DOCSLIB.ORG

Lionsgate Entertainment

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Lionsgate Entertainment Fourth Quarter 2020 Earnings Thursday, May 21, 2020, 5:00 PM Eastern CORPORATE PARTICIPANTS James Marsh - Investor Relations Jon Feltheimer - Chief Executive Officer James Barge - Chief Financial Officer Michael Burns - Vice Chairman Brian Goldsmith - Chief Operating Officer Kevin Beggs - Chairman, TV Group Joe Drake - Chairman, Motion Picture Group Jeffrey Hirsch - President and Chief Executive Officer, Starz Scott MacDonald - Chief Financial Officer, Starz Superna Kalle - Executive Vice President, International 1 PRESENTATION Operator Ladies and gentlemen, thank you for standing by, and welcome to Lionsgate Entertainment fourth quarter 2020 earnings call. At this time, all participants are in listen only mode. Later, we’ll have an opportunity for your questions. Instructions will be given at that time. As a reminder, today’s conference is being recorded. I’d like to turn the conference over to James Marsh, head of investor relations. Please go ahead. James Marsh Good afternoon. Thank you for joining us for the Lionsgate fiscal ‘20 fourth quarter conference call. We’ll begin with opening remarks from our CEO, Jon Feltheimer, followed by remarks from our CFO, Jimmy Barge. After their remarks, we’ll open the call for questions. Also joining us on the call today are vice chairman Michael Burns, COO Brian Goldsmith, chairman of the TV group, Kevin Beggs, and the chairman of the motion picture group, Joe Drake. And from Starz, we have president and CEO, Jeff Hirsch, CFO, Scott MacDonald, and EVP of international, Superna Kalle. The matters discussed on this call today include forward looking statements, including those regarding the performance of future fiscal years. Such statements are subject to a number of risks and uncertainties. Actual results could differ materially and adversely from those described in the forward-looking statement as a result of various factors. These include the risk factors set forth in Lionsgate’s most recent annual report on form 10K. The company undertakes no obligation to publicly release the results to any revisions to these forward-looking statements that may be made to reflect any future events or circumstances. With that, I’ll turn it over to Jon. Jon? Jon Feltheimer Good afternoon. Thank you, James, and thank you, all for joining us in these extraordinary times. I hope you’re staying safe and healthy. A few months ago, I could never have imagined some of the things we’d be talking about on this call--our employees working from home, film and television production suspended, movie theaters closed, and all of the other emergency adjustments we’ve made due to the pandemic. But, as we report a strong quarter to end a fiscal year in line with our forecast, I’m also struck by how much we’re continuing to accomplish, moving the company forward on all fronts despite all of the challenges around us and generating a lot of momentum heading into our new fiscal year. Let me share a few recent highlights, and then, I’ll drill down on each of our businesses and talk about how we’re transforming them to continue to operate successfully in this new normal. Starz streaming business is thriving in the home environment as we reach 6.8 million paid domestic over the top subscribers in the quarter, well in excess of our projection, and it’s continued its strong growth since then. Our Starz Play international platform is showing strong gains as well, with viewership up 20 percent since the pandemic began, driving international subscribers, including the Starz Play Arabia platform and Canada, past the five million mark at fiscal yearend. Lionsgate Thursday, May 21, 2020, 5:00 PM Eastern 2 Pantaya more than doubled its subscriber base, from 315,000 to nearly 700,000 paid subs in the fiscal year, as it continues to deliver on its promise as the premium over the top destination for Spanish language movies and original programming. We extended some of our biggest franchises, announcing the big screen adaptation of Suzanne Collins’s Hunger Games prequel, The Ballad of Songbird and Snakes, to be directed by Francis Lawrence. The new book is already driving triple digit sales growth of the Hunger Games titles in our catalog. American Hustle’s Eric Warren Singer is writing Now You See Me 3, and we’re preparing to begin production on John Wick 4. Spiral, our reimagining of Saw, teaming Chris Rock and Samuel L. Jackson, opens next May. And in television, we remain a supplier of choice for new buyers with the romantic comedy Lovelife, starring Anna Kendrick, debuting in HBO Max next week. They’ve already announced that the series will be a centerpiece of their first Emmy campaign. As the global pandemic accelerates secular changes already in progress, our business is already well positioned to weather the current disruption and emerge stronger than ever in a new normal. To start, we have a great subscription platform, Starz, that is profitable, growing, and a major contributor to earnings. In this current environment, our content that has already been produced is more valuable than ever, with library revenue hitting a record $600 million in the fiscal year and our key brands generating higher licensees as we continue to extend them. We have full film and television pipelines poised to resume production and a slate of movies ready to distribute when theaters reopen. And we have plenty of financial flexibility and liquidity, with over $300 million available cash at the end of the quarter and an undrawn revolver of $1.5 billion. The goal of combining Lionsgate and Starz was to build a premium global subscription platform, backed by the full resources of our companies. Today, that effort is achieving results. Our global streaming business reached more than 10 million worldwide over the top subs at the end of the quarter and will continue to grow to between 13 million and 15 million paid subs by the end of the fiscal year. In a world where the value of making great content is matched only by the importance of determining how it’s monetized, we’re increasingly able to control our destiny through the continued rapid growth of the direct to consumer Starz app, which is now our third largest distribution platform in the United States. We continue to apply a consumer facing data driven strategy to the benefit of our over the top and MVPD partners alike. Our success in transitioning our shared Comcast customers to a la carte efficiently and effectively in the quarter allows us to continue to build on our longstanding partnership. On the programming front, we’ve established ourselves domestically as the premium destination for women and diverse audiences, with a mix of proven hits like Outlander, which completed its fifth season, outperforming season four and earning rave reviews, returning favorites, such as Steven Soderbergh’s The Girlfriend Experience and a second installment of The Spanish Princess, and exciting new series like the recently debuted crime drama Hightown from producer Jerry Bruckheimer that is resonating with our subscribers. Lionsgate Thursday, May 21, 2020, 5:00 PM Eastern 3 These will be followed by the sexy and spirited comedy series Run the World from Dear White People’s Yvette Lee Bowser and Leigh Davenport, the family drama Heels, set in world of small town wrestling, and then, next to highly anticipated series in our expanding power universe franchise, Ghost and Raising Kanan. As we end the first full year of our international expansion, I’m pleased to report that we’ve launched in 50 countries ahead of schedule and exceeding our subscriber target. That growth is driven by a slate of Starz originals, first run in library features, and best in class acquisitions that make up an attractively priced best of global SVOD content offering for consumers, positions us as a complementary premium tier to other OTT services and allows us to align ourselves with top distributors from Amazon to Apple, Roku to Orange, Airtel to Total Play, augmented by the Starz Play app already live in eight countries as we continue our march towards our target of 15 million to 25 million international subscribers by 2025. Recent additions like Tony McNamara’s The Great, starring Elle Fanning and Nicholas Hoult, Normal People, based on the bestselling book, and the award-winning anthology series The Act, combined with an anticipated ramp up of our local productions, will continue to diversify our slate and differentiate our platform. We’ve charted this course, funded it out of our own free cash flow, and our growth is on schedule and outsized value creation is within our sight. Turning to our motion picture group, we pivoted quickly during the quarter, showing the kind of strength and agility that has transformed us into a top five domestic box office market share leader. When theaters shut down two days into the release of the Erwin Brothers’ I Still Believe, we immediately repositioned the film to launch in an exclusive premium video on demand video with structured price points, including a special Easter promotion followed by an early debuting package media, electronic sell through, and video on demand to mitigate its lost theatrical revenue. When theaters reopen, we will be ready. Our slate is stocked with big brands and properties like Spiral, The Hitman’s Bodyguard 2, starring Ryan Reynolds, Samuel L. Jackson, and Salma Hayak, and John Wick 4. It is deep with comedies, like The Unbearable Weight of Massive Talent, starring Nicolas Cage and Barb and Star Go To Vista Del Mar, starring Kristen Wiig. It includes the horror thriller Antebellum, starring Janelle Monae, the Deon Taylor directed Hillary Swank thriller Fatale, and the Neil Berger directed sci-fi feature Voyagers.
Recommended publications
  • GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability

    GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability

    Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months.
  • Press Releases

    Press Releases

    Press Releases Lionsgate Inks Deal to Acquire Good Universe October 12, 2017 RELATED PROFESSIONALS FOR IMMEDIATE RELEASE Silvia Vannini CENTURY CITY—October 12, 2017—O’Melveny represented Good Universe in the negotiation of its sale to Century City Lionsgate (NYSE: LGF.A, LGF.B). Under the terms of the agreement, Good Universe executive Joe Drake D: +1­310­246­6895 will become Co­Chair of Lionsgate’s Motion Picture Group, and Good Universe co­founder and CEO Nathan Kahane will continue to head Good Universe under Lionsgate ownership. Eric H. Geffner Century City The O’Melveny deal team included partners Stephen Scharf and Silvia Vannini, along with counsel Eric D: +1­310­246­8418 Geffner and Jing Cao. Partner Eric Amdursky advised on labor and employment matters, and partner Rob Blashek provided guidance on tax issues. RELATED PRACTICES About O’Melveny Corporate & Transactional O’Melveny’s clients shape markets, set precedents, and break boundaries. They are stalwarts and Mergers & Acquisitions innovators, the names you trust and the next big thing. And for more than a century, O’Melveny has been right beside them, kicking down walls and putting up defenses to help our clients achieve their most important RELATED INDUSTRIES goals. With approximately 700 lawyers in 15 offices worldwide guided by the principles of excellence, leadership, and citizenship, we uphold a tradition of treating our clients’ challenges and opportunities as our Entertainment & Media own. What do you want to achieve? For the answers, please visit www.omm.com. Contact: Emily Lattal O’Melveny & Myers LLP 212.326.2285 [email protected] The following release was issued by Lionsgate: Leading Film Industry Executive Joe Drake Named Co­Chair of Lionsgate Motion Picture Group Studio's Acquisition of Drake and Nathan Kahane's Good Universe Diversifies Film Portfolio SANTA MONICA, Calif.
  • After Disney-Fox, Who's Next?

    After Disney-Fox, Who's Next?

    cc Wednesday, December 20, 2017 latimes.com/news After Disney-Fox, who’s next? Huge deal may force smaller media firms to grow or struggle By MEG JAMES AND RYAN FAUGHNDER TIMES STAFF WRITERS alt Disney Co.'s block- buster deal to buy W much of 21st Century Fox revealed Rupert Murdoch's fear that his media company was not strong enough to survive the digital onslaught — raising questions about how even smaller media com- panies will weather the storm. Since Disney clinched its $52.4- billion deal last week to buy some of Murdoch's most lucrative assets, many wonder which media compa- The entrance of the Metro-Goldwyn-Mayer offices in Santa Monica offices. nies might be next. MGM is among smaller media companies that are considered prime targets for The scramble to bulk up is likely acquisition. (Nick Ut / Associated Press) to force medium-sized players to strike their own deals out of con- nies to sell," predicted Ken Klein- "This is clearly an arms race and cern that they need to grow or get berg, a veteran Los Angeles enter- these companies need to step up left behind as tech giants like Net- tainment business lawyer. "If com- their game," said Lloyd Greif, a Los flix gain more power in Hollywood. panies like Fox are worried, what Angeles investment banker. "We are Sony Pictures Entertainment, are they waiting for?" going to see more creative, accretive CBS Corp., Viacom Inc., Liberty The Disney-Fox deal is just the strategic acquisitions — and acqui- Media Corp., Lionsgate and Metro- latest combination.
  • CAESARS ENTERTAINMENT CORPORATION (Name of Registrant As Specified in Its Charter)

    CAESARS ENTERTAINMENT CORPORATION (Name of Registrant As Specified in Its Charter)

    Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 SCHEDULE 14A Proxy Statement Pursuant to Section 14(a) of the Securities Exchange Act of 1934 (Amendment No. ) Filed by the Registrant ☒ Filed by a Party other than the Registrant ☐ Check the appropriate box: ☐ Preliminary Proxy Statement ☐ Confidential, for Use of the Commission Only (as permitted by Rule 14a-6(e)(2)) ☒ Definitive Proxy Statement ☐ Definitive Additional Materials ☐ Soliciting Material under §240.14a-12 CAESARS ENTERTAINMENT CORPORATION (Name of Registrant as Specified in its Charter) (Name of Person(s) Filing Proxy Statement, if Other Than the Registrant) Payment of Filing Fee (Check the appropriate box): ☒ No fee required. ☐ Fee computed on table below per Exchange Act Rules 14a-6(i)(1) and 0-11. (1) Title of each class of securities to which transaction applies: (2) Aggregate number of securities to which transaction applies: (3) Per unit price or other underlying value of transaction computed pursuant to Exchange Act Rule 0-11 (set forth the amount on which the filing fee is calculated and state how it was determined): (4) Proposed maximum aggregate value of transaction: (5) Total fee paid: ☐ Fee paid previously with preliminary materials. ☐ Check box if any part of the fee is offset as provided by Exchange Act Rule 0-11(a)(2) and identify the filing for which the offsetting fee was paid previously. Identify the previous filing by registration statement number, or the Form or Schedule and the date of its filing. (1) Amount Previously Paid: (2) Form, Schedule or Registration Statement No.: (3) Filing Party: (4) Date Filed: Table of Contents Table of Contents OUR GUIDING FRAMEWORKS Our Mission We inspire grown-ups to play.
  • Notice of Annual Meeting of Stockholders to Be Held on June 6

    Notice of Annual Meeting of Stockholders to Be Held on June 6

    NOTICE OF ANNUAL MEETING OF STOCKHOLDERS TO BE HELD ON JUNE 6, 2019 To the Stockholders of Netflix, Inc.: NOTICE IS HEREBY GIVEN that the Annual Meeting of Stockholders of Netflix, Inc., a Delaware corporation (the “Company”), will be held on June 6, 2019 at 3:00 p.m. Pacific Time. You can attend the Annual Meeting via the internet, vote your shares electronically and submit your questions during the Annual Meeting, by visiting www.virtualshareholdermeeting.com/nflx2019 (there is no physical location for the Annual Meeting). You will need to have your 16-Digit Control Number included on your Notice or your proxy card (if you received a printed copy of the proxy materials) to join the Annual Meeting. The Annual Meeting will be held for the following purposes: 1. To elect four Class II directors to hold office until the 2022 Annual Meeting of Stockholders; 2. To ratify the appointment of Ernst & Young LLP as the Company’s independent registered public accounting firm for the year ending December 31, 2019; 3. Advisory approval of the Company’s executive officer compensation; 4. To consider two stockholder proposals, if properly presented at the Annual Meeting; 5. To transact such other business as may properly come before the meeting or any adjournment or postponement of the meeting. These business items are described more fully in the Proxy Statement accompanying this Notice. Only stockholders who owned our common stock at the close of business on April 8, 2019 can vote at this meeting or any adjournments that may take place. All stockholders are cordially invited to attend the meeting via the internet.
  • Productions in Ontario 2006

    Productions in Ontario 2006

    2006 PRODUCTION IN ONTARIO with assistance from Ontario Media Development Corporation www.omdc.on.ca You belong here FEATURE FILMS – THEATRICAL ANIMAL 2 AWAY FROM HER Company: DGP Animal Productions Inc. Company: Pulling Focus Pictures ALL HAT Producers: Lewin Webb, Kate Harrison, Producer: Danny Iron, Simone Urdl, Company: No Cattle Productions Inc./ Wayne Thompson, Jennifer Weiss New Real Films David Mitchell, Erin Berry Director: Sarah Polley Producer: Jennifer Jonas Director: Ryan Combs Writers: Sarah Polley, Alice Munro Director: Leonard Farlinger Writer: Jacob Adams Production Manager: Ted Miller Writer: Brad Smith Production Manager: Dallas Dyer Production Designer: Kathleen Climie Line Producer/Production Manager: Production Designer: Andrew Berry Director of Photography: Luc Montpellier Avi Federgreen Director of Photography: Brendan Steacy Key Cast: Gordon Pinsent, Julie Christie, Production Designer: Matthew Davies Key Cast: Ving Rhames, K.C. Collins Olympia Dukakis Director of Photography: Paul Sarossy Shooting Dates: November – December 2006 Shooting Dates: February – April 2006 Key Cast: Luke Kirby, Rachael Leigh Cook, Lisa Ray A RAISIN IN THE SUN BLAZE Shooting Dates: October – November 2006 Company: ABC Television/Cliffwood Company: Barefoot Films GMBH Productions Producers: Til Schweiger, Shannon Mildon AMERICAN PIE PRESENTS: Producer: John Eckert Executive Producer: Tom Zickler THE NAKED MILE Executive Producers: Craig Zadan, Neil Meron Director: Reto Salimbeni Company: Universal Pictures Director: Kenny Leon Writer: Reto Salimbeni Producer: W.K. Border Writers: Lorraine Hansberry, Paris Qualles Line Producer/Production Manager: Director: Joe Nussbaum Production Manager: John Eckert Lena Cordina Writers: Adam Herz, Erik Lindsay Production Designer: Karen Bromley Production Designer: Matthew Davies Line Producer/Production Manager: Director of Photography: Ivan Strasburg Director of Photography: Paul Sarossy Byron Martin Key Cast: Sean Patrick Thomas, Key Cast: Til Schweiger Production Designer: Gordon Barnes Sean ‘P.
  • Vodafone Idea and Starz Strike Strategic Alliance; Launch Lionsgate Play in India

    Vodafone Idea and Starz Strike Strategic Alliance; Launch Lionsgate Play in India

    VODAFONE IDEA AND STARZ STRIKE STRATEGIC ALLIANCE; LAUNCH LIONSGATE PLAY IN INDIA ~ VIL customers will have easy access to popular content from Lionsgate library ~ Portfolio includes movie premieres and blockbuster films across genres ~ A seamless viewing experience of customised and differentiated content Mumbai, Aug 19, 2019: Vodafone Idea Limited, India’s leading telecom operator and STARZPLAY, the international premium subscription platform from STARZ, a Lionsgate (NYSE: LGF.A, LGF.B) company, have joined hands to launch Lionsgate’s premium service Lionsgate Play in India. This partnership will enable Vodafone Idea customers’ access to a broad portfolio of celebrated blockbusters and award-winning feature films from the studio. Video is the new growth driver in the digital content consumption today. Vodafone Idea’s partnership with STARZPLAY is a step towards boosting the growth of the digital ecosystem in India. The partnership will capitalize on this huge potential by offering viewers with an array of premium content across genres. Lionsgate Play will be available to Vodafone Play and Idea Movies & TV subscribers as a part of this strategic collaboration between the two companies. The offering includes multibillion-dollar global blockbuster franchises The Hunger Games and The Twilight Saga, multiple Academy Award ® winner La La Land and the international breakout hit Wonder, with much of it available in four local languages. The content library will be spread across genres like horror, comedy, drama, action, thriller, documentaries to name a few. Following the launch, the offering will boast an illustrious line up of digital premieres of Lionsgate films coming to the service in the first year including Robin Hood, Crank, Sahara, Redcliff, Jersey Shore Attack, Killers, Grudge, Letters to Juliet, American Pyscho 2, Nerve, Facing Ali, Down A Dark Hall and American Assassin.
  • Media Kit Final2

    Media Kit Final2

    FILM EXPO GROUP MEDIA KIT FilmExpoGroup FILM EXPO GROUP - MEDIA KIT 2016 BRAND OVERVIEW Film Expo Group is the premier organizer of events in OUR MISSION the motion picture industry. The Film Expo Group Our mission is to produce events that reach the produces ShowEast, held in Miami; CineEurope, held motion picture industry members on a global in Barcelona; and CineAsia, held in Hong Kong. scale. The intent is to create networking opportunities for key decision makers to connect The events feature exclusive screenings of upcoming and unite with new ideas and endeavors. films, product presentations of films in production, educational seminars led by industry leaders, and a OUR VISION trade show with equipment and concessions suppliers Our vision is to remain progressive and keep to movie theatres. Each event also includes special audiences of all generations tapped into and informed events and an award ceremony honoring recent about the industry. trailblazers within the industry. OUR PURPOSE In addition to its events, The Film Expo Group also Our purpose is to embrace the ever-changing motion publishes Film Journal International, one of the picture industry and celebrate its advances through industry’s leading motion picture monthly trade interactive and collaborative events. publications. FILM EXPO GROUP - MEDIA KIT 2016 CINEEUROPE BARCELONA CineEurope is the longest-running and most successful AUDIENCE PROFILE European convention and trade show for Major, Regional, and Independent cinema professionals. Each year more than 3,000 industry leaders attend CineEurope. Those allied to the industry come to CineEurope each year to seek knowledge on the latest trends and issues; Company types include Cinema Exhibition, Film learn about new marketing ideas; network with industry Distribution, Film Production, Print or Broadcast Media peers; see Hollywood, international, and independent and Marketing/Advertising Agencies.
  • Lionsgate Reports Results for First Quarter Fiscal 2022

    Lionsgate Reports Results for First Quarter Fiscal 2022

    LIONSGATE REPORTS RESULTS FOR FIRST QUARTER FISCAL 2022 First Quarter Revenue was $901.2 Million; Operating Income was $20.3 Million; Net Loss Attributable to Lionsgate Shareholders was $45.4 Million or $0.20 Diluted Net Loss per Share Adjusted OIBDA was $119.8 Million Global Media Networks Subscribers were 28.9 Million Global Streaming Subscribers were 16.7 Million, reflecting 58% Year-Over-Year Growth; STARZPLAY International Subscribers More than Doubled Year-Over-Year to 7.0 Million Film & Television Library Revenue was $740 Million for Trailing 12 Months SANTA MONICA, CA, and VANCOUVER, BC, August 5, 2021 – Lionsgate (NYSE: LGF.A, LGF.B) today reported first quarter (quarter ended June 30, 2021) revenue of $901.2 million, operating income of $20.3 million and net loss attributable to Lionsgate shareholders of $45.4 million or $0.20 diluted net loss per share on 221.8 million diluted weighted average common shares outstanding. Adjusted net income attributable to Lionsgate shareholders in the quarter was $42.4 million or adjusted diluted EPS of $0.18 on 229.2 million diluted weighted average common shares outstanding, with adjusted OIBDA of $119.8 million. “I’m pleased to report that we were able to lean into our resilient business model to drive strong financial results in the quarter,” said Lionsgate CEO Jon Feltheimer. “We filled our content pipelines with exciting new properties and added valuable new titles to our library. Like the rest of the industry, Starz subscriber growth was impacted by the decline in at home viewership and, importantly, a light content quarter due to COVID-driven production delays.
  • Title of the Call

    Title of the Call

    Lionsgate Entertainment Corp. 2Q Fiscal 2018 Earnings Conference Call November 9, 2017, 5:30 PM Eastern CORPORATE PARTICIPANTS Jon Feltheimer - Chief Executive Officer Michael Burns – Vice Chairman Jimmy Barge - Chief Financial Officer Chris Albrecht – Starz, President & CEO Joe Drake – Motion Picture Group Co-Chairman Kevin Beggs – Chairman of Television Group James Marsh - Head of Investor Relations 1 PRESENTATION Operator Ladies and gentlemen, thanks for standing by and welcome to the Lionsgate Fiscal 2018 Second Quarter Earnings Call. At this time, all lines are in a listen-only mode. And later, we will conduct a question-and-answer session with instructions being given at that time. And if you should required assistance during the call, please press “*”, then “0” and an operator will assist you offline. And as a reminder, today's call is being recorded. I would now like to turn the conference over to our host, Head of Investor Relations, James Marsh. Please go ahead sir. James Marsh Thanks Kerry, and good afternoon everyone. Thank you for joining us today for the Lionsgate’s Fiscal 2018 Second Quarter Earnings Conference Call. We'll begin with opening remarks from our CEO, Jon Feltheimer followed by remarks from our CFO, Jimmy Barge. After their remarks, we'll open up the call for your questions. Also, joining us on the call today are Vice Chairman, Michael Burns; Starz' President and CEO, Chris Albrecht; Starz' COO, Jeff Hirsch; Starz' CFO, Scott MacDonald; Co-Chief Operating Officer, Brian Goldsmith; Motion Picture Group Co-Chairmen, Joe Drake and Patrick Wachsberger; Co-Chief Operating Officer and President of Motion Picture Group, Steve Beeks; Co-President of Motion Picture Group, Erik Feig; Chairman of TV Group, Kevin Beggs; Chief Operating Officer of the TV Group, Laura Kennedy; and Chief Accounting Officer, Rick Prell.
  • Motion Picture License List of MPL Participating Theatrical Distributors & Producers

    Motion Picture License List of MPL Participating Theatrical Distributors & Producers

    Motion Picture License List of MPL Participating Theatrical Distributors & Producers MAJOR HOLLYWOOD STUDIOS & AFFILIATED LABELS 20th Century Studios Paramount Pictures (f/k/a Twentieth Century Fox Film Corp.) Paramount Vantage Buena Vista Pictures Picturehouse Cannon Pictures Pixar Animation Studios Columbia Pictures Polygram Filmed Entertainment Dreamworks Animation SKG Republic Pictures Dreamworks Pictures RKO Pictures (Releases 2011 to present) Screen Gems PLEASE CHOOSE Dreamworks Pictures CATEGORY: (Releases prior to 2011) Searchlight Pictures (f/ka/a Fox Searchlight Pictures) Fine Line Features Sony Pictures Entertainment Focus Features Major Hollywood Studios STX Entertainment & Affiliated Labels Fox - Walden Touchstone Pictures Fox 2000 Films TV Tristar Pictures Fox Look Triumph Films Independent Hanna-Barbera United Artists Pictures Hollywood Pictures Faith-Based Universal Pictures Lionsgate Entertainment USA Films Lorimar Telepictures Children’s Walt Disney Pictures Metro-Goldwyn-Mayer (MGM) Studios Warner Bros. Pictures Spanish Language New Line Cinema Warner Bros. Television Nickelodeon Movies Foreign & International Warner Horizon Television Orion Pictures Warner Independent Pictures Paramount Classics TV 41 Entertaiment LLC Ditial Lifestyle Studios A&E Networks Productions DIY Netowrk Productions Abso Lutely Productions East West Documentaries Ltd Agatha Christie Productions Elle Driver Al Dakheel Inc Emporium Productions Alcon Television Endor Productions All-In-Production Gmbh Fabrik Entertainment Ambi Exclusive Acquisitions
  • I1 ~0402594487 11111 U~ I. Continuity and Change in Hollywood Representations of The

    I1 ~0402594487 11111 U~ I. Continuity and Change in Hollywood Representations of The

    '\ I1 ~0402594487 11111 U~ I. Continuity and Change in Hollywood Representations of the Middle East after September 11 th by Sulaiman Arti A Doctoral Thesis Submitted in Partial Fulfilment of the Requirements for the Award of Doctor of Philosophy of Loughborough University June 2009 © 2008 S. Arti Abstract This thesis inquires into the factors behind Hollywood's depiction of the Middle East. That depiction is not static, but is modified in response to changes in political events and US government foreign policy. Although the events of 9/11 seemed to justify the traditional negative stereotype of Arabs, the image has been partially and rationally re-interpreted. This was due to the rise in prominence of the ideas of a minority of radical and free-thinking members of the Hollywood cornmunity who embraced a more intellectual approach, which advocated that the popular Western view of the Arab world was unjustified and based on a fallacious fabrication for Western political advantage. The research further shows that these activists did not owe allegiance to the Hollywood-US government propaganda machine. They were able to fracture this traditional alliance and provide the opportunity for the appearance of films of a radical nature, which were critical of US Middle Eastern policy and projected the Arab world in a new light. The study analyzes a selection of films that represent the Middle East in terms of their philosophy and cinematic structure, which enables them to act as vectors to raise public awareness of the issues and to promote reconciliation and co-existence between East and West.