPULAR 5,00 ,000 ,000 ,000 0 0 The most rapidly growing typesofliterature are comicbooks (100% risein YEARS 1989–2015YEARS In 2015, asin2014 and2013, we recorded anincrease inthenumberoftitles OFSCIENTIFICBOOKSNUMBER PUBLISHEDINPOLANDANNUALLY the level of 8,930 titles, whereby the increase was observed almost exclu the latter category, the share of poetry is consistently increasing, while the tive andmystery stories (anincrease by 62%), fantasy books (anincrease two years), butastrong growth was alsoobserved inthenumberofdetec in thenumberoftitles(reflecting significantliterary ambitions)hasbeen by 45%) andromance books (anincrease by 37%). However, noincrease of published literary works. The number of these publications has reached observed intherecent two years. Itisalsoworth mentioningthat,within ambitious literature outofthemarket. Source: Polish PublishinginFigures 1991–2015 share of novels is in the decline. The popular novel is now squeezing more sively inrelation to items belongingto various typesofpopularliterature. 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 69 2009 2010 2011 2012 2013 2014 - - 2015 FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 for young for young readers readers Books Books Books Books 29% 26% Fantasy books Fantasy books 5% 6% Anecdotes Anecdotes NUMBER OFLITERARY WORKS –COMPARISON BETWEEN2013 AND2015 PERCENTAGE SHAREOFVARIOUS LITERATURE GENRES INOVERALL Source: Polish Publishing inFigures 2013 and2015

detective stories Action and 8% 2% detective stories Action and 11% 0% Comics 6% Comics 4% drama books Romance and 23% Belles-lettres 24% Belles-lettres 31% drama books Romance and 25% 70 2013 2015 FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 GROWING NUMBERGROWING OFPERIODICALS SCHOOL TEXTBOOKS –EFFECTS REFORM OFTHE SCHOOL TEXTBOOKS PERIODICALS PUBLISHING HOUSES ANDSELF-PUBLISHERS Self-publishing isalsoanimportant area: 4%ofalltitlespublishedin2015 were by issued publishinghousesoffering publicationattheexpense ofthe which publishingbooks isnot thecore activity, suchas:universities and which isoffering afree textbook for earlyyear educationpublishedby the In 2015, asmuch7,178 current of newspapers issues andmagazines were publishersBook constitute avery diverse group inPoland. Next to profes Ministry ofNationalEducation. Thistextbook, whichisnow usedinthevast In 2015, asintheprevious year, adrop inthenumberoftitlesschool textbooks was recorded, –isaresult which–asitcanbeassumed ofthe institutions (2%), other state institutions (1%) and private companies (1%). implementation ofthegovernmental programme “Free schooltextbook” books, occurred after two years ofstrong declines. houses offering technical text preparation for thepurposesofprintingor majority ofschools,forced commercial textbooks designedfor thislevel of only printing. education outofthemarket. compared to theprevious year. Thisincrease, thesame asinthecaseof author, whileanother 4%was published by authors themselves orprinting submitted to theNationalLibrary, whichmeansanincrease by almost 6% stitutions (5%),religious institutions (3%),central andlocalgovernment scientific institutes (which published20%of all titles in 2015), cultural in sional commercial publishinghouses,there are alsomanyinstitutions, for 71 - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 GROWING NUMBER MAGAZINESGROWING OFIRREGULAR SCIENTIFIC ANDLOCALSCIENTIFIC PERIODICALS 8,000 6,000 4,000 5,000 3,000 2,000 1,000 7,000 0 The increase inthenumberofperiodicals2015 was connected withthe YEARS 1990–2015 YEARS years, theirnumberwas only to subject slightchanges. (representing 16% ofalltitlesfor thetimebeing).Magazines publishedat well asmagazines frequently publishedless thanonceaquarter orirregu weeklies represent 0.6% and6%ofallperiodicals,respectively. Inrecent Magazines published atmediumandlow frequency are most strongly rep NUMBER OFPERIODICALS PUBLISHEDINPOLAND ume of scientific journals has been subject ume ofscientificjournalshas been subject to particularly dynamicchanges. the overall numberoftitles(both declinesandincreases) thathave been increase inthenumberoflocalperiodicalspublished by local government growth inquantity(by 87% intotal) onlyinthecaseofirregular magazines bodies andthehighernumberof scientificjournals.In recent years, the vol high frequency constitute, inturn, asmallportionofperiodicals–dailiesand larly (32%). Periodicals publishedatlow frequency accountfor changesin recorded inrecent years. Duringthelast two years, we have recorded ahigh resented inthePolish ofmagazines collection –includingmonthliesand quarterlies thatrepresent 24% and25%ofallmagazines respectively –as Source: Polish PublishinginFigures 1990–2015 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 72 2009 2010 2011 2012 2013 2014

- - - 2015 FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 PLANS ANDFORECASTSPLANS FOR 2017

Their numberdecreased by almost 20%over theperiodof2013–2014. In2015, yearbook is the “Polish Publishing in Figures 2015. Books” The numberofperiodicalswillprobably remain volatile inthecomingyears. Further declineinthenumberoftitlesscientificbooks cannot beruled The need for adjusting textbooks and other educational materials to new The increase in thenumberofbooks mayleadto thedevelopment ofself- The number of books is expected to remain at the current level or grow Such aconclusionmaybedrawn from theincreasing numberofmagazines with irregular publishing cycles andinconclusive direction ofchanges within Ministry ofNationalEducation allows teachers ofchoosinga thepossibility textbook independently. the situation ishighlyvolatile. Thisrefers particularlyto journalsthathave not these drops were partiallymadeupfor (due to anincrease by 9%).Itmust be the most up-to-date informationthe most up-to-date ispresented against thehistorical back the collection of scientific magazines –especially the emergence and disap in thenumberofscientificbooks inthenear future. lowed by thereduction inthenumberoflecturers. However, theseare slow been ranked by theMinistry ofScienceandHigherEducation. programme frameworks after another reform ofeducationmayresult in publishing, whichmaybeexpected dueto richoffer ofprintingandpublishing pearance ofnumerous non-ranked magazines from thebase. decline andrelated drop inthenumberofstudents, whichmayalsobefol out –whatcouldbefacilitated by the“valuation” ofscientificachievements companies directed atpeoplewho want to publishabookontheirown account. cals –disappearing from thebaseandappearingagain. Therefore, inthiscase, occurring onthepublishingmarket inaselected period.Themost recent acting andlong-termacting factors, thusthere isnoneedto expect rapid changes an annualbasissince1955, gives afuller picture is oftheabove-discussed added thatthere isasignificantshare ofirregular titlesinthisgroup ofperiodi statistical data andaforeword describingthemost important processes sues. Each editionofthisyearbook contains atable summarywithabundant some recovery onthemarket ofeducationalpublications,particularlyifthe slightly intheforthcoming years. favouring articlespublishedinranked magazines, aswell asdemographic The “Polish Publishing inFigures”, regularly whichhasbeenissued on 73 . In this edition, - - - - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 SELECTED PUBLICATIONS

_Rozkosz.pdf on:May25, [accessed 2016]. _2014_53365.pdf on:May25, [accessed 2016]. //repozytorium.amu.edu.pl/bitstream/10593/13832/1/Kulczycki_Drabek Association, BuchundBuchhandelinZahlen 2015, http://www.buchmesse. World News: Export Catalogue Export News: World Central Statistical of Office Poland (GUS), Císar J., E. Kulczycki, Drabek, Rozkosz, A. E.A. M. Kwiek, The ChancelleryofthePrime Minister, Hungarian Central Statistical Office, http://statinfo.ksh.hu/Statinfo/haViewer. B Ministry ofScienceandHigherEducation, Dobrołęcki P., files/2013/CBWN_2013–2014_katalog.pdf on: May25, [accessed 2016]. Scientific Units, Warsaw, February 18, 2015, http://www.nauka.gov.pl/g2/oryginal/ Ministry ofScience andHigherEducation andtheCommittee for Evaluation of ground thepast encompassing 25years. Theyearbook isavailable onlineat: i.e. distorted picture of science in Poland in science of picture distorted i.e. institutions andNumberofscientificdegrees awarded. http://www.bn.org.pl/zasoby-cyfrowe-i-linki/elektroniczne-publikacje-bn/ [accessed on: May25,[accessed 2016]. https://forumakademickie.pl/fk/2013/01/podreczniki-bez-dotacji/ [accessed ruch-wydawniczy-w-liczbach ric evaluation and categorization of scientific units in 2017 in units scientific of categorization and evaluation ric pany oftheAssociationCzech Booksellers andPublishers, of Poland of conditions of growing competition growing of conditions on: May25, 2016]. de/images/fbm/dokumente-ua-pdfs/2015/details_book_market_germany aktualnosci/nasz-elementarz-w-ponad-97-wszystkich-szkol-w-polsce.html schools in Poland in schools jsp?wcf1944fd01=x on:May25, [accessed 2016]. ooks and book trade in 2015 (2014 figures) (2014 2015 in trade book and ooks Book results for the Czech Republic in 2012 in Republic Czech the for results Book , Warsaw 1990–2015, Table: Academic teachers inhighereducation University in times of change: institutions and academic staff in the the in staff academic and institutions change: of times in University Textbooks without subsidies without Textbooks , August 20, 2014, https://www.premier.gov.pl/wydarzenia/ , Praha 2014, http://www.svetknihy.cz/userdata/ , Warsaw 2015 Publications and evaluation applications, applications, evaluation and Publications , “Nauka” 2015, No. 3, p. 35–58, https: “Our Schoolbook” in over 97% of all all of 97% over in Schoolbook” “Our Statistical Yearbook of the Republic Republic the of Yearbook Statistical Draft amendments to the paramet the to amendments Draft , GermanPublishers &Booksellers , “Academic Forum” 2013, No. 1, , in:Svet knihy, Ltd. –Com 74 , Conference of the Czech Book Book Czech - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016

-in-turmoil/ on:May25, [accessed 2016]. -ua-pdfs/2016/spanien_en_buchmarkt_57420.pdf on:May25, [accessed 2016]. “Publishing Perspectives”, November 19, 2013, 2011 on the criteria the of assessing accomplishments of a person apply 2015_02/3b90bc8490ec601f538afb2647e5523a.pdf on:May25, [accessed 2016]. Wischenbart R., Regulation oftheMinister ofScienceandHigherEducation of1September Norway. Information ontheNorwegian bookmarket, Frankfurter Buchmesse, Tuma T. Greece in market book The information economic and Social Spain. Polish Publishing in Figures in Publishing Polish Highlights 2015: Italy in Publishing on Report PressGuestBook Market Finnland,ofHonourFinland:TheFinnish Office 2013, contemporaine l’edition de reflet legal: depot du Observatoire www.book-fair.com/pdf/buchmesse/wp_the_business_of_books_2015.pdf North North DU20111961165 on:May25, [accessed 2016]. Laws of2011, No. 196, Item 1165, http://isap.sejm.gov.pl/DetailsServlet?id=W Finnish-Bookmarket.pdf on:May25, [accessed 2016]. tion on the book market, http://www.buchmesse.de/images/fbm/dokumente tives.com/2013/11/no-game-without-drama-slovenias-publishing-industry tion, Milano2015, http://www.aie.it/Portals/_default/Skede/Allegati/Ske tionale deFrance, http://www.bnf.fr/fr/professionnels/depot_legal_definition/s. ing for theconferment ofthedegree ofhabilitated doctor, Polish Journalof [accessed on:May25,[accessed 2016]. [accessed on: May25,[accessed 2016]. http://www.ekebi.gr/appdata/documents/BookMarketInGreece2011-8.pdf bn/ruch-wydawniczy-w-liczbach on:October [accessed 10, 2016]. lzds29834 on:May25, [accessed 2016]. http://finnlandcool.fi/finnlandcool/hallinta/wp-content/uploads/2014/06/07_ book_market_norway__2015__55362.pdf on:May25, [accessed 2016]. http://www.buchmesse.de/images/fbm/dokumente-ua-pdfs/2016/details_ online athttp://www.bn.org.pl/zasoby-cyfrowe-i-linki/elektroniczne-publikacje- da105-3556-2015.10.14/Highlights%202015.pdf?IDUNI=b4fgnjbfkre4e01aipz depot_legal_bnf_chiffres.html?first_Art=non on:May25, [accessed 2016]. America, , Asia and America Latin and Asia Europe, America, , No Game Without Drama: Slovenia’s Publishing Industry in Turmoil in Industry Publishing Slovenia’s Drama: Without Game No , The business of books 2015: An overview of market trends in in trends market of overview An 2015: books of business The , TheNationalLibrary, Warsaw, 2004–2014, available , National Book Centre of Greece, 2012, , Frankfurter Buchmesse, Spain.Informa Edited by , Frankfurt amMain2015, http:// , Italian Publishers Associa : Olga Dawidowicz-Chymkowska http://publishingperspec 75 , Bibliothèque na ------,

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 The Adam Mickiewicz Institute Turkish, whilein2016 aPortuguese version appeared. Apermanentongoing English, Chinese(traditional andsimplified), Korean andJapanese. Institute (AMI).InlinewithAMI’s geographic operation, theCulture.pl team Polish culture. Culture.pl istheflagshipbrand ofthe Adam Mickiewicz Institute, whose types ofculture industries. Culture.pl hosts over 30,000 articles,biogra ture encyclopaedia. Thesite covers allthedomainsofbroadly-understood goals isto promote events organized and supported by theAdam Mickiewicz launches subpagesinother languagesfrom timeto time:in2014, itwas project includes www.asia.culture.pl, whichcomesinfive languages: Polish, grouppossible offoreign content individualswithhigh-quality concerning phies anddescriptions ofworks. Its mainpurposeisto provide thebroadest national policiesandobjectives ofthecultural policy ofPoland. national collaboration andcultural exchange, inaccordance withtheinter dance, visualarts, design, architecture, cuisine, comics,aswell asvarious culture: literature, film, classicaland contemporary music, jazz, theatre, objectives includethe promotion of Polish culture abroad aswell as inter ABROAD –CULTURE.PL POLISH CULTURE PROMOTING The portal Culture.pl isacombinationofnews magazine andPolish cul Culture.pl ispublishedinPolish, EnglishandRussian. Oneofits strategic 76 - - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 1,000,000 1,200,000 800,000 600,000 400,000 200,000 CULTURE.PL’S STATISTICS 0 *Data collected between 1st January2015 and30th June2016 AVERAGE MONTHLY STATISTICS FOR CULTURE.PL

Since autumn 2015, thewebsite’s numberofmonthlyhits hassystematically works, aswell asannouncements aboutthemost important events. Texts DURING PARTICULAR YEARS: that itexceeds 1.5millionuniquevisits from abroad annually. been exceeding onemillion,withslightseasonalvariations. Thenumber readers. Theeditorial team’s task for 2016 was to increase thisnumberso chart below. of users hassignificantlygrown over thelast 5 years, asillustrated by the are illustrated withphotographs andproprietary multimedia. and peopleinPolish culture, artists’ biographies anddescriptions oftheir Source: Google Analytics Hits Articles publishedonCulture.pl concern themost important phenomena In 2015, Culture.pl saw asignificant increase inthenumberof foreign 2011 2012 20 13 Visits 20 14

20 77 15 Users 20 16 * FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 300,000 200,000 250,000 100,000 150,000 50,000 FOREIGN OFCULTURE.PL READERS 0 * Data collected between 1st January2015 and30th June2016 The Englishversion ofCulture.pl hasexisted sincethelaunchofwebsite AVERAGE MONTHLY STATISTICS CONCERNINGFOREIGN USERS Source: Google Analytics So Different from the Rest ofEurope” (27thousand hits), andthePolish OF CULTURE.PL DURINGPARTICULAR YEARS: themes in2016 includedhistory, translated from thePolish website were posted. Inrecent years, to address in 2001, but it has changed considerably throughout that period. At the be ists whohave experience intheEnglishmedia.New thematicpageshave ginning, onlyencyclopaedic information andannouncements about events language, “9Most Unpronounceable Words inPolish” (57 thousand hits). ber ofhits ontheEnglish version ofCulture.pl doubled.Themost popular language, cuisine, tourism andtechnological innovations. been addedconcerninghistory, heritage, traditions andsociety, thePolish foreign readers’ expectations, texts have beenwritten in Englishby journal Hits As aresult from ofthese actions, July2014 to July2016 monthly num 2012 20 13 Visits

“13 Historical Quirks ThatMake Poland“13 Historical 20 14 20 15 78 Users 20 16 * - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 vious years’ goalwas to attract thebiggest numberofusers possible to (, , , Pinterest, VKontakte, YouTube, Vimeo). Com (http://culture.pl/multimediaguides), whichhelpforeign users follow three www.culture.pl. Our goalisto encourage users to commentonthecontent andshare iton tegic goalofCulture.pl isto promote Poland internationally. Sincethe guides exceeded 976,000. lenge for theCulture.pl editorial team. We want ourusers to spendmore time launched: http://culture.pl/en/tag/poland-word-by-word, http://culture.pl/ materials andgraphics suited to thetypesandhabits oftherecipients ofeach munication on them is rapid, intensive, maximally enriched with audio-visual multimediaguides/alphabet. channel (graphics for visualchannels,films to FB, YT etc.). on thewebsite andread more aboutPoland (increase thenumberofhits). dynamically developing domains ofPolish culture (electronic music, film and photography). Over three months, the number of hits on the multimedia social media.Culture.pl ispresent onall themajorsocialnetworking websites for distributing contents onCulture.pl andthesesocialnetworks. Thepre According to theAdam Mickiewicz Institute’s constitution, thestra Since 2016, theeditorial team hasbeenimplementinganew strategy FACEBOOK Upon readers’ request, aseparate onthebasicsofPolish section was Improving thequalityofcontact withreaders isanother important chal In 2016, the editorial team developed interactive multimedia guides TWITTER CONTENTS WEBSITE GOAL 79 INSTAGRAM PINTEREST YOUTUBE AND - - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 Polish culture andorganising events undertheCulture.pl brand. Culture.pl. Theaimwas to address users intheeast for whomRussian isthe those used by countriesin which theAdam Mickiewicz Institute presents tone andfrequency. ter, YT, Instagram, Pinterest), whiletaking accountofits context, format, through virtual allaccessible communicationchannels.Editors develop its launch.Itispresent onboth Facebook andVKontakte –themost important in thosecountriesandtheseare alsoposted inUkrainian andBelarussian. basic language of communication on the Internet. Apart from beginning of2016, theeditorial team hasbeenimplementingthegoal place inEnglish.Insomecases(FB) other languagesare alsoused,namely reach thebroadest group possible ofindividual users abroad. As a conse cus oninteraction withthereader andconstant analysis ofrecipients’ profiles of texts written by Polish andEnglishauthors, theRussian website includes quence, themajorityofcommunicationviasocialnetworking websites takes and interests, whichrequires continuouscontact viasocial media. articles by Russian, Ukrainian authors andBelarussian whoare well-known social networking websites intheeast. Theeditors of theRussian version fo separate content, adjusted to eachsocialnetworking websites (FB, Twit The Russian version ofCulture.pl hasbeendeveloping continuouslysince FACEBOOK Launching thewebsite inRussian was themost important 2015 event for In recent years themaingoalofCulture.pl’s editorial team hasbeento TWITTER CONTENTS WEBSITE GOAL 80 INSTAGRAM PINTEREST YOUTUBE AND - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 200,000 100,000 150,000 50,000 0 The section “ArtistsThe section andWorks” includesbiographies ofartists whomake

STATISTICS FOR THERUSSIAN OFCULTURE.PL VERSION Polish, 1,832 inEnglish,and142 inRussian. Thesebiographies are enriched Polish ArtinBrazil (inlinewiththeprogramme organised there by AMI). Dance, Design,Comics,VisualArts, Literature, Theatre, Photography, Archi Hromadskie-TV, Zachid.net, andColta.ru. up thecanonofPolish culture, aswell asyoung artists whopresent their the following themes:Wrocław –Cultural Capital ofEurope 2016; the1050th tecture andCuisine. In2016, thePolish editors concentrated inparticularon in eastern search enginesproves ThearticlesoftheRussian thesuccess. by approximately 5,500 descriptions ofworks inthree languages.Culture.pl of users andithasalready exceeded 50,000 hits permonth.Highpositioning anniversary ofthebaptism ofPoland; theyear ofHenrykSienkiewicz; and and Russian. and Russian. are written by experts ineachgiven fieldandthentranslated into English achievements abroad. Thesebiographical notes anddescriptions ofworks Source: Google Analytics sections weresections linked to by fanpages andwebsites like Rambler.ru, Medici-TV, Hits The materials published on Culture.pl are categorised into Film, Music, The Russian sectionofCulture.pl hasaconstant increase inthenumber In September 2016, theCulture.pl library included3,524 biographies in Culture.pl has an encyclopaedic section which is continuously expanding. 1st halfof2015 2nd halfof2015 Visits 1st halfof2016 81 Users - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 NYT) andother culture-dedicated platforms (e.g. culturetrip.pl). is theonlyPolish platform inwhichbiographies are systematically updated by editors. The“Artists andWorks” islinked section to by suchinstitutions as the Nobel Committee, international mass media (The Guardian, BBC, Grażyna Soczewka –ManagingEditor ofthe‘Artists andWorks’ Section Lucyna Szura –Managerfor Development, Promotion andMultimedia Anna Mirkes-Radziwon –ManagingEditor for theRussian Section Natalia Dzieduszycka -CULTURE.media Project Manager Lea –ManagingEditor Berriault for theEnglishSection Weronika Kostyrko –Editor-in-Chief ofCulture.pl 82 Edited by: FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 The Book InstituteThe Book 1 millionormore, whereas over PLN 2 million ofturnover was achieved by 120 year by year. to Theaccess thisvast market andto themost effective chan very high.The market share ofthe300 biggest publishinghousesfalls be In themiddleof2016, there were almost 45,000 publishingentities regis to 130 companies.Otherregistered publishers oneorseveral issued books there were approximately 250companiesthatreached aturnover ofPLN tween 97% and98%.In2015, according to theestimates ofBiblioteka Analiz, tered intheISBNdatabase runby theNationalLibrary, however there are ing ambitious publishing programmes, their business situation gets worse ing market. At thesame time, theconcentration onthedomestic market is no more than2,000–2,500 active publishers several (issuing books ayear) nels ofdistribution isowned, to theoverwhelming extent, by commercial on themarket. offer ofthegreatest sales potential. ership and thedeclarations ofsupportfor smallpublishinghousespresent and donot participate actively onthepublishing market. BOOK MARKET The Polish bookmarket represents than3%oftheEuropean less publish Despite theincrease infinancial contributions to thepromotion of read 83 ------

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 YEAR (inPLNmillion) Small publishers (with annual REVENUES (inEURmillion) PERCENTAGE CHANGE PRICES OFPUBLISHERS REVENUES FROM THESALES Inactive publishers (publishing Medium publishers (with annual Large publishers OF BOOKS INTRADING revenues below EUR200,00 and revenues between EUR200,000 occasionally) at least two titlespublished) and EUR4million) POLISH BOOKMARKETIN2015 MARKET SHAREOFPUBLISHINGHOUSES IN2015 Source: Polish Market Book 2016, Biblioteka AnalizSp. zo.o. Source: Polish Market Book 2016, Biblioteka AnalizSp. zo.o. Number of Number of entities in entities in a group Approx. 250 2.710 Over 4,000 658 2011 Over 1,500 -8% 35 -1.5% 2.670 2012 639 / EUR / EUR (PLN million (PLN million Revenues in agroup million) 1.742 /408.9 from sales 609 /142.9 2.680 0.4% 50 /11.7 2013 640 10 /2.4 84 2.480 2.480 -7.5% 2014 2014 582 Market share 25.3% 72.3% -2.8% 2.410 0.5% 2015 566 2% FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 YEAR AVERAGE CIRCULATION (in thousand copies) (in millioncopies) FIRST EDITIONS PUBLISHED BOOKTITLES CIRCULATION 15 120 90 60 30 0 0 Wolters Kluwer Polska, Pearson , GrupaEdukacyjna) was 41% NUMBER OFBOOKS SOLD(IN MILLIONCOPIES) National Library becausepublishers donot always deliver legal deposits. BOOK PRODUCTION On thisbasis,itisnecessary to thatnearly37,000 assume booktitleswere to 105.1 millioncopies(decline by 7%). tion ofprinted publicationswas also definitely lower – 97.7 millioncompared published inPoland in2015. circulation – this time by 13.5% from 3,236 to 2,798 copies. The overall circula compared to 37.9% intheprevious year. Source: Polish Market Book 2016, Biblioteka AnalizSp. zo.o. As shown by estimates, atleast 10% ofpublishedtitlesdonot reach the 2015 saw another expected fall inrevenues, aswell asdrop intheaverage In 2015, themarket share ofthebiggest five publishers (Nowa Era, WSiP, 115.5 2012 20 24.920 12 12.180 4.912 122.4 13 2011 3 27.060 13.410 3.987 107.9 2012 20 106.8 14 15.580 29.710 3.783 112.4 2013 85 32.480 18.870 3.236 105.1 2014 20 101.7 15 34.920 21.130 2.798 2015 97.7 - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 AVERAGE BOOKPRICE 50 30 40 20 10 0 AVERAGE BOOKRETAIL PRICE Past years saw aperiodofconstant increase inretail prices,whichincludes to offer inthebookoffer highprice-cuts intheretail sector, whichalso includes premiere editions. logistics etc.), aswell asphenomenastrongly associated withthetendency both objective increases inthecosts ofproduction (costs ofprinting,paper, or wholesalers) isstill significant. “cheap book”(copies withpricescutbyof theso-called publishinghouses average retail price jumped by 0.7% in 2015. At the same time, the supply Source: In recent years, the prices of books have slightly increased, while the 2011 37.8 8.4 Polish Book Market 2016 Market Book Polish EUR PLN 2012 38.7 9,26 , Biblioteka AnalizSp. z o.o. 20 38.3 9,14 13 20 41.5 9,74 14 86 20 41.8 9,81 15 FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 Supermarkets 15% DISTRIBUTION Wholesalers enjoy anenormous share inthedistribution market atthe PERCENTAGE SHAREINTHEDISTRIBUTION MARKETIN2015 level ofnearly50%.Butthetotal numberofwholesalers isfalling and,after many spectacular bankruptcies, there are about175 companiesoperating on themarket. Source: Newsstands Polish Book Market 2016 Market Book Polish 8% Canvassing the Internet 38% 2% , Biblioteka AnalizSp. z.o.o. and shipments Clubs 1% 87 Bookstores 36% FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 2,000 2,500 1,000 1,500 500 0 35% to 40% offtheretail price. NUMBER OFBOOKSTORES than overall market prices, by 25%–35% onaverage. the sale isrisingmainlythanks to thecommercial ofdiscountstore activity in individualbookshops. However, onlinesale drives mainlyprice-based many factors. Apartfrom thegeneral downward trend ofinterest inbooks, mainly attheexpense ofsales conducted intraditional channels, especially economic factors have played thedecisive role. chains andisdriven by combiningattractive thematicoffers atpriceslower competition, whilediscounts onpublishingpremieres onlinereach even fering mainlynovelties andbestsellers. Inthesegment ofshoppingcentres, The numberofbookshops hasbeensystematically declining dueto Newsstands andnewsagent’s stores alsogenerate stable sales by of Online sale isdynamicallygrowing andits value continuesto increase 2,370 2011 2,250 2012 20 2,140 13 2,050 20 14 88 1,930 20 15 - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 EBOOKS /AUDIOBOOKS Years Sales value (number oftitles) (In PLNmillion) Percentage growth Number ofaudiobook Number oftitles publishers offered AUDIOBOOK MARKETOVER 2010–2015 THEYEARS (excluding languagelearningandforeign languagepublications). which hasrecorded astable value growth inrecent years. Onlinebookshops In 2015, thevalue oftheebooks market was PLN62 million(anincrease to 2014 (PLN29.2 million).Inthesame year, theoffer ofaudiopublications to PLN867 million.2015 saw further development oftheoffer ofelectronic traditional bookshop offer. In2015, revenues from onlinesales amounted titled NationwideBookshop Database financed Book Institute.by the At the by 10.7%). At theturn of2015 and2016, thenumberofallPolish titleswas recorded thefirst increase, thistime by 14.4% –from 3,250 to 3,720 titles million in2015, whichsimultaneously meansasurge (by 25%)compared publishers asnecessary considersuchactions andprospective. publications andthedevelopment oftheirsale systems. Althoughrevenues estimated at41,000, outofwhich55%were commercial titles. offer not onlynew titles,butalsotitlesthatare nolongerpresent inthe end ofAugust 2016, there were 1,550 bookshops registered inthisdatabase. Source: from thesale ofthiskindpublicationsdonot exceed 3%ofthemarket, According to estimates, the sale ofaudiobooks was valued at PLN 36.5 In 2016, thePolish launchedamultiannual ChamberofBook project en Online sale of books isoneof few channelsof printed bookdistribution, Polish Book Market 2016 Market Book Polish 1,680 2010 18% 21.7 55 , Biblioteka AnalizSp. z o.o. 1,960 2011 17% 23.1 72 19.90% 2,350 2012 90 29 2,730 2013 26.9 16% 113 89 3,250 2014 19% 29.2 115 3,720 2015 25% 36.5 140 - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 FOREIGN LITERATURE IN Zagajewski (32). (40), Ryszard Kapuściński (40), Jarosław Iwaszkiewicz (44), (42), Stanisław Lem (41), Janusz Korczak (343 +22),Zbigniew Herbert(191 +151), Tadeusz Różewicz Among contemporary writers, theworks ofthefollowing authors attract 240), Prus Bolesław (310 +66), Władysław Stanisław Reymont (535 +69), Stanisław Witkiewicz (124 +42),andJózef Ignacy Kraszewski (324 +43). (250), andthenFrench (252), Italian (236), andCzech (236). (39), Sławomir Mrożek (38), BrunoSchulz(35), (34), Adam (132 + 42), (106 + 11), (133 + 14), and (190 +253), Jarosław Iwaszkiewicz (215 +247), BrunonSchulz(175 +53), (383 + 11), Sławomir Mrożek (341 + 112), Wisława Szymborska (280 + 202), were translated into Russian (810), English(312), German(336), andSpanish works ofHenrykSienkiewicz (4,654 +103), Adam Mickiewicz (599 + Foreign publications constitute asignificant portion ofthemarket. In2015, Miłosz (48 languages), Wisława Szymborska (47), Tadeusz Różewicz (46), (100 +15). Olga Tokarczuk (146 +30), Jerzy Andrzejewski (225+70), Gombrowicz (531 Czesław +68), Miłosz(479 +210), translations ofworks inanthologies), Ryszard Kapuściński (466 +27),Witold the biggest attention: Stanisław Lem (1,249 full translations ofbooks +112 translations represented 21.5%(7,208) outof33,454 publishedtitles.Most been translated asthecriterion ofpopularityagiven writer, themost man (639). of thesebooks were translated from English(4,108), French andGer (668), frequently translated Polish writers are: JanuszKorczak (49), Czesław The most frequently translated ofPolish classics literature are the However, consideringthenumberoflanguagesinto whichworks have Over theperiod 2006–2015, themajorityofworks ofPolish literature 90 - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 PLANS ANDFORECASTSPLANS FOR 2017 SOPOT FESTIVAL OF INTERNATIONAL MIŁOSZ FESTIVAL LITERACKI IN TRANSLATION FOUND FESTIVAL MYSTERY INTERNATIONAL FESTIVAL FESTIVAL LITERATURE FESTIVAL FESTIVAL BIG BOOK NAME CRIME AND CRIME AND CONRAD CHILDREN’S GAMES INŁÓDŹ COMICS AND 2015 saw another expected fall inrevenues. Theforecasts for future years KEY LITERARY FESTIVALS be ontheriseregarding thenumberofpublishedtitles,despite thecurrent publishers. However, thatthePolish itcanbeassumed bookmarket will predict further declinesinthiscontext andgreater competition between stagnation thathasexisted since2011. Poetry Fiction, Literary Detective essaysFiction, Literature for essaysFiction, Fiction PROFILE translations thrillers the youth guest of guest of honour non-fiction, non-fiction, comics children and stories, Wrocław Warsaw, Wrocław Warsaw Wrocław Sopot Łódź Gdańsk, Gdańsk, Cracow, CITY Cracow Gdańsk Cracow WEBSITE literackisopot.pl fldd.pl brunoschulz.dybook.pl bigbookfestival.pl komiksfestiwal.com miloszfestival.pl odnalezionewtlumaczeniu.pl conradfestival.pl festiwal.portalkryminalny.pl 91 FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 SELECTED PUBLICATIONS ABOUT THE BOOKINSTITUTE THE ABOUT

-liczbach [accessed on:October-liczbach [accessed 10, 2016]. “Ruch Muzyczny”, “Teatr”, “Teatr Lalek” The Polish Institute Book isanationalinstitution established by theMinister /polski-rynek-ksiazki,rynek-ksiazki.html on:October [accessed 10, 2016]. /zasoby-cyfrowe-i-linki/elektroniczne-publikacje-bn/ruch-wydawniczy-w Polish Publishing in Figure in Publishing Polish 2016 Market Book Polish 2016 Market Book Polish organising study visits for translators andforeign publishers. providing foreign readers withinformation onthePolish bookmarket and increasing thenumberoftranslations ofPolish literature into foreign lan promoting thebest Polish books andauthors; Books from Poland” presenting Polish literature. guests to literary festivals. TheInstitute alsopublishesthecatalogue “New guages through thefollowing programmes: ©Poland Translation Programme na Świecie”, “Notatnik Teatralny”, “Nowaja Polsza”, “Nowe Książki”, “Odra”, publishing market; readership inthecountry, aswell asPolish literature abroad dedicated mainlyto literature andtheatre: “Akcent”, “Dialog”, “Literatura of Culture andNationalHeritage in2004. Its aimisto promote books and are presented at international book fairs, while Polish writers are invited as and ©Poland Sample Translations; The Polish Institute Book isalsothepublisherofeleven cultural journals, Thanks to theprogrammes implemented by theInstitute, Polish books These objectives are fulfilled by: , Biblioteka AnalizSp. zo.o. , The Book Institute, http://www.bookinstitute.pl , TheNationalLibrary, http://www.bn.org.pl , and“Twórczość” Edited by: Piotr Dobrołęcki 92 . . -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 ART SCHOOLS PRIMARY ANDSECONDARYPRIMARY The Centre for ArtEducation The entire arteducationatelementary andsecondary level iscomposed Art educationconstitutes aseparate educationalsystem inPoland. The

Minister of Culture and National Heritage supervises all art schools and ties to theexpectations ofstudents andtheneedsoflabourmarket. Their the relationship between amaster andastudent, whichisamodelfor many in theshapeofapyramid. Itisbasedonprimaryschools,followed by sec rights ofpublicschools. ment entities.Non-publicartschoolsare runby various organisations, such manages someofthem.Publicartschoolsare alsorunby localgovern educational offer isconstantly enhanced withnew fieldsof study. composed ofsmallorganisational units, whichadjust theirteaching activi contemporary world. Itismodern,creative andopento new challenges.Itis countries, arteducationdynamicallyreacts to anychangesoccurringinthe of 799 schoolsattended by 99,573 students. Education iscarried outin ondary schoolsandcrowned withuniversities. as foundations, andprivate associations persons. Someofthemhave the a chosenartistic discipline:music, visual arts ordance. ART EDUCATION Art educationconstitutes acoherent andeffective system, constructed Despite thepreservation ofthetraditional system ofeducationbasedon 93 - - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016

They alsoparticipate withanaccompanist inindividual classes andteam The most talented graduates oftheseschoolscontinueeducationinsecond vocational school,inwhicharteducationiscarried out,enablingstudents circus school. dance artschool; ballet secondaryschoolwithgeneral subjects (OSB); visual arts secondaryschoolwithgeneral subjects (LP); fine arts secondaryschoolwithgeneral subjects (OSSP); secondary musicschoolwithgeneral subjects (OSM II); secondary musicschoolwithoutgeneral subjects (SMII); primary musicschoolwithgeneral subjects (OSM I); primary musicschoolwithoutgeneral subjects (SMI); Students are educated inplayingachoseninstrument (piano, harpsichord, the rights ofapublicschool.Intotal, theseschoolsemploy 2,916 teachers the Ministry ofCulture andNationalHeritage coordinates thework of149 to obtain the professional title of a visual artist, and at the level of higher theoretical group inthefieldofeartraining classes withmusicalauditions. professional qualificationsasmusiciansoractors ofmusical stages. Obtaining education inFineArts Academies. Invisualartschools, thefollowing man chestra, andchoir. Education in theprimarymusicschoolsalsoencompasses clarinet, oboe, trombone, horn,saxophone, trumpet, tuba, andpercussion). organs, violin,viola,cello, guitar, doublebass, harp, accordion, flute, bassoon, offer education in playing a chosen instrument and propagate music. Apart employ 5,694 teachers andare attended by 29,395 students. TheMinistry activities, i.e.activities, witheartraining, rhythmic classes instrumental ensembles,or and are attended by 13,837 students. also supervisesthework of391 non-publicschools,outofwhich161 have are attended by 56,341 students. ary musicschools,enablingthemto obtain adiplomawhichconfirmstheir such adiplomaallows them to applyto musicacademies. schools runby localgovernment bodies(and 19 branches). Theseschools from teaching they activities, organize concerts andmanymusiccompetitions. facilities (including 8boarding houses), which employ 10,769 teachers and The network ofartschoolsisdominated by primarymusic schools.They The Minister ofCulture andNationalHeritage runs259 artschoolsand The basictypesofartschoolsare: Visual arts education hasatwo-step structure: atthelevel ofasecondary Within theframework ofpedagogical supervisionover thearteducation, 94 - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 ART UNIVERSITIES INPOLAND ART UNIVERSITIES vocational school,enablingstudents to obtain theprofessional titleofadancer, who combinearteducationwithculture management,canbethebest culture Despite thecurrent demographic decline, theinterest inartistic studies is universities are not cultural institutions within the meaning of legal provisions, universal highereducation). tions asacircus artist ifthey adiplomaexamination. pass the following mandatory are educationalclasses dance, carriedout:classical tivity. Universities constantly modifytheireducationaloffer towards theman is alsoproved by thepresence of foreign students whorepresent 3%ofall but alsostaff for cultural institutions andorganisations. Althoughschoolsand bling students to obtain adiplomathatconfirmstheirprofessional qualifica per oneplaceinthecaseofsomestudy directions. Highqualityofeducation not falling. Duringthisyear’s recruitment process, there were 20candidates represents about1%ofallstudents inPoland. managers. For thisreason, artschoolseducate not onlyprofessional artists, relationship influencesthedevelopment ofpersonality, sensitivityandcrea classes, musicality,classes, musicalauditions,history of dance, make-up principles, contemporary dance, folklore and characteristic dance, early dance, rhythmic or professional specialisation. of interests andknowledge withinthescopeofmultimediaandphotography, datory educational classes are carried out: art history, drawing and painting, and visualarts. They are attended by approximately 16,000 people, which academy, and1academyoffering highereducationinthefieldofmusic academies, 7visualarts academies,2theatre academies,1filmandtheatre and supplementary modularclasses. and atthelevel ofhighereducation inMusicAcademies. Indanceschools, as well ascollaborative artistic projects, withinachosenspecialty andclasses agement andorganisation ofcultural life. People educated atartuniversities, and student. The specificmannerof teaching basedonthemaster-student students (to compare: foreigners represent about1%ofallstudents inthe sculpture, designprinciples,voluntary expanding modularclasses theareas The primaryprincipleofarteducationistheindividualgrowth ofeachpupil Higher educationinthefieldofartcomprises 19 universities: 8music Education incircus schoolstakes three years. They offer educationena Ballet education also has a two-step structure: at the level of secondary 95 - - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 units government run by local Schools 29,395 schools Non-public 391 Source: Educational Information System NUMBER OFSTUDENTS BY SCHOOLTYPE Source: Educational Information System PRIMARY ANDSECONDART ART EDUCATION schools Non-public 13,837 government units Schools runby local 149 National Heritage of Culture and by theMinistry Schools run 259 National Heritage of Culture and by theMinistry Schools run 56,341 96 FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 0 NUMBER OFART UNIVERSITIES INPOLAND universities, investments aimedatconstructingfacilities appropriate for the 21st century are carriedoutorhave beencompleted. tutes excellent complementation undertaken oftheactivities by professional they constitute incredibly important culture-forming establishments for local implemented investment projects. Inmanyschoolsandatalmost allart institutions. often presented to wideaudiencefor free oronesymbolic Polish zloty, consti communities. The rich offer of concerts, exhibitions and other cultural events, Source: www.mkidn.gov.pl Musicandvisualarts academy Filmandtheatre academy Theatre academies Visualartacademies Musicacademies Their didactic andculture-formativeTheir didactic dependslargely success onthe

8 5 10 7 15 97 2 1 1 20 - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 TALENT PROMOTION ABOUT THE CENTRE FOR ARTEDUCATION CENTRE THE ABOUT The Centre for Art Education is a specialised supervisory unit, through which Art educationalsohasaseparate system for supportingtalents. Each year, versities for theiroutstanding achievements, andsupports themalsowithin within thescopeofpedagogical supervisionare performed by theschool with theannualPrize oftheMinister ofCulture andNational Heritage. work inthefield ofartistic creativity, culture promotion andmonument within thescopeofimplementation ofmultiannual government programmes. which –apartfrom –alsosubmit reports ongoingactivities ontheupbringing Minister ofCulture andNationalHeritage for theiroutstanding achieve Centre for ArtEducation. upbringing, eachyear ontheNationalEducation Day. Furthermore, teachers the Ministry ofCulture andNationalHeritage performs pedagogical supervi to thedevelopment, andprotection dissemination ofculture are awarded the programme. Teachers are awarded withthePrize ofthe the Minister of Culture and National Heritage grants scholarships for the inspectors oftheCentre for ArtEducation ing within the scope of teaching playing various instruments, exchanging ex protection. Besides, renowned artists whose activity particularly contributes ments inpedagogical work orfor innovations and inthefieldofdidactics pupils of art schools, as well as students and doctoral students of art uni methods ofworking withhighlygifted students andstudents witheducational periences andenablingteachers to receive methodical support,supportinthe cation runsSpecialist Psychological andPedagogical CounsellingCentres, challenges. The classes arechallenges. Theclasses runby prominent artists-educators. isbasedonthepresentationof theiractivities ofthenewest methods ofwork arships andscholarships inthefieldofculture promotion to persons who and directors ofartschoolsare awarded withprizes by theDirector ofthe and preventive which constitute activities, thebasisfor comparative analysis sion over public and non-public art schools and facilities. The operations for teachers andstudents ofprimaryandsecondarymusicschools.Theidea The Minister ofCulture andNationalHeritage alsogrants creative schol To supportstudents andteachers ofartschools,theCentre for ArtEdu The Centre for ArtEducation alsorunsNationwideConsultation Points . 98 ------

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 PLANS ANDFORECASTSPLANS FOR 2017 The counsellingcentres runby theCentre for ArtEducation undertake the Warsaw on21st May, 2016. For 2017, theeditionfor thefollowing specialtiesis well aschamber ensembles,undertheconsideration ofentertainment and Centre Education Art the of Contest Music wide Due to thenumber of individualspecialties,thecontest hasbeenplanned In 2015, theCentre launchedanew artistic initiative underthetitle under thetitle“Therole ofcorrection inthedevelopment ofstudents’ visual there was amacro-regional project carriedoutinZduńska Wola andKielce training, publication andresearch. include:psychological Theseactivities con ish Radio on20thMay, 2016, andintheFieldCathedral ofthePolish Army in in athree-year cycle for individualinstruments, specialtiesandensembles. andpromotionis theselection ofextraordinarily talented young musicians. including students, parents andteachers ofprimarymusicschools(61.5%), ble bass, trumpet,ble bass, clarinet, guitar, organs, jazz vocal, chamberbrass bands, logical andPedagogical CounsellingCentres oftheArtEducation Centres, published onthewebsite oftheCentre for ArtEducation. mindset ofstudents. Theresults willbepresented intheform ofareport and percentage ofclients are communitiesofvisualarts schools(21.5%),ballet planned: harpsichord, flute, oboe, harp cialties (instrumental andvocal ones)taught atsecondarymusicschools,as constitute thehighest percentage ofclients ofthecentres. Theremaining consultations provided to teachers (44.7%) andstudents (21.7%) ofartschools, opinions. Over theacademicyear 2015/2016, there were 753 psychological early musicensembles,andjazz bands of winners, whichtook place:intheWitold Lutosławski ConcertStudio ofPol art skills”. Its objective was to analyse to whatextent themannerofproviding as well astheirparents (33.6%). Thecommunityofmusicschools(75.1%), and percussion bands.Thecrowning finale ofthecontest were two concerts schools (1.6%) andartschoolboarding houses(1.8%). sultations, therapeutic support,psychological diagnostics andpsychological feedback on the artistic work (corrections) by teachers influences the creative following counselling,integration activities: andsupervision,information and jazz bands, andearlymusicensembles.Themainassumption ofthiscontest Under the implementation of research projects of the Specialist Psycho In 2016, the edition for the following specialties was organised: cello, dou , vocal . , piano , organized for allmajorspe , percussion, pianoduets, 99 Nation ------FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 SELECTED PUBLICATIONS

2014, Warsaw, alsoavailable at:www.mkidn.gov.pl. 2012, Warsaw, alsoavailable at:www.cea.art.pl. Bulletin_Visual Artist_Musician_Dancer_Animator Bulletin_Visual – Centre Artist Education Art the Bulletin_Visual of Bulletins Pedagogical and Psychological education music primary of state the on Report education music primary of state the on Report distribution ofthemonograph ofFeliks Nowowiejski inthecommunityofart consideration ofallinitiatives related to thecelebration oftheyear ofFeliks development ofpackages plansandmaterials oflesson for educational organization of nationwide contest on the knowledge of creative work of Feliks Detailed information on the art education in Poland is available in the following Nowowiejski inthework plansofartschools; Nowowiejski; undertake related activities to thecelebration oftheseanniversaries, inco tasks are planned: ing No. 1- 3, available at:www.cea.art.pl. presenting information onthecurrent events from the website ofartschools publications: cea.art.pl. education. establishments, together withartistic setting; operation withthe Institute andtheMinistry ofCulture ofMusicandDance and NationalHeritage. Withintheframework ofcelebrations, thefollowing and cultural institutions. falling in2016 andhis140th birthdayfalling in2017, theCentre plansto On theoccasionof70th anniversary ofFeliks Nowowiejski’s death online bulletin for visualartschoolsavailable atwww. , Institute ofMusicandDance , Institute ofMusicandDance Edited by: Dagmara Lasocka –Facebook fan page 100 , Bullet - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 OF DANCE LIFEINPOLAND ORGANIZATIONOF THE HISTORICAL BACKGROUND The 1920s were the era of flourishing of modernist dance in Poland, however, The Institute ofMusicandDance In Poland, thetradition ofballet dancedates backto the18th century. Itwas Contemporary dancealsostarted to slowly emerge withthegreatest devel the 1950s, therole ofballet basedontheVaganova schoolstrengthened. this process was interrupted by theoutbreak oftheSecondWorld War. In the international market as participants and partners of so called networks mances intheprogrammes andjoint productions. opment ofitfalling between the1990s and2000s. of professional character (State Folk Group “Mazowsze”, ofSongandDance ensembles of amateur or semi-amateur nature, and three such ensembles or residency projects. Recently, more andmore drama theatres, museums of presenting Polish and international productions. Polish artists operate on dance. To avery large extent, itisalsoorganised withintheframework of and cultural centres have openedtowards dance, includingguest perfor sembles, musicalensemblesandseveral leadingcentres for contemporary started on the royal court and, subsequently, established in ballet ensembles. festivals, mainly festivals of contemporary dance, which are the basic form DANCE For the time being, dance life in Poland isorganized around ballet en Moreover, in Poland there are several hundreds of folk song and dance 101 - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 COMMUNITY INSTITUTIONS ANDINDEPENDENT INSTITUTIONS There are 22publicinstitutional ensembles(ballet, musical,folk song,dance) Within thestructure ofcity administration, there are Theatre alsotheDance Wrocław, Gdańsk),two of themare ensemblesofcontemporary andjazz Warsaw) oroperate asprivate institutions (e.g. Buffo Theatre). (Gdańsk), haschangedits status to becomeindependentandalsochanged In Cracow, there isalsoaprofessional earlydanceensemble–Cracovia Danza Hadyna, TheRepresentative Artistic EnsembleofthePolish ArmedForces). Polish Ensemble“Śląsk”inmemoryofStanisław NationalSongandDance Hop, Andrzej Adamczak). Dominika Knapik,Rafał Urbacki,PinkMamaTheatre andmanymore). Nowak, Marta Ziółek,MagdalenaPtasznik, MaciejKuźmiński, Paweł Sakowicz, Kaya Kołodziejczyk, Mikołaj Mikołajczyk, Rafał Dziemidok, Karol Tymiński, Anna Court Ballet. Recent years have alsoseenarapid development ofaso-called tomime ensemble (Wrocław Pantomime Theatre of Henryk Tomaszewski). theatres, which are partiallyfinancedfrom public subsidies(Roma Theatre in its nameto theWhite Theatre. Dance in Lublin andtheChorea Theatre. Recently, Theatre Dance theBaltic un let dancers, out ofwhich20%represent foreigners. There are alsomusical new tradition movement, whichdraws onthepractice derived from thesource projects for young choreographers whooften further develop theiractivity der theguidanceofIzadora Weiss, whichoperated Opera withintheBaltic dance –Polish Theatre Dance Theatre andDance inKielce, andonepan of traditional dance andmusic. often participate inprojects inthecountryandabroad (Jacek Przybyłowicz, composed ofapproximately 400 artists (choreographers anddancers) who ent artists whoseactivity is based on grants and projects. Thiscommunityis are attached to operas (Poznań, Cracow, Łódź, , Bytom, Bydgoszcz, autonomous status, employing about80 dancers andoperating withinthe active inPoland thatemploy professional dancers, includingover 600 bal also outside theirindigenousinstitution (Robert Bondara, JacekTyski, Anna structure oftheGrand Theatre –Polish NationalOpera. Eightensembles The Polish NationalBallet and thePolish Theatre Dance alsoimplement Among institutional ensembles,thePolish NationalBallet enjoys an Apart from institutional ensembles,there isalsoacommunityofindepend 102 - - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 Theatre inKielce, andtheŻak ClubinGdańskare developing. Themost Taniec Also, thecommunitiesofnew tradition organize theirown festivals, among Witold Jurewicz, Maćko Prusak, Weronika Pelczyńska, Kaya Kołodziejczyk, vals oftraditional danceare organized, amongwhichtheInternational Festival which thebiggest oneisthe“All oftheWorld” festival. Institute withinthe ofMusicandDance Meetings). Each year, there are aboutthirtyfestivals ofcontemporary, folklore Dominika Knapik,Mikołaj Mikołajczyk, Rafał Dziemidok andothers). tre, theChorea Theatre inŁódź, Theatre theDance inCracow, theDance the Cultural Centre inLublin. TheROZBARK andMovement Dance Thea there was apilot project ArtCentre –Dance –launchedand itiscurrently in Lublin, International Contemporary Festival Dance Body/Mind, Łódź Ballet voninclude: Dada Bzdülöw, Theatre Dance inSopot orthecollective ofin important ensemblesandartcollectives, whichshouldbealsomentioned, houses, choreography centres), performance shows are organized withinthe motion ofnew trends incontemporary choreography. Moreover, there are review ofthemost interesting productions ofcontemporary dance, targeted dance are conducted by the existing theatre structures, whileregular reviews ofcontemporary andballet of HighlandFolklore inZakopane isundoubtedly themost interesting event. est have beenorganised for 20years (International Theatres Dance Festival cooperation between choreographers and theatre directors (Leszek Bzdyl, characteristic ofthePolish dancestage isalsoawell-developed full-scale dependent choreographers operating intheCentre inMotion. Thespecific and ballet danceorganized inPoland. Moreover, dozens ofreviews andfesti at international and professional audience. several interdisciplinary establishments, out ofwhichthestrongest oneis funded from thegrant for regular performance shows ofWarsaw artists. The dancelife ispredominantly focused onfestivals, outofwhichtheold There isoneproduction houseoperating inPoznań ( Almost every two years, thePolish Platform Dance isorganized –the Due to thedramatic lackofdanceinfrastructure (dance centres, dance ), settled inpost-industrial space, specializinginproduction andpro Warsaw Studio Theatre Studio Warsaw Dance Stage Studio Stage Dance incooperation withthe 103 Stary Browar Nowy Nowy Browar Stary . InAugust 2016, - - - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 PLANS ANDFORECASTS PLANS FOR 2017 EDUCATION FINANCING – theUniversity ofHumanitiesandEconomics inŁódź –ArtDepartment, Apart from thecityinstitutions andthePolish NationalBallet, thefund Łódź andMusicUniversity ofFrederic Chopin.Recently, anew fieldof study In Poland, dance education is carried out on the level of general education Frederic ChopinMusicUniversity inWarsaw (which alsooffers studies in Between 1st and4thApril, 2017, thePolish Platform Dance willbeorgan under suchconditionsisalmost impossible, dueto thelackoflong-term tion cycle lasts 9years. ing ofdanceinPoland isbasedonthegrant system. Artists mayapplyfor ized inBytom whichisthebest opportunity ofbecomingfamiliar withthe lowing cities:Bytom, Gdansk,Ł bility andapeculiarprecarity, whilethemaintenance ofdance ensembles has beenlaunchedinthePhysical Education Academy inPoznań –BA in projects. Inconsequence, artists function inasituation offinancialinsta reography is offered by: Music Academy of Grażyna and Kiejstut Bacewicz in performers isoffered by theNationalAcademy ofTheatre Art(PWSTK) exam, children aged10 are accepted to the1standentire class educa of MusicandDance, cityandprovince offices,as well asadditionalspecial offer presented by ensemblesandartists ofcontemporary danceandballet. dance inphysical culture. cultural studies withspecialtyindance-choreography (since2008). of Ludwik SolskiinCracow, Theatre theDepartmentofDance inBytom and and highereducation.There are 5publicGeneral Ballet Schoolsinthefol subsidies. such fieldsasballet educationandpostgraduate studies indancetheory). funding from the Ministry of Culture andNational Heritage, theInstitute At thehigherlevel, themost comprehensive programme for artistic Supplementary educationatthelevel ofmaster studies indanceorcho Moreover, to itispossible gain abachelor’s degree inaprivate university odz, Poznan, andWarsaw. After an passing 104 ------

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 OF MUSIC ANDDANCE ABOUT THE INSTITUTE THE ABOUT – together withthePolish Composers’ Union–database ofthePolish MusicInfor The Institute was ofMusicandDance established by theMinister ofCul (www.lutoslawski.org.pl) andtheOskar Kolberg Institute (www.oskarkolberg.pl). Institute alsoparticipates ofMusicandDance intheexchange ofinformation Heritage asthemanagingauthority. tance.edu.pl), database oftheprofiles ofartists and works created underthe to enhancethequalityofmusicanddanceeducation,supports theexisting tional groups) as well asyouth projects rundirectly by theInstitute (“Philhar ture andNationalHeritage on1st October, 2010. Itacts asthestate cultural institution. oftheInstitute Theprimarymission isthe ofMusicandDance instrumenty.edu.pl), aswell astraditional, nationalandfolklore dances(www. including thedatabase onthePolish artistic dance(www.taniecpolska.pl) and music communities,submits reports andproposals to theMinister ofCulture monic: careful, it’s addictive!”) andseniorcitizens (“Philharmonicfor Seniors”). programme ofdanceeducationdirected atchildren, theyouth andintergenera celebration ofimportant historical anniversaries anddevelopment ofdance cultural institutions and non-governmental organisations. It also initiates the development ofmusicanddance culture. muzykatradycyjna.pl), aswell aswebsites oftheWitold Lutosławski Society (www.zamowieniakompozytorskie.pl),missions” website oftheKolberg’s Acad programme oftheMinistry ofCulture andNationalHeritage “Composing Com mation Centre (www.polmic.pl), website dedicated to Polish instruments (www. emy (www.akademiakolberga.pl), website dedicated to traditional music(www. and experiences between nationalandinternational organizations. and music, aswell ascoordinates theoperations ofcultural institutions. The and National Heritage, and acts as the expert background. It is responsible activity, both withinits own programmes (“ThoughtinMotion” also implements the programmes of the Minister of Culture and National and dancecommunity, whichare carriedoutintheform ofcompetition. It scientific, publishingandscholarship programmes directed at Polish music for storing documentation and archives, commissions research studies, acts The Institute alsoanalyses ofMusicandDance ofdanceand theactivity The Institute alsocarriesoutawidespread ofMusicandDance educational The Institute conducts ofMusicandDance its own residency, creative, The Institute manythematic websites, runsandco-runs ofMusicand Dance

105 , a nationwide anationwide ------FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 SELECTED PUBLICATIONS

_tancu_wspolczesnym_,pid,591.html on:October [accessed 10, 2016]. The website contains texts andaudiovisual materials (archive andeduca 1st Dance Congress Dance 1st Website www.tance.edu.pl presents Polish national and traditional dances. Website www.taniecpolska.pl provides toaccess the English-language ver J. Grabowska, J. Szymajda, Website muzykapolska.org.pl, http://muzykapolska.muzykapolska.org.pl/ Kolberg Award for Merits to Folk Culture. Lutosławski Year; in2014, oftheOskar Kolberg Year; andin2016, itruns Culture andNationalHeritage, http://www.kongreskultury.pl/title,Raport_o taniec.html on:October [accessed 10, 2016]. the Ministry, theInstitute alsoco-organizes ofMusicandDance theOskar the celebration officeofthe Feliks Nowowiejski Year. Uponthe request of tional materials). http://imit.org.pl/uploads/materials/files/kongres_tanca_raport.pdf [ac cessed on:Octobercessed 10, 2016]. cultural events across Poland, suchasthebiennialPolish Platform, Dance the professional qualifications. matic conferences, workshops andtrainings for danceandmusicprofes experiences andself-reflection ofboth communities,as well asrunningthe alternately, theYoung MusicianoftheYear andtheYoung oftheYear. Dancer annual CoryphéeofPolish Musicaward, andtwo competitions thatare held and up-to-date eventsand up-to-date calendar. and runsasystemic programme assistingdanceartists inacquiringnew Congressand theDance whichprovide amplespacefor theexchange of and dancecommunitiesinPoland, organising thePolish MusicConvention sion ofdatabase artists, encompassing institutions (ensembles, festivals), sionals. Italso develops publicly available special reports andexpert opinions, The Institute isalsothemainorganiser ofMusicandDance ofimportant The Institute actively supports thedevelopment ofprofessional music In 2013, theInstitute served asthecelebration officeoftheWitold , ed.J. HoczykiJ. Szymajda, Institute ofMusicandDance, Report on Contemporary Dance Contemporary on Report Edited by: JoannaSzymajda 106 , Ministry of - - - - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 THEATRE SYSTEM THEATRE Theatre isone ofthemost important fieldsofculture. Thisisdueto both The Theatre Institute ofZbigniew Raszewski According to the“Theatre inPoland 2016” yearbook, there are theatres 795 variety ofits manifestations. For manydecades,Polish theatre hasbeen theatre have beenmadeby theTheatre Institute ofZbigniew Raszewski tion operating inthecountry. in the“Theatre inPoland” yearbook since2010. Theyearbook notes the graduates ofartschools,shares addresses ofeditorial officesoftheatre historical (in2015, the250thanniversary ofthepublictheatre recognized ashighlyprestigious andacknowledged outside theborders national theatres (NationalTheatre inWarsaw, Grand Theatre –Polish National competitions. Itshares addresses ofinstitutions, publishesinformation on of ourcountry. Itisperceived asavenue ofvery interesting, important activity of all types of theatres and documents theatre festivals and drama and uniqueartistic activities. and theNationalTheatre was celebrated), aswell and astruerichness and ensemblesofvarious size, status, nature andorganisational subordina scientific exhibitions and conferences, publishesletters oflecturers and journals, production agencies,etc. agencies,acting The attempts to andvariety describetherichness ofcontemporary Public theatres constitute thelargest group oftheatres inPoland. Three 107 - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 theatres City 73 609 choirmembers. (resulting from thedecentralisation thathappenedgradually between 1990 PUBLIC THEATRES Opera in Warsaw, the National Old Theatre in Cracow) are directly financed petition procedure for three to five years. There are approx. 4,500 people permanent artistic ensembles.Thedirectors are usuallyelected inacom number hasnot declined.Recently, localgovernment authoritieshave even remaining stages are funded by localgovernment authoritiesofvarious levels employed inartistic ensembles.There are 1,610 full-time employed actors cal Theatre inToruń, Variete Theatre inCracow, andCityTheatre inLeszno. established several new theatre institutions –e.g. Kuyavia- Musi cultural (together activity withtheamendmentin2012). operate under the Act on 25th October 1991 on organizing and engaging in and movement theatres, and5“other” theatres. Over thelast 25years, their ations –63 drama theatres, 22musicaltheatres, 25 puppet theatres, 5dance and 1999, after theintroduction ofpoliticaltransformation). Thesetheatres and actresses, 318 singers, 363 puppeteers, 544 dancers, 10 mimes and Source: Ownstudy –“Theatre inPoland 2016”. from thestate budget by theMinister ofCulture andNationalHeritage. The County theatres Public theatres usuallyhave theirown officeandmost ofthememploy Most publictheatres are repertory theatres withdiversified nature ofoper 1 National theatres 3 theatres Province 43 108 - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 initiatives Social 43 “centres” includetheCultural Centre inLublin (Teatr Provisorium, Kompania Teatr, ScenaPrapremier inVitro, Lubelski Teatr Tańca, Teatr MaatProjekt) 1,078,132,780, whereas subsidiesconstituted onaverage 60% –70% ofall Foundations 76 well ascompletely independentorganisms, referred to associalinitiatives. NON-PUBLIC THEATRES in cultural centres, insocalledumbrella institutions. Thebiggest ofsuch by approximately 5,700,000 spectators inaseason. repertoire. They offer almost 50,000 seats for theiraudienceandare visited revenues. of economy:there are private theatres, theatres runby foundations andas and Residency Centre – Working Scene in Poznań. There are 120 such en and theatres operating withinthe structure ofother cultural institutions, almost 30,000 performances of2,600 artplays remaining inachanging Source: Ownstudy –“Theatre inPoland 2016”. sociations (undertheActand onpublicbenefitactivity voluntary service), as sembles operating withinurbanandmunicipalcultural institutions. Other 134 Beside thepublicsector,Beside Polish theatres operate also inallother sectors Public funds are ofsmallergroups alsousedinfinancingtheactivity Public theatres show onaverage 800 premieres perseasonandgive In 2015, thetotal budget ofallpublictheatres amounted to PLN Associations 131 Private theatres 171 109 - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 Other 503 CLASSIFICATION OFTHEATRES BY TYPEOFTHEIRACTIVITIES were pre-premieres, whichmeansasmuch8%ofthenew repertoire theatres. Quite often they donot have theirown officesandsometimes they the season2014/2015, gave 1,526 premieres, outofwhich124 premieres tres, whichare documented inthe“Theatre inPoland 2016” yearbook, in tendencies visible only thanks to suchstatistics. For example: thea 795 type ofperformances. them astheatres asdonot want to limitthemselves orspecialize inone is collected directly from theatres andinstitutions, inthesame manner by thenature to Inmanycases,itisimpossible oftheiractivities. classify have agroup ofpermanentcollaborators. pre-premiere performances proves, ontheonehand,thattheatres reach previous season,onecoulddraw aconclusionthatthesmallnumberof mentation, contains adetailed analysis ofpresented data. As information over 3,000 titlesontheirposters, althoughmost ofthemare not repertory are thefirst adaptations of texts on stages.Because it was similarinthe Source: Ownstudy –“Theatre inPoland 2016” for seven years, thecomparisonofdata allows usto observe changesand 120 public theatres and 674 theatres of other sectors can be divided also Each volume ofthe“Theatre inPoland” yearbook, except for docu Non-public theatres prepare about750premieres inaseasonandhave Drama theatres 89 . Puppet theatres 66 theatres and movement Dance 98 Musical theatres 39 110

- - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 tributing to theeffectiveness ofoperations ofinstitutions andtheartistic the pre-premieres ofPolish contemporary theatres. theatres useelectronic booking andticket sales systems, aswell asruntheir the city, thevalue ofsubsidies,thenature ofperformance, etc. Thehighest itself doesnot say alot abouttheirsize ororganisational status, butit interesting. Over theseason2014/2015, there were asmany55opera in thesize ofpermanenttheatre atfestivals ensembles,successes con ing decisions that may constitute an artistic and financial risk. 51% of all both powerful publicinstitutions –repertory theatres, aswell assmall premieres, 12outofwhichwere adaptations ofcontemporary works, while8 public debate suchas:reduction incore subsidiesby organisers, reduction possible to find answers to questions that are raised from time to time in the topossible analyse therepertoire, ofindividualartists theactivity andin pre-premieres took placeinpublictheatres. Conclusion–publictheatres premieres (781) took placeinpublictheatres. At thesame time, 79%ofall ensembles andgroups working onanoccasionalbasis.Thus,thenumber of themlocated inthecapital citiesof16 provinces. Thisnumberincludes of genres. Seethe table onpage112 to notice thepremieres ofthe2014/2015 out of10 pre-premieres were thepremieres ofPolish contemporary operas. quality ofperformances. es intheorganizational system, finances,employment structure etc. Itis own websites andfan pagesinsocialmedia. More andmore theatres playalso are scared less to take risks. As muchas74 outof124 pre-premieres were are the subsidies, the cheaper are theatre tickets. Moreover, theatres – except subtitles in English, audio-description or signlanguage interpretingsubtitles in English, audio-description services. shows theirvariety. season, according to theirgenres. served for manyyears –both andcontemporary inclassical opera –isvery stitutions, their mobility and prizes received so that,inconsequence, itis for tourists inthesummertime for children, bigfamilies, students, unemployed persons, pensioners, etc. All for private ones–provide theaudiencewithentire system ofdiscounts for tested repertoire, butontheother handthey are highlycareful intak The pricesoftheatre tickets vary (from PLN20to PLN200)dependingon There are theatres 795 operating in142 citiesandtowns, thebiggest It is also possible toIt isalsopossible track repertoire trends basedonthestatistics For example, theincrease intheinterest inopera whichhasbeenob Comparing data from several yearbooks, to itispossible observe chang . Theirrepertoires include performances with 111 - - - - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 Improvised performances Performances for children Puppet shows for adults SEASON PREMIERES OF2014/2015 BY PERFORMANCE TYPE Source: Ownstudy –“Theatre inPoland 2016” Musical performances Poetry performances Dance theatreDance shows Comedies andfarces Street performances Art Performances Screenplays Adaptations Pantomime Operettas Cabarets Musicals Dramas Operas Ballets Other

0 8 6 8 7 11 14 24 32 34 100 55 78 79 85 89 98 14 . 200 15 5 4 23 300 2 400 112 500 506 60 0 FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 FESTIVALS

The yearbook also monitors thephenomenonofsocalled“festivalization” 28 international festivals); festivals ofpuppet theatres – 29(including16 international festivals); festivals ofdancetheatres andchoreographic competitions – 48 (including festivals ofmusicaltheatres andvocal competitions –43 (including18 in festivals ofalternative theatres andgroups –58 (including15 international festivals ofdrama theatres –101 (including20international festivals and28 BY TYPEOFTHEIRACTIVITY NUMBER OFTHEATRES OPERATING INTHEBIGGEST CITIES, ternational festivals); of theatre life. Year by year, thenumberoftheatre festivals isincreasing and exceeded 440 in2016. Outofthem,122are international festivals or Source: Ownstudy –“Theatre inPoland 2016”. festivals); festivals ofmonodramas andsmallforms); festivals withinternational aspects. Theirbreakdown isasfollows: WROCŁAW WARSAW SZCZECIN ŁÓDŹ BIAŁYSTOK LUBLIN POZNAŃ GDAŃSK CRACOW

DRAMA 29 10 4 4 2 2 7 1 1 THEATRES

MUSICAL 9 4 4 2 2 2 1 1 1 THEATRES

PUPPET 14 6 3 4 4 2 2 1 1 THEATRES

DANCE AND

113 MOVEMENT 30 11 11 8 4 4 4 5 2 THEATRES 109 28 16 15 31 12 51 21 11 OTHER 191 38 20 53 28 37 31 77 21 TOTAL - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 OF ZBIGNIEW RASZEWSKI OF ZBIGNIEW ABOUT THE THEATRE THE ABOUT INSTITUTE

– 73(including5international festivals); The Theatre Institute ofZbigniew Raszewski isan institution directly re festivals ofamateur theatres –53 (including4international festivals). festivals of mixed programmes, with the presence of various art performance festivals ofstreet theatres –21(including17 international festivals); (www.polishtheatrejournal.com). Itrunsaspecialist bookshop named were 3,613 tripsthrough thecountryand288 foreign travels. Theyearbook well aspublishingreports andanalyses. Prospero (www.prospero.e-teatr.pl) and the biggest theatre-related virtual Institute also organises tours ofperformances chosen inthe contest under tens oftowns, inwhichnotheatre operates onadailybasis. the title“Theatre Poland”. Inthisyear’s edition,18 performances willvisit tute andthenationalTheatre Institute ofZbigniew Raszewski. TheTheatre theatres by organising industry conferences andspecialist lectures, as is proved by the documentation contained in the yearbook. Theatres travel history oftheatre inPoland. Itisalsooccupiedwithresearch studies on by specialprogrammes oftheMinistry ofCulture andNationalHeritage for materials, databases, historic calendars andmultimedia related to the pl) (200,00 monthlyviews), whichcollects andpresents digital source portal in theworld named www.e-teatr.pl, whichcombinesthe specific magazine onPolish theatre inEnglishlanguage–“Polish Theatre Journal” research andeducationalactivity. Itisthepublisherofbooks andonline motes andanimates thePolish theatre life. Italsoundertakes andsupports porting to theMinistry ofCulture andNationalHeritage. Itdocuments, pro many years records allthesevisits andallreceived prizes very carefully. of anelectronic Polish Theatre Encyclopaedia (www.encyklopediateatru. day, over 25,000 users visit the website. It is the organizer and publisher characteristics of a daily newspaper, virtual archive and platform. Each a lot. Over theseason2014/2015, asmany420theatres andensembles showed theirperformances asguests orparticipated infestivals. There The process of festivalization influences the mobility of theatres, which Apart from the festival life, themobilityoftheatres hasbeensupported . Foreign trips are co-financed by the Adam Mickiewicz Insti 114 - - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016

SELECTED PUBLICATIONS

-Instytut-Teatralny.pdf on:October [accessed 10, 2016]. -a-stosunek-do-teatru-raport.pdf on:October [accessed 10, 2016]. “Theatre in Poland” yearbooks are available in the printed form in the Pros Summer inTheatr. Scientific andpublishingcontest; Contest for thebest master thesisinthefieldoftheatre, show andperfor Theatre Photography Contest; Theatre Poland ; Jan DormanContest thecreation (co-financing ofspecialperformances to Contest for theAdaptation ofHistoric Works ofPolish Literature “Live Classics”; Nationwide Contest for theExhibitionofPolish Contemporary Art; Report “Theatre educationinprimaryschools”http://www.instytut-teatral Report “Study ontheatre audienceinthecapital city”http://www.encyklo Report “Theatre craftspeople”, http://www.instytut-teatralny.pl/upload/ Report “Class differences in lifestyle and attitude towards theatre” http:// Publications available (inelectronic version): files/Rzemie%C5%9Blnicy%20teatralni%202013_raport.pdf [accessed www.instytut-teatralny.pl/upload/files/Klasowe-zroznicowanie-stylow-zycia [accessed on:October[accessed 10, 2016]. be presented inschoolsandkindergartens); pediateatru.pl/ksiazka/464/raport-badanie-publicznosci-teatrow-stolicy mance; pero bookstore andintheelectronic version atwww.encyklopediateatru.pl ny.pl/upload/files/Edukacja-teatralna-w-szkolach-podstawowych-raport on: October 10, 2016]. coordinator oftheprogrammes oftheMinistry ofCulture andNationalHerit age thatsupportvarious aspects oftheatre life. Itorganized, amongothers: The Theatre Institute istheorganizer ofits own programmes andthe Full details are available atwww.instytut-teatralny.pl Edited by: Dorota Buchwald 115 - - - - - .

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 The NationalHeritage Board ofPoland were 412,276 record sheets of movable monuments. The number of ar Monuments, understood as immovable or movable property, their parts or Monuments are oneofthemost important cultural resources for anysociety. thetic values ofalandscape. Monuments have apro-development potential tion is an entry to the register of monuments. The register of monuments there were 183,192 record sheets ofimmovable monuments. In 2015, there is kept for eachprovince by aterritorially competent Province Conservator inhabitants to undertake and,therefore, socialactions buildingsocialcapital. interest dueto its historical, artistic orscientific value, mayplayanimportant mon value for alocalcommunity, stimulating cooperation andinspiringlocal may also contribute to the social development. They may become a com managed monuments may constitute a significant factor determining the aes role inshapingcollective historical memory. Properly maintained andwisely mony to bygone eras orpast events, thepreservation ofwhichisinthesocial chaeological monuments entered to theNationalRegistry ofMonuments of Monuments kept by theGeneral Conservator ofMonuments. In2014, of historic monuments record sheets includedintheNationalRegistry or constitute animportant resource usedby creative industries. Monuments components, man-madeorrelated to andservingasatesti humanactivity are underlegal protection ofthestate. Themost commonform ofprotec amounts to approx. 500,000. and, for instance, mayhave apositive onthedevelopment impact oftourism MONUMENTS The volume of monuments in Poland may be proved by the number Due to theirhistorical, scientificandartistic values, some monuments 116 - - - - -

FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 7,744 archaeological monuments entered to theregister ofmonuments. 21 MONUMENTS BY PROVINCE NUMBER OFRECORD SHEETS OFIMMOVABLE ANDMOVABLE there are 75,331 immovable monuments, 250,449 movable monuments and and archaeological monuments entered to theregister. For thetimebeing, Source: TheNationalHeritage Board ofPoland TOTAL Zachodnio-pomorskie Province Świętokrzyskie Province Śląskie Province Wielkopolskie Province Warmińsko-mazurskie Province Łódzkie Province Pomorskie Province Podlaskie Province Podkarpackie Province Mazowieckie Province Małopolskie Province Lubuskie Province Lubelskie Province Kujawsko-pomorskie Province Dolnośląskie Province Opolskie Province PROVINCE

As of30th June2016 of Monuments. Byadministrative decision,there are immovable, movable 183,192 10,800 23,465 RECORD SHEETS 10,626 15,429 14,362 12,202 14,235 12,637 13,146 14,014 10,481 5,445 7,325 7,697 4,181 7,147 OF IMMOVABLE ** * MONUMENTS* As of21st December, 2015 As of31st March, 2014 412,276 66,330 42,560 34,290 20,954 24,393 25,979 22,534 10,586 13,508 12,566 13,950 RECORD SHEETS 27,694 17,208 12,937 15,572 51,215 117 OF MOVABLE MONUMENTS** 595,468 26,580 26,053 74,680 20,634 56,922 28,279 34,736 18,953 21,389 36,779 31,540 26,587 41,929 47,436 81,759 21,212 TOTAL 21

FIELDS OFCULTURE ANDNATIONAL HERITAGE 2016 11,270 PROVINCE LUBUSKIE 6,380 PROVINCE -POMORSKIE ZACHODNIO 48,164 PROVINCE DOLNOŚLĄSKIE 30,172 PROVINCE WIELKOPOLSKIE 333,524 registered inPoland: Total numberofmonuments (IMMOVABLE, MOVABLE ANDARCHAEOLOGICAL MONUMENTS) NUMBER OFREGISTERED MONUMENTS Source: TheNationalHeritage Board ofPoland 9,951 PROVINCE POMORSKIE 12,697 PROVINCE OPOLSKIE

13,067 PROVINCE KUJAWSKO-POMORSKIE 11,480 PROVINCE ŚLĄSKIE 17,224 ŁÓDZKIE PROVINCE 31,454 PROVINCE MAŁOPOLSKIE 11,165 PROVINCE WARMIŃSKO-MAZURSKIE 28,634 PROVINCE MAZOWIECKIE 15,272 PROVINCE ŚWIĘTOKRZYSKIE 56,262 PROVINCE PODKARPACKIE 118 PODLASKIE 7,079 PROVINCE 23,253 PROVINCE LUBELSKIE FIELDS OFCULTURE ANDNATIONAL HERITAGE 2016 4,466 PROVINCE LUBUSKIE 3,908 PROVINCE -POMORSKIE ZACHODNIO 8,685 PROVINCE DOLNOŚLĄSKIE 7,760 PROVINCE WIELKOPOLSKIE 75,331 monuments registered inPoland: Total numberofimmovable NUMBER OFREGISTERED IMMOVABLE MONUMENTS BY PROVINCE Source: TheNationalHeritage Board ofPoland 3,738 PROVINCE POMORSKIE 3,238 PROVINCE OPOLSKIE 3,402 PROVINCE KUJAWSKO-POMORSKIE 4,255 PROVINCE ŚLĄSKIE 2,764 ŁÓDZKIE PROVINCE 5,852 PROVINCE MAŁOPOLSKIE 6,417 PROVINCE WARMIŃSKO-MAZURSKIE 7,447 PROVINCE MAZOWIECKIE 1,891 PROVINCE ŚWIĘTOKRZYSKIE 4,858 PROVINCE PODKARPACKIE 119 PODLASKIE 2,370 PROVINCE 4,280 PROVINCE LUBELSKIE NUMBER OF REGISTERED IMMOVABLE MONUMENTS - PROVINCE CASTLES AND COURTS COMMUNICA CEMETERIES GREEN OTHER NO. MONUMENTS DEFENSIVE MONUMENTS, INCLUDING ANDINDUSTRIAL MONUMENTS ECONOMIC MONUMENTS RESIDENTIAL MONUMENTS PALACES PUBLIC SERVICE FACILITIES MONUMENTS URBAN PLANS URBAN SACRED SACRED SMALL ARCHITECTURE TECHNICAL TECHNICAL TION TOTAL

1 Dolnośląskie 132 1,378 277 413 663 2,697 795 725 16 331 828 51 379 8,685 Province

2 Kujawsko-pomorskie 20 539 152 175 270 662 594 219 4 130 407 11 219 3,402 Province

3 Lubelskie Province 41 822 153 116 241 766 483 225 52 394 521 139 327 4,280

4 Lubuskie Province 32 553 143 133 257 2,437 284 195 3 59 199 19 152 4,466

5 Łódzkie Province 31 512 43 171 103 716 309 193 7 143 378 25 133 2,764

6 Małopolskie Province 54 920 153 119 362 1,784 464 368 32 392 395 131 678 5,852

7 Mazowieckie Province 118 989 127 337 304 2,454 776 633 26 378 857 76 372 7,447

8 Opolskie Province 31 570 95 141 217 1,206 192 183 10 125 217 73 178 3,238

9 Podkarpackie 49 1,076 133 103 270 1,506 358 299 17 272 314 165 296 4,858 Province

10 Podlaskie Province 68 514 18 88 111 717 107 162 5 321 98 27 134 2,370

11 Pomorskie Province 57 497 177 201 323 1,231 322 275 11 120 271 31 222 3,738

12 Śląskie Province 64 601 71 288 273 1,860 233 398 9 80 185 38 155 4,255

13 Świętokrzyskie 30 499 47 79 79 282 210 85 11 182 222 24 141 1,891 Province

14 Warmińsko-mazurskie 63 605 148 311 542 2,642 377 304 15 533 408 270 199 6,417 Province

15 Wielkopolskie 131 1,155 78 324 747 1,888 1,067 544 14 340 1,032 34 406 7,760 Province

16 Zachodnio-pomorskie 53 869 96 181 204 485 377 307 26 294 745 18 253 3,908 Province

17 Total 974 12,099 1,911 3,180 4,966 23,333 6,948 5,115 258 4,094 7,077 1,132 4,244 75,331

Source: The National Heritage Board of Poland

FIELDS OF CULTURE AND NATIONAL HERITAGE 120 NUMBER OF REGISTERED IMMOVABLE MONUMENTS - PROVINCE CASTLES AND COURTS COMMUNICA CEMETERIES GREEN OTHER NO. MONUMENTS DEFENSIVE MONUMENTS, INCLUDING ANDINDUSTRIAL MONUMENTS ECONOMIC MONUMENTS RESIDENTIAL MONUMENTS PALACES PUBLIC SERVICE FACILITIES MONUMENTS URBAN PLANS URBAN SACRED SACRED SMALL ARCHITECTURE TECHNICAL TECHNICAL TION TOTAL

1 Dolnośląskie 132 1,378 277 413 663 2,697 795 725 16 331 828 51 379 8,685 Province

2 Kujawsko-pomorskie 20 539 152 175 270 662 594 219 4 130 407 11 219 3,402 Province

3 Lubelskie Province 41 822 153 116 241 766 483 225 52 394 521 139 327 4,280

4 Lubuskie Province 32 553 143 133 257 2,437 284 195 3 59 199 19 152 4,466

5 Łódzkie Province 31 512 43 171 103 716 309 193 7 143 378 25 133 2,764

6 Małopolskie Province 54 920 153 119 362 1,784 464 368 32 392 395 131 678 5,852

7 Mazowieckie Province 118 989 127 337 304 2,454 776 633 26 378 857 76 372 7,447

8 Opolskie Province 31 570 95 141 217 1,206 192 183 10 125 217 73 178 3,238

9 Podkarpackie 49 1,076 133 103 270 1,506 358 299 17 272 314 165 296 4,858 Province

10 Podlaskie Province 68 514 18 88 111 717 107 162 5 321 98 27 134 2,370

11 Pomorskie Province 57 497 177 201 323 1,231 322 275 11 120 271 31 222 3,738

12 Śląskie Province 64 601 71 288 273 1,860 233 398 9 80 185 38 155 4,255

13 Świętokrzyskie 30 499 47 79 79 282 210 85 11 182 222 24 141 1,891 Province

14 Warmińsko-mazurskie 63 605 148 311 542 2,642 377 304 15 533 408 270 199 6,417 Province

15 Wielkopolskie 131 1,155 78 324 747 1,888 1,067 544 14 340 1,032 34 406 7,760 Province

16 Zachodnio-pomorskie 53 869 96 181 204 485 377 307 26 294 745 18 253 3,908 Province

17 Total 974 12,099 1,911 3,180 4,966 23,333 6,948 5,115 258 4,094 7,077 1,132 4,244 75,331

Source: The National Heritage Board of Poland

FIELDS OF CULTURE AND NATIONAL HERITAGE 121 FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 6,265 PROVINCE LUBUSKIE 2,102 PROVINCE -POMORSKIE ZACHODNIO 37,998 PROVINCE DOLNOŚLĄSKIE 21,735 PROVINCE WIELKOPOLSKIE 250,449 monuments registered inPoland: Total numberofmovable NUMBER OFREGISTERED MOVABLE MONUMENTS BY PROVINCE Source: TheNationalHeritage Board ofPoland 5,646 PROVINCE POMORSKIE 8240 PROVINCE OPOLSKIE

9,477 PROVINCE KUJAWSKO-POMORSKIE 6,984 PROVINCE ŚLĄSKIE 14,317 ŁÓDZKIE PROVINCE 25,114 PROVINCE MAŁOPOLSKIE 4,461 PROVINCE WARMIŃSKO-MAZURSKIE 20,781 PROVINCE MAZOWIECKIE 13,172 PROVINCE ŚWIĘTOKRZYSKIE 50,924 PROVINCE PODKARPACKIE 122 PODLASKIE 4,433 PROVINCE 18,800 PROVINCE LUBELSKIE FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 539 PROVINCE LUBUSKIE 370 PROVINCE -POMORSKIE ZACHODNIO 1,481 PROVINCE DOLNOŚLĄSKIE 677 PROVINCE WIELKOPOLSKIE 7,744 monuments registered inPoland: Total numberofarchaeological BY PROVINCE NUMBER OFREGISTERED ARCHAEOLOGICAL MONUMENTS Source: TheNationalHeritage Board ofPoland 567 PROVINCEE POMORSKIE 1,219 PROVINCE OPOLSKIE

188 PROVINCE KUJAWSKO-POMORSKIE 241 PROVINCE ŚLĄSKIE 143 ŁÓDZKIE PROVINCE 488 MAŁOPOLSKIE PROVINCE 287 PROVINCE WARMIŃSKO-MAZURSKIE 406 PROVINCE MAZOWIECKIE 209 PROVINCE ŚWIĘTOKRZYSKIE 480 PROVINCE PODKARPACKIE 123 PODLASKIE 276 PROVINCE 173 PROVINCE LUBELSKIE NUMBER OF ARCHAEOLOGICAL MONUMENTS ENTERED INTO THE REGIS- TER OF MONUMENTS KEPT BY PROVINCE MONUMENT CONSERVATORS GRAVE FIELDS GRAVE COMMODITY OTHER NO. PROVINCE MOUNDS ENCAMPMENTS PRODUCTION SETTLEMENTS SITES AND AND EXPLOITATION TOTAL 1 Dolnośląskie Province 250 937 180 31 83 1,481 Kujawsko-pomorskie 155 16 10 0 7 188 2 Province 3 Lubelskie Province 50 6 97 2 18 173 4 Lubuskie Province 46 374 89 4 27 540 5 Łódzkie Province 70 23 39 0 11 143 6 Małopolskie Province 46 255 25 13 148 487 7 Mazowieckie Province 82 224 69 10 21 406 8 Opolskie Province 100 877 50 30 162 1,219 9 Podkarpackie Province 62 274 74 2 69 481 10 Podlaskie Province 51 39 181 1 4 276 11 Pomorskie Province 118 197 232 11 9 567 12 Śląskie Province 42 96 24 5 74 241 13 Świętokrzyskie Province 26 78 23 11 71 209 14 Warmińsko-mazurskie Province 164 48 48 0 27 287 15 Wielkopolskie Province 249 289 113 3 22 676 16 Zachodnio-pomorskie Province 243 69 53 1 4 370 17 Total 1,754 3,802 1,307 124 757 7,744

Source: The National Heritage Board of Poland

Immovable and archaeological monuments, which are particularly im- portant for the Polish history and culture, may be recognized as Historical Monuments by the . In the territory of Poland, there are 71 objects qualified to this respected group under 60 Presidential Decrees. For another 13 applications for the recognition of Historical Monuments, there is an ongoing procedure for assessment and verification of criteria that must be met by monuments to be recognized as Historical Monuments.

FIELDS OF CULTURE AND NATIONAL HERITAGE 124 FIELDS OFCULTURE ANDNATIONAL HERITAGE 2016 2 PROVINCE LUBUSKIE 3 PROVINCE -POMORSKIE ZACHODNIO 19 PROVINCE DOLNOŚLĄSKIE 7 PROVINCE WIELKOPOLSKIE 71 Monuments inPoland: recognized asHistorical Number ofsites and objects MENTS BY PROVINCE NUMBER OFSITES ANDOBJECTS RECOGNIZED AS HISTORICAL MONU Source: TheNationalHeritage Board ofPoland

5 PROVINCE POMORSKIE 3 PROVINCE OPOLSKIE 3 PROVINCE KUJAWSKO-POMORSKIE 4 PROVINCE ŚLĄSKIE 3 ŁÓDŹ

PROVINCE 5 PROVINCE MAŁOPOLSKIE 3 PROVINCE WARMIŃSKO-MAZURSKIE 4 PROVINCE MAZOWIECKIE 1 PROVINCE ŚWIĘTOKRZYSKIE 2 PROVINCE PODKARPACKIE 125 PODLASKIE 3 PROVINCE 4 PROVINCE LUBLIN - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 1 PROVINCE LUBUSKIE 0 PROVINCE -POMORSKIE ZACHODNIO 3 PROVINCE DOLNOŚLĄSKIE 0 PROVINCE WIELKOPOLSKIE 30 sites andobjects inPoland: Total numberofUNESCO HERITAGE LIST BY PROVINCE NUMBER OFSITES ANDOBJECTS INCLUDED INTHEUNESCO WORLD Source: TheNationalHeritage Board ofPoland

1 PROVINCE PPOMORSKIE 0 PROVINCE 1 PROVINCE KUJAWSKO-POMORSKIE 0 PROVINCE ŚLĄSKIE 0 ŁÓDZKIE PROVINCE 15 PROVINCE MAŁOPOLSKIE 0 PROVINCE WARMIŃSKO-MAZURSKIE 1 PROVINCE MAZOWIECKIE 0 PROVINCE ŚWIĘTOKRZYSKIE 6 PROVINCE PODKARPACKIE 126 PODLASKIE 1 PROVINCE 1 PROVINCE LUBELSKIE FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 CULTURAL HERITAGE INSOCIAL HERITAGE BOARD OFPOLAND NATIONALRESEARCH /THE The contemporary approach towards nationalheritage thatnot assumes 22 whose values enable them to be recognized as world heritage in aprecisely world heritage, whilesomeof them were entered to thelist asserialobjects, List, outofwhich13 entrieswere madedueto theiroutstanding cultural value tional heritage plays anincredibly important role insociallife andhascom the meaningofcultural, socialandeconomicinterdependencies, aswell the international community. InPoland, there are 30 objects recognized as included intheUNESCO World Cultural andNatural Heritage. Theentryofan generation, whichcements thecommemoration ofcommon history. heritage for Poles isits role asanasset handeddown from generation to between thelegacy ofthepast andthecommunityissocrucialwithin monly recognized values. Inthiscontext, themost important role ofnational cides on what values, ideas, places, objects or memory should be pre codes, thinkingpatterns, butontheother handitisthesociety thatde of thepast. Ontheonehand,past shapeshumanattitudes, cultural only experts, butalsothesociety decideaboutthemeaningoftraces object into the UNESCO World Heritage List means that it presents universal as issues relatedas issues to theprotection ofnationalheritage. and 1was madedueto its outstanding environmental value. and exceptional values onaglobalscale, recognized asworth preserving by served for thefuture generations. For thisreason, knowledge onrelations selected group. Intotal, Poland has14 entriesto theUNESCO World Heritage

The last category ofobjects thatare worth payingattention to are sites As reported by thestudy The sample was drawn with theuseofrandom drawing inlayers. z o.o. attherequest oftheNationalHeritage Board ofPoland intheterritory The study hasbeenconducted withintheproject: During theimplementation ofthestudy, suchdemographic variables assex, Community.” Local for Values Heritage National age, region ofresidence, placeofresidence andeducation were controlled. of Poland andNorway inMayandJune2015. InPoland, thestudy was car ried outinthegroup of1,067 adultPoles, basedontheCAPI methodology. 22 of theNationalHeritage Board ofPoland, na Itwas conducted by PBS Sp. “HnM – Heritage near Me. Me. near Heritage – “HnM 127 - - - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 0% – caringfor monuments, and90%–caringfor localcustoms and traditions. THAT SHOULDBEPASSED ONTO FUTUREGENERATIONS? TO WHAT EXTENTDOYOU AGREE WITHTHESTATEMENT THAT NATIONAL 23 HERITAGE ISVALUABLE BECAUSE ITISTESTIMONY TO OURHISTORY titudes. Over three quarters ofrespondents (78.2%) believe thatnationalherit that patriotism consists of teaching national values to children in family, 91% tions, new employment andnew enterprises inlocalcommunities. three infour respondents (73.4%) are convincedthatnationalheritage brings impact onthe feelingimpact ofprideabouttheplaceresidence (88.4% ofpositive national heritage important for thestudies oflocalcommunitiesreferred to the related to nationaloriginisconfirmed by thefindingsof research con economic potential, therefore, itmaybeasource ofincome, opera business ducted by theNationalCentre for Culture, Poland /TNS a value because itcanmake aplaceofresidence exceptional. Othervalues of age iscrucialfor alocalcommunity. 89.7% of respondents believe thatithas answers) andcreating ofspendingfree thepossibility time(86.4%). Almost Source: NationalHeritage Board ofPoland 2015, N=1,067 I rather disagree I rather agree I strongly agree

The importance ofnationalheritage for thefeeling ofbelongingandbeing

Cultural resources are alsorelevant for theshapingoflocalpatriotic at

National Centre for Culture, Poland / TNS, Study conducted for the purposes of multi-annual governmental programme “Independent”, Warsaw 2016, pub lication inpreparation 20% 52,0% 40% 60% I don’tknow, it’s hard to tell Istrongly disagree 39,6% 23 . 92% ofPoles declare 128 80% 5,4% 100% - - - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 0% TO BEPROUDOFONE’S PLACE OFRESIDENCE? TO WHAT EXTENTDOYOU AGREE WITHTHESTATEMENT THAT 24 fixed percentage of Poles, regardless ofthe year of study. As it follows from (33%) orrenovate themonlywhencosts are not too high(30%). Inthecase NATIONAL HERITAGE ISVALUABLE BECAUSE ITMAKES ITPOSSIBLE the NationalHeritage Board ofPoland, 64.7% ofPoles believe thatnational to tear down old buildings and build modern houses in the same place. It is a their engagement inits protection andtheirinterest inactive participation interested inwhathappensto nationalheritage intheirlocalarea. There is in exploring it is considerably lower. 62.9% of Poles know at least one monu heritage shouldbeabsolutely preserved, and25.6% believe thatitshouldbe believe thatit isnecessary to renovate old buildings notwithstandingthe costs ment neartheirplaceofresidence, thanhalfofrespondents butless are preserved onlywhenits adaptation to new functions ispossible. of thefirst answer, itishowever possible to observe anincrease inpositive ciating theiraesthetic values andharmony answers between 2003and2010. Only6%ofpeoplebelieve that itispossible Source: NationalHeritage Board ofPoland 2015, N=1,067

I rather disagree I rather agree I strongly agree The vast majority ofPoles (96%)like to lookathistoric buildings,appre

Despite the declaration on the meaning of national heritage for Poles,

Polish Opinion Research Centre (CBOS) 2010, Poles on Architecture – Com munication onResearch, Warsaw 2010. 20% 45,6% 40% 24 60% I don’tknow, it’s hard to tell Istrongly disagree . Asimilarpercentage ofPoles 42,8% 129 80% 7,8% 100% - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 0% TO CULTURAL HERITAGE INTHELAST 12 MONTHS? 12 months.Themost popularform related ofactivities to nationalheritage (41.3%), orparticipationinspecialevents, suchaswalks, museumlessons which are thenconsidered by Poles to bemost responsible for theprotection HAVE YOU PARTICIPATED INANYEVENTS/ACTIVITIES RELATED Poles took related partinanyactivities to nationalheritage intherecent tutions andtargeted atthepromotion ofheritage. Less thanonefourth of time, oneinthree Poles would bewillingto commit hisorherown timeand is sightseeing historical places (66.9% of people who participated in any institutions concernedwithcultural heritage are needed,even thoughthese in theprotection ofmonuments, while84.7% ofPoles believe thatcultural played by television andtheInternet. persons donot often usetheoffer prepared, amongothers, by theseinsti role. At the same time, 85.7% of Poles see the need for investing public funds of monuments andthepreservation oftradition, disregarding theirpersonal and festivals (37.2%). Ahugerole ofsuchknowledge indissemination is –severalactivity answers were possible), visitingmuseumsorexhibitions transfera classical ofresponsibility for commongoodto publicstructures, Source: NationalHeritage Board ofPoland 2015, N=1,067 social work onthepreservation andprotection ofcultural heritage. servation status andusage ofmonuments isalarmingly low. At thesame Yes The percentage ofPoles whofeel thatthey have onthecon animpact 22.3% 20% 40% No 71.3% 60% I don’tremember 130 80% 6.3% 100% - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 PLANS ANDFORECASTSPLANS FOR 2017

0% Due to theintensification ofoperations ofthe state bodies, related to the The importance ofcultural heritage, particularlyinthecontext ofshaping By observingpublicdebate inmaincitiesandconsideringrecently adopted However, to itwillbe possible observe further increase inthesupportfor IN YOUR LOCAL AREA? DO YOU HAVE ANY IMPACT ON WHAT HAPPENS TO CULTURAL HERITAGE use ofresources ofcultural heritage inbuildingsocialcapital ofPoles and including thestate ofhistorical objects. improvement inthestate ofthepreservation ofmonuments andthein ing the place of origin, both in the context of a“little homeland”, as well predict whether this tendency willtranslate to thehigherengagement in regulations, aimed at improving in Poland, we may hope for the public spendingonthepreservation andprotection ofmonuments. of preservation ofthemonument substance, whichwillbelargely depend collective memory, willbegrowing. AmongPoles, theawareness consider crease intheinterest ofpublicopinionintheappearance ofsurroundings, ofstateent ontheactivity andlocalgovernment authoritiesinthatregard. actions foractions theprotection ofmonuments andtradition, aswell asthestate as thesenseofnationalorigin,willalsoincrease. However, itisdifficult to Source: NationalHeritage Board ofPoland 2015, N=1,067 5.1% Yes 20% 40% No 83.3% 60% I don’t remember don’t I 131 80% 11.3% 100% - - - FIELDS OFCULTURE ANDNATIONAL HERITAGE POLISH CULTURE YEARBOOK 2016 SELECTED PUBLICATIONS

72e646a7a6f116cb09105f922695509.pdf on:September [accessed 12,2016]. /Narol-publikacje/Dziedzictwo%20obok%20Mnie%20%E2%80%93%20 25 Socio-Economic Impact on Cultural Heritage. Report on Social Research Social on Report Heritage. for Cultural on Monuments Impact Historical of Socio-Economic Care and Protection the for Programme National Actions Local for Inspirations – Me near Heritage Heritage near Me – Guide to Management of Heritage in Municipalities in Heritage of Management to Guide – Me near Heritage At thesame time, duringthenext 2years, itisnecessary to expect acon National Heritage Board ofPoland’s geoportal, available at:http://mapy.za wem%20w%20gminach.pdf on:September [accessed 12,2016]. Heritage Board ofPoland, Warsaw 2013, http://www.nid.pl/upload/iblock/472/4 Poland, Warsaw 2016, http://www.nid.pl/pl/Informacje_ogolne/Aktualnosci Mnie%20%E2%80%93%20poradnik%20zarz%C4%85dzania%20dziedzict National Heritage Board ofPoland, Warsaw 2016, http://www.nid.pl/pl/In the period 2014–2017 period the the tendency for growing socialinterest inhistory. inspiracje%20do%20dzia%C5%82a%C5%84%20lokalnych1.pdf [accessed in historical policy, itisnecessary to expect aimedatarranging actions the bytek.gov.pl on:October [accessed 10, 2016]. resources ofobjects entered to theregister ofmonuments on: September 12,2016]. a significant resource for implementinghistorical policy and strengthening siderable expansion oftheList ofHistoric Monuments, whichconstitutes formacje_ogolne/Aktualnosci/Narol-publikacje/Dziedzictwo%20obok%20

As itfollows from theNationalHeritage Board ofPoland studies related to the verification ofimmobileandarchaeological monuments entered into the reg ister ofmonuments, over 1,000 monuments entered into theregister ceasedto consists in arranging theregister ofimmovable monuments. adopted inthestrategic governmental programme entitledNationalProgramme exist andshouldbedeleted from theregister. Oneofthedirection ofactivities for theProtection andCare of Historical Monuments for theperiod2014–2017 , NationalHeritage Board ofPoland, Warsaw 2015. Edited by: AnnaKozioł, Bartosz Skaldawski , NationalHeritage Board of 132 25 . , National , National - - - ,

2. CULTURE FUNDING AND CULTURAL ECONOMICS CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016

The DepartmentofState Patronage oftheMinistry 3,772,400,000.00. Theremaining amount(PLN249,505,000.00) isin 26 Fund for thePromotion ofCulture –aspecialpurposefund managed by the EU funds –Part 24; state budget – other parts (which are at the disposal of other ministers, state budget –Part 24. Culture andnationalheritage protection (which isat National Heritage manages as much as 94% of this amount, i.e. PLN Minister ofCulture andNationalHeritage Each year, the following expenditures onculture andnational heritage pro CULTURE FUNDINGBYTHE tioned sources was PLN 4,021,905,000.00. TheMinister ofCulture and the expenditures 921 describedinSection –Culture andnationalheritage the ChancelleryofPresident andgovernors ofprovinces), underwhich the disposal oftheMinister ofCulture andNationalHeritage); tection are plannedundertheBudget Act: planned for 2016 isshown infigure onpage 135. protection are made; curred by other administrators. Thestructure of expenditures onculture of Culture andNationalHeritage AND NATIONAL HERITAGE MINISTRY OFCULTUREMINISTRY

The overall spendingplanned for 2016 from alltheabove-men Act of11th September 2015 ontheamendment oftheAct onCopyright and Before 2015, theMinister ofCulture andNationalHeritage haddisposedoftwo Related Rights (Polish andtheAct onGambling JournalofLaw, Item 1639). special purposefunds –theFund for thePromotion ofCulture andtheFund for thePromotion ofCreativity. Thelatter onehasbeen wound upunderthe 26 . 134 - - - CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 3,725,200,000.00 whichrepresented 1.01% oftheoverall state budget PLANNED FOR 2016 (IN PLNTHOUSAND) EXPENDITURES ONCULTURE ANDNATIONAL HERITAGE PROTECTION ture spendingunderPart 24 andother parts ofthestate budget. in respect of other administrators) plannedfor 2016 amounted to PLN amount ofplannedculture spendingishigherthantheamountofcorre Source: Ownstudy sponding expenditures incurred in 2015 by 6%. spending and 0.2% of the gross domestic product. The above-indicated EU funds –Part 24 Fund for thePromotion ofCul State budget 921 –Section other administrators State budget –Part 24 The table presented onthefollowing pageillustrates thestructure ofcul The state budget expenditures onculture (Part 24 921 andSection 249,505 6% 164,263 4% 132,465 3% 3,475,672 87% 135 - -

CULTURE FUNDINGANDCULTURAL ECONOMICS

TOTAL upbringing care 854 –Educational 754 –Publicsecurity 752 –National defence 750 –Publicadministration 803 –Highereducation and upbringing 801 –Education Section 2016 CULTURE ANDNATIONAL HERITAGE PROTECTION State budget expenditures underPart 24 by ofbudget sections classification (in PLN thousand) (in PLNthousand) TOTAL: 3,475,672 PLANNED FOR 2016 AND EXPENDITURES OFOTHER ADMINISTRATORS UNDERSECTION 921 STRUCTURE OF EXPENDITURES UNDER PART 24 OF THE STATE BUDGET 1,590,353 Amount 861,106 627,971 33,601 67,467 124 84 CULTURE ANDNATIONAL HERITAGE PROTECTION Part 24, Section 921 State budget expenditures 921 underSection 1,885,319 by budget parts (inPLNthousand) of Poland President ofthe Republic 1 –Chancelleryofthe and ethnic minorities denominations andnational 43 –Religious 46 –Health and upbringing 30 –Education 28 –Science 32 –Agriculture 31 –Labour 36 –State Treasury ofOppressionand Victims 54 -Office for War Veterans TOTAL Budget part 85 –Provinces’ budgets 29 –Nationaldefence 45 –Foreign Affairs TOTAL: 2,134,824

136 Amount 249,505 30,000 88,350 33,384 15,304 41,758 8,000 8,000 6,388 2,500 3,959 11,112 750 Section TOTAL upbringing care 854 –Educational 754 –Publicsecurity 752 –National defence 750 –Publicadministration 803 –Highereducation and upbringing 801 –Education CULTURE ANDNATIONAL HERITAGE PROTECTION State budget expenditures underPart 24 by ofbudget sections classification (in PLN thousand) (in PLNthousand) TOTAL: 3,475,672 1,590,353 Amount 861,106 627,971 33,601 67,467 124 84 CULTURE ANDNATIONAL HERITAGE PROTECTION Part 24, Section 921 State budget expenditures 921 underSection 1,885,319 by budget parts (inPLNthousand) of Poland President ofthe Republic 1 –Chancelleryofthe and ethnic minorities denominations andnational 43 –Religious 46 –Health and upbringing 30 –Education 28 –Science 32 –Agriculture 31 –Labour 36 –State Treasury ofOppressionand Victims 54 -Office for War Veterans TOTAL Budget part 85 –Provinces’ budgets 29 –Nationaldefence 45 –Foreign Affairs TOTAL: 2,134,824

Amount 249,505 30,000 88,350 33,384 15,304 41,758 8,000 8,000 6,388 2,500 3,959 11,112 750 CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 OF THE STATE OFTHE IN2015 BUDGET EXPENDITURES UNDERPART 24EXPENDITURES The above table shows thestructure ofculture spendingplannedfor 2016. To Section 921Section (PLN1,690,000,000.00; 52%). Theoverall spendingunderother National Heritage indetails, itisnecessary to refer to theexpenses thathave up to PLN3,245,100,000.00. Thegreatest amountofexpenditures incurred by total expenses underPart 24. the Minister ofCulture andNationalHeritage constituted theexpenses under defence andpublicsecuritywere, amounted to PLN91,800,00, i.e. 3%ofthe expenditures incurred by theMinistry ofCulture andNationalHeritage in2015. describe theallocationoffunds administered by theMinister ofCulture and already beenincurred. Thispart andthefollowing two parts illustrate the sections, suchaseducationalupbringingcare,sections, publicadministration, national In 2015, theexpenses incurred underPart 24 ofthestate budget added 137 CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 * Thisisthetotal sumofsubsidiesfrom thestate budget awarded withintheMinis MILLION): NATIONAL HERITAGE INCLUDED THE FOLLOWING (AMOUNTS IN PLN IN SECTION 921, THEEXPENSES OFTHEMINISTRY OFCULTURE AND Programmes are awarded alsofrom theFund for the Promotion ofCulture; thetotal is addressed below inthepartentitles“European ofprojects funds, co-financing with Source: Ownstudy total amountofPLN321.5 millionwere granted undertheProgrammes oftheMinister. the useofEuropean funds andspecialpurposefunds”. In2015, thesubsidiesin ter’s Programmes. However, itmust benoted thatthegrants withintheMinister’s amount of grants awarded from this source is PLN 143.02 million. (This pool of grants fice oftheState Archives, three central archives, 30 re Special purposessubsidiesfor 63 cultural institutions, the Bureau oftheMinistry ofCulture andNationalHeritage. ofbudgetaryFinancing theactivity entities:TheHeadOf Polish FilmInstitute andtheOssolineum. Russian Dialogue andUnderstanding. Grants withintheMinister’s Programmes awarded to more Core grants for 75cultural institutions (runby theMinister tions, over 300 churches andreligious organisations). than 1,100 entities(including:over 400 non-governmental gional archives, the Council for the Protection of Struggle lineum, thePolish FilmInstitute andtheCentre for Polish- organisations, nearly350localgovernment cultural institu withlocalgovernmentor co-run units) aswell astheOsso and Martyrdom Sites and the Budget and Administration 138 - - - - 848.3 178.5* 178.6 441.2 - CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 FOLLOWING (AMOUNTS INPLNMILLION): EXPENDITURES INUNIT803 – HIGHEREDUCATION INCLUDE MAINLY THE MAINLY THEFOLLOWING (AMOUNTS INPLNMILLION): EXPENDITURES IN UNIT 801 – EDUCATION AND UPBRINGING INCLUDE Source: Ownstudy Source: Ownstudy Financing the activity ofbudgetaryFinancing theactivity entities:251 state art Core grants for 141 artschoolswiththerights ofpublic of ArtSchoolTeachers. schools. schools, Centre for Art Education and Centre for Training Special purposegrants for investment projects Subjective grants for 19 artschools. for 13 artschools. 139 582.1 777.4 41.9 34 CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 30% STRUCTURE OFEXPENDITURES STRUCTURE IN PART 24 INSECTION 921 culture centres 14%

Museums * Thecategory “Other” iscomposedofthefollowing ofexpenditures: sections Art

The biggest share intheexpenditures oftheMinistry ofCulture andNational (14%) andtheatres (11%); full structure ofexpenditures 921 insection (i.e. EXPENDITURES INSECTION 921 ACCORDING TO THESECTIONS Heritage 921 insection constitute: museums(30%), artandculture centres OF BUDGETARY CLASSIFICATION percentage share ofbudgetary inindividualsections ispre classification) graphic institutions –0.7%, TheCentre for Polish-Russian Dialogue andUnderstand galleries andartexhibition offices– 0.9%, The Polish FilmInstitute – 0.8%, Cinemato ing – 0.3%, Cultural centres and establishments, community centres and clubs – 0.3%. Source: Ownstudy sented inthefigure below. Art and Art and Other activities Other activities 3% 11% Other

Theatres 1% 1% of MemoryStruggle andMartyrdom and documentingmonuments 3% Council for theProtection Centres for protecting 3% 9% Other tasks inthefieldofculture

Archives orchestras, choirs andbands 6% Ph institutions 7% 6% ilharmonic halls, ilharmonic halls, care ofmonuments 6% Other cultural 140 Libraries Protection and - - - CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 EU FUNDS ANDSPECIAL PURPOSE FUNDS 2016 (Polish Journal ofLaws, Item 278); Report ontheImplementation ofState Budget for the (amounts inPLNmillion): From thebudget ofEuropean funds andspecialpurposefunds, theMinister of Culture andNationalHeritage awarded grants to more than2,100 entities on theImplementation ofState Budget andEuropean Funds Budget underPart 24 andSec sprawozdanie.pdf on:10th [accessed October, 2016]; andstatements prepared by theFinancial Source: Ownstudy Edited by: Divisionfor Strategy, Analysis andCreative Sectors oftheState Patronage Depart Department oftheMinistry ofCulture andNationalHeritage Heritage, Warsaw, May2016, http://www.mkidn.gov.pl/media/docs/budzet/20160620_budzet_ budget expenditures, Overview by parts, CouncilofMinisters, Warsaw, 2016, p. 2/30 –34; Report period commencing on 1st January 2015 and ending on 31st December 2015, Volume 1, State ment, Ministry ofCulture andNationalHeritage, basedonthe2016 Budget Act of25February tion 921 –Culture andNationalHeritage Protection for 2015, Ministry of Culture andNational were granted to 5entities. were awarded to 99 entities,including:27localgovernment From theFund ofthePromotion ofCreativity, subsidies From the Fund ofthePromotion of Culture under thePro Norwegian FinancialMechanismandother sources, grants Infrastructure andEnvironment, EEAFinancialMechanism, From theEuropean funds withintheOperational Programme than 2,000 entities, including:approx. 80 non-governmental grammes oftheMinister, subsidieswere granted to more organisations andapprox. 700 localgovernment cultural in cultural institutions, 20 non-governmental organisations, 15 art schools). stitutions). 141 - - 143.02 401.5 0.12 - - CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016

The territorial divisionofPoland covers three administrative levels: The NationalCentre for Culture, Poland 27 local government authoritieswillspendPLN6.877 billiononculture, including: culture spendingrepresents 3.3% oftotal expenditures. county cities:PLN2.513 billion; 2,478 municipalities. 380 counties(including66 countycities); 16 provinces; Poland. Their operations are supported by provinces. The role of counties in Each of the territorial units has been assigned with various tasks. The re this scopeismarginal. to thegreatest extent responsible for financingculture from public funds in SPENDING ONCULTURE nicipalities andcountycities–thesmallest units oflocalgovernment are sponsibility for promoting culture ofmu liesmainlywithintheactivities LOCAL GOVERNMENT

As itfollows from theagreed financialplans, counties: PLN0.108 billion; provinces: PLN1.269 billion; municipalities withoutcountycities:PLN2.988 billion;

This plan is later modified – due to various priorities not all investment projects In Poland, localgovernment authoritiesare obligedto present theplanofex which doesnot constitute themost important positioninlocalgovernment are implemented, there is a need for cutting costs. In the case of culture, budgets, theexecution ofculture spendingislower thaninitiallyassumed. penditures for thesubsequentyear atthe endofthepreceding financial year. 27 in2016: 142 - - - CULTURE FUNDINGANDCULTURAL ECONOMICS

counties without counties POLISH CULTURE YEARBOOK 2016 Provinces Municipalities Total Counties City 8000 6000 5000 3000 4000 2000 7000 1000 0 Source: Ownstudy basedonthedata publishedonthewebsite oftheMinistry ofFinance LOCAL GOVERNMENT SPENDINGONCULTURE (INPLNMILION) 3,092 2,482 7,006 1,297 2010 135 2,905 6,755 1,384 2,341 2011 125 2,362 6,847 3,012 1,351 2012 123 6,888 2,495 2,979 1,302 2013 111 2,888 3,355 1,364 7,723 2014 116 143 6,923 2,942 2,501 1,367 2015 113 planned) 2,988 1,269 6,877 2,513 2016 108 (as CULTURE FUNDINGANDCULTURAL ECONOMICS

without counties POLISH CULTURE YEARBOOK 2016 Counties Municipalities Citycounties Provinces 10 0% 8% 6% 4% 2% % Source: Ownstudy basedonthedata publishedonthewebsite oftheMinistry ofFinance SPENDING BY UNITTYPE PERCENTAGE SHAREOFCULTURE INTOTAL LOCAL GOVERNMENT 8.5% 0.6% 3.9% 4.2% 2010 8.5% 0.5% 3.8% 3.6% 2011 8.6% 0.5% 3.8% 3.7% 2012 0.5% 3.8% 3.8% 2013 7.9% 0.5% 3.9% 4.1% 7.5% 2014 144 0.5% 3.6% 3.4% 2015 7.9% planned) 8.3% 0.5% 3.4% 2016 3.1% (as CULTURE FUNDINGANDCULTURAL ECONOMICS

expenditures POLISH CULTURE YEARBOOK 2016 EUfunds Capital 2,000 2,500 1,000 1,500 500 0 Source: Ownstudy basedonthedata publishedonthewebsite oftheMinistry ofFinance CAPITAL EXPENDITURES ONCULTURE (INPLNMILLION) 2,425 2010 726 2,003 2011 646 1,939 2012 757 2,417 2013 713 2,417 2014 810 145 1,395 2015 286 planned) 1,146 2016 145 (as CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 PROVINCES

2015. In2016, they amounted to PLN179.00 peroneperson. 28 Provinces financemainlytheoperations ofmuseums,theatres, libraries and In 2016, theexpenditures incurred by provinces represented 18% ofallcul The DolnośląskieProvince spendsonculture muchmore thanother prov In thiscontext, thelast placeistaken by theŚwiętokrzyskie Province and In Poland, percapita expenditures onculture amounted to PLN180.00 in Low spendingplannedfor 2015 was inlinewiththebudgetary report – In thesubsequentyears, thisindicator remained high– during2011–2013 In thebreakthrough year of2010, theseexpenditures exceeded PLN7billion Planned expenditures on culture coming from EU funds amount to PLN 145 Provinces contribute thehighest amountoflocalgovernment funds to culture when expenditures onculture, includingnominalspending, were thehigh ture spendingoflocalgovernment authorities. the first place is taken by theDolnośląskie Province . inces, however, atthesame time, thisiswhere thebiggest drop infunding in 2015. In2016, theplanned culture spendingincreased to 8.26%. largely funded by theEuropean Union philharmonic concerthalls. proves thatthesituation in2016 isnot favourable for culture. million –thereduction inculture spendingresults from astrong declinein earmarked for cultural was activities observed in2016. expenditures onculture fell to 3.5%. est –over PLN7.723 billion. capital expenses (which indicate mainlythescaleofinvestments) andare amounted to nearly3.7% andexceeded thelevel of3.94% in2014. Thisis and represented asmuch3.94% oflocalgovernment spending. all budget funds. Inthesubsequentyears, thisvalue kept falling to reach 7.94% amongst alltypesoflocalgovernment units. In2010, itwas more than8.5% of

The analysis ofexpenditures incurred inprevious years (2010–2015) Spending percapita: T. Kukołowicz, ities obserwatorium-kultury/315817-srodki-zagraniczne-w-finansowaniu-kultu ry-przez-samorzady-raport/ on:29thJuly, [accessed 2016]. , NationalCentre for Culture, Poland, Warsaw 2015, http://www.nck.pl/ Foreign Funds in Culture Funding by Local Government Author Government Local by Funding Culture in Funds Foreign 28 . 146 - - - - -

CULTURE FUNDINGANDCULTURAL ECONOMICS 2016 2016 –172 PLN 2015 –163 PLN PROVINCE LUBUSKIE 2016 –181 PLN 2015 –190 PLN PROVINCE -POMORSKIE ZACHODNIO 2016 –243 PLN 2015 –309 PLN PROVINCE DOLNOŚLĄSKIE 2016 –165 PLN 2015 –155 PLN PROVINCE WIELKOPOLSKIE Source: Ownstudy basedonthedata publishedonthewebsite oftheMinistry ofFinance 2016 (PLANNED) LOCAL GOVERNMENT SPENDINGONCULTURE 2016 –199 PLN 2015 –196 PLN PROVINCE POMORSKIE 2016 –169 PLN 2015 –153 PLN PROVINCE OPOLSKIE 2016 –164 PLN 2015 –157 PLN PROVINCE KUJAWSKO-POMORSKIE 2016 –163 PLN 2015 –177 PLN PROVINCE ŚLĄSKIE 2016 –177 PLN 2015 –158 PLN ŁÓDŹ PROVINCE PROVINCE MAŁOPOLSKIE 2016 –150 PLN 2015 –143 PLN PROVINCE WARMIŃSKO-MAZURSKIE 2016 –177 PLN 2015 –167 PLN 2016 –213 PLN 2015 –200PLN PROVINCE MAZOWIECKIE 2016 –132 PLN 2015 –127PLN PROVINCE ŚWIĘTOKRZYSKIE PER CAPITA PER 2016 –143 PLN 2015 –146 PLN PROVINCE PODKARPACKIE 147 PODLASKIE 2016 –180 PLN 2015 –154 PLN PROVINCE 2016 –164 PLN 2015 –178 PLN PROVINCE LUBELSKIE IN2015 AND CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 Counties 2% Source: Ownstudy basedonthedata publishedonthewebsite oftheMinistry ofFinance STRUCTURE OFLOCAL GOVERNMENT SPENDINGIN2016 Provinces 18% County cities 37% 148 cities without county Municipalities 43% CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 centres community clubs and establishments, centres and Cultural 6% bands choirs and orchestras, halls, Philharmonic 11%

Libraries 11% Source: Ownstudy basedonthedata publishedonthewebsite oftheMinistry ofFinance AT PROVINCE LEVEL STRUCTURE OFLOCAL GOVERNMENT SPENDINGONCULTURE IN2016 Other 5% institutions cultural Other 4% centres culture Art and 4% monuments and care for Protection 2% Theatres 28% 149 29% Museums CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 Other 10% Libraries 26%

monuments and care for Protection 4% Source: Ownstudy basedonthedata publishedonthewebsite oftheMinistry ofFinance AT MUNICIPALITY LEVEL STRUCTURE OFLOCAL GOVERNMENT SPENDINGONCULTURE IN2016 Museums 3% centres culture Art and 3% institutions Other cultural 1% 150 centres community clubs and lishments, and estab centres Cultural 53%

- CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 COUNTY CITIES COUNTY MUNICIPALITIES

29 The investments ofcitycountiesare difficult to estimate atthebeginning Among them,thebiggest gap occurs between units thatspendthemost In 2016, citycountiesspent3.38% oftheirexpenditures onculture. The share ofcounty citiesinculture spendingamounted to 37% in2016. The most outstanding group are rural municipalities.They constitute the The distribution ofspendingincountycitiesisrelatively even. Thelargest The role of municipalities is to ensure basic cultural offer that is provided Municipalities are dividedinto urban,urban-rural andrural municipalities. The share ofculture spendingintotal expenditures incurred by munici In 2016, theirshare inculture funding amounted to 43%. Municipalities playakey role infinancingculture by localgovernment Przemyśl –PLN4.8 million). ties were allocated to cultural centres, while25%offunds were spenton this rural communescaughtupwithother typesofmunicipalities in Poland by cultural centres andestablishments, aswell aslibraries. The libraries. largest group andcontribute theleast amountoftheirfunds to culture. How numbers are evident –in2016, 53% ofallculture spendingofmunicipali previous years. palities amounted to 3.15% –whichmeansasignificantdrop compared to on culture andthosethat spendtheleast (Warsaw –PLN560.7 million, ever, atthesame time, thesituation improved most significantly inrural of theyear –whichisproved by thebiggest disproportion between planned areas. There was avery highgrowth inpercapita spending,andthanks to amounts are allocated to libraries, cultural centres, museumsandtheatres. and actual expenditures onculture. authorities.

P. Siechowicz, Wiśniewska, A. P. Kurek, Investment in culture and ongoing cul Poland, 2016, http://nck.pl/obserwatorium-kultury/317094-inwestycje-w-kul turze-a-biezaca-dzialalnosc-kulturalna-raport/ on: 29thJuly, [accessed 2016]. tural Culture activities. funding by municipalities:relationship between current and capital expenditures over the period 2001–2013, National Centre for Culture, 151 29 . - - - - - CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 monuments and care for Protection 6% Other 7% of culture the field tasks in Other 6% institutions Other cultural 10%

Source: Ownstudy basedonthedata publishedonthewebsite oftheMinistry ofFinance and bands choirs orchestras, halls, Philharmonic 5% AT CITYCOUNTYLEVEL STRUCTURE OFLOCAL GOVERNMENT SPENDINGONCULTURE IN2016 centres culture Art and 5% Theatres 13% offices exhibitions and art Art galleries 2% Libraries 16% 152 Museums 14% centres Cultural 16% centres community and clubs ments, establish and - CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 PLANS ANDFORECASTS PLANS FOR 2017 SELECTED PUBLICATIONS COUNTIES

-inwestycje-w-kulturze-a-biezaca-dzialalnosc-kulturalna-raport/ [accessed What awaits the culture funding from local government budgets over the years, they willconstitute simultaneously thebiggest share oftheirbudgets. Over theyears 2010–2014, ofEUco-financed ahighimpact expenditures on Among municipalitiesandcountycities,theculture spendingwillfall simul Although provinces allocate (nominal)amounts less to culture thaninprevious Counties support mainly museums, libraries and protection of monuments In 2016, theshare ofcountiesintotal localgovernment spendingonculture The expenditures incurred by countiesonculture are very limited. P. Siechowicz,Wiśniewska, A. P. Kurek, Investment inculture andongoingcul 30 Culture, Poland, Warsaw 2016, http://nck.pl/obserwatorium-kultury/317094 tural Culture activities. funding by municipalities:relationship between cur the reduction inEUsubsidies.Upontheintroduction ofrevival programmes, the growth inculture spendingwas observed. Thedeclineinlocalgovern taneously withadecrease inculture spendingshare intotal expenditures. rent and capital expenditures over the period 2001–2013, National Centre for ment spending, which has been observed in recent years, was due mainly to next years? Theabove analysis enablesthepresentation ofsomeforecasts: on: July29, 2016]. an improvement inculture funding, particularlyincities,canbeexpected. amounted to only1.6%.

-wydatkow-na-kulture-raport/ on:29thJuly, [accessed 2016]. -finansowanie-kultury-przez-samorzady-plany-wykonania-i-realizacja M. Modzelewska, T. Kukołowicz, Plans, execution and implementation of culture expenditures culture of implementation and execution Plans, tre for Culture, Poland, 2016, http://nck.pl/kultura-samorzadowa-25/315624 Culture funding by local government authorities. authorities. government local by funding Culture 153 , National Cen 30 - - - - - .

CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016

-kultury-przez-samorzady-raport/ on:July29, [accessed 2016]. -i-realizacja-wydatkow-na-kulture-raport/ on:July29, [accessed 2016]. -25/315624-finansowanie-kultury-przez-samorzady-plany-wykonania /obserwatorium-kultury/315817-srodki-zagraniczne-w-finansowaniu T. Kukołowicz, M. Modzelewska, T. Kukołowicz, Centre for Culture, Poland, Warsaw 2016, http://nck.pl/kultura-samorzadowa ties. Plans, execution and implementation of culture expenditures culture of implementation and execution Plans, ties. ities , National Centre for Culture, Poland, Warsaw 2015, http://www.nck.pl Foreign Funds in Culture Funding by Local Government Author Government Local by Funding Culture in Funds Foreign Culture funding by local government authori government local by funding Culture Edited by: Marlena Modzelewska 154 , National - -

CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 EMPLOYMENT The cultural sector includesallprofessions thatare directly orindirectly 32 31 worked inthissector ofeconomy. Inthesame year, inPoland, theemployees this sector ismore thantwicehighertheEUaverage. growing. In2014, more than6millioncitizens oftheEUMemberStates less less than the EU average, but at the same time the average growth rate in SECTOR related to thecreation ofculture of thecultural sector represented 2.5%ofallemployees. Thisisby 0.4% culture-related entities,suchaspublishers andmusicproducers crafts or graphic design. Moreover, the above group should also include all individualswhodonot undertake butare suchactivities, employed by such as writing, architecture, music, journalism, acting, dance, librarianship, AND PRODUCTION IN THE CULTURALIN THE EMPLOYMENT

The importance ofthecreative industry intheeconomyiscontinuously

Cf. Cf. P. Lewandowski, J. Mućk,Ł.Skrok, Warsaw 2010. Sector. Introduction to Problem Analysis Problem to Introduction Sector. embourg 2016. Eurostat Culture Statistics 2016 Statistics Culture Eurostat 31 . Theseare related allactivities to creativity, , ed.J.-L. Mercy, M.Beck-Domżalska, Lux Economic Importance of Cultural Cultural of Importance Economic , Institute for Structural Research, 155 32 . - CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 0. 3. 2. 3. 2.5% 1. 1.5% 0% 0% 0% 0% 5% 5% Source: Eurostat, Culture Statistics 2016, own study EMPLOYMENT INTHECULTURAL SECTOR IN2014 Lithuani 3. 2% a Republic Czech 3% Germany 3% Fr 2.8% ance Hungary 2. 7% 156 2.9% Po 2.5% land EU average Slovaki 2% a CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 years ofage 40–49 22.86% AGE STRUCTURE years ofage 50–59 18.78% – thisisslightlymore thanthenumberofpeopleinthisagegroup employed AGE STRUCTURE In Poland, most peopleemployed inthecultural sector are aged20–39 –they the numberofpeopleaged40–50. Thelatter represent almost 23% ofall in theentire economy. represent almost oneinthree persons employed intheculture industry. The employees, whiletheyoungest group constitutes onefifthofallemployees est group. Thenumberofyoung people(aged15–29) isslightlylower than oldest people–aged65 andmore –represent only3%,forming thesmall Source: Eurostat database, own study years ofage 60–64 3.54% of age Above 65 years 2.47% 157 years ofage 15–29 20.32% years ofage 30–39 32.03% - CULTURE FUNDINGANDCULTURAL ECONOMICS

sector intheEU sector inPoland POLISH CULTURE YEARBOOK 2016 Total intheEU Total inPoland Cultural Cultural IMPACT OFFINANCIALCRISIS -5% -4% - -2 -1 0% 8% 6% 5% 3% 3% 4% 2% 7% 1% % % As shown by theEurostat data, thefinancialcrisisof2008hadanadverse INCREASE INEMPLOYMENT INTHECULTURAL SECTOR impact onthePolishimpact sector ofculture. WhentheEuropean average employ period amounted to 0.6%. period 2011–2014 on average) is worth noticing. At the same time, the av ment growth rate in this sector remained positive, in Poland it was −4.3% erage growth paceofoverall employment inPoland inthecorresponding explicit increase intheemployment rate was seen(3.2% peryear over the over theyears 2009–2010. However, thefact thatinsubsequentyears an Source: Eurostat, Culture Statistics 2016, own study 2008–2009 -1.80% 0.80% 0.40% 2.60% 2009–2010 -4.30% -2.50% 0.50% -1% 2011–2012 0.20% 0.20% 1.70% 1.10% 2012–2013 -0.20% -0.10% 0.80% 1.70% 158 2013–2014 1.90% 7.00% 1.30% 1.40% - - CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 1 SEX STRUCTURE SEX 00% 80 60 40 20% 0% % % % The situation inPoland deviates from theEUaverage not only interms ofem AND INTHEEU2014 SEX STRUCTURE OFEMPLOYEES INTHECULTURAL SECTOR INPOLAND whereas thecultural sector inPoland was composedof54% women. At the ployment growth rate. Intheentire European Unionwomen represented 46% of allemployees and47% ofpeopleemployed inthecultural sector in2014, Source: Eurostat, Culture Statistics 2016, own study same time, inrecent years, thissector hasbecomemore andmore feministic.

Women Poland 46 54 % %

Men 53 47 EU 159 % % - CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 education Secondary 35% EDUCATION LEVEL year, almost twiceashighintheoverall numberofemployees (where it Since thework ofmusicians,librarians, writers orpublishers often requires EDUCATION INTHECULTURAL SECTOR tion. Highereducationamongemployees ofthissector was, inthesame tion, andslightlymore than1%ofallemployees hadelementary educa nearly 64% of all employees. 35% of all employees had secondary educa many years ofstudies, itshouldn’tbesurprisingthatpeoplewithhigher education are themajorityincultural sector. In2014, they represented amounted to 33%). Source: Eurostat, Culture Statistics 2016, own study education Elementary 1.29% 160 education Higher 63.71% - - CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 10 120, 80 60 40 20 PRODUCTION /COMPANIES 0, ,000 ,000 ,000 ,000 000 000 0 -related companiesrepresented 6.2% ofthePolish market. In2013, the The cultural sector isbecominganincreasingly important sector ofeconomy 33 which represented 6.2% of turnover generated by all types of services. 2014 NUMBER OFCOMPANIES INTHECULTURE SECTOR IN2013 Polish cultural sector represented 5.18% oftheEuropean cultural sector. in theentire European Unionandreached EUR7.9 billioninPoland in2013, in theentire .Onlymarket-oriented entitiesare considered generated turnover intheamountofalmost EUR8billion. providing companies nanced largely from publicfunds, willnot asenterprises. beclassified as enterprises inthecultural sector. Libraries ormuseums,whichare fi Source: Eurostat,

10 Fr The turnover inthecultural sector exceeded thelevel ofEUR300 billion In 2013, European cultural enterprises constituted 6.4% ofallservice- ance 1,24 Excluding financialservices, except for wholesale and retail sales 1 Culture Statistics Statistics Culture Germany 72,8 73 33 onthismarket. Inthesame year, Polish culture- Po 35,0 2016 land 71 Republic 20 Czech ,1 98 Hungary 12,6 161 33 Lithuani 1, 70 5 a - CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 1 8,000 6,000 0, 4,000 2,000 000 0 0% Source: Eurostat, TURNOVER OFCULTURAL INDUSTRY INPOLAND(IN EURMILLION) TURNOVER OFCULTURAL SECTOR COMPARED TO THEENTIREMARKET

EU average 2008 9,70 1% 0 7 2009 Culture Statistics, Statistics, Culture ,40 5 2% 8,28 20 10 3% EU 2 2016 7, 2011 98 4% 3 4.38 7, 2012 5% 90 % 7 5.30 Poland 162 6% % 7, 20 893 13 6.20% 7% 7, 20 99

Poland 14 4 8% CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 agencies of press Activity 1.22% programmes television of radio and Broadcasting 31,63% activity Architectural 15.59% They represented nearlyonethird oftotal revenues from thiseconomic SECTOR INPOLAND PERCENTAGE SHAREINTURNOVER OFTHEENTIRECULTURAL third ofoverall turnover. turnover in2014. At thesame time, architectural represented activity one dio andmusicrecordings represented, intotal, more than19% ofoverall Source: Eurostat, sector inPoland. Thetelevision andfilmproduction andproduction ofau stituted revenues from thebroadcasting ofradio andtelevision programmes. In 2014, thelargest portionofturnover ofthePolish cultural sector con Culture Statistics, Statistics, Culture design Specialised 5.11% 2016 10.99% books Publishing 163 publishing music production, television Film and 19.12% newspapers Publishing 5.79% games computer Publishing 0.70% periodicals and magazines Publishing 9.85% - - CULTURE FUNDINGANDCULTURAL ECONOMICS POLISH CULTURE YEARBOOK 2016 SELECTED PUBLICATIONS:

Eurostat, embourg 2016. Culture Statistics 2016 Statistics Culture Edited by: Katarzyna Zarzycka, TheNationalCentre for Culture, Poland, , ed.J.-L. Mercy, M.Beck-Domżalska, Lux based ontheEurostat data 164 - 3. PUBLIC MEDIA PUBLIC MEDIA POLISH CULTURE YEARBOOK 2016 TELEVISION Television isto enhancetheintellectual condition,aswell asto develop the viewers withinformation andculture onthehighest level, thegreatest sports where commercial stations have never beenpresent. Theobjective ofPolish Rozrywka, TVP ABCandBelsat TV. Italsoprovides to access onlinechannels, Polonia, TVPKultura, TVP Sport, TVPHistoria, TVP HD, TVPSeriale, TVP Polish Television ( isapublicbroadcaster S.A.) operating under the law on radio broadcasting and television. This is the biggest televi tistic reviews –both nationwideandregional events. Itsupports socialactions television, inwhichPolish Television group hasthegreatest range (99.6%) in thecommercial packages ofsatellite, cableandIPTVplatforms. patterns andpatriotic attitudes. role ofapatron ofculture, supportingimportant events, festivals, contests, ar civic awareness ofthecontemporary humanbeingandshapethe aesthetic of thisbroadcaster isdirected atviewers ofeachagegroup. emotions andthebest entertainment. Therichandvarious programme offer and campaigns,aswell ascharityprojects, andpresents valuable initiatives able onmobiledevices and through connected TV. As theonlybroadcaster among allbroadcasters. Theprogrammes buildthebasisofoffers included such asTVPParlament, andspecialoccasionalprogrammes thatare avail sion broadcaster, producer anddistributor inCentral Europe, providing its POLISH The programmes ofPolish Television are available inthedigital terrestrial In line with the mission ofapublicbroadcaster,In linewiththemission Polish Television plays the Polish Television offers 13 channels:TVP1,TVP2,TVP3, TVPINFO, TVP 166 - - - PUBLIC MEDIA POLISH CULTURE YEARBOOK 2016 TV seriesas: The Television Theatre remains aunique proposal for anaudiencenumber TVP 1 The biggest strength ofthisoffer ishighquality entertainment andcultural TVP 2 years. Furthermore, thechanneloffers: popularPolish TV series,suchas Między ziemią a niebem a ziemią Między Monday’s Television Theatre programme, whichisoneofthemost important Ojciec Mateusz Ojciec FilmFestival Awards, theaward oftheprizes ofthephonographic industry Fryderyki andtheconcerts ofthemost important artists. Oneofthe ing millions on a European and global scale. Another example of culture ing: in Poland, Polish Television alsobroadcasts aregional channel,whichis grammes targeted at children. The scope resultsof issues from the duties historical memorythrough thepresentation analysis andin-depth ofthe broadcasts and carries out many historic programmes, mainly within the but, above all,events ofidentity-related andpatriotic nature. Thechannel brands of the channel. Each season, there are several new performances ligious journalism,aswell assports, entertainment, educationandpro most spectacular form ofpresenting andpromoting Polish songfor over 56 promotion is theNational Polish SongFestival in Opole, which has been the most popularprogrammes offered by Channel2ofPolish Television are such ries, entertainment shows, filmpremieres andnews reports from interesting past. Website: http://tvp1.tvp.pl/ public andsociallife. Anexceptional proposal inthefieldofculture isthe ries. Channel1accompaniesPoles inthemost important moments ofthe cultural andentertainment events, includingtheannualgala event ofthe of Polish Television broadcasts themost important events ofartistic profile of apublicbroadcaster, aswell ascurrent affairs andvital state anniversa of topics: news andpolitical,economic, social,cultural, scientificand re composed of16 regional officeswithintheTVP3channel. as and educationalprogrammes. TVP 2offers themost popularPolish TVse and the newest indigenous literature, directing and acting débuts presented. framework ofrichoffering ofdocumentary materials aimedatrestoring the Wiadomości Sprawa dla reportera dla Sprawa –means“twiceasmuchgoodentertainment andeven more fun!”. –theChannel1ofPolish Television –covers awidespectrum M jak miłość jak M , and Ranczo Teleexpress , Klan , , Warto Ziarno , Barwy szczęścia Barwy ; themost important news programmes, such

rozmawiać , broadcasting Channel1 ofHolyMasses. , aswell aspublicist programmes, includ ; Catholic programmes, suchas , Na dobre i na złe, na i dobre Na 167

Rodzinka.pl ------,

PUBLIC MEDIA POLISH CULTURE YEARBOOK 2016 – programme on the enthusiasts of culture animation. TVP Kultura is also Ciacho Ale – TVP Kultura various film genres. Thebroadcasts are preceded by introductions made fiction anddocumentaryfiction films, reports from themost important cultural Pegaz Documentary films take aspecialplace inthe channel offer, whichare O mnie się nie martw nie się mnie O the audience to have better understanding of the works being presented. oftheworldthe richness cinematography –thenewest one, aswell asthe the executive producer ofdirect news reports from key cultural events, the cultural mainstream; tions; this channel,thusthe“Theatre Studio ofChannel2”couldnot in bemissed the audience. Culture isanimportant position intheprogramme of line-up tajemnic items as: its offer. Thebest performances ofyoung artists are presented, aswell as ists astheco-producerofrepeatedly renowned cinematographic works, has arichoffer ofcultural programmes onart,cinema,theatre, literature, by thebest filmcriticsand reviewers who explain the key enabling issues, both in Poland andoutside thecountry. Predominantly aimedatshowing personalities ofPolish culture. Thechannel’s alsoincludessuch line-up news servicesproviding knowledge audiencewithup-to-date onallfields music andvisualarts. Thechannelpresents publicist programmes and programmes promoting readership: classic one–TVPKulturaclassic presents arange ofthematicseries,showing of artandculture andsuch programmes as events, festivals andconcerts, recordings ofthegreatest musicevents. It dedicated to culture. Itshows awiderange ofPolish andworld cinema– and guideshow and award-winning filmsinthe“Kino fiction Relaks” series;morninglifestyle and ago; excellent, current documentaries from allover theworld, i.e.: a contemporary version oficoniceducationalprogramme broadcast years social andpoliticalevents from aphilosophicalstandpoint; festivals andconcerts. Italsocooperates withdocumentary cinemaart Pod dachami Krakowa dachami Pod enabletheaudienceto meet regularly withthemost outstanding Dezerterzy ; cultural andcabaret programmes Chuligan literacki Chuligan , –isthefirst thematicchannelof Polish Television entirely Kochanie, ratujmy nasze dzieci nasze ratujmy Kochanie, Pytanie na śniadanie na Pytanie –aprogramme presenting interesting artists outside and Na sygnale Na . Website: http://tvp2.tvp.pl/ Trzeci punkt widzenia widzenia punkt Trzeci –aprogramme dedicated to bookpublica Myślnik – program z książką w roli głównej głównej roli w książką z program – Myślnik ; entertainment programmes: andmanyother titlesappreciated by , Żarty i Bardy i Żarty Niedziela z… Niedziela of Poland of Voice The – interviews onthekey 168 ; themost famous , Tanie dranie Tanie Nienasyceni , Świat bez bez Świat Sonda 2 Sonda Bake off off Bake and – - -

PUBLIC MEDIA POLISH CULTURE YEARBOOK 2016 TVP 3 200,000 fans, andits numberisconstantly increasing. Posts publishedon were registered. At thesame time, to itispossible watch direct transmis Echa Dnia Echa Competition ofHenrykWieniawski. Oneofthemost important activities the officialprofile ofthe station gain record-breaking popularity. They are to theInternational ChopinPianoCompetition andtheInternational Violin the promotion ofgood practices. Itsupports solvingproblems ofregional ing withattractive presentation ofknowledge oncontemporary Poland and information concerning both nationalandlocalevents canbefound there. It in socialmedia.Theofficial Facebook profile ofthe station hasmore than ish artists are presented. TVPKultura continuouslydevelops andstrength important area oftheTVPKultura activity. Itiscarriedoutmainlywithin both publicist programmes, news programmes, cultural programmes, feature lected works from ofthemost thecollections important artgalleries are portant events taking placeinPoland andinits regions. The most up-to-date related news, current episodesofonlinepublicist programmes intheVOD programmes dedicated to visualarts: performances from allover theworld. Theoffer isunique, sophisticated main programmes offered by TVP3are: reports, magazines, intervention programmes anddocumentary films.The ens its presence online. Thewebsite ofthechannelcontains programme- and discussed, of famous directors withthemost splendidPolish actors andactresses of TVPKultura istheatre. Withineightyears, more than50performances ences ofaudience. ItistheonlyTVstation thatbroadcasts qualifications documentary films,premiere music events andthebest ballet andopera often conducted co-productions by young artists. TVPKultura alsoof of a nationwide daypart (so-called joint daypart) and daypartsof a nationwide of daypart 16(so-called regional communities and monitors the decisions taken by local authorities. It offers connects themost practical anduseful information ontheclosest surround as well to asaccess culture. Website: http://tvpkultura.tvp.pl/ and, above all,constitutes animportant elementofshapingmusicprefer shared by hundreds ofusers, whichincreases thepopularityofstations, services andpromotes various cultural events. TVPKultura isalsoactive sions from the performance ofdomestic theatres. Education isanother fers musicatthehighest level. Thechannelpresents arange ofconcerts, –“Feel athome!”. Itprovides reliable information onallthemost im , Głos Regionów Głos Videofan – Portrety – Videofan . The full-day programme. Thefull-day ofTVP3iscomposed , inwhichtheprofiles oftheleading Pol Którędy po sztukę po Którędy Co niesie dzień niesie Co 169 , Dziennik Regionów Dziennik , inwhichthese ------,

PUBLIC MEDIA POLISH CULTURE YEARBOOK 2016 – thanks to TVPPolonia, viewers receive adailyportionofcurrent news from TVP Polonia TVP3 Warszawa, TVP3Wrocław. Website: http://tvp3.tvp.pl/ TVP INFO Wielkopolski, TVP3Katowice, TVP3Kielce, TVP3Kraków, TVP3Lublin, TVP3 world. Thechannelflexibly responds to current affairs. In extraordinary situa Łódź, TVP3Olsztyn,Opole, TVP3Poznań, TVP3Rzeszów, TVP3Szczecin, tions, whichare very popularinPolish communities abroad, premieres ofTV tions, thechannelsuspendsbroadcasting ofstandard programmes andlive the sites ofevents. Foreign correspondents keep abreast ofwhathappenson the country. ofthechannelisto Themission create apositive imageofPoland the world. Oneofthemost important tasks of the station ispreserving Polish theatre performances, andthemost important productions ofPolish Televi identity, ofnative including:thedissemination language, cultural awareness, global reach, TVP Polonia integrates millions of compatriots, spread all over international stage andare everywhere where anythingimportant happens history andcurrent affairs. Theinformational function isalsovery important broadcasts thecourse ofevents. Itcollects opinionsofexperts, commentators provide comments the audiencewithsubject andanalysis. Thedebates con news from websites 24 hours a day. Its offer also includes sports information political, social,economicandcultural information, news agency reports and composed of:TVP3Białystok, TVP3Bydgoszcz, TVP3Gdańsk,Gorzów own news, publicist, social and cultural programmes on a local level. TVP3 is one’soffices (so-called own dayparts). Each regional office broadcasts its events, important state celebrations, sendsjournalists to hot spots allover the over Poland, TVPINFO hasfirst-hand information and reports directly from ducted inthestudio are attended by politicians,experts, sports people, artists and Poles, presenting thefigures ofoutstanding representatives of Polish abroad. It broadcasts through the satellite and cable networks. Thanks to the and witnesses ofeventsand witnesses onanongoingbasis.Website: http://www.tvp.info/ around Europe andallover theworld. TVPINFO broadcasts majorhistorical and participants ofcurrent affairs. Thanks to ateam ofreporters working all and weather forecasts. Everyday publicist programmes offered inTVPINFO toaccess information from Poland andallover theworld; itmonitors current sion. TVPPolonia isdirected mainlyatPolish communitiesandPoles living series, biographical andhistorical documentaries, extensive offer offilmsand isadynamicstation providing theaudiencewithpermanent – “Everywhere Poles are”. The channels offers its own produc 170 - - - - PUBLIC MEDIA POLISH CULTURE YEARBOOK 2016 TVP Rozrywka TVP Historia produces documentary filmsand feature materials, publicist TVP Historia Website: http://polonia.tvp.pl/ viewers, butalsoprofessionals appreciate thischannel.TVPHistoria was versaries, forgotten facts andevents, pursuing its ambitionto becomethe with the Regional ofOffices State Archives, presenting the most interesting Rozrywka includessatirical programmes, talk shows, musicalprogrammes, Polish Television market. The programme is complemented line-up with fic umentary channelinPoland. Thestation recalls themost important anni tion filmsandTVseriesonimportant historical figures and events. Not only the entire world inallaspects –starting from thegreat politicalevents to the participationofPoland inthedevelopment ofEurope andtheentire world. tvprozrywka.tvp.pl/ teresting and the best entertainment programmes of Polish Television, such in Opole), gramme Board for the station best fulfiling the missionof the public service lista przebojów lista broadcaster. Website: http://historia.tvp.pl/ lar Polish Television productions. Programmes andfilmsfrom therichar lifestyle andeveryday life. TVPHistoria offers themost valuable andpopu historical channelamongtheaudienceandsecondmost populardoc programmes, aswell astheonlynews information onhistorical themeson place ofhistorical debate for Poles. Itbringscloserthehistory ofEurope and promotes Poland abroad, showing tourist and natural values of the country, resources. It carries out own interviews and feature materials. Website: http:// producing its own programmes, i.e. provided by Polish Television and,atthesame time, itisayoung station concerts andtelevision quizshows. Thechannelusesthearchive resources of Electronic Communication (PIKE) and the prize of Polish Television Pro chive resources ofPolish Television form onlyapartofthestation’s offer. communities andtheircontributionto worldwide achievements. TVPPolonia awarded withthefollowing prizes: theTitanium Eye Award by thePolish Office as well asits regional features, changes inallaspects oflife ofits citizens and as jednego przeboju jednego Czar par Czar Gwiazdozbiór TVP Rozrywka TVP Gwiazdozbiór or –“Learn andunderstand”. TVPHistoria isthemost popular – “Focus on entertainment!”. The programme format of TVP National Festival of Polish Song in Opole in Song Polish of Festival National . TVPRozrywka reconstructs themost andre-assembles in (programme co-producedwiththe Polish SongMuseum Muzeum Polskiej Piosenki, czyli historia historia czyli Piosenki, Polskiej Muzeum oraz Kabaret TOP, czyli kabaretowa kabaretowa czyli TOP, Kabaret 171 . It also cooperates ------

PUBLIC MEDIA POLISH CULTURE YEARBOOK 2016 TVP Sport Tydzień” Telekamera prize for “therichest offer onthemarket for thelovers of TVP Seriale TVP ABC Alternatywy 4 Alternatywy Sobota/Niedziela were watched by theparents whenthey were children, sothecontinuityofgen which issafe andtrustworthy, educates through fun and offers a rich choice with expert comments by therenowned sports journalists. TVP Sportisoneof Polish TVseriesandtheanniversaries oficonicpast productions thatare full Polish culture, tradition andlanguage, aswell asprevents socialexclusion. The O mnie się nie martw nie się mnie O television shows ( team, European Football League, selected World Cupcompetitions inskijump the most popularsports channelsinPoland. In2016, its viewers couldwatch the history ofthisfilmgenres, e.g. tions from thepast. Thechanneloffers themost popularPolish productions, the youngest audience, thechanneloffers arange ofguideshows andnature ings, wishes,requests andtestimonies. Apartfrom theprogrammes targeted at ing, Tour dePologne, WTA tennis competitions, European HandballChampi numerous transmissions ofsports events, suchas:SummerOlympicGames programmes for parents. Website: http://abc.tvp.pl/ popularity ofthechannelisproved by letters massively sentby viewers, draw programmes together andrediscovering thebeautyofoldemotions. TVPABC onships andGermanFootball Cup(DFB-Pokal). itoffers Besides, interesting of aPolish sports fan. Itpresents themost interesting disciplines inHDquality, emotions andpassionate sports events thatare important from thestandpoint of emotions”. Website: http://seriale.tvp.pl/ est viewers in exploring the world and absorbing knowledge. It also promotes entertains, educates anddevelops. Itstimulates children’s intellectual activities, erations isanincredible value asitgives anopportunity ofexperiencing these of programmes. Itisdirected atchildren aged3–12. Someoftheprogrammes and Paralympic Games in Rio de Janeiro, friendly matches of the Polish national acquiring anddeveloping skills,andbroadening thehorizons. Ithelpstheyoung such as: series thatare thegreatest hits ofPolish Television, aswell asiconicproduc istheonlygenerally available terrestrial television channelfor children, Ranczo isathematicchannelofPolish Television, whichprovides sports –themost popularfilmchannelin Poland. Itprovides access to TV . In 2015, the TVP Seriale channel was awarded with the “Tele , , Ojciec Mateusz Ojciec 4-4-2 Echa stadionów Echa , aswell asiconicTVseries,whichhave gonedown in , Zwarcie ) andnews programmes ( , Rodzinka.pl Czterdziestolatek ). Website: http://sport.tvp.pl/ , M jak miłość jak M , Stawka większa niż życie niż większa Stawka 172 Sportowy Wieczór/ Sportowy , Na dobre i na złe na i dobre Na ------, , PUBLIC MEDIA POLISH CULTURE YEARBOOK 2016 The TVPParlament channelisanopinion-forming, interactive communication TVP Parlament TVP HD films andTVseries.There are ofthe alsoclassics Polish cinemaand television in with free to access thetransmission ofplenaryagendasboth chambers with access towith access information, reliable knowledge onthehistory ofthecountry, within Polish Television. BELSAT TVistheonlystation whichis inBelarus, BELSAT TV Facebook. Thefunctioning ofthischannelisasymptom offulfilling themission tudes. Itusesmoderntools andcommunicationchannels,suchasTwitter and the exchange ofopinions,creating positive behaviourmodelsandcivic atti the full picture ofsituation intheinternational surrounding aswell ofBelarus, items andiscontinuouslyexpanded. Website: http://www.tvpparlament.pl/ in theRetransmission tab. Thelibrary offilesincludesnow several thousand in and Senat, as well as the works of the . The channel independent oftheauthorities.Theaimthischannelisto provide audience in full resolution –Full HD(1920x1080) –withsimultaneous ofstereo emission level. The advantage ofthechannel is the highest quality of transmitted image national andlocallevel. several Thechannelmayconduct transmissions atthe platform, whichisasource ofreliable information, organizing thespacefor channel. Website: www.belsat.eu/pl other operators, especiallyin the eastern Poland, thatprovide to access this of Poland andPolish Television, whichoperates asaspecialisedforeign channel of a public service broadcaster within the scope of providing information on the of thePolish parliament,selected parliamentcommittees andsubcommittees audience onthemechanismsandoperations ofdemocracy attheEuropean, also broadcasts events in which the President and the Prime Minister participate. available withinthehybridplatform ofPolish Television. Itprovides users as attractive cultural andfilmoffer language.Belarussian in There are several a modern,reconstructed form andalarge portionofentertainment atthehighest same time. The majorityofbroadcast events isthenavailable asaVOD services sound andspatialDolby Digital 5.1. Website: http://hd.tvp.pl/ sodes ofthebest productions ofPolish Television, aswell asselected foreign functioning ofademocratic state andits institutions, aswell aseducatingthe isachannelproviding thelovers to ofTVserieswithaccess new epi –isthejointproject oftheMinistry ofForeign Affairs oftheRepublic isthefirst onlinechannelof Polish Television, whichisalso Edited by: multipleauthors, Polish Television employees 173 - -

PUBLIC MEDIA POLISH CULTURE YEARBOOK 2016 STRUCTURE OFPOLISH RADIO STRUCTURE

Polish Radio ChoirinCracow Polish Radio ChamberOrchestra AMADEUSinPoznań Polish Radio Orchestra inWarsaw National Symphony Orchestra ofPolish Radio inKatowice Polish Radio Theatre Radio Dzieciom (digital radio) Radio Rytm (digital radio) News website ofPolish Radio –polskieradio.pl Czwórka (digital radio) Channel 5– dlaZagranicy 4–Polskie Radio 24 Channel Channel 3–Trójka Channel 2–Dwójka Channel 1–Jedynka POLISH RADIO 174 PUBLIC MEDIA POLISH CULTURE YEARBOOK 2016 OF POLISHRADIO CHANNEL 1 OF POLISH RADIO –JEDYNKA CHANNEL 1OFPOLISHRADIO MAIN PROGRAMMES MAIN The Culture Department ofChannel 1 of Polish Radio strongly marks its pres Theatre isofparticularinterest inthechannel.Itopenstheatre season SUMMARY with theawards ceremony oftheatre prizes ofChannel1–“Arete” and“Don CULTURE-FORMING ROLE Channel 1ofPolish Radio istheoldest radio programme ofapublicservice Quixote” – for themost interesting anddirecting acting débuts. Each season, the dutiesofapublicbroadcaster, current affairs andsuggestions made targeted atchildren. raised Thescopeofissues inthischannelresults from the excerpts ofthemost valuable books onadailybasis.Itstimulates the the publishingmarket, carryingoutinterviews withwriters andpresenting including radio plays for theyoungest listeners performed by thePolish Radio ish Radio broadcasts onshortwaves, longwaves and digitally, aswell ason by listeners. broadcast its first trialprogramme on1st February, 1925. Channel1of Pol broadcaster in Poland. The programme started permanent broadcasting of Polish Radio placesagreat emphasisonthepopularizationofculture. It on the current problems of Polish cultural life and, simultaneously, serve events of artistic profile: film and theatre festivals, theatre and opera per ence onthecultural mapofPolish media.Itbroadcasts themost important on 18th April, 1926, and is only one year younger than Polish Radio, which creative imaginationoflisteners, encouraging themto share theirown liter encourages listeners to read books by presenting classics and novelties on as aforum for opinionexchange between criticsandreviewers. Channel1 at the request of the station, several hundreds of performances are created, ary samples through increasingly available andpopularcommunicationtools. satellite platforms andonline. Thechannelcovers oftopics: awidespectrum formances, concerts. Cultural magazines oftheChannel1offer discussion from news andpolitical,economic, social,cultural, scientificand religious journalism, aswell assports, entertainment, educationandprogrammes 175 - - - -

PUBLIC MEDIA POLISH CULTURE YEARBOOK 2016 January –December2015 January –June2016 CHANNEL 2 OF POLISH RADIO –DWÓJKA CHANNEL 2OFPOLISHRADIO The hallmarkofChannel2Polish Radio musicalrepertoire is aclassic Theatre. Theideaofcreating andbroadcasting radio plays for children was fighting capital city, Stefan Szarzyński, gave his famous speechon 23rd September, 1939. TheProgramme 2was revived asanationwidechannel SUMMARY was launchedin1937 andbroadcast for aboutfive hours aday, mainlypro Channel 2ofPolish Radio istheonlyprogramme inPoland thatco-organizes, CULTURE–FORMING ROLE CHANNEL 1 AUDIENCE RATING unprecedented inourcountry. Oneoftheobjectives ofapublicradio fulfilled the seriesonbeginnings ofthedevelopment ofPolish statehood andthe in 1949, after thewar. At themoment,itbroadcasts onshortwaves and grammes onthecitymatters. Thepre-war station specialisedinlive radio broadcasts and records the most important concerts, festivals and music by Channel1istheprotection ofPolish nationalandcultural identity. The plays. It was theWarsaw IIchannelthrough whichthePresident ofthe dedicated to culture. Thischannelstems from theWarsaw IIchannel,which enhanced with jazz and , as well asprogrammes and debates competitions inthecountryandabroad. Itbroadcasts concerts andcovers digitally, aswell asonsatellite platforms andonline. Source: Millward Brown –Radio Track Study, TG=15+ silhouettes ofsubsequentrulers. station broadcasts and carries out many historical programmes, including festivals ofinternational renown, suchas:Actus Humanus,Chopin andhis 0% 2% 4% 6% 176 8.56% 8% 9.48% 10 - % PUBLIC MEDIA POLISH CULTURE YEARBOOK 2016 January –December2015 January –June2016 “EtnoCracow” EBUFestival inCracow. Channel2ofPolish Radio isavaluable “New Tradition” Polish Radio Folk Festival. In 2015, Dwójka co-organizes the Sacrum Profanum andmanymore. Channel2ofPolish Radio isresponsible (EBU), not onlyby submittingconcertproposals to theEBU, butalsousing It was Channel2ofPolish Radio where thefirst presentation ofmusicfrom National Symphony Orchestra ofPolish Radio inKatowice, Polish Radio Choir Europe, Misteria Paschalia, Ludwig van Beethoven Festival, Wratislavia Can CHANNEL 2 AUDIENCE RATING ture, art,theatre, filmorhistory. tions to theInternational Rostrum ofComposers, organizing concerts and the EUoffering andproviding Polish listeners withcoverage from themost the group ofthemost active members oftheEuropean Broadcasting Union tans, , International ChopinPianoFestival inDusznikiZdrój, in New York, theatres in London, and Barcelona). The station actively important concerthallsinEurope andtheUSA (suchasMetropolitan Opera in Cracow andPolish Radio ChamberOrchestra AMADEUSinPoznań. For members oftheEBU, keeps fielddocumentation, prepares auniqueseries recording for sessions young musicians,aswell asinitiatingalbumreleases. many years, theChannel2ofPolish Radio hasmaintained its highpositionin of albumsentitled“Source Music”, aswell asorganizes concerts andthe on traditional culture. Itpromotes Polish folk musicinradio stations thatare organizes concerts ofartists. TheRadio Centre for Folk Culture, whichoper ates withinthestructure ofthechannel,isfocused onpopularizingknowledge a radio station withthewidest jazz offering inPoland. Itsuggests auditionsand a CDplayer inthe history ofthePolish broadcasting took place. Channel2is Source: Millward Brown –Radio Track Study, TG=15+ source ofcultural news, whichoffers manyprogrammes dedicated to litera supports thePolish contemporary musicby submittingPolish composi for offour theactivities radio ensembles:Polish Radio Orchestra inWarsaw, 0.0% 0.1%

0.2% 0.3% 0.4% 177 0.51% 0.5% 0.57% 0.6% - - - -

PUBLIC MEDIA POLISH CULTURE YEARBOOK 2016 CHANNEL 3 OF POLISH RADIO –TRÓJKA CHANNEL 3OFPOLISHRADIO The programme hosts radio documentaries, whichare repeatedly awarded at Since its foundation, Channel3hasshapedthemusicaltastes ofthenext SUMMARY waves anddigitally, aswell asonsatellite platforms andonline. which enchants listeners withits senseofhumour. CULTURE-FORMING ROLE Channel 3ofPolish Radio was launchedon 1st April, 1962, offering a slightly tion, impartialjournalism,highest qualityentertainment andculture inits time being,theprogramme isdirected atpeoplewhovalue reliable informa ists. ThemagicofPolish Radio MusicStudio ofAgnieszka Osiecka attracts international festivals. Channel3ofPolish Radio alsooffers entertainment, grants anannualmusicalaward –“Mateusze” –for outstanding achieve generations oflisteners. In1970s, whenrock musiccame ontheradio, the high qualityofprogrammes are outstanding artists andinvited guests –the broadest meaning.Channel3stands possible outwiththemost loyal listen prominent personalities ofsocialandcultural life inPoland andworldwide. musicians ofinternational fame, wholike both performing andrecording ments inthefieldofcreativity, performance andpopularizationofthe Polish personalities inPolish journalismandtheavantgarde ofmusical,literary, on cultural themes,includingliterature, theatre, filmorart.The warranty of entertainment and jazz music, whichisan honour andennoblement for art channel becamethecentre ofthePolish artistic life. Theprogramme pre ers inPolish radio broadcasting. Thestation features themost interesting different radio modelthanthetwo existing channelsofPolish Radio, de albums inthisstudio. Channel3ofPolish Radio offers manyprogrammes andfilmcommunities.Channel3of acting Polish Radio broadcasts onshort sents themost prominent musicians,composers andauthors oflyrics.It signed mainlyfor students andyoung intelligentsia asrecipients. For the 178 ------PUBLIC MEDIA POLISH CULTURE YEARBOOK 2016 January –December2015 January –June2016 CHANNEL 4 OF POLISH RADIO – POLSKIE RADIO 24 RADIO –POLSKIE CHANNEL 4OFPOLISHRADIO The intention ofthisprogramme isto create thespacefor and discussion AUDIENCE RATING 24 hours aday, 7days aweek, itpresents themost important nationaland SUMMARY well known inEuropean countries,suchasFrance Info andBBC4.The world news, enrichedwithongoingcomments ofjournalists andexperts. Polskie Radio 24 broadcasts regular programmes dedicated to current cul Radio 24 is inspired by the model of news radio without musicelements, Polskie Radio 24 istheonlypublicnews radio station inthecountry. For CULTURE-FORMING ROLE tural events, presenting coverage andinvitations, interviews withorganiz grammes dedicated to literature andreadership, inwhichwriters, publishers listeners to form their own opinions. The programme of Polskie line-up platforms andonline. radio broadcasts onultra-short waves anddigitally, aswell asonsatellite publicity withsubstantive comments from various perspectives, enabling reflection oncurrent globalaffairs andmake anattempt to diagnosethe ers, artists andparticipants. Polskie Radio 24 alsobroadcasts specialpro causes andeffects ofevents. Polskie Radio 24 isfocused onnews and and criticsare hosted. Source: Millward Brown –Radio Track Study, TG=15+ 0% 2% 4% 6% 7.79% 179 8.36% 8% 10 - - - % PUBLIC MEDIA POLISH CULTURE YEARBOOK 2016 CZWÓRKA AUDIENCE RATING via themobileapplicationofPolish Radio on mobiledevices. field ofmusic, graphic copyrights, art, musicalbusiness, etc. “Artistic cat SUMMARY with them,promoting theirworks, organising concernsandinvitingthem walk” isaprogramme, to whichyoung artists apply, includingpoets, writers, For manyyears, Czwórka hassupported young Polish artists by collaborating N/D (Polskie Radio 24 hadbeenavailable onlyonlineandinthedigital DAB+ CULTURE-FORMING ROLE Czwórka since2ndAugust, 2010 –ithasstayed thesame to thisday. Chan Czwórka was launchedon2ndJanuary, 1976, andbroadcast onlyonultra- to discussion. The programme is engaged in an all-radio project “Stage the programme can be listened to online, in the digital DAB+ system and the website ofCzwórka. themselves to listeners, share theirstories, aswell aspresent their arton to present theirworks, butalsothespacefor exchanging experiences inthe tors. “It’llbeloud”isnot onlyaprogramme, to whichyoung musiciansapply painters, sculptors, graphic designers, actors andothers. They canintroduce nel 4ofPolish Radio Czwórka combinesexperiences ofpast years, offering radio anddespite changingits name–Radio Euro since26thMay, 2008, and nel 2andnews Channel3. On28thJune, 2004, Radio Bisbecameayouth programming offer towards theexisting universal Channel1,artistic Chan of the Youth”, which promotes young and relatively unknown culture crea educational, cultural andmusicalprogrammes. Since1st September, 2016, changed its format andnameto give riseto Polish Radio Biswithanencore cal frame was musicandjazz. composedofclassical In1994, thestation short waves. The profile of this station was educational, while its musi system before 1st September, 2016) 180 - - - - -

PUBLIC MEDIA POLISH CULTURE YEARBOOK 2016 January –December2015 January –June2016 CHANNEL 5 – POLSKIE RADIO DLA ZAGRANICY DLA RADIO CHANNEL 5–POLSKIE Through radio waves, thereal imageofPoland was promoted, theimage AUDIENCE RATING 1st March 1936 isconsidered to bethebeginning ofbroadcasting aregu SUMMARY were erased from theprogramme by redefining its Its mission. mainin Radio dlaZagranicy are broadcast online, through analogue multimedia English, German,Polish, Russian andUkrainian. There isawebsite edited Channel 5ofPolish Radio employed over 600 peopleinover ten edito tention becamethe shapingofopinionsonPoland abroad, informing on the politicalbreakthrough in1989, thepropaganda tasks andfunctions ties abroad was woven into themechanismsofpropaganda. Inthe1950’s, in eachoftheselanguages.TheEnglish-languagewebsite ofPolish Radio lar radio programme inPolish for Poles andPolish communitiesabroad. rial offices working in various languages and programme teams. After platforms andcablenetworks, aswell asdirectly viasatellites. perspective onevents taking placein oher parts oftheworld. Polskie Ra of the People’s Poland, the activity of programmes for Polish communi entire world was strengthened. Together withestablishing thereality culture andnationaltradition andPolish communitiesspread across the of Polish reality was created, the bond between Poland and its society, channels onlongandshortwaves, inthedigital DAB+ system, viasatellite of information onPoland by dio dlaZagranicy broadcasts programmes insixlanguages:Belarussian, Source: Millward Brown –Radio Track Study, TG=15+ significant aspects ofsociallife inthe countryandpresenting the Polish for communitiesabroad –thenews.pl –was recognized asthebest source 0.0% 0.1% The Economist The 0.2% . Theprogrammes ofPolskie 0.3% 181 0.43% 0.4% 0.49% 0.5% - - - - -

PUBLIC MEDIA POLISH CULTURE YEARBOOK 2016 NEWS WEBSITE OF POLISH RADIO – POLSKIERADIO.PL OFPOLISHRADIO WEBSITE NEWS The essential roleThe essential ofthePolskieRadio.pl website isto complementthe The most renowned andacknowledged Polish brand worldwide isPolish cul AUDIENCE RATING – N/D various fields,as well as by informing onmeaningful projects carriedout by SUMMARY with socalled“info cards”, i.e. information aboutthebroadcaster, thecurrent watching videocontent. Polish Radio launchedits presence ontheInternet PolskieRadio.pl isacomplementary onlineserviceofPolish Radio, which Polish artists abroad andpresenting theachievements ofprominent Polish CULTURE-FORMING ROLE CULTURE-FORMING ROLE tiatives basedonextensive archives ofPolish Radio. For several years, tent created by theseprogrammes ontheInternet. Apartfrom actions ture. Polskie Radio dlaZagranicy promotes Polish culture by presenting the its own content. Theeditorial officeof PolskieRadio.pl isalso responsible in 1996. Itwas thefirst radio to provide onlineaccess to its programmes related to theradio stations, thewebsite alsoundertakes its own ini pl covers more than7,000 andwebsites, services,sub-services allofwhich programme offer andradio personalities. For thetimebeing,PolskieRadio. programmes in the form of podcasts, as well as reading information and most valuable phenomenaandartistic events taking placeinthecountry day. The“News” servicebroadcasts information inmanythematic areas offers anopportunity oflistening to onlineradio inreal time, listening to activity of radio pogrammes of Polish Radio and provide access to con almost twenty-four hours a day, using agency messages, social media and are updated on a regular basis. As many as 300 materials are published each artists atprestigious globalevents andcultural initiatives. accounts onFacebook andTwitter. special historical websites have been developed onthebasisof these for the presence of Polish Radio in social media, running many profiles and

182 - - - PUBLIC MEDIA POLISH CULTURE YEARBOOK 2016 January –December2015 January –December2015 January –June2016 January –June2016 RESULTS “Bitwa Warszawska”, “Armia Andersa”, “Józef Czapski” or “Katyń”, which AVERAGE PERMONTH NUMBEROFUSERS AVERAGE NUMBEROFVIEWS PERMONTH nesses tonesses history. constitute an extensive knowledge base enhanced with photos, archive of Poland andtheworld. Recently, thefollowing serviceshasbeenpublished: archives, richlyillustrating selected figures and events from thehistory sounds, pictures, aswell ascontemporary interviews withexperts andwit 0.0 0 2 0.5 4 1.0 6 1.5 Edited by: Łukasz Kubiak 183 8 11.0% 2.0 11.5% 10 2.4% 2.5% 2.5 12 -

4. CULTURAL PARTICIPATION CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 The study of the National Library has been conducted periodically on a na The NationalLibrary 1992. In 2015, the sample was made up of 3,000 respondents selected on with other readers orwere encouraged to read intheirchildhoodoryouth, their answers on portable computers (CAPI method). The frequent nature the basisofrandom route sampling method. Theinterviewers conducted tionwide representative sample ofrespondents aged15 andmore since tion. However, the most seriousimplicationsmaybecausedby thedecline than amongwomen. Itwas more significant incitiesthanrural areas and in readership observed amongtheyoungest respondents, especiallyboys. in theyounger agegroups thaninpensioners. Thelevel ofreadership fell both books. In2015, thisfigure rose to 31%. Childhoodand youth are key periods book peryear) changedinto thereading minority(40%). Inthesame period larations ofreading activity, took placebetween 2004 and2008, whenthe reading atleast 7 books ayear). reading majority (approx. 60% ofrespondents declared they read atleast 1 of time, the percentage of heavy readers also contracted by half (people of surveys allows for observingtrends inreal time. among peoplewithhighereducationandbasicvocational educa for shapingattitudes towards reading. Theserespondents, whospenttime face-to-face structured interviews with respondents attheirhomes,saving READERSHIP The transformation ofreadership, manifested withexplicit fall indec The decline in readership was, to a greater extend, present among men In 2010, only10% ofpupilsandstudents admitted to not reading any 186 - - - CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 60 50% 30 40 20% 10 0% % % % % THE LEVELOFREADERSHIPINPOLAND OVER THEPERIOD1992–2015: were more respondents (especially inyounger agegroups) whodeclared READERS (ATREADERS LEAST 7 BOOKS PERYEAR) (DATA IN%) PERCENTAGE (AT OFREADERS LEAST 1 BOOKPERYEAR) ANDHEAVY that theendofacademicyear was alsotheendoftheircontact withbooks. thirties andforties. Compared to thesurvey results of2012, in2015, there probably translate to thereading attitudes offuture generations intheir rate among today’s teenagers and young people in their twenties will most read books definitely more frequently intheiradulthood. Lower readership Source: surveys conducted by TNS(ex: OBOP) for theNationalLibrary over theperiod1994–2015. 19 Heavyreaders (atleast 7books peryear) Readers (atleast 1bookperyear) 94 19 96 2000 2002 2004 2006 2008

20 10 187 2012 20 14 20 15 CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 H igher education,atleastbachelor

Sex Age Residence Low Education City withpopulationbetw City withpopulationbetw er secondaryorelementary 60 yearsofageandmore *Note: For technical reasons, thedata oneducationhave beencompared withoutex DEMOGRAPHIC VARIABLES IN2000 AND2015 (DATA IN%)* PERCENTAGE ACCORDING OFBOOKREADERS TO THEBASIC Source: TNSOBOP200andfor theNationalLibrary 2015 education (thisiswhythedrop inreadership inthis group isalmost invisible) andupper and students are includedinthegroup ofrespondents withprimaryorlower secondary cluding peoplewho are still intraining. Thus,it is necessary to remember thatpupils secondary education,respectively. or engineeringstudie 2015 10 City withpopulation City withpopulation 30 –39yearsofage 50 –5 40 –49yearsofage 20 –29yearsofage 20,000 and100,000 15 0, upper secondar 000 and50 –1 Basic vocationa 9 yearsofage 9 yearsofage Secondary or below 20 over 500 Rural area Wo 0, ,000 ,000 me Me 00 een een y 0 n n s s 0% l

2000 20% 20% 27% 30 31 31 40% % % % 37 37 38 38 39% 39% 40 40 40 % % 42% % % 44 45 % % % 46 47 % 50% % 51 51 % % 52 55% 55% 60% % % 56% 57 % 188 61% % 63 66 67 % % % 80% 82 84 % % 1 00% 98% - CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 READING ASREADING ASOCIAL PRACTICE The other extreme ismadeupofreaders whoconsistently denyanyread 22% ofthepopulation(compared to 21%in2012). Subsequent editionsofthesurvey conducted by theNationalLibrary show worth noting thatcommunities withdifferent reading practices alsodiffer in Polish culture ofreading books ispredominantly ofprivate nature. Occasion Reading practices alsoconstitute socialpractices. Reading books orpress is Greater readership engagement andbelongingto thegroup ofreaders (i.e. that peoplewhohave grown upinareading family andare partofareading ture, constituting something like anegative for eachother –whatcharacter tices (e.g. reading texts online orreading books), resulting inthepolarity terms ofsuchindicators ofsocialpositionas: education,educationoftheir izes onegroup more frequently characterizes theother group frequently. less ing practices (“outside writingculture”). In2015, thefirst represented 14% books thansomeonewhoisrarely intouch withbooks orbook-lovers. Itisalso book readers) are connected withhigherpositionintheeducationalhierar not in the first place – the component of lifestyle of certain communities. not onlythematter ofindividual preferences ortemperament, butalso–if reading newspapers orlongertexts) encourages undertaking other prac not read books alsodonot read (which isconfirmed by results from both 2014 parents, type of work performed or evaluation of one’s own financial standing. employment stability. chy, greater satisfaction from theirown professional situation andgreater describing themajorityofmembers ofown family orgroups offriendsas outside thewritingculture) orhigh(omni-readers) positioninthesocialstruc culture, butthey are alsorelated to relatively low (incaseofpeoplewhoare of thepopulation(compared to 17% in2012), whilethelatter represented of reading engagement. At oneextreme, there are readers whoreply inthe ciple. From thestatistical perspective, undertaking oneofpractices (e.g. environment intheiradultlife, have statistically higherchancesfor reading affirmative to any questions on reading practices “omni-readers”). (so-called a lot. Nineinten respondents who declare that members oftheirfamilies do ally, ithappensthatpeople, whoserelatives andfriendsdonot read atall,read The social nature of reading practices doesnot change the fact that the The variation inreading practices to issubject theaccumulationprin Both groups donot onlyset theextremes ofparticipationinthewriting 189 ------

CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 LITERARY UNIVERSALS LITERARY workers, withbasicvocational orprimaryeducation,whichcorresponds with Respondents are not always able to remind what books they have read – In theresearch oftheNationalLibrary, eachrespondent whodeclared they upbringing-related material. Only3%ofrespondents considered abookto be to be a group ofreaders for whombookisrelated to such connotations to the the name of the author, title or at least description of the publication read. the sample). ing books isavalue. Despite thedeclineinreadership inPoland, Poles value good gift–andfor whom.Regardless oftheintensity ofreading practices, least extent (85%ofthemconsidered abookto beagoodgiftfor both men book gifts was expressed more frequently by non-readers whoare blue-collar books –although itmayseemthatthey perceive books mainlyasavaluable but want their children to be interested in books or simply believe that read habits turned outto bethefollowing: to access library, positive experiences habits and customs of their environment). Theoretically, it is possible to enter read atleast onebookduringthepast year, isusuallyasked to provide respondents evaluated therelevance ofgivingbooks to various categories of books hasvery softborders: itisalsoshapedby thosewhodonot read, of recipients inasimilarmanner. Seriousreaders have more peopleintheir of diligentreading ofschoollectures andbooks read for one’s own pleasure. ers than readers, the significant factors for acquiring and preserving reading environment, are leftwith“nonconformist reading” (i.e. reading despite the a better giftfor amanthanwoman. Theopiniononthefeminine nature of all indicated that books are a good gift for children. It means that the culture a new environment –inpractice itis,however, very difficult a reader drops to several percent.Non-readers whoare partofanon-reading and 2015). Iftheirfriendsdonot read –theirstatistical chanceofbecoming and women, whilethisanswer was given by only17% ofallrespondents in statistical higher readership rates amongwomen. Seriousreaders turned out surrounding, to whomthey cangive abookwithoutanyconcerns(including symbolic meanings.Thisiswhy, we asked aquestion whether abookis friends, spousesandsuperiors). Even thoserespondents whodonot read at from thePolish andintensive languageclasses reading training intheform Books, thesame asreading, are loadedwitharange ofconnotations and In communities of small resources ofcultural capital and more non-read 190 - -

CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 “reading anovel” which most probably results from thefact thatthesegenres are read rarely, IN THEORDEROFINDICATION MOST POPULARAUTHORS OFBOOKS READ, IN2015, thus theiranswers are rather considered to serve asatipregarding what cated typesofliterature. Occasionally, respondents listed poetry ordrama, and alsobecausefor themajorityofrespondents “reading abook”means –apartfromand non-fiction school readings –are themost frequently indi ary preferences ofreaders. Romance, detective andmystery stories, fantasy an information ontheactually read books inagiven year. authors andbooktitlesare mostly present inthepublicawareness thanas Source: TNSfor theNational Library, 2015 J. K.Rowling Agatha Christie Adam Mickiewicz Andrzej Sapkowski Stieg Larsson Stephen King Katarzyna Grochola Monika Szwaja SteelDanielle Harlan Coben Maria Rodziewiczówna Nora Roberts BrownDan Katarzyna Michalak Camilla Läckberg ALL READERS (AT LEAST 1BOOKPERYEAR) E.L. James Compared to previous years, not muchhaschangedregarding theliter . Joanna Chmielewska Agatha Christie Andrzej Sapkowski Steve Berry Stephen King Ken Follet Harlan Coben Maria Rodziewiczówna Paulo Coelho Nora Roberts Monika Szwaja BrownDan Henryk Sienkiewicz Katarzyna Michalak Graham Masterton Clive Cussler John Grisham (AT LEAST 7BOOKS PER YEAR) HEAVY READERS 191 - - CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 ONLINE READING PRACTICESONLINE READING The Internet asa usemaybeclassified reading practice due to the that fact Witcher first to read novelties (e.g. fied asuniversalia in Polish literature. Amongcontemporary Polish authors, Sapkowski are mainly younger respondents –from school pupils to people Noble Prize laureates, authors distinguished withprestigious nationalprizes Over the period 2010–2015, not more than 1 in25respondents (thus not Grochola orKatarzyna Michalak,mentioned almost onlyby women. Among titles awarded with prizes and most frequently discussed by critics. Post-war this group in previous surveys, now they’re popular mainly among occasional the strongest position isenjoyed by Andrzej Sapkowski, whoseseries the NationalLibrary. tioned authorhasbeenHenrykSienkiewicz whoisoneofthemost widely gained dedicated readers inPoland. by Sapkowski, whichmakes himstand outfrom suchauthors asKatarzyna less impact ofliterary impact less community onthepreferences ofwideaudience. proves arather low popularityofcontemporary “ambitious literature”, i.e. mainly thequantityofbooks read. readers). Thedifference between seriousandoccasionalreaders concerns novels, aswell asaction-packed fiction,withoccasional readers. They are read authors, alsoappreciated by young readers, insurveys carriedoutby many onlinematerials are textual innature. TheInternet iscurrently usedby more than1in10 readers) listed atleast one authorofthisformat. Low read or nominations,constitute themargins oftheauthors listed inthesurvey. of their literary preferences. Although they mention school readings less ond generation. Both boys and men, girls andwomen reach for books written currently intheir thirties.Itmeansthathisnovels are now read by thesec critics, whichmaybeinterpreted asthecrisisofgoodliterature orsimply ership also entails lower readership ofliterature thatismost appreciated by all generations for many years. Also Paulo Coehlo and SteelDanielle have frequently, they still share preferences for romance, sensation andfantasy foreign authors, it is worth mentioning Agata Christie, who has been read by The results ofsubsequentsurveys conducted by theNationalLibrary Among Polish readers, for manyyears now, themost frequently men Regular readers donot stand outfrom theentire populationinterms (issued sincethemiddleof1990s) (issued isstill very popular. Fans of Trylogia Millennium , Krzyżacy or the series on Grey were popular in and Quo 192 canalsobeclassi The The - - - - CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 “barrier” to onlineforums isalsonon-financialinits nature. Thesebarriers 100,000–500,000 inhabitants, whilethelowest numberofblog readers are 2015, 25%of regular Internet users declared reading blogs within a month with smaller impact. with smallerimpact. who positively theirfinancial standing assessed more often participated in who are still regular Internet users, participate over inonlinediscussions two with onlinepractices. Thosepeoplewhosefinancial standing isbetter, usethe Internet occasionally(i.e. frequently less thanonceaweek). Internet inamuch more diverse mannerandthey alsooften engage in“exclu times less frequentlytimes less thanthosewhoseeconomicsituation isgoodorvery good. their own works ontheweb andshared content withother users. Similar two third ofPoles aged15 andmore, frequently butless by olderpeople. Among include cultural capital, motivation andcompetencies ofvarious kind,the in mediumcitieswith20,000-100,000 inhabitants. less frequentlyless thanseveral timesamonthisonly3%;whileamongpeople many professions. relations have occurred alsointhecaseofother Internet practices, however, ple who earn more. The involvement in some online reading practices was respondents undertheageof30, thepercentage ofusers whousetheInternet regular Internet users, thebiggest numberofblog readers are incitieswith preceding thesurvey, whichis16% oftheentire population.Intheagegroup quantity offree timeorthelevel ofphysical tiredness whichaccompanies online discussions, read blog posts, used online encyclopaedias, searched own household, also among many regular Internet users. The respondents clearly related to thesubjective ofeconomicsituation assessment ofone’s of blog readers), whiletheleast popularare blogs dedicated to emotional of regular Internet users. In older age groups, the readership of blogs falls to of 15–39, thereadership ofblogs ismaintained atthelevel exceeding 30% aged 60 andmore itisasmuch75%.Onlyasmallgroup ofpeopleusesthe achieve the level of 15% in the group of people aged 60 and more. Among sions. Whereas people, who evaluate their situation as bad or very bad and sive” practices ofposting theirown content orparticipatinginonlinediscus for information related to work oreducation,read literary works, published The most popularblogs turned outto bethoserelated to hobbies(78% The access to the majority of online services is free, thus the entry Thus, itturns outthat thefinancialsituation remains ina strong correlation What’s worth emphasizingisthattheInternet serves better thesepeo Reading blogs isaspecific reading practice for onlinecommunity. In 193 - - - CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 LIBRARIES –USERSANDEXPECTATIONSLIBRARIES – was indicated three timesmore often. Thelatter function ofvisitingblogs The possibility offindingpeoplesimilar The possibility to themselves –withouttheneed for which islacked inthemainstream (10% media,asapossibility ofblog read with arelatively highfrequency ofindicatingthechancefindingcontent, was indicated particularlyoften asasecondchoice–itwas indicated four which indicates thattherecipient ofthisform ofexpression often pursue In 2015, 18% ofrespondents declared thatthey visitlibraries, and13% of this context, reading blogs isdefinitely asocialpractice andblog authors are times more frequently than the of possibility taking thefloor indiscussions. their various interests by reading blogs. them usedpubliclibraries, 4%ofthemusedschoollibraries (inthe“target to “socialise”reading practice. group” ofschoollibraries, i.e. peopleaged15-19, they were usedby 28% no only to enhancetheir knowledge, but also “meet” other peoplethere. In readers blogs perform a different function than printed press, TVor any other people (8%and9%respectively). Thisallows for anassumption thatfor some oftakingpossibility withpeopleofsimilarinterests partindiscussions (3%). relaxation (average of19%), chanceofgaining knowledge triedandtested by relationships andfamily life. Onlyoneinfive blog readers (16%) declared of respondents), and the remaining 2% of respondents visited a library of of thispractice is particularlyinteresting becauseit usestechnological tools equals” inonlinecommunity. Inthecase of reading blogs, thesocialnature often treated not asanexpert remote from areader, butasthe“first among often write abouttheirlife events andinterests. Thus,readers visitblogs ers onaverage). Blog authors often share information onthemselves. They online communicationchannels.Thisassumption seemsto beconfirmed common motivation for visitingblogsofmeeting thanthe possibility similar engaging andunnecessarily indiscussion onthebasisofcommoninterests cerning agiven (19%). subject The respondents frequently less indicated the of blog readers indicated 2–3 thematic categories of blogs read by them, an interest in blogs dedicated to social and political issues. More than half a different kind(e.g. academic, scientific, pedagogical, parishlibrary etc.). someone else(16%) withinformation ofbeingup-to-date andpossibility con Among thethree most important functions ofblog reading, there were: Learning opinionsofpeople, whoare treated asauthorities,isequally 194 - - CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 PLANS ANDFORECASTS PLANS FOR 2017 The declineinreadership isaphenomenonthathasbeenobserved inmany Another advantage oflibraries istheassistance ofalibrarian offering help 1–6 books ayear –30%). Itmaymeanthatnon-library sources ofobtaining vicinity oflibraries. People employed inthepositionofspecialists orwhite- was taken by ofrenting thepossibility multimedia. who are satisfied withtheir own financialsituation andomni-readers. Li work andits differentiation (e.g. availability ofmultimedialibraries, children use libraries more often, which might be due to the density of library net used academicorpedagogical libraries. tion ofalibrary istheloanofbooks, thepurchase ofwhichcannot beaf ternatives, both amongpassive (television, theInternet, games), aswell as given by only 5% of library users. A similar percentage of them indicated the hectic lifestylehectic andintensive work, aswell asincreasingly smallerresources book. Thethird advantage isthefunction ofalibrary asafriendlyandacces both infindingnecessary information, as ofa well as the selection relevant braries constitute animportant source ofreadings for seniors, pensioners libraries etc.), aswell ashigherpopulationdensity–more peoplelive inthe books, they must uselibrary resources asthey are available onlythere. The books “are not sufficient” for serious readers orthat,looking for interesting ber ofpeopleusinglibraries –asmuch63% (amongreaders whoread possibility possibility of using computers and the Internet or participating in meetings market, influenced by novelties andbest-sellers, have becomeunavailable. population above 500,000 people (22% vs 15% of inhabitants of rural areas) collar workers uselibraries more often thanpeoplewithhighereducation of which 30% used public libraries, 29% used school libraries, while 15% of free time, non-obligatory reading ofbooks hasnow manyattractive al countries, althoughithappenedwithparticularintensity inPoland. With and widowed persons. and workshops organized by libraries. Inboth summaries,the last position sible space. Reading press asthemainargument for usingpubliclibraries is second important group oflibrary users are pupilsandstudents –58%, out forded by library users orthosewho, dueto thedynamicsofpublishing Among regular users (atleast 7books ayear), there isthehighest num Women (22%vs 11% ofmen)and inhabitants ofthebiggest citieswith In theview ofusers themselves, thebasicandmost important func 195 ------

CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016

Trends in Education, Employment and The Labour Market Labour The and Employment Education, in Trends 2014 2 (209), 2013, p. 127–148. Kostecki J. et al., Koryś I., O. Dawidowicz-Chymkowska O., D. Michalak, Koryś I.,D. Michalak,R. Chymkowski, Kopeć J., D. Michalak,I. Koryś, Kingston P. W. , Grodny S., J. Gruszka, K.Łuczaj, Dawidowicz-Chymkowska O., D. Michalak, Bulkowski K.,Z.Zasacka, Brown P., Bennett T. et al., SELECTED PUBLICATIONS No. 3, 2015, p. 429−441. taste. Analysis of cultural omnivorousness in Poland in omnivorousness cultural of Analysis taste. trary, weakening) motivation to undertake certain forms ofactivity. in 2012: Transmission of Writing Culture Writing of Transmission 2012: in identical “barriers”: deficienciesincompetencies, whichhasnot beenfilled increase inreadership inthenearterm. in Poland in 2010: Summary of Twenty Years Twenty of Summary 2010: in Poland in by formal education,physical tiredness, aswell asbeingloadedwithwork ment &Society” No. 1(9),1995, p. 29−51. nature ofreading practices, cultivated andtransferred through family and National Library, Warsaw 2016, available at:www.bn.org.pl/download/docu Full report: D. Michalak,I.Koryś, J.Kopeć, of Education”, No. 74, 2001, p. 88−99. and duties, intergroup patterns and cultural norms support (or, on the con active forms ofleisure Thus,it’s activities. difficult to aspontaneousexpect status of a student and school achievements school and student a of status friends. Low reading activity, same aslow onlineactivity, often results from ment/1459845698.pdf The current forms ofreadership promotion seemto ignore thesocial , NationalLibrary, Warsaw 2015. Cultural Capital and Social Exclusion: Some Observations On Recent Recent On Observations Some Exclusion: Social and Capital Cultural The Unfulfilled Promise of Cultural Capital Theory Capital Cultural of Promise Unfulfilled The Culture, Class, Distinction Class, Culture, Books in Everyday Life of Poles. Report from the survey survey the from Report Poles. of Life Everyday in Books Engagement in reading, sex and social-cultural social-cultural and sex reading, in Engagement Hybrids of digits and print and digits of Hybrids About the narrowing of higher aesthetic aesthetic higher of narrowing the About The State of Readership in Poland in 2015 in Poland in Readership of State The The State of Readership in Poland in in Poland in Readership of State The , NationalLibrary, Warsaw 2015. The State of Readership in Poland Poland in Readership of State The , Routledge, London, 2009. , NationalLibrary, Warsaw 2012. , “Edukacja” No. 4(135), 2015. , “Studia Socjologiczne” Social Impact of Books Books of Impact Social 196 , “Teksty Drugie” , “Work, Employ , “Sociology , “Sociology - - - ,

CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016

The State of Libraries in Poland in 2013. Selected Data and Indicators and Data Selected 2013. in Poland in Libraries of State The Straus G.,K.Wolf, S. Wierny, Library, Warsaw 2004. tional Library, http://www.bn.org. pl/download/document/1423562439.doc mation in Poland” in mation of the Polish Chamber of Book “Directions and forms of readership transfor readership of forms and “Directions Book of Chamber Polish the of , Polish Warsaw ChamberofBook, 2015. Book at the Beginning of the Century the of Beginning the at Book Edited by: IzabelaKoryś 197 , National , Na - - CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 1 00 80 60 40 20 0 The rightto participate inthecultural life ofsociety andconsumeartis INDEX OFCULTURAL PRACTICE INTHEEU2013 CULTURAL ACTIVITIES guaranteed intheUniversal Declaration ofHumanRights of1948. ThePolish by cultural institutions isrelatively low in Poland. light ofinternational research –theintensity ofcultural practice provided encourages Poles to undertake cultural Despite activities. richoffers –inthe Source: European Special Eurobarometer Commission, 399, Cultural Access andParticipation state does not stop in creating the possibilities of participating in culture and High Very high Sweden 49 27% 16 8% % %

EU27 average 48 34 13 5% % % % Low Moderate Poland 39% 54 9% % 198 Greece 63 32 4% % % CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 (especially carriedoutashobbiesoutside activities cultural institutions). The EU-SILC study). the Central Statistical of Office Poland (GUS), cultural centres were visited the complexity ofthisissue. There are still manydisputes asto whatshould the countrywithhighest index (Sweden), EUaverage, Poland andthe their inherent role is the presentation of culture (films in television, music tions. Theabove-mentioned mediaperform different functions; however, in radio, texts andaudio-visual content ontheInternet). be dueto theambiguity ofthisterm. have slightlychanged. Themannerofaskingquestions, theageof by 13% ofPoles, artgalleries by 9%,philharmonicconcerthallsby 6%,while ly usedinquantitative description ofcultural participation–declarations asculturalbe classified activities (e.g. theperception ofgoing to shopping population andsampling method couldalsobesignificant.Thebiggest period offour years –between 2013 and2016. Thus,thesituation might may have many causes.Thesummarisedstudies were carriedoutover the results obtained from seven studies conducted onrepresentative samples. museums, 20%–intheatres, 33%–40% –inconcerts. In2014, according to popular institution ofculture iscinema,whichvisited by 45%–49% ofPoles people more frequently participate inculture through media(television, ra differences inresults concerntheparticipationinaconcert,whichmay operas andoperettas by 5%ofPoles. Below, we present thesummaryof each year. 24%–33% ofPoles participated inexhibitions inartgalleries or of respondents (survey results). current situation in Poland is outlined below, based on data that is common centres), andhow to thatare includeactivities hard to reflect innumbers informationof up-to-date onallEuropean countries in2017 (from the calculated based on the data of 2013. Eurostat plans the publication country withthelowest index (Greece). Thepresented index hasbeen dio, the Internet) thanby taking partinevents organised by cultural institu The chartpresenting theindex ofcultural practices intheEUincludes: The differences between study results shown inthetable onpage200 As itfollows from surveys conducted over theyears 2013–2016, themost Scientists and experts specializing in cultural participation emphasize Research studies suggest that,regardless oftheadopted methodology, 199 - - -

CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 2012–2013 Practices: TNS: TNS: 2012–2013 2014–2015

Statistical Statistical (GUS): 2014 PIK: PIK: IKM Poland / National CBOS: 2014 CBOS: 2015 Culture, Centre for Office Office Central of Poland

a DATA : SOURCE: STUDY YEAR INSTITUTIONAL OFFER CULTURAL PARTICIPATION INTHEPAST 12 MONTHS

21%b 22% 19% 19% 16% 21% 26% THEATRE

45% 48% 49% 49% 45% 45%

b.d. CINEMA Museum Museum Museum in the in the country 20% 29% EXHIBITION, Art Art Art in the in the gallery gallery exhibition/ country GALLERY, MUSEUM 29% 33% 32% 24% 27% 19% 9% Philharmonic Philharmonic Philharmonic music concert hall and classical 200 15% 6% CONCERT Outdoor Concerts concert and other 40% 33% 33% 34% 37% 14% 72% CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 Watching TV 2015–2016 2012–2013 Surfing theInternetSurfing (GUS): 2014 IKM Poland /TNS: National Cen Listening to radio Practices: PIK: 2012–2013 Office of Office Poland Central Statistical CBOS: 2014 CBOS: 2015 tre for Culture, b –indicated atleast onefavourite website a –watched afilminTV a : 2014–2015

STUDY - OVERVIEW OFDATA SOURCES January 2015 January 2015 July 2015 January 2016 July 2016 2013 November Q4 2013 October – Central Statistical Office of Poland (GUS): 2014

PERFORMANCE DATE 1,000 1,800 1,063 1,005 8,213 2,031 1,512 SAMPLE SIZE 98% 85% 62% 18+ 18+ 18+ 18+ 15+ 15+ 15+ AGE OF RESPONDENTS PIK: 2012–2013 Statistical Statistical Millward Office of of Office Central Poland Profits Brown Public Public CBOS CBOS CBOS (GUS) IMPLEMENTATION TNS

94%a IN THE FIELD 88% 66% “Did it happen in the “Did ithappeninthe “How often “How often “In thepast year …” “Please tell uswhen “In thepast year …” “In thepast year …” 12 months…” when …” was thelast time in therecent last year thatyou …” do you …” 201 IKM a : 2014–2015 RESEARCH QUESTION 66%b 90% 93% CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 TRENDS CULTURAL ACTIVITIES AMATEUR ANDNON-INSTITUTIONAL AMATEUR Activities performed spontaneously orinanamateur form, outside cultural 16 andmore (according to theSocialDiagnosis2015). Whenconsideringall Surveys basedonrepresentative samples ofadultPoles have beencarried (computer games played viatheInternet) are usedby 12%ofPoles aged website orblog (according to theSocialDiagnosis2015). Public OpinionResearch Centre (CBOS) since 1987. They allow for tracking 2015 Report Chamber ofBooks (2013) andtheUrbanCulture Institute (2014–2015), re usually inshoppingcentres (46%), frequently less infashion stores (19%) the most popular activity is visiting shopping centres (87%). 64% of Poles types ofcomputer games (browser games, socialmediagames, smartphone top andconsolevideogames are very popular. As reported by thePolish tral Statistical of Office Poland (data for 2014), 5.6% of Poles are amateur in art classes, and2.5%ofPolesin artclasses, take partinmusicclasses. interested, butscattered information inthatregard. According to theCen institutions, are crucialfor cultural life. Nationwideresearch studies provide ing clothing products are price(54%), quality(51%), shapeandcut(38%). games, tablet games andothers), thisnumberjumpsto almost 50%ofall beauty parlours (23%). Thisinformation canbecomplemented withdata pation inculture by theauthors ofthereport people aged15 andmore (according to the photographers, 4% of Poles are amateur dancers, 4.3% ofPoles participate of time. Similartrends are indicated by independent measurements. The changes inthepopularityofselected cultural over activities period alengthy out by theCentral Statistical of Office Poland (GUS) for fifty years and bythe declare thatthey work inallotment gardens. Poles take care oftheirhealth and beauty, using solarium (9%), doing manicure or pedicure (18%), visiting and smallboutiques(18%). Thecriteria most often considered whenchoos spectively 20% and26%of adult Poles play video games. Network games from thereport prepared by theUrbanCulture Institute. Poles buyclothes Among activities considered to be part of widely understood partici On the Internet, culture is often intertwined with entertainment. Desk ). OntheInternet, 7%ofPoles aged15 andmore runstheirown Polish Video Games Industry. Games Video Polish Cultural Practices of Poles of Practices Cultural 202 - - - - - ,

CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 The above-mentioned data ispresented indetail inthearticlewritten by the 16% in 1993. This is when a period of slow growth started. In 1999, already 32% ofPoles hadbeeninacinemaatleast once. In2011, thelevel noted Asignificantdeclineinpublic funding couldbe felt inculture 34 field ofculture andentertainment took place. Overall changes resulted in Statistical Office of Poland (GUS) indicated a similar upward trend. The was abolished.Adynamicdevelopment ofcommercial initiatives inthe Unfortunately, we donot have to access anysurvey data thatwould en Polish FilmInstitute andentitled“Cinematography”. Opinion Research Centre (CBOS) data, the least number of Poles declared until 2002 (10%). Since2002, we have observed agradual growth to 15% they visited atheatre in1993 (8%).Thelow level ofcultural persisted activity they hadvisited acinemaatleast once. Thedata provided by theCentral the indicators started to grow slowly butsystematically. in 2009 and22%in2015. Asimilartrend isindicated by thedata provided improvement inthesituation ofcinematography isalsoconfirmed by the by theCentral Statistical of Office Poland (GUS), althoughtheabsence longer in this area than in the case of cinemas. As it follows from the Public before thefall ofcommunismwas exceeded –44% ofadultPoles declared number ofspectators –23.6 incinemas (2005 million,2015 –44.7 million). of measurements between 1990 and 2004 does not allow for determining of peoplewhothey visited acinemaatleast oncefell from 42%in1988 to changes. New phenomena occurred such as poverty and unemployment. overthrow ofcommunismwas accompaniedby profound socialandpolitical emas andtheatres, decreased inpopularityatthebeginning of1990s. an exact momentonwhichthedownward trend decelerated. byactivities adultPoles. Following arapid declineatthebeginning of1990s, a clearreduction inthelevel ofundertaking institutional forms ofcultural able theprecise tracking ofchangesthattook place between 1990 and

The survey data ongoingto theatres shows thatdownward trend lasted The fall ofcommunismwas particularlyhard for cinemas.Thenumber Visiting museums,exhibitions andartgalleries, same asgoingto cin Cf. T. Kukołowicz, M.Modzelewska, P. Siechowicz,Wiśniewska, A. 8F0/$File/Studia_BAS_46_8.pdf on:10th [accessed September, 2016]. Bureau ofResearch oftheChancellery Sejm2(46)/2016, p. 229–250, cal authorities in financing cultural policy in Poland over the period 1990–2015 period the over Poland in policy cultural financing in authorities cal http://orka.sejm.gov.pl/wydbas.nsf/0/F82DC162E5EFB13AC1257FD30032E 203 34 . Censorship The role of lo of role The - - - ,

CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 50% 3 4 20% 10 0% 0% 0% % 2004. We alsohave limited to possibilities compare research results from (cultural participationinthepast 12months, in%) (GUS), PublicOpinionResearch Centre (CBOS) andEurostat becausethe Eurostat 15 andmore). CINEMA the youngest audience (CBOS surveys people aged 18 and more, GUS and the survey results andtheattendance data isthegrowing numberofvisits to 33.2 millionin2015). reason Thepossible for thedifferences between the recent 10 years provided by theCentral Statistical of Office Poland is presented inmore detail inthearticleentitled“Museums”andwritten in the popularity ofvisiting museums, exhibitions and art galleries. At the in aslightlydifferent way. Theanalysis ofincomplete data thatwe have by theNational Institute for indicate MuseumsandPublicCollections, ence). Itshouldbeemphasized thattheanalysed data doesnot include of peoplegoingto museums(museumsmore often have asteady audi question on going to museums is formulated by each of these institutions (GUS) 1985, 1990, 2004, 2009, 2014; own study a significantincrease inthenumberofvisitors (from 20.7 millionin2009 to,access over thelast 10 years, there have beennosignificantchange same time, thedata provided by theCentral Statistical Office (GUS), which Data source: PublicOpinionResearch Centre (CBOS) 1987–2015; Central Statistical of Office Poland 1985 1986 1987

Central Statistical of Office Poland (GUS) PublicOpinionResearch Centre (CBOS) 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 204 2007 2008 2009 2010 2011 2012 2013 2014 -

2015 CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 3 20% 20% 35% 25% 25% 10 10 15 15 0% 0% 0% 5% 5% % % % % THEATRE (cultural participationthepast 12months, in%) (cultural participationinthepast 12months,in%) MUSEUM /EXHIBITIONGALLERY (GUS) 1985, 1988, 1990, 2004, 2009, 2014; own study (GUS) 1985, 1988, 1990, 2009, 2014; Eurostat 2007, 2013; own study Data source: PublicOpinionResearch Centre (CBOS) 1987–2015; Central Statistical of Office Poland Data source: Public Opinion Research Centre (CBOS) 2007–2015; Central Statistical Office of Poland Centre (CBOS) 1985 1985 1986 1986 1987 1987 Central Statistical of Office Poland (GUS) PublicOpinionResearch Centre (CBOS)

Exhibition,museum,gallery –PublicOpinionResearch Museumorgallery –Eurostat Museum–Central Statistical of Office Poland 1988 1988 1989 1989 1990 1990 1991 1991 1992 1992 1993 1993 1994 1994 1995 1995 1996 1996 1997 1997 1998 1998 1999 1999 2000 2000 2001 2001 2002 2002 2003 2003 2004 2004 2005 2005 2006 2006 205 2007 2007 2008 2008 2009 2009 2010 2010 2011 2011 2012 2012 2013 2013 2014 2014 2015 2015 CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 PLANS ANDFORECASTSPLANS FOR 2017

-archiwum/PRAKTYKI_KULTURALNE_POLAK%C3%93W.pdf on: [accessed -turystyka-sport/kultura/uczestnictwo-ludnosci-w-kulturze-w-2014-r-,6,2. /Raport%20PIK%20z%20projektu%20badawczego%20Kierunki%20i%20 Warsaw 2016, http://cbos.pl/SPISKOM.POL/2016/K_030_16.PDF years withtheuseofEUfunds. Report of the Polish Chamber of Book on the research report entitled “Direc entitled report research the on Book of Chamber Polish the of Report participation and access Cultural 399, Eurobarometer strati Special social and culture in duties and distinctions New Hierarchy. Cultural 2014 in Culture in Participation Public 2015, Diagnosis Social 2015 in Experiences and Activities R. Drozdowski, B. Fatyga, M. Filiciak, M. Krajewski, T. Szlendak, fication September 10, 2016]. SELECTED PUBLICATIONS Practices of Poles of Practices Monitoring, Warsaw 2015, http://www.diagnoza.com/pliki/raporty/Diag In thefollowing year, thecontinuationoflong-term trends showing thein Chamber of Book (PIK),Chamber ofBook Warsaw 2014, http://www.pik.org.pl/upload/files ec.europa.eu/public_opinion/archives/ebs/ebs_399_en.pdfCommission, tions and Forms of Readership Transformation in Poland” 2013–2014 Poland” in Transformation Readership of Forms and tions gda.pl/items/show/139 on:September [accessed 10, 2016]. [accessed on:September[accessed 10, 2016]. on:Septemberhtml [accessed 10, 2016]. land (GUS), Warsaw 2016, http://stat.gov.pl/obszary-tematyczne/kultura noza_raport_2015.pdf on:September [accessed 10, 2016]. cessed on:Septembercessed 10, 2016]. on:Septembercessed 10, 2016]. crease intheparticipationrates canbeexpected. Thiswillbefacilitated by an increasingly better useofinfrastructure builtorfully refurbished inrecent formy%20transformacji%20czytelnictwa%20w%20Polsce_pub.pdf [ac , Institute ofUrbanCulture, Gdańsk2016, http://repozytorium.ikm. Edited by: Tomasz Kukołowicz, TheNationalCentre for Culture, Poland , Toruń 2014, http://ozkultura.pl/sites/default/files/strona ed. Czapiński J. iPanek T., TheCouncilfor Social , PublicOpinionResearch Center (CBOS), , Central Statistical of Office Po 206 ,

European Cultural Cultural , Polish

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CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 The NationalCentre for Culture, Poland Apart from the history known from thepublications of professional histori 33% –sometimes, 31% –rarely, according to: TheNationalCentre for (966), the adoption of the Polish Constitution of the 3rd of May (1791) and First World War are considered to bethefollowing: theBaptism ofPoland People’s Poland, scientific research oncollective memory was carriedout Maurice Halbwachs in his works, this memory has a collective, not individual COLLECTIVE MEMORY COLLECTIVE Culture, Poland /TNS2016). the endof1980s. this area. More credible andreliable research hasbeenconducted since the Battle ofGrunwaldthe Battle (1410). After the First World War, themost important in avery limited scopedueto strong ideologization ofthestate in activity respondents showed atleast moderate interest inthisfield.The vast ma nature, andisrelated to nationalholidays. Inourcountry, in the timesof of Karol Wojtyła to thepapacy andPoland’s to accession theEuropean Union. events includetheregaining ofPolish independencein1918, theelection ans, eachsociety hasits own collective memory. As ithasbeenshown by jority ofPoles thepast discuss withtheirfamily members (7%–often, The most important events inthehistory ofPoland before theendof Poles express keen interest inhistory. InMarch 2016, three infour 207 - -

CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 Regaining ofPolish independencein1918 Karol Wojtyła’s to election thepapacy Polish Constitution of3rd May(1791) Poland’s to accession theEU Source: PublicOpinionResearch Centre (CBOS) 2016, N=1,007 AFTER 1918 BEFORE 1918 MOMENTS FOR POLAND MOST SIGNIFICANT EVENTS PERCEIVEDAS LANDMARK Battle ofGrunwaldBattle (1410) Baptism ofPoland

0% 0%

10 10 % % 20% 20% 30% 30% 33 40% 40% % 43 44 208 50% 50% % %

52 60 60 % 59 % % % 70% 70% 70 % 80% 80% CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 interest Low 18% 2016 includedquestions ontheknowledge onhistoric figures whohad con INTEREST INHISTORY Opinion Research Centres (CBOS), Poles asked for spontaneous answers have tory. Theknowledge onother historic figures ismuchpoorer tributed to theregaining ofPolish independencein1918. Only6%ofPoles beyond doubt themost recognisable Polish politician from thisperiod ofhis relates to aspecificdate (e.g. 1939), thenumberofcorrect answers was higher. relatively difficult for respondents. Whentheinterviewer listed thenames open-ended question set byopen-ended thePublicOpinionResearch Centre (CBOS) was correct answers abouttheyears 1939, 1410, 966, 1918, 1863 and1791 were difficulties inindicatinghistoric events thathappenedinspecific years. In 2016, of itisquite shallow. As itfollows from thestudies conducted by thePublic of several events himself andasked respondents to indicate whichofthem admitted thecomplete lackofknowledge onJózef Piłsudski,althoughitis Source: PublicOpinionResearch Centre (CBOS) 2016, N=1,512 studies conducted by TNS /TheNationalCentre for Culture, Poland inJuly given by 82%, 80%, 74%, 57%, 21%and12%ofrespondents, respectively. The The declared level of knowledge on key historic figures is also low. The Despite thedeclaration ofhighinterest inhistory, thePoles’ knowledge None 8% Moderate interest 49% Very highinterest 5%

High interest 20% 209 . - - CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 50% 3 4 20% 10 0% 0% 0% % years after they were first published. More importantly, his novels are also Poles leadto theconclusionthatpopularculture hasavery on bigimpact I KNOW NOTHING ABOUTTHISPERSON FOLLOWING HISTORIC FIGURES: PLEASE EVALUATE THELEVELOFYOUR KNOWLEDGE ONEACH OFTHE the level ofknowledge onhistory. Great merits inthisfieldhasHenrykSien kiewicz whosenovels are still popularamongreaders over onehundred attractive for young readers. Source: TheNationalCentre for Culture, Poland /TNS2016, N=1,512 The results ofstudies analysing thestate ofhistorical knowledge among 6% 16% Ignacy Paderewski 24% Wincenty Witos 34% 35% 210 42% Wojciech Korfanty 44% Józef Haller - CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 20% 3 20% 25% 25% 10 15 10 15 0% 0% 0% 5% 5% % % % % AND UPPERSECONDARY SCHOOLS SECONDARY SCHOOLS BEST HISTORICAL FILMS ACCORDING TO STUDENTS OF LOWER ANDUPPER BEST HISTORICAL NOVELS ACORDING TO STUDENTS OFLOWER agglomeration Source: Ł.Michalski, Source: Ł.Michalski, Krzyżacy Troja 22% 30% , Institute ofNationalRemembrance (IPN),Warsaw 2015, p. 49; N=2,092. Historical awareness of pupils . . ., . . pupils of awareness Historical i mieczem i Historical awareness of students of secondary schools in the Warsaw Warsaw the in schools secondary of students of awareness Historical Ogniem Potop 21% 25%

Pianista Vadis 16% Quo 22% p. 60; N=2,092 na szaniec na Kamienie Vadis Quo 19% 12% 211 i mieczem i Gladiator Ogniem 14% 11%

CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 6% 29% THAT POLES CAN BEASHAMED OF? THAT POLES CAN BEPROUDOF? The most negatively evaluated historical figure was . 13th ofDecember, 1981, andthebehaviourofpoliticiansafter 1989. When WERE THEREANYEVENTS INOURHISTORY: ing independencein1918, aswell asthepoliticaltransformation andthe have thegreatest ofKarol prideintheelection Wojtyła for thepope, regain more events that caused pride than shame in the history of Poland. Poles overthrow of communism. The most frequently indicated reasons for shame asked about persons to be proud of in the history of Poland, Poles most are: theJewish pogrom inJedwabne, theimpositionofmartiallawon ofcontroversy.and thesubject Clearly more peoplethinkthatthere were Source: NationalCentre for Culture, Poland /TNS2016, N=1,512 frequently mention Pope Saint JohnPaul II,Lech Wałęsa andJózef Piłsudski. The collection ofhistoricalThe collection facts issometimes thesource ofemotions 15% 44% 79% 27% It’s hard to tell No Yes It’s hard to tell No Yes 212 - CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 2004 69% which was anichephenomenonseveral years ago, isnow acommonplace DO YOU HAVE AWHITEANDREDFLAG AT HOME? forDay ofKatyń Victims Massacre). Thefifthmost often indicated national November (IndependenceDay) and3rd May(theanniversary oftheadoption though, sincethedemocratic breakthrough in1989, Poles still consider11th greatest dynamicsare seeninopinionsonvarious ways ofcommemorating become even more popularto hangoutstate flagsorplacethemoncars on holiday is1st September, whichistheanniversary oftheoutbreak oftheSec historical events, both by state institutions, aswell asindividualpersons. Al national holidays orduringnationalsports events. Wearing patriotic clothing, place after 1989. Thecommemoration ofevents celebrated on1st August ond World War. Thisdata proves theprofound transformation thathastaken events are followed by relatively new anniversaries: 1st August (the anniver of thePolish Constitution) to bethemost important state holidays, these and raises manycontroversies. and 13th Aprilwas unwelcomed orforbidden duringthecommunist times. Source: NationalCentre for Culture, Poland /TNS2016; N=1,512 sociated withinterest inhistory, are alsochanging.Inrecent years, ithas sary oftheoutbreak oftheWarsaw Uprising)and 13th April(Remembrance

Yes The individualmethods ofmanifesting patriotism, whichisstrongly as Collective memoryisshapedfor years andundergoes changesslowly. The

No 31% 2016 52%

It’s hard to tell 213 1% - - - - 47% CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 disagree I rather 28% CENTRE FOR CULTURE,CENTRE POLAND ABOUT THE RESEARCH THE ABOUT PROGRAMME OF THE NATIONAL OFTHE PROGRAMME I strongly disagree 17% (trends, mechanisms,correlations andstatistics) andshouldconstitute an In 2016, theNationalCentre for Culture, Poland, launchedawiderange of PATRIOTIC CLOTHES? DO YOU AGREE THAT PATRIOTISM CONSISTS INWEARING titative studies). They are aimedatdiagnosingcurrent cultural phenomena the Historical Policy Team, withthechairmanProfessor Wojciech Roszkowski. these research studies. Thecollective memory is in thecentre of interest of the NationalCentre for Culture, Poland, composedoftherepresentatives of government andnon-governmental cultural institutions thatare stakehold long-term research projects ofempiricalnature (both qualitative andquan ers of the National Centre for Culture, Poland. The programme of these re of educational, promotional andpopularizingnature, targeted at state, local objective basis for theformulation offuture recommendations regarding the academic communitiesactively involved thatare intheissues to subject Source: TheNationalCentre for Culture, Poland /TNS2016 search studies isestablished incooperation withexpert teams affiliated at state’s cultural policy, aswell asinspirations for thecreation ofprogrammes 5% I don’tknow, it’s hard to tell I strongly agree 17% I rather agree 33%

214 - - - CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016

PLANS ANDFORECASTSPLANS FOR 2017

The results ofstudies confirmtheeffectiveness ofits impact. For theabove TNS Poland carriedoutsurveys concerningtheattitudes ofPoles to thehis August 29, 2016]. 1,512 Poles; 10 focus group interviews; interviews, in-depth languageand years, strengthened in2016 by ceremonial funerals ofpersons whoserest decline in the number of persons declaring moderate interest in history for growing numberofhistorical re-enactments organised ontheoccasionof growing interest ofcursed intheissue soldiers andgrowing importance Public OpinionResearch Centre (CBOS), Public OpinionResearch Centre (CBOS), SELECTED PUBLICATIONS works withinthe“Independent ‘18” programme istheforthcoming 100th In Poland, for atleast 10 years, historical policy hasbeenanimportant area tions willbearesponse to thegrowing presence ofhistory-related content the benefitofthosewhodeclare low orhighinterest. Polarisation ofposi tory ofPoland, theNationalIndependence Day, thecelebration ofstate and in media. ing placeswere previously unknown; [accessed on:August[accessed 29, 2016]. brance Day). Thiswillbeacontinuationofstrong trend from thelast 2–3 reason, in2017, thefollowing trends maybeexpected: national holidays, aswell aspatriotism. Thedirect reason for undertaking of the holidaycelebrated on 1st March (Cursed Soldiers National Remem of thestate’s aimed,amongothers, activity atshapingcollective memory. out with the useofvarious methods (survey ontherepresentative group of Poland of anniversary ofregaining independenceby Poland. Thestudies were carried saw 2016, http://cbos.pl/SPISKOM.POL/2016/K_068_16.PDF, on: [accessed state anniversaries; semiotic analysis, mediaanalysis). In July2016, attherequest oftheNationalCentre for Culture, Poland, , Warsaw 2016, http://cbos.pl/SPISKOM.POL/2016/K_056_16.PDF, Historical Awareness of Poles of Awareness Historical 1050th anniversary of the Baptism Baptism the of anniversary 1050th 215 , War - - - - - CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016

National Centre for Culture, Poland / TNS, Ł. Michalski, in relation to the preparation for the 100 the for independence preparation the to relation in saw agglomeration, agglomeration, saw Historical awareness of pupils of secondary schools in the War the in schools secondary of pupils of awareness Historical (currently inpreparation). Institute ofNationalRemembrance (IPN),Warsaw 2015. th anniversary of regaining Polish Polish regaining of anniversary Report on research conducted conducted research on Report Edited by: Tomasz Kukołowicz 216 - CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016

THE INTERNET THE The Internet ismore andmore present invarious areas ofourlives andthis playing ordownloading games, images,filmsormusic using knowledge websites basedonwikitechnology; using news websites, reading newspapers andmagazines; 35 Internet for cultural purposes(except for reading news websites) are less Internet? How oldare they? WhousestheInternet for cultural purposes USE FOR CULTURAL the further partofthisarticle. ing purposes: in theEurostat publication: based onwikitechnology. Themost often indicated ways ofusingthe news websites, newspapers andmagazines, anduseknowledge websites most often? Women ormen? Where isPoland inthiscontext, compared to popular compared to theEUaverage. Detailed statistics are presented in other European Unioncountries? Answers to thesequestions maybefound also refers to culture. For whatculture-related purposesdoPoles usethe PURPOSES

As itfollows from theEurostat data, Poles are most willingto read

In cultural context, the Internet is most frequently used for the follow

According to theEurostat publication:“playing/downloading games, images, films ormusic”. Culture Statistics. 2016 Edition 2016 Statistics. Culture 35 217 . . - CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 reading newspapers andmagazines portals basedonwikitechnology Source: Eurostat,. Culture Statistics. 2016 Edition; own study (respondents whousedtheInternet atleast onceinrecent 3months) THE INTERNETUSEFOR CULTURAL PURPOSE(%)IN2014 Playing /downloading games, EUcountries Creating websites orblogs Listening to onlineradio images, filmsormusic Using news portals, Using knowledge

0% Poland 4% 10 % 11% 20% 30% 28% 31% 40% 218 41% 50% 46% 51% 60% 58% 70% 67% 71% 80 % CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 THE INTERNET ACCESS INTERNET THE HOUSEHOLDS WITH HOUSEHOLDS WITH 1 00% 80 60 % %

NUMBER OFHOUSEHOLDSWITHTHEINTERNETACCESS (%)IN2015 Regarding thelatest data, Poland takes oneofthelast places. In Poland, to thenumberofhouseholdswithaccess theInternet hasbeen lower inPoland over thepast years but,atthesame time, thegrowth rate is rising recently. Compared to other EUcountries,thisindicator hasbeen Source: Eurostat, Culture Statistics. 2016 Edition; own study similar. In2015, itreached 79%and85%inPoland andtheEU, respectively. 70 64 2009 % % EUcountries 74 68 20 % % 10 77% 71% 2011 79% 75% 2012 Poland 82 76 20 % % 13 219 84 79% 20 % 14 85% 79% 20 15 CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 THE INTERNET USE INTERNET THE AGE STRUCTURE FOR CULTURAL PURPOSES Using knowledge websites basesonwikitechnology (2013–2014) Using news websites, newspapers andmagazines EU countries Poland EU countries Poland EU countries Poland Listening to onlineradio EU countries Poland Playing games, images,filmsormusic EU countries Poland Creating websites orblogs Age THE INTERNETUSEFOR CULTURAL PURPOSES BY AGE GROUPIN2014 (%); Young peopleusuallylisten to onlineradio (46%), useknowledge websites (respondents whousedtheInternet atleast onceinrecent 3months) (7%). Summingup, theyoungest Polish users most frequently usetheInternet Using news websites andreading newspapers ormagazines isoneofthemost therefore, seemto bemost opentowards opportunities offered by theInternet. this interest declines.Theexception istheuseofnews websites, newspa ing ordownloading games, images,filmsandmusicisthemost popular way based onwikitechnology (62%) frequently, and,less create websites orblogs has achieved ahigherindicator thantheaverage for allEUcountries.Play pers andmagazines, whichispopularineachagegroup. Theyoungest users, popular forms oftheInternet usage inallagegroups. Inthatregard, Poland of using the Internet for cultural purposes among the youngest users (71%). Source: Eurostat, for cultural purposes, catching up with or exceeding the EU average. With age, 16–24 Culture Statistics 2016 Statistics Culture 68 40 65 46 62 76 16 72 71 7 25–34 48 36 40 64 73 75 61 15 51 4

Edition 35–44 ; own study 69 58 35 45 70 24 32 51 11 3 45–54 68 66 40 54 24 18 37 27 9 2 220 55–64 49 20 64 33 16 72 31 12 7 1 65–74 60 28 46 29 18 16 74 11 0 7 - -

CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 SEX STRUCTURE SEX 80 60 50% 30 40 20% 70 10 0% % % % % % % THE INTERNETUSE (respondents whousedtheInternet atleast onceinthepast 3months) Men usetheInternet more frequently thanwomen, mostly for thepurposes this percentage is higher than the EU average (m=70%, w=64%). Consider ing allcultural to purposes,itispossible draw ageneral conclusionthatmen more frequently usetheInternet both inPoland andintheEUcountries. of playingordownloading games, images,filmsormusic(m=45%, w=38%) and menread websites, newspapers, news magazines (71%),inboth cases and listening to onlineradio (m=31%, w=27%).Theequalnumberofwomen Source: Eurostat, 71% r Using newsportals, Wo eading newspapers and magazines me 64% n EUcountries 71% Culture Statistics 2016 Statistics Culture Me 70% n FOR CULTURAL PURPOSES (%) IN2014

38% Wo me 48% ; own study n 45% Poland Me 54% n 27% Wo 221 to me 28% online List n ening 31% r adi Me o 34% n - CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 STORING ANDSHARINGCONTENT 1 00% 80 60 40 20% 0% % % % Although cloudservicesenjoy anincreasing popularity (respondents whousedtheInternet atleast onceinrecent 3months) USE OFCLOUD SERVICES FOR CULTURAL PURPOSES (%)IN2014 Polish users rarely usedcloudservices(13%). Thosewhousethistechnol technology, whichisshown inthepercentage share ofits users inthetotal number of the Internet users. In 2014, compared to the EU average (28%), ogy usuallydosoto store orshare photos. Source: Eurostat, 13% T otal 28% EUcountries * Culture Statistics 2016 Statistics Culture e-magazines* E- 11% books or 13% * 33% ; own study Music** 36% Poland 24% 26% 222 , they are still anew 74% Phot 82% os** - CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 THE INTERNET USEFORPURCHASE THE INTERNET THE OF CULTURAL GOODS ANDSERVICES 20% 25% 10 15 0% 5% % % THE INTERNETUSEFOR THE PURCHASE OFCULTURAL As it follows from the data for 2015, Poles less frequently buy books, maga zines, e-learning materialszines, e-learning orfilmsandmusicviatheInternet. However, the via theInternet andtheaverage for allEUcitizens isvery clear. (respondents whousedtheInternet atleast oncethepast 12months) GOODS ANDSERVICES (%) between thenumberofPoles purchasing culture-related goodsorservices percentage ofusers purchasing tickets onlinehasjumped.Thedifference Source: Eurostat, 16% 20 10 22% EUcountries 12% Culture Statistics 2016 Statistics Culture 20 23% 15 9% 20 Films /music 10 18% ; own study 4% 20 Poland 15 16% 8% 20 223 20% 10 Tick et 9% s 20 15 24% - CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 WEBSITES POPULARITY WEBSITES 20 DOMAINSUSEDBY MOST (JUNE INTERNETUSERS 2016) .com

filmweb.pl wikipedia.org wp.pl .pl interia.pl gazeta.pl google.com google.pl blogspot.com naszemiasto.pl poradnikzdrowie.pl cda.pl orange.pl ceneo.pl olx.pl onet.pl allegro.pl sport.pl facebook.com The declarations of survey respondents concerningthepurposesofusing vidual websites andservices(domains) provided by Gemius/PBI.InPoland, the Internet are compatiblewithstatistical data onthepopularityofindi portals asGoogle, Facebook andYouTube. Otherpopularwebsites include as well andpurchase-related asauction services(allegro.pl, olx.pl,ceneo.pl). Source: Gemius/PBI,Polish Internet in June 2016 – PBI, N=127,477; users aged 7–75, own study services ofbigmediagroups (onet.pl, wp.pl, interia.pl, gazeta.pl, tvn24.pl), just like allover theworld, theInternet users most frequently usesuch Number ofusers (million) 24.3 18.9 16.6 21.6 13.9 10.5 14.2 13.7 11.2 5.8 5.8 5.8 5.9 6.4 6.4 9.4 9.2 7.9 7.2 18 Number ofviews (million) 224 6,629 2,063 2,059 1,093 5,619 1,442 1,167 859 302 750 307 136 216 123 124 107 115 59 23 79 - CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 THE MOST CONCLUSIONSTHE INTERESTING STUDY: OFTHE CULTURAL TO ACTIVITIES BEREPLACED INTERNET BYTHE

As theInternet ismore andmore present inourlives, isthere achanceit The higherthelevel ofeducation,thestronger thebeliefthatInternet People aged 15–24 less frequently admitted that the Internet cannot replace the More frequently thanmen,women believe thattheInternet cannot replace Despite intensive digitisation ofcultural assets, visiting museumsandexhibi Most Poles believe thatreading newspapers andmagazines (women=75.6%, Most Poles believe that:visitingmuseumsorexhibitions (women=75.8%, 36 Statistical of Office Poland (GUS) carriedouta study will replace traditional forms ofcultural participation? In2014, theCentral what istheplaceofculture amongthem.InPoland, themost popularservice users inJune2016. As reported by SimilarWeb, atthebeginning ofAugust 2016, tions hasbeenconsidered to bethe form ofculture thatcannot bereplaced tions, listening to radio, goingto concerts andwatching TV. the forms ofcultural participationmentionedinthe study atall. it was thefourth most popularcinema–related website intheworld. in June2016. Specialattention shouldalsobepaidto filmweb.pl with 5.8 million by theInternet by thehighest percentage ofrespondents. popularity oftheseforms oftheInternet usage. men=78.6%) andlistening to radio (women=73.5%, men=76.8%), partiallyor men=69.2%), theatres (women=72%, men=67.2%), goingto concerts (wom newspapers andmagazines, visitingcinemas, theatres, museumsandexhibi perception of the replacement possibilities of the Internet by Poles. The use en=63.9%, men=58.1%) cannot bereplaced by theInternet. of theInternet was confronted withvarious cultural practices: reading books, of cultural andentertainment nature isyoutube.com withalmost 19 millionusers cannot replace different forms ofcultural participation. as whole, maybereplaced by theInternet. Theseresults are reflected inthe forms ofcultural participationmentionedin thestudy thanpeopleaged65 andmore.

The most popularwebsites playnumerous roles. Itis,however, disputable

Central Statistical Office of Poland (GUS), Warsaw 2016. Public Participation in Culture in 2014 in Culture in Participation Public 36 on,amongothers, the 225 - - - ,

CULTURAL PARTICIPATION POLISH CULTURE YEARBOOK 2016 SELECTED PUBLICATIONS

80 60 50% 30 40 20% 70 10 0% % % % % % % 2014 D. Batorski, M.Filiciak,J. M.Zając, Central Statistical of Office Poland (GUS), Eurostat, tion and distribution of cultural content cultural of distribution and tion available online. Source: Central Statistical of Office Poland (GUS), Visiting (according to Polish respondents aged15 andmore) THE INTERNETCANNOT REPLACE: …(%)IN2014 73%

, Warsaw 2016, available online. museums and exhibitions Culture statistics. 2016 edition 2016 statistics. Culture

Visiting 70% theatres

Going to 61% Edited by: MarlenaModzelewska andTomasz Kukołowicz, concerts

Reading 52%

Importance of the Internet in the promo the in Internet the of Importance books Public Participation in Culture in 2014 in Culture in Participation Public , BAS Studies, 2(46)/2016, p. 179–203, , Luxembourg 2016, available online. The NationalCentre for Cultur Going to 49% Public Participation in Culture in in Culture in Participation Public cinemas

Watching 25% TV 226

Listening 24% to radio ; own study e, e,

Reading 22% Poland newspapers and magazines - 5. VARIA VARIA POLISH CULTURE YEARBOOK 2016

The following “Varia” describestheresults section ofstudies concerning the International Chopin Piano Competition (ed. The National Institute of contemporary artgalleries; festivals; video games; muralism; River; with “Research News”, aquarterly by issued theNationalCentre for Culture, Fryderyk Chopin). Poland thatregularly reviews research reports useful to those responsible Culture Yearbook. Thepresented have issues beenselected inaccordance the essence of the discussed research projects, most of which are one-off issues thatcannotissues to beclearlyassigned anyother ofthePolish section rather thanregular initiatives. following issues: for thestate cultural policy. Thenature ofthe“Varia” arisesfrom section The “Varia” summarisesthefindingsof section research studies onthe 228 VARIA POLISH CULTURE YEARBOOK 2016

The year 2017 has been announced the Year of the Vistula River. Nonethe Title: VISTULA RIVER VISTULA Vistula River Authors: W. Pieniążek, J. Żukowski, P. Huras, J. Chojecki,G.Z.Jaworska, natural resources thatcanbemanaged–both ineconomicterms orinterms natural environment thatmust beprotected andpreserved; place for entertainment andrecreation; M. Marciniak (Agrotec Polska) to theriver banks. their backonthe“QueenofPolish Rivers” and started to consideritdirty though theVistula River istheplacefor manyforms ofrecreation, itis pos they also pointed out that these aspects relate to many other factors. Even three different ways, namelyas: its oldidentity. Someofthemare fully aware whileothers oftheiractivities, has beengradually falling into oblivionsince1970s. Another reason for this duetoless, thedecreasing importance ofwaterways transport, theriver remain thepassive admirers oftheVistula’s beauty. As indicated by the of people in different manners, either by creating its new or bringing back or uninteresting. Thishaschangedinrecent years. Poles are now returning decline isthefact that most peoplewhousedto make alivingthanks to the on theVistula River. They alsofocused onentertainment aspects, although of buildingsocialcapital. authors oftheabove-mentioned report, theVistula River maybeviewed in sible to distinguish four undertaken maintypesofactivities atits banks: formation The authors ofthereport zeroed inonfindingoutwhat really happens The significanceoftheVistula River isbeing restored by various groups The Same River Twice. Vistula River as the Space of Cultural Trans Cultural of Space the as River Vistula Twice. River Same The . , by fishingor rafting, have away. passed Polish people turned 229 - - - VARIA POLISH CULTURE YEARBOOK 2016

disappearing users whoturn theirbackontheVistula River becausethey systematic users for whomtheVistula River isthecontext orbackground interested users for whom theVistula River isthepretext rather thanthe unaware users who have no knowledge of the Vistula River despite spending undertakenactivities attheVistula River have beenthoroughly analysed recreation: angling,cycling, outdoor events andothers; sunbathing; social meetings: grills,, clubs,meetings attheboulevards; swimming: restoration, rowing clubs,canoeingorwater trams; the Amazon. Thevariety oftheVistula River allows thecreation ofdiverse to generation, butwhodonot necessarily spendtime by theriver; time onits banks; through thelensofamarketing theorydescribingaproduct lifecycle. There by theVistula River. river by theinhabitants oftowns situated by theVistula River, aswell asocca parts of the river are regulated, while others remain “wild” and often resemble resentatives ofvanishing professions relating to physical work performed despite theabundant flora and fauna ofthe “Queen Polish Rivers”. often comingfrom families thathanddown theknowledge from generation context of activities undertaken – persons who are interested in theriver, are bored ordonot accept changes;thiscategory ofusers includestherep ally engaged; undertakenactivities –regular visitors andusers whomaybecomeemotion somewhat hidden,isnon-existent inpublic awareness andrarely referred to sional tourists. However, theauthors ofthereport note thatthisplot remains forms of engagement and noticing differences in the ways of perceiving the fore users have beendividedinto five types: The Vistula River retains its diverse nature atits various Some sections. Edited by: Katarzyna Zarzycka, TheNationalCentre for Culture, Poland 230 - - - - VARIA POLISH CULTURE YEARBOOK 2016 COMMUNITY ANDARTISTS COMMUNITY The methodology ofthestudy includedinterviews withmural artists. Based Title: Z. Rojek, E.Welter, K.Wittels (PublicSpaceResearch Institute, Academy Authors: M.Duchowski, J. Drozda, B. Kopczyński, Litorowicz, A. Pietraszko, A.

Even thoughmost ofthemare young people(aged26–35), often educated Muralism, alsoreferred to asmural painting,monumental paintingorlarge Community of Monumental Painting Artists. Painting Monumental of Community in visualarts (92%), they are still divided, especially in thecontext of past Artists ing ground remain somewhat excluded from the community. has made phenomenon isdescribedinthereport on theindividualinterviews conducted by theresearch team cialism. However, itisnecessary to separate murals from of FineArts inWarsaw) experiences with illegal artistic activities. Those who have no such back concluded that mural artists do not constitute a homogenous community. space, hasgained worldwide fame thanks to Banksy. Thisanonymousartist format painting is not always a grassroots art that contests the existing reality. format painting,hasincreased inpopularityrecent years. Thisartistic MURALISM Walls. Diagnosis of Dynamics in the Community of Monumental Paint Monumental of Community the in Dynamics of Diagnosis Walls. street art street . well-known by hisworks andcontributed to its commer Walls. Diagnosis of Dynamics in the the in Dynamics of Diagnosis Walls. Mural, whichistheartofpublic 231 street art street , itmaybe . Large - - -

VARIA POLISH CULTURE YEARBOOK 2016 EDUCATION, N=50 Secondary 19% in other fieldsof study Higher education 8% arts in visual education Higher 92% Higher 81% 232 VARIA POLISH CULTURE YEARBOOK 2016 ACCEPTANCE OFMURALS 1 00% 80 60 40 20%

0% % % % The authors ofthereport dividemurals into four categories: As itfollows from thesurveys carriedoutfor thepurposes ofthisreport, most advertising murals thatserve ascommercial ads. institutional murals thatare created attherequest ofagiven publicinstitu “urban” murals that are created at the request of a given city, usually for the artistic murals thatare created aspartofartistic projects; N=1006 that they didnot like thepresence ofmurals intheircities.Similarly, when tion, usuallyfor promotional purposes; purposes ofpromotion orcommemoration; city inhabitants are satisfied withthissituation. Only4%ofthemclaimed asked aboutaspecificmural, thesurvey respondents liked almost three in four murals referred to inthestudy. Yes The presence of murals iswell accepted by theinhabitants ofPolish cities. Do you like thepresence of murals inyour city? 87% Edited by: Katarzyna Zarzycka, TheNationalCentre for Culture, Poland 4% 9% No particular mural? 73% Do you like the 19% Ihave noopinion 233 8% - VARIA POLISH CULTURE YEARBOOK 2016 20 25 10 15 0 5 The market ofvideogames isoneoftheseindustries thatstill show dynamic Title: VIDEO GAMES VIDEO Authors: M.Bobrowski, P. Rodzińska-Szary, M.Socha (Cracow Technology Park) REVENUES (in USD billionperyear) North America,where theannualrevenues reach USD23.6 billionayear, but that thehighest dynamicsofgrowth willhave beenachieved by suchregions it is closely followed by Asia and Europe. At the same time, experts predict growth trends. lished in2015, indicated thattheglobal revenues generated by thismarket as Asia, MiddleEast andCentral andEastern Europe by 2017. amounted to USD74.2 billionperyear. For the timebeing,itisdominated by Polish Video Games Industry. Report 2015 Report Industry. Games Video Polish America North 23.6 Polish Video Games Industry Games Video Polish Asia 23.1 Europe , the latest market report pub 21.1 234 America Latin 4.5 - VARIA POLISH CULTURE YEARBOOK 2016 Poland 8.77% Hungary 5.64% Turkey 14.66% 37 PERCENTAGE SHAREINREVENUES GENERATED ONTHECEEMARKET industry, itranks secondinEastern Europe andnineteenth worldwide interms by thePolish videogames industry was approximately PLN1.65 billion. popularity thanpaidgames, whiletheannualrevenues generated by this on theMMOgames market of market size based on revenues. In 2015, the amount of revenues generated and Eastern European markets accountfor 38% oftheserevenues. segment inEurope reached USD2.1billionin2015. Revenues from Central Republic Czech 5.64%

According to theabove-mentioned report, ourcountryisclearlyvisible Although Poland generates only0.6% ofglobalrevenues ofvideogames

MMO – Massively Multiplayer Online – is a game, in which multiple players can playonlineatthesame time. Other countries 7.14% 37 . InPoland, free onlinegames enjoy muchhigher 235 58.15% VARIA POLISH CULTURE YEARBOOK 2016 PROFILE OFAPOLISHPLAYER 80 60 50% 30 40 20% 70 10 0% % % % % % % The report shows aconstant increase inthenumberofpeopleconsidering SEX STRUCTURE BY OFUSERS GAMETYPE,N=3750 to stereotypes. Thedata presented inthereport proves thatwomen also themselves players. Interestingly, most ofthemwere women, incontrast themselves to beplayers. In2015, asmuch72%ofInternet users dubbed browsers. Meanwhile, mendominate thegroup ofdesktop players andgame represent themajorityofplayers usingmobiledevices, socialmediaand console users.

53 Women

Total 47 39

Desktop 61 games 56 Men Browser 44 games 30

Console 70 games 56

236 Mobile 44 games 63 Social media 37 games VARIA POLISH CULTURE YEARBOOK 2016 years ofage years ofage years ofage years ofage Elementary Secondary education education education Higher 45–55 35–44 35–44 25–34 1 5–24 5–24 0% 0% AGE STRUCTURE, N=3750 15–24). The second biggest group are players aged 25–34. In terms of educa EDUCATION, N=3750 Most ofthemare fixed-time employees (who represent 42%ofallplayers). tion, thegroup ofplayers isdominated by peoplewithsecondaryeducation.

Players by agegroup In terms ofage, thelargest share ofplayers are theyoungest users (aged Edited by: Katarzyna Zarzycka, TheNationalCentre for Culture, Poland 10 10 9% % % 16 % 20% 20% 26% 30% 30% 30 % 32 % 237 40% 40% 43 44 % % 50% 50% - VARIA POLISH CULTURE YEARBOOK 2016 Women Men 0% “We don’tneedto fear thefestivalization ofculture. It’s already afact (…)” Title: Authors: M.Poprawski, Jakubowska, A. P. Firych, M.Mękarski, M.Brodnie 38 fields of study. SEX STRUCTURE OFORGANIZERS, N=248 women. The biggest age group are people aged 31–40 (34%). Most organizers wicz, P. Landsberg, P. Kieliszewski, R. Kędzierska, E.Kłosiewicz, J. Michalczuk, Regional Cultural Observatory oftheAdam Mickiewicz University inPoznań) K. Zielińska, J. Gorgoń, K. Węglarska, F. Wróblewski (Union of Polish Cities, It offers anextensive answer to thisquestion. Theauthors ofthereport have in Poland, onPolish theirimpact citiesisworth onthisas considering.Based examination ofrelation between agiven festival anda given city. communication skillsshown by theemployees ofcultural sector, aswell asthe drawn theportrait ofPolish festivals basedontheanalysis ofcompetencies and are peoplewith highereducation(87.8%) whohave graduated indifferent according to Małgorzata Sternal, Ph.D. Sincefestivals are already socommon sumption, the FESTIVALS

Who creates festivals? Outof248 surveyed respondents, 56.3% were Impact of Festivals on Polish Cities Polish on Festivals of Impact Impact offestivalsImpact onPolish cities,p. 149. 10 % Impact of Festivals on Polish Cities Polish on Festivals of Impact 20% 30% report hasbeendeveloped. 40% 238 43.7% 50% 56.3% 38 60 – - - % VARIA Above 60 years ofage POLISH CULTURE YEARBOOK Below 30 years ofage 2016 51–60 years ofage 41–50 years ofage 31–40 years ofage Basic vocational Basic Secondary education education education Higher

0% 0% AGE STRUCTURE OFORGANIZERS, N=248 4.67/5); 3.33/5); city promotion (significancescore by participants: 4.26/5; by organizers: financial benefits (significance score byparticipants: 3.62/5; by organizers: EDUCATION OFORGANIZERS, N=248 the opinionoforganizers, there are certain festivals thatgenerate strong relations withtheir cities.Otherfestivals integrate diverse communities by people to payatourist visitto thiscityandrelax from thehustle andbustle offering them participation in the preparatory stage. Furthermore, if a given cities, inwhichfestivals andother events organised by themtake place. In of urbanlife. Insuchcases,festivals serve asapretext for travelling. Be as brands andoften start beingexplicitly associated witheachother. The space. Due to strong relation with a given place, festivals and cities merge side the“human”dimension,festivals influencebroadly understood urban following positive aspects were mentionedinthereport: festival isorganized intheclose vicinityofagiven city, itmayencourage 0.8% Their actions, visions,plansandskillsexertTheir actions, ameasurable on impact 5% 11.4% 20% 8% 10% 40% 15% 14.7% 20% 19.3% 60% 25% 23.9% 239 80% 30% 87.8% 35% 100% 34 - % VARIA POLISH CULTURE YEARBOOK 2016

1.98/5); organizational challenges. competition inthefield of funds distribution (significance score bypartici festivalization (significancescore by participants: 2.1/5; by organizers: creating festive atmosphere. identity building; to changethelocationofagiven festival becauseitissostrongly associ is not unilateral. Sometimes, theneedfor organizing aspecific festival arises ing only: pants: 2.28/5; by organizers: 1.99/5); of thereport. of acultural event, whathasbeenparticularlyemphasized by theauthors ated witharelevant city. Soinmanycases, thecityalsoimpacts theshape from the needs reported by city inhabitants. In other cases, it is impossible The report drawbacks mentionedmuchless ofsuchrelations, includ It shouldalsobenoted that therelationship between acityandfestival Edited by: Katarzyna Zarzycka, TheNationalCentre for Culture, Poland 240 - - - VARIA POLISH CULTURE YEARBOOK 2016 The Question MarkresearchThe Question team carriedoutcomprehensive field studies Title: Audience studies show that visitors of exhibitions are not random people Authors: Mark Question Poland in Art 45% have travelled withaspecialpurposeofseeingtheexhibition. The with artconsumers and222observations. Theresults of these studies ena CONTEMPORARY to be the most important aspects. Another issue raised by the authors of this that covered exhibition 68 facilities ofvarious status (state exhibitions, local individual inits nature –thegroup viewing ofexhibitions israre. government exhibitions, exhibitions runby foundations andassociations, humanists. Young people(aged19–35) represent 61%ofallrespondents. As but persons genuinelyinterested inthisform ofart(89%).Most ofthemare bine two objectives: highattendance andhighqualityofexhibitions appear bled thecreation ofamultidimensionalportrait ofcontemporary artgalleries report istheabsence offinancialmeasures needed to implementoperations, private exhibitions) all over Poland. They included 561 structured interviews much as43% ofvisitors have travelled from adifferent town, outofwhich difficulties in drawing media attention and attracting schools to art galleries. observation of visitors shows thatcontact withcontemporary artisusually and theirvisitors ART GALLERIES One ofvarious challengesfaced by exhibition institutions ishow to com State of Visual Arts. Perception and Social Circulation of Contemporary Contemporary of Circulation Social and Perception Arts. Visual of State . . 241 - - VARIA POLISH CULTURE YEARBOOK 2016 VISITORS’ BEHAVIOUR 51% 53% information INFORMATION BOARDS IN THEEXHIBITIONAREA PRESENCE OFOTHER PEOPLE

Visitors whoread Visitors whoonly take Visitors whodo a quicklook not read information There are manypeople There are several Visitor isalone in theroom people intheroom 5% Edited by: Tomasz Kukołowicz, TheNationalCentre for Culture, Poland 12% 35% 42% 27% 18% SIGHTSEENG METHOD THE WORK TIME DEVOTED TO VIEWING

At least 3minutes Approx. 2minutes Approx. 1minute 11-30 seconds Less than10 seconds Other Visitor analysed some took aquicklookatothers works indetail, butonly 242 4% 19% N=222 20% 96% 17% VARIA POLISH CULTURE YEARBOOK 2016 17TH EDITION 17TH BEGINNINGS – 450 participants – was already record-breaking. Finally 78 pianists, who The International ChopinPianoCompetition isoneoftheoldest andmost 1927. Thejurywas composedexclusively ofPolish artists, withoneexception. who becamethelegends ofcontemporary pianomusic, including:Maurizio were taken by Russian (amongthemthewinner–)andPolish In 2015, theNationalInstitute ofFryderyk Chopinorganized the17th edi Pollini, Adam Harasiewicz, Fou Ts’Ong, ,MarthaArgerich, Merely 26pianists from 8countriesparticipated init.Placesonthepodium the only event of this kind all over the world. The first edition was organized in that time, itwas aninnovative idea.For manyyears, thecompetition remained tion oftheInternational ChopinPianoCompetition. However, thistime, it had to meet new expectations arising from dynamically changingsocial, harmonic –TheNationalOrchestra andChoirofPoland every 5years. pianists. The laureates of subsequent editions of this competition were artists prestigious Chopincompetitions intheworld. Theoriginator andinitiator of thecompetition was Jerzy Żurawlew, ateacher andpianist (1886–1980). At cultural andmediacircumstances. Thenumberofsubmitted applications and Witold Małcużyński. Thecompetition was organized intheWarsaw Phil PIANO COMPETITION INTERNATIONAL CHOPIN 243 - -

VARIA POLISH CULTURE YEARBOOK 2016 TRANSPARENCY ACCESSIBILITY The competition isrecognized as“themost transparent competition ofthe The 1st Prize andtheGoldenMedalwas awarded to Seong-JinCho(South The transmission from theInternational ChopinPianoCompetition was 15 days ofauditionswithin4stages ofthecompetition. Undertheguid 20th October). Thecalendarofthecompetition included7specialevents (Croatia), Szymon Nehring(Poland), Georgijs Osokins (Latvia) andAimi (3 Inaugural Concerts, performance of world” dueto thedecisionondisclosingscore awarded by thejuryin Milan. The audience figures in Polish radio reached the level of 96 mil National Audiovisual Institute, as well as during the EXPO trade show in Kobayashi (Japan). Dmitry Sziszkin (Russia), anddistinctionswere awarded to: Alyoša Jurinić Kate Liu(USA). Further, the4thplacewas taken by EricLu (USA), the5th Hamelin (Canada), the3rd Prize and the Bronze Medalwas awarded to Korea), the2ndPrize andtheSilver Medalwas awarded to CharlesRichard- transmission was madeavailable onthewebsites ofMedici.tv andthe by approx. 150,00 and800,000 viewers aday, respectively. The website lion listeners. TheTVbroadcasts inTVPKultura andTVP2were watched broadcast by Polish Radio channels,TVP2andKultura, aswell asin lows from thereport prepared by the Institute ofMediaMonitoring (IMM) mobile applicationandtheYouTube channelofthe Institute. Moreover, the place was taken by Yike Tony Yang (Canada), the6thplacewas taken by of thecompetition was visited over 13 milliontimes. every nookandcranny oftheworld through theChopinCompetition 2015 of thebest managedbrands inPoland”. on the highest quality art and sophistication, not just low costs” and “one of thecompetition is“thepremium event andpremium brand focused each individualcompetition stage, aswell asthefinalscoring. As it fol completed the selection stage, participated in the main auditions (3rd- and according to experts inbrand management,thepromotional campaign ance ofProfessor Katarzyna Popowa-Zydroń, thejuryselected 10 finalists. anniversary ofthedeathChopin, and3Laureate Concerts), aswell as Requiem by Mozart onthe166th 244 - - -

VARIA POLISH CULTURE YEARBOOK 2016 ABOUT THE NATIONAL THE ABOUT DISCUSSIONS INSTITUTE OF FRYDERYK CHOPIN OFFRYDERYK INSTITUTE HISTORY WORLDWIDE BIGGEST CHOPINCENTRE The NationalInstitute ofFryderyk Chopinisthebiggest Chopincentre in 1 minute oftransmission. Inthecontext ofevents related to music, classical Established in2001 by decision of the Polish parliament and directly su In 2015, theChopinCompetition was present insocialmediaonanunprece Only in October 2015, the materials related to the Chopin Competition and the world, whichfully andcomprehensively promotes, protects, explores ofsuchanenormousgroupthe activity ofpeoplewas describedas“revolution there were posted 12,000 comments onaverage, i.e. about40 comments per task for future generations oflisteners, performers andscientists fascinated in thisarea” inthe report prepared by theInstitute ofMediaMonitoring (IMM). by themusicandpersonality ofChopin. history ofthecomposer. They constitute arich,ambiguous andchallenging pervised by theMinister ofCulture andNationalHeritage, theInstitute has reached nearly 900,000 people. The total number of approximately 250,000 post ontheFacebook fan pagerunby theNationalInstitute ofFryderyk Chopin petition (asreported by theInstitute ofMediaMonitoring). Therecord-breaking publications onthecompetition reached almost 5billionpeople! ported by thePublicOpinionResearch Centre (CBOS), approximately 29% published onits YouTube channelwere seenby over 9millionusers. As re operations undertaken by the Institute correspond with the creativity and comments were posted ontheYouTube channel.Onlyduringonesession, ers. OnlyPolish users exchanged 70 millionpiecesofinformation onthecom dented theInternet scaleanditwas oflively thesubject us among discussions of users from 218 countrieswere recorded. According to Press Service, the of Poles followed this cultural event in media. On the YouTube channel, visits and disseminates thelegacy ofFryderyk Chopin.Theversatile anddiverse 245 - - - - - VARIA POLISH CULTURE YEARBOOK 2016 MUSEUM BOOKS, FACSIMILES ACTIVITY, SCIENTIFIC FESTIVAL ANDRECORDING SERIES – theSociety ofFryderyk Chopin). The NationalInstitute ofFryderyk ChopinrunstheFryderyk ChopinMuseum The publishing and scientific activitiesundertaken by the Chopin Institute All activities undertakenAll activities by theChopinInstitute are focused onmusicand which isofspecialimportance. DVD by seriesissued theInstitute, whichcontain recordings ofChopinmu Elysées andmanymore. Therefore, itpresents theworks ofChopininexcel Goerner, JanuszOlejniczak,PhilippeHerreweghe, Orchestre desChamps- Chopin Committee, post-war Fryderyk ChopinInstitute andsince1950s tion ofChopin-related memorabilia. Another branch of theMuseumis tional ChopinPianoCompetition since2010. Its subsequenteditionstake taken over care for thelegacy ofFryderyk Chopin,continuingthetradition important andmost renowned festivals inPoland, withfamous artists who izes theinternational festival “Chopin andHisEurope” –oneofthemost include theorganization ofinternational conferences andmusicological birthplace andparkofFryderyk ChopininŻelazowa Wola. lent performances andabundantcontexts. place every 5years. always participate init,includingMarthaArgerich, MariaJoãoPires, Nelson all initiatives are inspired by music. Each year, theChopinInstitute organ series ofscientificandpopularsciencebooks, as well asalarge-scale pro symposiums atleast onceayear, thepublicationofconstantly developed situated intheOstrogski Palace inWarsaw, whichstores thebiggest collec sic interpretations played onearlyandcontemporary musicinstruments. started already attheendof19th century (first by theMusicSociety, ject ofpublishingfacsimilesject ofallpreserved musicmanuscripts ofChopin, The festival concerts constitute thefoundation ofexceptional CDand TheNationalInstitute ofFryderyk Chopinhasorganized theInterna 246 ------

VARIA POLISH CULTURE YEARBOOK 2016 MODERN COMMUNICATION EDUCATION IMAGE PROTECTION “Young Talents” concerts. The ChopinInstitute reaches awideaudienceby exploiting thepotential The ChopinInstitute – educationalactivities carriesout multi-directional Day inŻelazowaDay Wola), lectures for adults ontheMuseum’s exhibitions and In response to the need for placing the nameandimage of Fryderyk Chopin to theinterpretation ofhisworks by thegreatest artists worldwide. in publicspaceandto strengthen positive connotations withthecomposer mission ofconcertsmission inHDquality, whichenablesallChopinlovers to listen pianists. We educate peopleby organising ChopinAcad museumlessons, marketing, culture, managementandChopinstudies. of socialmedia(YouTube, Facebook, Twitter). Italsoprovides onlinetrans emy, educationalandartistic events (suchastheInternational Children’s directed especiallyatchildren andadultpeople, aswell asyoung talented of theNameandImageFryderyk Chopin.Itiscomposedofexperts inlaw, and hisworks, theInstitute hasappointed theCommittee for theProtection 247 - -

6. SUPPLEMENT SUPPLEMENT POLISH CULTURE YEARBOOK 2016

education andresearch institutions andnon-governmental organizations. (such astheNationalLibrary ofPoland, museums)together withhigher tional Ossoliński Institute (the ) in Wrocław, cultural institutions institutes), Polonia Bureau oftheSenate oftheRepublic ofPoland, theNa Ministry ofForeign Affairs (diplomatic andconsularposts, Polish cultural a numberofinstitutions suchasGeneral Directorate ofNationalArchives, Abroad andWartime Losses relies mostly onthestrong cooperation with cultural heritage abroad carriedoutby DepartmentofCultural Heritage Western Europe, North Americaandother parts of theworld. GRANTS CULTURAL INHERITANCE FROMMANYGENERATIONS OFPOLISHEMI ,, and,partially, Latvia andMoldova; sovereign states bordering with the Republic of Poland such as , COMMONWEALTH HISTORICAL LEGACY OFTHEMULTICULTURAL POLISH–LITHUANIAN age abroad, namely: preservation and promotion of two inherent elements of Polish cultural herit of Culture andNationalHeritage isto develop aframework for theefficient the preservation ofcultural heritage abroad. Oneofthetasks oftheMinister of theforeign cultural strategy ofthePolish Government, partofwhichis together withits departments andassociated agencies,isto fulfill theaims The maincompetence of the Ministry ofCulture andNationalHeritage, – Ministry ofCulture andNationalHeritage Department ofCultural Heritage Abroad andWartime Losses ABROAD HERITAGE CULTURAL POLISH Implementation oftheMinistry projects onthepreservation ofPolish (predominantly politicalmigrants) created, collected orkept in where itstretched into territories now belongingto 250 - - - SUPPLEMENT POLISH CULTURE YEARBOOK 2016 3. 2. 1.

abroad. tions involved intheprotection andpreservation ofthePolish cultural legacy artefacts abroad, andmakingthemopento thepublic; archive documents, historical bookcollections, memorabilia ( sociated withPoland, suchasartandarchitecture work, museumcollections, divided into three categories: Department andthosesub-contracted) accomplishedin2016, they were conservation andrestoration. offers professional advicefor research conducting inarthistory andart achievements, aswell asplacesconnected withPoland. TheDepartment inventories andkeeping records ofpeopleassociated withPoland andtheir Heritage Abroad andWartime Losses isinitiatinginvestigations, making commemorate notable peopleandplacesconnected withPoland. and local governments representatives, the Department initiated projects to awarded withgrants were funded to thelevel of5414,278 PLN. process andcarryoutqualitychecks onperformed tasks. In2016 projects ies oftheprogramme inachieving set objectives, guidethemthrough the for grants inatender process. Thestaff isavailable to supportbeneficiar tives fall andactivities withinthescopeofprogramme are invited to bid of knowledge of Polish culture legacy. Therefore, organizations whose objec tion of Polish cultural heritage abroad, together with education and promotion aimed to fulfill its most important aim,whichisthepreservation andprotec tion ofits tasks. Theprogramme offers funding opportunities through grants of Culture and Natural Heritage, as a pivotal tool, enabling the implementa servation ofcultural heritage abroad” programme by issued theMinister gether withits Polish Cultural Heritage Abroad employs Section, “thePre- cooperation withthePolish emigration diaspora institutions andorganiza undertakings related to thepreservation andrestoration ofcultural heritage researching, listing anddocumentingartefacts thatare Polish –madeoras Due to thewide-ranging nature ofprojects (carried outboth by the Another significant objective fulfilled by theDepartmentof Cultural As aresult ofthecooperation between thePolish diplomaticposts staff The DepartmentofCultural Heritage Abroad andWartime Losses, to 251 polonica ) etc.; ------

SUPPLEMENT POLISH CULTURE YEARBOOK 2016 c) b) a) 1.

IN PUBLICANDPRIVATE ARCHIVES: IN ARCHIVES ANDMUSEUMLIBRARY CATALOGUES ABROAD: cultural heritage as: investigations into the particularsignificanceofsuch objects for Polish TURAL ARTEFACTS ANDTHOSECONNECTED WITHPOLAND CONDUCTING FIELDINVENTORIES: COMPREHENSIVE INVENTORYING ANDDOCUMENTINGOFPOLISHCUL

Kazakhstan; Russia, Argentina, Stopami Poláků včeském ( of the“Following thefootsteps ofPoles inCzech/Austrian ” the eastern parts oftheSecondRepublic ofPoland, at theLychakiv Cemetery inLviv, South Africa, New Zealand, Great Britain, Spiš Archive inLevoča; StateThe Berlin Library, Vatican Secret Archives, The NationalLibrary ofRussia inSaint-Petersburg, Saint-Petersburg Institute ofHistory oftheRussian Academy ofScience, National Historical Archives inMinsk, ofBelarus Woznicki NationalArtGallery, Stefanyk NationalScienceLibrary, continuation offunerary artworks inventorying inventorying ofPolish artefacts ( inventorying ofparks andgardens located within inventorying ofPolish graves intheParis region andAuvergne, France. rakouském polonica ) Slezsku project, ) withintheframework 252 based on - ACTIVITIES OF THE DEPARTMENT OF CULTURAL HERITAGE ABROAD

Uzbekistan Kyrgyzstan

Turkmenistan Tajikistan

China

Afghanistan Iran Pakistan

Nepal Bhutan POLISH CULTURE YEARBOOK POLISH CULTURE

Bangladesh

India Burma

Sri Lanka

Financing of preservation and restoration projects

SUPPLEMENT 253 ACTIVITIES OF THE DEPARTMENT OF CULTURAL HERITAGE ABROAD

Financing of preservation and restoration projects Finland Commemorating notable people or historical events Norway Museums abroad Sweden Promoting of research and Estonia popularizing knowledge on Polish cultural heritage abroad

Latvia Institutionalised support for Denmark Russia Polish expatriate organisations Lithuania and institutions

Belarus Great Ireland Britain Holland Poland Germany Belgium

Czechia Ukraine Slovakia Moldova Austria Hungary Switzerland Romania Croatia France Italy Bosnia and Herzegovina Serbia Bulgaria Uzbekistan Macedonia Georgia Kyrgyzstan Spain Azerbaijan Portugal Grecja Turkey Turkmenistan Tajikistan

Syria Lebanon Afghanistan Tunisia Iraq Marocco Algeria Iran Israel Pakistan Jordan

Libya Egypt Saudi Arabia

SUPPLEMENT 254 SUPPLEMENT 255 ACTIVITIES OF THE DEPARTMENT OF CULTURAL HERITAGE ABROAD

Canada

United States

Mexico

Kuba

Institutionalised support for Polish expatriate organisations and institutions

SUPPLEMENT 256 ACTIVITIES OF THE DEPARTMENT OF CULTURAL HERITAGE ABROAD

Brazil

Peru

Bolivia

Paraguay

Chile

Argentina Uruguay

Museums abroad

SUPPLEMENT 257 SUPPLEMENT POLISH CULTURE YEARBOOK 2016 a) 2.

OF PARTICULARLY VALUABLE BUILDINGSLISTED BELOW: FINANCING PRESERVATION, RESTORATION ANDRENOVATION PROJECTS ABLE TO WIDERAUDIENCE. THISINCLUDES: OF CULTURAL HERITAGE OBJECTS ABROAD ANDMAKINGTHEMAVAIL CO-FUNDING OFPROJECTS ASSOCIATED WITHTHEPRESERVATION INDIA

in Olyka, church inDubno, Parish church inBerezhany, church inRudky, church (post-Dominican) in Kamianets-Podilskyi, TheCollegiate Church the Jesuit Church in Lviv, St. Lawrence’s Church, Zhovkva, St. Nicholas thedral), TheArmenianCathedral, Franciscan St.Anthonychurch and UKRAINE at thecemetery inVişniovca, MOLDOVA LITHUANIA GEORGIA family atLes Champeaucemetery inMontmorency, of Branicki andPotocki families inMontrésor, tombstone oftheBabiński FRANCE CROATIA (), BELGIUM in Drohobych, tombstones attheMostyska cemetery. chapel-mausoleum atthemilitary cemetery inZboriv, Catholic cemetery Observatory oftheWarsaw University onthePipIvan mountain top, tuary inBilshivtsi, Mariansanctuary inBerdychiv, former Astronomical church inVyzhnyany, pipe organs intheZolochiv church, Mariansanc in Kuty, church in Lopatyn, thebellandtower ofthePomoriany church, church inKopychyntsi, church inBerezdivtsi, church inPidhaitsi, church of Sts. andGlebinGrodno, Boris measurements andresearch studies ofthe12thcentury Kalozha church belonging to Bridgettines in , documenting,photogrammetric church, cathedral inGrodno, preservation andrestoration ofdocuments BELARUS : Stefan Norblin’s murals inthemaharaja Bahadur’s palaceinMorvi, : furnishing oftheSt.Stanislas Church inDourges, burialvault : tombstone ofIgnacy Korwin-Milewski wRovinj, : the main altar of the St. Peter and St. Paul’s Church in , : Lychakiv Cemetery, The Archcathedral Basilica (Latin Ca : St.Barbara Church inVitebsk, themainaltar oftheVoupa : tombstone of Józef Wieniawski at the Ixelles cemetery : Polish cemetery inChișinău,cemetery inRaşcov, tombstone –Franciscan church in , 258 - - -

SUPPLEMENT POLISH CULTURE YEARBOOK 2016 c) b) d)

Examples: LEGACY ABROAD: PROMOTION OFRESEARCH ANDKNOWLEDGE ONTHEPOLISHCULTURAL MUSEUMS ABROAD: Examples: NECTED WITHPOLISHCULTURAL HERITAGE ABROAD: COMMEMORATION OFNOTABLE ORHISTORIC PERSONS EVENTS CON

F C

the launchof “Protection of Polish Cultural Legacy Abroad” pro assistance intheorganization ofarecurrent Polish-Ukrainian “TheDia cultural property abroad, ing to protection, preservation, andrestoration of Polish historic and and Wartime Losses. Itpresents information onrecent projects relat PAP portal dzieje.pl andDepartmentfor theCultural Heritage Abroad lishing materials created asaresult ofthecollaboration between the gramme (available at:http://dzieje.pl/ochrona-zabytkow/mapa) pub kiewicz inStawisko (Poland), in Kremenets (Ukraine) andtheMuseumofAnnaJarosław Iwasz logue ofTwo Cultures” conference intheMuseumofJuliuszSłowacki preservation,of collection the next phaseofwork –2017). Museum inLutsk (preliminary inventorying andtheappraisal ofalevel UKRAINE, LUTSK on theexhibition project (plannedmuseumlaunch–2017), cation for thefuture Witold Gombrowicz MuseuminVence, designworks Museum ofIgnacy Domeyko (themuseumisplannedto openin2017), of alisted granary –afuture locationoftheDioceseMuseuminGrodno, BELARUS, GRODNO LITHUANIA, VADAKTAI CZECH REPUBLIC, PRAGUE Ignacy Korwin-Milewski, CROATIA, ISLAND OF ST. CATHERINE, ROVINJ CROATIA, LOVRAN RANCE, VENCE HILE, LASERENA : preparations for restoration of Villa Alexandrine – a lo : preparation for theexhibition launchoftheDiocesan : theplaquecommemorating Stanisław Witkiewicz, : preparations for anexhibition launchfor thefuture : commencingpreservation andrestoration works : theplaquecommemorating HenrykSienkiewicz. : theplaquecommemorating Kazimierz Badeni, : the plaque commemorating 259 ------SUPPLEMENT POLISH CULTURE YEARBOOK 2016 3.

the Permanent Conference for Polish Museums,Archives andLibraries Abroad). museums, libraries, andarchives (especially those institutions associated with aswellactivities asprotection ofPolish cultural property abroad, thesupportof GANIZATIONS ANDINSTITUTIONS INSTITUTIONALISED SUPPORT ANDASSISTANCE TO POLISHEXPATRIATE OR

co-funding ofpublications: co-funding publishing thefollowing volumes of“History ofthereligious artinthe publishing of new volumes in the Department of Cultural Heritage Abroad collaboration onthe Polish-Lithuanian project “Stairs ofCzesław Miłosz” management andcoordination ofthelong-standing Polish-Lithuanian academic conferences andexhibitions inthe“Following thefootsteps release ofthe“Monuments ofthe old Lviv” ( – of Culture andNationalHeritage). for the“MemoryandFuture” Centre inWrocław (funded by theMinistry directed by Artur Jaworski, produced by theCultural Heritage Foundation – – – – Rzeczypospolite dawnej wschodnich lisher: Międzynarodowe CentrumKultury inKraków), ziemiach na sakralnej sztuki eastern territories oftheformer Republic ofPoland” ( of the“Poza Krajem” series, jke, bibliotekach w Polonika 2: Elżbieta Maruszak, Jacek Puchalski (2016), M. Kałamajska-Saeed,Vol.. K.He Informator, granicą. obcych za polskie księgozbiory „Contemporary Polish books abroad. collections Handbook” of the in Vilnius(launched2016), project “Zatrocze”, of Poles inCzech/Austrian Silesia”project,

go w Ameryce w go 1982 2000 1957–1975 „Lviv Annual” 2016, „Zbiory Instytutu Piłsudskiego wAmeryce” ( Jerzy Giedroyc, Witold Jedlicki,„Letters 1959–1982” ( Jerzy Giedroyc, Leszek Kołakowski, „Letters 1957–2000” ( Jerzy Giedroyc, JuliuszMieroszewski, „Letters 1957–1975” ( Grodno Cathedral Grodno

Ministry ofCulture andNationalHeritage „Poza Krajem” series: ), Vol.2. ), ed.Marek Kornat, ), ed.HenrykCitko, ), ed.Rafał Halbierski, Polonica in foreign libraries foreign in Polonica ) (inPolish-English version), (2016), preparation for publishingfurther volumes whoseremit includesacademicandcultural Pomniki dawnego Lwowa dawnego Pomniki . ed. Barbara Bieńkowska, Zbiory Instytutu Piłsudskie Instytutu Zbiory 260 Materiały do dziejów dziejów do Materiały

( Współczesne Współczesne Listy 1959– Listy Listy 1957– Listy ) (Pub Listy Listy ) film ) film - - - - SUPPLEMENT POLISH CULTURE YEARBOOK 2016

The Polish Institute ofArts &SciencesofAmerica (PIASA) (United States): Polish MuseumofAmerica inChicago(United States): Józef PiłsudskiInstitute ofAmerica(United States): Polish ofthe Orchard Mission Lake Schools(United States): The Polish Museum,Rapperswil (Switzerland): The Historical andLiterary Society /ThePolish Library inParis (France): – – – – – – – – – – – – – –

of America(PIASA) Phase1:digitalization collections. anddistribution of thePolish ArmyinFrance, seum collections, America of Institute Piłsudski edition ofanalbum), Józef the of Collections 1922, for the Commander-in-Chie laboration withtheMuseumofCityŁódź), works from the Polish Museum in Rapperswil collection” (in col in Rapperswil, whichisatriskoflosingits historic headquarters, in Paris), of Historic Memorials andPolish Graves (located atthePolish Library Gdańsk), ish Library inParis (incollaboration withtheNationalMuseumin artistic oftheHistorical collection andLiterary Society /thePol Academy ofLearning), ofthePolishlection Library inParis (incollaboration withthePolish emigrants, thesephotos constitute afragment oftheartistic col ofthePolishthe collections Library inParis, Digitalisation andpromotion ofthePolish Institute ofArts &Sciences production of acatalogue anddigitalization ofrecruitment archives photographing, digitalization andcataloguing ofobjects intheMu preservation of225posters oftheInterwar Period, ongoing digitalization of an archive unit no. 2, “The post of adjutant digitalization ofAleksandra Piłsudska’s collection, preservation ofletters ofacollection andpaintings, “The Legacy ofTwo Cultures. Conservation andPromotion ofart continuous monitoring ofthecurrent situation ofthePolish Museum organization ofarchives belongingto theSociety for theProtection preservation andrestoration ofgroups ofobjects belongingto the cataloguing anddigitalization of1,435 oldphotographs ofPolish digitalization andpopularizingofthemost noteworthy objects within f ” ( Adiutantura Naczelnego Wodza Naczelnego Adiutantura 261 (Polish-English ) 1919– ) - - - - -

SUPPLEMENT POLISH CULTURE YEARBOOK 2016 OTHER

Church andHospice ofSaint Stanislaus theMartyrinRome (Italy): Library ofthePolish SocialandCultural AssociationPOSKinLondon Polish Underground Movement Study Trust inLondon (Great Britain): Polish Institute andSikorski MuseuminLondon (Great Britain): Role oftheNationalOssolińskiInstitute Foundation for theprotection The Polish Institute ofArts andSciencesinCanada: Józef PiłsudskiInstitute inLondon (Great Britain): – – (Great Britain): – – – – – – of Polish cultural property abroad –

: emy ofLearning, 2016). academic seminarinMontreal (incollaboration withthePolish Acad Centre ofthePastoral Care for Poles Abroad inRome, countries, ing, preserving andpromoting Polish cultural legacy intheirhome meeting for themost important expatriate institutions for collect Polish Museums, Archives and Libraries Abroad (London), an annual Movement Study Trust, for Eugenia Maresch, the chairwoman of the Polish Underground coming from ofIPMSinLondon, audio-visual collections Republic ofPoland inexile (1939–1945), Ministry ofInformation andDocumentation oftheGovernment ofthe Lednicki, the Emigration Museum inGdynia,2016), America of archive ofthePolish collections Institute ofArts andSciencesof inventorying anddigitalization ofselected archive materials ofMain organization ofthe38th ofthePermanent session Conference for annual award of the Minister of Culture and National Heritage 2016 digitalization VIoftheCommander-in-Chief’s oftheSection Staff files, preservation anddigitalization ofthefilm creation ofdigital editionsofalbumscontaining negatives from the digitalization ofarchive –thePrometheist collections collection, digitalisation ofthePIASA archive ofWacław –collection collections „Gombrowicz Bewildered /Gombrowicz désemparé” –international

(PIASA), Phase1:Andrzej Bobkowski (incollaboration with Polish Army in in Army Polish 262 - -

SUPPLEMENT POLISH CULTURE YEARBOOK 2016 preserve them,aswell outside asmakingthemaccessible their Grudziński inNaples,undergo digitalization inorder to permanently of the Literary Institute “Culture”, or the Archive of Gustaw Herling transfers. Fully (organized) assembled suchasthose collections, whichallowslections, thedetection ofpotential thefts orcollection secondly, itprovides information about the actual state ofthe col sible databases, aswell asprinted catalogues andinventories, and in two ways. Firstly, itispreserved informs ofelectronic, acces ledge aboutPolish artefacts to accessible historians andresearchers The cataloguing ofPolish makes collections thisinvaluable know-

Projects undertaken by theNationalLibrary ofPoland for theprotection – of Polish cultural heritage abroad: – – – –

abroad, historical Polish inlibraries collections andarchive collections organization • organization • coordination • Library, which contains leftbehindinLviv. apartoftheOssolineumcollection housed theNationalOssolińskiInstitute untiltheWorld War II,and the Stefanyk National Science Library located in a building, which cultural legacy inLviv. Theseare conducted incollaboration with documentation of collections belonging to Polish institutions and restoration ofrooms inlisted buildings preservation ofLviv collections, academic research anddescription ofgathered collections, digitalization ofthehistorical intheStefanyk Ossolineumcollections Projects include: The NationalOssolińskiInstitute undertakes steps to preserve – beginning March 2017). (to bepresented invarious locations–United States andPoland Ameryce w ish diaspora inAmerica”( sary exhibition presenting theAssociation(2016), Writers Abroad inŁazienki Królewskie inWarsaw andanniver the most valuable Polish inItaly, bookcollections archive legacy ofProfessor Andrzej Litwornia, oneofthethree ) by theJózef PiłsudskiNationalHeritage Foundation

of of of

the the a project 70th

travelling anniversary Chicago Polonia.Wychodźstwo polskie polskie Polonia.Wychodźstwo Chicago to preserve

exhibition of the the

“Chicago complete Polish 263 Association

Polonia. library - -

Pol and of - -

SUPPLEMENT POLISH CULTURE YEARBOOK 2016 serving ascentres for academicandcultural life intheirrespective 1978. They store historical materials and museum objects, whilst for Polish Museums, Archives and Libraries Abroad, established in of theseorganizations are members ofthePermanent Conference Poland andthePolish nation,from medieval to moderntimes.Most tions receiving assistance gather invaluable historical resources for and (thelist isincluded intheattachment). Theseinstitu tries, onfour continents –Europe, NorthAmerica,SouthAmerica most important Polish institutions abroad, located in seven coun In recent years, supportwork was targeted atover twenty ofthe provided by specialists from theNationalLibrary. terms of organizing, storing, preserving, digitalizing of collections, is home institution. Valuable expert supportfor Polish institutions, in

ongoing assistance programme for Polish institutions fulfilled by the of theState Archives. General Directorate ofNationalArchives together withtheHeadOffice – – – – – manuscripts • searches • searches • ( as a part of “16th–18th century Polish artefacts in libraries of ” the Library ofBenedetto Croce Foundation), (project implemented by the National Library in collaboration with the repatriation procedure for Polish property abroad, tect anypotential Polish artefacts orwartime butalsoto losses, initiate cultural institutions allover theworld, opinion and experience exchange forum for representatives of Polish ums, Archives andLibraries Abroad, whichserves asanimportant searching for thePolish dispersed andlost(examples): collections registration ofPolish artefacts inRoman libraries andits publishing digitalization oftheArchive ofGustaw Herling GrudzińskiinNaples monitoring andsales ofauctions conducted by houses to auction de assistance provided to the Permanent Conference for Polish Muse Polonika XVI–XVIII wieku w bibliotekach rzymskich bibliotekach w wieku XVI–XVIII Polonika France, andPoland. Prints State oftheBerlin Library, Petersburg, in of collections Polish of the Nieśwież artefacts of the National collections in the Department Library in 264 libraries of ) series, Russia of of Historical in - - Belarus, Saint- - -

SUPPLEMENT POLISH CULTURE YEARBOOK 2016 Polish institutions collaborating of theState withHeadOffice Archives: of theState Archives cover: Current forms ofassistance provided to Polish centres by theHeadOffice with localcommunities. countries where they make history andculture ofPoland popular

support in collection digitalizing,support incollection orrecording themasmicroform images, The Polish Institute ofArts andSciencesof America, Polish ArmyVeterans’ AssociationinAmerica, Jozef PilsudskiInstitute ofAmerica, Centre for Documentation andResearch ofthePontificate ofJohn Paul The Pontifical Institute of Ecclesiastical Studies in Rome, Polish Catholic inEngland andWales, Mission Jozef PilsudskiInstitute inLondon, Polish Library POSKinLondon, Polish Underground Movement Study Trust inLondon, Polish Institute andSikorski Museum inLondon, Foundation Archivum Helveto-Polonicum inFribourg, Polish MuseuminRapperswil, Polish Catholic inSwitzerland, Mission Pallottines Centre for Dialogue inParis, “Culture” Literature Institute inMaisons-Laffitte, Polish Library inParis, Polish Catholic inFrance, Mission assistance insystematyzing archives andstorage spacesfor theircol promotion ofarchive resources belongingto Polish institutions through organizing internships innationalarchives inPoland for thePolish in preservation andproviding ofcollections expert advice, for example by help in recording and organizing archive collections using electronic II inRome, lections. respective institutions websites, line data onarchive resources oftheState onHeadOffice Archives and handbooks collection issuing andcatalogues, aswell aspublishingon- stitutions’ staff, preparing expert appraisal ofthepreservation level ofcollections, databases whichare utilized in nationalarchives inPoland, 265 - - SUPPLEMENT POLISH CULTURE YEARBOOK 2016 SELECTED PUBLICATIONS

tinue to preserve Poland and Ukraine’s common historical heritage historical fee4-4a83-ab57-3a7ce27174ca:JCR common Ukraine’s and Ukraine,ness October 2016 http://www.kijow.msz.gov.pl/resource/9976613c-Poland preserve to rocznicę tinue 1050. w Wschodzie na Narodowego kulturowe i Polski Dziedzictwa i Chrztu Rzeczypo duchowe Kultury dziedzictwo Wschodnich Ministerstwa Polskie Ziemiach działaniach w historycznych na spolitej kulturowego dzictwa www.repcyfr.pl/ Rzeczypospolitej dawnej umes inpreparation), selected volumes are available onthewebsite http:// dziedzictwem W. Walczak, K.Łopatecki (vol. 1-6, Białystok 2010-2012-2013, further vol wielokulturowym nad badań Stan Dorota Janiszewska-Jakubiak, Dorota Janiszewska-Jakubiak,

Polish MuseumandArchives inAustralia (Melbourne). Federation ofPolish AssociationsinNew SouthWales (Sydney), Polish (Brisbane), AssociationofQueensland Polish Catholic inArgentina, Mission Ignacy Domeyko Polish Library inArgentina, Polish MusicCentre, University ofSouthernCalifornia, The Polish MuseumofAmerica(Chicago), Archives ofthePolish oftheOrchard Mission Lake Schools, Authors: Dorota Janiszewska-Jakubiak, MichałMichalski,Krzysztof Berg , Warszawa 2016 http://adobe.ly/2ekzSA2 : Bilateral efforts con efforts Bilateral DIPLOMACY: CULTURAL Ochrona i rewaloryzacja polskiego dzie- polskiego rewaloryzacja i Ochrona 266 in:Busi , ed. , ed. , in: - - - -

SUPPLEMENT POLISH CULTURE YEARBOOK 2016 Polish Prosecution andthepolice Office force, as well aslawenforcement cultural property. Inrecent years, itestablished closecooperation withthe abroad. The Ministry utilizes a wide range of instruments to recover lost losses, as well as verifying the digitalized collections of public institutions stantly monitors theinternational artmarket, lookingfor thePolish wartime using the Internet tools, the Ministry of Culture and National Heritage con cording, searching andretrieving theartworks looted duringWorld War II.By repatriation cases,both inthecountryandabroad. and NationalHeritage. Itistheonlygovernmental institution responsible for of Cultural Heritage Abroad andWartime Losses oftheMinistry ofCulture 1951, iscontinuedby theWartime Losses withintheDepartment Section perty programme, whichcommencedafter theWorld War IIandceasedin and Church-owned collections. war are considered to bePolish wartime includingpublic, losses, private cultural artefacts from Polish territories lost after 1945 asaresult ofthe it doesnot reflect the magnitude of overall Currently, loss. allmovable only to themost important oftheSecondPolish collections Republic, but commonly quoted aftre thewar numberoflost artwork –516 000, relates of theWorld War II.Theexact amountisvery difficult to estimate. The Poland lost around 70% ofits physical cultural heritage works asaresult of theMinistry ofCulture andNationalHeritage Department ofCultural Heritage Abroad andWartime Losses PROPERTY OF CULTURAL REPATRIATION The overarching aimoftheWartime Losses iscontinuousre Section Government-led repatriation and documentation of lost cultural pro- 267 - - SUPPLEMENT POLISH CULTURE YEARBOOK 2016 WARTIME LOSSES DATABASE OFWARTIMEDOCUMENTING LOSSES and provided by theadministrator following creation ofahigh-level user ac catalogue oflost Polish moveable cultural property closerto completion. as every registered artefact bringsthetask ofcreating themost detailed tion falls within the Polish wartime loss category) has a significant meaning data related to alost item (for example, thatproves in ques thattheobject some records are not complete. However, eachpieceofeven incomplete and bibliography, archive sources andiconography suggestions. Indeed, ers andtheirdescendants, ofan object theobject’s history untilitwas lost, damages) is included. These cards contain also information about the own features (inventory numbers, signatures, inscriptions oreven distinctive all other evidence suchasmarks describing theobject, andcharacteristic resembles amuseum index card where, apartfrom basicdata aboutanitem, together withanindex card designfor eachcatalogued item. Suchacard logical were collections) generated for eachthemefollowing their advice, paintings, graphics, sculpture, militaria, furniture, goldsmitheryandarchaeo- discussions with art historians and archivists, separate categories (such as data inaconsistent format. Thisenableseasierinformation retrieval. After database necessary sinceitcansystematically store andorganize incoming research andcultural heritage protection centres andprivate individuals. it was fed withinformation onwartime suppliedby losses museums,regional repatriation procedure by theSection. each record itholdsprovides aframework for initiatingsearches andthe information onartefacts looted duringandafter thewar. Thisdatabase with War II. The main purpose of this initiative is the recording of all available tural property from Polish territories lost after 1945 asaresult ofWorld Abroad and Wartime Losses is the only Polish nationwide inventory of cul A digital wartime database losses oftheDepartmentCultural Heritage consular agencieshasbeenfrequently sought. Federal Bureau ofInvestigation (FBI).Also, theaidofPolish diplomaticand agencies abroad such as International Criminal Police Organization and the The sheervolume ofgathered data madethecreation ofacomputer The wartime losses register was created at the beginning of the 1990s and Access to thefull database runby theWartime Losses islimited Section 268 - - - -

SUPPLEMENT POLISH CULTURE YEARBOOK 2016 HERITAGE “ASSESSMENT OF POLISHWARTIME LOSSES” OFCULTURE MINISTER OFTHE PROGRAMME ANDNATIONAL collections. collections. persed, untilnow, documentation necessary for researching thehistory of and individuals,both inthecountryandabroad, aswell ascollatingalldis stock inorder to wartime identifyanypossible ofother losses institutions World War II.Anindirect objective oftheprogramme was to verify current fate of cultural heritage collections, and losses suffered because of the quality benchmarks applicableto the provenance research onthewartime research funds of1,150,000 PLN. ofPolishsessment wartime –was losses” introduced, whichaims to provide in 2016 aprogramme oftheMinister ofCulture andNationalHeritage –“As Due to theneedfor assistinginstitutions provenance conducting research, English equivalent www.lootedart.gov.pl tograph isshared inanonlinecatalogue www.dzielautracone.gov.pl and its sourcespossible oftheobject’s iconography, whilst 5,734 records withpho 14,750 records contain atleast onephotograph orinformation pointingto jects, for example, atable set, couldbeindexed underonecatalogue number. ber ofitems issomewhat higherbecause, previously, wholegroups ofob in additionto still uncovered losses. ditional new information relating to items already registered inthedatabase, artefacts. Anongoingsearch hasalsobeenconducted inorder to findad an opencatalogue whichisindicated by agrowing numberofregistered index ofcultural property lost asaresult oftheWorld War IIeither. Itremains only for research andinformation purposes.Thedatabase isnot acomplete gister defined by the Administrative Process Law andthedata is gathered all granted access. comparing lists andother oflosses institutions updatingitem records are law enforcement agents gathering intelligence, museumrepresentatives item. Researchers verifying index card contents andcreating new records, amateur enthusiasts, can submit their enquires or ask to check a particular count. Anyinterested individual,suchasarthistorians, antiquariansoreven The aimofthisprogramme isthe development ofgoodpractice and The wartime losses database holds currently 63,409 records. The num Nevertheless, itoughtto beemphasized thatthedatabase isnot are- 269 ------SUPPLEMENT POLISH CULTURE YEARBOOK 2016 REPATRIATION OFARTWORKS FORSEARCHING WARTIME LOSSES

the Wilanów Palace From Germany–a18th century Chinesecabinet andadesk–currently in 339 objects were returned to Poland: of all,prove theownership rights. the object’s provenance, describe thecircumstances of losing it,but,most basis ofgathered documentation, which oughtto unambiguouslyconfirm was found andits current legal status. Arestitution order onthe isissued appropriate course of action is determined by the place where the artefact principles, aswell asthelawofcountrywhere was theobject found. The Restitution procedures are conducted according to international Civil Law tabase inthenearfuture). Heritage database (it is planned to register further records in the ALR da Art Loss Register –4782 objects from theMinistry ofCulture andNational likely resurface attheinternational artmarket); War IIorstolen after thewar (amongthem,objects whichare thoughtto Interpol database: Stolen Works ofArt–737 objects looted duringtheWorld tion procedure. objects, and,inthecaseoffindingalost artwork, initiationofthe repatria on themarket. allow Allthoseactions verification of ever greater numberof proves invaluable as they share their knowledge on new artefacts appearing tion withmuseumrepresentatives, antiquarians,collectors, andenthusiasts verified since every dayyieldsfrom a few to adozen results. Thecoopera mutualart.com. Itisnot to possible estimate thenumberofobjects already with theuseofInternet portals suchas,for example, artprice.com or magnitude oftheinternational artmarket, its monitoring only ispossible ontheprocessimpact oftheverification ofanartwork’s origin.Due to the Internet catalogues and digitalization of museum collections has a positive for artworks lost andtaken outofPoland. Thegreater ofthe accessibility The everyday work oftheWartime Losses alsoentails Section searching Polish wartime losses are listed in the two biggest international databases: In 2016, asaresult ofMinistry ofCulture andNationalHeritage efforts, 270 - - - SUPPLEMENT POLISH CULTURE YEARBOOK 2016

many, France, Russia andtheUnited States. members, aswell asfrom travellers andresearchers. Ethnographic objects were donated by theMaritime and ColonialLeague of this assembly was made of two collections – African and South American. European undertaken collection, inphasesthe1930s. Thecentrepiece nography inŁódź, JanManugiewicz, initiated thedevelopment ofthenon- musical instruments. The director of The Museum of Archaeology and Eth ons, containers and Raffia woven goods, ceramics and gourds, as well as fragments ofbattledress, leatherwork, everyday useobjects, clothes, weap from Africa andSouthAmerica.Itincludesartworks (sculptures andmasks), Museum ofArchaeology andEthnography inŁódź From Germany, of 337 acollection ethnographic artefacts –currently inthe curved patterns, indicate theFrench originofthepiece. background. Gildedbands,hinges,anddoorpulls,shapedinornamental lacquer, adornedwithcolourful Oriental landscapespainted onthewhite rior andcontaining 15 drawers. Its surface iscovered withEuropean black ginning ofthe18th century, closedby two-paneldoors enclosingits inte are madeofgilded bronze. framing, intheshapeofflowering twigsthatenhanceedgesofthedesk, ers andaconcealedbox iscovered withred lacquer. Drawer fixtures and painted ingoldandred, resembling Chineseart.Theinterior with draw clad withblacklacquerproviding abackground for Eastern landscapes JME, confirmingthehighest quality standard. Theoutside surfaces are as well as the French furniture masters –ébénistes quality control stamp question hasamaster’s signature ontheedgeofsidepanelI.DUBOIS, most famous contain collections his furniture works. The writing desk in European lacquerandfinesse bronze-gilded mounts.Rococo-style The famous for producing furniture decorated withmarqueterie, Far East or Jacques Dubois (approx. 1693-1763). He became a master in 1742 and is writing flap, madeinapproximately 1745 in Paris by the French ébéniste In 2016, theMinistry conducted 49 restitution processes inPoland, Ger ofartefactsThe collection presents thelife andculture oftribalgroups The secondpieceoffurniture cabinet from isaChinese-style thebe The first pieceofthe furniture isa Rococo lady’s writingdeskwith 271 ------

SUPPLEMENT POLISH CULTURE YEARBOOK 2016 „LOST MUSEUM” PROJECT ARTSHERLOCK APPLICATION POPULARIZATION KNOWLEDGE from a spectacular multimedia performance, presented in an urban space, tion withtheSAR Marketing CommunicationAssociation.Itmostly takes the This isanongoingproject, whichhasstarted in2010, fulfilled incollabora niedokończona historia – Fischhorn treasures intheFischhorncastle –unfinished tale” ( Utracone um to theapplication,three objects have beenpositively verified. was inPoland, theninGreat Britain, Germany, andtheUnited States. Thanks installed on mobiledevices in11 countries.Thebiggest numberofdownloads es, on the Polish diplomatic missions’ websites. The application has been with theexpert supportfrom theMinistry ofCulture andNationalHeritage. Foundation, financed by theKronenberg Foundation of CitiHandlowy, conducted wartime looted artwork. Culture andNationalHeritage. Thisisthefirst tool ofits kind to identify electronic database of Polish wartime provided losses by theMinistry of recognition ofpaintingslooted from Poland duringWorld War II.Itusesan tion started in2016 –ArtSherlock.Thisfree applicationenablesautomatic An important tool aidingthe search for lost artworks isamobileapplica for MuseumsandPublicCollections. sions onprovenance research incollaboration withtheNationalInstitute in New York conferences), andBerlin together withrunningtraining ses stafftion oftheSection ininternational conferences (in2016 they took part the same time, enablesmore effective restitution. aims of the Wartime Losses Section, which raises social awareness, and, at The popularizationofknowledge onartworks lost from Poland is oneofthe http://artsherlock.pl Links with banners for the free download were placed, among other plac The ArtSherlockapplicationisanoriginalproject oftheCommuniHereditate The objective ofknowledge popularizationentails anactive participa Other significant promotion works include the “Lost Museum” ( ) project andthe continuationofanopen-airexhibition “Polish ). Polskie skarby na zamku zamku na skarby Polskie 272 Muze ------SUPPLEMENT POLISH CULTURE YEARBOOK 2016 IN THE FISCHHORN CASTLEIN THE –UNFINISHEDTALE POLISHTREASURESOPEN-AIR EXHIBITION depict imagesoftheartworkdepict transported to Salzburg, whichisstill missing. were to invoke localcommunityrecollections oftheWorld War IIandto artefacts thathave beensuccessfully recovered. Theaimsoftheproject of lost art works, still searched for by the Polish government, aswell as Warsaw andtransported to Fischhorncastle inAustria. Itexplored cases wicz. Theexhibition presented thefate ofPolish artworks removed from The Lost Museumfilm onthe Polish treasures guardianBohdan Urbano – opening andclosingofthisexhibition were accompaniedby ascreening of 2015 to April2016, consecutively inZell amSee, Leogang andSalzburg. The and thefederal state government ofSalzburg, was ondisplayfrom October The exhibition, prepared incollaboration withthePolish Embassy inVienna and culture institutions). an audienceofover 250,000 spectators (data collated from museums,cities during World War 374 II”encompassed confirmedscreenings in Poland and Heritage database. display from among these registered in the Ministry of Culture and National the Wartime Losses isresponsible Section for whichartworks selecting to seum Night.Every year, amainthemefor theperformance ischosen,and eral citiesatonce (inWarsaw, Kraków, Gdańsk,Poznań andothers) onMu of surrounding buildings.Thepremiere takes placesimultaneously insev which isaccompaniedby large-format visualizationsdisplayed onthewalls http://muzeumutracone.pl In 2016, the 7th edition of the “Crazy fortunes of the Matejko paintings Authors: Jolanta Miśkowiec, Agata Modzolewska 273 - - - SUPPLEMENT POLISH CULTURE YEARBOOK 2016 SELECTED PUBLICATIONS

Battle for cultural artefacts. Warsaw 1939–1945 Warsaw [Ed.], Vol. 2,Warszawa 1970. artefacts. cultural for Battle Magazine ofthe University ofGöttingen, 8, Issue 2001. ments in the Ethnographic Collection Ethnographic the in ments Kolonialna i Morska Liga a Łodzi w 83, 1999, pp. 109–131, p. 123. Etnograficznego Muzeum ( Łódź andtheMaritimeColonialLeague” prawna ochrona i straty jego Polski, kultury zictwo Herrmann B., Styczyńska A., “Non-European oftheEthnographic collection Museumin A., Styczyńska Pruszyński J., “Polish culture heritage, its andlegal losses protection” Furthering German-Polish Reconciliation. The Łódź Docu Łódź The Reconciliation. German-Polish Furthering ; [in:]Georgia Augusta. Research Zbiór pozaeuropejski Miejskiego Miejskiego pozaeuropejski Zbiór , Collective work. S. Lorentz ), Vol. 1-2, Kraków 2001. 274 ), [in:] Lud

( Dzied , Vol. - - SUPPLEMENT POLISH CULTURE YEARBOOK 2016

well aspromoting theknowledge ofthem, for theprotection ofwar memorialsandpermanent commemorations, as collaboration withPolish expatriate organizations andcommunitiesabroad and permanentcommemorations, assistance provided to other institutions for protection ofwar memorials war memorials andassociated facts, events andpersons, development ofnew, permanentcommemoration sites includingnational facts, events andpersons abroad, protection ofnationalmemorialsites andpermanentcommemorations of national memorials,includinggraves andcemeteries abroad, fulfilment of obligations resulting from international agreements relating to Abroad hasbeentasked Section, with: ritage Abroad andWartime Losses andits newly created NationalMemorials and NationalHeritage. WithintheMinistry, theDepartmentofCultural He- and cemeteries abroad were transferred directly to theMinister ofCulture of international agreements andprotection ofwar memorialsandgraves Martyrdom Sites on1st June2016, its responsibilities relating to fulfillment Heritage Protection. buffer zones are theresponsibility oftheMinister ofCulture andNational zm późn. z memorials, graves andwar cemeteries, Holocaust memorialsandtheir 812, poz. r., 2015 z Dz.U. ber 1997 ( According to Art.14. oftheGovernment Administration Act of4thSeptem Ministry ofCulture andNationalHeritage the of Department for theCultural Heritage Abroad andWartime ABROAD MEMORIALS POLISH Due to oftheCouncilfor thedissolution theProtection ofStruggle and Ustawa z dnia 4 września 1997 r. o działach administracji rządowej. rządowej. administracji działach o r. 1997 września 4 dnia z Ustawa .), anymatter relating to nationalwar 275 - SUPPLEMENT POLISH CULTURE YEARBOOK 2016 2. 1.

SITES), INCLUDE: THE COUNCILFOR THEPROTECTION OFSTRUGGLE AND MARTYRDOM OF THEM ARE CONTINUATIONS OF PROJECTS COMMENCED IN 2016 BY MENT OFCULTURAL HERITAGE ABROAD ANDWARTIME LOSSES (SOME 2016 BY THENATIONAL MEMORIALS ABROAD SECTION INTHEDEPART QUARTERS OF2016: TECTION OFSTRUGGLE ANDMARTYRDOM SITES INTHEFIRST TWO tives isshown onthemap. opened in2016 for thetasks scheduledfor 2017). Heritage, “NationalMemorialsAbroad” thefirst recruitment process was Management ofthenew programme oftheMinister ofCulture andNational TASKS AND PROJECTS IMPLEMENTEDINTHELAST TWO QUARTERS OF TASKS ANDPROJECTS IMPLEMENTEDBY THECOUNCILFOR THEPRO

renovation work ofthePolish military tombs ofthe2ndRifleDivision renovation work ofthemonumentWojciech Halczyn–aPolish agra- hydrophobization ofallstone elements atthePolish Cemetery atMonte co-financing, together withthe Polish Embassy inVienna,ofthe71st renovation work oftheKatyn war cemetery (Russia) –itincluded,for reinforcement oftheescarpmentaround theeaglerelief andreplanting epitaph plaquesandhydrophobization ofthestone elements. tombs, aligningandsmoothing ofthecemetery alleys, cleaningofthe (Switzerland).in Berno Theworks included:levelling andcleaningofall rian andindependenceactivist–inLendak (Slovakia), pathian RifleDivisionmonumentonHill 593 ofMonte (Italy),Cassino ofthecommemorativere-carving plaquesinscriptions ofthe3rd Car Cassino: tombs, crosses, stairs and the central square, cleaning and tration camps,12th–17th May2016 (Austria), anniversary oftheliberation concen ofKLMauthausenandGusen The locationofprojects undertaken in2016 implementingabove objec walls, re-layingoftheroad surfaces andcleaningofthealtar wall, example, cleaningoftheepitaph plaques,reinforcing ofthe retaining for theThird Carpathian RifleDivisiononHill 593, Monte (Italy),Cassino re-carving of the commemorative plaque inscriptions on the monument the greenery at the Polish Cemetery on Monte Cassino, cleaning and 276 - - - - - SUPPLEMENT POLISH CULTURE YEARBOOK 2016

preservation works oftheWojciech Bartosz Głowacki monument inthe preservation works of the Teofila and Marek Sobieski’s ( and preservation works oftheGeneral Józef Dwernicki tombstone atthe preservation works to theJulianOrdon monumentattheLychakiv Ce- renovation work oftheChernivtsi church crypt (Ukraine) –theresting renovation work ofthe1920 war cemetery inDytiatyn(Ukraine) –itin renovation work ofthewar cemetery andthemausoleuminZboriv creation ofacommemoration onthetomb oftheSoviet ofvictims NKVD crevices inthestone withasiliconefiller, monument author’s andcreator’s signatures andfilling in cracks and of thegreenery covering ofthe theplinthofmonument,re-carving Lychakiv St.Park inLviv (Ukraine) – it included,for example: removal and fillingin gaps withepoxy resin, patches onthepilasters andthetombstone facades, aswell as grouting of the architectural backdrop for the tombstones, repairing of erosion (Ukraine) –itincluded,for example: exchanging andrepairing elements church, currently St. Jozafat , in Zhovkva brother ofKingJan III Sobieski)tombstones in the post-Dominican the archival photos, plinth with zinc castings andthe reconstruction of the fencing basedon commemoration andtheinscription plaque, supportingthemonument Lopatyn cemetery (Ukraine) –itincluded,for example: cleaningofthe fungal impregnations ofthemonument andnecessary restoration works, ment plinthwithreinforcement rods, cleaningofthecommemoration, anti- metery inLviv (Ukraine) –itincluded,for example: supportingthemonu furnishings andexhibition cabinets inthecrypt, elements ofthecrypt, as well assupplyingandinstalling theinterior floor, preservation and restoration works and repairs of the construction works for anew concrete floorinthecrypt, together withthelayingof Carpathian Mountains in1915. Theworks included,for example: ground place of the Second Brigade of the Polish Legion which perished in the metal elements to thefence, of the eagle emblem on the gate, repairing of the fencing, and attaching cluded, for example: supplyingandfixingofatwo-panelmetal gate, fixing fitting the tomb crosses, cemetery, reconstructing oftombs andembankments, measuringand (Ukraine) –itincluded,for example: ground andcleaningworks atthe and GermansinVolodymyr-Volynsky (Ukraine), 277 - - -

Objectives and projects fulfilled in 2016

Finland

Norway

Sweden Estonia

Latvia Denmark Russia Lithuania

Belarus Great Ireland Britain Holland Poland Germany Belgium

Czechia Ukraine Kazakhstan Slovakia Moldova Austria Hungary Switzerland Romania Croatia France Italy Bosnia and Herzegovina Serbia Bulgaria Uzbekistan Macedonia Georgia Kyrgyzstan Spain Armenia Azerbaijan Portugal Grecja Turkey Turkmenistan Tajikistan

Syria Lebanon Afghanistan Tunisia Iraq Marocco Algeria Iran Israel Pakistan Jordan

Libya Egypt Saudi Arabia

SUPPLEMENT 278 SUPPLEMENT 279 SUPPLEMENT POLISH CULTURE YEARBOOK 2016

protection ofthePolish war cemeteries (grounds keeping, makingthem renovation ofthetombstones ofPolish Armysoldiers whodiedin1920 renovation ofthePolish cemetery Anzali(Iran) inBandar-e –itincluded, – – – – – – – toaccessible thepublic): around thegraves, stones, oftheepitaph inscriptions re-carving andcleaningoftheland included, for example: repair of the damaged elements of the tomb and were buriedatthePuszkińska St.Cemetery inBrest –it (Belarus) oftheepitaph inscriptions,and re-carving with new flagstones, repair of the damaged elements of the tombstones for example: paintingofthegraveyard fencing, layingthecentral square Zadwórze –Ukraine, Insurgents’ Hill( 4 Polish war cemeteries inKazakhstan. 17 Polish war cemeteries inUzbekistanie, Jalal-Abad –Kyrgyzstan, e-AnzaliDulab andBandar –Iran, –Liban, Beirut Cemetery oftheDefenders ofLwów (Cemetery ofEaglets) andthe Monte Cassino, Loreto, Bologna–Italy, Górka Powstańcza Górka ) intheLviv Lychakiv Cemetery, Author: MaciejDancewicz 280 - SUPPLEMENT POLISH CULTURE YEARBOOK 2016 SELECTED PUBLICATIONS

30th March 2012. Government oftheItalian Republic onWar BurialSites, signedinRome on The agreement between theGovernment oftheRepublic ofPoland andthe January 1995. Memorial Sites for War andRepression executed Victims, inBrest on21st the Government oftheRepublic ofPoland ontheProtection ofBurialand The agreement between theGovernment oftheRepublic and ofBelarus and Political Repression executed Victims, inWarsaw on21st March 1994. Government ofUkraine ontheProtection ofMemorialandBurialSites for War The agreement between theGovernment oftheRepublic ofPoland andthe and Repression executed Victims, inKraków on22ndFebruary 1994. Government oftheRussian Federation onBurialandMemorialSites for War The agreement between theGovernment oftheRepublic ofPoland andthe in ArmiestheField,adopted on27thJuly1929. Convention for the Amelioration of the Condition of the Wounded and Sick The Act of28thMarch 1933 onBurialSites andWar MemorialCemeteries. against thePolish Nation. of NationalRemembrance for –Commission theProsecution ofCrimes The Act of29thApril2016 ontheAmendmentofAct ontheTheInstitute 281 Polish Culture Yearbook 2016 © National Centre for Culture, Poland, Warsaw 2016

EDITORIAL STAFF

Editor-in-chief: Tomasz Kukołowicz, PhD Executive editor: Katarzyna Zarzycka Editing and proofreading in Polish: Iwona Hardej Editorial supervision: Kamila Rogowska-Śwircz English translation: Klaudia Brejecka-Włodarczyk Proofreading: Magdalena Myślińska, Naomi Soboń

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The National Centre for Culture, Poland is a state institution acting for the development of culture in Poland.