DOCSLIB.ORG

Sept 2017 TI 40 Pg.Indd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

SEPTEMBERJULY 20102017 •• TAXITAXI INSIDERINSIDER •• PAGEPAGE 11 INSIDER VOL. 18, NO. 9 “The Voice of the NYC Transportation Industry.” SEPTEMBER 2017 LETTERS TO THE EDITOR Page 3, 8, & 24 EDITORIAL • INSIDER NEWS By David Pollack Page 4 • MEDALLION AUCTION TAXI ATTORNEY Last month I discussed buying NYC taxi medal- the benchmark of NYC yellow taxi information, so I By Michael Spevack lions. I mentioned that this is very good time for a included some basic information below copied from Page 9 medallion purchase based on some cur- the attorney’s/Trustee’s website. rent prices versus the income generated. I If you have any questions, call the • also gave you advice from my decades of Trustee Gregory Messer Esq. or as stated PUZZLE experience on what you should you look below, Richard Maltz at 516 349-7022 Page 9 for to insure a “safe” medallion transfer; X 202. • as far as monies, taxes or fees due - what Good luck with your new business What’s To Become Of Belmont? type of vehicle must be purchased - if entity, and be careful! You only have until there will be any WAV reimbursement, September 11th. By Jerry Kramer and who you could use to do the paper- Page 11 work and attain all the proper background Up to 46 • information required to protect your new NYC Taxi LOOK MA, NO HANDS investment. Interestingly enough, there is an auction, not Medallions By Matthew Daus, Esq. initiated by the city of New York, but by the legal Minimum of 5 Page 14 representative of a medallion debtor; in this case, • a legal Trustee. Medallions Will be Sold COMMISSIONER’S CORNER Nobody approached this monthly newspaper to Bidders May Present Bids on One, Multiple or advertise the upcoming auction, even though we are (Continued on Page 4) By Merra Joshi Page 15 • BUSTIN IT By Larry Fisher Page 17 • HOW UBER COULD HELP FIX THE SUBWAYS By David Pollack Page 28 • NYC ECONOMY Page 29 and 30 • BOOK SIGNINGS Page 31 TAXI DAVE’S • INSIDER DIRECTORY RADIO SHOW Page 32 • WOR-710AM BROADWAY SHOWS 8:00 – 9:00 PM Page 37 EVERY SUNDAY! PAGE 2 • TAXI INSIDER • SEPTEMBER 2017 BEST Prices in NYC! Yogi Transmission Shop, Inc. Come to US! Mr. Surjit Singh NYC INTERBORO MGMT. 21-10 39TH Avenue • Astoria, NY 11101 36-02 21st Street, Astoria Tel. (718)392-6320 • (800)609-6320 Business Hours: Mon - Fri. 9 am till 7 pm • 718 392-0520 Sat. 9 am till 2 pm Taxi Drivers Wanted Day Night FT/PT In Chelsea Manhattan, Steps To Subway! 2015/2016 Prius Hybrids YOU CAN BE A FILL IN AT DISCOUNTED RATES No Deposit! Get 1st 10 day shifts at $75 Get 1st 10 Sun, Mon Tuesday nights $80 Low Daily Rates Call 917-374-8538 Immediate Start Is OK! YOUR AD CAN BE HERE Call 718-706-8294 SPONSORSHIP OPPORTUNITY ON THE TAXI DAVE SHOW INCLUDES DAYTIME COMMERCIALS. CALL 718 706-8294 FOR DETAILS! WWW.NYCTAXINEWS.COM 36-16 Skillman Avenue Long Island City, NY 11101 (718) 392-7000 • Fax: (718) 472-0925 TAXI DAVE’S YOU CAN ADVERTISE RADIO SHOW WOR-710AM HERE EVERY SUNDAY! 8:00 – 9:00 PM Call 718-706-8294 FOR MORE INFORMATION SEE OUR AD ON PAGE 33 SEPTEMBER 2017 • TAXI INSIDER • PAGE 3 LETTERS JULY 2010 • TAXI INSIDER • PAGE 1 INSIDER MTA Metrocard Ripoff professionally. The fi rst 40 years of cabbing I never saw long distance rides. The Indian Siks at JFK have Publisher & Dear Taxi Dave, helped rid the airport of corrupt dispatchers. Like MTA not only takes the 50 cents out of each fare Preet Bahara getting rid of Sheldon Silver. they also deprive citizens of their money for several Editor-in-Chief Frank C. weeks after their Metrocard machines malfunction. I David Pollack bought a low-reduced monthly pass at the machine in the 14th street station and found out it only registered More Fares To Ferry as a weekly pass. I only found out after a week when it wasn’t letting me get thru the turnstile. It charged In Astoria me for a monthly pass so why would I question it? 3 Dear Taxi Dave, Stone street will only give you a temporary card with August 29, the fi rst Astoria Ferry to Manhattan said no money on it and force you to add more money Bon Voyage. This additional ferry stop will add 1,800 while they investigate the problem. While waiting on ferry riders to the current 12,000. Mayor DeBalsio ac- line there were others with a similar problem. knowledged the street congestion (caused by unlimited Columnists NYC Commuter TNCs) by stating: “We all know in New York city there is so much congestion on the roadways we need more and more people to use mass transit.” “Here’s a great Matthew Daus, Esq. Arro Been Good option, you get on a ferry, same price as the subway, Dear Taxi Dave, there’s no stop signs, no traffi c lights, to traffi c jams, Larry Fisher Using it a lot lately, it’s good! wherever it’s going it gets there — and it gets there Michael Simon smoothly. It’s a great ride.” This year Astoria and Long Nat Goldbetter Island City, next year the Bronx. Not A Good Idea Tim Ira Goldstein, Esq. Dear Taxi Dave, Having the idea that app companies should have Rants Abe Mittleman any percentage handicap cars is a disaster. Time to Dear Taxi Dave, cancel the contract with access a ride and give these My rants for the month: fares to yellow cabs to keep us alive. 1. Bike lanes are created for the bicyclists to use Michael Spevack, Esq. Hakw them. Why isn’t the city ticketing these morons not using them! Jerry Kremer Disability And 2. I got a ticket for making a right turn from center lane on 50 st & 2 Ave but there is a bus stop on 50st at the Black Car Drivers corner of 2 Ave with a MTA bus at the stop discharging Layout & Graphics Dear Taxi Dave, & picking up passengers. Wtf! So I’m supposed to wait Dragonfl y Graphics LLC I don’t believe drivers are going to want to drive for behind the bus on a green light trying to make a right turn Black cars when they are forced to use a wheelchair while it’s discharging and picking up. I can understand accessible vehicle. A good deal of their job is the fact if it was a school bus with red lights fl ashing. that they own a nice private car to enjoy personally 3. Speaking of turning. Drivers when turning u don’t Taxi Insider beside making money. When they are forced to have have to turn to the closest lane to you. Especially when a wheelchair accessible vehicle the fun is over and it ur turning for on a street to an avenue. Pull up to center 11 Edge Water lane becomes just a job and a hard job at that. or avenue and turn at the middle or farthest lane. This Mike allows fl ow of traffi c to move and more cars to turn Haverstraw, NY 10927 after pedestrians cross. 4. These app cars are causing more & more traffi c Phone: (718) 706-TAXI(8294) Taxi Ride to Smithtown by “parking/standing” on zones that have signs there is — Township LI, Suffolk not no standing/parking during hours that allow smoother fl ow of traffi c. They just sit there and wait to pick up a E-mail:[email protected] Nassau 44 miles from passenger or for their apps to ring. Especially around the areas where bridge & tunnel crossings are as well JFK Copyright © 2017 by TAXI INSIDER. All as the busy areas. Why don’t they get tickets? Where Dear Taxi Dave, rights reserved. Neither this newspaper nor are the cops and traffi c agents. Especially the traffi c August 23, 2017 from Terminal 4 at Jfk Airport any part therof may be reproduced, copied, agents that drive around. That should be the priority of three cagey old ladies needed to get to Smithtown or transmitted in any form, electronic or the traffi c agents driving in the nypd traffi c cars. Township Suffolk County LI Their fl ight was delayed mechanical including photocopying, mi- 5. Drivers! High beams not for city use or to hide 6 hours So they needed a cab to get them home. I crofi lming, recording or by any information your broken head light! stopped the meter at $180.00 and received $200.00 retrieving system without the express written 6. Spare tire (donut) is not a replacement tire don’t cash for the ride. At approximately 6 or 7 miles from permission of the publishers. The copyright put your passenger & yourself in danger because u want their destination one was getting upset about the cost is extended to the design and text created to work and make money. Those donuts are not meant of the ride. The metered receipt indicated 35 miles for advertisements. This publication will to exceed 30+ mph. traveled. But it was more like 42 miles to their des- not be responsible for errors in advertise- 7. Turn signals & hazards! OMG my biggest con- tination. I feel I was kind hearted to not be a stickler ment beyond the cost of the space occupied cern. Use them! and just work with the meter. I took the Southern by the error. Bylined articles represent the Tommy State Pky and probably started the out of town rate sole opinion of the writer and are not neces- a few miles too soon.
Recommended publications
  • ED 022 658 RE 001 449 By-Cooper, Minna; and Others DEVELOPMENTAL READING in SOCIAL STUDIES; the LOCAL COKMUNITY: LONG ISLAND and NEW YORK CITY

    ED 022 658 RE 001 449 By-Cooper, Minna; and Others DEVELOPMENTAL READING in SOCIAL STUDIES; the LOCAL COKMUNITY: LONG ISLAND and NEW YORK CITY

    DOCUMENT RESUME ED 022 658 RE 001 449 By-Cooper, Minna; And Others DEVELOPMENTAL READING IN SOCIAL STUDIES; THE LOCAL COKMUNITY: LONG ISLAND AND NEW YORK CITY. A GUIDE FOR TEACHERS, GRADE 7, REVISED. Sewannaka Central High School District Number 2, Nassau County, N.Y. Pub Date 64 Note-63p. EDRS Price MF-S0.50 HC-$2.60 Descriptors-COMPREHENSION, CONTENT READING. CRITICAL THINKING, *CURRICULUM GUIDES. *DEWLOPMENTAL READING. DIRECTED READING ACTIVITY, *GRADE 7, *SOCIAL STUDIES. STUDY SKILLS. VOCABULARY DEVELOPMENT This guide is designed to provide seventh-grade social studies teachers with materials needed to present instruction in reading skills and to teach those facts, concepts, and attitudes which are the aim of social studies education.Entries on the subject of Long Island and New York City are arranged by topic, and material within each topic is arranged according to two texts: "Living in New York- by Flierl and Ike to be used with modified classes, and 'New York: The Empire State byEllis. Frost, and Fink, to be used with honors and average classes. To promote the development of comprehension, vocabulary, criticalthinking, and studyskills,the guide presents exercises in categorizing, reading for main ideas and supporting details, organization. -and map-reading. Questions are designed to evaluate the students's mastery of these skills and of content subject matter. Some questions are designed to cover collateral chapters in the two books. (RT) a4114111 The Local Connnunky: Long Island and New York City U.S. DEPARTMENT OF HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING IL POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION POSITION OR POLICY.
  • NYC Travel Sheet V1 2.18

    NYC Travel Sheet V1 2.18

    NYC Travel Sheet VER. 1 – 2.10.20 THE THEATER CENTER - THE JERRY ORBACH THEATER Address: 210 West 50th Street, New York NY 10019 (Off of Broadway) The Jerry Orbach Theater is located on the Third Floor, accessible by stair or elevator DIRECTIONS : - Driving directions from Purchase College are page 2 - From Grand Central Station o Take Shuttle to Times Square, Walk towards 50th Street. Take a left onto 50th street, the Theater will be on your left. OR o Walk West from Grand Central to Broadway. Walk North West on Broadway until 50th street. Take a left onto 50th street, the Theater will be on your left. PARKING : FOOD & DINING : - Quik Park (4 min away) - Dig Inn o 888 Broadway, New York, o 856 8th Ave, New York, NY NY - Dunkin’ Donuts o (212) 445-0011 o 850 8th Ave, New York, NY - Icon Parking (3 min away) - Buffalo Wild Wings o 24 hours o 253 W 47th St, New York, o 790 8th Ave, New York, NY NY o (212) 581-8590 - Chipotle o 854 8th Ave FRNT 1, New CONVENIENCE STORES : York, NY - Rite Aid (3 min away) - Starbucks o 24 hours o 750 7th Ave, New York, NY o 301 W 50th St, New York, - McDonalds NY o 1651 Broadway, New - Duane Reade (1 min away) York, NY o 8 am – 8 pm o 1627 Broadway, New York, NY Tuesday there will be catering services in between shows. There will be a vegetarian option but if you are a picky eater or have other dietary restrictions please plan ahead.
  • READING INTERNATIONAL, INC. (Exact Name of Registrant As Specified in Its Charter)

    READING INTERNATIONAL, INC. (Exact Name of Registrant As Specified in Its Charter)

    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K þ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2020 or ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from _______ to ______ Commission File No. 1-8625 READING INTERNATIONAL, INC. (Exact name of registrant as specified in its charter) Nevada 95-3885184 (State or other jurisdiction of incorporation or organization) (I.R.S. Employer Identification Number) 5995 Sepulveda Boulevard, Suite 300 Culver City, CA 90230 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including Area Code: (213) 235-2240 Securities Registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol Name of each exchange on which registered Class A Nonvoting Common Stock, $0.01 par value RDI NASDAQ Class B Voting Common Stock, $0.01 par value RDIB NASDAQ Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ¨ No þ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934. Yes ¨ No þ Indicate by check mark whether registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Exchange Act of 1934 during the preceding 12 months (or for shorter period than the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
  • Annual Stockholders Meeting

    Annual Stockholders Meeting

    2019 ANNUAL STOCKHOLDERS MEETING MAY 7, 2019 DISCLAIMERS Our comments today may contain forward-looking statements and This presentation is intended to summarize the projects on which management may make additional forward-looking statements in we are working and our plan for moving our Company forward. response to your questions. Such written and oral disclosures are made pursuant to the Safe Harbor provision of the Private Securities Many of the projects are in their early stages and will be subject to Litigation Reform Act of 1995. various Governmental and Board approvals. Accordingly, no assurances can be given that the plans discussed herein will be Although we believe our expectations expressed in such forward- achieved. looking statements are reasonable, we cannot assure you that they will be realized. Investors are cautioned that such forward-looking Further, some of the design concepts included in this presentation statements involve risks and uncertainties that could cause actual include proposed architectural renderings that represent works in results to differ materially from the anticipated results, and progress. therefore we refer you to a more detailed discussion of the risks and uncertainties in the Company’s filings with the Securities & Exchange Commission. FINANCIAL RECONCILATIONS We use EBITDA in the evaluation of our Company’s performance since we believe that EBITDA EBIT and EBITDA also fail to take into account the cost of interest and taxes. Interest is clearly a real provides a useful measure of financial performance and value. We believe this principally for the cost that for us is paid periodically as accrued. Taxes may or may not be a current cash item but are following reasons: nevertheless real costs that, in most situations, must eventually be paid.
  • Toxic Masculinity and the Revolutionary Anti-Hero

    Toxic Masculinity and the Revolutionary Anti-Hero

    FIGHTING HACKING AND STALKING: TOXIC MASCULINITY AND THE REVOLUTIONARY ANTI-HERO A thesis submitted to the faculty of San Francisco State University A In partial fulfillment of 3^ the requirements for the Degree kJQ Masters of Arts *0 4S In Women and Gender Studies by Robyn Michelle Ollodort San Francisco, California May 2017 Copyright by Robyn Michelle Ollodort 2017 CERTIFICATION OF APPROVAL I certify that I have read Fighting, Hacking, and Stalking: Toxic Masculinity and the Revolutionary Anti-Hero by Robyn Michelle Ollodort, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in Women and Gender Studies at San Francisco State University. Martha Kenney; Ph.D. Assistant Professor, Women and Gender Studies Professor, History FIGHTING, HACKING, AND STALKING: TOXIC MASCULINITY AND THE REVOLUTIONARY ANTI-HERO Robyn Michelle Ollodort San Francisco, California 2017 Through my analyses of the films Taxi Driver (1976) and Fight Club (1999), and the television series Mr. Robot (2105), I will unpack the ways each text represents masculinity and mental illness through the trope of revolutionary psychosis, the ways these representations reflect contemporaneous political and social anxieties, and how critical analyses of each text can account for the ways that this trope fails to accurately represent the lived experiences of men and those with mental illnesses. In recognizing the harmful nature of each of these representations’ depictions of both masculinity and mental illness, we can understand why such bad tropes circulate, and how to recognize and refuse them, or make them better.
  • Ominous Faultlines in a World Gone Wrong: Courmayeur Noir in Festival Randy Malamud

    Ominous Faultlines in a World Gone Wrong: Courmayeur Noir in Festival Randy Malamud

    Ominous Faultlines in a World Gone Wrong: Courmayeur Noir In Festival Randy Malamud In the sublime shadows of the Italian Alps, Courmayeur Confidential, Mulholland Drive, The Dark Knight trilogy), Noir In Festival’s 23-year run suggests America’s monop- hyper-noir (even ‘noirer’ than noir! Sin City, Django Un- 1 oly on this dark cinematic tradition may be on the wane. chained), and tech noir (The Matrix, cyberpunk) it remained The roots of film noir wind broadly through the geogra- a made-in-America commodity. phy of film history. One assumes it’s American to the core: Courmayeur’s 2013 program proved that contemporary Humphrey Bogart, Orson Welles, Dashiell Hammett. But noir, like anything poised to thrive nowadays, is indubita- au contraire, the term itself (obviously) emanates from bly global. Its December event featured Hong Kong film- a Gallic sensibility: French critic Nino Frank planted the maker Johnny To’s wonderfully macabre comedy, Blind flag when he coined ‘‘film noir’’ in 1946. He was discussing Detective (with the funniest crime reenactment scenes American films, but still: it took a Frenchman to appreci- ever); Erik Matti’s Filipino killer-thriller On the Job; and 2 ate them. Or maybe the genre is German, growing out Argentinian Lucı´a Puenzo’s resonantly disturbing Wakol- of Weimar expressionism, strassenfilm (street stories), da, an adaptation of her own novel about Josef Mengele’s 3 Lang’s M. 1960 refuge in a remote Patagonian Naziphile community. In fact, film noir is a hybrid which began to flourish in The Black Lion jury award went to Denis Villeneuve’s 1940s Hollywood, but was molded by displaced Europeans Enemy, a Canadian production adapted from Jose´ Sarama- (Billy Wilder, Alfred Hitchcock, Otto Preminger) and go’s Portuguese novel The Double (and with a bona fide keenly inflected by their continental aesthetic and philo- binational spirit).
  • In This Corner

    In This Corner

    Welcome UPCOMING Dear Friends, On behalf of my colleagues, Jerry Patch and Darko Tresnjak, and all of our staff SEA OF and artists, I welcome you to The Old TRANQUILITY Globe for this set of new plays in the Jan 12 - Feb 10, 2008 Cassius Carter Centre Stage and the Old Globe Theatre Old Globe Theatre. OOO Our Co-Artistic Director, Jerry Patch, THE has been closely connected with the development of both In This Corner , an Old Globe- AMERICAN PLAN commissioned script, and Sea of Tranquility , a recent work by our Playwright-in-Residence Feb 23 - Mar 30, 2008 Howard Korder, and we couldn’t be more proud of what you will be seeing. Both plays set Cassius Carter Centre Stage the stage for an exciting 2008, filled with new work, familiar works produced with new insight, and a grand new musical ( Dancing in the Dark ) based on a classic MGM musical OOO from the golden age of Hollywood. DANCING Our team plans to continue to pursue artistic excellence at the level expected of this IN THE DARK institution and build upon the legacy of Jack O’Brien and Craig Noel. I’ve had the joy and (Based on the classic honor of leading the Globe since 2002, and I believe we have been successful in our MGM musical “The Band Wagon”) attempt to broaden what we do, keep the level of work at the highest of standards, and make Mar 4 - April 13, 2008 certain that our finances are healthy enough to support our artistic ambitions. With our Old Globe Theatre Board, we have implemented a $75 million campaign that will not only revitalize our campus but will also provide critical funding for the long-term stability of the Globe for OOO future generations.
  • Download Report (PDF)

    Download Report (PDF)

    Dear Community Partners, “Challenging” seems both an accurate and yet inadequate word to describe the last year as we confronted - as a nation and as a community - a series of crises from public health and economic dislocation to reckonings over racial justice and equity. Through it all, the Union Square Partnership played an important role in seeking to keep residents and businesses informed and connected, guiding them to resources, and working with relevant city agencies to support the district. What started as a COVID response turned to a COVID recovery agenda and by the fall of 2020, we released the #USQNext District Recovery Plan. This plan was aimed at accelerating the resumption of business activity and introducing quality of life improvements to continue the upward trend the neighborhood was enjoying prior to the pandemic. UNION SQUARE-14TH STREET HAS DEMONSTRATED INCREDIBLE RESILIENCE OVER THE PAST YEAR, AND THE DISTRICT IS WELL-POSITIONED TO REBOUND This year’s Annual Report is organized around the five pillars of the recovery plan, including reemphasizing core services like sanitation, beautification, and public safety coordination, bolstering our marketing efforts, and pursuing exciting new projects in the bold District Vision Plan released this past January. Most important, we would like to take a moment to express gratitude for the tireless dedication of frontline workers and essential service providers who kept our city functioning and to acknowledge the loss of loved ones that has affected so many. We hold each of you in our hearts. We are committed to championing the district’s recovery With spring blooming in our area, vaccinations on the rise, and life through the vital programs outlined in our #USQNext District Recovery Plan.
  • Three Colomns-ML Based on DOHMH New York City Restaurant Inspection Results

    Three Colomns-ML Based on DOHMH New York City Restaurant Inspection Results

    Three colomns-ML Based on DOHMH New York City Restaurant Inspection Results DBA CUISINE DESCRIPTION DUNKIN Donuts ALL ABOUT INDIAN FOOD Indian CHARLIES SPORTS BAR Bottled Beverages MIMMO Italian SUENOS AMERICANO BAR Spanish RESTAURANT ANN & TONY'S RESTAURANT Italian GREEN BEAN CAFE Coffee/Tea PORTO BELLO PIZZERIA & Pizza RESTAURANT GUESTHOUSE RESTAURANT Eastern European CALEXICO CARNE ASADA Mexican JOHNNY UTAHS American RUMOURS American FORDHAM RESTAURANT American HONG KONG CAFE CHINESE Chinese RESTAURANT ASTORIA SEAFOOD & GRILL Seafood SUP CRAB SEAFOOD RESTAURANT Chinese SWEETCATCH POKE Hawaiian SWEETCATCH POKE Hawaiian Page 1 of 488 09/29/2021 Three colomns-ML Based on DOHMH New York City Restaurant Inspection Results INSPECTION DATE 11/18/2019 09/15/2021 11/24/2018 03/12/2020 01/03/2020 02/19/2019 01/16/2020 07/06/2017 04/24/2018 04/19/2018 06/20/2018 12/12/2019 09/10/2019 05/14/2018 08/19/2019 08/27/2019 06/24/2019 06/24/2019 Page 2 of 488 09/29/2021 Three colomns-ML Based on DOHMH New York City Restaurant Inspection Results KAHLO Mexican 52ND SUSHI Japanese EL COFRE RESTAURANT Latin American CARVEL Frozen Desserts CHOPSTICKS Chinese CATRIA MODERN ITALIAN Italian CATRIA MODERN ITALIAN Italian TAGLIARE PIZZA DELTA TERMINAL American OVERLOOK American BILLIARD COMPANY American BOCADITO BISTRO Eastern European FINN'S BAGELS Coffee/Tea FINN'S BAGELS Coffee/Tea CHUAN TIAN XIA Chinese LA POSADA MEXICAN FOOD Mexican CHINA STAR QUEENS CHINESE Chinese RESTAURANT AC HOTEL NEW YORK DOWNTOWN American NEWTOWN Middle Eastern NO.1 CALLE 191 PESCADERIA
  • Dheepan, Un Film Postcolonial Anthony Goreau-Ponceaud, Paul Veyret

    Dheepan, Un Film Postcolonial Anthony Goreau-Ponceaud, Paul Veyret

    Dheepan, un film postcolonial Anthony Goreau-Ponceaud, Paul Veyret To cite this version: Anthony Goreau-Ponceaud, Paul Veyret. Dheepan, un film postcolonial. EchoGéo, EchoGéo, 2016, 10.4000/echogeo.14456. halshs-01404832 HAL Id: halshs-01404832 https://halshs.archives-ouvertes.fr/halshs-01404832 Submitted on 29 Nov 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. EchoGéo Sur le Vif | 2016 Dheepan, un film postcolonial Anthony Goreau-Ponceaud and Paul Veyret Publisher Pôle de recherche pour l'organisation et la diffusion de l'information géographique Electronic version (CNRS UMR 8586) URL: http://echogeo.revues.org/14456 DOI: 10.4000/echogeo.14456 ISSN: 1963-1197 Electronic reference Anthony Goreau-Ponceaud and Paul Veyret, « Dheepan, un film postcolonial », EchoGéo [Online], Sur le Vif, Online since 15 February 2016, connection on 30 September 2016. URL : http:// echogeo.revues.org/14456 ; DOI : 10.4000/echogeo.14456 This text was automatically generated on 30 septembre 2016. EchoGéo est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International Dheepan, un film postcolonial 1 Dheepan, un film postcolonial Anthony Goreau-Ponceaud and Paul Veyret 1 La lecture qui suit de Dheepan1 (2015) de Jacques Audiard est le fruit du croisement de deux regards : celui d’un spécialiste de la diaspora tamoule et celui d’un spécialiste du cinéma diasporique indien.
  • The Journal of the Dramatists Guild of America, Inc

    The Journal of the Dramatists Guild of America, Inc

    The Journal of the Dramatists Guild of America, Inc. The the ageissue 2016 NOV/DEC $7 USD €10 EUR www.dramatistsguild.com FrontCOVER.indd 1 10/5/16 12:57 PM To enroll, go to http://www.dginstitute.org SEP/OCTJul/Aug DGI 16 ad.indd FrontCOVERs.indd 1 2 5/23/168/8/16 1:341:52 PM VOL. 19 No 2 TABLE OF NOV/DEC 2016 2 Editor’s Notes CONTENTS 3 Dear Dramatist 4 News 7 Inspiration – KIRSTEN CHILDS 8 The Craft – KAREN HARTMAN 10 Edward Albee 1928-2016 13 “Emerging” After 50 with NANCY GALL-CLAYTON, JOSH GERSHICK, BRUCE OLAV SOLHEIM, and TSEHAYE GERALYN HEBERT, moderated by AMY CRIDER. Sidebars by ANTHONY E. GALLO, PATRICIA WILMOT CHRISTGAU, and SHELDON FRIEDMAN 20 Kander and Pierce by MARC ACITO 28 Profile: Gary Garrison with CHISA HUTCHINSON, CHRISTINE TOY JOHNSON, and LARRY DEAN HARRIS 34 Writing for Young(er) Audiences with MICHAEL BOBBITT, LYDIA DIAMOND, ZINA GOLDRICH, and SARAH HAMMOND, moderated by ADAM GWON 40 A Primer on Literary Executors – Part One by ELLEN F. BROWN 44 James Houghton: A Tribute with JOHN GUARE, ADRIENNE KENNEDY, WILL ENO, NAOMI WALLACE, DAVID HENRY HWANG, The REGINA TAYLOR, and TONY KUSHNER Dramatistis the official journal of Dramatists Guild of America, the professional organization of 48 DG Fellows: RACHEL GRIFFIN, SYLVIA KHOURY playwrights, composers, lyricists and librettists. 54 National Reports It is the only 67 From the Desk of Dramatists Guild Fund by CHISA HUTCHINSON national magazine 68 From the Desk of Business Affairs by AMY VONVETT devoted to the business and craft 70 Dramatists Diary of writing for 75 New Members theatre.
  • From Weaklings to Wounded Warriors: the Changing Portrayal of War-Related Post Traumatic Stress Disorder in American Cinema

    From Weaklings to Wounded Warriors: the Changing Portrayal of War-Related Post Traumatic Stress Disorder in American Cinema

    49th Parallel, Vol. 30 (Autumn 2012) ISSN: 1753-5794 (online) Maseda/ Dulin From Weaklings to Wounded Warriors: The Changing Portrayal of War-related Post Traumatic Stress Disorder in American Cinema Rebeca Maseda, Ph.D and Patrick L. Dulin, Ph.D* University of Alaska Anchorage “That which doesn’t kill me, can only make me stronger.”1 Nietzche’s manifesto, which promises that painful experiences develop nerves of steel and a formidable character, has not stood the test of time. After decades of research, we now know that traumatic events often lead to debilitating psychiatric symptoms, relationship difficulties, disillusionment and drug abuse, all of which have the potential to become chronic in nature.2 The American public is now quite familiar with the term Post Traumatic Stress Disorder (PTSD), its characteristics and associated problems. From what we know now, it would have been more appropriate for Nietzche to have stated “That which doesn’t kill me sometimes makes me stronger, sometimes cripples me completely, but regardless, will stay with me until the end of my days.” The effects of trauma have not only been a focus of mental health professionals, they have also captured the imagination of Americans through exposure to cultural artefacts. Traumatized veterans in particular have provided fascinating material for character development in Hollywood movies. In many film representations the returning veteran is violent, unpredictable and dehumanized; a portrayal that has consequences for the way veterans are viewed by U.S. society. Unlike the majority of literature stemming from trauma studies that utilizes Freudian * Dr Maseda works in the Department of Languages at the University of Alaska, Anchorage, and can be reached at [email protected].