Shrek the Musical
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Shrek the Musical Study Guide
The contents of this study guide are based on the National Educational Technology Standards for Teachers. Navigational Tools within this Study Guide Backward Forward Return to the Table of Contents Many pages contain a variety of external video links designed to enhance the content and the lessons. To view, click on the Magic Mirror. 2 SYNOPSIS USING THE LESSONS RESOURCES AND CREDITS TABLE OF CONTENTS Section 1 BEHIND THE SCENES – The Making of Shrek The Musical Section 2 LET YOUR FREAK FLAG FLY Section 2 Lessons Section 3 THE PRINCE AND THE POWER Section 3 Lessons Section 4 A FAIRY TALE FOR A NEW GENERATION Section 4 Lessons Section 5 IT ENDS HERE! - THE POWER OF PROTEST Section 5 Lessons 3 Act I Once Upon A Time. .there was a little ogre named Shrek whose parents sat him down to tell him what all little ogres are lovingly told on their seventh birthday – go away, and don’t come back. That’s right, all ogres are destined to live lonely, miserable lives being chased by torch-wielding mobs who want to kill them. So the young Shrek set off, and eventually found a patch of swampland far away from the world that despised him. Many years pass, and the little ogre grows into a very big ogre, who has learned to love the solitude and privacy of his wonderfully stinky swamp (Big Bright Beautiful World.) Unfortunately, Shrek’s quiet little life is turned upside down when a pack of distraught Fairy Tale Creatures are dumped on his precious land. Pinocchio and his ragtag crew of pigs, witches and bears, lament their sorry fate, and explain that they’ve been banished from the Kingdom of Duloc by the evil Lord Farquaad for being freakishly different from everyone else (Story Of My Life.) Left with no choice, the grumpy ogre sets off left to right Jacob Ming-Trent to give that egotistical zealot a piece of his mind, and to Adam Riegler hopefully get his swamp back, exactly as it was. -
SHREK the MUSICAL Official Broadway Study Guide CONTENTS
WRITTEN BY MARK PALMER DIRECTOR OF LEARNING, CREATIVE AND MEDIA WIldERN SCHOOL, SOUTHAMPTON WITH AddITIONAL MATERIAL BY MICHAEL NAYLOR AND SUE MACCIA FROM SHREK THE MUSICAL OFFICIAL BROADWAY STUDY GUIDE CONTENTS INTRODUCTION 3 Welcome to the SHREK THE MUSICAL Education Pack! A SHREK CHRONOLOGY 4 A timeline of the development of Shrek from book to film to musical. SynoPsis 5 A summary of the events of SHREK THE MUSICAL. Production 6 Interviews with members of the creative team of SHREK THE MUSICAL. Fairy Tales 8 An opportunity for students to explore the genre of Fairy Tales. Feelings 9 Exploring some of the hang-ups of characters in SHREK THE MUSICAL. let your Freak flag fly 10 Opportunities for students to consider the themes and characters in SHREK THE MUSICAL. One-UPmanshiP 11 Activities that explore the idea of exaggerated claims and counter-claims. PoWer 12 Activities that encourage students to be able to argue both sides of a controversial topic. CamPaign 13 Exploring the concept of campaigning and the elements that make a campaign successful. Categories 14 Activities that explore the segregation of different groups of people. Difference 15 Exploring and celebrating differences in the classroom. Protest 16 Looking at historical protesters and the way that they made their voices heard. AccePtance 17 Learning to accept ourselves and each other as we are. FURTHER INFORMATION 18 Books, CD’s, DVD’s and web links to help in your teaching of SHREK THE MUSICAL. ResourceS 19 Photocopiable resources repeated here. INTRODUCTION Welcome to the Education Pack for SHREK THE MUSICAL! Increasingly movies are inspiring West End and Broadway shows, and the Shrek series, based on the William Steig book, already has four feature films, two Christmas specials, a Halloween special and 4D special, in theme parks around the world under its belt. -
Shrek Jr. Cast and Crew List!
Page 1 of 3 Shrek Jr. Cast and Crew List! Congratulations to everyone who auditioned! The casting for this show was full of very difficult decisions. Mrs. Esquerra, Mrs. Hosker, Mrs. Joppich and I were blown away by the talent we saw from you. Being cast in a show (no matter how big or small the role) is a huge honor and responsibility. This is truly an ensemble art form. It cannot be completed alone. Each part from stage crew to actor plays a vital role in the success of the production. You are all blessed with a unique gift that only you can bring to the show. Due to the talent of everyone who auditioned, our decisions for casting took a lot of thought and consideration and we are very excited for the cast and crew we have put together. Congratulations once again! *Parents and students please fill out and have your child return the Role Acceptance Form to Miss Kelleher by November 20th. Cast: Storyteller 1……………………………………………………….…..Hanna Smith Storyteller 2………………………………………………………...….Abril Brea Storyteller 3……………………………..……………………..………Ana Rother Mama Ogre/Mama Bear………………………….………………...…Danielle Springer Papa Ogre/ Papa Bear……………………………………………..…Danny Boboltz Baby Ogre/Baby Bear ………………………………...…….………...Robbie Dubay Shrek…………………………………………………………….....….Collin Toole Captain of the Guards………………………………………….…...…Patrick Twomey Pinocchio……………………………………………………………....Colin McCauley Big Bad Wolf………………………………………………….….…....James Lau Pig 1……………………………………………………………….......Alex Aschenbrenner Pig 2…………………………………………………………….…......Arianna Gardiner Pig 3………………………………………………………….......……Ethan -
Shrek Audition Monologues
Shrek Audition Monologues Shrek: Once upon a time there was a little ogre named Shrek, who lived with his parents in a bog by a tree. It was a pretty nasty place, but he was happy because ogres like nasty. On his 7th birthday the little ogre’s parents sat him down to talk, just as all ogre parents had for hundreds of years before. Ahh, I know it’s sad, very sad, but ogres are used to that – the hardships, the indignities. And so the little ogre went on his way and found a perfectly rancid swamp far away from civilization. And whenever a mob came along to attack him he knew exactly what to do. Rooooooaaaaar! Hahahaha! Fiona: Oh hello! Sorry I’m late! Welcome to Fiona: the Musical! Yay, let’s talk about me. Once upon a time, there was a little princess named Fiona, who lived in a Kingdom far, far away. One fateful day, her parents told her that it was time for her to be locked away in a desolate tower, guarded by a fire-breathing dragon- as so many princesses had for hundreds of years before. Isn’t that the saddest thing you’ve ever heard? A poor little princess hidden away from the world, high in a tower, awaiting her one true love Pinocchio: (Kid or teen) This place is a dump! Yeah, yeah I read Lord Farquaad’s decree. “ All fairytale characters have been banished from the kingdom of Duloc. All fruitcakes and freaks will be sent to a resettlement facility.” Did that guard just say “Pinocchio the puppet”? I’m not a puppet, I’m a real boy! Man, I tell ya, sometimes being a fairytale creature sucks pine-sap! Settle in, everyone. -
Shrek the Musical Cast List
Shrek the Musical Fairy Tale Creatures Cast List Gingy – Adelia Haines Pinocchio – Logan Overturf Big Bad Wolf – Zach Abrams Shrek – James Long Shrek Understudy – Blake Brinsa Three Little Pigs Briksi - Ziona Patterson Youngest Fiona – Straw Baby - Emi Scarlett Abby Zimmerman Styx - Josie Hougham Teen Fiona – Kaylee Peraza Princess Fiona – Miyon Roston White Rabbit – Erica Burnett Ogress Fiona – Fairy Godmother – Sadie Waggerman Madison Bogart Peter Pan – DeSean Harrison Donkey – Jordon Prince Wicked Witch – Aarika Wilson Donkey Understudy – Sugar Plum Fairy – Zach Abrams Madison Coonce Tooth Fairy – Abby Dixon Lord Farquaad – Kyle Villaverde Ugly Duckling – Paige Hutson Lord Farquaad Understudy – Blake Brinsa/Zach Abrams Three Bears Papa Bear - Blake Brinsa Mama Bear – Audrey Resch Dragon – Alyna Mathews Baby Bear - Hunter Murray Dragon Understudy – Madison Coonce Mad Hatter – Derek Walsh Dragonettes Humpty Dumpty - Brimstone – Audrey Resch Quincy Knighten Smokey - Madison Coonce Humpty Dumpty Understudy - Ashley Summers Elf – Makayla Gandara Dwarf – Julien Harrison Three Blind Mice Captain Thelonius – 1. Kristina King Jadin Douglas 2. Alexis Baynon Duloc Guards 3. Molly Bryant 1. Julian Harrison 2. Quincy Jackson Bluebird – Kaylee Peraza 3. Donovan Ortiz 4. Adrian Craigmiles Bishop – Adrian Craigmiles Knights Little Shrek – Liam White 1. Israel Aguilar Mama Ogre – 2. Hunter Murray Delaney Bresnahan 3. Drake Zion Papa Ogre – Tyler Freeman 4. Jadin Douglas King Harold – Donovan Ortiz Queen Lillian – Pied Piper – Rusty Lasiter Sadie Waggerman Pied Piper’s Rats 1. Jaelee Pittel 2. Gavin Davis 3. Bella Rodriguez 4. Natalie Bryant 5. Julian Harrison 6. Kristina King 7. Elva Rodriguez 8. Quincy Jackson Angry Mob Happy People Natalie Bryant Marissa Pendergrast Julien Harrison Drake Zion Cara Emerson Hannah Schoonover Sam Littlecreek Angelina Hess Kristina King Ashley Summers Duloc Performers 1. -
Newsletter 06 17
Volume 27, Issue 6 June 2017 Young Fiona (Annelise Fa- gan), Teen Fiona (Maury Johnston), Storytellers (Kaylee Heitger, Kaylan Flemings, Lucy Johnston), Mama Ogre (Erin Stanphill), Papa Ogre (Brice Stone), Little Shrek (Tripp Riles), Captain of the Guards (George Bryan), Knights (Kimmie Moscato, t’s a “Big Bright Beautiful World” for everyone’s Mya Thorderson, Patrick Beasley, Zander Foster), I favorite ogre in Shrek The Musical Jr., based on the the Pied Piper (Meri Alan Wolfe), Bishop (Liam Oscar-winning DreamWorks Animation film. In a fara- Crownover), Dwarf (Dalton Orman), and a host of way kingdom, Shrek (Tyler Patterson) finds his Storytellers, Fairytale Creatures, Duloc Performers, swamp invaded by banished fairytale misfits, includ- Rats, and Trees (Jilli Grace Asa, Ivy Kate Benja- ing Pinocchio (Charlie Weir), Big Bad Wolf (John Pan- min, Shelby Burks, Kylie Byars, Annaleise Carroll, nell), the Three Pigs (Noah Turner, Meghan Crown- Ericka Clanton, Elizabeth Fulgham, Darby Gentry, over, Caleigh Martin), Wicked Witch (Michaela Heit- Eron Hendrix, Anna Leigh Jenkins, Rebecca ger), Peter Pan (Abbey Sanders), Ugly Duckling Johnston, Trinity Locke, Savannah Rose Scruggs, (Anne Frances Atkinson), Mama Bear (Zion Sims), Liv Vanlandingham). Papa Bear (Gavin Lane), Baby Bear (Brayden Har- Director Danielle Adams is supported by Assistant gett), Gingy (Ella Middleton), and Puss in Boots Director Emily Motes (Dawson Tackitt). These creatures have been cast and a host of other June 22-23 at 7:30 pm off by Lord Farquaad (Ethan Navarro), a small- adult volunteers. June 24 at 2:00 pm minded ruler with short-sighted ambitions. When Don’t miss this ut- Sponsored by: Shrek sets off with a wise-cracking Donkey (Caleb terly charming pro- Slone) to confront Farquaad, he’s handed a task: if duction! Tickets are he rescues the feisty Princess Fiona (Grace Gaddy) $10 for adults and Sponsored by: from the tower guarded by a fierce and fearsome $5 for students. -
A Supposed Happily Ever After: a Shrek and Into the Woods Analysis
Lehmann 1 Sarah Lehmann Dr. Aaron Adair THTR 4013 1 May 2017 A Supposed Happily Ever After: A Shrek and Into the Woods Analysis As new musicals are created, playwrights often refer back to existing productions to draw inspiration and plots- a common phrase in the theatrical world known as “history repeats itself.” In Sondheim's Into the Woods and Lindsay-Abaire’s Shrek The Musical, there are multiple similarities between the two shows. Though vastly different in execution, these productions are alike in plot content, humoristic style, and character development. Foremost, the most prominent correlation between the two shows is the plot. In both musicals, unlikely heroes go on a quest ordered by a hierarchy (for their benefit) and unknowingly break a spell. A singular example in Into the Woods is the Baker and the Baker’s wife going into the woods to find items in hopes of having a child. The Witch casts them out (to help her also gain her youth), and, in a triumph, they complete the task. Similarly, in Shrek the Musical, when Shrek and Donkey are sent to rescue a princess by Lord Farquaad, it is the higher power who ends up unsuccessful. Despite the contrast, the humor in each show is captivating. The writing “is extremely tight. [Meaning] that most scenes accomplish several functions simultaneously: moving the story Lehmann 2 forward, drawing us into the characters, making us laugh or sad or both simultaneously, setting up elements which will be revisited later on, and always entertaining us with highly original lines and scenes” (Freeman). -
Irradiance Caching at Dreamworks
Global Illumination Across Industries Ray Tracing vs. Point-Based GI for Animated Films Eric Tabellion [email protected] Introduction • Global Illumination (GI) usage at DreamWorks Animation – Bounce lighting – Ambient occlusion – HDR Environment map lighting (IBL) – Used on many films since “Shrek 2” • Used in a variety of shots • Various characters, props and environments • Global Illumination system – Using Ray Tracing and Irradiance Caching (IC) • [Tabellion and Lamorlette 2004] • [Krivanek et al. 2008] – Using point-based GI • [Christensen 2008] Direct Lighting Only Direct + Indirect Lighting Example: “How To Train Your Dragon ” Example: “How To Train Your Dragon ” Example: “Shrek Forever After” GI in Animated Film Production • Requirements: – High Quality • No noise, buzzing or popping – Artistic control • Offer physically correct starting point • Let the user tweak shaders further – Good shader integration – Speedy interaction • Add bounce cards to control lighting • Apply localized filters to GI – Scene complexity • Scene complexity is unbounded (more or less tuned) GI in Animated Film Production • Multi-department Impact: – Modelling & Animation • Geometry with bad contact / penetrations – Surfacing • Account for GI as a lighting scenario • Define bouncing characteristics – FX • Effects do illuminate and occlude – Lighting • GI not always intuitive – Light is coming from everywhere • GI produces simpler lighting rigs • Propagates well to other shots / sequences Ray-Tracing-Based GI System Overview • Micropolygon Deep Frame Buffer Renderer -
HP Converged Infrastructure Solutions Help Dreamworks Animation
HP Converged Infrastructure solutions help DreamWorks Animation create great films and blaze a path toward Instant-On Studio turns to HP technology to deliver more than 60 percent greater throughput and help break new ground faster than ever. “DreamWorks utilize about 5 percent of its rendering capacity from the cloud. In 2011, we intend to move more than 50 percent of our rendering capacity into the cloud.” Ed Leonard, CTO, DreamWorks Animation SKG Objective Popcorn, please Boost rendering throughput while minimizing It is one of life’s most universal pleasures: enter a power consumption and streamlining data center movie theatre, sit back in a comfortable chair, watch a requirements screen, and be swept away. DreamWorks Animation SKG delivered this an Approach unprecedented three times in 2010. Out of tens of Onsite testing showed that HP server blades, thousands of titles released in over 100 years of storage, networking, and cloud services would cinema, two DreamWorks Animation movies (Shrek boost efficiency and defer power capacity 2 and Shrek the Third) are among the top 25 all-time upgrade. highest-grossing films.* There are plans at DreamWorks Animation IT improvements to set more records—and the studio • More than 60% greater rendering throughput needs more acceleration from • More than 30% higher performance per watt technology. • Minimized server administration through remote “We hire people who have management unbounded imaginations,” • Service-level agreements in backup and archiving explains Ed Leonard, met or exceeded CTO, -
Matthew H. Sharack Sharackula.Com/Portfolio 4114 Franklin Avenue Los Angeles, CA 90027 • Mobile: (310) 916-6597 • [email protected]
Matthew H. Sharack sharackula.com/portfolio 4114 Franklin Avenue Los Angeles, CA 90027 • Mobile: (310) 916-6597 • [email protected] Sharackula April 2011 – Present Freelance Artist/Illustrator . PSYOP: Environment concept designs for pitch materials. DreamWorks TV: Environment concept designs for not yet announced television show . DreamWorks TV: Prop design for upcoming Puss in Boots television series . Nick Digital: Designed Title Font, Title Card and pitch materials for Welcome to the Wayne . Talenthouse.com: Winner of contest to create artwork for international DJ’s new record . Bandit Hideout: Created artwork for snowboard company show booth and catalogues for SIA 2013 DreamWorks Animation SKG January 2014 - February 2015 Story and Editorial Coordinator, Trolls . Managing the Editorial crew to produce scripted and storyboarded Executive Screenings and Preview every 3- 4 months . Teamed with Directors, Writers and Producers regarding story and editorial needs such as transcriptions, scheduling and extensive note taking . Ensuring all scratch and production dialogue is recorded and logged . Facilitated workflow and scheduling between coordinators and production assistants DreamWorks Animation SKG January 2005 – April 2011 Art Coordinator, Puss in Boots August 2008 – April 2011 . Managed set-up of review meetings for Director and other production management . Took notes for all daily status meetings with Artists, in addition to Director and CEO meetings . Organized all Artist folders and artwork according to character and location . Assisted Production Designer, Art Director and all Artists as needed . Researched art reference for film . Created sequence breakdowns, asset lists and surfacing call out sheets . Assisted Art Production Supervisor in keeping calendar updated as production needs changed Story and Script Coordinator, Monsters vs. -
Antz Bee Movie El Dorado Flushed Away Kung Fu Panda How to Train Your Dragon Madagascar Madagascar: Escape 2 Africa Monsters Vs
YOU ARE CORDIALLY INVITED TO THE OPENING RECEPTION FOR an exhibition of visual development and production artwork from DreamWorks DreamWorlds Animation’s feature films. PLEASE JOIN DREAMWORKS ANIMATION ARTISTS AND EXECUTIVES, ART CENTER PRESIDENT LORNE BUCHMAN, ART CENTER TRUSTEE ALYCE WILLIAMSON, ILLUSTRATION DEPARTMENT CHAIR ANN FIELD AND WILLIAMSON GALLERY DIRECTOR STEPHEN NOWLIN FOR THE OPENING OF DreamWorlds, a behind-the-scenes look at the artistry and imagination of animated filmmaking. THURSDAY, MARCH 4, 2010 7–8 PM PANEL DISCUSSION Ahmanson Auditorium 8–9 PM WILLIAMSON GALLERY RECEPTION Panel Discussion: Kathy Altieri DreamWorks Production Designer for the soon-to-be-released How to Train Your Dragon (March 26, 2010), Art Center alumna, ILLU ’81 Kendal Cronkhite DreamWorks Production Designer, Madagascar films, Art Center alumnus, ILLU ’87 Sam Michlap DreamWorks Visual Development Artist and DreamWorlds co-curator Alyce de Roulet Williamson Gallery Art Center College of Design | 1700 Lida Street | Pasadena, CA 91103 (Once on campus, please follow the signs for parking information.) featuring artwork from: ANTZ BEE MOVIE EL DORADO FLUSHED AWAY KUNG FU PANDA HOW TO TRAIN YOUR DRAGON MADAGASCAR MADAGASCAR: ESCAPE 2 AFRICA MONSTERS VS. ALIENS OVER THE HEDGE PRINCE OF EGYPT SHARK TALE SHREK SHREK 2 SHREK THE THIRD SINBAD SPIRIT: STALLION OF THE CIMARRON EXHIBITION DATES: MARCH 5 – MAY 9, 2010 DreamWorlds has been made possible through the support of DreamWorks Animation, Williamson Gallery Patrons and the Pasadena Art Alliance. Art Center extends a special thanks to all DreamWorks staff who have contributed to the exhibition’s development — in particular Angela Lepito, Sam Michlap, Brian Smith and Beverly Herman, without whose expertise, patience and commitment this project would never have been realized.. -
News Release
NEWS RELEASE For Immediate Release DATE: September 2016 CONTACT: Kori Radloff, [email protected], 402-502-4641 The Rose Theater announces the cast of Shrek The Musical Robby Stone Nik Whitcomb Lauren Krupski Brian Guehring Sue Gillespie Booton Colleen Kilcoyne Shrek Donkey Fiona Lord Farquaad Dragon Gingy (OMAHA, Nebr.) An ornery ogre, a peculiar princess, a talking donkey, a vertically- challenged villain and a love struck dragon are headed to The Rose Theater with the production of Shrek The Musical. The Broadway sensation, based on DreamWorks Animation’s 2001 blockbuster Shrek will run at The Rose, Sept. 30 through Oct. 15, 2016. The Rose is proud to announce the cast of Shrek The Musical. The cast consists of several Rose Theater favorites. Robby Stone (Honk, Peter & the Starcatcher, Big Nate, Jackie & Me) will bring the green ogre to life. Nik Whitcomb (Pete the Cat, Sherlock Holmes & the First Baker Street Irregular, Honk) plays Shrek’s sidekick Donkey. Princess Fiona will be played by Lauren Krupski (Cat in the Hat, Pete the Cat, A Christmas Story). Three Rose teaching artists will also be featured on stage: Brian Guehring (Robin Hood, Honk, Mary Poppins) as Lord Farquaad, Sue Gillespie Booton (Pete the Cat, Cat in the Hat) as Dragon, and Colleen Kilcoyne (Honk) as Gingy. Rounding out the adult cast are Jennifer Castello and Regina Palmer. Of special note, the cast includes several alumni and current participants of The Rose’s Teens ‘N’ Theater program. Shrek The Musical also features 12 youth performers who will share various roles throughout the show. = MORE = The Rose Theater t (402) 345-4849 2001 Farnam Street f (402) 344-7255 Omaha, NE 68102 www.rosetheater.org The Rose Theater announces Shrek cast Page 2 of 3 Contact: Kori Radloff, 402-502-4641 Shrek The Musical is based on the popular DreamWorks Animation movie.