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Wurlitzer's S'i'yle 165X: the Ofthe Smaller Theatre Organ
WURLITZER'S S'I'YLE 165X: THE uintessence OFTHE SMALLER THEATRE ORGAN by George Baker Audiences attending theatre organ recitals today often organists were seldom, if ever, mentioned in theatre adver include among their most enthusiastic listeners fans born tising. Under-maintenance of the organs was often the rule, long after the close of the theatre organ's golden age. This rather than the exception. welcome infusion of young blood is a healthy sign, and one Downtown, however, managers of the larger theatres, that augers well for future theatre organ appreciation and well aware that proper organ maintenance as well as key preservation. board talent helped sell tickets, lavished the kind of care on Some younger fans reason that because most of today's their instruments that was seldom extended to the 2/4 and surviving theatre pipe organs are supersize organs located 2/6 Cinderellas in the smaller houses. in large movie palaces that these giants were the dominant When the nation's film theatres were wired for sound, types of organs in use during the halcyon years. many of the big organs survived for another decade by pre A reasonable deduction , but such was not the case. Cen senting organlogues and brief, clear-the-house opening and terpiece theatre organs, such as the New York Paramount closing programs between showings of the feature film. At and Shea's Buffalo Wurlitzers, the Atlanta Fox Moller, and the same time, most of the smaller organs were abandoned the Ohio Theatre Robert-Morton, in Columbus, were the ex immediately after the installation of sound equipment - left ception, not the rule. -
Allen Organ Technology
Perfection Sound | Technology | Sustainability An Allen Organ offers perfection throughout. This begins with the finest pipe organ sounds and masterful build quality, and flows into all aspects of the instrument. The Art of Organ Building – “To my eyes and ears the organ will ever be the King of Instruments.” Majestic Sound – Wolfgang Amadeus Mozart Allen Organs Sound Better Superior organ sound comes from a combination of advanced technology and years of artistic experience sampling pipe organs. Throughout history the organ has been a remarkable combination of technology and traditional music. With hundreds of pipes, early pipe organs were the most advanced products in a community. Modern electronics have enabled the production of pipe organ sound without requiring pipes. Today’s finest digital instruments reproduce the grandeur of pipe organs, at significantly lower costs. Allen’s 7th-generation GeniSys™ technology includes dozens of advanced Digital Signal Processors working in parallel, supercomputer power, offering the most realistic pipe organ sound available from a digital organ. Coupled with a two-decade lead in digital sampling experience over other digital organ builders, Allen Organ Company is the acknowledged leader. Pipe Organ Sound Reproducing realistic pipe organ sound requires advanced technology. Allen’s technology is proven weekly through its many combination organs that include both digital voices and windblown pipes played in the same building. Proof statement: Listeners have difficulty determining the source of the sounds. A recent Allen combination organ installation in Stockholm, Sweden, is an example comparing, in real-time, Allen’s digitally produced voices alongside of windblown pipes. Click the photo to hear for yourself. -
International Touring Organ - March 19
ABOUT THE ARTIST CAMERON CARPENTER AND THE INTERNATIONAL TOURING ORGAN - MARCH 19 piano works by Chopin, Godowsky, Grainger, Ives, Liszt, Medtner, Rachmaninoff, Schumann and others. Mr. Carpenter received a Master’s Degree from The Juilliard School in New York in 2006. The same year, he began his worldwide organ concert tours, giving numerous debuts at venues including Royal Albert Hall, the Leipzig Gewandhaus, Melbourne Town Hall, Tchaikovsky Hall in Moscow, Davies Hall in San Francisco and many others. His first album for Telarc®, the Grammy®-nominated CAMERON CARPENTER, ORGAN Revolutionary (2008), was followed in THE INTERNATIONAL TOURING ORGAN 2010 by the critically acclaimed full length AMERON CARPENTER is having DVD and CD Cameron Live! Edition Peters of years with a single instrument. Therefore a ball smashing the stereotypes became his publisher in 2010, beginning Marshall & Ogletree has sampled sounds of organists and organ music – all the ongoing release of his original works from many traditional pipe organs, C with Aria, Op. 1 (2010). His first major the while generating worldwide acclaim including many of Cameron’s favorite work for organ and orchestra, The Scandal, and controversy. His repertoire – from instruments – from the cathedral to the Op. 3, was commissioned by the Cologne the complete works of J. S. Bach to film Wurlitzer. These come together in an organ Philharmonie (KölnMusic GmbH) and scores, his original works and hundreds designed not for size, limitless variety or to premiered on New Year’s Day 2011 by the of transcriptions and arrangements – is model any particular pipe organ, but rather Deutsche Kammerphilharmonie under the probably the most diverse of any organist. -
Atlantic City Convention Center/Jim Whelan Boardwalk Hall – Stanchions
Spectra Venue Management, L.P. SOLICITATION OF BIDS Jim Whelan Boardwalk Hall Atlantic City Convention Center For: Stanchions Event Date Time Bidder’s Questions Due Date June 4, 2021 12:00 p.m. Bidder’s Response to Questions June 18, 2021 5:00 p.m. Bid Submission Due Date July 9, 2021 11:00 a.m. Dates are subject to change. All changes will be reflected in Addenda to the solicitation posted on the www.boardwalkhall.com/arena-info/rfps. Solicitation Issued By Spectra Venue Management L.P., as operator of Jim Whelan Boardwalk Hall and the Atlantic City Convention Center, as managing agent for Casino Reinvestment Development Authority 2301 Boardwalk Atlantic city, New Jersey 08401 Phone: 609-348-7026 Date Issued: (May 28, 2021) NOTICE TO BIDDERS PUBLIC NOTICE IS HEREBY GIVEN that sealed bids will be received by Spectra Venue Management, L.P. (“Spectra Venue Management”), as operator of Jim Whelan Boardwalk Hall (“Boardwalk Hall”) and the Atlantic City Convention Center (the “Convention Center”), as agent on behalf of the Casino Reinvestment Development Authority (“Spectra Venue Management”) for Stanchions Bid forms, contracts, drawings and specifications can be obtained from the offices of Spectra Venue Management located at 2301 Boardwalk, Atlantic City, New Jersey or on the website at. www.boardwalkhall.com/arena-info/rfps Sealed bids must be mailed, presented or delivered to Spectra Venue Management, 2301 Boardwalk, Atlantic City, New Jersey 08401, Attn. Clark Hughes, Capital Project/Procurement Manager. Spectra Venue Management accepts no responsibility for the timeliness of any bidder’s delivery, mail, delivery or courier service. -
Step up Your Playing the Teaching Program for Adults in Atos
JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY JANUARY | FEBRUARY 2016 www.atos.org ATOS JanFeb 58-1 G.indd 1 12/16/15 7:18 PM STEP UP YOUR PLAYING THE TEACHING PROGRAM FOR ADULTS IN ATOS HOSTS: The Atlanta Chapter of ATOS LOCATION: Atlanta, Georgia DATE: Friday–Sunday, March 4–6 ORGANS: Stephenson High School, 4/22 Page; Strand Theatre Allen GW4; McGee Residence Allen TO5; Double Residence Allen GW 4 INSTRUCTORS: Donna Parker; Tom Helms; Ken Double; and a Special Teaching Session with Richard Hills EVENTS: Four teaching sessions; Special Seminar with Richard Hills; Saturday night concert with Richard Hills at the Grande Page; Closing night dinner party. HOTEL: Fairfield Inn and Suites, Vinings/ Atlanta; 2450 Paces Ferry Road; Atlanta, GA REGISTRATION: Just $249 per person includes all-day session with four instructors, concert at Stephenson H.S. with Richard Hills, transportation to all events, a farewell dinner party. The 4/22 Grande Page Pipe Organ; Stephenson High Space is limited to 22 participants. School; Stone Reserve now! Mountain, Ga Contact Jonas Nordwall at [email protected]. Visit atos.org for more information. ATOS JanFeb 58-1 G.indd 2 12/16/15 7:19 PM THEATRE ORGAN JANUARY | FEBRUARY 2016 Volume 58 | Number 1 FEATURES Name the 12 Organs The Empire Wurlitzer 14 50 Years in Metro-Land Western Reserve II 26 2016 Annual Convention Memories of 36 Buddy Cole DEPARTMENTS 3 Vox Humana 5 President’s Message 6 Directors’ Corner 8 News & Notes 9 Retreat Forward 10 For the Records 48 Chapter News 57 Closing Chord 58 Around the Circuit Connor Palace, Playhouse Square Center THEATRE ORGAN (ISSN 0040-5531) is published bimonthly by the American Theatre Organ On the cover: Society, Inc., 7800 Laguna Vega Drive, Elk Grove, California 95758. -
2017 Pipe Organ Report
ORGAN REPORT 2604 N. Swan Blvd., Wauwatosa, WI 53226 JUNE 1, 2017 “Beauty evangelizes, and a new organ will strengthen the Christ King mission to proclaim Christ and make disciples in the world.” Table of Contents A Letter From the Organ Committee.................Pg. 2 The Organ Committee Process..........................Pg. 3 Addendum 1 of 2: Riedel Organ Condition Report..................Pg. 4-15 Addendum 2 of 2: Type of Organs.............................................Pg.16-20 From theTHE Committee... PIPE ORGAN AT CHRIST KING PARISH The Organ Committee at Christ King Parish was formed in 2015 at the request of the Pastoral Council and the Worship Committee to evaluate the condition of our current organ, plus its present and future role in our community. This report will provide details on the failing condition of our organ, the cost for refurbishment vs the cost of replacing the instrument and the vetting of organ building companies. In 2007, the United States Conference of Catholic Bishops (USCCB) issued a document entitled, “Sing to the Lord: Music in Divine Worship”. Drawing from several centuries of organ use in the Catholic Church the Bishops stated the following about organs: 87. Among all other instruments which are suitable for divine worship, the organ is “accorded pride of place” because of its capacity to sustain the singing of a large gathered assembly, due to both its size and its ability to give “resonance to the fullness of human sentiments, from joy to sadness, from praise to lamentation.” Likewise,” the manifold possibilities of the organ in some way remind us of the immensity and the magnificence of God” 88. -
Page 14 Street, Hudson, 715-386-8409 (3/16W)
JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY NOVEMBER | DECEMBER 2010 ATOS NovDec 52-6 H.indd 1 10/14/10 7:08 PM ANNOUNCING A NEW DVD TEACHING TOOL Do you sit at a theatre organ confused by the stoprail? Do you know it’s better to leave the 8' Tibia OUT of the left hand? Stumped by how to add more to your intros and endings? John Ferguson and Friends The Art of Playing Theatre Organ Learn about arranging, registration, intros and endings. From the simple basics all the way to the Circle of 5ths. Artist instructors — Allen Organ artists Jonas Nordwall, Lyn Order now and recieve Larsen, Jelani Eddington and special guest Simon Gledhill. a special bonus DVD! Allen artist Walt Strony will produce a special DVD lesson based on YOUR questions and topics! (Strony DVD ships separately in 2011.) Jonas Nordwall Lyn Larsen Jelani Eddington Simon Gledhill Recorded at Octave Hall at the Allen Organ headquarters in Macungie, Pennsylvania on the 4-manual STR-4 theatre organ and the 3-manual LL324Q theatre organ. More than 5-1/2 hours of valuable information — a value of over $300. These are lessons you can play over and over again to enhance your ability to play the theatre organ. It’s just like having these five great artists teaching right in your living room! Four-DVD package plus a bonus DVD from five of the world’s greatest players! Yours for just $149 plus $7 shipping. Order now using the insert or Marketplace order form in this issue. Order by December 7th to receive in time for Christmas! ATOS NovDec 52-6 H.indd 2 10/14/10 7:08 PM THEATRE ORGAN NOVEMBER | DECEMBER 2010 Volume 52 | Number 6 Macy’s Grand Court organ FEATURES DEPARTMENTS My First Convention: 4 Vox Humana Trevor Dodd 12 4 Ciphers Amateur Theatre 13 Organist Winner 5 President’s Message ATOS Summer 6 Directors’ Corner Youth Camp 14 7 Vox Pops London’s Musical 8 News & Notes Museum On the Cover: The former Lowell 20 Ayars Wurlitzer, now in Greek Hall, 10 Professional Perspectives Macy’s Center City, Philadelphia. -
Trinity's Organ
Trinity’s Organ The organ at Trinity was dedicated on October 23, 1994. In many ways it can be thought of as a reflection of our own congregation. There are 2,395 pipes in the organ. Trinity congregation, in 1994 was very close to that number in membership and has since then far surpassed it. The pipes in the organ actually form a “congregation of singers” made up of many different shapes and sizes. Some are short, some are tall. Some sing high, some sing low. Some are loud, some are soft. Each person in our sanctuary can combine his or her voice with others to offer up prayers and songs of praise. Each pipe in the organ “building” works along side of others to produce sounds for accompanying our songs of praise. We each have a mouth to sing God’s praise. Each pipe in the organ also has a mouth. The straight edge at the top of a pipe’s mouth is called the upper lip. The bottom edge is the lower lip. Pipes have “feet”, “bodies”, “ears”, and “tongues.” The pipes “sing” in much the same way as humans. Sound is produced when air causes something to vibrate. The sound then comes out through a mouth for all to hear. The pipes receive their breath for singing from a windchest. The sound produced by the pipes is thus a sound that is vibrant – “alive”! The organ at Trinity is an instrument allowed by God to be built for worship – an instrument whose breath will combine with ours to set in motion pipes for praise. -
Theatre Owner's Manual
TH-202/TH-302 Theatre Models IMPORTANT! Organs which contain GeniSys™ technology no longer include the GeniSys™ Controller Guide within the model specific Owner’s Manual. The correct GeniSys™ Controller Guide must be downloaded and/or printed separately. Please check the CODE version of the software installed within the organ to determine which version of the GeniSys™ Controller Guide is required. The CODE version is briefly displayed within the GeniSys™ Controller’s LCD display when the organ starts up. Copyright © 2016 Allen Organ Company All Rights Reserved AOC P/N 033-00221-1 Revised 10/2016 ALLEN ORGAN COMPANY For more than sixty years--practically the entire history of electronic organs-- Allen Organ Company has built the finest organs that technology would allow. In 1939, Allen built and marketed the world’s first electronic oscillator organ. The tone generators for this instrument used two hundred forty-four vacuum tubes, contained about five thousand components, and weighed nearly three hundred pounds. Even with all this equipment, the specification included relatively few stops. By 1959, Allen had replaced vacuum tubes in oscillator organs with transistors. Thousands of transistorized instruments were built, including some of the largest, most sophisticated oscillator organs ever designed. Only a radical technological breakthrough could improve upon the performance of Allen’s oscillator organs. Such a breakthrough came in conjunction with the United States Space Program in the form of highly advanced digital microcircuits. In 1971, Allen produced and sold the world’s first musical instrument utilizing digitally sampled voices! Your organ is significantly advanced since the first generation Allen digital instrument. -
PARAMOUNT Theatre
ATOS Jan/Feb 49-1 F 12/5/06 8:29 PM Page 1 JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY JANUARY | FEBRUARY 2007 ORGAN in the New PARAMOUNT Theatre Remarkably significant! The owners of the world's greatest cinema palace, the new Paramount Theatre, New York, regard the Wurlitzer Organ as one of their main feat ures. The Wurlitzer Organ can be individu ally accommodated to large and small thea tres, th e use of which is today considered one of the attributes of superior theatre management. Write today for catalog. Exccuti1 1e Offices: Cin cinnat i, Ohio fa Clorics: Nor th Ton awanda , N. Y. New York C incinnati Chicn1,:o Cleveland Pittsbur gh Detroit Philadelphia Buffalo Sa n Francisco Los Amtele!I St. Lo ui<1 K:msas Citv ATOS Jan/Feb 49-1 F 12/5/06 8:29 PM Page 2 S USAN C OLE K EYBOARD P RODUCTIONS Jeff P RESENTSTHE 9 TH A NNUAL V ILLAGES “Pop” Organ A Complete Line Weiler of Theatre and Concert Series Church Organ —Rob Richards & Ralph Wolf— Parts Organist, Friday, January 19 For information, use our website: Composer & —Choy Lozada— arndtorgansupply.com Silent Film Saturday, February 3 —Paul Roberts— Or send for our CD-ROM catalog Accompanist Friday, March 30 Arndt Organ Supply Co. —Jelani Eddington— 1018 SE Lorenz Dr. Friday, April 20 Artra Artists Management, Inc. Ankeny, IA 50021 555 West Madison St., Suite 2110 Church on the Square, The Villages, FL Phone (515) 964-1274 Chicago, Illinois 60601 (1.5 hours north of Orlando) Fax (515) 963-1215 800-354-1645 For more information contact Susan Cole. -
Church Organ History
Church’s Organ Has Long History The organ in the church sanctuary was built in 1938 by the illustrious Aeolian Skinner Company of Boston, Massachusetts, based upon a design by tonal director G. Donald Harrison. It was moved from its original home at Hollins College in Roanoke, Virginia, and reinstalled here at First United Methodist Church of Commerce, Texas, in 1970-71 by James Sandling of Dallas. The church edifice itself was completed in February of 1968 at a cost of $450,000. The first service was held in the new building on February 25, 1968. The organ, purchased for a mere $10,000-12,000, required the expenditure of an additional $12,000 to transport it to Commerce and another $10,000 to rebuild the front of the church to accommodate the instrument. So, for about $34,000 the church got an organ then valued at $100,000. To replace the organ today with one of similar size and quality would cost more than $1,000,000. Installation of the organ began in September of 1970. Upon completion of its installation, the organ was officially consecrated in church services and recitals. Mrs. Dorothy Richards, the church’s organist, gave a short recital prior to the sermon on April 18, 1971. Norma Stevlingson, the organ instructor at East Texas State University, located across the highway from the church, performed a solo recital that afternoon, performing music by deGrigny, Bach, Franck and Alain. On the afternoon of April 25, a choral performance, given by the East Texas State University Chamber Singers under the direction of Charles Nelson, was interspersed with renditions of solo organ music by Alain performed by Maurice Thompson, a student of Miss Stevlingson. -
EVENT PLANNING GUIDE Welcome to the Atlantic City Convention Center
ATLANTIC CITY CONVENTION CENTER EVENT PLANNING GUIDE Welcome to the Atlantic City Convention Center ATLANTIC CITY CONVENTION CENTER 1 CONVENTION BOULEVARD, ATLANTIC CITY, NJ 08401 | (609) 449-2000 | MEETAC.COM A MESSAGE FROM GENERAL MANAGER DEAN DENNIS Welcome to the Atlantic City! On behalf of Spectra, Meet AC and all of our valued partners, we are delighted that you have chosen the Atlantic City Convention Center as your event venue and we look forward to working with you and your team! As you proceed with your plans, this Event Planning Guide will address many of our most frequently asked questions as well as providing other valuable facility information. In addition, an assigned Event Manager, your primary liaison between you and the facility, will be available throughout your event for additional questions, concerns or requirements. Contact information for your Event Manager and our entire team is listed on page 20-21. At the Atlantic City Convention Center, we have a seasoned team of professionals that stand ready to help make your event an overwhelming success! We look forward to seeing you! Please visit www.meetac.com for the most up-to-date version of this guide. Kind Regards, Dean Dennis, General Manager Atlantic City Convention Center Spectra by Comcast Spectacor TABLE OF CONTENTS Emergency Medical Technician ................11-12 A Evacuation Procedures ....................................12 ADA Compliance ...................................................9 Event Manager ....................................................12