DOCSLIB.ORG

ANNIVERSARY ISSUE the Beauty of Inclusion

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ANNIVERSARY ISSUE the Beauty of Inclusion MAGAZINE ISSUE 7 MAR/APR 2019 EFEMAGAZINE.COM The Beauty ANNIVERSARY ISSUE of Inclusion CONTRIBUTORS BY ARTISTS, FOR ARTISTS Janice Ronan Fashion Michael Zeineddine Nicole Trotter Hair Stylist Writer D'antal Sampson Writer/Sales Shannon Alvares Wioletta Suska Makeup Artist Photographer Liz Castro Esthetician Efe Magazine is published 6 times a year. All rights reserved. No part of this publication may be reproduced without written permission from the publisher. The publisher assumes no responsibility for the contents of any advertisement and any and all representations or warranties made in such advertising are those of the advertiser not the publisher. The publisher is not liable to any advertiser for any misprints in the advertising not the fault of the publisher and in such an event the limit of the of the publisher’s liability shall not exceed the amount of the publisher’s charge for advertising. Efe Magazine accepts no responsibility for unsolicited materials, but will be reviewed for editorial consideration. These submissions may be used by Efe Magazine and their affiliates in any medium without the consent of or payment to the submitting party. Published by Efe Magazine. Printed in Canada. E-mail: [email protected] Design and Production by: thevitalgroup // thevitalgroup.ca // Patrick Huffman: 416.882.2428 EFE MAGAZINE ISSUE 7 • MAR/APR 2019 FEATURES The Barbershop 12 History of Barbering Toronto Fashion Week 14 A closer look at four hot designers from TFW DJ Gio 48 Interview with Deejay Gio Designer Spotlight 50 Menswear and womenswear designer, Shelli Oh Pixie Perfect 52 Haircuts by Courtney Bond COLUMNS What the Health? 8 Talking about Mental Health Powerful Woman 20 Interview with Marianne Medeiros Choosing the Right Foundation 22 Makeup with Shannon Did You Know? 24 Three hair textures, one head R.E.S.P.E.C.T. 46 Industry notes from Michael Zeneddine PARTNERS #CanRad #CanRad #CanRad CanRad Beauty is a fourth generation family owned and#CanRad operatedcanrad.com Canadian company, distributing hair carekingdombeauty.com maritimebeauty.com 1.800.268.1905products to the professional beauty industry. 1.800.738.8666#CanRad 1.800.656.7721 STORE LOCATIONS: HEAD OFFICE: #CanRad CanRad Beauty CanRad Beauty 125 Norfinch Dr. 61 King St., Unit 14 1767 Carling Ave. Toronto, ON, M3N 1W8 Barrie, ON Ottawa, ON Store Hours: 8:30- 4:30 M-Thur 705-737-4445 613-723-7850 Store Hours: 8:30- 4:30 M-F Store Hours: 8:30- 4:30 M-F 8:00- 4:00 F BARRIE OTTAWA Tel: 416-663-7373 CanRad Beauty CanRad Beauty Toll Free: 1-800-268-1905 515 Wellington Rd., Unit #3 72 Simcoe St. North London, ON Oshawa, ON Fax: 416-663-7450 519-668-2124 905-728-9958 Toll Free Fax: 1-800-268-6882 Store Hours: 8:30- 4:30 M-F Store Hours: 8:30-4:30 M-F OSHAWA [email protected] LONDON THANK YOU TO OUR CanRad Beauty 1717 Dublin Ave., Unit 3, pearlon.com Winnipeg, Manitoba VALUED PARTNERS! radiantbeautysupplies.com 204-942-3395 1.800.334.6270 Store Hours: 8:30- 4:30 M-F 905.318.4051 WINNIPEG www.canrad.com • Phone: 416-663-7373Interested • 1-800-268-1905 in being part of Efe F l ow us Magazine? We would love to partner with you! Contact us Visit www.maritimebeauty.com for more information. for more information: @canradbeauty [email protected] T or 937 onto nce 1 Barber and Beauty Supply Si tbbs.ca thewarehousebeauty.com 416.787.1211 1.800.334.6270 trubeauty.ca venusbeauty.com windsorbeautysupply.com 1.844.TRU.BEAUTY 1.800.465.7965 1.800265.9530 6 MAGAZINE MAR/APR 2019 LETTER FROM EDITOR Humble Beginnings Oh my gosh, Efe Magazine is one year old! I am often asked the question "what's next?" and I understand as a creative and entrepreneur, I am often thinking about what else can be done. But for the first time in a long time, I'd like to be still and take the time to perfect all that I have created. Often times we are so busy with the "what's next” that we forget to enjoy the "what is." I am a single mother. My son who is now 22, is about to graduate from Queen's university and I couldn't be more proud. He is the kindest person I know. He is my inspiration, my best friend and my reason.... I never let being a single mom define me. I never used it as a crutch to limit my potential. But most importantly I never allowed it, or the stereotypes that it came with defeat me. I was raising a little person to whom I was everything. In his eyes, I could do, be or solve anything... And even if I couldn't, I wouldn't let him know that. From the day he was born, I decided I would be my son’s super hero. So here I am twenty something years later doing everything everyone said I couldn't... The more I grew as an individual, the less friends I had. The idea of letting go of childhood friendships was scary. But sometimes you grow out of friendships. The same way you grow out of a job, or a hobby. You will find that some people will only support you until their fear of you surpassing them becomes their reality. Following your dreams and passion can sometimes feel very lonely. So, I aligned myself with like-minded people, realizing that I would only be as successful as the people surrounding me. Soon, they would become my friends or even family… and I wasn't lonely anymore. Support those who support you. I vividly remember running into old friends who were surprised with my accomplishments. They made comments like "who would have ever thought?" Well, if you’re going to judge my entire life based on my 17-year-old self…You're a fool. My point here is, do not let your past life and anyone from it suffocate you and your future. My very first apartment had a Little Tykes picnic table where my son and I had the best breakfasts, lunches and dinners. The fact that it was a Little Tykes table didn't matter to him. All that mattered was that I was giving him all that he needed. My goal at that time was to give him a real table. It didn't happen overnight, but I wasn’t going to stop until he had one. No matter how big or small your goals are, continue to set them. I've never tried to be different... I am who I am. I think what I fear most in life is the thought of ever being average. Being able to create the first of anything is an unbelievable feeling. Being able to create that first with your son, that’s a blessing. We did it!! Thank you to our amazing Efe Family team, our partners and our industry. I truly believe the key to growth is to recognize that next opportunity when it matters the most and cease it. Andrea Sampson Addressing hair by texture, not race ANDREA SAMPSON, EDITOR // 416.476.9900 // [email protected] MAGAZINE MAR/APR 2019 7 WHAT THE HEALTH? MENTAL HEALTH: LET'S TALK ABOUT IT BY NICOLE TROTTER Being a hairdresser isn’t only about beauty; “Depression is a mental health illness that the stigma surrounding mental illnesses by we touch lives, we change lives, and we affects a person's mood - the way a person educating ourselves and those around us. become family and friends to many of our feels. Mood impacts the way people think Listen to those suffering and provide a safe clients. They confide in us, rely on us and look about themselves, relate to others, and space for sharing and disclosing. Whether forward to time they spend in the salons. interact with the world around them. sharing happens with a loved one or a For many, it is a time for change. But for This is more than just a “bad day” or “feeling professional, part of the concern with mental others it is their great escape. blue” 2. The symptoms of depression can health stigmas is that people often keep it a often be the source of Anxiety Disorder. Studies have shown that 1 in 5 Canadians secret and don’t share with those close with “An anxiety disorder causes unexpected may experience a mental health concern them or who they interact with on a daily or unhelpful anxieties that seriously impact or issue at least once within their lifetime. basis. Out of those 1 in 5 Canadians affected our lives, including how we think, feel With Mental health concerns on the rise; many have reported not receiving adequate and act” 2. Anxiety disorders are phobias, prevention, treatment and awareness need help and support needed. Mental health panic disorders, agoraphobia, social anxiety, to also increase. Some of the most common concerns rarely get shared for fears of being obsessive compulsive disorder, and post concerns are depression, anxiety, bipolar judged, reprimanded or labelled. traumatic stress disorder. disorder, mood disorders, and schizophrenia. Find support and create ‘mentally well’ While you may only experience one of these Mental illnesses can affect spaces for all. Safe places provide safe people illnesses, it is possible to have dual diagnoses anyone regardless of their to help, support, and listen when times are and experience symptoms from more than race, culture, backgrounds, overwhelming and challenging. Having one mental health illness. socio-economic status and trusting relationships with loved ones or a The (beauty) industry is not safe from these occupation..
Load more

Recommended publications
  • AUSTRALIAN SINGLES REPORT June 19, 2017 Compiled by the Music Network© FREE SIGN UP
    AUSTRALIAN SINGLES REPORT June 19, 2017 Compiled by The Music Network© FREE SIGN UP Hot 100 Aircheck spins, weighted with audience data & time of spins #1 hot 100 despacito (remix) 1 Luis Fonsi | UMA DESPACITO (REMIX) There's nothing holdin' me b... Luis Fonsi & Daddy Yankee ft. Justin Bieber | UMA 2 Shawn Mendes | UMA galway girl 3 Ed Sheeran | WMA From Latin hit to commercial radio triumph, Luis Fonsi’s Despacito (Remix) has pushed its way to the i'm the one top of the Hot 100, ousting DJ Khaled’s I’m The One, which falls to #4. This has opened the door for 4 DJ Khaled | SME/UMA Shawn Mendes’ There’s Nothing Holdin’ Me Back and Ed Sheeran’s persistent Galway Girl to take up Malibu the remaining spots in the Top 3. 5 Miley Cyrus | SME 6 Strip That down Liam Payne’s Strip That Down can’t be overlooked at #6. The One Direction star seems to be Liam Payne | EMI gathering serious momentum as the official acoustic version of the track is serviced to radio this week. 7 Slow hands Niall Horan | EMI His buddies Harry Styles and Niall Horan aren’t far behind. Styles’ Sign Of The Times restores its spot something just like this 8 The Chainsmokers & Coldp... in the Top 10 this week, landing at #9 after peaking at #3 at the beginning of May, while Horan’s Slow sign of the times Hands remains parked at #7 for another week. 9 Harry Styles | SME your song 10 Rita Ora | WMA that's what i like 11 Bruno Mars | WMA Bad Liar #1 MOST ADDED TO RADIO 12 Selena Gomez | UMA The cure 2U 13 Lady Gaga | UMA David Guetta ft.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • Radio Essentials 2012
    Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat.
    [Show full text]
  • Report Resumes
    REPORT RESUMES ED 015 190 TE 000 130 THE EFFECT OF SPECIAL INSTRUCTIONON THE ABILITY OF SEVENTH- AND EIGHTH -GRADE PUPILS TOWRITE COMPOSITION AND UNDERSTAND POETRY AND SHORT FICTION.FINAL REPORT. BY- BLAKE, ROBERT W. STATE UNIV. OF N.Y., BROCKPORT,COLL. AT BROCKPORT REPORT NUMBER CRP -S -312 PUB DATE JUN 66 REPORT NUMBER BR -5 -8047 GRANT 0E0-.5-.10...437 EDRS PRICE MF...$0.75 HC -$7.88 195P. DESCRIPTORS- *COMPOSITION (LITERARY),*ENGLISH INSTRUCTIONS *STRUCTURAL GRAMMAR, *TRADITIONALGRAMMAR, *TRANSFORMATION GENERATIVE GRAMMAR, GRADE 7,GRAMMAR, SENTENCE STRUCTURE, LINGUISTICS, BECAUSE OF LIMITATIONS DURINGTHE ACTUAL STUDY, THIS PROJECT WAS DELIMITED TOTHE STUDY OF THE EFFECTIVENESSOF USING MATERIALS ADAPTED FROMSTRUCTURAL AND GENERATIVE GRAMMARS UPON THE ABILITY OFSEVENTH -GRADE STUDENTS TO WRITE MORE MATURE COMPOSITIONS.FORTY -THREE STUDENTS WERE GIVEN EXPERIMENTAL LINGUISTICALLY-ORIENTED MATERIALS DESIGNEDTO TEACH THEM TO ANALYZEENGLISH SENTENCES BY A STRUCTURAL GRAMMAR APPROACH AND TO CRETE AND COMBINE NEW SENTENCESBY A GENERATIVE- TRANSFORMATIONALAPPROACH. FIFTY STUDENTS INTHE CONTROL GROUP WERE GIVENTRADITIONAL ENGLISH GRAMMAR INSTRUCTION. AS PRE- AND POST-TESTS OF WRITING MATURITY,ALL STUDENTS TOOK THE SEQUENTIALTESTS OF EDUCATIONAL PROGRESS (STEP) WRITING TEST ANDWROTE SAMPLE COMPOSITIONSWHICH WERE APPRAISED BY EMPLOYING THE T...UNITLENGTH. THE RESULTS INDICATED THAT BOTH GROUPSMADE SIGNIFICANT GAINS IN ACHIEVEMENT DURING THE STUDYAND THAT, ALTHOUGH THE LINGUISTIC GROUP MADESIGNIFICANTLY HIGHER SCORESON THE POST -TEST, THE DIFFERENCESIN THE GAIN BETWEEN THE EXPERIMENTAL AND CONTROL GROUPSWAS NOT STATISTICALLY SIGNIFICANT. THEREFORE, NOSIGNIFICANT DIFFERENCE INSTUDENT ABILITY TO WRITE COMPOSITIONSWAS SEEN BETWEEN STUDENTSWHO HAD MATERIALS BASED UPONSTRUCTURAL AND GENERATIVEGRAMMARS AND STUDENTS WHO HADTRADITIONAL LATINATE GRAMMAR INSTRUCTION. IT IS FELT, HOWEVER,THAT ANOTHER STUDY,WITH THE SAME THEORETICAL BASISAND WITH MORE CAREFULCONTROL OF SOME FACTORS, WOULD SHOWA SIGNIFICANT POSITIVECORRELATION.
    [Show full text]
  • Princeton Day School Journal Winter 1976 Princeton Day School Journal
    PRINCETON DAY SCHOOL JOURNAL WINTER 1976 PRINCETON DAY SCHOOL JOURNAL W in t e r , 1976 Vol. 8, No. 1 1 From The Headmaster E ditors: Douglas O. McClure Phillips B. vanDusen 2 The Princeton Day School Parents’ Association Virginia H. Taylor Barbara H. Johnson Markell M. Shriver ’46 5 Two-Way Street Mar)r Murdoch and Adela Wilmerding 7 Parents And Advisors Lawrence Q. Kuser 9 A Student View Jeb Bums 76 10 Chris Reeve ’70 11 Challenge Grant and Annual Fund 12 Some Reunion Classes 13 Frances Markley Roberts 14 The Fall Sports Scene Phillips B. vanDusen 16 Alumni Children 17 Commencement 18 Alumni Notes Photo Credits: Debbie Fath ’76, front and back covers; Mark Burrows ’77, page 1; Benjamin Reeve ’71, pages 3, 10; Cory Fischer ’76, page 5; Andrea Avery ”77, page 7; Chris Jensen ’76, page 9; The Link, pages 13, 16; Eleanor Kuser ’76, top page 14; Anne Dennison ’77, bottom page 14, bottom page 15; Andrew Hildick-Smith '77, top page 15; Bob Denby, Front and back covers: Halloween Parade page 17; Julie Stabler ’76, bottom page 30 From The Headmaster . Douglas O. McClure To describe a school as a community is obviously playing. Their response underscored, as far as I was a truism, yet I know no better way to describe what concerned, how fortunate Princeton Day School is to a successful school really is. Its goals should reflect have reached that level of mutual support and under­ the agreement of all groups who are part of it about standing of how to function as a community which the what they want the school to be: that intangible factor variety of Parents’ Association activities represents.
    [Show full text]
  • White House Special Files Box 31 Folder 11
    Richard Nixon Presidential Library White House Special Files Collection Folder List Box Number Folder Number Document Date Document Type Document Description 31 11 12/11/1968 Letter Haldeman to Bradley Patterson Jr. re: appreciation of material received. 1 pg. 31 11 01/12/1969 Letter Haldeman to Juanita Roberts re: returned materials. 2 pgs with attachments. 31 11 01/10/1969 Letter Haldeman to Charles Rotchford re: White House procedures and space availability. 1 pg. 31 11 01/10/1969 Letter Haldeman to Eunice Rowe re: position in administration. 1 pg. 31 11 12/31/1968 Memo Mark Rosenman to The Office of the President-elect re: Youth and Student letter. 3 pgs with attachments. 31 11 12/03/1968 Letter Haldeman to Donald Rumsfeld re: report from White House Fellows Association. 2 pgs with attachment. Wednesday, March 05, 2008 Page 1 of 3 Box Number Folder Number Document Date Document Type Document Description 31 11 12/16/1968 Letter Haldeman to James Rowley re: White House passes and security clearance. 2 pgs with attachment. 31 11 12/11/1968 Letter Haldeman to Leonard Rich re: Secretary of State position. 3 pgs with attachment. 31 11 12/11/1968 Letter Haldeman to William Retallick re: correspondence with Treasury and Congress. 1 pg. 31 11 12/05/1968 Letter Haldeman to Jack Rourke re: two-proposal presentation. 2 pgs. 31 11 12/03/1968 Letter Haldeman to Vincent Rock re: "The President's Program" 2 pgs with attachment. 31 11 12/11/1968 Letter Haldema to William Retallick re: correspondence with Treasury and Congress.1 pg.
    [Show full text]
  • Mest Spelade I P3 2017 – Topp 50
    Mest spelade i P3 2017 – topp 50 1. Julia Michaels – Issues 2. Rhys – Last Dance 3. Miriam Bryant featuring Neiked – Rocket 4. Calvin Harris, Pharrell Williams, Katy Perry & Big Sean – Feels 5. Axwell & Ingrosso – More than you know 6. Jax Jones & RAYE – You don’t know me 7. Luis Fonsi, Daddy Yankee & Justin Bieber – Despacito 8. Kaliffa – Helt seriöst 9. Burak Yeter & Danelle Sandoval – Tuesday 10. Dj Khaled, Rhianna & Bryson Tillers – Wild thoughts 11. Katy Perry; Skip Marley – Chained to the rhythm 12. Axwell, Ingrosso & Kid Ink – I love you 13. Maggie Lindemann – Pretty girl (Cheat Codes X Cade remix) 14. The Chainsmokers & Coldplay – Something just like this 15. Clean Bandit & Zara Larsson – Symphony 16. Neiked & Mimi – Call me 17. Ed Sheeran – Shape of you 18. Dua Lipa – New rules 19. The XX – Say something loving 20. Tjuvjakt – Tårarna i halsen 21. Zayn & Taylor Swift – I don’t wanna live forever 22. Rita Ora – Your song 23. Shawn Mendes – There’s nothing holding me back 24. Starley – Call on me 25. Kygo & Ellie Golding – First time 26. Icona Pop – Girls girls 27. Zedd & Alessia Cara – Stay 28. J Balvin & Willy William – Mi Gente 29. The Magnettes – Young and wild 30. Lamix – Hey baby 31. Sage The Gemini – Now and later 32. Nano – Hold on 33. Major Lazer, Travis Scott, Camila Cabello & Quavo– Know no better 34. Skott – Glitter & Gloss 35. Alan Walker – Alone 36. Martin Garrix & Dua Lipa – Scared to be lonely 37. Lorde – Green light 38. Rhys – Too Good to Be True 39. Kygo & Selena Gomez – It ain’t me 40.
    [Show full text]
  • Bernice Bobs Her Hair
    The Library of America • Story of the Week Reprinted from F. Scott Fitzgerald: Novels & Stories 1920–1922 (The Library of America, 2000), pages 356–81. Originally published in The Saturday Evening Post (May 1, 1920) and collected in Flappers and Philosophers (1920). Bernice Bobs Her Hair fter dark on Saturday night one could stand on the first A tee of the golf-course and see the country-club windows as a yellow expanse over a very black and wavy ocean. The waves of this ocean, so to speak, were the heads of many cu- rious caddies, a few of the more ingenious chauffeurs, the golf professional’s deaf sister—and there were usually several stray, diffident waves who might have rolled inside had they so de- sired. This was the gallery. The balcony was inside. It consisted of the circle of wicker chairs that lined the wall of the combination clubroom and ballroom. At these Saturday-night dances it was largely femi- nine; a great babel of middle-aged ladies with sharp eyes and icy hearts behind lorgnettes and large bosoms. The main function of the balcony was critical. It occasionally showed grudging admiration, but never approval, for it is well known among ladies over thirty-five that when the younger set dance in the summer-time it is with the very worst intentions in the world, and if they are not bombarded with stony eyes stray couples will dance weird barbaric interludes in the corners, and the more popular, more dangerous, girls will sometimes be kissed in the parked limousines of unsuspecting dowagers.
    [Show full text]
  • Examining Diversity in Youtube Music Videos with Queer Women Couples from 2006-2019
    Syracuse University SURFACE Theses - ALL May 2020 Examining Diversity in YouTube Music Videos with Queer Women Couples from 2006-2019 Sierra A. Holland Syracuse University Follow this and additional works at: https://surface.syr.edu/thesis Part of the Social and Behavioral Sciences Commons Recommended Citation Holland, Sierra A., "Examining Diversity in YouTube Music Videos with Queer Women Couples from 2006-2019" (2020). Theses - ALL. 398. https://surface.syr.edu/thesis/398 This Thesis is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Theses - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract This quantitative study examines the diversity of women1 included in music videos with relationships between two women through a comparative content analysis. Informed by intersectionality and queer theory, this study investigated the racial diversity, body diversity, gender performance, and tropes present in music videos with queer women couples (n=473) through a quantitative content analysis. This study also compared the diversity and tropes present in music videos made by musicians who identify as lesbian, bisexual, pansexual, and queer women and music videos made by non-queer musicians. Quantitative data was collected and reported for musicians who identify outside of the gender binary (e.g. non-binary, gender non- conforming, agender), but they were not included in the comparative analysis2. This thesis reports that the majority of women included in these music videos are white (62.79%), thin (98.73%), feminine (79.07%). In addition, the music videos often contained themes that exploit queer women’s sexuality either by a non-queer artist trying to gain queer women’s viewership or by portraying queer women’s relationships as for men’s pleasure.
    [Show full text]
  • Ils Ont Fait Rayonner La France Dans Le Monde En 2017 Ecoutez La Playlist Des Succès Export 2017
    Ils ont fait rayonner la France dans le monde en 2017 Ecoutez la playlist des succès export 2017 : https://play.soundsgood.co/playlist/les-succes-export-2017 What the France est un dispositif du Bureau Export, lancé en juin 2017. Il s’agit d’un outil de promotion au service de la filière musicale française, dans toute sa richesse et sa diversité, auprès du plus grand nombre d’amateurs de musique à travers le monde. Retrouvez toutes les playlists sur whatthefrance.org En 2017, 52 artistes ont fait le succès de la France à l’international. Le Bureau Export vous invite à découvrir ces histoires singulières. le 7 février 2018, L’année 2017 de la musique a été intense, riche en surprises et en découvertes. Les artistes Made in France* et les professionnels qui les accompagnent ont su se distinguer, séduire et s’imposer à travers le monde. Le streaming continue de s’affirmer comme vecteur de croissance. En 2017, les prévisions indiquaient 50% des revenus en provenance du digital dans le monde (chiffres OVUM). Pour la filière française, les résultats sont là : des chiffres records de ventes et de streams, un nombre exponentiel de dates sur de nombreux territoires, une musique à l’image très présente. Le nombre de certifications export en 2017 atteint des sommets avec 66 certifications albums et singles, soit une progression de 74% par rapport à 2016; le nombre d’écoutes en ligne explose (176% d’augmentation du nombre de streams pour les singles certifiés par rapport à 2016); le nombre de concerts à l’export des producteurs de spectacles français dépasse les 3000 représentations.
    [Show full text]
  • Annual Report 2020
    Don’t Stop Believin’ • Something Just Like This • Shape Of You • Girls Like You • Don’t Let Me Down • Castle On The Hill • Sweet Dreams (Are Made Of This) • What About Us • Love Yourself • In My Blood • Closer • No Tears Left To Cry • High Hopes • Look What You Made Me Do • There’s Nothing Holdin’ Me Back • Beautiful Trauma • What Lovers Do • Treat You Better • Uptown Funk • Photograph • Havana • Happier • Separate Ways/Worlds Apart • Faithfully • Breathin • Livin’ On A Prayer • Wanted Dead Or Alive • Single Ladies (Put A Ring On It) • Anyway You Want It • God Is A Woman • River • Locked Out Of Heaven • Roses • Shallow • Sick Boy • Love Me Again • Supermarket Flowers • Paris • Break Up With Your Girlfriend, I’m Bored • Smooth • Set Fire To The Rain • Skin• Umbrella • Close To Me • Green Light • Galway Girl • Feels • Rockabye • I Don’t Wanna Live Forever • #Selfie •We Are Young • Stone In Love • All Time Low • These Days • Best Of Me • It’s My Life • You Give Love A Bad Name • Baby • Just The Way You Are • Handclap • Great Are You Lord When • I Was Your Man • Eraser • Dive • Cold Water • 2002 • Symphony • Moves Like Jagger • Issues • Open Arms • New Man • Trumpets • Back To Black • Know No Better • Rise • 2U • What Do You Mean? • Mama • Marry You • Nothing Breaks Like A Heart • So Far Away • Don’t Wanna Know • Lost In Japan • Hey Look Ma, I Made It • All We Know • Wait • Live In The Moment • Here Comes The Rain Again •Let’s Stay Together • Treasure • Wheel In The Sky • Heart’s Don’t Break Around Here • Despacito (Remix) • Stitches • We
    [Show full text]
  • A Relação Do Audiovisual No Processo De Formação Do Educador Através Do Videoclipe “Sua Cara” Sob a Perspectiva Da Teoria Cultural1
    A relação do audiovisual no processo de formação do educador através do videoclipe “Sua Cara” sob a perspectiva da Teoria Cultural1 Eliany Salvatierra Machado2 Universidade Federal Fluminense - UFF, Rio de Janeiro, Brasil Resumo O presente texto tem como objetivo apresentar a pesquisa parcial cujo o pressuposto é a análise da relação do audiovisual com a formação de educadores audiovisuais. O estudo discorre sobre a análise do videoclipe “Sua Cara” do grupo Major Lazer, Anitta e Pabllo Vittar, como objeto empírico, e tem como fundamento a Teoria Cultural. O objetivo da pesquisa é apresentar reflexões autônomas com aporte conceitual e teórico para a formação de educadores audiovisuais em formação. Palavras chaves: audiovisual; vídeoclipes; Funk; estudos culturais Introdução O presente texto pretende refletir sobre a teoria da comunicação, o seu papel na formação do educador audiovisual e analisar o vídeoclipe “Sua Cara” do grupo Major Lazer, Anitta e Pabllo Vittar sob a perspectiva da Teoria Cultural para oportunizar reflexões autônomas com aporte conceitual e teórico para a formação de educadores audiovisuais em formação. A proposta pedagógica, na formação do educador audiovisual, com o vídeoclipe consiste em conhecer o material que será utilizado, analisar a forma e o conteúdo e produzir uma nova versão, uma releitura, juntamente com os educandos, para que dessa maneira seja possível mediar e ampliar o repertório do audiovisual dos educandos. Cada educador, também, escolhe um videoclipe, do seu repertório, para apresentar aos educandos. Foram exibidos e analisados apenas os vídeos que estavam na lista de, pelo menos, dois estudantes. A lista dos vídeoclipes mais citados pelos educandos têm os títulos: 1.
    [Show full text]