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Parte Seconda Bibliotheca Collinsiana, Seu Catalogus Librorum Antonji Collins Armigeri Ordine Alphabetico Digestus
Parte seconda Bibliotheca Collinsiana, seu Catalogus Librorum Antonji Collins Armigeri ordine alphabetico digestus Avvertenza La biblioteca non è solo il luogo della tua memoria, dove conservi quel che hai letto, ma il luogo della memoria universale, dove un giorno, nel momento fata- le, potrai trovare quello che altri hanno letto prima di te. Umberto Eco, La memoria vegetale e altri scritti di bibliografia, Milano, Rovello, 2006 Si propone qui un’edizione del catalogo manoscritto della collezione libra- ria di Anthony Collins,1 la cui prima compilazione egli completò nel 1720.2 Nei nove anni successivi tuttavia Collins ampliò enormemente la sua biblioteca, sin quasi a raddoppiarne il numero delle opere. Annotò i nuovi titoli sulle pagine pari del suo catalogo che aveva accortamente riservato a successive integrazio- ni. Dispose le nuove inserzioni in corrispondenza degli autori già schedati, attento a preservare il più possibile l’ordine alfabetico. Questo tuttavia è talora impreciso e discontinuo.3 Le inesattezze, che ricorrono più frequentemente fra i titoli di inclusione più tarda, devono imputarsi alla difficoltà crescente di annotare nel giusto ordine le ingenti e continue acquisizioni. Sono altresì rico- noscibili abrasioni e cancellature ed in alcuni casi, forse per esigenze di spazio, oppure per sostituire i titoli espunti, i lemmi della prima stesura sono frammez- zati da titoli pubblicati in date successive al 1720.4 In appendice al catalogo, due liste confuse di titoli, per la più parte anonimi, si svolgono l’una nelle pagi- ne dispari e l’altra in quelle pari del volume.5 Agli anonimi seguono sparsi altri 1 Sono molto grato a Francesca Gallori e Barbara Maria Graf per aver contribuito alla revi- sione della mia trascrizione con dedizione e generosità. -
Medical Heritage of the National Palace of Mafra
Medical Heritage of the National Palace of Mafra Medical Heritage of the National Palace of Mafra Edited by Maria do Sameiro Barroso, Christopher J. Duffin and Germano de Sousa Medical Heritage of the National Palace of Mafra Edited by Maria do Sameiro Barroso, Christopher J. Duffin and Germano de Sousa This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Maria do Sameiro Barroso, Christopher J. Duffin, Germano de Sousa and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-4426-5 ISBN (13): 978-1-5275-4426-0 TABLE OF CONTENTS List of Illustrations ................................................................................... vii Introduction ................................................................................................ 1 Christopher J. Duffin and Maria do Sameiro Barroso Chapter 1 .................................................................................................... 9 The National Palace of Mafra and King John V – some historical and medical insights António Trabulo Chapter 2 ................................................................................................. -
Bibliothèques, Histoire De La Théologie Et Statistique Une Rencontre Féconde
Revue de l'Enssib • n° 3 • avril 2016 1 Fabienne Henryot Maître de conférences associée à l’Enssib Bibliothèque cantonale et universitaire de Lausanne Bibliothèques, histoire de la théologie et statistique Une rencontre féconde En 1686 commence la publication de la Nouvelle Bibliothèque des auteurs ecclésiastiques de Louis Ellies Dupin. C’est là l’œuvre de toute une vie1, qui expose, siècle par siècle, la vie de chaque écrivain, la liste de ses textes, leurs éditions critiques, enfin un jugement de leur style, de leur doctrine et de leur importance dans l’histoire de la théologie. Le frontispice se veut le programme de cette bibliographie historique et critique des auteurs chrétiens des premiers siècles (fig. 1)2. Fig. 1. Frontispice de la Nouvelle Bibliothèque des auteurs ecclésiastiques de Louis Ellies Dupin (1686) Revue de l'Enssib • n° 3 • avril 2016 2 Tandis que Louis Ellies Dupin, au premier plan, coiffé du bonnet de théologien, lit parallèlement des manuscrits originaux et de volumineux ouvrages d’érudition, une foule de doctes écrivains discourent ensemble avec une véhémence soulignée par l’ampleur des gestes. Jérôme, en tenue érémitique et accompagné de son inséparable lion, discute avec Grégoire, tandis qu’Augustin échange ses vues avec Ambroise. Dans ce décor de bibliothèque où sont disposées les propres œuvres des Pères explicitement signalées par des étiquettes, l’oculus central, par où entre la lumière, n’est pas sans rappeler le Saint-Esprit tandis que le seul buste de l’architrave clairement identifiable, celui de Moïse avec les tables de la Loi, rappelle que le christianisme renouvelle la foi de l’Ancien Testament. -
(Claude-François, Abbé), Histoire Littéraire Du Règne De Louis XIV, Paris, Chez Prault Fils-Guillyn- Quillau Fils, 1751, 3 Vol
LAMBERT (Claude-François, abbé), Histoire littéraire du règne de Louis XIV, Paris, chez Prault fils-Guillyn- Quillau fils, 1751, 3 vol. TOME I Dédicace. Plan de l’ouvrage. Approbation et privilège. DISCOURS SUR LES PROGRÈS DES SCIENCES SACRÉES SOUS LE RÈGNE DE LOUIS XIV. Écriture Sainte. Théologie scholastique. Conciles. Théologie Morale. SS. Pères, Antiquités Ecclésiastiques. Droit Canon. Théologie polémique. Théologie Mystique. ÉLOGES HISTORIQUES : DES THÉOLOGIENS SCHOLASTIQUES, MORAUX, MYSTIQUES, DES CONTROVERSISTES, & DES CANONISTES – LIVRE PREMIER. Jacques Sirmond. Godefroi Hermant. Jean-Pierre Camus. Antoine Arnauld. Denis Petau. Pierre Nicole. Jacques Goar. Louis Thomassin. Jean Morin. Louis Ferrand. Jean Fronteau. Jean Gerbais. Pierre de Marca. Antoine Pagy. Blaise Pascal. Jean Le Bouthilier de Rancé, abbé de la Trappe. Théophile Rainaud. Jacques-Bénigne Bossuet. Amable de Bourzeis. Paul Pezron. Pierre L’Allemant. Jean Gisbert. Jean Nicolaï. Claude Frassen. Emmanuel Maignan. Richard Simon. Jean de Launoy. François de Salignac de La Mothe-Fénelon. François de Combesis. Bernard Lamy. Jean Garnier. Charles Witasse. Luc d’Acheri. Étienne Baluze. © Centre de recherche du château de Versailles / 2012 Louis Ellies Dupin. Jean Hardouin. Michel Le Tellier. Catalogue de ses ouvrages. Michel Le Quien. Eusèbe Renaudot. René-Joseph de Tournemine. Pierre-Daniel Huet. Edmond Martenne. Noël Alexandre. Charles Duplessis d’Argentré. Pierre Le Brun. Bernard de Mont-Faucon. Simon Gourdan. DISCOURS SUR LES PROGRÈS DE L’ÉLOQUENCE DE LA CHAIRE SOUS LE RÈGNE DE LOUIS XIV. ÉLOGES HISTORIQUES : DES ORATEURS SACRÉS – LIVRE SECOND Hardouin de Péréfixe. Jean de La Roche. Jean-François Senault. Fabio Brulart de Sillery. Claude de La Colombière. Mathieu Hubert. Jean-Louis de Fromentières. Charles de La Rue. -
A Description of What Magisterial Authority Is When Understood As A
Cultural Heritage and Contemporary Change Series IV, Western Philosophical Studies, Volume 8 Series VIII, Christian Philosophical Studies, Volume 8 General Editor George F. McLean Towards a Kenotic Vision of Authority in the Catholic Church Western Philosophical Studies, VIII Christian Philosophical Studies, VIII Edited by Anthony J. Carroll Marthe Kerkwijk Michael Kirwan James Sweeney The Council for Research in Values and Philosophy Copyright © 2015 by The Council for Research in Values and Philosophy Box 261 Cardinal Station Washington, D.C. 20064 All rights reserved Printed in the United States of America Library of Congress Cataloging-in-Publication Towards a kenotic vision of authority in the Catholic Church / edited by Anthony J. Carroll, Marthe Kerkwijk, Michael Kirwan, James Sweeney. -- first edition. pages cm. -- (Cultural heritage and contemporary change. Christian philosophical studies; Volume VIII) Includes bibliographical references and index. 1. Authority--Religious aspects--Catholic Church. I. Carroll, Anthony J., 1965- editor of compilation. BX1753.T6725 2014 2014012706 262'.'088282--dc23 CIP ISBN 978-1-56518-293-6 (pbk.) TABLE OF CONTENTS Introduction: The Exercise of Magisterial Authority 1 in the Roman Catholic Church Anthony J. Carroll Part I: Authority in Biblical Sources Chapter I: “It Shall Not Be so among You”: Authority and 15 Service in the Synoptic Gospels Sean Michael Ryan Chapter II: Authority without Sovereignty: Towards 41 a Reassessment of Divine Power Roger Mitchell Part II: Sociological and Philosophical -
The Story of the Campbells of Kinloch
THE STORY OF THE CAMPBELLS OF KINLOCH BY E. DALHOUSIE. LOGIN AUTHOR OF LADY LOG IN'S RECOLLECTIONS" LONDON JOHN MURRAY, ALBEMARLE STREET, W. 1924 P,intetl in Great Britain by Hazen, Watson & Viney, Ld., London and AyZ~bury. OLD SEIGNEURIAL MILL-" MILNTOWN OF STRATHBRAAN." Frontispiece 1 FOREWORD FOR the information in this work respecting the lineage and the earlier generations of the family of the Campbells of Kinloch, I am chiefly indebted to the officials of H.M. Court of the Lord Lyon, The Register House, Edinburgh; including Rothesay Herald and Sir Duncan Campbell of Barcaldine, Bart., C.V.O. (Carrick Pursuivant) ; and to the late Mr. John Christie, Morningside Road, Edinburgh, and Mr. J. H. Mayne Campbell, to all of whom I desire to express my gratitude for their continued and unstinted assistance. THE AUTHOR. WISSETT GRANGE, HALESWORTH, July 3, 1924. CONTENTS SECTION PAGE I. " DON JUAN ,, • • • • • l II. THE FAMILY TRADITION • • • 5 III. DESCENT FROM LAWERS, THROUGH MURTHLIE • • • • • 12 IV. CAMPBELLS OF KINLOCH • • • 18 V. CHARLES CAMPBELL, 6TH LAIRD-THE "EXILE,, • • • • • 33 VI. CHARLES CAMPBELL, 6TH LAIRD (continued) 41 VII. THE LANDS OF KINLOCH • · 47 VIII. CHARLES CAMPBELL'S PORTUGUESE WIFE 54 IX. THE CHILDREN OF CHARLES THE " EXILE II 60 X. JOHN CAMPBELL, 8TH LAIRD-HIS CHILDREN • • • • XI. LIFE AT KINLOCH AT THE BEGINNING OF THE NINETEENTH CENTURY . 72 vii ... Vl11 CONTENTS PEDIGREES PAGE 1. 0HART PEDIGREE, CAMPBELLS OF KINLOCH IN MALE LINE • • • • 77 II. CHART PEDIGREE, DESCENDANTS OF DAUGHTERS OF JOHN CAMPBELL OF KINLOCH • • • • 77 III. THE BIRTHBRIEF TRANSCRIBED FOR PRINT- ING • • • • • • 77 NOTES CONCERNING SOME OF THE PERSONS MEN• · TIONED IN THE PREVIOUS PEDIGREES • 79 LIST OF ILLUSTRATIONS OLD SEIGNEURIAL MILL-" MILNTOWN OF STRATH- BRAAN " • •. -
Histoire Littéraire Du Règne De Louis XIV, Paris, Chez Prault Fils-Guillyn- Quillau Fils, 1751, 3 Vol
LAMBERT (Claude-François, abbé), Histoire littéraire du règne de Louis XIV, Paris, chez Prault fils-Guillyn- Quillau fils, 1751, 3 vol. TOME I Dédicace. Plan de l’ouvrage. Approbation et privilège. DISCOURS SUR LES PROGRÈS DES SCIENCES SACRÉES SOUS LE RÈGNE DE LOUIS XIV. Écriture Sainte. Théologie scholastique. Conciles. Théologie Morale. SS. Pères, Antiquités Ecclésiastiques. Droit Canon. Théologie polémique. Théologie Mystique. ÉLOGES HISTORIQUES : DES THÉOLOGIENS SCHOLASTIQUES, MORAUX, MYSTIQUES, DES CONTROVERSISTES, & DES CANONISTES – LIVRE PREMIER. Jacques Sirmond. Godefroi Hermant. Jean-Pierre Camus. Antoine Arnauld. Denis Petau. Pierre Nicole. Jacques Goar. Louis Thomassin. Jean Morin. Louis Ferrand. Jean Fronteau. Jean Gerbais. Pierre de Marca. Antoine Pagy. Blaise Pascal. Jean Le Bouthilier de Rancé, abbé de la Trappe. Théophile Rainaud. Jacques-Bénigne Bossuet. Amable de Bourzeis. Paul Pezron. Pierre L’Allemant. Jean Gisbert. Jean Nicolaï. Claude Frassen. Emmanuel Maignan. Richard Simon. Jean de Launoy. François de Salignac de La Mothe-Fénelon. François de Combesis. Bernard Lamy. Jean Garnier. Charles Witasse. Luc d’Acheri. Étienne Baluze. © Centre de recherche du château de Versailles / 2012 Louis Ellies Dupin. Jean Hardouin. Michel Le Tellier. Catalogue de ses ouvrages. Michel Le Quien. Eusèbe Renaudot. René-Joseph de Tournemine. Pierre-Daniel Huet. Edmond Martenne. Noël Alexandre. Charles Duplessis d’Argentré. Pierre Le Brun. Bernard de Mont-Faucon. Simon Gourdan. DISCOURS SUR LES PROGRÈS DE L’ÉLOQUENCE DE LA CHAIRE SOUS LE RÈGNE DE LOUIS XIV. ÉLOGES HISTORIQUES : DES ORATEURS SACRÉS – LIVRE SECOND Hardouin de Péréfixe. Jean de La Roche. Jean-François Senault. Fabio Brulart de Sillery. Claude de La Colombière. Mathieu Hubert. Jean-Louis de Fromentières. Charles de La Rue. -
An Irish Catholic
THE LIBRARYOF DENNIS MOLONY (1650-1726), AN IRISHCATHOLIC LAWYERIN LONDON Presented by JOHNBERGIN Queen's University, Belfast LIAM CHAMBERS Mary Immaculate College, Limerick 83 85 INTRODUCTION* Catalogues and inventories of private libraries constitute important historical sources for the history of reading, print culture and ideas.1 Book ownership among Irish Catholic laymen in the late seventeenth and early eighteenth centuries is almost entirely undocumented. A catalogue of the library of Denis Molony esq; late of Gray's-lnn, deceas'd (London, 1728) is a therefore particularly revealing and unusual example of the genre. Only a single copy, held by the Biblioth?que Nationale in Paris, is known.2 The catalogue, whose 376 lots comprise over 400 separate works, sheds important light on the educational formation, reading habits, intellectual an tastes and professional world of early eighteenth-century Irish Catholic career lawyer. Molony spent his professional working in London, though he maintained strong Irish and French connections, something borne out by the contents of his library. Dennis Molony was born in east County Clare in 1650, the son of James a O'Molony local minor gentry figure.3His uncle, John O'Molony, bishop of Killaloe and later of Limerick, was one of the most influential Irish * was a Small John Bergin's research for this edition funded by British Academy Research Grant to Professor David Hayton of Queen's University, Belfast. see: 1 For some discussion Roger Chartier, The order of books: readers, authors, and libraries in Europe between thefourteenth and eighteenth centuries (Cambridge, 1994), pp 1-23. - enormous 2 Call number Delta 48627. -
Domenico Scarlatti (1685-‐1757) Dr. Shelly Moorman-‐Stahlman
1 Domenico Scarlatti (1685-1757) Dr. Shelly Moorman-Stahlman; [email protected]; 11/8/2013 1685 Born in Naples, sixth of ten children; Father, Alessandro Scarlatti (1660-1725), maestro di cappella at court of Naples, previously well known composer of opera and cantata in Rome 1701 Vice-regal Chapel in Naples 1703-4 Took over senior position from father 1705-1709 Travelled to Venice 1708 Challenge with Handel at home of Cardinal Ottoboni in Rome 1709-1719 Travels in Rome; Composed operas for Queen of Poland who was exiled in Rome 1714-19 Maestro di cappella at Cappella Guilia in the Vatican 1719 Worked for Portuguese court in Lisbon, Portugal; Carlos Seixas and Maria Barbara are pupils 1728 Married first wife whom he met during a visit to Rome 1729 Moved with Maria Barbara to Madrid Spain and worked for Royal Court 1729 Court in Seville 1733 Court in Madrid 1738 First publication of 30 sonatas, Essercizi per gravicembalo 1738 Became a Knight 1739 First wife died (they had 5 children) 1742 Married second wife, a Spaniard (had 4 children together) 1757 Died July 23 in Madrid Major Figures in Spain Philip V and Elisabetta Farnese Maria Barbara married Prince of Asturia who later became Ferdinand VI Farinelli, famous castrato, employed and sang for King; 22 years at court 5 Florentine pianos listed in 1758 inventory of Queen Maria Barbara’s instruments Maria Barbara (1711-1758) Born Dec. 4 to King John V of Portugal and his wife, Maria anna, Archduchess of Austria. She was seven years old when Scarlatti arrived in Portugal 12 years old when Scarlatti -
Congreso Kings and Queen.Pdf
Wednesday, September 13th 2017. Salón de Actos: 9:00-10:00 Presentation: Kings & Queens 6: At the Shadow of the Throne Announcement of the winners of the second edition of the prizes given by the Royal Studies Journal and Christ Church Canterbury University. Announcement of the next Kings & Queens congress Keynote Opening Lecture given by Luis Antonio Ribot García (Royal Academy of History of Spain/UNED). 10:00-10:30-Break Salón de Actos Sala A Sala B Aula 331 10:30-12:00 At the shadow of the French and The Long Shadow of Ancient Sources and The court of Portugal at navarrese thrones: political the Throne: Managing the study of royal the end of the Medieval influence of consorts, princesses the Wider Dynastic power. Age. and princes. Network in the Seventeenth Century. Chair: Kristin Bourassa Chair: María Barreto Chair: Zita Rohr (Macquarie (University of Southern Dávila (CHAM). University, Sydney). Chair: Julio Arroyo Denmark). Vozmediano (UNED. -André Madruga Coelho -Eleonora Belligni (Università degli -Aleksandra Kleczar (CIDEHUS, University of Studi of Turin): King’s daughter and -Jonathan Spangler (Institute of Classical Évora): “From “sustainer of reformers”: The (Manchester University): Philology, Jagiellonian princedom to kingship: troubled life of Renée de France”. “Don’t forget me! The University): the dukes of Beja in the Courtenays emerge from “Philobasileus and context of the -Elena Woodacre (Winchester the shadows and demand Philalexandros. Craterus Portuguese late Medieval University): Carlos de Beaumont: in recognition as cousins of and Hephaestion in Monarchy (1453-1495). the shadow or shadowing Joan of Louis XIV , princes of his ancient sources”. -
Correnti Della Storia
CORRENTI DELLA STORIA DOMENICO SCARLATTI (1685-1757) November’s essay deals with the life of the composer, Domenico Scarlatti, one of the most famous Baroque composers, who spent much of his life in the service of the Portuguese and Spanish royal families. Chronologically, he is classified as a Baroque composer, although his music was influential in the development of the Classical style and he was one of the few Baroque composers able to transition into the Classical period. Like his renowned father, Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known primarily for his 555 keyboard sonatas, which substantially expanded the technical and musical possibilities of the harpsichord. Giuseppe Domenico Scarlatti was born in Naples on October 26, 1685 (this past Oct. 26 was the 331st anniversary of his birth), the same year as Johann Sebastian Bach and George Frideric Handel. He was the sixth of ten children of the composer and teacher Alessandro Scarlatti. Domenico’s older brother Pietro Filippo Scarlatti was also a musician. Domenico most likely studied music first under his father. Other composers who were his early teachers were Gaetano Greco and Francesco Gasparini, both of whom influenced his musical style. In 1701, just before his 16th birthday, he was appointed composer and organist at the royal chapel in Naples where his father was Maestro di Cappella. In 1704, he revised Carlo Francesco Pollaro- lo’s opera Irene for performance at the Teatro San Bartolomeo in Velasco’s portrait (1739) Naples. His father soon recognized that his son’s fascination with commemorating the dubbing of Scarlatti the harpsichord would need nurturing in an artistic climate more into the Order of Santiago on April 21, 1738 by King John V of Portugal. -
«Fastes Et Grandeur Des Cours En Europe »
PRESS KIT SUMMARY Introduction and practical information 3 Journey into the heart of the exhibition 6 Encounter with the curators 37 The scenographic itinerary 41 The “Must See” of the exhibition 45 The lenders 64 The Grimaldi Forum 66 The partners 68 2 ONCE UPON A TIME THERE WAS….. “The Magnificence and Grandeur of the Courts of Europe” Every year since the creation of the Grimaldi Forum in 2000, the Principality of Monaco has hosted a major exhibition of a patrimonial, artistic and historical nature. With its more than 2500 square meters, the Espace Ravel within Monaco’s cultural center provides a unique setting for a spectacular presentation. This year, the Grimaldi Forum Monaco’s summer exhibition coincides with an exceptional event: the marriage of HSH the prince Albert II with Mademoiselle Charlene Wittstock. As an echo of this great moment in the life of the Principality, the Grimaldi Forum has chosen as its summer exhibition theme The Magnificence and Grandeur of the Courts of Europe. The exhibition will be shown from July 11 to September 11. This genuine voyage back in time, from the 17th up to the 20th century, will enable visitors for the first time ever to enter into twenty European Courts, where they will encounter the great imperial and royal figures. During this splendid journey, a true “European tour,” visitors will meet: - The kings of Portugal, Joseph I, Louis I and Queen Maria Pia; - Philip V, grandson of Louis XIV, king of Spain, and Elisabeth, heir to the fabulous Farnese collections; - Napoleon and Josephine and the