Greed and Grievance in Civil War
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Ambivalence of Social Change. Triumph Or Trauma
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Sztompka, Piotr Working Paper The ambivalence of social change: Triumph or trauma? WZB Discussion Paper, No. P 00-001 Provided in Cooperation with: WZB Berlin Social Science Center Suggested Citation: Sztompka, Piotr (2000) : The ambivalence of social change: Triumph or trauma?, WZB Discussion Paper, No. P 00-001, Wissenschaftszentrum Berlin für Sozialforschung (WZB), Berlin This Version is available at: http://hdl.handle.net/10419/50259 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. www.econstor.eu P 00 - 001 The Ambivalence of Social Change Triumph or Trauma? Piotr Sztompka Wissenschaftszentrum Berlin für Sozialforschung gGmbH (WZB) Reichpietschufer 50, D-10785 Berlin Dr. Piotr Sztompka is a professor of sociology at the Jagiellonian University at Krakow (Poland), where he is heading the Chair of Theoretical Sociology, as well as the Center for Analysis of Social Change "Europe '89". -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
Professional Wrestling, Sports Entertainment and the Liminal Experience in American Culture
PROFESSIONAL WRESTLING, SPORTS ENTERTAINMENT AND THE LIMINAL EXPERIENCE IN AMERICAN CULTURE By AARON D, FEIGENBAUM A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by Aaron D. Feigenbaum ACKNOWLEDGMENTS There are many people who have helped me along the way, and I would like to express my appreciation to all of them. I would like to begin by thanking the members of my committee - Dr. Heather Gibson, Dr. Amitava Kumar, Dr. Norman Market, and Dr. Anthony Oliver-Smith - for all their help. I especially would like to thank my Chair, Dr. John Moore, for encouraging me to pursue my chosen field of study, guiding me in the right direction, and providing invaluable advice and encouragement. Others at the University of Florida who helped me in a variety of ways include Heather Hall, Jocelyn Shell, Jim Kunetz, and Farshid Safi. I would also like to thank Dr. Winnie Cooke and all my friends from the Teaching Center and Athletic Association for putting up with me the past few years. From the World Wrestling Federation, I would like to thank Vince McMahon, Jr., and Jim Byrne for taking the time to answer my questions and allowing me access to the World Wrestling Federation. A very special thanks goes out to Laura Bryson who provided so much help in many ways. I would like to thank Ed Garea and Paul MacArthur for answering my questions on both the history of professional wrestling and the current sports entertainment product. -
Access to Resources and Predictability in Armed Rebellion: the FAPC’S Short-Lived “Monaco” in Eastern Congo Kristof Titeca
● ● ● ● Africa Spectrum 2/2011: 43-70 Access to Resources and Predictability in Armed Rebellion: The FAPC’s Short-lived “Monaco” in Eastern Congo Kristof Titeca Abstract: This article discusses the impact of economic resources on the behaviour of an armed group. The availability of resources, and the presence of “lootable” resources in particular, is presumed to have a negative impact on the way an armed group behaves toward the civilian population. The case of the Armed Forces of the Congolese People (Forces Armées du Peuple Congolais, FAPC) in eastern Congo strongly suggests that it is necessary to look beyond this monocausal argument so as to witness the range of other factors at work. In this vein, first, the article demonstrates how the political economy literature underestimates the ease of accessibility of lootable resources. The paper then shows how the behaviour of this armed group was tied to a particular economic interest: In order to access these lootable goods, the FAPC was dependent on pre-established trading networks, so it had to increase the predictability of economic interactions through the construction of a minimum of social and economic order. Second, the article reveals how the political economy literature can underestimate the specific conflict dynamics. Military security in particular has a strong impact in this context. Manuscript received 3 August 2011; accepted 11 October 2011 Keywords: Democratic Republic of the Congo (DRC), Uganda, armed con- flicts, armed forces/military units, informal cross-border trade Kristof Titeca is a postdoctoral fellow from the Research Foundation – Flanders (FWO), based at the Institute of Development Policy and Man- agement, University of Antwerp. -
Rebellion and God's Judgment in the Book of Jude
________________________________________________________________________________ BIBLIOTHECA SACRA 170 (October–December 2013): 454–77 REBELLION AND GOD’S JUDGMENT IN THE BOOK OF JUDE Herbert W. Bateman IV UDE’S SHORT LETTER, tucked away at the end of the New Tes- tament, offers a straightforward theological point frequently J overlooked, yet pertinent to both his and the present time.1 Writing with a sense of urgency (v. 3),2 Jude tackled directly the issue of rebellion and the subsequent outcome for anyone who re- bels against God. Jude’s theological concern about rebellion and its Herbert W. Bateman is an author and teacher who resides in Leesburg, Indiana. 1 Several reasons suggest why Jude’s epistle tends to be overlooked. First, Jude’s insulting tone (vv. 8–16) and his evident displeasure over the godless when he de- clared, “Damnation to them” (oujai; aujtoi'", v. 11) can be unsettling. Second, words interwoven in the letter like “I keep” (thvrew, vv. 1, 6, 13, 21) and “immorality” (ajsevlgeia, v. 4; ejkporneuvsw, v. 7) are finely nuanced and important for understand- ing Jude’s argument. His ambiguous use of “ungodly” (ajsebei'") and “these people” (ou|toi, vv. 8, 10, 12, 16, 19) is difficult to apply to twenty-first-century believers. Third, Jude’s references to Old Testament situations (e.g., Exodus generation, an- gels, and Gentile urbanites, vv. 5–7) as well as Old Testament people (e.g., Cain, Korah, Balaam, v. 11) and his application of them to his generation may seem for- eign. Fourth, including nonbiblical material like 1 Enoch (vv. 14–15) and The As- sumption (Testament) of Moses (v. -
The Seven Deadly Sins
Contact: Karen Schwarz Bruce Museum (203)413-6735 [email protected] SEVEN MUSEUMS, SEVEN SINS First-time Exhibition Slated for 2015 May 5, 2015—The Seven Deadly Sins, a groundbreaking series of exhibitions with openings through July, will be presented by seven arts institutions, all members of the Fairfield/Westchester Museum Alliance (FWMA), located in Fairfield County, CT, Westchester County, NY, and the New York City borough of the Bronx. The seven cultural institutions are: The Aldrich Contemporary Art Museum; Bruce Museum; Hudson River Museum; Hudson Valley Center for Contemporary Art; Katonah Museum of Art; Neuberger Museum of Art; and, Wave Hill. The Seven Deadly Sins represents the first collaboration among the FWMA museums. FWMA museums formed an alliance in 2009 to share resources to promote cultural life in the region and offer reciprocal benefits to their members. The Seven Deadly Sins, FWMA’s inaugural exhibition, is offered to the public at large; the members of FWMA institutions are admitted free to Seven Deadly Sin exhibitions and programs. Each of the FWMA institutions explores one of the seven deadly sins — a hardcore group of despised actions that for centuries defined what humans must not do to live good lives. The litany of sins is as familiar to us now as to past generations — Envy, Gluttony, Greed, Lust, Pride, Sloth, and Wrath —and, each sin is often contrasted with a contrary virtue: Kindness, Temperance, Charity, Chastity, Humility, and Diligence, whose practice protects us from the ever present temptation to sin. The “Deadly Seven,” the favorite subject of painters and poets over centuries, is woven into the warp and weft of the Western world’s cultural allusions. -
Modernizing the Greek Tragedy: Clint Eastwood’S Impact on the Western
Modernizing the Greek Tragedy: Clint Eastwood’s Impact on the Western Jacob A. Williams A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Interdisciplinary Studies University of Washington 2012 Committee: Claudia Gorbman E. Joseph Sharkey Program Authorized to Offer Degree: Interdisciplinary Arts and Sciences Table of Contents Dedication ii Acknowledgements iii Introduction 1 Section I The Anti-Hero: Newborn or Reborn Hero? 4 Section II A Greek Tradition: Violence as Catharsis 11 Section III The Theseus Theory 21 Section IV A Modern Greek Tale: The Outlaw Josey Wales 31 Section V The Euripides Effect: Bringing the Audience on Stage 40 Section VI The Importance of the Western Myth 47 Section VII Conclusion: The Immortality of the Western 49 Bibliography 53 Sources Cited 62 i Dedication To my wife and children, whom I cherish every day: To Brandy, for always being the one person I can always count on, and for supporting me through this entire process. You are my love and my life. I couldn’t have done any of this without you. To Andrew, for always being so responsible, being an awesome big brother to your siblings, and always helping me whenever I need you. You are a good son, and I am proud of the man you are becoming. To Tristan, for always being my best friend, and my son. You never cease to amaze and inspire me. Your creativity exceeds my own. To Gracie, for being my happy “Pretty Princess.” Thank you for allowing me to see the world through the eyes of a nature-loving little girl. -
NAT TURNER's REVOLT: REBELLION and RESPONSE in SOUTHAMPTON COUNTY, VIRGINIA by PATRICK H. BREEN (Under the Direction of Emory
NAT TURNER’S REVOLT: REBELLION AND RESPONSE IN SOUTHAMPTON COUNTY, VIRGINIA by PATRICK H. BREEN (Under the Direction of Emory M. Thomas) ABSTRACT In 1831, Nat Turner led a revolt in Southampton County, Virginia. The revolt itself lasted little more than a day before it was suppressed by whites from the area. Many people died during the revolt, including the largest number of white casualties in any single slave revolt in the history of the United States. After the revolt was suppressed, Nat Turner himself remained at-large for more than two months. When he was captured, Nat Turner was interviewed by whites and this confession was eventually published by a local lawyer, Thomas R. Gray. Because of the number of whites killed and the remarkable nature of the Confessions, the revolt has remained the most prominent revolt in American history. Despite the prominence of the revolt, no full length critical history of the revolt has been written since 1937. This dissertation presents a new history of the revolt, paying careful attention to the dynamic of the revolt itself and what the revolt suggests about authority and power in Southampton County. The revolt was a challenge to the power of the slaveholders, but the crisis that ensued revealed many other deep divisions within Southampton’s society. Rebels who challenged white authority did not win universal support from the local slaves, suggesting that disagreements within the black community existed about how they should respond to the oppression of slavery. At the same time, the crisis following the rebellion revealed divisions within white society. -
Dangerous Spirit of Liberty: Slave Rebellion, Conspiracy, and the First Great Awakening, 1729-1746
Dangerous Spirit of Liberty: Slave Rebellion, Conspiracy, and the First Great Awakening, 1729-1746 by Justin James Pope B.A. in Philosophy and Political Science, May 2000, Eckerd College M.A. in History, May 2005, University of Cincinnati M.Phil. in History, May 2008, The George Washington University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy January 31, 2014 Dissertation directed by David J. Silverman Professor of History The Columbian College of Arts and Sciences of The George Washington University certifies that Justin Pope has passed the Final Examination for the degree of Doctor of Philosophy January 10, 2014. This is the final and approved form of the dissertation. Dangerous Spirit of Liberty: Slave Rebellion, Conspiracy, and the Great Awakening, 1729-1746 Justin Pope Dissertation Research Committee: David J. Silverman, Professor of History, Dissertation Director Denver Brunsman, Assistant Professor of History, Committee Member Greg L. Childs, Assistant Professor of History, Committee Member ii © Copyright 2014 by Justin Pope All rights reserved iii Acknowledgments I feel fortunate to thank the many friends and colleagues, institutions and universities that have helped me produce this dissertation. The considerable research for this project would not have been possible without the assistance of several organizations. The Gilder Lehrman Institute of American History, the Maryland Historical Society, the Cosmos Club Foundation of Washington, D.C., the Andrew Mellon Fellowship of the Virginia Historical Society, the W. B. H. Dowse Fellowship of the Massachusetts Historical Society, the Thompson Travel Grant from the George Washington University History Department, and the Colonial Williamsburg Foundation Research Fellowship all provided critical funding for my archival research. -
Seven Deadly Sins Art Scavenger Hunt - Vocabulary
Seven Deadly Sins Art Scavenger Hunt - Vocabulary 1. Use the definitions from the Merriam-Webster’s Online Dictionary below to aid in your hunt for pieces of art that exemplify each sin. Lust - romantic desire especially if strong or uncontrolled Gluttony - the act or habit of eating or drinking too much Greed - selfish desire for food, money, or possessions over and above one's needs Sloth - the quality or state of being lazy Wrath - 1: violent anger; 2: punishment for sin or crime Envy - painful or resentful awareness of an advantage or possession enjoyed by another and the desire to possess the same thing Pride - too high an opinion of one's own ability or worth: a feeling of being better than others 2. In the space below, brainstorm how each of the sins might look in a piece of artwork. Use simple pictures, nouns and adjectives. Lust Gluttony Greed Sloth Wrath Envy Pride 3. Use the following terms to describe the pieces of art you identify for each sin on your “Works of Art” page. Here we have used the most famous painting in the world, the Mona Lisa, as an example. Title of work- the full name of the work in italics | The Scream Date of work- around when the work is believed to be completed. You may sometimes see a small “c.” in front of the date which stands for circa and means “around”. | 1893 Artist (if known) - give the name of the artist or group that is recognized for the work. If there is no artist known, write unknown | Edvard Munch Current location- list the name of where the work is currently housed | The National Gallery, Oslo, Medium- what materials were used to create the work of art | Oil on cardboard Dimensions- what is the size of the work of art in feet and/or inches*you must convert centimeters over| (36 in × 28.9 in) How it represents a deadly sin- explain what images you see in the work of art that let’s you know that the sin is present. -
Greed and Grievance in Civil War
# Oxford University Press 2004 Oxford Economic Papers 56 (2004), 563–595 563 All rights reserved doi:10.1093/oep/gpf064 Greed and grievance in civil war By Paul Collier* and Anke Hoefflery *Centre for the Study of African Economies, University of Oxford yCentre for the Study of African Economies, University of Oxford, 21 Winchester Road, Oxford OX2 6NA; e-mail: anke.hoeffl[email protected] We investigate the causes of civil war, using a new data set of wars during 1960–99. Rebellion may be explained by atypically severe grievances, such as high inequality, a lack of political rights, or ethnic and religious divisions in society. Alternatively, it might be explained by atypical opportunities for building a rebel organization. While it is difficult to find proxies for grievances and opportunities, we find that political and social variables that are most obviously related to grievances have little explanatory power. By contrast, economic variables, which could proxy some griev- ances but are perhaps more obviously related to the viability of rebellion, provide considerably more explanatory power. 1. Introduction Civil war is now far more common than international conflict: all of the 15 major armed conflicts listed by the Stockholm International Peace Research Institute for 2001 were internal (SIPRI, 2002). In this paper we develop an econometric model which predicts the outbreak of civil conflict. Analogous to the classic principles of murder detection, rebellion needs both motive and opportunity. The political science literature explains conflict in terms of motive: the circumstances in which people want to rebel are viewed as sufficiently rare to constitute the explanation. -
Fear, Greed, and Financial Crises: a Cognitive Neurosciences Perspective Andrew W
23 Fear, Greed, and Financial Crises: A Cognitive Neurosciences Perspective Andrew W. Lo Abstract Historical accounts of financial crises suggest that fear and greed are the common denominators of these disruptive events: periods of unchecked greed eventually lead to excessive leverage and unsustainable asset-price levels, and the inevitable collapse results in unbridled fear, which must subside before any recov- ery is possible. The cognitive neurosciences may provide some new insights into this boom/bust pattern through a deeper understanding of the dynamics of emotion and human behavior. In this chapter, I describe some recent research from the neu- rosciences literature on fear and reward learning, mirror neurons, theory of mind, and the link between emotion and rational behavior. By exploring the neuroscien- tific basis of cognition and behavior, we may be able to identify more fundamental drivers of financial crises, and improve our models and methods for dealing with them. 23.1 Introduction In March 1933, unemployment in the United States was at an all-time high. Over 4,000 banks had failed during the previous two months. Bread lines stretched around entire blocks in the largest cities. The country was in the grip of the Great Depression. This was the context in which Franklin Delano Roosevelt delivered his first inaugural address to the American people as the 32nd president of the United States. He began his address not by discussing economic conditions, nor by laying out his proposal for the “New Deal”, but with a powerful observation that still resonates today: “So, first of all, let me assert my firm belief that the only thing we have to fear is fear itself – nameless, unreasoning, unjustified terror which paralyzes needed efforts to convert retreat into advance”.