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October 12-18 Videofest.Org Video Association of Dallas Make Films That Matter
ANGELIKA FILM CENTER OCTOBER 12-18 VIDEOFEST.ORG VIDEO ASSOCIATION OF DALLAS MAKE FILMS THAT MATTER UNIVERSITY OF The Department of Art and TEXAS ARLINGTON Art History at UTA has an ART+ART HISTORY excellent reputation for FILM/VIDEO PROGRAM grooming young filmmakers, preparing WWW.UTA.EDU/ART 817-272-2891 them for the creative challenges and emotional rigors of the motion picture industry. Call our advising sta to find out how you can train to be a vital part of the film industry. Art Art History Department 2 CONTENTS 2 BROUGHT TO YOU BY 3 2015 BOARD OF DIRECTORS 4 SPONSORS & CONTRIBUTORS 8 WELCOME BY BART WEISS 10 ABOUT OUR JURORS 14 TEXAS SHOW JURORS 16 KOVACS AWARD 18 HONOREES 26 SCREENINGS 52 SCHEDULE 1 BROUGHT TO YOU BY BARTON WEISS YA’KE SMITH Artistic Director Festival Bumpers RAQUEL CHAPA MARK WICKERSHAM Managing Director KARL SCHAEFFER Transportation BOXOFFICE: PREKINDLE SELIG POLYSCOPE COMPANY CAMERON NELSON Videography Technical Supervisor REDMAN I AM CHRISTIAN VASQUEZ Trophies DAVID GRANDBERRY Technical Assistant MATTHIEU CARTAL DAKOTA FORD MARISSA ALANIS MATTHEW GEISE MARGARITA BIRNBAUM VIVIAN GRAY AMY MARTIN Outreach MIKE MILLER YUMA MORRIS KELLY J KITCHENS ELEONORA SOLDATI Interns RONI HUMMEL Media Relations/Entertainment Publicity BETH JASPER ALVIN HYSONG DANA TURNER MARSHALL PITMAN Program Editor WES SUTTON Programmers TAMITHA CURIEL Newsletter Editor RON SIMON Curator of Television Pasily Center CYNTHIA CHAPA Program Content ED BARK Critic Uncle Barkey SULLIVANPERKINS MICHAEL CAIN Graphic Design Filmmaker, former head of AFI Dallas Festival DESIGN TEXAS - UT ARLINGTON JOSH MILLS Program Book Design It’s Alive! Media & Management DEV SHAPIRO Kovacs Committee DARREN DITTRICH Webpage 2 BOARD OF DIRECTORS JEFFREY A. -
Bayou Place Houston, Texas
Bayou Place Houston, Texas Project Type: Commercial/Industrial Case No: C031001 Year: 2001 SUMMARY A rehabilitation of an obsolete convention center into a 160,000-square-foot entertainment complex in the heart of Houston’s theater district. Responding to an international request for proposals (RFP), the developer persevered through development difficulties to create a pioneering, multiuse, pure entertainment destination that has been one of the catalysts for the revitalization of Houston’s entire downtown. FEATURES Rehabilitation of a "white elephant" Cornerstone of a downtown-wide renaissance that has reintroduced nighttime and weekend activity Maximized leasable floor area to accommodate financial pro forma requirements Bayou Place Houston, Texas Project Type: Adaptive Use/Entertainment Volume 31 Number 01 January-March 2001 Case Number: C031001 PROJECT TYPE A rehabilitation of an obsolete convention center into a 160,000-square-foot entertainment complex in the heart of Houston’s theater district. Responding to an international request for proposals (RFP), the developer persevered through development difficulties to create a pioneering, multiuse, pure entertainment destination that has been one of the catalysts for the revitalization of Houston’s entire downtown. SPECIAL FEATURES Rehabilitation of a "white elephant" Cornerstone of a downtown-wide renaissance that has reintroduced nighttime and weekend activity Maximized leasable floor area to accommodate financial pro forma requirements DEVELOPER The Cordish Company 601 East Pratt Street, Sixth Floor Baltimore, Maryland 21202 410-752-5444 www.cordish.com ARCHITECT Gensler 700 Milam Street, Suite 400 Houston, Texas 77002 713-228-8050 www.gensler.com CONTRACTOR Tribble & Stephens 8580 Katy Freeway, Suite 320 Houston, Texas 77024 713-465-8550 www.tribblestephens.com GENERAL DESCRIPTION Bayou Place occupies the shell of the former Albert Thomas Convention Center in downtown Houston’s theater district. -
READING INTERNATIONAL, INC. (Exact Name of Registrant As Specified in Its Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K þ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2020 or ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from _______ to ______ Commission File No. 1-8625 READING INTERNATIONAL, INC. (Exact name of registrant as specified in its charter) Nevada 95-3885184 (State or other jurisdiction of incorporation or organization) (I.R.S. Employer Identification Number) 5995 Sepulveda Boulevard, Suite 300 Culver City, CA 90230 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including Area Code: (213) 235-2240 Securities Registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol Name of each exchange on which registered Class A Nonvoting Common Stock, $0.01 par value RDI NASDAQ Class B Voting Common Stock, $0.01 par value RDIB NASDAQ Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ¨ No þ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934. Yes ¨ No þ Indicate by check mark whether registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Exchange Act of 1934 during the preceding 12 months (or for shorter period than the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
NATO Feb 07.Indd
February 2007 NATO of California/Nevada February 2007 NATO of California/Nevada Information for the California and Nevada Motion Picture Theatre Industry CALENDAR Spring/Summer Film Product Seminar of EVENTS & Set for April HOLIDAYS Be among the first to see the adventure, animation, drama and comedy that awaits the movie-going public this coming season. Attend the NATO of California/Nevada 2007 Spring/ Valentine’s Day Summer Film Product seminar on Thursday, April 12th at the February 14 Regal Hacienda Crossing Theatre in Dublin or Tuesday, April 17th at Krikorian Premiere Theatres’ Metroplex 18 At Buena President’s Day Park Downtown. February 19 The full day seminars will begin at 9:00 AM with a conti- Regal’s Hacienda Crossing Theatre nental breakfast, continue in the auditorium at 10:00 AM where Academy Awards the marketing reps from the major studios will present upcoming presentation promotions and product reels from their exciting spring and February 25 summer line-ups. A lunch break will allow time for meeting and visiting with other managers, followed by the concluding Daylight Saving presentations and the ever-popular Goodie Bag distribution. Time Begins Attendance is open to NATO of CA/NV member companies March 11 and is by reservation only, no walk-ins and no substitutions. Due to space limitations we can accommodate no more than ShoWest two persons from each theatre location. Reservation deadline March 12-15 is Friday, March 23rd. See registration on page 2 Krikorian’s Metroplex 18 at Buena Park St. Patrick’s Day March 17 Regal’s Curtis Ewing Joins Spring Begins March 21 Board of Directors Curtis M. -
Annual Stockholders Meeting
2019 ANNUAL STOCKHOLDERS MEETING MAY 7, 2019 DISCLAIMERS Our comments today may contain forward-looking statements and This presentation is intended to summarize the projects on which management may make additional forward-looking statements in we are working and our plan for moving our Company forward. response to your questions. Such written and oral disclosures are made pursuant to the Safe Harbor provision of the Private Securities Many of the projects are in their early stages and will be subject to Litigation Reform Act of 1995. various Governmental and Board approvals. Accordingly, no assurances can be given that the plans discussed herein will be Although we believe our expectations expressed in such forward- achieved. looking statements are reasonable, we cannot assure you that they will be realized. Investors are cautioned that such forward-looking Further, some of the design concepts included in this presentation statements involve risks and uncertainties that could cause actual include proposed architectural renderings that represent works in results to differ materially from the anticipated results, and progress. therefore we refer you to a more detailed discussion of the risks and uncertainties in the Company’s filings with the Securities & Exchange Commission. FINANCIAL RECONCILATIONS We use EBITDA in the evaluation of our Company’s performance since we believe that EBITDA EBIT and EBITDA also fail to take into account the cost of interest and taxes. Interest is clearly a real provides a useful measure of financial performance and value. We believe this principally for the cost that for us is paid periodically as accrued. Taxes may or may not be a current cash item but are following reasons: nevertheless real costs that, in most situations, must eventually be paid. -
Three Colomns-ML Based on DOHMH New York City Restaurant Inspection Results
Three colomns-ML Based on DOHMH New York City Restaurant Inspection Results DBA CUISINE DESCRIPTION DUNKIN Donuts ALL ABOUT INDIAN FOOD Indian CHARLIES SPORTS BAR Bottled Beverages MIMMO Italian SUENOS AMERICANO BAR Spanish RESTAURANT ANN & TONY'S RESTAURANT Italian GREEN BEAN CAFE Coffee/Tea PORTO BELLO PIZZERIA & Pizza RESTAURANT GUESTHOUSE RESTAURANT Eastern European CALEXICO CARNE ASADA Mexican JOHNNY UTAHS American RUMOURS American FORDHAM RESTAURANT American HONG KONG CAFE CHINESE Chinese RESTAURANT ASTORIA SEAFOOD & GRILL Seafood SUP CRAB SEAFOOD RESTAURANT Chinese SWEETCATCH POKE Hawaiian SWEETCATCH POKE Hawaiian Page 1 of 488 09/29/2021 Three colomns-ML Based on DOHMH New York City Restaurant Inspection Results INSPECTION DATE 11/18/2019 09/15/2021 11/24/2018 03/12/2020 01/03/2020 02/19/2019 01/16/2020 07/06/2017 04/24/2018 04/19/2018 06/20/2018 12/12/2019 09/10/2019 05/14/2018 08/19/2019 08/27/2019 06/24/2019 06/24/2019 Page 2 of 488 09/29/2021 Three colomns-ML Based on DOHMH New York City Restaurant Inspection Results KAHLO Mexican 52ND SUSHI Japanese EL COFRE RESTAURANT Latin American CARVEL Frozen Desserts CHOPSTICKS Chinese CATRIA MODERN ITALIAN Italian CATRIA MODERN ITALIAN Italian TAGLIARE PIZZA DELTA TERMINAL American OVERLOOK American BILLIARD COMPANY American BOCADITO BISTRO Eastern European FINN'S BAGELS Coffee/Tea FINN'S BAGELS Coffee/Tea CHUAN TIAN XIA Chinese LA POSADA MEXICAN FOOD Mexican CHINA STAR QUEENS CHINESE Chinese RESTAURANT AC HOTEL NEW YORK DOWNTOWN American NEWTOWN Middle Eastern NO.1 CALLE 191 PESCADERIA -
SISTER ALMA I OHN Remember the Day I Met Her, a Tuesday Afternoon in 1976 at !Her Loth Floor Apartment in the Riverton Houses in Harlem
A Weekly Guide to African-American Culture December 16-22, 1991 • (212) 627-5241• Vol. I, No. 29 • $1.00 LISTINGS INSIDE: ART • CABARETS • CONCERTS • THEATER RESTAURANTS • FREE·FOR·ALL REMEMBERING SISTER ALMA I OHN remember the day I met her, a Tuesday afternoon in 1976 at !her lOth floor apartment in the Riverton Houses in Harlem. I went there to enlist her partic ipation in a health education program I was developing for a hospital in the community. She welcomed me with a warm smile and big, brown, twinkling eyes that illuminated her caramel colored face. With a gentle wave of her hand she offered me a seat on a couch in the living room and after adjusting her headtie, which matched her orange and red African dress, sat b.,side me. We talked like old friends, first about the numerous plaques decorating the Jiving room walls, then about the program, in which she readily agreed to participate. Needless to say I was delighted, but what made me even happier was her accepting me as a member of The Family which, for her, included everyone of African descent. For Alma Vessells John was the quintessential community mother who dedicated her life to serving her people, most of whom, she said, "are God-fearing, hardworking and upstanding citizens. And there isn't anything wrong with the other five percent that more love, more understanding and more opportunity wouldn't help." Sister John, as she insisted on being called, helped people. I remember those Saturday mornings when she would share a wealth of information with actors, students, entrepreneurs who came to her place seeking assistance in starting a career, developing a -- ~ business, or on locating grants to finance a college education. -
Nycfoodinspectionsimple Based on DOHMH New York City Restaurant Inspection Results
NYCFoodInspectionSimple Based on DOHMH New York City Restaurant Inspection Results DBA BORO STREET ZIPCODE DUNKIN Brooklyn LINDEN BOULEVARD 11208 ALL ABOUT INDIAN FOOD Brooklyn BUSHWICK AVENUE 11206 CHARLIES SPORTS BAR Queens 60TH ST. - STORE MIMMO Manhattan YORK AVENUE 10128 SUENOS AMERICANO Queens JUNCTION BLVD BAR RESTAURANT ANN & TONY'S Bronx ARTHUR AVENUE 10458 RESTAURANT GREEN BEAN CAFE Manhattan YORK AVENUE 10021 PORTO BELLO PIZZERIA Queens DITMARS BOULEVARD 11105 & RESTAURANT GUESTHOUSE Brooklyn BRIGHTON BEACH AVENUE 11235 RESTAURANT CALEXICO CARNE ASADA Brooklyn UNION STREET 11231 JOHNNY UTAHS Manhattan WEST 51 STREET 10019 RUMOURS Manhattan 8 AVENUE 10019 FORDHAM RESTAURANT Bronx GRAND CONCOURSE 10458 HONG KONG CAFE Brooklyn FRANKLIN AVENUE 11238 CHINESE RESTAURANT ASTORIA SEAFOOD & Queens STEINWAY ST 11103 GRILL SUP CRAB SEAFOOD Manhattan BOWERY 10002 RESTAURANT Page 1 of 560 09/29/2021 NYCFoodInspectionSimple Based on DOHMH New York City Restaurant Inspection Results CUISINE DESCRIPTION INSPECTION DATE Donuts 11/18/2019 Indian 09/15/2021 Bottled Beverages 11/24/2018 Italian 03/12/2020 Spanish 01/03/2020 Italian 02/19/2019 Coffee/Tea 01/16/2020 Pizza 07/06/2017 Eastern European 04/24/2018 Mexican 04/19/2018 American 06/20/2018 American 12/12/2019 American 09/10/2019 Chinese 05/14/2018 Seafood 08/19/2019 Chinese 08/27/2019 Page 2 of 560 09/29/2021 NYCFoodInspectionSimple Based on DOHMH New York City Restaurant Inspection Results RESTAURANT SWEETCATCH POKE Manhattan MADISON AVENUE 10016 SWEETCATCH POKE Manhattan MADISON AVENUE -
LEADERSHIP EXPERIENCE Director, Performing Arts & Producing Artistic Director June 2011-Present Fine Arts Center Theatre
SCOTT R.C. LEVY 5185 GRANBY CIRCLE – COLORADO SPRINGS, CO – 80919 347.526.6627 / [email protected] LEADERSHIP EXPERIENCE Director, Performing Arts & Producing Artistic Director June 2011-Present Fine Arts Center Theatre Company Colorado Springs, CO Currently serving as Managing and Artistic Leader for the Performing Arts Department of the Colorado Springs Fine Arts Center at Colorado College, a significant 100-year old multi-disciplinary arts institution with an annual budget of $6 Million, located in Colorado’s second largest city. Responsible for the Fine Arts Center Theatre Company, the third largest professional Equity company in the state, producing a dozen productions across two historic stages annually and the largest “all-ages” education program in Southern Colorado (the FAC Theatre School). Primary responsibilities and accomplishments by category include: Strategic Planning & Institution Building: • Serve on the Executive Leadership Team of the FAC, charged with developing long- term strategic planning for the annual operations of the institution • Responsible for developing and implementing strategic plan related to the merger between the Colorado Springs Fine Arts Center and Colorado College (July 2017). Led year-long theatre company/Performing Arts planning, served on Implementation Committee and currently standing member of the Performing Arts Council for Colorado College Budget and Financial Management • Annually create and track the direct operating and capital budgets for the Performing Arts/Theatre Company and influence -
West Village CHELSEA • GREENWICH VILLAGE • LADIES MILE SHOPPING DISTRICT • MEATPACKING DISTRICT • SOHO
West Village CHELSEA • GREENWICH VILLAGE • LADIES MILE SHOPPING DISTRICT • MEATPACKING DISTRICT • SOHO Streets East 19 St, B12 Mulry Square, F8 West 10 St, F10, G8, J6 Points of Interest Center Stage, B11 Colonial House Inn, A6 # Flatiron Building, A11 Himalayan Institute of New York, E11 Lawrence A. Wien Center, B12 New York Shambala Center, A9 Pier 54, 56, E2 High School, D10 Sullivan Street Playhouse, K11 # Village Vanguard, F8 East 20 St, B12 Ninth Av, B-E5 West 11 St, F10, G7, H5 Chabad Center for Jewish Discovery, B9 Congregation Beth Simchat Forbes Magazine Gallery, E11 Hotel Gansevoort, E5 Legacy School for Integrated Studies, E10 New York Studio School, G11 Pier 59, C1 St. Francis Xavier College, D10 Sundance Institute, M9 Ward-Nasse Gallery, M11 Abingdon Square, F6 East 21 St, B12 Patchin Place, F9 West 12 St, E10, F7, G4 ABC Carpet & Home, B12 Chabad Synagogue, B9 Torah, G5 Foundation Center, D11 Hotel Verite, B12 Leo House, A5 # New York University, G12, J12 Pier 60, 61, B1 St. John’s in-the-Village Church, F7 Sweet Basil, H8 Washington Arch, H11 Key Bank St, F7, H4 East 22 St, A12 Perry St, G7, J5 West 13 St, E4-10 Abingdon Square Memorial, F6 Chambers Fine Art, B2 Congregation Derech Amuno, G7 Four Points by Sheraton Hotel, M9 Hudson Depot, D2 Lesbian & Gay Community Center, E7 Bobst Library, J12 Pier 62, A1 St. John’s Lutheran Church, H8 Tenri Cultural Institute, E10 Washington Square Hotel, G10 # Washington Square Park, H11 Barrow St, J8, K6 Eighth Av, B-F6 Prince St, L11 West 14 St, D4-10 Actor’s Playhouse, H8 Chelsea, A5, C10 Congregation Emunath Israel, A7 French Evangelical Presbyterian Hudson Guild-Fulton Senior Center, C4 Liberty HS, Academy for Law School, J10 Players Theatre, J10 # St. -
Spring ITEMS 08
ITEMS COMMISSION ON VOLUNTARY SERVICE & ACTION $3.00 Suggested Donation Fall 2011 CVSA Connects Arthus-Bertrand’s Film “HOME” to Local Volunteer Action Film Impels Viewers to Seek End to Unsustainable Economic, Energy Policies by Susan Angus, CVSA Executive Director When CVSA learned of HOME — a unique film not well “This is a win-win arrangement!” exclaimed Yann known in the U.S. that gives the viewer the opportunity to actu- Arthus-Bertrand, renowned photographer from Paris, standing ally view ways in which climate change is altering the earth and in the lobby of the Village East Cinema in New York City the the resultant deleterious effects on all forms of life — CVSA first week of February 2011 after seeing dozens of people who contacted the producer in Paris about our interest in holding a had just watched his film HOME gather at CVSA’s INVEST screening in New York City. We learned that Arthus-Bertrand YOURSELF volunteer information table. CVSA volunteers had plans to come to New York soon along with staff from the Marjorie Pollice, Susan Louie and Rita Rochford took shifts GoodPlanet Foundation, the nonprofit organization he found- staffing the table in the lobby each day of the free screenings to ed in 2005. They had a scheduled premiere showing at talk with audience members about how they can put their con- Columbia University and then a week of free screenings in the cerns about systematic human and environmental destruction East Village — not far from CVSA’s former Union Square into action by volunteering with CVSA or any of the hundreds office location. -
The Creation and Development of Rent by Jonathan Larson
ABSTRACT Title of Document: “OVER THE MOON”: THE CREATION AND DEVELOPMENT OF RENT BY JONATHAN LARSON Elizabeth Titrington, Master of Arts, 2007 Directed By: Professor Richard King Chair, Department of Musicology Despite its critical acclaim and commercial success , the hit musical Rent by Jonathan Larson has received scant attention in academic literature. The story of Rent has been told and retold in the popular media, but a look at Larson’s own drafts, notes, and other personal wri tings adds another important and largely missing voice – Larson’s own. In this study, I use the Jonathan Larson Collection, donated to the Library of Congress in 2004 , to examine this seminal work and composer by tracing Rent ’s development and documenting L arson’s creative process. My analysis of material from the Larson Collection and the interviews of others involved in Rent ’s development reveal s the story of how this unconventional rock musical made it to the stage, highlighting the importance of visio n, but also of revision and collaboration. “OVER THE MOON”: THE CREATION AND DEVELOPMENT OF RENT BY JONATHAN LARSON By Elizabeth Corbin Titrington Thesis submitted to the Faculty of the Graduate School of the University of Maryl and, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2007 Advisory Committee: Professor Richard King , Chair Professor Jonathan Dueck Professor Robert Provine © Copyright by Elizabeth Titrington 2007 Preface Although I cannot claim the status of Rent head – I do not know every word to “La Vie Bohème” by heart or have a website dedicated to the show – I admit to approach ing this project as a fan as well as scho lar.