The Bled Manifesto on Public Relations
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Central Florida Future, Vol. 36 No. 15, October 13, 2003
University of Central Florida STARS Central Florida Future University Archives 10-13-2003 Central Florida Future, Vol. 36 No. 15, October 13, 2003 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 36 No. 15, October 13, 2003" (2003). Central Florida Future. 1696. https://stars.library.ucf.edu/centralfloridafuture/1696 www. UCFnewS:Com Monday, October 13, 2003 101.9WJHM-FM,a.k.a.102JAMZ, Knights football sets record lows celebrates 15 years on the air. in 28-0 loss to Ohio Saturday. JAM LANDO -SEE LIFESTYLES, 83 B -SEE SPORTS, 81 Faculty Senate steps. towards protecting gays felt gays and lesbians faced no dis- other." "I don't thillk Doctor Hitt wants Next step is vote at crimination. Also discussed was President to make unilateral decisions, bl'.l.t AB Provost Terry Hickey and . John Hitt's decision to allow sometimes he has to," M<;>dani said. full Senate meeting Faculty Senate Chairman Arle~ American flag-s to be installed in ~'It's just one of those thing-s, execu Chase listened, Senators voiced UCF's classrooms, without the con tive authority combined with timeli PATRICIA XAVIER approval ·of the resolution, saying sultation of faculty members. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies. -
November 2-8, 2011 6OJPOT $IBNCFSPG$PNNFSDF
November 2-8, 2011 6OJPOT $IBNCFSPG$PNNFSDF 4()37%%+/.,9 4".&0-%4503: 3!6% #64*/&44746/*0/4 /.!,,3%26)#%3 3!6% !47//$93/!3)3 4FFPVS-BOTJOHFMFDUJPO -%$)4%22!.%!.$%,) ,!.3).'39-0(/.9/2#(%342! QSFWJFXFOEPSTFNFOUTTFFQBHF XXXTBWFMBOTJOHDPN 0!'% 2 www.lansingcitypulse.com City Pulse • November 2, 2011 Vote for Rory Neuner On November 8th www.roryneuner.com People for Rory Neuner, 907 Britten Ave, Lansing, Michigan 48910 The Peace Education Center’s Alternative Holiday Sale Saturday, November 12 9am - 4pm Local Artisans & Vendors Paid for by Elect B. Michael Williams Committee P.O. Box 11042 Lansing, MI 48901 Fair Trade Goods THE CHAMBER Peace & Justice helped Gov. Snyder cut our schools to give a $1.8 billion VOTE Groups tax break to rich CEOs. Lansing Chamber Press Release, 4/29/11 Bargains A’Lynne Robinson Warm drinks, Snacks Lansing City Council THIRD WARD and Hot Lunch THE CHAMBER available is fighting laws that protect our air, water and health. Lansing Chamber Press Release, 7/5/11 THE CHAMBER created a “scam” front group to attack candidates with mail and robocalls. MLive.com, 10/4/11 Join us all for an annual tradition celebrating community in the Unitarian Universalist THE CHAMBER Church Building doesn’t want Jody Washington 855 Grove Street in East Lansing (just east of Abbot Rd. across from on City Council. the East Lansing Public Library) (Learn why: www.jodywashington.com) for more information contact: Listen! Advocate! Lead! Paid for by: (517)515-5634 or www.peaceedcenter.org Jody Washington for City Council, 521 Nantucket , Lansing, MI 48906 Paid for by the Friends to Elect A’Lynne Robinson City Pulse • November 2, 2011 www.lansingcitypulse.com 3 The change we NEED A leader we TRUST VOTEVOTE LynneMartinez Vote Lynne Martinez for Lansing City Council on Tuesday, November 8 Paid for by: People for Lynne Martinez, 306 Leslie Street, Lansing, Michigan 48912 4 www.lansingcitypulse.com City Pulse • November 2, 2011 Feedback Mfcld\((#@jjl\() Support "Occupy," vote against consensus is. -
The Zyphoid Process & Great White North
The Zyphoid Process & Great White North The Zyphoid Process (sometimes stylized as The Zyphoïd Process) was probably the only band from Quebec that I actually truly adored. This melodic, chaotic, post-metalcore band featured members from various locations in the West Island of Montreal, but they practiced in the bassist’s house studio in Ile Perrot. Meeting from attending the same high school, College Charlemagne in Pierrefonds, Quebec, most of the members had crossed paths in previous bands. One of these, Deadly Awakening featured Simon Talbot on vocals, Pierre-Charles Payer on bass, Laurent Shaker and Eric Lapierre on guitars and Dave Powell on drums. Deadly Awakening played their only show in early August of 2007 at The Vault in Pierrefonds. Their set consisted of only covers; As I Lay Dying’s “Meaning in Tragedy”, Atreyu’s “Lip Gloss and Black”, Alexisonfire’s “Waterwings” and Killswitch Engage’s “My Last Serenade”. Shaker had also been jamming with another group of friends; Eric Lapierre and Raphael Sous-Leblanc on guitars with Shaker on bass. By the fall of 2007, a new band had formed featuring Simon and Raph on guitars and dual vocals, and PCP on bass. Simon was responsible for naming the new band. “The Zyphoid Process”, an alteration of “xiphoid process”, was a term he had come across during a first aid course. Musical influences came from Poison the Well, Norma Jean, The Chariot and other emocore and metalcore bands of the era. The first Zyphoid Process artwork ever created. October 2007, Nicolas Kudeljian Initially, the band continued jamming with Dave Powell on drums but this didn’t last very long. -
Led Zeppelin R.E.M. Queen Feist the Cure Coldplay the Beatles The
Jay-Z and Linkin Park System of a Down Guano Apes Godsmack 30 Seconds to Mars My Chemical Romance From First to Last Disturbed Chevelle Ra Fall Out Boy Three Days Grace Sick Puppies Clawfinger 10 Years Seether Breaking Benjamin Hoobastank Lostprophets Funeral for a Friend Staind Trapt Clutch Papa Roach Sevendust Eddie Vedder Limp Bizkit Primus Gavin Rossdale Chris Cornell Soundgarden Blind Melon Linkin Park P.O.D. Thousand Foot Krutch The Afters Casting Crowns The Offspring Serj Tankian Steven Curtis Chapman Michael W. Smith Rage Against the Machine Evanescence Deftones Hawk Nelson Rebecca St. James Faith No More Skunk Anansie In Flames As I Lay Dying Bullet for My Valentine Incubus The Mars Volta Theory of a Deadman Hypocrisy Mr. Bungle The Dillinger Escape Plan Meshuggah Dark Tranquillity Opeth Red Hot Chili Peppers Ohio Players Beastie Boys Cypress Hill Dr. Dre The Haunted Bad Brains Dead Kennedys The Exploited Eminem Pearl Jam Minor Threat Snoop Dogg Makaveli Ja Rule Tool Porcupine Tree Riverside Satyricon Ulver Burzum Darkthrone Monty Python Foo Fighters Tenacious D Flight of the Conchords Amon Amarth Audioslave Raffi Dimmu Borgir Immortal Nickelback Puddle of Mudd Bloodhound Gang Emperor Gamma Ray Demons & Wizards Apocalyptica Velvet Revolver Manowar Slayer Megadeth Avantasia Metallica Paradise Lost Dream Theater Temple of the Dog Nightwish Cradle of Filth Edguy Ayreon Trans-Siberian Orchestra After Forever Edenbridge The Cramps Napalm Death Epica Kamelot Firewind At Vance Misfits Within Temptation The Gathering Danzig Sepultura Kreator -
Media Release
Media Release FOR IMMEDIATE Two-Day Concert Set to Rock Cal Poly Pomona RELEASE 40 Bands Including Dashboard Confessional, Brand New, Jack’s Mannequin & Thrice July 21, 2006 Pomona, CA – Associated Students, Inc. (ASI) and Goldenvoice Concerts team up again to rock California with The Bamboozle Left festival at Cal Poly Pomona, the largest event ever to be hosted by the campus. On October 14 and 15, 2006 the Cal Poly Pomona Athletic Field will be transformed into a two-day music Contact: Candyce Otis festival where more than 40 bands including Dashboard Confessional and Brand New will perform live for ASI Communications (909) 869-2158 thousands of fans on three stages. Along with performances by well-known artists are bands that are on the cutting-edge in the independent music scene. To accompany the bands in the Hollywood-type theme of the festival will be a vendor village packed with band merchandise, acoustic performances and clothing companies selling new apparel. After a successful launch of an East Coast festival entitled The Bamboozle, John D’Esposito, president of MAX Cruise Entertainment, decided to take his musical creation to the west, or “Left” coast of the United States, called The Bamboozle Left. On Friday, October 14 fans will see such bands as Dashboard Confessional, Jacks’ Mannequin, Plus-44, Sugarcult, Hellogoodbye, and Cute Is What We Aim For. On Saturday, October 15, set to play are Brand New, Thrice, 30 Seconds to Mars, MURS, The Bled, and The Pink Spyders and other bands. New performers and guests will be announced in the coming weeks. -
NEW RELEASE GUIDE August 20 August 27 ORDERS DUE JULY 16 ORDERS DUE JULY 23
ada–music.com @ada_music NEW RELEASE GUIDE August 20 August 27 ORDERS DUE JULY 16 ORDERS DUE JULY 23 2021 ISSUE 18 August 20 ORDERS DUE JULY 16 PHYSICAL OUT 8.20.21 HIGHLIGHTS • Nearing 700K albums sold collectively in the United States • BTBAM’s Automata I (2018) sold over 13.5K albums first week • “Automata I” Billboard chart positions: #1 Independent, #4 Hard Music, #6 Rock Albums, #8 Top Albums • BTBAM’s Automata II (2018) sold over 10K albums first week “Automata II” Billboard chart positions: #1 Hard Music, #1 Independent, #1 Internet, #2 • ARTIST : BETWEEN THE BURIED AND ME Rock Albums, #7 Top Albums TITLE : COLORS II • BTBAM’s “Coma Ecliptic” (2015), debuted #12 on the Top 200, #1 Top Rock and Hard CATALOG # : SUM1547 Music, #1 Vinyl Albums UPC : 810016764472 BOX LOT : 30 • Tour History includes: SOLD OUT headline tours, and supporting acts such as Coheed and HOMETOWN : NORTH CAROLINA Cambria, Meshuggah, The Devin Townsend Project, Mastodon, Animals As Leaders + more GENRE : METAL / ROCK MSRP : $12.98 • BTBAM will be on tour Aug/Sept 2021 in support of their 21 year anniversary • BTBAM has an incredible die-hard fan base with over 6M reach through social media platforms * Returnable MARKETING POINTS TRACKLISTING • ‘Colors II’ will be available Digitally, CD and on VINYL 1. MONOCHROME • Consumer ad plan includes social media platforms such at Facebook and Instagram, in 2. THE DOUBLE HELIX OF EXTINCTION addition to search engine redirection associated campaign efforts, and both digital and 3. REVOLUTION IN LIMBO 4. FIX THE ERROR physical publications 5. NEVER SEEN/FUTURE SHOCK 6. -
Brutal Narratives, Savage Figures: on the Matter of Violence In
J. Martin Brutal Narratives, Savage Figures: On the Matter of Violence in Postmodern American Literature and Literary Criticism Brutal Narratives, Savage Figures: On the Matter of Violence in Postmodern American Literature and Literary Criticism is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License. This work was electronically published (Open Access) with the same title: Düsseldorf: Heinrich Heine U, 2009 © 2009 by J. Martin PREFACE In the introductory chapter of his monumental The Structure of Evolution ary Theory, Stephen Jay Gould ponders Darwin’s famous statement from the concluding chapter of his On the Origin of Species that “this whole volume is one long argument” without explicitly stating for what. From many possible answers, Gould prefers to regard Darwin’s “long argument” as an attempt to establish a specific methodological and theoretical approach (Darwin 459; Gould 12). In the process of sketching the scope and boundaries of this thesis, the question of the curious “long argument” became part of the general design. Besides the inquiry into the topic of violence in postmodern litera ture and literary criticism as such, this thesis tries to make a point for a methodological and theoretical approach that is postmodern and thematic at the same time, and that draws equally from literary and critical texts that belong to the same period: an approach intended to make elements, struc tures, and processes visible that connect literary texts of a given period with that period’s critical discourse, and to show how these shared charac teristics relate to their own rhetorical modes and to their reception in the public discourse. -
WARPED TOUR SURVIVAL GUIDE WARPED TOUR July 1 @ Cal State Long Beach 2005 July 3 @ Seaside Park, Ventura July 6 @ Pomona Fairplex by BRIEN OVERLY
VANS WARPED TOUR SURVIVAL GUIDE WARPED TOUR July 1 @ Cal State Long Beach 2005 July 3 @ Seaside Park, Ventura July 6 @ Pomona Fairplex BY BRIEN OVERLY It’s that time of year again, sweltering heat, Disneyland-priced concessions, 10-year-olds with liberty spikes and 40-year-olds with Sublime T-shirts, when even the most macho of dudes will don their girlfriends’ MAC eyeliner for a day. That’s right kids, punk rock summer camp is rolling through town again with the 11th annual Vans Warped Tour. Only the most successful touring festival in rock, Warped Tour always brings together the hottest bands in hardcore, emo, screamo, pop, alternative and even hip hop with the icons of punk past and present. It is with good reason that thousands of kids bear the sun and humidity to see them. Here we’re counting down the top 20 for you. Transplants TOP 20 BANDS 17. Silverstein – Melody and hook- cry. Well worth checking out to 11. Atreyu – Orange County unlike many bands that have been YOU NEED TO SEE driven vocals over hard-rocking satisfy the closet emo-pop fan in all hardcore at its finest. While their around as long as they have, they guitars and drums, Silverstein’s style of us. OC brethren in Avenged Sevenfold haven’t settled into a rut of AT WARPED TOUR is of course going to be more than a have taken an ’80s metal direction, regurgitating the same material little common at Warped this year. 14. Bullets and Octane – Raw, dirty, Atreyu’s members remain on the from the last 10 years. -
Kalbod Goshaie Janrhae Mosighi(Pdf)
2 ﮐﺎﻟﺒﺪﮔﺸﺎﻳﯽ ژاﻧﺮﻫﺎی ﻣﻮﺳﻴﻘﯽ ﭘﻮرﻳﺎ ﻣﻔﺘﻮن [email protected] 3 ژاھی ه : ر ن :ن ، ر ان وم آور: " ژاھی $#":ل،راک ، ھ$.-پ ، ,+ز،پ و )$ه ه:رن 12ت :/-ان: آ,4$3 ران 1387 12ت ظھی : 184 ص. 978 - 964 - 9353 68- :5- 8, و;9$ :9- ": :$. >ع: $#" ھ= – /ر? و # رده ,ی 4ه : 1387 2 ک 7 مML 3470 A رده ,ی د" : /63 781 =ره ," +" : 1152015 ژاھی ر ن [email protected] ﺷ : آ,4$3 ران ل پ : 1388 پ : اول طا : آرش B زاده و()' و %$#" آرا : E +خ ﺷ+رن : 2000 2 F$=9 : 3200 /ن =ره ,8: 5- 8- 93536 - 964 - 978 [email protected] " آ,4$3 ران: /-ان - I$,ن /92 طووس - I$,ن $=د - K زدھL - Jک 12 - واM 4 . 4 =ره /=س: 09126051710 – 88739148 4 , ) 9 9 ---------------------- ------ ----- ---------------------- # /رN2 اي ا,اO از ھ ------------------------ -- -------- -14 -14 دوران رو -------------------------------------------- 21 21 دوران ر$Qم --------------------------------------------- 22 22 :$QKم ------------------------ -------------------------- 22 22 رR $ر در اان ------- --- ----- - 23------------------------ $#S $ Oر Popular ------------- --- --- ------ - 24-------- $#O پ Pop -------------- ------------- --- ---- --------- 28 28 30------------- --- ------- --- ------------------- Trance T/ 31--- --- ------------- -- ------------------------- Techno U/ ,+ز Blues ------------------------------ - -------- ---- ------ 36 36 QWَ ,+ز Jazz blues -------- -------- ------ ---- 37------------- $#Jazz QWَ O ------------------ ---- --- --- ------------- 37-- و$ Progressive Jazz QWَ - ---- -- -- --------- ------- 41 41 Xل Soul --------------------------- --- -- ----- -
Západočeská Univerzita V Plzni Fakulta Pedagogická Bakalářská
Západočeská univerzita v Plzni Fakulta pedagogická Bakalářská práce 2014 Filip Fendrych ZÁPADOČESKÁ UNIVERZITA V PLZNI FAKULTA PEDAGOGICKÁ KATEDRA HUDEBNÍ KULTURY Hudební styl post-hardcore BAKALÁŘSKÁ PRÁCE Filip Fendrych Specializace v pedagogice, obor Popularizace hudební kultury Vedoucí práce: doc. Mgr. Tomáš Kun, Ph.D. Plzeň, 2014 Prohlašuji, že jsem bakalářskou práci vypracoval(a) samostatně s použitím uvedené literatury a zdrojů informací. Plzeň, 30. 6. 2014 ................................................................ vlastnoruční podpis Poděkování Rád bych poděkoval vedoucímu své bakalářské práce panu doc. Mgr. Tomáši Kuhnovi, Ph.D. za příkladné vedení práce, vstřícnost a cenné rady při vypracovávání mé bakalářské práce. OBSAH ÚVOD ................................................................................................................................................. 1 1 VZNIK HUDEBNÍHO STYLU POST-HARDCORE......................................................... 2 1.1 STRUČNÁ HISTORIE HARDCOROVÉ SCÉNY ........................................................................... 3 1.1.1 Životní styl ................................................................................................................ 5 1.1.2 Hardcore a politika .................................................................................................. 7 1.1.3 Móda ........................................................................................................................ 8 1.1.4 Taneční styl .............................................................................................................