What Do I Do Now? Laboratory Tales from Teaching Assistants 2003 - 2014

Total Page:16

File Type:pdf, Size:1020Kb

What Do I Do Now? Laboratory Tales from Teaching Assistants 2003 - 2014 What do I do Now? Laboratory Tales From Teaching Assistants 2003 - 2014 CHEM-601/BISC-603 Introduction to Laboratory Instruction1 Course website <www.udel.edu/chem/white/CHEM601F14.html> Instructors Hal White (2003-2014) and Seung Hong (2010-2012) TA Teaching Cases Edited by Prof. Hal White 1 Course Supported by HHMI Undergraduate Science Education Grants #52003754 and # 52005898 to the University of Delaware What Do I Do Now? Lab Tales From TAs-2003-2014 Page 2 INTRODUCTION TO TA TALES Financial support and incentives for offering Introduction to Laboratory Instruction, a course for first time Teaching Assistants in Chemistry and Biology, come from the Howard Hughes Medical Institute (HHMI) and their four-year Undergraduate Science Education Grants to the University of Delaware that began in September 2002, 2006, and 2010. The HHMI Undergraduate Program at the University of Delaware is dedicated to "stimulating attitudes of inquiry" in the classroom and in the laboratory. Traditional methods of laboratory instruction (e. g. "cookbook laboratories") often focus on transmission of information rather than cultivating curiosity and conceptual understanding. One of the goals of this course is to catalyze a shift in the perception of a teacher's role from the being source of all knowledge to being a facilitator of student curiosity and learning. In addition to understanding the content and purpose of laboratory exercises, graduate teaching assistants must be prepared to make good decision in situations they have not encountered before. One way to introduce teaching assistants to these responsibilities is through teaching cases. A teaching case is an incomplete story in which an unresolved problem is presented and left for the reader or discussants to analyze and propose reasonable action. Frequently there is no obvious solution. Although prompting questions are not provided, one should assume that discussion of each case should address the following: What are the issues involved? What are some appropriate courses of action? What are the implications of these actions? How could the situation have been prevented or muted? The 388 teaching cases that follow portray a variety of situations and are presented alphabetically by title and not in a topical order. The cases are listed by major topics in the index at the end and often deal with multiple topics. By reading and discussing cases, teaching assistants can become familiar with the types of problems they may encounter and the issues they should consider in dealing with them. Teaching assistants drafted most of the following cases as a final assignment in Introduction to Laboratory Instruction. The situations are fictionalized and edited but they usually are based on actual experiences. In order to maintain anonymity, the names of the authors are not associated with their cases. The following chemistry and biology teaching assistants contributed to this collection: In 2003 Lushanti Ariyananda, Piyal Ariyananda, Joseph Brobst, Subhendu Chakraborti, Thomas Daniel, Matthew Dreyfus, Laural Fisher, Fernando Jove, Vamsi Kodali, Haiguong Liu, Katie Heaton, Erin Heckler, Julie Lloyd, Kristy Longsdorf, Rebecca Mason, Trey Mills, Hong-Mu Pan, Mahitha Peddy, Danny Ramadan, Melissa Reinard, Ronak Rughani, Erinc Sahin, Daphne Salick, Dan Sauers, Megan Shalaida, Prabhavathi Srinivasan, Vinod Tarwade, Peng Wang, Jianfei Zheng, and Anne Marie Zimmerman. © 2014 Harold B. White, Department of Chemistry and Biochemistry, University of Delaware, Newark, DE 19716 What Do I Do Now? Lab Tales From TAs-2003-2014 Page 3 In 2004 Shalini Adla, Kouame Adou, Junjun Chen, Mayura Dange, Peter DeMatteo, Feng Gao, Sandip Kumar, Aaron Lee, Timothy Leftwich, Mark Madachik, Haiyun Meng, Wesley Monillas, Radhika Nagarkar, Amber Paschal, James Plampin, Obaidur Rahaman, Juan Carlos Rodreguez-Reyes, William Thielaker, Paul Tobash, Muhua Wang, Haixia Wu, Xiaocong Xie, John Young, and Xiaochun Zhang. In 2005 James Berry, Melissa Blackman, Stephanie Bolte, Holt Bui, Luke Ceo, George Craig III, Vidyadhar Daithankar, Andrew DeAngelis, Pengfei Guo, Matthew Hassink, Zhijun Jiang, Jason Kandel, Allison Kimball, Mary Kondos, Edward Miracco, Christopher Nelson, Jayasree Padmanabhan, Katherine Perrine, Carol Roach, Justin Spano, Jeffrey Spraggins II, Sangjin Sun, Tina Tao, Yuzhen Wang, and Christopher Zordan. In 2006 Christina Anderson, Sha Bai, Brad Bauer, Ryan Boris, William Bozza, Fang Dai, Joseph Davis, Yuqian Gao, Yun Han, Jennifer Jaje, Xun Liao, Pavan Kumar Mantravadi, Danielle Martin, Anil Pandey, Bayrammurad Saparov, Heather Schmidt, Gabriela Uceda, Guangbi Yuan, Yang Zhong. In 2007 Bridget Brennan, Ming Dong, David Gerstenhaber, Bryon Herbert, Yingxin Huang, Joseph Klems, Shuyuan Liu, Kaitlin Papson, Craig Paquette, Mark Pennington, Hui Ren, Ritesh Sheth Daniel Smith, Jing Wang, and Qiongjing Zou. In 2008: Anthony Antonelli, Bryan Bzdek, Diana Chavez, Huy Dao, Srimoyee Dasgupta, Anthony Doellman, William Green, Hua He, Laurel Kegel, Hee Jin Kim, Fei Li, Jia-Ming Lin, Timothy Miller, Katelyn Nagy, Diane Pham, Ramajeyam Selvaraj, Eric Sirianni, Natalee Smith, Cem Sonmez, Fangyuan Tian, Mark Villamil, Jialiang Wang, and Si Yan. In 2009: Eser Akturk, Lauren Brown, David Chu, Matt Emberger, Christina Forbes, Jia Gao, Stefan Hailey, Daniel MacDonald, Serge Ongagna, Shuching Ou, Mallika Pathania, Carol Roach, Eric Sakowski, Meghan Shields, Kevin Shuman, Carla Spence, Jessica Wallick, and Cay Williamson. In 2010: Sona Balasubramaniam, Samantha Brannick, Di Cui, John DiMeglio, Julia Eichhorn, Amber Geitter, Parkshit Gokhale, Eric Guardino, Tatsiana Haidziuskaya, Andrew Horan, Andrew Kastner, Aasma Khan, Jennifer Kurek, Jun Liu, Miho Maeda, Jesse McAtee, Jayme Paullin, Allen Pistner, Zhou Qi, Tracy Reisenberger, Cherish Skeen, Adam Tencer, Yao Yao, Jenna Yehl, and Yuchen Zhan. In 2011: Hemanth Akkiraju, Chelsie Bartoszek, Wei Bao, Jolie Blake, Chris Bowens, Tom Carr Jr., Richard Davis, Joyita Dutta, Jennifer Eddy, Michael Elbaum, Amanda Fisher, Fei Gao, Ping Gong, Changmiao Guo, Tingwei Guo, Kerri Guth, Sean Holmes, Linna Huang, Lingxi Jiang, Bryan Klebon, Jixin Liu, Xiaohan Liu, Manman Lu, Stephanie Luff, Casey Lumpkin, James Melnyk, Alfayo Michira, Anna Murphy, Kornkamon Nopmongkol, Joshua Ottaway, Wachen Peters, Kaitlin Read, Katherine Robbins, Steven Rossi, Rachel Schaefer, Kirk Shimkin, Archanedevi Siddam, Ye-Geun Song, Nadia Stepicheva, Zachary Voras, Christopher Weinacht, and Deb Yannessa. In 2012 Baxter W Abraham, Smriti Akshaya Agrawal, Rachel E Andrews, Fowajuh N Ann-Desdemonia, Christopher M Arble, Daniel T Barnes, Corey H Basch, Brianne Bentivegna, Jason Burch, Meixi Chen, Andrew P Cinderella, Daniel C Cummins, Katie M Daisey, Randall J Derstine, Vijayarajan Devannah, Yichen Duan, Reetika Dutt, Celia Foster, Habte Ghebremichael, Christopher M © 2014 Harold B. White, Department of Chemistry and Biochemistry, University of Delaware, Newark, DE 19716 What Do I Do Now? Lab Tales From TAs-2003-2014 Page 4 Goodwin, James K Hartman, Alenka Hlousek-Radojcic, Ching-Wen Hou, Yu-Ting Hung, Alexander J Jones, Debora Kamin-Mukaz, Hai Liang, Xi Lin, Alisa Michelle Litan, Xiaorong Liu, Rachel Leah Marine, Joan K Mogire, Priya Nigam, Kristine E Olli, Yu Peng, Ann M Ploskonka, Andrea Michelle Potocny, Clinita E Randolph, William B Reid, Kelsey M Roberts, Anna M Scott, Scott A Shuler, Lauren Shuman, Joseph P Smith, Padma Pradeepa Srinivasan, Kenneth B Tabor, Pan Teng, Anne M Terrell, Peijun Tu, Andrew R Urmey, Mingzhang Wang, Yichen Wang, Kaitlyn M Woerner, Yue Wu, Tiantian Yu, Daniel Ross Zakheim, Jing Zhang, Songnan Zhang, Zhengqi Zhang, Jing Zhao In 2013: Priscilla Akiakonu, Amal Aldossary, Gabriel Andrade, Ashley Chabot, Angelica Claxton, Mike Colgan, Lauren Cordeiro, Matthew Fitzsimons, James Hoos, Alicia Johnston, Yehia Khalifa, Justin Krasnomowitz, Mackenzie Lauro, Zhengxin Li, J- B Lubin, Andrew Noviello, Yiyun Peng, Monichan Phay, Abish Regmi, Ornella Sathoud, Amy Schaefer, Chris Stangl, Gulon Unai Tosin, Stephanie Velardo, Yi Wang, Yiben Wang, Mackenzie Williams, Bo Yuan, Chunting Zhang. In 2014: Salma Mohammed Faraq Al Saai, Michael Apsokardu, Ramachandran Balasubramanian, Catherine Bogdanowicz, Jephter Buahen, Long Chen, Rujin Cheng, Yuan Hsiang Cheng, Lauren Coffua, Soma Dash, Thomas Dewar, Alisha Di Ianni, Conroy Field, Kelly Fisher, Nicole Flynn, Matthew Fritz, Xiaoyun Fu, Weijun Gui, Ge Guo, Chuan He, Prasanna Joglekar, Lauren Kasecky-Lardner, Zhonghui Lai, Klare Lazor, Jingjing Li, Xiangpo Li, Jennie Liao, Solomon Lynch, Alize Marangoz, Maxwell Martin, Kelsey Miller, Katharine Minker, John Nguyen, Prajwal Paudel, Colleen Pike, Anthony Quagliano, Jie Ren, Sina Rezazadeh, Katarina Rohlfing, Barbara Romero, Benjamin Rupert, Rebbeca Sahraoui, Siqi Shen, Mahbubul Shihan, Shiva Shrestha, Ishnoor Sidhu, Shannon Staig, Aparana Swarup, Tianyu Tan, Tanvir, Wenfei Tian, William Trout, Vrathasha Vrathasha, Lan Wang, Marcie Wiggins, Yinan Zhang. Hal White, Course Instructor and HHMI Undergraduate Program Director Dept. of Chemistry and Biochemistry, University of Delaware, Newark, DE 19716 [email protected] 14 April 2015 © 2014 Harold B. White, Department of Chemistry and Biochemistry, University of Delaware, Newark, DE 19716 What Do I Do Now? Lab Tales From TAs-2003-2014 Page 5 TABLE OF CONTENTS Case Study Title Page Butterfingers 26 A Cause for Concern 10 Caller ID 26 A Lovely TA 10 Can I get your number? 26 A Sob Story 10 Can we move on? 27 A Specious Argument 11 Candy TA 27 A Stupid Graph 11 Canvas Gone Wrong? 28 After
Recommended publications
  • HEROES and HERO WORSHIP.—Carlyle
    z 2 J51 ^ 3 05 i 1 m Copyright, 1899, by Henry Altemus. Heroes and j ^ 'Hero Worship i CARLYLE ii i i]i8ijitimMin'iiwMM» i i jw [.TfciBBST,inrawn ^^ TttO/nAS Carlylc MERGES AND riERO WORSHIP #1^ ON HEROES, HERO-WORSHIP, AND THE HEROIC IN HISTORY. LECTURE I. THE HERO AS DIVINITY. ODIN. PAGANISM : SCAN^ DINAVIAN MYTHOLOGY. We have undertaken to discourse here for a little on Great Men, their manner of appearance in our world's business, how they have shaped themselves in the world's history, what ideas, men formed of them, what work they did ; —on Heroes, namely, and on their reception- and per- formance ; what I call Hero-worship and the Heroic in human affairs. Too evidently this is a large topic ; deserving quite other treatment than we can expect to give it at present. A large topic ; indeed, an illimitable one ; wide as Universal History itself. For, as I take it. Uni- versal History, the history of what man has- accomplished in this world, is at bottom the His- ! 6 Xecturcs on Ibcroes, tory of the Great Men who have worked here. They were the leaders of men, these great ones ; the modellers, patterns, and in a wide sense creators, of whatsoever the general mass of men contrived to do or to attain •, all things that we see standing accomplished in the world are properly the outer material result, the practical realization and embodiment, of Thoughts that dwelt in the Great Men sent into the world : the soul of the whole world's history, it may justly be considered, were the history of these.
    [Show full text]
  • Is There Life on Europa? Theses That Allow South African Runner Oscar Pistorius to Compete with Able-Bodied Athletes — Are Left to Later Sections
    OPINION NATURE|Vol 457|22 January 2009 Superman born of a 1930s United States adopting eugenic practices, to the nuclear- powered Spider-Man of the cold-war era and the psychologically disturbed Batman incar- nations of the therapy-obsessed 1980s and 1990s, every generation has its super people. Those portrayed in Heroes are the genetically enhanced Generation X of the superhero world — too busy to save the world because their own lives are in perpetual turmoil. Societies get the superheroes they need most. Human Futures and The Science of Many of the ‘superpowers’ portrayed in the television series Heroes are no longer science fiction. Heroes give a tantalizing glimpse of how science might make this a reality in a future but misplaced essay on ‘evidence dolls’, the powers, such as the ability to steal memory, are human existence. And given Carts-Powell’s creation of designers Anthony Dunne and already with us in the form of drugs that help talent for explaining the science, perhaps an Fiona Raby. The plastic miniatures are a victims of trauma to forget. army of her clones will take over high-school hypothetical future product in which to store Historically, superheroes are a snapshot of education. ■ sperm and hair samples of prospective repro- the relationship between science and society Arran Frood is a science writer based in the NBC UNIVERSAL PHOTO ductive partners. The dolls are personified by at any one time, based on their powers and United Kingdom. four women, who reveal how knowledge of how they obtained them. From the perfect e-mail: [email protected] their partner’s genes might influence their sexual and reproductive lifestyles.
    [Show full text]
  • Table Talk Transcript June 17, 2021
    School Lunch Tray Table Talk Transcript: June 17, 2021 Presenters: Speaker 1 – Shannon Yearwood, Speaker 2 – Susan Alston, Speaker 3 – Susan Fiore, Speaker 4 – Fionnuala Brown, Speaker 5 – Monica Pacheco Speaker 6 – Andy Paul, Speaker 7 – Teri Dandeneau, Sean Fogarty, Hostess – Michelle Rosado 0:03 Speaker 1 - Hi, and welcome to our last School Lunch Tray Table Talk for the School Year 2021. I’m Shannon Yearwood, the Education Manager with the Child Nutrition Programs at the Connecticut State Department of Education. 0:17 Joining me today is who I like to refer to as “Team Awesome,” because you have probably the best state administrators that any State could ask for, and they are right here as a resource for you to tap into. You know these are very strange times and just because this is the end of the Table Talk for this school year does not mean we are going anywhere. So certainly keep reaching out to us with your questions. 0:40 Um you guys know who your contacts are out there, who's on our team, so thank you so much for joining us. 0:45 Uh keep in mind, these at this will act as an open office hours, so certainly ask us your questions, type those into the box. We might run out of time, we have a packed agenda today, um and so that will help us be able to follow up with you. Or potentially develop some more resources that we know that that's some information that is good for the entire state, so thank you again for joining us, um and keep in mind these are recorded.
    [Show full text]
  • Labyrinths & Lizards Module
    Labyrinths & Lizards Page !1 Labyrinths & Lizards and the Egg or Irrgarten Introduction 3 meta-Character Creation 3 meta-Classes 3 meta-Health 4 meta-Spells 4 meta-Items 5 meta-Name 5 A fnal note about notes. 5 Deep in the Labyrinth... 6 Room 1 10 Room 2 12 Room 3 15 NEXT CHALLENGE 18 Smashing the Harness Engine 20 Once it is all over 20 End of the game 20 Plunder Chart 21 meta-NPCs 22 Prerolled meta-Characters 23 Lolinda 23 MoonDaze 23 Capt. Cheese 23 Trizz 23 Acknowledgements 24 IMPORTANT NOTE: Tis game was designed to play with the Tales from the Loop RPG core book. Request it at your local game store or visit their sight, you will not be disappointed. http://frialigan.se/en/ Labyrinths & Lizards Page !2 Introduction Labyrinths & Lizards is a module I created to help my new players with transitioning from a fantasy hack-n-slash style to a more story building-mystery based RPG like Tales from the Loop. The idea came from my experiences joining an after school RPG club back in my early teens (in the 80s that actually was). This was around the same age an time period of Tales from the Loop so I felt it was a perfect idea to help introduce the players. In Labyrinths & Lizards, their player-characters travel to the North Street Rec Center and play a mini meta-RPG with an NPC named Joshua (who later became a major NPC in our campaign). Players will use their Tales from the Loop PCs skills to roll the dice for their meta-Characters., and each room is designed to help them learn and understand their STATS & SKILLS for the Tales from the Loop game.
    [Show full text]
  • The Paradox of Nocturnality in Lizards
    The paradox of nocturnality in lizards Kelly Maree Hare A thesis submitted to Victoria University of Wellington in fulfilment of the requirement for the degree of Doctor of Philosophy in Zoology Victoria University of Wellington Te Whare Wnanga o te poko o te Ika a Mui 2005 Harvard Law of Animal Behaviour: “Under the most closely defined experimental conditions, the animal does what it damned well pleases” Anon. i n g a P e e L : o t o h P Hoplodactylus maculatus foraging on flowering Phormium cookianum STATEMENT OF AUTHORSHIP BY PHD CANDIDATE Except where specific reference is made in the main text of the thesis, this thesis contains no material extracted in whole or in part from a thesis, dissertation, or research paper presented by me for another degree or diploma. No other person’s work (published or unpublished) has been used without due acknowledgment in the main text of the thesis. This thesis has not been submitted for the award of any other degree or diploma in any other tertiary institution. All chapters are the product of investigations in collaboration with other researchers, and co-authors are listed at the start of each chapter. In all cases I am the principal author and contributor of the research. I certify that this thesis is 100,000 words or less, including all scholarly apparatus. ……………………… Kelly Maree Hare May 2005 i Abstract Paradoxically, nocturnal lizards prefer substantially higher body temperatures than are achievable at night and are therefore active at thermally suboptimal temperatures. In this study, potential physiological mechanisms were examined that may enable nocturnal lizards to counteract the thermal handicap of activity at low temperatures: 1) daily rhythms of metabolic rate, 2) metabolic rate at low and high temperatures, 3) locomotor energetics, and 4) biochemical adaptation.
    [Show full text]
  • Heroes (TV Series) - Wikipedia, the Free Encyclopedia Pagina 1 Di 20
    Heroes (TV series) - Wikipedia, the free encyclopedia Pagina 1 di 20 Heroes (TV series) From Wikipedia, the free encyclopedia Heroes was an American science fiction Heroes television drama series created by Tim Kring that appeared on NBC for four seasons from September 25, 2006 through February 8, 2010. The series tells the stories of ordinary people who discover superhuman abilities, and how these abilities take effect in the characters' lives. The The logo for the series featuring a solar eclipse series emulates the aesthetic style and storytelling Genre Serial drama of American comic books, using short, multi- Science fiction episode story arcs that build upon a larger, more encompassing arc. [1] The series is produced by Created by Tim Kring Tailwind Productions in association with Starring David Anders Universal Media Studios,[2] and was filmed Kristen Bell primarily in Los Angeles, California. [3] Santiago Cabrera Four complete seasons aired, ending on February Jack Coleman 8, 2010. The critically acclaimed first season had Tawny Cypress a run of 23 episodes and garnered an average of Dana Davis 14.3 million viewers in the United States, Noah Gray-Cabey receiving the highest rating for an NBC drama Greg Grunberg premiere in five years. [4] The second season of Robert Knepper Heroes attracted an average of 13.1 million Ali Larter viewers in the U.S., [5] and marked NBC's sole series among the top 20 ranked programs in total James Kyson Lee viewership for the 2007–2008 season. [6] Heroes Masi Oka has garnered a number of awards and Hayden Panettiere nominations, including Primetime Emmy awards, Adrian Pasdar Golden Globes, People's Choice Awards and Zachary Quinto [2] British Academy Television Awards.
    [Show full text]
  • Queer Orientation in Twentieth-Century American Literature
    QUEER ORIENTATION IN TWENTIETH-CENTURY AMERICAN LITERATURE By MICHAEL G. PARKER Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English CASE WESTERN RESERVE UNIVERSITY August 2016 ii CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of Michael Parker candidate for the degree of Doctorate Committee Chair T. Kenny Fountain Committee Member Michael Clune Committee Member Mary Grimm Committee Member Laura Hengehold Date of Defense 12 May 2016 *We also certify that written approval has been obtained for any proprietary material contained therein. iii Acknowledgements This dissertation is the culmination of seven years of idea generation and refinement regarding queer orientation. The project began during my first semester of graduate school when I wrote a seminar paper on the orientation of characters in Toni Morrison’s The Bluest Eye and Jazz toward their Southern homes after The Great Migration. Additional threads of this project can be found in papers I wrote about Hedwig and the Angry Inch, Moby Dick, and Alain Locke’s “The New Negro.” I am deeply grateful for those teachers who fostered my approach to literature by looking to orientation, including Thrity Umrigar and Marilyn Mobley. I consider myself lucky to have worked with and under a series of mentors who shaped this dissertation project directly. I want to thank Mary Grimm for her spirited discussions of the works of literature I selected and for directing me to include one work in particular. I am grateful for the experience and teaching of Michael Clune whose perspective on literature inspired much of my critical approach, specifically his emphasis on literature as doing something and as being worthy of close inspection.
    [Show full text]
  • Sugarman Done Fly Away’: Kindred Threads of Female Madness and Male Flight in the Novels of Toni Morrison and Classical Greek Myth
    Georgia State University ScholarWorks @ Georgia State University English Theses Department of English Summer 8-7-2010 ‘Sugarman Done Fly Away’: Kindred Threads of Female Madness and Male Flight in the Novels of Toni Morrison and Classical Greek Myth Ebony O. McNeal Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation McNeal, Ebony O., "‘Sugarman Done Fly Away’: Kindred Threads of Female Madness and Male Flight in the Novels of Toni Morrison and Classical Greek Myth." Thesis, Georgia State University, 2010. https://scholarworks.gsu.edu/english_theses/92 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ‘SUGARMAN DONE FLY AWAY’: KINDRED THREADS OF FEMALE MADNESS AND MALE FLIGHT IN THE NOVELS OF TONI MORRISON AND CLASSICAL GREEK MYTH by EBONY OLIVIA MCNEAL Under the Direction of Kameelah Martin Samuel ABSTRACT Madness in women exists as a trope within the literature from the earliest of civilizations. This theme is evident and appears to possess a link with male dysfunction in several of Toni Morrison’s texts. Lack of maternal accountability has long served as a symptom of female mental instability as imposed by patriarchal thought. Mothers who have neglected or harmed their young across cultures and time periods have been forcibly branded with the mark of madness. Female characters in five of Morrison’s novels bear a striking resemblance to the female archetypes of ancient Greece.
    [Show full text]
  • “THERE WILL BE TIME”: HEROISM, TEMPORALITY, and the SEARCH for OPPORTUNITY in MODERN LITERATURE by JOSEPH RUSSELL LEASE (Und
    “THERE WILL BE TIME”: HEROISM, TEMPORALITY, AND THE SEARCH FOR OPPORTUNITY IN MODERN LITERATURE by JOSEPH RUSSELL LEASE (Under the Direction of Jed Rasula) ABSTRACT This dissertation focuses on the convergence of heroism and temporality in Modernist literature. Its purpose is to illuminate both the ways in which changes in the perception of time transformed the portrayal of potential hero figures and, more importantly, how a viable alternative to the frequently assumed “death” of the hero within that period went largely unnoticed. The hero figure (who does the “right” thing, for the “right” reason, at the “right” time) is largely missing from literature of the time period because one or more of the elements of the formula is not met, and there are particular challenges during the decades in question to finding the “right” time to act due to an imbalance in Western cultural perceptions of temporality that favored an exclusively quantitative model over one that balanced both quantitative and qualitative aspects, such as that favored by the Greeks and demonstrated through the concepts of chronos and kairos. I highlight the consequences of the Modernist, chronocentric temporal model by examining different works that illustrate the difficulties of creating and presenting heroes in a world in which the timing of heroic action is nearly impossible to get right. Moreover, the selected authors’ disparate backgrounds and literary interests underscore that the question of heroic viability was of enough concern to appear frequently and across a broad spectrum of Western literature during the period in question. Specific examples include an analysis of four novels by Joseph Conrad that tracks his portrayals of the nature of heroism in the modern world; an examination of two specific forms of kairic failure—akairic desire and akairic environment, both of which permeate Modernism—found within works by T.
    [Show full text]
  • 2017 Annual Meeting Guide
    #APAAM17 psychiatry.org/ annualmeeting to the 2017 Annual Meeting Prevention Through Partnerships About This Guide psychiatry.org/annualmeeting In this book, you will find three sections: Program, New Research and the Exhibits Guide. Use these sections to navigate the 2017 Annual Meeting and experience all the meeting has to offer. Located within the Program, you will find a description of the various scientific session formats along with a log where you can record your daily attendance for the purpose of obtaining CME credit for your activities. The Program is first organized by day, then by session start time, with formats and sessions listed alphabetically under those times. Individual meeting days and program tracks are color- coded to make navigating the Program simple and easy. The New Research section lists the posters that will be presented at this meeting, organized numerically by session/day. There is a topic index at the end of the New Research section to assist you in finding the posters most interesting to you. The Exhibits Guide contains an acknowledgement to exhibitors for sponsorships, a list of the exhibitors and a floor plan of the Exhibit Hall, along with information about the Product Theaters, Therapeutic Updates, Career Fair, and Publishers Book Fair. Use this guide and the included exhibitor and author/presenter indices to navigate the exhibit hall and find precisely the booth you’re looking for. If you have any questions about this book or the scientific program, please feel free to stop by the Education Center, Ballroom 20 Foyer, Upper Level, San Diego Convention Center, and a member of the APA Administration will be happy to assist you.
    [Show full text]
  • Time and the Vanities of Existence in Antun Šoljan's Fiction
    Slovo. Journal of Slavic Languages, Literatures and Cultures ISSN 2001–7395 No. 55, 2014, pp. 60–76 Time and the Vanities of Existence in Antun Šoljan’s Fiction Denis Crnković Russian & Eastern European Studies, Gustavus Adolphus College [email protected] Abstract This paper explores the theme of hope and hopelessness in a selection of Antun Šoljan’s stories and novels and how the author creates in his heroes an interior atmosphere of inquiry that is paradoxically laden with uncertainty and the human instinct to move forward. A “parabolic moralist” (as Davor Kapetanić has called him), Šoljan depicts the world as more than a simple continuity of events, political, personal, private or public. His major concern is to make sense of man’s existence in a universe that confronts him with both linear time and a repetitive or circular series of events. Examining the apparent contradictions of linear vs. circular existence, the author often places his characters “out of time” and analyzes any given life by finding its important events, actions and desires. While Šoljan’s heroes often conclude that temporal things are of little lasting value, he leaves his philosophically and psychologically battered heroes with at least a small possibility of hope. Antun Šoljan, the undisputed voice of conscience in Yugoslav and Croatian literature for four decades after World War II, was a tireless writer of essays, plays, translations, novels and short stories. Because of its preoccupation with human existence in the midst of an oppressive political and social regime, his fiction is most often associated with that of the great existentialist writers of the mid-twentieth century.
    [Show full text]
  • Semiotic and Discourse Analysis of the Children's Program PJ Mask Or
    https://doi.org/10.17163/uni.n35.2021.04 Semiotic and discourse analysis of the children’s program PJ Mask or Héroes en pijamas Análisis semiótico y de discurso del programa infantil PJ Mask o Héroes en pijamas Briggette Dayanna Vega-Barriga National University of Loja, Ecuador [email protected] https://orcid.org/0000-0001-7294-3989 Mónica Maldonado-Espinosa National University of Loja, Ecuador [email protected] https://orcid.org/0000-0002-7521-6303 Received: 21/03/2021 Revised: 28/04/2021 Accepted: 18/05/2021 Published: 01/09/2021 Abstract This investigative work analyzes the discourse of the children’s series PJ Masks. The objective of our study is to determine the visual and linguistic resources used in the construction of the message. This analysis will allow us to recognize the recurring discursive characteristics, regarding the language used and the elements of visual semiotics, which allow a positive response from the children’s audience. A qualitative methodology was proposed through observation cards and discourse analysis, the linguistic and graphic characteristics present in two seasons of the children’s series were identified. In the series we recognize a simple language, words and phrases that are repeated in all episodes. The message revolves around a problem that one of the heroes must face, the conflicts that this creates for him and how with the support of his friends he overcomes it. The visual semiotic part reinforces the speech, allows the children to identify the colors of the costumes and the special places. The discursive strategies used in the PJ Mask series respond to a series of messages that seek to reinforce values in children, through the formula of continuous repetition of a message, changing the negative to the positive.
    [Show full text]