The 1816 Revolt in Barbados
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The Ambivalence of Social Change. Triumph Or Trauma
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Sztompka, Piotr Working Paper The ambivalence of social change: Triumph or trauma? WZB Discussion Paper, No. P 00-001 Provided in Cooperation with: WZB Berlin Social Science Center Suggested Citation: Sztompka, Piotr (2000) : The ambivalence of social change: Triumph or trauma?, WZB Discussion Paper, No. P 00-001, Wissenschaftszentrum Berlin für Sozialforschung (WZB), Berlin This Version is available at: http://hdl.handle.net/10419/50259 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. www.econstor.eu P 00 - 001 The Ambivalence of Social Change Triumph or Trauma? Piotr Sztompka Wissenschaftszentrum Berlin für Sozialforschung gGmbH (WZB) Reichpietschufer 50, D-10785 Berlin Dr. Piotr Sztompka is a professor of sociology at the Jagiellonian University at Krakow (Poland), where he is heading the Chair of Theoretical Sociology, as well as the Center for Analysis of Social Change "Europe '89". -
Professional Wrestling, Sports Entertainment and the Liminal Experience in American Culture
PROFESSIONAL WRESTLING, SPORTS ENTERTAINMENT AND THE LIMINAL EXPERIENCE IN AMERICAN CULTURE By AARON D, FEIGENBAUM A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by Aaron D. Feigenbaum ACKNOWLEDGMENTS There are many people who have helped me along the way, and I would like to express my appreciation to all of them. I would like to begin by thanking the members of my committee - Dr. Heather Gibson, Dr. Amitava Kumar, Dr. Norman Market, and Dr. Anthony Oliver-Smith - for all their help. I especially would like to thank my Chair, Dr. John Moore, for encouraging me to pursue my chosen field of study, guiding me in the right direction, and providing invaluable advice and encouragement. Others at the University of Florida who helped me in a variety of ways include Heather Hall, Jocelyn Shell, Jim Kunetz, and Farshid Safi. I would also like to thank Dr. Winnie Cooke and all my friends from the Teaching Center and Athletic Association for putting up with me the past few years. From the World Wrestling Federation, I would like to thank Vince McMahon, Jr., and Jim Byrne for taking the time to answer my questions and allowing me access to the World Wrestling Federation. A very special thanks goes out to Laura Bryson who provided so much help in many ways. I would like to thank Ed Garea and Paul MacArthur for answering my questions on both the history of professional wrestling and the current sports entertainment product. -
Roots Radical – Place, Power and Practice in Punk Entrepreneurship Sarah Louise Drakopoulou Dodd
Roots radical – Place, power and practice in punk entrepreneurship Sarah Louise Drakopoulou Dodd The significance continues to grow of scholarship that embraces critical and contextualized entrepreneurship, seeking rich explorations of diverse entrepreneurship contexts. Following these influences, this study explores the potentialized context of punk entrepreneurship. The Punk Rock band Rancid has a 20-year history of successfully creating independent musical and related creative enterprises from the margins of the music industry. The study draws on artefacts, interviews and videos created by and around Rancid to identify and analyse this example of marginal, alternative entrepreneurship. A three-part analytic frame was applied to analysing these artefacts. Place is critical to Rancid’s enterprise, grounding the band socially, culturally, geographically and politically. Practice also plays an important role with Rancid’s activities encompassing labour, making music, movement and human interactions. The third, and most prevalent, dimension of alterity is that of power which includes data related to dominance, subordination, exclusion, control and liberation. Rancid’s entrepreneurial story is depicted as cycles, not just a linear journey, but following more complicated paths – from periphery to centre, and back again; returning to roots, whilst trying to move forwards too; grounded in tradition but also radically focused on dramatic change. Paradox, hybridized practices, and the significance of marginal place as a rich resource also emerged from the study. Keywords: entrepreneurship; social construction; punk rock; paradox; marginality; periphery Special thanks are due to all the punks and skins who have engaged with my reading of the Rancid story, and given me so much support and feedback along the way, especially Rancid’s drummer, Branden Steineckert, Jesse from Machete Manufacturing, Kostis, Tassos (Rancid Punx Athens Crew) and Panayiotis. -
Access to Resources and Predictability in Armed Rebellion: the FAPC’S Short-Lived “Monaco” in Eastern Congo Kristof Titeca
● ● ● ● Africa Spectrum 2/2011: 43-70 Access to Resources and Predictability in Armed Rebellion: The FAPC’s Short-lived “Monaco” in Eastern Congo Kristof Titeca Abstract: This article discusses the impact of economic resources on the behaviour of an armed group. The availability of resources, and the presence of “lootable” resources in particular, is presumed to have a negative impact on the way an armed group behaves toward the civilian population. The case of the Armed Forces of the Congolese People (Forces Armées du Peuple Congolais, FAPC) in eastern Congo strongly suggests that it is necessary to look beyond this monocausal argument so as to witness the range of other factors at work. In this vein, first, the article demonstrates how the political economy literature underestimates the ease of accessibility of lootable resources. The paper then shows how the behaviour of this armed group was tied to a particular economic interest: In order to access these lootable goods, the FAPC was dependent on pre-established trading networks, so it had to increase the predictability of economic interactions through the construction of a minimum of social and economic order. Second, the article reveals how the political economy literature can underestimate the specific conflict dynamics. Military security in particular has a strong impact in this context. Manuscript received 3 August 2011; accepted 11 October 2011 Keywords: Democratic Republic of the Congo (DRC), Uganda, armed con- flicts, armed forces/military units, informal cross-border trade Kristof Titeca is a postdoctoral fellow from the Research Foundation – Flanders (FWO), based at the Institute of Development Policy and Man- agement, University of Antwerp. -
ACRONYM 13 - Round 9 Written by Danny Vopava, Erik Nelson, Blake Andert, Rahul Rao-Potharaju, William Golden, and Auroni Gupta
ACRONYM 13 - Round 9 Written by Danny Vopava, Erik Nelson, Blake Andert, Rahul Rao-Potharaju, William Golden, and Auroni Gupta 1. The first NCAA basketball game to be broadcast in primetime was played at this venue in 1968. From 1971 to 1975, this venue served as the home of its city's namesake professional baseball, football, and basketball teams. Bobby Riggs lost to Billie Jean King in the Battle of the Sexes in this venue. Before becoming the Titans in 1996, the NFL's (*) Oilers played in this stadium, which inspired the name of a form of artificial turf. A team oncecalled the "Colt 45s" later played in, for 10 points, what pioneering domed stadium in Houston, Texas? ANSWER: (NRG) Astrodome [or Houston Astrodome] <Vopava> 2. In 2005 this band's drummer and bassist formed a supergroup with Shane Gallagher while its guitarist coped with painkiller addiction. That former member of this group also formed the band Box Car Racer. A 2008 plane crash in California nearly killed both DJ A.M. and this band's (*) drummer. The lyric "she left me roses by the stairs" comes from a gift received by this band's former singer, who now spends time searching for aliens. Tom DeLonge was a member of, For 10 points, what rock band that sang "Say it ain't so / I will not go" in their hit "All the Small Things"? ANSWER: Blink-182 <Vopava> 3. A woman who married into this family resorts to performing Adele hits as singing telegrams to make money. As an adult, one member of this familytakes in Deja as a foster child, inspired by the fact that he himself was abandoned as a baby at afire station. -
Rebellion and God's Judgment in the Book of Jude
________________________________________________________________________________ BIBLIOTHECA SACRA 170 (October–December 2013): 454–77 REBELLION AND GOD’S JUDGMENT IN THE BOOK OF JUDE Herbert W. Bateman IV UDE’S SHORT LETTER, tucked away at the end of the New Tes- tament, offers a straightforward theological point frequently J overlooked, yet pertinent to both his and the present time.1 Writing with a sense of urgency (v. 3),2 Jude tackled directly the issue of rebellion and the subsequent outcome for anyone who re- bels against God. Jude’s theological concern about rebellion and its Herbert W. Bateman is an author and teacher who resides in Leesburg, Indiana. 1 Several reasons suggest why Jude’s epistle tends to be overlooked. First, Jude’s insulting tone (vv. 8–16) and his evident displeasure over the godless when he de- clared, “Damnation to them” (oujai; aujtoi'", v. 11) can be unsettling. Second, words interwoven in the letter like “I keep” (thvrew, vv. 1, 6, 13, 21) and “immorality” (ajsevlgeia, v. 4; ejkporneuvsw, v. 7) are finely nuanced and important for understand- ing Jude’s argument. His ambiguous use of “ungodly” (ajsebei'") and “these people” (ou|toi, vv. 8, 10, 12, 16, 19) is difficult to apply to twenty-first-century believers. Third, Jude’s references to Old Testament situations (e.g., Exodus generation, an- gels, and Gentile urbanites, vv. 5–7) as well as Old Testament people (e.g., Cain, Korah, Balaam, v. 11) and his application of them to his generation may seem for- eign. Fourth, including nonbiblical material like 1 Enoch (vv. 14–15) and The As- sumption (Testament) of Moses (v. -
Modernizing the Greek Tragedy: Clint Eastwood’S Impact on the Western
Modernizing the Greek Tragedy: Clint Eastwood’s Impact on the Western Jacob A. Williams A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Interdisciplinary Studies University of Washington 2012 Committee: Claudia Gorbman E. Joseph Sharkey Program Authorized to Offer Degree: Interdisciplinary Arts and Sciences Table of Contents Dedication ii Acknowledgements iii Introduction 1 Section I The Anti-Hero: Newborn or Reborn Hero? 4 Section II A Greek Tradition: Violence as Catharsis 11 Section III The Theseus Theory 21 Section IV A Modern Greek Tale: The Outlaw Josey Wales 31 Section V The Euripides Effect: Bringing the Audience on Stage 40 Section VI The Importance of the Western Myth 47 Section VII Conclusion: The Immortality of the Western 49 Bibliography 53 Sources Cited 62 i Dedication To my wife and children, whom I cherish every day: To Brandy, for always being the one person I can always count on, and for supporting me through this entire process. You are my love and my life. I couldn’t have done any of this without you. To Andrew, for always being so responsible, being an awesome big brother to your siblings, and always helping me whenever I need you. You are a good son, and I am proud of the man you are becoming. To Tristan, for always being my best friend, and my son. You never cease to amaze and inspire me. Your creativity exceeds my own. To Gracie, for being my happy “Pretty Princess.” Thank you for allowing me to see the world through the eyes of a nature-loving little girl. -
NAT TURNER's REVOLT: REBELLION and RESPONSE in SOUTHAMPTON COUNTY, VIRGINIA by PATRICK H. BREEN (Under the Direction of Emory
NAT TURNER’S REVOLT: REBELLION AND RESPONSE IN SOUTHAMPTON COUNTY, VIRGINIA by PATRICK H. BREEN (Under the Direction of Emory M. Thomas) ABSTRACT In 1831, Nat Turner led a revolt in Southampton County, Virginia. The revolt itself lasted little more than a day before it was suppressed by whites from the area. Many people died during the revolt, including the largest number of white casualties in any single slave revolt in the history of the United States. After the revolt was suppressed, Nat Turner himself remained at-large for more than two months. When he was captured, Nat Turner was interviewed by whites and this confession was eventually published by a local lawyer, Thomas R. Gray. Because of the number of whites killed and the remarkable nature of the Confessions, the revolt has remained the most prominent revolt in American history. Despite the prominence of the revolt, no full length critical history of the revolt has been written since 1937. This dissertation presents a new history of the revolt, paying careful attention to the dynamic of the revolt itself and what the revolt suggests about authority and power in Southampton County. The revolt was a challenge to the power of the slaveholders, but the crisis that ensued revealed many other deep divisions within Southampton’s society. Rebels who challenged white authority did not win universal support from the local slaves, suggesting that disagreements within the black community existed about how they should respond to the oppression of slavery. At the same time, the crisis following the rebellion revealed divisions within white society. -
Dangerous Spirit of Liberty: Slave Rebellion, Conspiracy, and the First Great Awakening, 1729-1746
Dangerous Spirit of Liberty: Slave Rebellion, Conspiracy, and the First Great Awakening, 1729-1746 by Justin James Pope B.A. in Philosophy and Political Science, May 2000, Eckerd College M.A. in History, May 2005, University of Cincinnati M.Phil. in History, May 2008, The George Washington University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy January 31, 2014 Dissertation directed by David J. Silverman Professor of History The Columbian College of Arts and Sciences of The George Washington University certifies that Justin Pope has passed the Final Examination for the degree of Doctor of Philosophy January 10, 2014. This is the final and approved form of the dissertation. Dangerous Spirit of Liberty: Slave Rebellion, Conspiracy, and the Great Awakening, 1729-1746 Justin Pope Dissertation Research Committee: David J. Silverman, Professor of History, Dissertation Director Denver Brunsman, Assistant Professor of History, Committee Member Greg L. Childs, Assistant Professor of History, Committee Member ii © Copyright 2014 by Justin Pope All rights reserved iii Acknowledgments I feel fortunate to thank the many friends and colleagues, institutions and universities that have helped me produce this dissertation. The considerable research for this project would not have been possible without the assistance of several organizations. The Gilder Lehrman Institute of American History, the Maryland Historical Society, the Cosmos Club Foundation of Washington, D.C., the Andrew Mellon Fellowship of the Virginia Historical Society, the W. B. H. Dowse Fellowship of the Massachusetts Historical Society, the Thompson Travel Grant from the George Washington University History Department, and the Colonial Williamsburg Foundation Research Fellowship all provided critical funding for my archival research. -
Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
FLASHBACK, FLASH FORWARD: RE-COVERING THE BODY AND ID-ENDTITY IN THE HIP-HOP EXPERIENCE Submitted By Danicia R. Williams As part of a Tutorial in Cultural Studies and Communications May 04,2004 Chatham College Pittsburgh, Pennsylvania Tutor: Dr. Prajna Parasher Reader: Ms. Sandy Sterner Reader: Dr. Robert Cooley ACKNOWLEDGEMENTS I would like to thank Dr. Prajna Paramita Parasher, my tutor for her faith, patience and encouragement. Thank you for your friendship. Ms. Sandy Sterner for keeping me on my toes with her wit and humor, and Dr. Cooley for agreeing to serve on my board. Kathy Perrone for encouraging me always, seeing things in me I can only hope to fulfill and helping me to develop my writing. Dr. Anissa Wardi, you and Prajna have changed my life every time I attend your classes. My parent s for giving me life and being so encouraging and trusting in me even though they weren't sure what I was up to. My Godparents, Jerry and Sharon for assisting in the opportunity for me to come to Chatham. All of the tutorial students that came before me and all that will follow. I would like to give thanks for Hip-Hop and Sean Carter/Jay-Z, especially for The Black Album. With each revolution of the CD my motivation to complete this project was renewed. Whitney Brady, for your excitement and brainstorming sessions with me. Peace to Divine Culture for his electricity and Nabri Savior. Thank you both for always being around to talk about and live in Hip-Hop. Thanks to my friends, roommates and coworkers that were generally supportive. -
Greed and Grievance in Civil War
# Oxford University Press 2004 Oxford Economic Papers 56 (2004), 563–595 563 All rights reserved doi:10.1093/oep/gpf064 Greed and grievance in civil war By Paul Collier* and Anke Hoefflery *Centre for the Study of African Economies, University of Oxford yCentre for the Study of African Economies, University of Oxford, 21 Winchester Road, Oxford OX2 6NA; e-mail: anke.hoeffl[email protected] We investigate the causes of civil war, using a new data set of wars during 1960–99. Rebellion may be explained by atypically severe grievances, such as high inequality, a lack of political rights, or ethnic and religious divisions in society. Alternatively, it might be explained by atypical opportunities for building a rebel organization. While it is difficult to find proxies for grievances and opportunities, we find that political and social variables that are most obviously related to grievances have little explanatory power. By contrast, economic variables, which could proxy some griev- ances but are perhaps more obviously related to the viability of rebellion, provide considerably more explanatory power. 1. Introduction Civil war is now far more common than international conflict: all of the 15 major armed conflicts listed by the Stockholm International Peace Research Institute for 2001 were internal (SIPRI, 2002). In this paper we develop an econometric model which predicts the outbreak of civil conflict. Analogous to the classic principles of murder detection, rebellion needs both motive and opportunity. The political science literature explains conflict in terms of motive: the circumstances in which people want to rebel are viewed as sufficiently rare to constitute the explanation. -
Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Hebert, Neal Anderson, "Professional Wrestling: Local Performance History, Global Performance Praxis" (2016). LSU Doctoral Dissertations. 2329. https://digitalcommons.lsu.edu/gradschool_dissertations/2329 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PROFESSIONAL WRESTLING: LOCAL PERFORMANCE HISTORY, GLOBAL PERFORMANCE PRAXIS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Theatre By Neal A. Hebert B.A., Louisiana State University, 2003 M.A., Louisiana State University, 2008 August 2016 TABLE OF CONTENTS ACKNOWLEDGMENTS .............................................................................................. iv ABSTRACT ......................................................................................................................v