DOCSLIB.ORG

Trembling Bells the Marble Downs Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Trembling Bells the Marble Downs Mp3, Flac, Wma Trembling Bells The Marble Downs mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: The Marble Downs Country: Asia Released: 2012 MP3 version RAR size: 1587 mb FLAC version RAR size: 1735 mb WMA version RAR size: 1628 mb Rating: 4.7 Votes: 649 Other Formats: WAV AUD MPC AHX AAC TTA AA Tracklist Hide Credits I Made A Date (With An Open Vein) 1 6:34 Written-By – A. Neilson* I Can Tell You're Leaving 2 4:36 Written-By – A. Neilson* Ferrari In A Demolition Derby 3 4:15 Written-By – A. Neilson* Ain't Nothing Wrong With A Little Longing 4 6:55 Written-By – A. Neilson* Excursions Into Assonance 5 4:22 Lyrics By – Dorothy ParkerMusic By – Blackwall* Everytime I Close My Eyes (We're Back There) 6 5:51 Written-By – A. Neilson* Love Is A Velvet Noose 7 3:39 Written-By – A. Neilson* My Husband's Got No Courage In Him 8 2:16 Arranged By – Blackwall*, Oldham*Written-By – Traditional Riding 9 3:13 Written-By – Oldham* Lord Bless All 10 6:45 Written-By – Gibb* Companies, etc. Licensed From – Honest Jon's Records Recorded At – Diving Bell Studio Phonographic Copyright (p) – Honest Jon's Records Copyright (c) – Honest Jon's Records Made By – Love Da Records – 195416 Credits Accordion – Michael John McCarthy Artwork [Booklet] – Lucy Stein Backing Vocals – Alasdair C. Mitchell, Dave Dixon , John Nicol Bass – Simon Shaw Cello – Peter Nicholson Double Bass – Martin Beer Drums, Bells, Vocals, Theremin, Mixed By – Alex Neilson Electric Guitar, Acoustic Guitar, Lap Steel Guitar – Mike Hastings Mastered By – Paul Oldham Photography By – Admiral Wiley Balls, Stuart Reidman Recorded By [Bonny's Voice] – Tusi* Recorded By, Mixed By – Marcus MacKay Recorder – Saoirse McDonald Saxophone – Sybren Renema Trombone – Ross MacRae Trumpet – Richard Merchant Violin, Viola – Lucy Farrell Vocals – Will Oldham Vocals, Organ, Piano, Guitar, Glockenspiel, Percussion, Arranged By, Cover – Lavinia Blackwall Notes Includes 16 page booklet & inner sleeve. Recorded at Diving Bell, Bonny's voice recorded by Tusi in his poor shelter. ℗ & © 2012 Honest Jon's Records licensed to Love Da Records. Barcode and Other Identifiers Barcode: 4 897028 491714 Matrix / Runout: LOVECD192 05/16/12 -- 195416 -- A Mastering SID Code: IFPI LQ35 Mould SID Code: IFPI 0946 Other versions Category Artist Title (Format) Label Category Country Year Trembling Bells Trembling Bells Featuring Honest Jon's HJRLP64 Featuring Bonnie Bonnie 'Prince' Billy* - The HJRLP64 UK 2012 Records 'Prince' Billy* Marble Downs (LP, Album) Trembling Bells Featuring Trembling Bells Bonnie 'Prince' Billy* - The Honest Jon's HJRCD64 Featuring Bonnie HJRCD64 UK 2012 Marble Downs (CD, Album, Records 'Prince' Billy* Gat) Trembling Bells Featuring Trembling Bells Bonnie 'Prince' Billy* - The Honest Jon's none Featuring Bonnie none UK 2012 Marble Downs (CDr, Promo, Records 'Prince' Billy* Smplr) Related Music albums to The Marble Downs by Trembling Bells Rock Bonnie 'Prince' Billy - Bonny 2007 Non Music Ron Neilson - Ron Neilson Electronic / Rock Alex Neilson & Richard Youngs - Road Is Open Life Rock / Folk, World, & Country Trembling Bells - The Sovereign Self Jazz / Folk, World, & Country Directing Hand - Bells For Augustin Lesage Folk, World, & Country Ben Glover - Atlantic Non Music No Artist - Industrial Engines Electronic / Jazz / Rock Richard Youngs & Alexander Neilson - Electric Lotus Rock Current 93 - Baalstorm, Sing Omega Blues Arthur Neilson - Moan And Cry.
Load more

Recommended publications
  • The Water Tower Vol. 7 Issue 11
    volume 7 - issue 11 - tuesday, april 20, 2010 - uvm, burlington, vt uvm.edu/~watertwr by maxbookman lauryn schrom t’s 4/20 and you’re wondering if you ing, drunken brawls to St. Patty’s Day), back in high school at that head shop Go for a ride are going to go get high today. but do not trust your friend who thinks that didn’t card minors. Not today. 4/20 Going on a smoke ride is one of the Well of course you are! After all, the best place to smoke outside is in the calls for something special. If you have best ways to enjoy 4/20. Driving has its the anticipation of 4/20 gets pot smok- ass-crack of sketchy alley, or crouching a tube, change the water, clean it out, advantages: primarily, you’re a moving ers more excited than finding a bag of with hoodies up behind the Simpson and fill’er up with some ice. If you prefer target, which makes it much harder for headies on the sidewalk (“Fuck it dude, dumpster. That’s for noobs. Out in the paper, take this as an opportunity to learn the po to catch on. Avoid highways and I’ll smoke it”). But before any pot smoker open is better than a dark corner. But how to roll one of those crazy cones your stay inconspicuous. Joints are best, but worth his or her salt indulges in the fes- be warned. A long, long, time ago (lets friend says she learned how to make in that’s not to say you can’t get away with tivities of 4/20, they must ask themselves, say, 2003), 4/20 celebrants would engulf Amsterdam.
    [Show full text]
  • T of À1 Radio
    ism JOEL L.R.PHELPS EVERCLEAR ,•• ,."., !, •• P1 NEW MUSIC REPORT M Q AND NOT U CIRCLE December 25, 2000 I www.cmj.com 138.0 ******* **** ** * *ALL FOR ADC 90198 24498 Frederick Gier KUOR -REDLANDS 5319 HONDA AVE APT G ATASCADERO, CA 93422-3428 ON BEING NO. 1, TOURING WITH U2 & WHY WILL OLDHAM AND RAYMOND CARVER KICK ASS tof à1 Radio HOW PERFORMANCE ROYALTIES WILL AFFECT COLLEGE RADIO WHAT IT'S DOING TO INDIE RETAIL INCLUDING THE BLAZING HIT SINGLE "OH NO" ALBUM IN STORES NOW EF •TARIM INEWELII KUM. G RAP at MOP«, DEAD PREZ PHARCIAHE MUNCH •GHOST FACE NOTORIOUS J11" MONEY PASTOR TROY Et MASTER HUM BIG NUMB e PRODIGY•COCOA BROVAZ HATE DOME t.Q-TIIP Et WORDS e!' le.‘111,-ZéRVIAIMPUIMTPIeliElrÓ Issue 696 • Vol 65 • No 2 Campus VVebcasting: thriving. But passion alone isn't enough 11 The Beginning Of The End? when facing the likes of Best Buy and Earlier this month, the U.S. Copyright Office other monster chains, whose predatory ruled that FCC-licensed radio stations tactics are pricing many mom-and-pops offering their programming online are not out of business. exempt from license fees, which could open the door for record companies looking to 12 PJ Harvey: Tales From collect millions of dollars from broadcasters. The Gypsy Heart Colleges may be among the hardest hit. As she prepares to hit the road in support of her sixth and perhaps best album to date, 10 Sticker Shock Polly Jean Harvey chats with CMJ about A passion for music has kept indie music being No.
    [Show full text]
  • Recording Artist Recording Title Price 2Pac Thug Life
    Recording Artist Recording Title Price 2pac Thug Life - Vol 1 12" 25th Anniverary 20.99 2pac Me Against The World 12" - 2020 Reissue 24.99 3108 3108 12" 9.99 65daysofstatic Replicr 2019 12" 20.99 A Tribe Called Quest We Got It From Here Thank You 4 Your Service 12" 20.99 A Tribe Called Quest People's Instinctive Travels And The Paths Of Rhythm 12" Reissue 26.99 Abba Live At Wembley Arena 12" - Half Speed Master 3 Lp 32.99 Abba Gold 12" 22.99 Abba Abba - The Album 12" 12.99 AC/DC Highway To Hell 12" 20.99 Ace Frehley Spaceman - 12" 29.99 Acid Mothers Temple Minstrel In The Galaxy 12" 21.99 Adele 25 12" 16.99 Adele 21 12" 16.99 Adele 19- 12" 16.99 Agnes Obel Myopia 12" 21.99 Ags Connolly How About Now 12" 9.99 Air Moon Safari 12" 15.99 Alan Marks Erik Satie - Vexations 12" 19.99 Aldous Harding Party 12" 16.99 Alec Cheer Night Kaleidoscope Ost 12" 14.99 Alex Banks Beneath The Surface 12" 19.99 Alex Lahey The Best Of Luck Club 12" White Vinyl 19.99 Algiers There Is No Year 12" Dinked Edition 26.99 Ali Farka Toure With Ry Cooder Talking Timbuktu 12" 24.99 Alice Coltrane The Ecstatic Music Of... 12" 28.99 Alice Cooper Greatest Hits 12" 16.99 Allah Las Lahs 12" Dinked Edition 19.99 Allah Las Lahs 12" 18.99 Alloy Orchestra Man With A Movie Camera- Live At Third Man Records 12" 12.99 Alt-j An Awesome Wave 12" 16.99 Amazones D'afrique Amazones Power 12" 24.99 American Aquarium Lamentations 12" Colour Vinyl 16.99 Amy Winehouse Frank 12" 19.99 Amy Winehouse Back To Black - 12" 12.99 Anchorsong Cohesion 12" 12.99 Anderson Paak Malibu 12" 21.99 Andrew Bird My Finest Work 12" 22.99 Andrew Combs Worried Man 12" White Vinyl 16.99 Andrew Combs Ideal Man 12" Colour Vinyl 16.99 Andrew W.k I Get Wet 12" 38.99 Angel Olsen All Mirrors 12" Clear Vinyl 22.99 Angelo Badalamenti Twin Peaks - Ost 12" - Ltd Green 20.99 Ann Peebles Greatest Hits 12" 15.99 Anna Calvi Hunted 12" - Ltd Red 24.99 Anna St.
    [Show full text]
  • Appeared in – the Adelaide Review
    March15 October 2001 2004 I See a Lightness Appeared in – The Adelaide Review Bonnie “Prince” Billy Governor Hindmarsh The last time I saw Bonnie “Prince” Billy was at the Tivoli at the beginning of 1998. He was trading under the name of Will Oldham then and, like Will Robinson, another of his aliases, he was a little lost in space. It was a brilliant set, but also exasperating and a little worrying. Oldham huddled at the side of the stage avoiding the spotlight, mumbling to himself, and the band (which included the Dirty Two, Jim White and Mick Turner) looked increasingly perturbed, as though it was turning into a bad night in Roswell. Even from his earliest Palace days there has been a fragile strangeness to Will Oldham. With his wispy lyrics and shunting rhythms he has been more alt. than alt.country and the most poetic of the singer songwriters. Like a bipolar mystic with roots in the courtly, weird balladry that travelled to the Kentucky hills from 17th century England, “Prince” Billy is a time lord with wise blood. Onstage at the Governor Hindmarsh Will Oldham looks like a man more at ease with his dark gift. He wanders to the bar before the show, happily greeting a slightly awed crowd, many well-versed in his work. His delicate features, immortalised in his cameo as the boy preacher in John Sayles’ classic film Matewan, are now covered with such an unfashionably full beard he could pass for one of the Kelly Gang. Perhaps the Bonnie Prince has found a new way of staying incognito.
    [Show full text]
  • The Current Volume 19: Issue 21
    Nova Southeastern University NSUWorks The Current NSU Digital Collections 3-10-2009 The Current Volume 19: Issue 21 Nova Southeastern University Follow this and additional works at: https://nsuworks.nova.edu/nsudigital_newspaper NSUWorks Citation Nova Southeastern University, "The Current Volume 19: Issue 21" (2009). The Current. 526. https://nsuworks.nova.edu/nsudigital_newspaper/526 This Newspaper is brought to you for free and open access by the NSU Digital Collections at NSUWorks. It has been accepted for inclusion in The Current by an authorized administrator of NSUWorks. For more information, please contact [email protected]. NOVA SOUTHEASTERN UNIVERSITY Tuesday, March 10, 2009 www.nsucurrent.com Volume 19.Issue21 ·How-to Sharks Conclude. ., Season at News LandaJob No Excuses Conference -Semi-Final From the Real in Tough Coach Cater A night to raise Econontlc scholarship money - for the youth. Times Page3 LAURA STARR EDITOR-IN-CHIEF Current Affairs · Finding a job in tough economic times may seem impossible. Uri Man, National Award M.B.A, vice president of development Winner Speaks for OZ, a new city-like development is scheduled to be created around the at NSU Bank Atlantic Center, said otherwise. On· Feb. 25, thanks to the speaking Annette Gordon- Courtesy of Sports- - InformationI Pictured left to right: Seniors Jordan Smith, David Naylor, Dionte Perry and Tim Coenradd. engagement efforts of the1 Office Reed speaks for of Career Development at Nova Black History Month. TRANELL MESA at NSU's very own Don Taft to claw themselves back in, tying Southeastern University, students were SPORTS EDITOR University Center. the score up at 76 with eight fortunate enough to heat Man offer tips Page4 NSU entered the Shark Tank seconds left in regulation.
    [Show full text]
  • The History of Rock Music - the Nineties
    The History of Rock Music - The Nineties The History of Rock Music: 1995-2001 Drum'n'bass, trip-hop, glitch music History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Post-post-rock (These are excerpts from my book "A History of Rock and Dance Music") The Louisville alumni 1995-97 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The Squirrel Bait and Rodan genealogies continued to dominate Kentucky's and Chicago's post-rock scene during the 1990s. Half of Rodan, i.e. Tara Jane O'Neil (now on vocals and guitar) and Kevin Coultas, formed Sonora Pine with keyboardist and guitarist Sean Meadows, violinist Samara Lubelski and pianist Rachel Grimes. Their debut album, Sonora Pine (1996), basically applied Rodan's aesthetics to the format of the folk lullaby. Another member of Rodan, guitarist Jeff Mueller, formed June Of 44 (11), a sort of supergroup comprising Sonora Pine's guitarist Sean Meadows, Codeine's drummer and keyboardist Doug Scharin, and bassist and trumpet player Fred Erskine. Engine Takes To The Water (1995) signaled the evolution of "slo-core" towards a coldly neurotic form, which achieved a hypnotic and catatonic tone, besides a classic austerity, on the mini-album Tropics And Meridians (1996). Sustained by abrasive and inconclusive guitar doodling, mutant rhythm and off-key counterpoint of violin and trumpet, Four Great Points (1998) metabolized dub, raga, jazz, pop in a theater of calculated gestures.
    [Show full text]
  • FESTEN Record Store 78 Boulevard Diderot, 75012 Paris Metro Reuilly Diderot Ouvert Du Lundi Au Samedi De 11H À 19H30
    FESTEN Record Store 78 boulevard Diderot, 75012 Paris Metro Reuilly Diderot Ouvert du Lundi au samedi de 11H à 19H30 A Acetate zero ‘softcore paradise’ cd (drumkid) Acetate zero ‘The sad beautiful quintessence’ 7’’ (Orgasm) Ltd to 300 Aerial M ‘Postglobal music’ cd (Domino) Aisler set ‘The last match’ lp (555) Alc Levora ‘First step’ cdr (Arbouse) Alex Gwinnet ‘Here & there’ cd (hinah) Alma fury ‘Passage way’ cd Amalgamated sons of rest ‘s/t’ cd (galaxia) American analog set ‘Promise of love’ cd (Tigerstyle) Ampbuzz ‘This is my’ cd (Strange attractors audiohouse) Ampop ‘made for market’ 7’’ (static caravan) Anamude ‘Remember that sweater’ cd (hinah) Anomoanon ‘Envoi villon’ lp (Galaxia) Anomoanon ‘Asleep many years in the wood’ cd / lp (Temporary residence) Anomoanon ‘Portrait of John Entwistle’ 10’’ (Western vinyl) Angels of light ‘Everything is good here…’ cd (Young god) Aphex Twin ‘Classics’ cd (R&S records) Apples in stereo ‘Sound effects 92-00’ cd (cooking vinyl) Arab strap ‘the red thread’ cd (chemikal underground) Arab strap ‘Monday at the hug & pint’ cd (chemikal underground) Arab Strap ‘The shy retirer’ 12’’ (Chemikal underground) Arca ‘Angles’ cd (DSA) Arco ‘transparency’ cd (Pehr) Arco5 ‘Dynamostar’ cd (Arbouse) Arco flute foundation ‘Everything after the bomb is sci-fi’ cd Ashtabula ‘Possible smokestacks’ cd (Siltbreeze) Aspects of physics ‘Systems of social recalibration’ lp (rocket racer) At the close of every day ‘Zalig zijn…’ cd (Norman) At the drive in ‘Relationship of command’ cd (Grand royal) Aurélie ‘Desde que naci’
    [Show full text]
  • The Wolfe Institute the Ethyle R
    The Wolfe Institute The Ethyle R. Wolfe Institute for the Humanities, in cooperation with the English Department and the MFA Intergenre Reading Series, presents David Grubbs and Anna Rabinowitz David Grubbs is professor of music at Brooklyn College and the Graduate Center, CUNY. At Brooklyn College he also teaches in the MFA programs in Performance and Interactive Media Arts (PIMA) and Creative Writing. He is the author of Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording (Duke University Press), which has recently been translated into French, Italian, and Japanese. Grubbs has released thirteen solo albums and appeared on more than 150 commercially-released recordings, the most recent of which is Prismrose (Blue Chopsticks, 2016). In 2000, his The Spectrum Between (Drag City) was named “Album of the Year” in the London Sunday Times. He is known for his cross-disciplinary collaborations with writers Susan Howe and Rick Moody, visual artists Anthony McCall, Angela Bulloch, and Stephen Prina, and choreographer Jonah Bokaer, and his work has been presented at, among other venues, the Solomon R. Guggenheim Museum, MoMA, the Tate Modern, and the Centre Pompidou. Grubbs was a member of the groups Gastr del Sol, Bastro, and Squirrel Bait, and has performed with the Red Krayola, Will Oldham, Tony Conrad, Pauline Oliveros, and Loren Connors, and many others. He is a grant recipient from the Foundation for Contemporary Arts, a contributing editor in music for BOMB Magazine, and director of the Blue Chopsticks record label. Anna Rabinowitz is a prize-winning poet and librettist. Her fifth volume of poetry isWords On the Street (Tupelo Press, 2016).
    [Show full text]
  • Wolfroy Goes to Town Review
    Wolfroy goes to town review Metacritic Music Reviews, Wolfroy Goes To Town by Bonnie "Prince" Billy, Recorded in Kentucky, the latest album for the singer-songwriter. With Wolfroy Goes to Town, Bonnie “Prince” Billy has scaled back from his last few full length releases. Lie Down in the Light, from Album Review: Bonnie Prince Billy - 'Wolfroy Goes To Town'. There's something about this album that feels like Will Oldham revisiting the. Any track which opens with a reference to gay sex is alright by me, and whilst Oldham's twenty-first studio album Wolfroy Goes To Town is. This is, quite spectacularly, Will Oldham's 21st solo album — his 12th under the guise of Bonnie 'Prince' Billy. That any artist should be so. Wolfroy Goes to Town is a studio album by singer-songwriter Will Oldham, released on Drag At Metacritic, which assigns a normalized rating out of to reviews from mainstream critics, the album has received an average score of At face value, Wolfroy Goes To Town is another fine Will Oldham record. The songs are sparse, yet beautiful, and the vocal arrangements are. Bonnie Prince Billy: Wolfroy Goes To Town hushed Wolfroy Goes To Town; most of the tracks employ Oldham's fragile vocals and gentle either, but B- is a mediocre grade; the review sounds a little more positive than that. Wolfroy Goes To Town is the slowest growing of Bonnie Prince Billy (note the One or two online reviews raved but many seemed vaguely. Reviews \. Bonnie “Prince” Billy, 'Wolfroy Goes to Town' (Drag City) Ismaily, but song structures dissolve altogether on Wolfroy Goes to Town.
    [Show full text]
  • Slints Spiderland Free
    FREE SLINTS SPIDERLAND PDF Scott Tennent | 144 pages | 30 Dec 2010 | Continuum Publishing Corporation | 9781441170262 | English | New York, United States Slint - Spiderland (, Vinyl) | Discogs Slint's landmark second album has been reissued in a box set that includes outtakes, live cuts, and a feature-length documentary by Lance Bangs. The record's greatest Slints Spiderland might be the boundless inspiration it perpetually provides for all the bands that have yet to emerge from the basement. And just what did Slint think their audience—who, judging from the faint smattering of applause, barely cracked the double digits— needed to hear at that moment? In many respects, the story Slints Spiderland Slint is an exceedingly familiar one of influence accruing in absentia, of mavericks who were ignored in their time and had to wait years to get their due. Through their initial existence, Slint were obscure Slints Spiderland even within the subterranean confines of the American indie-rock underground. Compared to the get-in-the-van, play-anywhere ethic practised by fellow s-hardcore students, Slint rarely performed live, and when they did, it was rarely as a headliner. Slints Spiderland were scarce; band photos all the more so. And with the similarly atmospheric, equally explosive likes of Mogwai and Godspeed You! Black Emperor dominating the lates indie-rock conversation, Slint ceased to be just some band that had broken up too soon and became an entire subgenre of Slints Spiderland unto itself. I mean, just look at the cover of the Slints Spiderland set—notice something missing? The demos practically break down Spiderland on a riff-by-riff basis, as we hear the songs devolve from pre-production dress rehearsals to rudimentary acoustic sketches recorded on cassette.
    [Show full text]
  • Saving All the Freaks on the Life Raft : Blending Documentation Strategy with Community Engagement to Build a Local Music Archives
    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Faculty Scholarship Spring 2015 Saving all the freaks on the life raft : blending documentation strategy with community engagement to build a local music archives. Carrie Daniels University of Louisville, [email protected] Heather Fox University of Louisville, [email protected] Sarah-Jane Poindexter Elizabeth Reilly University of Louisville, [email protected] Follow this and additional works at: https://ir.library.louisville.edu/faculty Part of the Library and Information Science Commons Original Publication Information This article was originally published in The American Archivist, volume 78, issue 1, in Spring/Summer 2015. DOI: http://dx.doi.org/10.17723/0360-9081.78.1.238 This Article is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. For more information, please contact [email protected]. 238 SPECIAL SECTION: ARCHIVES AND COMMUNITY ENGAGEMENT Saving All the Freaks on the Life Raft: Blending Documentation Strategy with Community Engagement to Build a Local Music Archives Caroline Daniels, Heather Fox, Sarah-Jane Poindexter, and Elizabeth Reilly ABSTRACT Louisville, Kentucky, has a rich musical heritage, including an underground scene that influenced the sound of not only punk, indie, and hardcore, but also of popu- lar music regionally, nationally, and internationally. In 2013, faced with the loss of several members of this scene over the course of twelve months, archivists in the University of Louisville Archives and Special Collections launched a project to docu- ment this important slice of Louisville’s musical culture.
    [Show full text]
  • Issue 201.Pmd
    email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 202 May Oxford’s Music Magazine 2012 To infinity - and beyond! FIXERS FIXERSt-offt-off -- exclusiveexclusive interviewinterview insideinside PreparePrepare forfor liflif Also in this issue: OXFORD PUNT 2012 - four-page pull-out guide plus Introducing KILL MURRAY and all your local music news, reviews and previews. NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net WITTSTOCK FESTIVAL returns been recorded with A Silent Film’s this month. The annual three-day Rob Stevenson. Visit free festival takes place at the www.pledgemusic.com/projects/ Railway Inn in Culham over the richardwalters to buy his stuff weekend of 4th / 6th May. and help the album come to Ian Staples headlines the opening fruition. evening, joined by Domes of FRANK TURNER returns to Oxford in November as part of an 18- Silence, Junkie Brush, Class FIXERS, TROPHY WIFE AND date UK tour. Following on from his sold-out show at Wembley Arena Dismissed, Skelfie and Mark Allen SECRET RIVALS all play at this last month, the honorary Oxfordian folk-punk troubadour, who counts Barnes. Saturday and Sunday year’s Liverpool Sound City. The Dive Dive members Tarrant Anderson, Ben Lloyd and Nigel Powell in feature a full day and night of three-day music festival takes place his backing band, plays the O2 Academy on Monday 26th November. music. Reservoir Cats top the from Thursday 17th May to Tickets, priced £18, went on sale late April and are likely to sell out fast.
    [Show full text]