Zen, Emotion, and Social Engagement
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Contents Transcriptions Romanization Zen 1 Chinese Chán Sanskrit Name 1.1 Periodisation Sanskrit Dhyāna 1.2 Origins and Taoist Influences (C
7/11/2014 Zen - Wikipedia, the free encyclopedia Zen From Wikipedia, the free encyclopedia Zen is a school of Mahayana Buddhism[note 1] that Zen developed in China during the 6th century as Chán. From China, Zen spread south to Vietnam, northeast to Korea and Chinese name east to Japan.[2] Simplified Chinese 禅 Traditional Chinese 禪 The word Zen is derived from the Japanese pronunciation of the Middle Chinese word 禪 (dʑjen) (pinyin: Chán), which in Transcriptions turn is derived from the Sanskrit word dhyāna,[3] which can Mandarin be approximately translated as "absorption" or "meditative Hanyu Pinyin Chán state".[4] Cantonese Zen emphasizes insight into Buddha-nature and the personal Jyutping Sim4 expression of this insight in daily life, especially for the benefit Middle Chinese [5][6] of others. As such, it de-emphasizes mere knowledge of Middle Chinese dʑjen sutras and doctrine[7][8] and favors direct understanding Vietnamese name through zazen and interaction with an accomplished Vietnamese Thiền teacher.[9] Korean name The teachings of Zen include various sources of Mahāyāna Hangul 선 thought, especially Yogācāra, the Tathāgatagarbha Sutras and Huayan, with their emphasis on Buddha-nature, totality, Hanja 禪 and the Bodhisattva-ideal.[10][11] The Prajñāpāramitā Transcriptions literature[12] and, to a lesser extent, Madhyamaka have also Revised Romanization Seon been influential. Japanese name Kanji 禅 Contents Transcriptions Romanization Zen 1 Chinese Chán Sanskrit name 1.1 Periodisation Sanskrit dhyāna 1.2 Origins and Taoist influences (c. 200- 500) 1.3 Legendary or Proto-Chán - Six Patriarchs (c. 500-600) 1.4 Early Chán - Tang Dynasty (c. -
Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism
Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism Kevin Buckelew Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Kevin Buckelew All rights reserved Abstract Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism Kevin Buckelew This dissertation explores how Chan Buddhists made the unprecedented claim to a level of religious authority on par with the historical Buddha Śākyamuni and, in the process, invented what it means to be a buddha in China. This claim helped propel the Chan tradition to dominance of elite monastic Buddhism during the Song dynasty (960–1279), licensed an outpouring of Chan literature treated as equivalent to scripture, and changed the way Chinese Buddhists understood their own capacity for religious authority in relation to the historical Buddha and the Indian homeland of Buddhism. But the claim itself was fraught with complication. After all, according to canonical Buddhist scriptures, the Buddha was easily recognizable by the “marks of the great man” that adorned his body, while the same could not be said for Chan masters in the Song. What, then, distinguished Chan masters from everyone else? What authorized their elite status and granted them the authority of buddhas? According to what normative ideals did Chan aspirants pursue liberation, and by what standards did Chan masters evaluate their students to determine who was worthy of admission into an elite Chan lineage? How, in short, could one recognize a buddha in Song-dynasty China? The Chan tradition never answered this question once and for all; instead, the question broadly animated Chan rituals, institutional norms, literary practices, and visual cultures. -
A Geographic History of Song-Dynasty Chan Buddhism: the Decline of the Yunmen Lineage
decline of the yunmen lineage Asia Major (2019) 3d ser. Vol. 32.1: 113-60 jason protass A Geographic History of Song-Dynasty Chan Buddhism: The Decline of the Yunmen Lineage abstract: For a century during China’s Northern Song era, the Yunmen Chan lineage, one of several such regional networks, rose to dominance in the east and north and then abruptly disappeared. Whereas others suggested the decline was caused by a doctri- nal problem, this essay argues that the geopolitics of the Song–Jin wars were the pri- mary cause. The argument builds upon a dataset of Chan abbots gleaned from Flame Records. A chronological series of maps shows that Chan lineages were regionally based. Moreover, Song-era writers knew of regional differences among Chan lin- eages and suggested that regionalism was part of Chan identity: this corroborates my assertion. The essay turns to local gazetteers and early-Southern Song texts that re- cord the impacts of the Song–Jin wars on monasteries in regions associated with the Yunmen lineage. Finally, I consider reasons why the few Yunmen monks who sur- vived into the Southern Song did not reconstitute their lineage, and discuss a small group of Yunmen monks who endured in north China under Jin and Yuan control. keywords: Chan, Buddhism, geographic history, mapping, spatial data n 1101, the recently installed emperor Huizong 徽宗 (r. 1100–1126) I authored a preface for a new collection of Chan 禪 religious biogra- phies, Record of the Continuation of the Flame of the Jianzhong Jingguo Era (Jianzhong Jingguo xudeng lu 建中靖國續燈錄, hereafter Continuation of the Flame).1 The emperor praised the old “five [Chan] lineages, each ex- celling in a family style 五宗各擅家風,” a semimythical system promul- gated by the Chan tradition itself to assert a shared identity among the ramifying branches of master-disciple relationships. -
Soto Zen: an Introduction to Zazen
SOT¯ O¯ ZEN An Introduction to Zazen SOT¯ O¯ ZEN: An Introduction to Zazen Edited by: S¯ot¯o Zen Buddhism International Center Published by: SOTOSHU SHUMUCHO 2-5-2, Shiba, Minato-ku, Tokyo 105-8544, Japan Tel: +81-3-3454-5411 Fax: +81-3-3454-5423 URL: http://global.sotozen-net.or.jp/ First printing: 2002 NinthFifteenth printing: printing: 20122017 © 2002 by SOTOSHU SHUMUCHO. All rights reserved. Printed in Japan Contents Part I. Practice of Zazen....................................................7 1. A Path of Just Sitting: Zazen as the Practice of the Bodhisattva Way 9 2. How to Do Zazen 25 3. Manners in the Zend¯o 36 Part II. An Introduction to S¯ot¯o Zen .............................47 1. History and Teachings of S¯ot¯o Zen 49 2. Texts on Zazen 69 Fukan Zazengi 69 Sh¯ob¯ogenz¯o Bend¯owa 72 Sh¯ob¯ogenz¯o Zuimonki 81 Zazen Y¯ojinki 87 J¯uniji-h¯ogo 93 Appendixes.......................................................................99 Takkesa ge (Robe Verse) 101 Kaiky¯o ge (Sutra-Opening Verse) 101 Shigu seigan mon (Four Vows) 101 Hannya shingy¯o (Heart Sutra) 101 Fuek¯o (Universal Transference of Merit) 102 Part I Practice of Zazen A Path of Just Sitting: Zazen as the 1 Practice of the Bodhisattva Way Shohaku Okumura A Personal Reflection on Zazen Practice in Modern Times Problems we are facing The 20th century was scarred by two World Wars, a Cold War between powerful nations, and countless regional conflicts of great violence. Millions were killed, and millions more displaced from their homes. All the developed nations were involved in these wars and conflicts. -
Zen Masters at Play and on Play: a Take on Koans and Koan Practice
ZEN MASTERS AT PLAY AND ON PLAY: A TAKE ON KOANS AND KOAN PRACTICE A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Brian Peshek August, 2009 Thesis written by Brian Peshek B.Music, University of Cincinnati, 1994 M.A., Kent State University, 2009 Approved by Jeffrey Wattles, Advisor David Odell-Scott, Chair, Department of Philosophy John R.D. Stalvey, Dean, College of Arts and Sciences ii TABLE OF CONTENTS Acknowledgements iv Chapter 1. Introduction and the Question “What is Play?” 1 Chapter 2. The Koan Tradition and Koan Training 14 Chapter 3. Zen Masters At Play in the Koan Tradition 21 Chapter 4. Zen Doctrine 36 Chapter 5. Zen Masters On Play 45 Note on the Layout of Appendixes 79 APPENDIX 1. Seventy-fourth Koan of the Blue Cliff Record: 80 “Jinniu’s Rice Pail” APPENDIX 2. Ninty-third Koan of the Blue Cliff Record: 85 “Daguang Does a Dance” BIBLIOGRAPHY 89 iii ACKNOWLEDGEMENTS There are times in one’s life when it is appropriate to make one’s gratitude explicit. Sometimes this task is made difficult not by lack of gratitude nor lack of reason for it. Rather, we are occasionally fortunate enough to have more gratitude than words can contain. Such is the case when I consider the contributions of my advisor, Jeffrey Wattles, who went far beyond his obligations in the preparation of this document. From the beginning, his nurturing presence has fueled the process of exploration, allowing me to follow my truth, rather than persuading me to support his. -
Critical Sermons of the Zen Tradition Dr Hisamatsu Shin’Ichi, at Age 87
Critical Sermons of the Zen Tradition Dr Hisamatsu Shin’ichi, at age 87. Photograph taken by the late Professor Hy¯od¯o Sh¯on¯osuke in 1976, at Dr Hisamatsu’s residence in Gifu. Critical Sermons of the Zen Tradition Hisamatsu’s Talks on Linji translated and edited by Christopher Ives and Tokiwa Gishin © Editorial matter and selection © Christopher Ives and Tokiwa Gishin Chapters 1–22 © Palgrave Macmillan Ltd. Softcover reprint of the hardcover 1st edition 2002 978-0-333-96271-8 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2002 by PALGRAVE MACMILLAN Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N.Y. 10010 Companies and representatives throughout the world PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. -
The Emergence of Essence-Function (Ti-Yong) 體用 Hermeneutics in the Sinification of Indic Buddhism: an Overview
The Emergence of Essence-Function (ti-yong) 體用 Hermeneutics in the Sinification of Indic Buddhism: An Overview A. Charles Muller (University of Tokyo) 국문요약 본질-작용(體用, Ch. ti-yong, J. tai-yū; 일본에서 불교학 이외의 연구에서 는 tai-yō) 패러다임은 기원전 5세기부터 근대 시기에 이르기까지 중국, 한국, 일본의 종교・철학적 문헌을 해석할 때에 가장 널리 사용된 해석학적 틀로 볼 수 있다. 먼저 중국에서는 유교, 도교, 불교에 적용되는 과정에서 풍부한 발전 을 이루었는데, 특히 인도 불교의 중국화 과정에서 폭넓게 적용되었다. 그리고 종종 理事(li-shi)와 유사한 형태로 화엄, 천태, 선과 같은 중국 토착 불교 학파 불교학리뷰 (Critical Review for Buddhist Studies) 19권 (2016. 6) 111p~152p 112 불교학리뷰 vol.19 들의 철학을 위한 토대를 형성하였다. 나아가 송대 신유학(新儒學)에서 ‘체용’ 의 용례는 특히 잇따라 나타나는 또 다른 유사형태인 理氣(li-qi)의 형식으로 변화하고 확장되었다. 불교와 신유학 모두 한국에 뿌리를 내리면서 한국 학자 들은 신유교와 불교 각각의 종교에 대한 해석뿐 아니라, 둘 사이에 있었던 대 화와 논쟁에도 체용 패러다임을 폭넓게 적용하였다. 본 논문은 동양과 서양 모 두의 불교학에서 거의 완전히 무시되었던 이 지극히 중요한 철학적 패러다임 에 관한 논의를 되살려 보고자 한다. 그리고 이것을 중국 불교 주석문헌들 초 기의 용례, ≷대승기신론≸속에 나타난 그 역할, 더불어 한국 불교, 특히 원효와 지눌의 저작에서 사용된 몇 가지 용례들을 조사함으로써 시도할 것이다. 주제어: 본질-작용(體用), 이사(理事), 이기(理氣), ≷대승기신론≸, 중국불교, 원효, 지눌 The Emergence of Essence-Function (ti-yong) 體用 Hermeneutics in the Sinification of Indic Buddhism … 113 I. Essence-function 體用: Introduction This examination of the place of the essence-function paradigm 體用 (Ch. ti-yong, K. che-yong, J. -
Chan Teachings of Huineng
Chan Teachings of Huineng Buddhism in Every Step B1 Venerable Master Hsing Yun © 2014 Fo Guang Shan International Translation Center All rights reserved. Written by Venerable Master Hsing Yun Translated by the Fo Guang Shan International Translation Center Edited and proofread by Venerable Yi Chao, Jonathan Ko, and John Gill Table of Contents I. The Sixth Patriarch’s Platform Sutra 1 II. An Introduction to Chan 6 III. Teaching Methods of the Chan School 12 Chan Teachings of Huineng I. The Sixth Patriarch’s Platform Sutra Who was Huineng? The Sixth Patriarch’s Platform Sutra, often simpli- fied into the Platform Sutra, is a sacred text of the Chan, or meditation, School. Though of particular importance to the Chan School, the sutra’s influ- ence extends to many other Buddhist schools. It is also considered one of the finest works of Chinese literature. The Platform Sutra is a collection of Dharma talks given by Venerable Huineng, the Sixth Patriarch of the Chan School of Buddhism. Huineng’s fasci- nating life is something of a legend in itself. Though the Sixth Patriarch was said to be an illiterate wood- cutter, due to his store of merit from previous lives and his quick grasp of the Dharma, he quickly 1 achieved enlightenment under the guidance of the Fifth Patriarch and became a great master. His influ- ence can still be felt today. I would, however, like to take this opportunity to state that the Sixth Patriarch was far from illiter- ate. On the contrary, he was an extremely well read, and had profound insights regarding many Buddhist sutras. -
Platform Sutra of the Sixth Patriarch
THE PLATFORM SUTRA OF THE SIXTH PATRIARCH THE TEXT OF THE TUN-HUANG MANUSCRIPT with TRANSLATION, INTRODUCTION, AND NOTES by PHILIP B. YAMPOLSKY NEW YORK AND LONDON COLUMBIA UNIVERSITY PRESS 1967 Philip B. Yampolsky is a Lecturer in Japanese at Columbia University Copyright @ 1967 Columbia University Press Library of Congress Catalog Card Number: 67-11847 Manufactured in the United States of America Southern School Sudden Doctrine, Supreme Ma- hayZna Great Perfection of wisdom: The Plat- form Sutra' preached by the Sixth Patriarch Hui-neng at the la-fan Temple2in Shao-do@,3 one roll, recorded by the spreader of the Dharma, the disciple Fa-L~ai,~who at the same time re- ceived the Precepts of Formlessness 1. The Master Hui-neng ascended the high seat at the lecture hall of the Ta-fan Temple and expounded the Dharma of the Great Perfection of Wisdom, and transmitted the precepts of formlessness. At that time over ten thousand monks, nuns, and lay followers sat before him. The prefect of Shao-chou, Wei C~'U,~some thirty officials from various T'an-ching. The precise meaning of t'an has been a subject of debate. Hu Shih. "An Appeal for a Systematic Search in Japan for Long-hidden T'ang Dynasty Source Materials of the Early History of Zen Buddhism," BukkyG to bunka, p. 16, equates the term with the Sanskrit ddna (gift, donation). In the Li-tai fa-pao chi, ~51,p. 185b, however, we find the following statement: "The monk Shen-hui of the Ho-tse Temple in the Eastern capital (Loyang) would each month construct a platform place and de- liver sermons to the people." Furthermore, Ch'i-sung, in the Chia-chu fu-chiao-pien T'an- ching yao-i, a commentary on his own essay, the T'an-ching tsan (contained in ch. -
Huineng's “Sudden-Enlightenment”
2017 3rd International Conference on Social Science and Management (ICSSM 2017) ISBN: 978-1-60595-445-5 Huineng’s “Sudden-enlightenment” Path of “No-thought”, “Non-form” and “Non-abiding” Qing MING Yunnan Normal University, Kunming, Yunnan, China [email protected] Keywords: Huineng, No-Thought, Non-form, Non-abiding, Chan Buddhism. Abstract. Huineng stressed attaining Enlightenment and Buddhahood through spiritual practice based on one’s intrinsically pure mind - self-nature. According to Huineng, Buddha is in the mind, not outside the mind. What is important is to make an effort to cultivate “one’s own mind” and “realize the mind and see self-nature”. The path for realizing the mind and seeing self-nature is called “no-thought”, “non-form” and “non-abiding”. This paper has taken Huineng’s “Sudden-enlightenment” Path of “No-thought”, “Non-form” and “Non-abiding” as its objects of research, and the author is attempting, through research and investigation, to analyze the source, characteristics and ideological methodology of the concepts of “No-thought”, “Non-form” and “Non-abiding”. Introduction Huineng (638-713) interpreted Buddha nature as self-nature in the human mind. The Platform Sutra mentions that after he realized the essence of mind and saw self-nature, he found that self-nature was intrinsically pure, was intrinsically free from becoming or annihilation, was intrinsically self-sufficient and was intrinsically free from change. Moreover, he indicated that “all things are the manifestation of self-nature”. His path for seeing self-nature is “no-thought”, “non-form” and “non-abiding”. 1. The Concepts of “No-Thought”, “Non-form” and “Non-abiding” in The Platform Sutra The Platform Sutra shows that the aim of Huineng’s Chan Buddhist teaching of Sudden-enlightenment is to realize the mind by seeing self-nature. -
Awakening in Dharma – Treasure Platform Sutra of the Six Patriarch and the Structure of Gabriel Garcia Marquez’S Magical Realism Short Stories
International Journal of Science and Research (IJSR) ISSN: 2319-7064 ResearchGate Impact Factor (2018): 0.28 | SJIF (2019): 7.583 Awakening in Dharma – Treasure Platform Sutra of the Six Patriarch and the Structure of Gabriel Garcia Marquez’s Magical Realism Short Stories Thanh Trung, Nguyen (HCMUE) Abstract: Applying the structural method, this article examines Gabriel Garcia Marquez's Magical realism short stories from the concept of enlightenment presented in Dharma – Treasure Platform Sutra of the Sixth Patriarch. Thus, the manipulations of structuralism are used to clarify the meaning and content of these short stories; some controversial issues of Magical realism are generalized and explained. Keywords: awake (giácngộ), The Dharma – Treasure Platform Sutra of the Sixth Zen Patriarch (Phápbảođànkinh), magical realism short stories (truyệnngắnHiệnthựchuyềnảo), Gabriel Garcia Marquez. Gabriel Garcia Marquez (1927-2014) is a Colombian writer focusing on the relationship between internal elements, who won the 1982 Nobel Prize for Literature with his novel without regard to external influences. Being developed on Hundred Years of Solitude – a classic of Magical Realism. the basis of Ferdinand de Saussure’s language theory of, Besides novel, his short stories that are about 42 short Roman Jakobson's linguistic communication model and the stories, including 18 rigorous, realistic stories and 23 legendary anthropological works of Claude Levi-Strauss, magical realism stories show a considerable value. etc., Structuralism in literature creates -
Chan Buddhism and the Chinese Ancestors Spring Term 2014 Seminary Class Sylabus
Chan Buddhism and the Chinese Ancestors Spring Term 2014 Seminary Class Sylabus The seminary class offering for the spring 2014 term will be Chan Buddhism and the Chinese Ancestors. This ten-week class series is scheduled for Tuesday evenings from February 4th through April 15th. During this class series, we will examine the stories and traditional teachings of and about our Chinese Dharma ancestors and other significant Chan masters from the time of Bodhidharma, through the Tang and Sung Dynasties to and including Tiantong Rujing. Through these stories, we experience the particular way in which we hold the memory of our lineage tradition. We will also follow the development of Chan as it gains color and additional meaning through the authenticity and uniqueness of each generation to become an important cultural force in Chinese and other East Asian societies. The primary text for the reading assignments for each class (listed below) is Zen's Chinese Heritage: The Masters and their Teachings by Andy Ferguson either the first (2000) edition or the expanded (2011) edition. Optional, supplemental text materials will include sections from (1) The Platform Sutra: The Zen Teaching of Hui-neng by Red Pine and (2) Zen Buddhism: A History: Volume 1, India and China by Heinrich Dumoulin. Texts may be purchased; however, copies of all three texts will be placed on reserve for this class in the DRZC library. The classes will be led by Fumyo Mishaga, Genko Rainwater, and Allison Shin'ei Brown. For Seminary credit, each student will be required to complete a written assignment. Also, class attendance will be considered a very important criterion.