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THE MIRROR Newspaper of the International Dzogchen Community Seot/Oct 2006 • Issue No

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THE MIRROR Newspaper of the International Dzogchen Community Seot/Oct 2006 • Issue No THE MIRROR Newspaper of the International Dzogchen Community Seot/Oct 2006 • Issue No. 82 Teachings in Barcelona, Spain with Chögyal Namkhai Norbu photo by Romain Piro “IT’S NOT EASY TO BE LIKE Community groups such as ASIA, the Shang mandala. In preparation for the Guru Yoga all of which were led by older students. The MILAREPA, TODAY”… Shung Institute, The Mirror and the various empowerment he gave at the end of the ses- two-hour teaching sessions were transmitted LONGSAL ATI’I GONGPA NGOTROD publishing houses were able to present a col- sion, he emphasized that one should consider around the world by closed video and audio RETREAT orful array of initiatives, materials and publi- the master as a realized being in order to have webcast by the hard-working webcast team. WITH CHÖGYAL NAMKHAI NORBU cations by the Master. a high level of realization. The retreat was rich with special and unique BARCELONA This year the Teaching was entitled, “Longsal During another teaching session the Master moments. One of them was on the penultimate OCTOBER 26-30, 2006 Ati’i Gongpa Ngotrod”, the Upadesha of also gave a clear concise explanation of the day of the retreat during the afternoon Introduction to the State of Ati, which belongs Song of the Vajra which is so essential to Ganapuja, when Pamo and Pawo Dancers by Liz Granger to Chögyal Namkhai Norbu’s Longsal Cycle Dzogchen practice, adding that it is a power- stepped onto the Mandalas in the hall to per- of teachings. The dreams through which this ful mantra which can give a cause for libera- form the Dance of the Song of the Vajra. This nce again the Spanish city of upadesha was discovered are linked to tion simply through hearing it. In fact, was followed by a moving presentation by Barcelona, home to the painter Picasso Vairocana, to Rinpoche’s Root Guru, Rigdzin throughout the entire retreat Chögyal ASIA of their precious work in Tibet to pre- and the setting for the unique works of Changchub Dorje, and to his uncle, Khyentse Namkhai Norbu combined essential instruc- serve language and culture through distance O Rinpoche Chökyi Wangchug. tions on the Four Contemplations of Semde sponsorship and education and health projects the visionary architect Gaudi, became the ven- ue for a five-day retreat with Master Chögyal During the first introductory teaching session and the fundamental aspects of khatag and and finally by the lively ‘traditional’ lottery Namkhai Norbu. The city with its sandy palm- Chögyal Namkhai Norbu spoke at length and lhundrub, more familiar to longer-standing managed by Rinpoche and full of wonderful lined beaches and unique skyline combining in detail about his meeting with his Root students, with practical instructions and expla- personal prizes from the Master himself. dynamic modernism with the romantic tradi- Master and the significance of their relation- nations on more basic practices for those who The retreat was meticulously planned and tional welcomed more than 750 participants ship. He said that after meeting Changchub were newer to the teaching. He also gave organized by the Spanish Community whose from Spain and other parts of the world to par- Dorje he finally understood the real sense of many fascinating and, at times, humorous hard work on every level enabled the many ticipate in the Master’s Teaching Retreat from all the teachings he had received previously examples of historical figures and moments in participants to enjoy the retreat to the fullest. October 26-30. and the real value of the master and the teach- Buddhist history as well as much practical It was the last in a series of retreats in Europe As last year, the event was held at the spacious ing. advice. His instructions were, as ever, sharp, this summer/autumn before Rinpoche leaves La Mar Bella sports complex on the well- On the second day of teachings, Rinpoche down-to-earth and direct. on his teaching tour of South America and was groomed seaside boulevard. The venue explained the way in which Guru Yoga is the In addition to the Master’s morning teaching crowded with Rinpoche’s European students offered ample space for seating the numerous main practice in Dzogchen and the impor- sessions, there was a full range of activities eager to receive teachings before his depar- participants comfortably with plenty left over tance of the Master as the source of the teach- offered from early morning until evening ture. Once again, heartfelt thanks to the to easily house no less than seven Vajra Dance ings. He gave the example of Yeshe Tsogyal which included Yantra Yoga practice and Master, for transmitting his most precious Mandalas at the back of the hall. In a side hall, who, when Guru Padmasambhava manifested explanations for beginners, Vajra Dance prac- teaching to us with so much patience and place had been made for an extensive display the Vajrakilaya mandala, prostrated before tice and a course of the Three Vajras Dance as compassion. area where international Dzogchen him, the source of the teaching, rather than the well as explanations of some of the practices CONTENTS page 2 page 4 pages 10 & 11 page 20 Teaching/ Chögyal Interview with ASIA report on Tsunami How I Met Namkhai Norbu His Holiness the aide to Sri Lanka Chögyal LONGSAL Dalai Lama by Namkhai DZOGCHEN Raimondo Bultrini Norbu by NAMKHAI GYALPO Flavia Tomassini Chögyal Namkhai Norbu ood day everybody! This is the Buddha, etc. Buddha was the last day of this retreat, so saying that if someone accu- GI will continue to explain mulates merits all his life or is Guruyoga and the Namkhai Gyalpo in a state of contemplation for teaching. In the Dzogchen teaching having realization for a short we refer to the base, the path and the time, that short time in con- fruit. Many explanations of templation is still much more Dzogchen are often explained with important. You see how the principle of the path, therefore important it is that we are in a we say dawa, gompa, chodpa and state of Guruyoga for purifica- drebu. Dawa, gompa, chodpa and tion. In the same way, when drebu mean the point of view, appli- all our sound, light and rays cation, attitude, and the considera- dissolve and we recognize tion of the fruit. So today we will that, in that moment we unify consider the aspect of the fruit. in the state of the mother and son wisdom. Immediately, we DREBU - THE FRUIT can cancel all our negative We apply methods and at the same karmas and achieve the mani- time we obtain more concrete fruit festation of total realization of in Sutra teaching and in many of the Sambhogakaya. So you see Lower Tantras. In that way we go how important it is. ahead. For example, in the Sutra In principle in the Dzogchen teaching we say lamgna, or the five teaching, we must under- paths. We start with tsoglam, which stand that Dharmakaya, photo by Romain Piro is the accumulation of merits. This Sambhogakaya, has different levels. Then there is Nirmanakaya, Rupakaya or jorlam. Jorlam means a kind of Dharmakaya, whichever is application and also has different LONGSAL DZOGCHEN explained or considered, is the levels. Then there is thonglam, fruit. In the real sense, that fruit is which means we have concrete NAMKHAI GYALPO since the beginning perfected in knowledge and understanding. Then our condition. It is not something there is gomlam, which means the AUGUST 15, 2006 that we develop or manifest from path of application and meditation. something we have constructed. At the end there is milob lam, some- For that reason we say it is impor- thing similar to what in Mahamudra tant that we have that knowledge is called gommed, and has a more or sometimes explained using two that we are in a state of contempla- dead until your mind wakes up is and we are in that state. less similar sense; but after that we kayas, Rupakaya and Dharmakaya. tion and are doing practice in a more called the Bardo of Dharmata. If go ahead to the first bhumi, the sec- Dharmakaya, Sambhogakaya and elevated state. The accumulation of you have the knowledge of the THREE WISDOMS/KAYAS IN ond bhumi, etc. There are a series of Nirmanakaya are the three kayas. merit means that we perform many teaching, experiences, and have OUR BASE bhumis. So this is the system of We have three kayas instead of two good actions and produce merit. In done some practice in your lifetime, The kayas and the real condition in Sutra applied with such realization. because we then have the considera- the Sutra it says in order to have at that moment, your primordial our base are the three primordial Sutric practitioners go ahead gradu- tion of the pure and impure dimen- Nirmanakaya or Rupakaya manifes- potentiality is manifesting in its wisdoms: essence, nature and ener- ally, one by one. sion. What manifests in the pure tations, we must accumulate these naked form. Sound, light and rays gy. The essence is emptiness, nature In Tantrism, there are similar sys- dimension is called Sambhogakaya. two accumulations [merit and wis- all manifest. You have received is clarity and energy is without tems and although these systems are dom]. In Tantrism, though, it is a lit- transmission in your lifetime, like interruption. The teacher introduces NIRMANAKAYA not completely similar, there are tle different. In Tantrism when we Shitro, of the peaceful and wrathful that to you and when you have that four Rigdzins, etc. There are many Nirmanakaya is the manifestation in apply and enter into transformation, manifestations.
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